#RWRB script series
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barksilvered · 2 months ago
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RWRB script 1/?
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krissielee · 5 months ago
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This past Thursday, Casey Mcquiston was in my town for an event at the library. They were a block from my job—of COURSE I was gonna go!
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I headed over right after work and ended up third in line, and it was great to make a few friends while we waited (I got there stupid early lol). Once they let us in, we had the chance to take photos with a balloon arch and with some signs the library had made which I completely forgot about because my goal was getting a good seat. Got a few little trope stickers and CMQ book cover magnets (except The Pairing was a pin) before heading in for a place to watch them speak. I ended up front row, right in front of them.
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To be fair, that part wasn’t planned; there were two seats so they could’ve been not right there lol. I lucked out.
Regardless, it was a wonderful talk. I love them???? Like, obviously I love them, but they’re a joy to listen to. They spoke a bit about their writing process and had a few fun anecdotes to share.
A few things they mentioned:
-They are working on their fifth book. It is NOT the same thing they hinted at during the Pairing Tour. It is also NOT a sequel to anything. It is something adult, romantasy, and a bit of speculative fiction in the way OLS was speculative fiction.
-All they can say about the RWRB sequel is that a sequel was announced and that there is some part of a script somewhat written to some degree.
-It’s a LOT harder to write RWRB in this current political climate. They said it was hard before, but that this time around it’s worse. They want it to give hope—just as the first book did—but getting into a good mind space is tough.
-Apparently, the first time they met Nick on set, they had gone to the bathroom and he hid around the corner to jump out and introduce himself to them.
-Their favorite trope is forced proximity.
-If they weren’t a writer, they’d be a booze cruise DJ. Also, they have their boating license in two states.
-They blame You've Got Mail for their love of romcoms, as that was the first movie they went to see in theatre with their mom.
Obviously they said more over the course of their talk but those were a few fun ones. My details may be a little off on the grounds that I was a little starstruck, but the general overview is correct.
I’m hoping the library will YouTube the video like they do with a lot of their Enters the Chat series (they have their TJ Klune video uploaded, for fans of him, and Mark Oshiro, among others), because I want to watch it again.
Anyway, after the talk, they did a book signing, and since I was way up front, I ended up basically last in line—which is fine, because you know, yay new friends, and also it was chill to wait. The host, Jeff Adams, came over to chat with us while we waited, too, and he thanked my new friends and me for being up front and clearly engaged in the talk (side note: who wouldn’t have been engaged????), but he also spoke with Casey back in 2019 just before RWRB was initially released on the Big Gay Fiction Podcast that he hosted, so we got a little insight that way. Anyway, he’s SUPER nice and we nerded out for a few minutes because he’s big into accessibility which is a big thing I care a lot about as well, so yay, connections to keep in touch!
Once he left because he wanted to get home (valid), we just hung out in line: me, the friend I got to come with me, and this adorable little ball of anxiety college girl that I will love and protect for the rest of my life. She was the actual last in line because we decided she deserved that honor.
Casey was an angel, though. They were obviously tired by that point, but they still marveled at my AGCD-coded tabbed to hell and back book, and they loved my Alex Bearmont-Diaz. He was the hit of the night lol. So many people wanted his picture and I was told multiple times he needs his own Instagram account, haha.
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There were no posed photos, but the staff were taking people's phones and snapping shots of our interactions. Like I have 41 photos of the few minutes I got with them!
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Anyway, long story short … if you ever have the chance to meet Casey, do it! They’re just absolutely wonderful. 🥰
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mylucayathoughts · 5 months ago
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https://www.tumblr.com/mylucayathoughts/772401419457331200/why-doesnt-anyone-talk-about-the-fact-that-a
thanks for answering me! actually Ellie doesn't say anything... I think the script has been finished for a while... but they can't fit in the shooting. which makes me really sad because the sequel was actually the first commitment that nicholas took during the strike and the first to be announced publicly.... but 8 months have passed and no one says anything concrete about it. I'm starting to lose hope... it's all so strange for a film that is announced to know nothing after so long 💔
Of course, no problem 🫶
I too, believe that the script is finished. It's possible that they are working on the finer details but the storyline and most of the dialogues are complete.
Back when the sequel was publicly announced remember what Matthew said? He said that they knew for months that the sequel was happening. But they couldn't make it official yet before the signing of contracts. I think Nick got involved in a lot of other projects (with finished scripts) by then even if they weren't public news yet. And he will obviously stay committed to all of those projects including rwrb 2 but the sequel shooting timeline doesn't depend solely on him.
Between two movies of the same series, 3-4 years of gap is normal. You have to remember that they didn't really initially plan on the sequel. They had to reorganize and replan the entire thing once the movie started doing so well.
Rwrb was one of the most successful movies Amazon produced. Fans screamed about a sequel for months on their socials. They will definitely want to capitalize on the public demand. I'm sure Amazon is constantly working on finding a common schedule for everyone involved. Once they find it, other things will happen in very quick succession. Have faith 😌
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typicalopposite · 1 year ago
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W.I.P. Ask Game!
tagged by: @meraki-yao <3
Ask me anything about my WIPs! :)
(just like... be prepared... there's a lot... and I'm not even going to post them ALL! These are the ones I want to get up by 2025!)
Works Started
Shassie Fic
Psych fic! It's going to read like a 5+1 fic but with an added +2 lol! Just a chapter for each season starting with them pining and eventually getting together! Think the Shules timeline but Shassie instead... with some scene changes missing scenes episode swaps and all that! I swear I'll have a better summary when I post it!!!
you still haven't noticed (oh but baby, I have)
RWRB Fic. I have been sharing the snippets from lately. Another 5+1 fic (I love them ok!) about Alex noticing things about Henry through the their relationship. Gonna have a lil bit of angst because... well just because.
Happy Birthday to Me!
RWRB Fic. This was supposed to be written on my birthday... it didn't happen! but since their birthdays are in March... hopefully I get it up this month!
no one's more mystified than Shaan
RWRB Fic. ANOTHER 5+1 fic! Shaan POV. It's going to be part of the Zahraverse series, and will be kind of a parallel to the Zahra Deserves A Raise fic!
first rule of fight club
RWRB Fic. BAMF Henry! The jist? A guy punches Henry and Henry learns how to fight so it doesn't happen again.
Baby Mine
RWRB Fic. Kid fic. Henry and Ellen bond over baby June! :D very very cutesy very very fluffy as kid fics should be!
Three Nights
RWRB Fic. Sequel to Three Days!
Rewrite the Stars
RWRB Fic. Amnesia Henry! Amnesia takes place during the polo match.
Desperado
Destiel Fic. Fix it where Dean doesn't die and they retire. Of course Cas gets saved... what do you think I am a monster??
Kiss The Angel
Destiel Fic. Jack goes to the empty to save Castiel. Makes a deal with the Empty that Dean will reciprocate Cas love confession (with the catch of him not remembering Cas' confession) by the time the sun sets on the third day... or the Empty can have him too. Yes its a Little Mermaid themed fic :)
Make it Better
WangXian Fic. 5+1 fic. Five times LWJ uses WuJi on WWX and one time WWX uses it on LWJ! :)
Drunk XiChen Fic
WangXian Fic. Because one drunk Twin Jade of Lan is not enough apparently.
(boy, I am killing it with these summaries... I KNOW!)
Practical Cultivation
WangXian Fic. A Practical Magic themed fic! :)
Sympathy For the Devil's Spawn
Lucifer Fic. Season 6 fix it! Rory is stuck in a hell loop (the whole she goes back to confront her dad, makes him "abandon" her, rinse and repeat BS that was the series ending) but in reality he was there and a part of her life and HAPPY, but she thought she ruined his life by being born so she goes to hell to learn about him and gets trapped in a hell room :)
just a little while
Gallavich Fic. Gallavich take Liam after the series finale and are amazing uncles to Franny and Frank! its just a cute fic with some angst! I will finish it soon i SWEAR
IDEAS!
Arthur POV
RWRB Fic. probably will be a 5+1 of Arthur finding out about his cancer and spending time with his family up to the end. or something sappy shit like that!
The Puppy Trap
RWRB Fic. Yes another David fic with The Parent Trap theme!!
Henry and Oscar Fic
RWRB Fic. SOOOOOO what if they like bond over losing their dads.... that sounds bittersweet and delicious... right?? :)
Nutcracker Fic
RWRB Fic. @meraki-yao this one is for you! <3 and like... is self explainatory.
NoteBook Fic
RWRB Fic. Again self explanatory. Angst and angst and so much ANGST! but in a good way!
Practical Cultivation FirstPrince
RWRB Fic. I don't even know how to make this work... but I need to make this work!
Clap Your Hands If You Believe
WangXian Fic. Think how the kids bring Tinkerbell back to life... but make it WWX and restoring his golden core! :)
AAAND I think thats all... omg Imma have carpel tunnel from typing this!!!!
No Pressure Tagging: @onthewaytosomewhere @hgejfmw-hgejhsf @scripted-downfall and @taste-thewaste <3
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revjohno · 2 years ago
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RWRB: The Movie
Even before RWRB started climbing the bestseller lists back in 2019, the word was out: this one is going to be big! So Hollywood studios immediately began clamoring for movie rights, which Amazon Prime won in a sealed-bid auction. We fans then filled the internet with suggested cast lists—I was going to say, “none of which even came close to naming the actors eventually chosen, especially the principal leads.” But then a friend reminded me that he had actually suggested Rachel Hilson as Nora from the start, and (don’t read this next bit, Nick and Taylor), “I also had some great suggestions for Alex and Henry, which would have been perfect if they had gone for younger actors closer to the ages the novel specifies.” I sit corrected.
Meanwhile, we settled in to wait for an announcement that the movie was starting production, with a fervor unmatched by even the most rabid fans of the Left Behind series looking for the Second Coming. And we waited … and we waited … and we waited. First-time director Matthew Lopez, a Tony award-winning playwright who also wrote most of the script, seemed to be taking his sweet old time casting the film (though I suspect that once Nicholas Galitzine threw his hat into the ring to play Henry, no one else was even considered). And there matters sat. It didn’t take quite as long to start filming as Jesus has taken to return, but at times, it sure felt like it.
Then, with a rustling of angels’ wings and a blast from golden trumpets, the announcement came: the film had been completely cast and shooting was about to begin! Aside from the two leads, Matthew gave few particulars about who was playing whom, and almost no candid shots of scenes being filmed showed up on the web. There was a bit of flack when Rachel Hilson was announced as Nora, because of the book’s only Jewish character becoming Black. And when Queen Elizabeth II happened to die three weeks after principal shooting ended, people began speculating about the possibility of Matthew being psychic, since he had chosen to replace the novel’s Queen Mary with King James III. Obviously, it didn’t take Madame Cleo to predict that a 96-year-old lady might not survive much longer and that a male monarch would occupy the throne by the time of the movie’s premiere. But in the midst of all the mystery surrounding the film, we needed to talk about something.
Then shortly after shooting wrapped, Nicholas Galitzine was asked how faithful the movie was going to be to the novel. Somewhat nervously, I imagine (he later confessed in an interview with GQ that he never actually finished reading it, so no doubt he was a bit hazy about details), he cautioned us not to expect a carbon copy of the novel, but instead to treat the two as “entirely separate.” He then added, “I just hope that people will think of this as a fun movie.”
Sorry, Nick. RWRB is not a fun movie. Yes, like the novel, it is funny in spots (and Matthew’s script, which I felt actually improved on some of CMQ’s lines, is also remarkably faithful to the original in its general outline and inclusion of certain iconic scenes—far more than most movie adaptations). But the film is mainly concerned with serious issues, and aside from occasional lapses into preachiness, it treats these issues with sincerity, tenderness, and genuine feeling. And this is in no small part due to the performance of Nicholas Galitzine himself.
I find Nick Galitzine to be one of the most amazingly attractive human beings I have ever seen. It’s not just because of his handsome face; my admiration springs from his obvious innate decency, his endearingly goofy sense of humor, and his undeniable talent. There was no need for him to admit that he never finished the book—it’s not like we could have checked—but when asked, he told the truth, because he is an honest man. When the writer from GQ whispered that some other diners at the restaurant where they were meeting were getting irritated because Nick was being too noisy, he immediately got up on his crutches (he had chipped a bone in his ankle in an accident on the set of his latest project, Mary and George) and tottered over to apologize, an all-too rare example of consideration and good manners in this post-Trump world. When teased about his habit of calling everyone “mate” and hailing them as if they were long-lost BFF’s, Nick replied with a laugh, “Everyone is my friend—I’m just very excited to see them! I’m very enthusiastic!” I’m sure that truer words were never spoken.
Though Henry was easy to cast, the hunt for Alex took rather longer, because Matthew was searching for someone who demonstrated just the right chemistry with Nick. Then a thirty-year-old actor named Taylor Zakhar Perez put himself forward (too old, I would have thought, to play the 21-year-ol Alex; plus, at 6’2”, he was actually two inches taller than Nick, and CMQ had made a major plot point out of Henry’s superior height). But when Nick and Taylor first met, Matthew was called away for a few minutes, and he came back to find them talking nineteen to the dozen like they were old friends. At that moment, Matthew knew he had found his Alex. The possible objections were easily dealt with (Alex is no longer a college senior, but instead is now in law school, so he could easily be in his mid-twenties; and clever camera angles make Nick look taller. The script also creates a running joke out of Alex continually insisting that Henry cannot possibly be 6’2” as his fact sheet claims; and when they’re standing side-by side, Henry accuses Alex of wearing lifts.  Alex’s look of confused dismay makes us actually wonder). They are perfectly matched, and the result is screen magic.
I found Taylor to be a complete revelation. His last movie had been a quickly-forgotten (luckily for him) bomb called One Up, in which Taylor’s lines were mostly restricted to comments like, “No, girls can’t join our team! Girls can never compete with men in the field of …” (wait for it) “competitive gaming!” Huh? We’re not talking about professional wrestling or weight-lifting—we’re talking about computer games. Moreover, countless studies have shown that women’s reflexes are quicker than men’s, their brains are proportionately larger, and that men’s only real superiority is upper body strength. I thought that such ignorant sexism as Taylor’s character in One Up conveys was a thing of the past, but in a world where women can lose the right to control their own bodies at the stroke of a pen, maybe not.
Though Taylor has never before played so major a part (that I’m aware of), he acquits himself admirably here. From the moment Alex tries to persuade Nora to ditch the reception and “go do touristy things,” the role of Alex is obviously in just the right hands. As it turns out, Nora might have done well to accept Alex’s suggestion, because he gets drunk at the reception and manages to create an international incident. And I must say, I very much enjoyed Henry and Alex’s interaction at the reception. Not only was I finally able to visualize the exact sequence of events leading to the disaster with the cake; I loved Henry’s fury at Alex’s dismissal of the proper use of titles (more about this below). It may make Henry look like a snobbish prig (which is certainly how Alex sees him), but Henry doesn’t care what Alex thinks. It also shows just how far Alex can goad him. For a royal, displaying such fury is even worse than making a scene, because royals are supposed to smother their feelings and appear cool, calm, and collected, no matter how trying the circumstances. Alex may be the first person who has ever been so lippy with Henry, and he really gets under Henry’s skin by doing so. (Which he will later do in a much more literal manner ….)
Which leads me to the BIG question we all wondered about: did Nick and Taylor’s offscreen friendship translate into SIZZLING sex onscreen? Well—no. And that’s fine by me. Any time I want to watch porn, there are any number of sites I could visit (or—ahem—so they tell me). Instead, these sex scenes give us poetry—aching, tender, romantic, and beautiful, allowing us the chance to peek into the depth of the characters’ intimacy, something made possible only by the actors’ consummate artistry. (Sorry—I couldn’t resist that one.)
Their first sexual interaction happens at the New Year’s Eve party, where they spend the entire evening talking and laughing together in a way that completely excludes everyone else. But then while everyone is sharing kisses at midnight (and several beautiful women make a beeline for Alex), Alex notices the (unkissed) Henry staring at him, heartbreak writ large on his face. Henry grabs a magnum of champagne and disappears, so Alex tracks him into the frozen Rose Garden. Critics have commented that this scene is detectably CGI, but come on, people—the movie was filmed during the summer, and it’s not like they were going to fly cast and crew to South America for a true wintry landscape. Besides, the actors’ talent made them look cold, which more than met the needs of the scene.
The ensuing kiss is straight out of CMQ, and I thought Alex’s reaction to Henry’s grab-and-smooch is particularly good. At first he seems startled (though not shocked), but then he plainly starts getting into it. It is Henry who breaks away, with a look of shock and terror as he realizes what he has just done. Without a single word, Nick is able to show us exactly what Henry must be thinking: Oh, my God! I let the mask slip—again! How does this bloke always make me do exactly what I was brought up not to do—expose myself by showing my real feelings? Christ! I need to get out of here!
Now it’s up to Taylor to show Alex’s reaction to the incident. In the movie, he seems not to feel much more than mild surprise, and a vague curiosity about whether Henry might be gay. But in the book, Alex goes into full-on gay crisis mode because of his body’s immediate reaction, and he develops even more of an all-consuming obsession with Henry. CMQ devotes twenty pages to this issue, one which all LGBT’s must eventually face (and twenty pages is actually getting off easy—in my case, accepting my bisexuality took decades). But since the movie’s Alex readily acknowledges his male lovers, enjoying Henry’s kiss isn’t an issue for him at all. The only complication he now faces is coming out to his parents, though I’m sure they figured out that their son was bisexual long ago.
Then comes the White House dinner and the Red Room scene, after which Alex orders Henry to “come to my room at midnight, where I am going to do very bad things to you.” My aforementioned friend (the one with the cast list) points out that Henry unbuttons Alex’s shirt and begins kissing down his chest and stomach, and Alex leans back with a look of gratified pleasure, but then at the end of the scene, Henry is still fully dressed. (Didn’t Alex reciprocate?) Henry then invites Alex to a polo match back in the UK, at which we see the guys kissing and Alex pushing Henry onto his back and reaching down to remove Henry’s belt, and … that’s as graphic as it gets. Matthew rightly protested the movie’s “R” rating, since aside from a couple of f-bombs and a brief shot of Taylor’s bare backside, that’s it. An “R” rating? I suspect that it’s studio nervousness about a potential homophobic reaction, and if the execs are that squeamish, why did they buy the movie rights in the first place?
The final sex scene is extremely well done. Henry begins by telling Alex that he wants to make love to him, to which Alex uncomfortably replies, “Make love? Who says that anymore?” Well, maybe Henry didn’t want to scare you off,  Alex, by using the same words as he does in the book: “Please—I need you to fuck me.” But obviously, Alex intuits that this is exactly what Henry wants, because Alex says nervously, “Um—I’ve never—” to which Henry smiles and says, “Don’t worry—I went to an English boys’ boarding school,” which is a far more likely scenario for Henry to have been initiated into gay sex than a virginal 17-year-old Henry being seduced by one of his older brother’s friends.
The two lovers gaze at each other, and then they gently, almost reverently, begin to touch. It made me think of times at night when my wife and I are in bed, and I look at her asleep on the next pillow, and I touch her in exactly this way. My heart feels like it will burst, and wonder floods me as I realize that this woman, whom I have loved for all these years, actually loves me back. Can the human heart ever experience anything more wonderful than such a realization? The same knowledge shines out of the men’s eyes in this scene—I love him, and he loves me. Then the touching becomes more intense, and as the scene progresses, without a single word or sound, Nick conveys the exact moment when Taylor seemingly enters him, and precisely when the pain of initial penetration tips over into pleasure. I’ll say it again: this guy is amazing. Ever since I first started watching Nick’s movies, I have said that he can communicate more in ten seconds of silence than other actors can manage in a two-page monologue, and that is exactly what he does here. (And he still has no acting awards? I mean, really?)
Alex acknowledges to himself that making love is exactly what he has been doing with Henry all along, but by trying to share this realization he only succeeds in scaring Henry off. Henry begins deflecting every time Alex brings up their future together, a future which Henry believes to be impossible. Alex tells him, “I want to see you at a barbecue stand with sauce smeared all over your mouth, so I can lick it off,” to which Henry replies, “Don’t they have napkins in Texas?” Alex begins talking about spending time together after the election, when “we can be naked all day, and walk down the street holding hands” (presumably after they’ve put some clothes on). I loved watching Taylor’s face as he nervously suggests their eventually going public, and tries to make his declaration of love. And (as always), Nick perfectly conveys Henry’s troubled emotions, as Henry cuts Alex off by jumping into the lake. The fear on Henry’s face as he submerges himself in the water is a perfect visual metaphor for the doubts and terrors in which he is drowning.
And make no mistake—these fears are well-grounded, and very real. Henry was born into a world where nothing matters more than hierarchy and the strict rules which govern it—thus his insistence that Alex address him correctly as “Your Royal Highness” rather than “Your Majesty,” a title reserved the monarch alone. Priggish? Pretentious? Maybe—but take away the outward forms which maintain this artificial world, and who is Henry? And if Henry insists on being himself and steps outside the royal system, the punishment will be both immediate and severe.
Prince Harry and his wife were still newlyweds expecting their first baby while CMQ was writing the novel. No one could have predicted that the devil’s bargain between the Palace and the media (which always demands a villainous royal to skewer before they publish praise about a more important one) would lead to the vicious unpopularity Meghan Markle currently suffers. The written abuse heaped upon her (greatly assisted by social media) became so severe that she firmly believes it led directly to the loss of their second child. So they felt they had to flee the country if they were going to save their marriage and their family.
But as Prince Harry describes in his memoir, Spare, they soon discovered that for doing so, within twenty-four hours of their arrival in this hemisphere, his funds were cut off and they were officially evicted from both their royal residences. The very next morning, his security detail was taken away, leaving them homeless and unprotected in a world of crazy stalkers (from whom Meghan had been receiving death threats) and intrusive paparazzi. Harry also found that a private security firm would cost him roughly six million dollars a year, which would soon eat up every penny his mother had left him. Fortunately for Harry and Meghan, friends stepped into the breach to help them, but except for a very few, his family has turned on him with silent fury and stony faces ever since. Even Prince Andrew, convicted of molesting an underage female and who must register as a sex offender anywhere he goes for the rest of his life, got more generous treatment than this. All Harry did was put his love for his wife and children above royal duty, but for doing so he has been cast into the outer darkness. And for the sin of claiming his own right to fall in love with a brown-skinned American, Henry knows he would suffer the same fate.
But RWRB is a fairy tale, so of course everything works out fine in the end. The election which Alex’s forced outing has put into doubt ends with Ellen’s victory due to a strategy devised by Alex himself. Despite intense pressure from the royal family, Henry insists on staying with Alex and acknowledging their true feelings for each other, and the entire world rallies around them. It is a triumph for love and tolerance over “the stifling suffocation of heteronormative conformity.” (I wish I didn’t have to put that line into quotation marks, but no one who knows me would ever believe that I had come up with such an erudite and well-turned phrase on my own.)
I enjoyed the film immensely. I thought the actors were top-drawer, as was Matthew’s adaptation and direction. So what didn’t I like? The watering-down of the certain characters for one, but above all, the elimination of others, especially Alex’s sister June. Please bear with me, though, because I think I have a glimmer of understanding as to why Matthew might have done this. And with his love for the book, I am sure that he did not arrive at his decisions lightly.
Let’s start with the character of Nora. In the book, she is someone “with a computer for a brain” who adopts the online persona of “a depressed lesbian poet who meets a hot yoga instructor in a speakeasy and is now marketing her own line of hand thrown fruit bowls.” But in the film, she becomes little more than a walk-on, and her brilliant, prickly presence gets watered down into a warm and loving sister surrogate (necessary since June got axed—why include June when Nora can function for both?).  Now that Nora is Alex’s supportive older sister, obviously there’s no hint of their past relationship from the book, in which “they just had to fuck to get it out of the way.” And without June, there’s also no need for a lesbian subplot. In the process, almost all of Nora’s spunkiness gets lost, and once the reception scene and the discussion with Alex about Henry’s New Year’s Eve kiss are over, she has nothing much to do but smile from the sidelines as she pairs up with Pez (who is also reduced to almost nothing—Henry’s incredibly wealthy, highly amusing and sexually ambiguous best friend barely has two lines). By reducing these characters, the movie loses the interest they both bring (Nora in particular).
This sort of character reduction is not limited to Nora and Pez. Many remaining characters get sanitized as well, if not entirely deleted. The abrasive Zahra who threatens to “staple Alex’s dick to his leg if it’ll keep it in his pants” morphs into a wisecracker who serves the essential function of calling Alex to account and dealing out the discipline he so obviously requires, but who always remains a friend. She thereby becomes much more likable—I loved the original character, but I used to wonder how someone so rude could have made it so far in politics—but in the process she becomes much more bland, and we lose most of her salty, prickly humor.
The salty-tongued Ellen, who sometimes uses her children as props and who ruthlessly cuts Alex loose when he threatens to become a campaign liability, gentles down into mere exasperated bossiness when dealing with her only child, and in the process becomes a fairly minor character. She shows none of the grit and determination that would have led her from her mother’s bar all the way to the White House. She is also still married to Alex’s father, Oscar Diaz, who has morphed from an important California senator into an undistinguished Congressman whose speeches everyone (but Alex) ignores. With Oscar and Ellen still together, the character of June loses one more necessary function: supporting and protecting Alex in the wake of their parents’ divorce, as well as her habit of challenging him for the behavior she believes may be fallout from Alex’s still-conflicting loyalties to his warring parents. But in the movie, the only hint of conflict between Mom and Dad is Oscar asking his son not to tell his mother that Oscar has been smoking out on the Truman Balcony.
And then there’s Rafael Luna. His abrasive, mentoring character gets deleted entirely, and his seeming betrayal (which causes Alex such agonized soul-searching) gets replaced with actual betrayal by a shifty investigative reporter. Luna goes undercover to expose a sexual predator and to prevent such a person from entering the White House (if only there had been this sort of double agent on the Trump campaign!). But in the movie, the guys get outed because a reporter named Miguel, a former lover of Alex’s, becomes jealous when Henry and Alex go off together at the DNC. I loved the cameo by Joy Reid (as I also loved the cameos by Rachel Maddow—and Matthew, while you were at it, why didn’t you also get Steve Kornacki?) as she pushes the reporter to explain why he had done such an underhanded thing. With all the hypocrisy and smug sanctimoniousness typical of his breed, the reporter gives a BS answer about “the public’s right, and need, to know such things about the people they elect,” which Joy immediately challenges by pointing out that (a) Alex has not been elected to anything, and (b) he has a perfect right to keep his private life just that—private.
So why did Matthew make all these changes? I think it may be for one simple reason: anyone adapting a novel for the screen must first identify the elements that made the original so popular, and, since we’re talking Hollywood, those which are also the most marketable. Every word must somehow advance the main storyline, and all subplots that distract from it must be ruthlessly eliminated. Multiple characters get condensed into one who can represent them all. There has to be a conflict engineered by the villain of the piece, but the elaborate undercover plot organized by the Richards campaign would have taken too much screen time. So it gets replaced by one which might be summarized in ten words: “Hell hath no fury like that of a lover scorned.” Of course, in a romcom, the screenplay must finally lead to a happy ending, and here we get two: in England, the lovers wave to an adoring public from the Buckingham Palace balcony; and in the US, Ellen finds out that she’s been reelected even as she and Zahra are composing her concession speech. Then Ellen, Oscar, Alex, and Henry wave at adoring supporters cheering Ellen’s victory.
RWRB the novel is only marginally a romcom; it is really a coming-of-age story, its message one of self-acceptance through self-awareness. This is what makes it so wildly popular among the YA audience at whom it is aimed, since adolescence is the time when the struggle to know and acknowledge who we really are is the most difficult. Just before the election, Nora tells Alex that he has no reason to be afraid of people’s reactions to his bisexuality; all he has to do to cement his popularity is to “Be Alex.” It’s good advice for all of us: difficult though it often is, our only real path to a full and productive life is by knowing and accepting ourselves as we are. And as a wise woman once told me, being yourself is a lot easier than being anyone else.
But self-acceptance is a particularly thorny issue for LGBT’s, even if our mothers are liberal Democrats like Ellen Claremont and our fathers are “patron saints of unisex bathrooms” like Oscar Diaz. As members of the culture into which we are born, from our very first awareness we know that there is something different about us. Something which our society teaches us is loathsome and contemptible, and which will inevitably lead to our eternal damnation. This is a pretty tough concept to handle, and we’re forced to confront it even before we enter preschool. But it’s not an issue the movie chooses to address: instead, it focuses on almost exclusively the developing romance between the two principals. This shoves the film’s entire weight onto Nick and Taylor, but fortunately these young men both have broad shoulders, and their talent is more than able to carry it. That talent also keeps us rooting for their characters’ happy ending, and if some characters and most of the subplots get cut, well, you have to break a few eggs to make an omelet.
So. Do I love the book RWRB? Of course I do—and how I wish it had been around when I was struggling with my issues as a young bisexual man in the 1970’s, since it would have saved me years of shame and pointless suffering. I would then have been much more ready for my own happy ending when Bobbie eventually entered my life. And do I love the movie RWRB? I totally do—I’m always up for a romance, and that is what Matthew, Nick, and Taylor have given us. In some ways, I actually prefer the movie (even though I know that saying this may lead to the RWRB police showing up at my doorstep to confiscate my “History, Huh?” T-shirt). You see, there’s one big problem with publishing a book with such a current, up-to-the-minute feel and format: it quickly becomes about as glossy and stylish as last year’s slang, and so when the Commemorative Edition came out in 2022, I found it curiously dated (the best part, for me, was its illustrations by Venessa Kelley). I think the movie will age a lot better, because with only minor alterations, it could be adjusted to almost any era—it’s not tied nearly so closely as is the book to the Gen Z / Millennial generation.
But to love both book and film, one has to accept the essential correctness of Nick’s original analysis: they are two separate entities, or, if you will, two sides of the same coin. One side is self-awareness and self-acceptance eventually leading to true love, and the other is true love which can only be enjoyed by reconciling societal expectations with personal integrity. So I find the book and the movie equally wonderful, just different. And I treasure them both.
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firstprince-ao3feed · 2 years ago
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Alex Claremont-Díaz Answers Your Questions | Actually Me |GQ
Alex Claremont-Díaz Answers Your Questions | Actually Me |GQ https://ift.tt/96DKIY5 by happinessofthepursuit TITLE: Alex Claremont-Díaz Answers Your Questions | Actually Me |GQ LENGTH: 8m 36 s (eight minutes and thirty-two seconds) STATUS: Final Draft, Ready for Publication PROJECTED PUB DATE: October 16, 2024 CAMERA A, a center shot. FSOTUS ALEX Claremont-Diaz sits at a white table with a laptop open on the left. ALEX is wearing a white button down with a pattern of tiny yellow roses embroidered on underneath an orange corduroy jacket. A chain is visible below the loosely buttoned shirt and he’s wearing earrings with tiny gold roses to match his shirt. ALEX “One time in college I almost got a tramp stamp of Texas.” Words: 2339, Chapters: 1/1, Language: English Series: Part 9 of RWRB YouTube Interviews Fandoms: Red White & Royal Blue - Casey McQuiston Rating: Mature Warnings: No Archive Warnings Apply Categories: M/M Characters: Alex Claremont-Diaz, Henry Fox-Mountchristen-Windsor, Nora Holleran, June Claremont-Diaz Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor Additional Tags: Post-Canon, Canon Compliant, Screenplay/Script Format, YouTube, Interviews, Social Media, Characters Reading Fanfiction, or at least the summaries via AO3 works tagged 'Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor' https://ift.tt/2ksajZf December 05, 2023 at 02:34PM
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mulderscully · 2 years ago
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sorry this is random but I’m inspired by your rwrb gif set with the sense & sensibility quote… you know what I love about the rwrb movie? how the script repurposes quotes from the book in places that make sense for the movie. like ellen getting the “the b in lgbtq is not a silent letter” line or a reference to her making a PowerPoint (which imo was enough, we didn’t need to see the ppt) or in the book emails Henry references a sense and sensibility quote talking about their first time in LA and in the movie emails Henry references a different s&s quote in regards to Alex’s imposter syndrome. you can tell that matthew genuinely loves and knows the book deeply and knows how to ADAPT the material for the screen.
my bad i meant to answer this earlier then the doctor who trailer dropped and i lost my shit a bit but i got my brain back now.
yeah, absolutamente. there are a few changes here and there that i don't fully understand (especially taking rafael out and replacing him with miguel - it doesn't bother me but kinda perplexed me lol i'm used to it now though)
but overall imo the movie is a good adaptation because even though some things are different, the heart of the story is the same and honestly for that to feel true within the constraints of a two hour romantic comedy some things have to be changed/moved around and i think most of the changes actually serve the movie very well. if they had made a mini series they could've kept more of the book in, but the movie handled all of the important aspects perfectly imo and i think a lot of the book carries over enough that you can fill gaps with the canon of the book and it still feels honest.
i also have to say, i adore casey as a writer and as a person but they are white. & not latine white. matthew is latino. i'm latine. and the authenticity that matthew (and taylor) brought to alex and his experience as bisexual latino is absolutely phenomenal. the pillow talk between henry and alex where henry says, "i'm learning." is so fucking important and special and necessary, you know? love it.
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cricketnationrise · 2 years ago
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Weekend WIP Around
so. i'm bad at responding to tag games at the best of times. and then i worked 11 days straight and lost all sense of time and space. but! ive had several days off now, my head is screwed on relatively straight again, so here we go. thanks to: @cha-melodius @three-drink-amy @inexplicablymine @affectionatelyrs @dumbpeachjuice @welcometololaland @celaestis1 @indomitable-love @14carrotghoul @rmd-writes @doggernaut @sherryvalli @kiwiana-writes @leaves-of-laurelin and @read-and-write- for the MANY tags over the last two weeks! have some words! 💜🦗
I'm using @welcometololaland's 20 question game for writers and artists (thanks Lola, this is so fun!)
1. WIP List: (from my "Active WIPs" folder otherwise we'd be here 5eva) Game Changer (Noise Boys) Tortall AU [FTH] rwrb assassination attempt AU [FTH] jon/alanna Tortall canon-divergence [FTH] an incomplete list series going platinum sequel jack's off-season wishlist series rwrb kiss-cam omgcp say yes to the dress au
2. Which of your WIPs is currently the longest? Game Changer AU ~2.4k
3. Which WIP do you expect will end up the longest? eventually an incomplete list series since it has the most parts planned, but the going platinum sequel has more than a little potential to explode on me
4. Which WIP is your favourite to write/the most enjoyable to write? Why? I am SUPER enjoying writing the Game Changer AU right now, it's really fun coming up with all the prompts!
5. Which WIP do you find the most intimidating to write? Why? jon/alanna canon-divergence. hands down. it's not a pairing i usually seek out, and i want to write them believably, especially since it's for charity
6. Which WIP do you experience the most self-doubt about. Why? see above.
7. Which of your WIPs will you seek out a beta/sensitivity reader for? Why? probably everything on this list will get a beta pass, actually. kiss cam will depend on how long i end up making it/if it actually gets a whole plot XD
8. Have any of your WIPs been struck by the curse of writer's block? jon/alanna has less of a writer's block and more of a starting block, but i'm hopeful that once i figure out the plot the writing will come fairly easily. kiss-cam au I paused on purpose because i was writing The Mummy AU and Going Platinum at the same time and a third wip was driving me crazy.
9. Which WIP has your favourite OC? Tell us about them? none of them have OC's at this time
10. Which WIP is the sexiest? Going Platinum sequel 🤝 Jack's Off-Season Wishlist
11. Which WIP is the angstiest? rwrb assassination attempt AU, for obvious reasons
12. Which WIP has the best characterisation (in your humble opinion)? well, i hope all of them!
13. Which WIP has the best scene setting (in your humble opinion)? ditto from above
14. Which WIP have you worked the hardest on? as of today, Game Changer Tortall AU
15. Which WIP do you have the highest expectations for? Why? Going Platinum sequel. I cut a lot of ideas from the original fic because they didn't make sense with the hiding identities I had going on, so now that they're together, I'm really excited to figure out how alex's job (and henry's support of it) lets their relationship evolve and grow
16. Do you dream about any of your WIPs? not about any of these, but while I was writing the Mummy AU I watched the movie so frequently that I would regularly dream about that one.
17. Do any of your WIPs have particular complexities that your other fics don't? Going Platinum sequel - choreography complications since they still aren't showing their faces on the streams Game Changer Tortall AU - working within the framework of the show itself, possibly coding the whole thing to look like a script
18. Which WIP is the funniest or has the most humour? Game Changer AU for sure.
19. Do any of your WIPs contain outside POVs or a deep dive on a character other than the main ship? How are you finding that process? not right now!
20. Tell us one thing we don't know about one or more of your WIPs. say yes to the dress au - Bitty as Randy, but it's a Nurseydex endgame fic AND a bonus snippet from the Game Changer Tortall fic to make up for all the 6/7 sentences/wip weds i've missed :D
“Tonight’s guests: coming in fresh from a shower: it’s Merric Hollyrose! Looking around for somewhere to tie his horse: Owen Jesslaw! Tallest, oldest, last – and certainly not happy about it – it’s Neal Queenscove! And your host, me! I’ve been here the whole time.” “Welcome to Gamechanger, the only game show where the game changes every show. I am your host, Kel Mindelan, and I’m joined today by these three lovely contestants. Now, you all understand how the game works?” Merric shakes his head. “Nope.”  “Haven’t the foggiest,” says Owen cheerful as always in the face of the unknown. “You haven’t explained a dratted thing.” Neal pouts and Kel feels the last wisps of nerves melt away in response. Kel knows how to do this – getting Neal to hit peak dramatically grumpy levels is as natural as breathing. She throws Neal a cheeky grin before turning back to the camera. “That’s right! Our players have no idea what game it is that they’re about to play. The only way to learn is by playing, the only way to win is by learning, and the only way to begin is by beginning, so without further ado – let’s begin.”
Consider this an open tag to play along!
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revjohnobryon · 2 years ago
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RWRB: The Movie
Even before RWRB started climbing the bestseller lists back in 2019, the word was out: this one is going to be big! So Hollywood studios immediately began clamoring for movie rights, which Amazon Prime won in a sealed-bid auction. We fans then filled the internet with suggested cast lists—I was going to say, “none of which even came close to naming the actors eventually chosen, especially the principal leads.” But then a friend reminded me that he had actually suggested Rachel Hilson as Nora from the start, and (don’t read this next bit, Nick and Taylor), “I also had some great suggestions for Alex and Henry, which would have been perfect if they had gone for younger actors closer to the ages the novel specifies.” I sit corrected.
Meanwhile, we settled in to wait for an announcement that the movie was starting production, with a fervor unmatched by even the most rabid fans of the Left Behind series looking for the Second Coming. And we waited … and we waited … and we waited. First-time director Matthew Lopez, a Tony award-winning playwright who also wrote most of the script, seemed to be taking his sweet old time casting the film (though I suspect that once Nicholas Galitzine threw his hat into the ring to play Henry, no one else was even considered). And there matters sat. It didn’t take quite as long to start filming as Jesus has taken to return, but at times, it sure felt like it.
Then, with a rustling of angels’ wings and a blast from golden trumpets, the announcement came: the film had been completely cast and shooting was about to begin! Aside from the two leads, Matthew gave few particulars about who was playing whom, and almost no candid shots of scenes being filmed showed up on the web. There was a bit of flack when Rachel Hilson was announced as Nora, because of the book’s only Jewish character becoming Black. And when Queen Elizabeth II happened to die three weeks after principal shooting ended, people began speculating about the possibility of Matthew being psychic, since he had chosen to replace the novel’s Queen Mary with King James III. Obviously, it didn’t take Madame Cleo to predict that a 96-year-old lady might not survive much longer and that a male monarch would occupy the throne by the time of the movie’s premiere. But in the midst of all the mystery surrounding the film, we needed to talk about something.
Then shortly after shooting wrapped, Nicholas Galitzine was asked how faithful the movie was going to be to the novel. Somewhat nervously, I imagine (he later confessed in an interview with GQ that he never actually finished reading it, so no doubt he was a bit hazy about details), he cautioned us not to expect a carbon copy of the novel, but instead to treat the two as “entirely separate.” He then added, “I just hope that people will think of this as a fun movie.”
Sorry, Nick. RWRB is not a fun movie. Yes, like the novel, it is funny in spots (and Matthew’s script, which I felt actually improved on some of CMQ’s lines, is also remarkably faithful to the original in its general outline and inclusion of certain iconic scenes—far more than most movie adaptations). But the film is mainly concerned with serious issues, and aside from occasional lapses into preachiness, it treats these issues with sincerity, tenderness, and genuine feeling. And this is in no small part due to the performance of Nicholas Galitzine himself.
I find Nick Galitzine to be one of the most amazingly attractive human beings I have ever seen. It’s not just because of his handsome face; my admiration springs from his obvious innate decency, his endearingly goofy sense of humor, and his undeniable talent. There was no need for him to admit that he never finished the book—it’s not like we could have checked—but when asked, he told the truth, because he is an honest man. When the writer from GQ whispered that some other diners at the restaurant where they were meeting were getting irritated because Nick was being too noisy, he immediately got up on his crutches (he had chipped a bone in his ankle in an accident on the set of his latest project, Mary and George) and tottered over to apologize, an all-too rare example of consideration and good manners in this post-Trump world. When teased about his habit of calling everyone “mate” and hailing them as if they were long-lost BFF’s, Nick replied with a laugh, “Everyone is my friend—I’m just very excited to see them! I’m very enthusiastic!” I’m sure that truer words were never spoken.
Though Henry was easy to cast, the hunt for Alex took rather longer, because Matthew was searching for someone who demonstrated just the right chemistry with Nick. Then a thirty-year-old actor named Taylor Zakhar Perez put himself forward (too old, I would have thought, to play the 21-year-ol Alex; plus, at 6’2”, he was actually two inches taller than Nick, and CMQ had made a major plot point out of Henry’s superior height). But when Nick and Taylor first met, Matthew was called away for a few minutes, and he came back to find them talking nineteen to the dozen like they were old friends. At that moment, Matthew knew he had found his Alex. The possible objections were easily dealt with (Alex is no longer a college senior, but instead is now in law school, so he could easily be in his mid-twenties; and clever camera angles make Nick look taller. The script also creates a running joke out of Alex continually insisting that Henry cannot possibly be 6’2” as his fact sheet claims; and when they’re standing side-by side, Henry accuses Alex of wearing lifts.  Alex’s look of confused dismay makes us actually wonder). They are perfectly matched, and the result is screen magic.
I found Taylor to be a complete revelation. His last movie had been a quickly-forgotten (luckily for him) bomb called One Up, in which Taylor’s lines were mostly restricted to comments like, “No, girls can’t join our team! Girls can never compete with men in the field of …” (wait for it) “competitive gaming!” Huh? We’re not talking about professional wrestling or weight-lifting—we’re talking about computer games. Moreover, countless studies have shown that women’s reflexes are quicker than men’s, their brains are proportionately larger, and that men’s only real superiority is upper body strength. I thought that such ignorant sexism as Taylor’s character in One Up conveys was a thing of the past, but in a world where women can lose the right to control their own bodies at the stroke of a pen, maybe not.
Though Taylor has never before played so major a part (that I’m aware of), he acquits himself admirably here. From the moment Alex tries to persuade Nora to ditch the reception and “go do touristy things,” the role of Alex is obviously in just the right hands. As it turns out, Nora might have done well to accept Alex’s suggestion, because he gets drunk at the reception and manages to create an international incident. And I must say, I very much enjoyed Henry and Alex’s interaction at the reception. Not only was I finally able to visualize the exact sequence of events leading to the disaster with the cake; I loved Henry’s fury at Alex’s dismissal of the proper use of titles (more about this below). It may make Henry look like a snobbish prig (which is certainly how Alex sees him), but Henry doesn’t care what Alex thinks. It also shows just how far Alex can goad him. For a royal, displaying such fury is even worse than making a scene, because royals are supposed to smother their feelings and appear cool, calm, and collected, no matter how trying the circumstances. Alex may be the first person who has ever been so lippy with Henry, and he really gets under Henry’s skin by doing so. (Which he will later do in a much more literal manner ….)
Which leads me to the BIG question we all wondered about: did Nick and Taylor’s offscreen friendship translate into SIZZLING sex onscreen? Well—no. And that’s fine by me. Any time I want to watch porn, there are any number of sites I could visit (or—ahem—so they tell me). Instead, these sex scenes give us poetry—aching, tender, romantic, and beautiful, allowing us the chance to peek into the depth of the characters’ intimacy, something made possible only by the actors’ consummate artistry. (Sorry—I couldn’t resist that one.)
Their first sexual interaction happens at the New Year’s Eve party, where they spend the entire evening talking and laughing together in a way that completely excludes everyone else. But then while everyone is sharing kisses at midnight (and several beautiful women make a beeline for Alex), Alex notices the (unkissed) Henry staring at him, heartbreak writ large on his face. Henry grabs a magnum of champagne and disappears, so Alex tracks him into the frozen Rose Garden. Critics have commented that this scene is detectably CGI, but come on, people—the movie was filmed during the summer, and it’s not like they were going to fly cast and crew to South America for a true wintry landscape. Besides, the actors’ talent made them look cold, which more than met the needs of the scene.
The ensuing kiss is straight out of CMQ, and I thought Alex’s reaction to Henry’s grab-and-smooch is particularly good. At first he seems startled (though not shocked), but then he plainly starts getting into it. It is Henry who breaks away, with a look of shock and terror as he realizes what he has just done. Without a single word, Nick is able to show us exactly what Henry must be thinking: Oh, my God! I let the mask slip—again! How does this bloke always make me do exactly what I was brought up not to do—expose myself by showing my real feelings? Christ! I need to get out of here!
Now it’s up to Taylor to show Alex’s reaction to the incident. In the movie, he seems not to feel much more than mild surprise, and a vague curiosity about whether Henry might be gay. But in the book, Alex goes into full-on gay crisis mode because of his body’s immediate reaction, and he develops even more of an all-consuming obsession with Henry. CMQ devotes twenty pages to this issue, one which all LGBT’s must eventually face (and twenty pages is actually getting off easy—in my case, accepting my bisexuality took decades). But since the movie’s Alex readily acknowledges his male lovers, enjoying Henry’s kiss isn’t an issue for him at all. The only complication he now faces is coming out to his parents, though I’m sure they figured out that their son was bisexual long ago.
Then comes the White House dinner and the Red Room scene, after which Alex orders Henry to “come to my room at midnight, where I am going to do very bad things to you.” My aforementioned friend (the one with the cast list) points out that Henry unbuttons Alex’s shirt and begins kissing down his chest and stomach, and Alex leans back with a look of gratified pleasure, but then at the end of the scene, Henry is still fully dressed. (Didn’t Alex reciprocate?) Henry then invites Alex to a polo match back in the UK, at which we see the guys kissing and Alex pushing Henry onto his back and reaching down to remove Henry’s belt, and … that’s as graphic as it gets. Matthew rightly protested the movie’s “R” rating, since aside from a couple of f-bombs and a brief shot of Taylor’s bare backside, that’s it. An “R” rating? I suspect that it’s studio nervousness about a potential homophobic reaction, and if the execs are that squeamish, why did they buy the movie rights in the first place?
The final sex scene is extremely well done. Henry begins by telling Alex that he wants to make love to him, to which Alex uncomfortably replies, “Make love? Who says that anymore?” Well, maybe Henry didn’t want to scare you off,  Alex, by using the same words as he does in the book: “Please—I need you to fuck me.” But obviously, Alex intuits that this is exactly what Henry wants, because Alex says nervously, “Um—I’ve never—” to which Henry smiles and says, “Don’t worry—I went to an English boys’ boarding school,” which is a far more likely scenario for Henry to have been initiated into gay sex than a virginal 17-year-old Henry being seduced by one of his older brother’s friends.
The two lovers gaze at each other, and then they gently, almost reverently, begin to touch. It made me think of times at night when my wife and I are in bed, and I look at her asleep on the next pillow, and I touch her in exactly this way. My heart feels like it will burst, and wonder floods me as I realize that this woman, whom I have loved for all these years, actually loves me back. Can the human heart ever experience anything more wonderful than such a realization? The same knowledge shines out of the men’s eyes in this scene—I love him, and he loves me. Then the touching becomes more intense, and as the scene progresses, without a single word or sound, Nick conveys the exact moment when Taylor seemingly enters him, and precisely when the pain of initial penetration tips over into pleasure. I’ll say it again: this guy is amazing. Ever since I first started watching Nick’s movies, I have said that he can communicate more in ten seconds of silence than other actors can manage in a two-page monologue, and that is exactly what he does here. (And he still has no acting awards? I mean, really?)
Alex acknowledges to himself that making love is exactly what he has been doing with Henry all along, but by trying to share this realization he only succeeds in scaring Henry off. Henry begins deflecting every time Alex brings up their future together, a future which Henry believes to be impossible. Alex tells him, “I want to see you at a barbecue stand with sauce smeared all over your mouth, so I can lick it off,” to which Henry replies, “Don’t they have napkins in Texas?” Alex begins talking about spending time together after the election, when “we can be naked all day, and walk down the street holding hands” (presumably after they’ve put some clothes on). I loved watching Taylor’s face as he nervously suggests their eventually going public, and tries to make his declaration of love. And (as always), Nick perfectly conveys Henry’s troubled emotions, as Henry cuts Alex off by jumping into the lake. The fear on Henry’s face as he submerges himself in the water is a perfect visual metaphor for the doubts and terrors in which he is drowning.
And make no mistake—these fears are well-grounded, and very real. Henry was born into a world where nothing matters more than hierarchy and the strict rules which govern it—thus his insistence that Alex address him correctly as “Your Royal Highness” rather than “Your Majesty,” a title reserved the monarch alone. Priggish? Pretentious? Maybe—but take away the outward forms which maintain this artificial world, and who is Henry? And if Henry insists on being himself and steps outside the royal system, the punishment will be both immediate and severe.
Prince Harry and his wife were still newlyweds expecting their first baby while CMQ was writing the novel. No one could have predicted that the devil’s bargain between the Palace and the media (which always demands a villainous royal to skewer before they publish praise about a more important one) would lead to the vicious unpopularity Meghan Markle currently suffers. The written abuse heaped upon her (greatly assisted by social media) became so severe that she firmly believes it led directly to the loss of their second child. So they felt they had to flee the country if they were going to save their marriage and their family.
But as Prince Harry describes in his memoir, Spare, they soon discovered that for doing so, within twenty-four hours of their arrival in this hemisphere, his funds were cut off and they were officially evicted from both their royal residences. The very next morning, his security detail was taken away, leaving them homeless and unprotected in a world of crazy stalkers (from whom Meghan had been receiving death threats) and intrusive paparazzi. Harry also found that a private security firm would cost him roughly six million dollars a year, which would soon eat up every penny his mother had left him. Fortunately for Harry and Meghan, friends stepped into the breach to help them, but except for a very few, his family has turned on him with silent fury and stony faces ever since. Even Prince Andrew, convicted of molesting an underage female and who must register as a sex offender anywhere he goes for the rest of his life, got more generous treatment than this. All Harry did was put his love for his wife and children above royal duty, but for doing so he has been cast into the outer darkness. And for the sin of claiming his own right to fall in love with a brown-skinned American, Henry knows he would suffer the same fate.
But RWRB is a fairy tale, so of course everything works out fine in the end. The election which Alex’s forced outing has put into doubt ends with Ellen’s victory due to a strategy devised by Alex himself. Despite intense pressure from the royal family, Henry insists on staying with Alex and acknowledging their true feelings for each other, and the entire world rallies around them. It is a triumph for love and tolerance over “the stifling suffocation of heteronormative conformity.” (I wish I didn’t have to put that line into quotation marks, but no one who knows me would ever believe that I had come up with such an erudite and well-turned phrase on my own.)
I enjoyed the film immensely. I thought the actors were top-drawer, as was Matthew’s adaptation and direction. So what didn’t I like? The watering-down of the certain characters for one, but above all, the elimination of others, especially Alex’s sister June. Please bear with me, though, because I think I have a glimmer of understanding as to why Matthew might have done this. And with his love for the book, I am sure that he did not arrive at his decisions lightly.
Let’s start with the character of Nora. In the book, she is someone “with a computer for a brain” who adopts the online persona of “a depressed lesbian poet who meets a hot yoga instructor in a speakeasy and is now marketing her own line of hand thrown fruit bowls.” But in the film, she becomes little more than a walk-on, and her brilliant, prickly presence gets watered down into a warm and loving sister surrogate (necessary since June got axed—why include June when Nora can function for both?).  Now that Nora is Alex’s supportive older sister, obviously there’s no hint of their past relationship from the book, in which “they just had to fuck to get it out of the way.” And without June, there’s also no need for a lesbian subplot. In the process, almost all of Nora’s spunkiness gets lost, and once the reception scene and the discussion with Alex about Henry’s New Year’s Eve kiss are over, she has nothing much to do but smile from the sidelines as she pairs up with Pez (who is also reduced to almost nothing—Henry’s incredibly wealthy, highly amusing and sexually ambiguous best friend barely has two lines). By reducing these characters, the movie loses the interest they both bring (Nora in particular).
This sort of character reduction is not limited to Nora and Pez. Many remaining characters get sanitized as well, if not entirely deleted. The abrasive Zahra who threatens to “staple Alex’s dick to his leg if it’ll keep it in his pants” morphs into a wisecracker who serves the essential function of calling Alex to account and dealing out the discipline he so obviously requires, but who always remains a friend. She thereby becomes much more likable—I loved the original character, but I used to wonder how someone so rude could have made it so far in politics—but in the process she becomes much more bland, and we lose most of her salty, prickly humor.
The salty-tongued Ellen, who sometimes uses her children as props and who ruthlessly cuts Alex loose when he threatens to become a campaign liability, gentles down into mere exasperated bossiness when dealing with her only child, and in the process becomes a fairly minor character. She shows none of the grit and determination that would have led her from her mother’s bar all the way to the White House. She is also still married to Alex’s father, Oscar Diaz, who has morphed from an important California senator into an undistinguished Congressman whose speeches everyone (but Alex) ignores. With Oscar and Ellen still together, the character of June loses one more necessary function: supporting and protecting Alex in the wake of their parents’ divorce, as well as her habit of challenging him for the behavior she believes may be fallout from Alex’s still-conflicting loyalties to his warring parents. But in the movie, the only hint of conflict between Mom and Dad is Oscar asking his son not to tell his mother that Oscar has been smoking out on the Truman Balcony.
And then there’s Rafael Luna. His abrasive, mentoring character gets deleted entirely, and his seeming betrayal (which causes Alex such agonized soul-searching) gets replaced with actual betrayal by a shifty investigative reporter. Luna goes undercover to expose a sexual predator and to prevent such a person from entering the White House (if only there had been this sort of double agent on the Trump campaign!). But in the movie, the guys get outed because a reporter named Miguel, a former lover of Alex’s, becomes jealous when Henry and Alex go off together at the DNC. I loved the cameo by Joy Reid (as I also loved the cameos by Rachel Maddow—and Matthew, while you were at it, why didn’t you also get Steve Kornacki?) as she pushes the reporter to explain why he had done such an underhanded thing. With all the hypocrisy and smug sanctimoniousness typical of his breed, the reporter gives a BS answer about “the public’s right, and need, to know such things about the people they elect,” which Joy immediately challenges by pointing out that (a) Alex has not been elected to anything, and (b) he has a perfect right to keep his private life just that—private.
So why did Matthew make all these changes? I think it may be for one simple reason: anyone adapting a novel for the screen must first identify the elements that made the original so popular, and, since we’re talking Hollywood, those which are also the most marketable. Every word must somehow advance the main storyline, and all subplots that distract from it must be ruthlessly eliminated. Multiple characters get condensed into one who can represent them all. There has to be a conflict engineered by the villain of the piece, but the elaborate undercover plot organized by the Richards campaign would have taken too much screen time. So it gets replaced by one which might be summarized in ten words: “Hell hath no fury like that of a lover scorned.” Of course, in a romcom, the screenplay must finally lead to a happy ending, and here we get two: in England, the lovers wave to an adoring public from the Buckingham Palace balcony; and in the US, Ellen finds out that she’s been reelected even as she and Zahra are composing her concession speech. Then Ellen, Oscar, Alex, and Henry wave at adoring supporters cheering Ellen’s victory.
RWRB the novel is only marginally a romcom; it is really a coming-of-age story, its message one of self-acceptance through self-awareness. This is what makes it so wildly popular among the YA audience at whom it is aimed, since adolescence is the time when the struggle to know and acknowledge who we really are is the most difficult. Just before the election, Nora tells Alex that he has no reason to be afraid of people’s reactions to his bisexuality; all he has to do to cement his popularity is to “Be Alex.” It’s good advice for all of us: difficult though it often is, our only real path to a full and productive life is by knowing and accepting ourselves as we are. And as a wise woman once told me, being yourself is a lot easier than being anyone else.
But self-acceptance is a particularly thorny issue for LGBT’s, even if our mothers are liberal Democrats like Ellen Claremont and our fathers are “patron saints of unisex bathrooms” like Oscar Diaz. As members of the culture into which we are born, from our very first awareness we know that there is something different about us. Something which our society teaches us is loathsome and contemptible, and which will inevitably lead to our eternal damnation. This is a pretty tough concept to handle, and we’re forced to confront it even before we enter preschool. But it’s not an issue the movie chooses to address: instead, it focuses on almost exclusively the developing romance between the two principals. This shoves the film’s entire weight onto Nick and Taylor, but fortunately these young men both have broad shoulders, and their talent is more than able to carry it. That talent also keeps us rooting for their characters’ happy ending, and if some characters and most of the subplots get cut, well, you have to break a few eggs to make an omelet.
So. Do I love the book RWRB? Of course I do—and how I wish it had been around when I was struggling with my issues as a young bisexual man in the 1970’s, since it would have saved me years of shame and pointless suffering. I would then have been much more ready for my own happy ending when Bobbie eventually entered my life. And do I love the movie RWRB? I totally do—I’m always up for a romance, and that is what Matthew, Nick, and Taylor have given us. In some ways, I actually prefer the movie (even though I know that saying this may lead to the RWRB police showing up at my doorstep to confiscate my “History, Huh?” T-shirt). You see, there’s one big problem with publishing a book with such a current, up-to-the-minute feel and format: it quickly becomes about as glossy and stylish as last year’s slang, and so when the Commemorative Edition came out in 2022, I found it curiously dated (the best part, for me, was its illustrations by Venessa Kelley). I think the movie will age a lot better, because with only minor alterations, it could be adjusted to almost any era—it’s not tied nearly so closely as is the book to the Gen Z / Millennial generation.
But to love both book and film, one has to accept the essential correctness of Nick’s original analysis: they are two separate entities, or, if you will, two sides of the same coin. One side is self-awareness and self-acceptance eventually leading to true love, and the other is true love which can only be enjoyed by reconciling societal expectations with personal integrity. So I find the book and the movie equally wonderful, just different. And I treasure them both.
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meraki-yao · 1 year ago
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@ "I don't know how you all"
making a good movie takes time. making a good sequel takes even more time. Before all major studios decided "fuck it we want quantity over quality", sequel/series movies could take years apart. Again, Nick himself said as long as the script is right he'd be happy to continue the story, the interest and willingness is there. And Amazon has seen how fucking big of a splash rwrb can make.
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@bitbybitwrites I think it is unrealistic to expect a full 110% perfect adaptation of anything. Like, Heartstopper comes eerily close, because Alice Oseman writes the scripts and as a fan I can recognise actual moments of the comic, and yet the show is still different. I think there are adaptations that are close to the source material (i.e. Heartstopper, The Prom) and adaptations that you need to see as a separate thing from the source material, and you need to see it as "inspired by X" (i.e. Love, Simon (where they even changed the title), RWRB). So yeah, I am not super surprised by the fact that changes have been made. I don't have to like them, but they make perfect sense. I miss the depth of the book, but I am fully aware you cannot condense all of that into a 2 hour movie.
I am not sure if I would want a trilogy or series or whatever. The thing is... as much as I enjoyed watching it in the moment, I don't see myself watching this movie again, unless, like Monday, I am invited to see it. I liked it. I didn't love it. I am content with watching the amazing gifsets from now on.
And yeah, I totally get my friend's point. I think it is always a tricky line between when something like this should matter and when it shouldn't. Given the source material, I do think it mattered. The bi journey chapter was so important. Again, she was the only one of us who appreciated there not being a journey, because she didn't know there was an original journey.
Re: your messages to forabeatofadrum (I hope you don't mind I group them together here with this post), I did clock that Matthew changed the ages. Not only by looks, which are obvious, but yes, I did notice that Alex was already in law school. Although I didn't realise he did that to indicate that he and Henry are older in this version. I just interpreted that as getting rid of another storyline with depth, namely Alex's struggles with the future and the way he is perceived in politics. Ah well.
Again, kinda wack. I think it is valid of me to miss it, but as my friend said, it also works the way it did in the movie and that is valid too.
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maxbegone · 5 years ago
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IT’S FINALLY HERE!
In an effort to spread some love to the fanfic authors in the Schitt’s Creek community, this post is a compiling of some of our favorite fics! Thank you to every single person who decided to participate in this dedication of love! And to the fanfic authors out there - thank you for being so wonderful and sharing your stories with us! Here’s to many more countless hours of reading - day or night! 
There are repeats! I understand that may seem a little redundant, but I wanted everyone who participated to share their favorite fics regardless of repetition, author, pairing, AU, size, etcetera. 
A very special thanks to everyone who participated! 
@bestwisheswarmestregards // @brighter-than-sunshine  // @danieljradcliffe @darnitdraco  // @imargaery  // @justwaiting23  // @leopxld-fitz // @lickrustdavid // @loveburnsbrighter // @oceanavinfinity @poorguysheadcanon​ // @ratchet // @roguebabyinyourstore @stuck-on-your-heart // @thisbuildinghasfeelings​ // @vulcantastic​ @wlwbaudelaire​
I’m going to go ahead and put everything under the cut, because this should be quite a long post! 
**If there are authors on tumblr whose handles were not properly added, please send me a message!
@bestwisheswarmestregards​
Fic 1: Ace Of Hearts by loveisallyouneed21
Why I like it: It is just really sweet and made me really happy. Plus I like seeing Patrick as an asexual being one myself. I don’t see a lot of ace characters in the media so seeing someone portray Patrick, a character I love, as one makes me really happy. 
Fic 2: An Unexpected Arrival by @justwaiting23​ 
Why I like it: It was one of the first fics I read in this fandom and I fell in love with it. Plus the Brewers are in it and I love anything with the Brewers. 
Fic 3: Hammock by @maxbegone​ 
Why I like it: This fic makes me so fluffy inside. Early morning and snuggles are one of the best combinations. 
@brighter-than-sunshine​
Fic 1: Your Wings Prepare To Fly by @icmezzo 
Why I like it: I’m not the biggest fans of AUs/ Fantasy takes on fics, but the characterization of David and Patrick is so good here. It’s such a beautifully written fic, and I just couldn’t get enough of it when I first read it! A definite reread.
Fic 2: Today and All the Days that Follow by @unfolded73​
Why I like it: This one is one of my all-time favorites, because it explores so many of the relationships between all the characters… I especially love the bits including Stevie and Alexis. 
Fic 3: Little Reminders of our Love by @justwaiting23​
Why I like it: The whole idea of David and Patrick leaving each other notes was too adorable not to recommend this fic!
@danieljradcliffe​
Fic 1: Watching Through Windows by @helvetica-upstart​
Why I like it: Some fandoms have those fics that just inevitably change the game and define what fanfiction can be and for me, this is that fic for Schitt's Creek. It is a staple that everyone's read and continues to talk about and recommend a year after it was published; I'm sure we will continue to talk about it for years to come and to recommend it as new folks come into the fandom.
Fic 2: Until Now Gives Way to Then by swat117 
Why I like it: I just read this one-shot recently thanks to your (feel free to edit this how you need for your post) recommendation of their other fic, 'Exposed Brick.' This is a fic that (for me) completely captures why David and Patrick fit and work so well together and how their pasts have made it possible for them to be who they are as a couple in SC. I haven't read another fic that resonated with my own interpretation and appreciation of their relationship as much as this one. This author truly and completely sees them for all that they are.
Fic 3:  Red White and Blue Jays by @grapehyasynth​  
Why I like it: I saw this fic published earlier this year and wanted to read it so badly but figured I should read the source material (Red, White, & Royal Blue) first so I did and absolutely fell in love with that book (who wouldn't?). I attribute this fic for inspiring me to read Casey McQuiston's book and so when I went to finally read it, I had extremely high expectations and even still, this fic exceeded them. The author does an amazing job of incorporating aspects of the original book (RWRB) while keeping the story true to the characters and relationships we know and love in Schitt's Creek. I read the entire fic in one sitting and then instantly, read it again. It is laugh out loud funny while being romantic as hell and keeps David and Patrick incredibly in-character throughout.
@darnitdraco​
Fic 1: Red White And Blue Jays by @grapehyasynth​
Why I like it: this fic is the reason I bought Red White and Royal Blue. Going into the fic, I didn’t know what the book was about so it was all new to me but it was great nevertheless. Now that im almost finished with the book, I love this fic even more. I know its an AU but I think the characters are written well and I pretty much love any fic when Rachel isn’t made out to be the bad guy. Its 13 chapters and I will 100% be rereading it after I finish the book. 
Fic 2: Nothing Burns Like The Cold by @wildxwired​
Why I like it: This is a one shot and definitely Patrick Centric. I thrive on Angst and Hurt/Comfort. I personally feel like it is Patrick coming to terms with a things he didn’t have control over and him getting closure on things of the past. I don’t want to give away too much of the plot but please read this guys!! 
Fic 3: sometimes good things fall apart by @blueink3 
Why I like it: I have reread this multiple times and it gets better each time. Its only 4 chapters but it isn’t rushed. As I said above, I THRIVE on angst and hurt/comfort. This has both, AND protective Patrick. It is a spin on what could’ve happened after the barbecue and it has a happy ending so don’t worry.
@imargaery​
Fic 1: Dodgeball is f*cking stupid by alldaydream
Why I like it: This is a one-chapter piece that comes in just under 6k and yet the author manages to build a super rich AU experience and tell a complete story that is at once heart-wrenching, sweet, sexy, and thematic. If you want angst that doesn’t last too long, that leaves you feeling warm and fuzzy, this is the one-shot for you. I go back to it as much as I go back to some of my favorite D&P scenes from the show.
Fic 2: if not for you by goingmywaydoll
Why I like it: When it comes to fanfiction about our boys, there’s almost nothing I love more than a high school AU. This is that. But it’s also a ROAD TRIP. What better scenario is there for a slow burn, mutual pining, dialogue heavy love story with plenty of bed sharing and nobody bothering them?
Fic 3: Beneath the Winter Snow by Distractivate
Why I like it: Can you tell I love a good AU? This one’s about the Olympics and it imagines a world in which Patrick and David have already fallen in love, had a relationship, and have broken up. This is a story about them finding their way back to each other--which isn’t hard because they have to be around each other all the time and work through their issues. It’s written with grace and thoughtfulness, and walking with Patrick and David as they learn to communicate with one another and work on healing makes the reunion that much more satisfying.
@justwaiting23​
Fic 1: hit me with your best shot by @ignisgayentia​
Why I like it: This is a bit of a random one but it has stuck with me ever since I read it. It’s a short little AU about David and Patrick meeting at a baseball game where Patrick is one of the players. It’s really sweet and does such a great job of keeping the voices in character, especially with the flirty teasing and awkwardness and is one of those fics I go back to over and over again.
Fic 2: Spills & Thrills by storieswelove
Why I like it: This is one in a series of ‘Meet-Uglies’ that the author has written which I adore but it’s my favourite one out of them. It has the perfect mix of awkward interactions which make you cringe and also really sweet and fond moments between the two of them.
Fic 3: You Can Plan on Me by odofidi
Why I like it: This is a sweet little piece of marital fluff about the first Christmas after the wedding. It fits exactly with my idea about what married life would be like for them and is really sweet, plus I always love it when the Brewers are able to see Patrick so genuinely in love with someone like that so it’s definitely one of my very favourites.
@leopxld-fitz​
Fic 1: best wishes, warmest regards (sent with confetti effect) by reymonova (costiellie)
Why I like it: This fic is just pure fun. The character voices are always perfect, and it’s such a nice addition to the series. This story is full of incredible one-liners and I think about “th*nk y*u” at least once a week. A must-read for anyone who loves a good Stevie-David friendship moment. 
Fic 2: Going Down by @concannonfodder​
Why I like it: This is a perfect AU. Rich David? Check. New York? Check. Patrick’s gay awakening? Check, check, check. This fic feels as real and in-character as any canon events of the show, and the author does an incredible job at lining up a love story for the ages all over again under completely different pretenses. Plus, who doesn’t love a “stuck in an elevator” trope? I would watch 10 movies based off of this.
Fic 3: I’ve Never Liked A Smile As Much As I Like Yours by hagface
Why you like it: I live for college AU’s, and this one doesn’t disappoint. I love how the author repositioned characters and events for a new setting, and David as a picky art major is all I ever could have hoped for. Character interactions are pitch perfect and there’s a true “paint me like one of your french girls” pining moment that was truly glorious. A great read!!
@lickrustdavid​
Fic 1: Tonight I’ll Drift in A Dream With You by torakowalski 
Why I like it: It’s rare to find such a well-written fic with a great family dynamic that makes you feel like you’re almost just reading a script for the actual show instead of an idea. There’s something soft and comforting about reading cohabitation with Alexis and David and Patrick doing there own things on separate sides of the motel room. 
Fic 2: A Week with the Brewers by @justwaiting23​ 
Why I like it: The dynamic with David and the Brewer’s is genuinely authentic and it’s made me flash back to some of my own experiences with partners parents. The fact that Patrick’s totally willing to have sex while his parents are there while David is mortified at the idea is also great and realistic. I feel like this fic also shows how partners grow and learn to communicate with one another and trust them. 
Fic 3: Welcome to Cabaret by @vivianblakesunrisebay​
Why you like it: The concept of David being more included in the whole Cabaret experience was something I definitely appreciated, since during the show I was kind of bummed with the lack of him. Stevie is wonderfully written in my opinion, and I really liked Patrick going on dates with the choreographer and watching David figure out how to cope. 
@loveburnsbrighter​
Fic 1: Small Projects by GCLane
Why I like it: My ultimate comfort fic.  Soft relationship feels and loving, passionate discussion of fiber arts, plus nuanced discussion of coming out and fitting in and what it means to be queer.  Also David trying new things and doing his best, which is also fun (he learns to knit!)
Fic 2: You and Me and This Temptation by @leupagus​
Why I like it: Another comfort fic!  Musician Patrick/manager David.  It's funny asf and super sweet at the same time.  Plus it does justice by Rachel, and made me totally love her.  Also, I was never sold on AUs of any kind and this is the fic that converted me.  I re-read it when I need cheering up and it never fails.
Fic 3: The Moment I Touched Down by rockinhamburger
Why you like it: Patrick learning about David's past and being the sweetest most sympathetic bean :(. This one is full of tragic backstory and good emotional hurt/comfort.  Super cathartic to read, and it makes me want to wrap David and Patrick both in big hugs and protect them from the world.
@maxbegone​
Fic 1: my heart was broke, my head was sore by @blueink3
Why I like it: This was the first fic I read since coming into the fandom. It’s canon-divergent, which, as it turns out, I kind of love. It’s so beautifully-written; a story about David meeting the Brewers much sooner than he anticipated, under unforeseen circumstances that take Patrick back to his hometown - and David is right along with him. And just like in every universe, Marcy Brewer is an angel.
Fic 2: Cleanser by @cypress-tree​
Why I like it: Hello and welcome to my comfort fic! This is just the most soothing story. It’s my wind-down fic, and every single time I read it, it makes me want to do my own in-depth skincare routine (that I already do morning and night). But it’s not just about that - it’s about Patrick taking a look at his identity as well. It’s all so tender and sweet, and so intimate in its own lovely way. David pampers Patrick a little bit and shows him that “femininity” and “masculinity” do not have rigid divides. And the first time I read this, I was wearing a mask from LUSH.
Fic 3: keep my spirit strong, you do by fishypots
Why you like it: Content warning; eating disorders, food issues. This hit me square in the chest. It resonated with me in a way I knew it would but struck so much more within me. By the end of it, I was smiling because of how represented I felt. I know this is a difficult topic for some, but I needed to share this fic. As someone with dysmorphia and struggles with disordered eating, it was such a comfort to read about David, who is a character so vulnerable and his partner who doesn’t pester him with questions. Instead he listens, he does a little research (it’s Patrick, of course he does), and remains by him. It’s all written so realistically and tenderly, and without any jabs or awkward nods toward body image. This will forever be at the top of my list.
@oceanavinfinity​
Fic 1: I Carry These Heart-Shapes Only to You by ladyflowdi, ships_to_sail
Why I like it: It is a work-in-progress au set in Paris during WWII. Patrick is a soldier on leave, and David is a gallerist who sailed to France to help Alexis (as usual). The characters are so, so true to canon, and the world building of Paris in that era will whisk you away from your current place. I love it.
@poorguysheadcanon​
Fic 1: bright lights by falconeggs (series)
Why I like it: my favorite schitts creek fic is definitely the series “bright lights” on ao3!
@ratchet​
Fic 1: In the Temple of Artemis by MoreHuman 
Why I like it: This story has Stevie exploring (with some help) the identifier of Aromantic after navigating what she thought were her romantic feelings for David. Really sensitively written, with a scene that almost perfectly puts into words my feelings about David & Stevie’s soulmate-esque relationship.
Fic 2: David Rose, Your Husband Is At Guest Services by @patricksdavid​ 
Why I like it: Husbands! At Costco! Giant muffins and comically large bags of doritos! 2071 words of pure domestic fluff! What more could you ask for?!
Fic 3: Fifteen Hundred Miles by MoreHuman 
Why I like it: Okay so. This is very new as part of the Reel Fic Fest, but I needed to include it. I love Wild, both the book & movie, and I am very much a “deal with my problems by hiking/biking in the forest” so this spoke to me immediately. Patrick and David meet as strangers hiking 1500 miles of the Pacific Crest Trail. There’s nature, pining in nature, tent shenanigans, tent emergencies! Stevie being an excellent friend from afar, a cribbage board, journaling, secret trail register entries, David in flannel, and an ever-present toque. It’s just a really satisfying and calming 30k words with literally 2 characters. I read it twice in 12 hours.
@roguebabyinyourstore​
Fic 1: Fifteen Hundred Miles by MoreHuman 
Why I like it:​ I like a good AU as much as the next person, but this one is just STUNNING. The descriptions of the pain and struggle endured by both men, both physical and emotional, was vibrantly visceral. David and Patrick’s relationship bloomed organically and you are hooked on their journey through the wilderness as they grow closer and eventually fall in love. Plus it’s Patrick’s POV. What’s not to love?
Fic 2: Getting Over Getting Older All The Time by Distractivate  
Why I like it:​ You’ve heard of slow burn? Well meet glacial burn. This masterpiece takes us through 10 years of friendship, of missed opportunities, of pining and heartbreak. But most importantly it shows what we all knew - David and Patrick will find their way to each other regardless of time and distance. Also Patrick’s POV, I sort of love Patrick Brewer.
Fic 3: You Could Be The One by bigficenergy 
Why I like it: ​I have a soft spot for early relationship David and Patrick. But almost no fic does it quite like this. This fic highlights points from our boys’ developing relationship scored by the incomparable Carly Rae Jepsen. This fic is so true to the characters, their voices and their story, that it’s all one giant headcanon for me. This fic is part 1 of a larger series and I highly recommend all of them.
@stuck-on-your-heart​
Fic 1: a kiss from a rose by mihaly ( @davidroseshusband​ )
Why I like it: This was the first multi-chapter fic I read when I joined the sc fandom, and I hadn’t read fic of any kind in over a year. It’s a brilliant story where Alexis stars in a reality-dating show. All the characters are portrayed so perfectly in this fic, and you can hear their voices in every piece of dialogue. It’s sweet, it’s hot, it’s everything you could want in an AU. This story helped me fall in love with fic again so it has a very special place in my heart. 
Fic 2: Rose’s Eleven by leupagus
Why I love it: This story honestly feels like a movie. I know the concept is based on a film franchise, but the writing in this fic is truly exquisite. It’s so complex and gripping, and there’s a heist which is always a good time. Despite the very different world these characters are in, they are still true to themselves, so it’s very exciting to see how they interact with one another in this universe. This is such a fun read from start to finish and just thinking about it makes me want to go back and read it again.
Fic 3: Simply the Vest by orphan_account
Why I love it: If you couldn’t tell, I’m obsessed with AUs. This fic is such a satisfying AU because it incorporates several tropes that we all know and love. In this story, Patrick is an FBI agent, and he has to go undercover as David’s boyfriend. So right off the bat there’s fake dating! And then it has pining because our boys are dumb! AND THEN it has a little smut if that’s your cup of tea. And while all this is happening, Patrick is being capable and looks very dashing in his FBI vest.
@thisbuildinghasfeelings​
Fic 1: Happy to help by @vivianblakesunrisebay​
Why I like it: This was the first Schitt’s Creek fic I fell in love with when I started exploring what was out there after bingeing the show for the first time. It’s basically a deep dive into Patrick’s POV from Motel Review through Grad Night. It really helped me appreciate Patrick as a character when I was fairly new to the show. I think I formed a lot of head canon regarding Patrick’s life and backstory based on the things I enjoyed in this fic. And it’s just incredibly well written.
Fic 2: turn down the lights, turn down the bed by @hudders-and-hiddles​ ( @wild-aloof-rebel​ )
Why I like it: I love this take on David and Patrick remaining just business partners until Rock On. I can be a bit of a canon purist, so I’m really picky when it comes to AU fic. However, there are actually quite a few I enjoy in this fandom. My favorite thing about this one is that it has the exact right amount of angst, to the point where it’s almost physically painful, but in the best possible way. Especially because you know how it’s going to end. This is angst with a happy ending executed perfectly. And it’s so good that it holds up to multiple rereads.
Fic 3: my heart was broke, my head was sore by blueink3
Why I like it: Another canon divergent AU that I love. This one diverges from canon after Grad Night, at which point Patrick has to go home for a family emergency and David goes with him. What I really love about it is how it puts Patrick in a position to be truly vulnerable and gives David the opportunity to kind of be the strong one and really take care of Patrick. This is something we don’t get to see to this extent in canon until maybe Meet the Parents, so it’s nice seeing it here so early in their relationship. Also, it’s just so beautifully written.
@vulcantastic​
Fic 1: no other version of me i would rather be tonight by wardo_wedidit
Why I like it: I’ve always enjoyed the concept of love languages, and it was so sweet watching David do so much for Patrick to show he loves him. Of course, it stems from fear and anxiety that David isn’t doing enough for Patrick (especially with Alexis egging him on), which reads very realistically to me. I think we as the audience tend to forget that David  has never had anything like this before, has never experienced the love of someone like Patrick. He’s still learning how to accept that love and return it, in his own unique ways. This fic does a great job of examining that.
Fic 2: Exposed Brick by swat117
Why I like it: To me this is the perfect “Patrick and David visit New York” fic. Patrick is characterized so beautifully here; we not only see how he aims to please throughout his relationship with David but in his interactions with Rachel and his family as well. I imagine there was a lot left unsaid on the show regarding Patrick’s uneasiness about moving to New York and David’s ultimate decision to stay with him in Schitt’s Creek--this is explored wonderfully here. Plus, as a new New Yorker, it was really nice to read about all the iconic places in and around Manhattan.
Fic 3: we’ll take the world together by sonlali
Why I like it: I am a sucker for stories that examine David and Alexis’ relationship before the start of the show. This fic in particular is heart-wrenching, touching on the trauma both siblings likely experienced before we as viewers knew them. I love the idea of David as protector of his younger sister, and to see that sentiment returned by Alexis now that they have grown (physically and emotionally) while living in Schitt’s Creek is beautiful to read.
@wlwbaudelaire​
Fic 1: you’re my peace and my quiet by chocobos
Why I like it: This fic is just so soft and sweet and always puts me in a good mood whenever I reread it. It’s wonderfully written and I can truly see this as an actual scene in the show. 
Fic 2: Terrified But The Truth is This by ryry_peaches ( @loveburnsbrighter​ )
Why I like it: As someone who’s had a headcanon that David is autistic since I started watching the show, this was the first fic I saw pertaining to it. I was happy to see how well it was portrayed, especially giving how poorly I’ve seen fics portray autism in other fandoms, and it even made me see the episode “Girls' Night” in a completely different light. 
Fic 3: Putting Down Roots by @this-is-not-nothing​
Why I like it: Absolute domestic fluff is my jam and this fic delivers it and then some. It gives me everything I could want in a post-canon fic where David and Patrick are happily married and living in their cottage.
Again, thank you to everyone who made this post possible! I am so happy we were able to spread some love and cheer to the fic writers of this community! Sending so much love to each and every one of you, and I’m hoping this provides some new material for the community to discover as well! 
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typicalopposite · 1 year ago
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20 Questions For Fic Writers
(OMG istg if it wasn't for auto drafts I would not be making this! I was almost done and accidently erased the whole thing! but it had auto saved! So here we are!)
Ooooo! I love theseeeeeee! Thank you @onthewaytosomewhere for the tag! :)
How many works do you have on ao3?
102 :) maybeeeeeeee (definitely) about to be 103 ;)
What's your total ao3 word count?
458,418!! O.o
What fandoms do you write for?
Quite a few! Let's go back from newest to oldest shall we? 9-1-1, RWRB, Shameless, The Untamed (nothing posted yet), Stranger Things, Starsky & Hutch, The Musketeers (BBC), Our Flag Means Death, AAAAAAND Supernatural! :)
Top five fics by kudos:
Zahra Deserves a Raise (RWRB)
Saved By (Not) An Angel (Supernatural)
A Summer Scandal (RWRB)
take my hand (i'll take the lead) (9-1-1)
The Royal American Wedding (Planner) (RWRB)
Do you respond to comments?
YESS!
What is the fic you wrote with the angstiest ending?
OOOOOOF That's easy! Smoke Gets In Your Eyes (Supernatural) It's part of an equally angst, and frustratingly unfinished, series... and is the last one so far... so it's left very cliff hanger-y :(
What's the fic you wrote with the happiest ending?
OOOOOOF! AGAIN! That's hard because I try to always have happy endings (minus the previously mentioned story...) Ummmmmm... I'll sayyyyyy Three Days (RWRB) because of how incredibly UNhappy it is in the beginning! LOL
Do you get hate on fics?
oh god I'm scared to jinx myself, but I haven't yet! O.o
Do you write smut?
Ehhhhhh.... very very tame
Craziest crossover:
haven't done one :(
Have you ever had a fic stolen?
Not that I know of!
Have you ever had a fic translated?
Yes! :) Zahra Deserves a Raise is translated in Chinese! :)
Have you ever co-written a fic before?
Yep! With @scripted-downfall quite a few actually! And Smoke Gets in Your Eyes is one of them :)
All time favorite ship?
I plead the fifth, you can not make me answer this!
What's a wip you want to finish but doubt you ever will?
ack! it feels like all of them that prior to 9-1-1 and my RWRB Big Bang Fic :( but in reality probably the sister fic I made for Feast Your Black Eyes (Supernatural) :(
What are your writing strengths?
I honestly don't know! I have a few comments saying my characterization is good... soooooo I'll go with that! O.o
What are your writing weaknesses?
: ; , - () ... <- *insert big MASSIVE middle finger emoji* I swear I'll just be putting them in text and I have no idea which one should be there or not... I just take pick them at random
Thoughts on dialogue in another language?
Should be handled with care (when writing)
First fandom you wrote in?
Supernatural (posted) Starsky & Hutch (in Docs)
Favorite fic you've written?
I plead the fifth... again!
No, ok, Three Days (that was a whole ride!! OMG) AND in a perfect world (9-1-1) I literally wrote this with only the kiss scene and like a handful of scene packs and fanfiction
and now to taggggggg @scripted-downfall, @luainthewild, @meraki-yao, aaaand @windwardstar :)
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firstprince-ao3feed · 1 year ago
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with all the cobwebs
by likelarosaria (dutchydoescoke) It's the first of the chemistry tests today, though Alex hasn't been told who he's reading with. He's already cast, contract signed and everything, but he isn't sure who his love interest is. "First up: Henry Fox," Zahra says and Alex nearly drops his script. Words: 281, Chapters: 1/1, Language: English Series: Part 15 of rwrb prompt fills, Part 12 of pride 2024 fic bits Fandoms: Red White & Royal Blue - Casey McQuiston Rating: General Audiences Warnings: No Archive Warnings Apply Categories: M/M Characters: Alex Claremont-Diaz, Henry Fox-Mountchristen-Windsor, Zahra Bankston Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor Additional Tags: Alternate Universe - Actors, Pre-Slash, Spider-Man References via https://ift.tt/xFG7yA3
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firstprince-ao3feed · 2 years ago
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The Second Worst Thing That's Ever Happened
The Second Worst Thing That's Ever Happened https://ift.tt/UEf6Rhk by MxMends Henry talking to Alex about his chat with his psychiatrist. Words: 1735, Chapters: 1/1, Language: English Series: Part 2 of RWRB Movie Sequel, Part 2 of RWRB In Script Format Fandoms: Red White & Royal Blue - Casey McQuiston, Red White & Royal Blue (2023) Rating: Not Rated Warnings: No Archive Warnings Apply Categories: M/M Characters: Alex Claremont-Diaz, Henry Fox-Mountchristen-Windsor Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor Additional Tags: Screenplay/Script Format, Mental Health Issues, Mentions of PTSD, Hurt/Comfort, Fluff, Established Relationship, Book References, Henry's quiches, Film Updates Cameo! Film Updates Cameo!, Alex Claremont-Diaz Loves Henry Fox-Mountchristen-Windsor, Henry Fox-Mountchristen-Windsor Loves Alex Claremont-Diaz, I just wanted to write about Henry talking to Alex about his mental health, and it ended up with them being all sappy, likely thing for them to do! via AO3 works tagged 'Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor' https://ift.tt/hjXqmf9 November 19, 2023 at 10:05AM
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firstprince-ao3feed · 2 years ago
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First Meeting
First Meeting https://ift.tt/fYxFnOQ by Anonymous Words: 678, Chapters: 1/1, Language: English Series: Part 1 of RWRB Movie Sequel, Part 1 of RWRB In Script Format Fandoms: Red White & Royal Blue - Casey McQuiston, Red White & Royal Blue (2023) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Categories: M/M Characters: Henry Fox-Mountchristen-Windsor, Shaan Srivastava, Alex Claremont-Diaz, Nora Holleran Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor Additional Tags: Screenplay/Script Format via AO3 works tagged 'Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor' https://ift.tt/PVfXMvc November 17, 2023 at 07:47PM
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