#Rathnam movies

[wikiintro]

Rathnam Cast, Movie, Release Date, Roles, Trailer

MovieRathnamRelease DateApril 2026 2024DirectorHariWriterHariLanguageTamil, TeluguProduction CompanyStone Bench Films, Zee StudiosBudget₹_______(Estimated) Rathnam Official Trailer Rathnam Top Star Cast Gautham Vasudev Menon playing as Top Cast To know more about Gautham Vasudev Menon’s wikiintro Profile Click Here Priya Bhavani Shankar playing as Top Cast To know more about Priya…

[elderflowergin]

Twenty Questions

@rosyfingered-moon and @drivingsideways thanks for the tag! :D

1. How many works do you have on AO3? 24

2. What's your total AO3 word count? 170,114, which feels quite unbelievable.

What fandoms do you write for? So far on ao3 it's been for various Kdramas.

What are your top 5 fics by kudos?

the process of discovery (Extraordinary Attorney Woo) - I am glad this one resonated so well with readers.

buy cars, cut cards (Vincenzo) - this surprised me, because I wrote it the fastest and it's so short.

low in the weeds (Hyena) - my maiden effort!

or an excuse to stay on deck (Glory)

but I linger on, dear (Hyena)

Do you respond to comments? Why or why not?

I don't get many and I do try to reply to everyone (except occasionally @haraxvati's because I'm usually a puddle of goo when I'm done reading what she has to say). Someone once said they wanted to get a fic tattooed, which is a pretty amazing compliment!

What is a fic you wrote with the angstiest ending?

None of my fics have angsty endings, though they traverse some pretty angsty paths.

What's the fic you wrote with the happiest ending?

I don't know how you'd measure "happiest"; all of them involve my faves finding their way to be together.

Do you get hate on fics?

Thankfully no.

Do you write smut? If so, what kind?

I do, with great difficulty. I often end up with something different from what I intended at the start. Most recently with or an excuse to stay on deck, I like to say I wanted I Wanna Be Your Slave by Maneskin and ended up with I Wanna Be With You by Mandy Moore - 'twas ever thus.

I am trying to be more thoughtful and grounded about it these days.

Do you write crossovers? What's the craziest one you've written?

I've borrowed characters, but I don't think I've ever written a proper crossover.

Have you ever had a fic stolen?

Not that I know of.

Have you ever had a fic translated?

No, but I'd love that!

What's your all-time favorite ship?

I can't pick a favourite ship - they're all my messy children and I love them all pretty equally.

What's a wip you want to finish, but doubt you ever will?

There is a Vincenzo AU fic that I have seen in my mind's eye. It has Hong Cha-young being the agent of her own revenge. I know how it ends, I know how it goes. I know that it will be good. I cannot for the life of me write beyond the 20k words I already have.

I don't want to say I doubt I ever will finish it, because hope springs eternal!

I did post a mini excerpt for the Reborn Rich fandom which would have turned into a Jin Do-jun/Oh Se-hyeon fic (except I gender-swapped Jin Do-jun to be played by Jeon Yeo-been). I'm positive I will never finish that, but I think it would have been a good story.

What are your writing strengths?

I think I land a good one-liner from time to time.

What are your writing weaknesses?

Consistency, pacing, dialogue - I'll steal Pri's answer here and confess that my hope is to improve the more I write.

Thoughts on writing dialogue in another language for a fic?

Many moons ago I wanted to do a fic for the Mani Rathnam movie Chekka Chivantha Vaanam. I considered Tamil dialogue for it between Jyothika and Vijay Sethupathy's characters that I would translate to English. I'm amused by this because so many of Mani Rathnam's characters speak like someone wrote their dialogues first in English and translated them into Tamil.

First fandom you wrote for?

Godfather in 2003 or 2004.

Favorite fic you've written?

I think the fic that has the most of me in it is metadata.

I will always have a soft spot for my Chief of Staff fics, especially this one. I'm not sure I'll have the bandwidth to do something like that again, but I'm proud of how I wrote that one.

tagging @cupofteaandstars @haraxvati @theinfinitedivides if you're interested!

[noisyearthquakeninja]

RATHNAM - HINDI MOVIE REVIEW | VISHAL MOVIE | ACTION DRAMA FILM |

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Get 1 FREE Ticket with 2 Rathnam Movie Tickets

[cinefry]

Ghilli (2024) Re Release Box Office Collection, Budget, Hit Or Flop, OTT

Ghilli is Tamil Movie Release on 17 April 2004. The Movie Directed by Dharani Will Cast on the Movie is Vijay, Trisha, Prakash Raj, Ashish Vidyarthi, Tanikella Bharani, Janaki Sabesh. The Movie Produced By A. M. Rathnam. The Movie Budget Was 8 Croes, and World Wide Collect 50 Cr.

Ghilli Movie Re release on 20 April 2024 in Tamilnadu Theaters.

[ramtracking]

'Rathnam' trailer: Vishal back to full action mode in director Hari's racy entertainer! - Tamil News [ Vishal ]

‘Rathnam’ trailer: Vishal back to full action mode in director Hari’s racy entertainer! – Tamil News [Highlights] Puratchi Thalapathy Vishal’s much-awaited action entertainer, ‘Rathnam’, directed by Hari is coming to cinemas on April 26th. The film’s… Kollywood actor Vishal’s next movie, Rathnam, a mass action drama, directed by Hari, is scheduled for a grand release in theaters on April… Actor…

[visuvff2917]

"Malaikottai",an Action Movie, Tomorrow, at 1.30p.m in Kalaignar TV.

Director -Boopathy Pandian.

Writer - Boopathy Pandian.

Producer - T.Ajay Kumar.

Cast - Vishal,Priya Mani,Devaraj,Ajay,Ashish Vidyarthi,Urvashi,Azhagu,Dhandapani,Mayilsamy,Ponnambalam,Poovilangu Mohan, Ajay Rathnam,Aarthi,Deepa Venkat,Rekha,Nirosha,G.M.Kumar,Manobala.

Cinematographer - Vaidy.S.

Editor - G.SasiKumar.

Music Director - Mani Sharma.

Production Company - Sri Lakshmi Productions.

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[ishvaria-sansara]

OK Kanmani (2015)

[novarose24]

Writings from Offline {Ep.2}

Raavanan

Director: Mani Rathnam

(Warning: spoiler alert)

Raavanan was an effort by the director to show the perspective from Raavanan in a modern sense. The title pretty evidently conveys that by the end, we would understand Raavanan’s perspective of the happenings in the Ramayana.

The movie, without any elaborate revealing, shows the widely perceived antagonist in the very first scene. One of the prime setting of the movie, water and river is also revealed in this scene. From here, we meet “Sita” who is then abducted by “Raavanan”.  We also meet the eagle for the first time, in this sequence. Being a symbol for Vishnu, it is of significant importance and visits again in later parts.

The title scene follows which has red, fire and shades of brown dominating the background. The song says “Veera” which literally means a brave warrior, giving an aura of justice and righteousness to the character.

The scene that follows is the one where our “Ram” is intimated about his wife’s kidnapping. The coolers hide his eyes, but it was pretty evident that he was more upset and angrier than worried. His face showed an expression of determination to kill his enemy.

The characters in the story embody the traits of the characters in the Ramayana, but are conveniently modified to suit the needs of the story. “Raavanan” is manifested as “Veera”, a dacoit who is a savior to the people but a villain in the eyes of law - in some sense, a robin-hood. The people who inform the police of their encounter with Veera have ten different accounts to give of him, almost like he had ten different faces. The repetition of the reference to ten faces is a common occurrence in the progression of the film. Ten different voices too torment him. There is no transition of character in the film except that he falls in love with the woman that he had kidnapped. His ideals and values remain the same. The change occurs in the perception of the audience.

The audience observe this change through the eyes of “Sita”, here “Raagini”. Since the emphasis is only on Raavanan in this story, Sita only functions as a tool for us to observe this change; she doesn’t express her story despite being given almost an equal amount of screen time. In the scenes following her abduction and in the scenes at the end, she does express her opinions and her desires; otherwise she follows the conventional-ideal-wife trope. She has an undying love for her “Ram”, portrayed as “Dev”, who’s name literally means god. The naming might be an intentional action to draw attention to the juxtaposition of his name and his actions. He is a police officer, we are initially of the feeling that he is a good cop who is honest and righteous, but eventually we see that his determination to catch Veera turns into a bit of an obsession. He lies to his wife and hurts her in order to get to Veera. Rescuing his wife is not his main motive; much like Veera he uses Raagini as a bait to reach his target. There is no difference between the two men in this spectrum. Dev plays an important role but has approximately the same screen time as “Singaraasu” who could possibly be a representation of “Kumbakarnan”. Veera’s other brother is the most decent and “civilized” among them, like “” and is called “Sakkara”. These two are always on their brother’s side and help him with his work. Their representations don’t exactly fit their counterpart in the epic.

“Hanuman’s” representation as “Gyana Prakasham” suffers the same fate. He is a forest guard with good knowledge about navigation in the forest, but is crippled by his addiction to alcohol. It is confusing that Hanuman’s modern version is a drunkard.

“Lakshman” is also represented in a contradictory context; but he still hurts Veera’s sister,” Venilla” the same way Lakshman hurts Soorpanaka.  Hearing the story of his sister, Veera’s acts of revenge are diluted of their viciousness. We understand that there is a valid reason on his side too. The alternating shots between the flashback and Raagini’s shocked concerned face creates this feeling.

The scene following this tells us how this account from the criminal’s past has influenced Raagini. Raagini walks to the middle of the river where there is a broken statue of Vishnu. She prays for her anger to keep burning because she fears she pities Veera and is falling for him. She stands near the head of the statue but Raavanan stands at the feet of the statue. This simple placement of the characters captures the gap between the two in the social order.

In a successive scene, the exact opposite is conveyed when Dev flips the back-to-back photos of Raagini and Veera. It could stand for how he considers his journey to rescue his wife is equivalent to triumphing over his enemy or his doubt on his wife of being in close proximity with his enemy. His shouting for Veera and the talk about lies-detector support this. The interesting thing about the accusations that he frames on Raagini is that it is set in the tunnels giving us the feeling that we are in the dark regarding the true motives. The colour of their dresses in this scene is pivotal. Both Dev and Raagini where white initially. When Raagini meets Veera, Veera is still clad in black like he usually was in the film. When Dev emerges out of hiding, he is clad in white shirt and brown leather jacket for the first time instead of his usual pale colored clothes.

The majority of the screen is green and when Veera and his folk come in, it is covered in earthly colors of brown and black. All the songs with his folk involve rain, water, mud and great lyrics! The “Kodu potta” song is important in terms of their message to the world. They want their land and the freedom to govern it themselves. Another observation is that Raagini who shelters from the rain at first is seen getting wet in the during the end; not a significant act but it could possibly mean that she is learning to enjoy their ways too. Another example for the developing soft corner in her heat is her clothing. Could be said to be a requirement of the plot, but the fact that she dressed in a red saree that turns brown in the rain is significant in my view.

The music and the songs all act as a measure of civilization. The songs of the tribe are more upbeat with mainly percussion and some kind of horns. The dialect used for the lyrics just like their speech is different. The song of the “civilized” world, “Kalvare”, is more classical and has a more refined version of the language. Also, it is the only vision we have of the two and their life before.

The narration of the story shifts from the actual chronology of events. The story begins with no pretext, with the kidnap of Raagini, then we have a short idea of Raagini and Dev’s happy life, the story continues showing the different sides of Veera and Dev and the dilemma that Raagini faces, there is flashback giving us Veera’s backstory and then the events flow to the climax.

The jumps from scenes and the sequencing were typically good but the editing didn’t quite meet expectations. A lot of unwanted scenes were left unedited.

The other is the references in the film to Ramayana. The story by itself pretty evidently points to the Ramayana. The constant references in dialogues seemed unnecessary personally; if the details were played more subtly, it would have been more interesting to search for the tethering between the two tales. For example, repetitive scenes that emphasis the distance that Veera maintains with Raagini was overplayed that it got a bit boring.

The only time he touches her is prevent her from harm when Dev shoots during the climax. In the consecutive scenes, Raagini and Veera reach out their hands to touch each other but that doesn’t happen. As the audience are waiting with a yearning for the two of them to meet, they are left uncompensated and conflicted with the death of Veera.

[bdnewkhobor-blog]

Vinaya Vidheya Rama Watch Online in Hindi Dubbed

New Post has been published on https://freemkv.com/vinaya-vidheya-rama-watch-online-hindi-dubbed/

Vinaya Vidheya Rama Watch Online in Hindi Dubbed

Vinaya Vidheya Rama is a 2019 Indian Telugu-language action film written and directed by Boyapati Srinu and produced by DVV Danayya. The film stars Ram Charan, Kiara Advani and Vivek Oberoi in lead roles alongside an ensemble supporting cast including Prashanth, Sneha, Aryan Rajesh, Madhumitha, Ravi Varma, Praveena, Madhunandan, and Himaja in pivotal roles. The music was composed by Devi Sri Prasad. The film revolves around Konidela Ram, a young man who sets out to destroy a dictator after the lives of his loved ones are threatened.

Vinaya Vidheya Rama Full Movie Download

Vinaya Vidheya Rama has a meaty story which could have been made into an entertaining commercial actioner. But no, Boyapati Srinu had bigger plans with the film. A plan so big that the story defies gravity, logic, et al. Initial release: January 11, 2019 (India) Director: Boyapati Srinu Box office: est. ₹95 crore Budget: 700 million INR

Untitled RC 12 Hindi Dubbed

When the happiness of his family is held to ransom by a violent crime lord, Ram sets out on a quest to destroy his nemesis and his criminal empire. Director: Boyapati Srinu Writers: M. Rathnam (dialogue), Boyapati Srinu Stars: Ram Charan, Kiara Advani, Aadhithya

Виная Видея Рама

Starring a confident and a fit Ram Charan in the lead role, the premise of Vinaya Vidheya Rama is as old as the hills. Five orphans, the youngest of them being Ram (Ram Charan), are raised by a doctor in Visakhapatnam. Ram is so fond of his extended family that he gives up his schooling to take deserving care of them. Even as he grows up, Ram is quite content in not doing a job and continues his violent ways, protecting his brothers and often rubbing the wrong side of the baddies. As his elder brother Bhuvan Kumar is appointed as an election officer and flies to Bihar for duty, Ram and his family are at the receiving end of Raja bhai, a brooding don. Who’s Raja bhai and how Ram rescues his family from this crisis? These are the answers you’re bound to find in the second hour of Vinaya Vidheya Rama

Vinaya Vidheya Rama Tamil Movie Torrent Download

Rangasthalam was Ram Charan’s way forward to continue his tryst with good films. But with director Boyapati Srinu’s Vinaya Vidheya Rama, he’s back to square one. The film will need Ram Charan to start from scratch, says our review.

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[tprolyrics]

Brindavanam Lyrics - Mangli, Anupama P, Rowdy Boys 2022

Brindavanam Lyrics – Mangli, Anupama P, Rowdy Boys 2022

బృందావనం Brindavanam lyrics song is sung by Mangli from movie Rowdy Boys​ 2022 is latest telugu song lyrics are written ✍🏻 by Suddala Ashok Teja and director of photography by Madhie. This 4k video full song is features by Ashish, Anupama Parameswaran, Sahidev vikram, karthik Rathnam, Tej kurapati, Komalee Prasad. The music of this new song is given by Devi Sri Prasad and the video is directed…

[cinefry]

Sriranga Neethulu (Telugu) Movie Box Office Collection, Budget, Hit Or Flop, OTT

Sriranga Neethulu Upcoming Telugu Movie Release on 11 April 2024. The Movie Directed by Praveen Kumar VSS Will Cast on the Movie is Suhas, Ruhani Sharma, Karthik Rathnam, Viraj Ashwin. The Movie Produced By Venkateshwar Rao Balmuri. The Movie Budget Was 6 Croes.

https://www.cinefry.co.in/sriranga-neethulu-box-office/

[visuvff2917]

"Malaikottai",an Action Movie, Tomorrow, at 3.00p.m in MurasuTV.

Director -Boopathy Pandian.

Writer - Boopathy Pandian.

Producer - T.Ajay Kumar.

Cast - Vishal,Priya Mani,Devaraj,Ajay,Ashish Vidyarthi,Urvashi,Azhagu,Dhandapani,Mayilsamy,Ponnambalam,Poovilangu Mohan, Ajay Rathnam,Aarthi,Deepa Venkat,Rekha,Nirosha,G.M.Kumar,Manobala.

Cinematographer - Vaidy.S.

Editor - G.SasiKumar.

Music Director - Mani Sharma.

Production Company - Sri Lakshmi Productions.

#incredible

#incredibletalent

#multitalent

#PuratchiThalapathy

#ActorLife #actor

#actorvishal

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#actorvishalkrishna

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#vishalkofficial

#vishalkrishna

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#goldenstar

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#malaikottai

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