#Rebecca Welles

[twixnmix]

Orson Welles and Rita Hayworth with their daughter Rebecca Welles at home in Beverly Hills, 1945.

Photos by Peter Stackpole for LIFE magazine

[hollywoodlady]

Rita Hayworth with her daughter Rebecca Welles, 1946.

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[crankycorvid]

thunder lizard

[queenofinys]

REBECCA FERGUSON + LETTERBOXD (template / insp)

[weedle-testaburger]

GOOD FOR HER

[livelovecaliforniadreams]

I feel that a soulmate connection on any level is romantic. It may not be physically romantic but it is still inherently romantic. I think Ted and Rebecca by design have always been cosmically soulfully connected in ways that the universe was just not going to allow this time around uh life for them not to interact with each other. -Jason

[milyoasis]

hyperfixating in 2 random background characters... what lack of teasers does to a mf.

But seriously, they look way too drippy to have just 10 seconds of screentime x(

[rebeccasbiscuits]

I’m thinking so many thoughts after that episode, which was wonderful and hilarious, but something I’m very much thinking about is where someone on twitter pointed out the contrast between Rupert going to the club every single day for six weeks to wear Rebecca down vs Ted coming to her office every day for biscuits and genuinely wanting to get to know her. I’m especially thinking about how this adds some more context to Rebecca’s point of view on that as well. We see her disparagingly calling him ‘relentless, and nice’, and her desire for her love of the biscuits to not make her dependent on him providing her with something.

The moment I’m thinking about most is the one at the end of episode 5, where Ted storms in after finding out she sent Jamie away. The biscuit reveal at the end has always felt crucial in this way, but even more so in this context. Her experience has been with the relentless interest and charm until the other person pulled back the layer of charm and showed that this charming nature wasn’t genuine, and in a way I think here, as Ted yells at her, it lets her feel a bit vindicated, or at least secure, in her belief, or lack of belief, in the nature of other people. But then Ted continues the biscuits, and the extension of kindness they represent, no matter how angry he is, and not only that but reveals he has been (without having told her) baking the biscuits himself. His only deceit was hiding an extra kindness he didn't even seek self serving credit for, despite knowing how much she liked the biscuits. Obviously this works so interestingly as another anti-Rupert parallel in a Ted/Rebecca sense, but I love it even just generally in the context of how it’s visible that this is what shakes Rebecca in that scene, because it shakes the view she has of how people treat people after her abusive marriage and isolation, which is allowing her to go on with the plan that will hurt so many of them. It disarms her because even when she has done something bad, and Ted is expressing legitimate annoyance about it, he will not stop extending this relentless kindness and generosity to her, even when he has not got what he wanted, the way she experienced Rupert doing once he had got what he wanted. Ted’s not only relentless, not only nice, he’s also sincere.

[whycantwegivellove]

Day 16 of @gelphiefemslashfeb: Crossover

in which Elphaba isn't the only one who gets a makeover

[julesnichols]

Ilsa Faust + the Thigh Move™️

[mrgaretcarter]

[sovamurka]

A sentence that I cannot say among my musical circle because I'd be bullied immediately: European musicals are ten times better than Broadway ones 😔

[shania-twain]

1x04 | 2x04 | 3x04

[queenofinys]

"This is her curse. In each life she makes the best of a bad situation, finds love where anyone else would settle for icy tolerance, makes everything work for however long she has and every damn time it is taken away and- In the next life, she promises, in the next life she will do better."

from the fatal flaw that makes you long to be magnificently cursed by @electricbluebutterflies

[theheart-isanarrow]

-Vincent Van Gogh

Ted Lasso x Loving Vincent