#RidingEasy Records

[doyourememberrocknrollradio]

Raw Meat - Stand By Girl | Brown Acid - The First Trip | RidingEasy Records

[ghostcultmagazine]

Alburnum – Buitenlucht (Babylon Doom Cult) Altars – Ascetic Reflection (Everlasting Spew) American Terror – Where We Are (Self -Released) Anticreation – From The Dust Of Embers (Sentient Ruin) Antilles – Entheos EP (Crawling Chaos) Arctic – Arctic EP (Darkwoods Records) Ardours – Anatomy Of A Moment (Frontiers Srl) Begrime Exemious – Rotting In The Aftermath (Dark Descent Records) Beth Blade And The Beautiful Disasters – Mythos, Confession, Tragedies And Love (Beautiful Disasters) Blackwater Drowning – Sonder//Satori (Blood Blast) Blind Channel – Lifestyles Of The Sick & Dangerous (Century Media Records) Cleanbreak – Coming Home (Frontiers Srl) Crossing Rubicon – Perfect Storm (Frontiers Srl) DBB – Bastards Of Slime (Self-Released) Dead Tired – Satan Will Follow You Home (New Damage Records) Defect Designer – Neanderthal (Transcending Obscurity Records) Dio – Holy Diver Super Deluxe Edition (Rhino Records) Farewell To Fear – Polarity (Crusader Records) Fear Not – Fields Of Sorrow (Self-Released) Frayle – Skin & Sorrow (Aqualamb Recordings) Greylotus – Dawnfall (The Artisan Era) Gruntruck – Push Re-Release (Dissonance Records) Hail Mary – Disturbing The Peace (Eonian Records) HolyRoller – Swimming Witches (Black Doomba Recordings) Left To Suffer – And Dying Forever EP (Self-Released) Lord Elephant – Cosmic Awakening (Heavy Psych Sounds) The Machinist – All Is Not Well (Prosthetic Records) Negative 13 – Mourning Asteri (Self-Released) Nelson – Greatest Hits (And Near Misses) (Universal Music Group) Opponent – Sentinel (Solid State Records) Organectomy – Nail Below Nail (Unique Leader Records) Pestilent Hex – The Ashen Abhorrence (Debemur Morti Records) postcards from new zealand – nin-an-ak (Self-Records) Powerwolf – The Monumental Mass – A Cinematic Metal Event (Napalm Records) Serpents In Paradise – Temptation (MDD Records) Sinking Suns – Dark Days (Reptilian Records) Sonum – Visceral Void Entropy (Wormholedeath Records) Spektrvm – Blood For Heaven (Sliptrick Records) Sweet Freedom – According to Jörgen Schelander (Melodic Passion) Telekinetic Yeti – Primordial (Tee Pee Records) Unholdun – Unholdun EP (Purity Through Fire) Vomit Forth – Seething Malevolence (Century Media) The World Without Us – Body Forth (Self-Released) Zarraza – Kreated In Blood EP (Self-Released) Shoutout to some good labels: @Century Media Records @NuclearBlastVEVO @Nuclear Blast Records @NuclearBlastUSA @Ripple Music @Metal Assault Records @Unique Leader Records @Atlantic Records @InsideOutMusicTV @Creator-Destructor Records @Napalm Records @SpinefarmRec @SpinefarmUS @Pelagic Records @MetalvilleTV @Mighty Music @Metal Blade Records @HEAVY PSYCH SOUNDS RECORDS @Seeing Red Records @RidingEasy Records @Rise Above Records @Rise Above Records @Triple B Records @UNFD @threeonegrecords @Sumerian Records @Atomic Fire Records @Earache Records @Season of Mist @Upstate Records New York @Tankcrimes @Trepanation Recordings @Roadrunner Records 💻 Omar Cordy (https://www.instagram.com/ojcpics​​) 🎤 Micaela Superstar (https://ift.tt/QGA1JT5) 🎵 Fahad Syed (https://www.instagram.com/fahanzi​​). Gear we use: (These are affiliate links and Ghost Cult makes a small profit from a sale) Set up A: Sony A7 III - https://amzn.to/3tQm422 Tamron 17-28 - https://amzn.to/3ePrlTd Tamron 28-75 - https://amzn.to/3fqCjgY Desview Mavo-P5 Monitor- https://amzn.to/33LlTub Manfrotto Befree Travel Tripod - https://amzn.to/3hxbL0e Set up B: Canon 80D - https://amzn.to/3ye8WqV Sigma MC-11 - https://amzn.to/3brZdU2 Sigma 18-35 - https://amzn.to/3tLlEd7 Tokina 11-16 - https://amzn.to/3bty9Uk Feelworld T7 Monitor - https://amzn.to/2Re9hta Audio: Sound Devices MixPre-3 - https://amzn.to/3tKkJd2 Gearlux XLR Mic Cable - 3 Pack - https://amzn.to/3w3zN6Y Deity D3 Microphone - https://amzn.to/3tRa6W2 Fifine Usb Mic - https://amzn.to/3w8JHEG Lighting: YONGNUO YN600L - https://amzn.to/2QkNrn5 YONGNUO YN300 Air - https://amzn.to/2QjN5gu Dfuse Softbox - https://amzn.to/3uQq4AN Aputure MC - https://amzn.to/3oirFgx NanLite PavoTube II 6C - http://bit.ly/NanLitePavoTubeII Lightstands - https://amzn.to/3uSBl3x 5 in 1 Reflector - https://amzn.to/33KHdjo And our iconic Rope Light https://amzn.to/3ycdmyz For the full list of Ghost Cult gear: http://bit.ly/OJCPicsKit

[thejoyofviolentmovement]

New Audio: New Hampshire's Street Trash Shares a Mosh Pit Friendly Ripper

New Audio: New Hampshire's Street Trash Shares a Mosh Pit Friendly Ripper @heygroover @romainpalmieri @DorianPerron

Street Trash is an an emerging New Hampshire punk outfit, and their latest single “Trailer Parks” is a crusty, power chord-driven, mosh pit friendly ripper that simultaneously reminds me of Coney Island High and The Continental on St. Mark’s Place back in the 90s and the RidingEasy Records roster. Play loud, headbang — and open up that pit!

[hard-rock-music]

V.A. – Scrap Metal Volume 1 [Excavated Heavy Metal From The Era Of Excess] (2021)

RidingEasy Records and Permanent Records have teamed up for a brand new compilation series called ”Scrap Metal: Excavated Heavy Metal From the Era of Excess”. The series aims to highlight heavy metal artists and tracks from the late ’70s and ’80s that simply got lost over time. (more…) “”

[fuzzyreviewpatrol]

Various Artists Brown Acid: The Fifteenth Trip RidingEasy Records “The Beat Goes On”, title of one of the two best songs Sonny & Cher recorded together, kind of stuck beyond the song itself, and it seems it is something that can easily apply to RidingEasy Records and their Brown Acid series of obscure hard rock […]

[jaybe11]

Hell Fire - Reckoning | Official Album Stream | RidingEasy Records

[johnerigo-blog]

HELL FIRE (Heavy Metal - USA) - Release Official Music Video for the song "Medieval Cowboys" from their upcoming album "Reckoning" due out on August 12, 2022 via RidingEasy Records #HellFire

HELL FIRE (Heavy Metal – USA) – Release Official Music Video for the song “Medieval Cowboys” from their upcoming album “Reckoning” due out on August 12, 2022 via RidingEasy Records #HellFire

HELL FIRE (Heavy Metal – USA) – Release Official Music Video for the song “Medieval Cowboys” from their upcoming album “Reckoning” due out on August 12, 2022 via RidingEasy Records #HellFire here’s the previous single from this album: Sometimes a band grows so exponentially from one record to the next, it’s almost jarring. Hell Fire has already established themselves as the preeminent masters…

[doomedandstoned]

Spelljammer Reveal Trippy New Vid, Talk ‘Abyssal Trip’

~Doomed & Stoned Debuts~

Interview by Billy Goate

Cover Art by Aaron Cahill

Our week of big interviews continues as we meet up with the ethereal doom outfit from Stockholm SPELLJAMMER and premiere a new music video, from their just released second LP, dropped only weeks ago on RidingEasy Records and now the number one album on the Doom Charts.

'Abyssal Trip' (2021) is an enthralling listen from edge to center, with lavish textures, deep thematic content, and unforgettably emotive atmosphere that will stick with you for life. Enjoy it as you read the revealing conversation with Niklas Olsson (guitar, vox) and Robert Sörling (guitar) that follows as we unpack their steller new spin, talk nerdy gear shit, and contemplate humanity's fate.

And now, Doomed & Stoned is pleased to bring you the world premiere of the brand new video for that epic third track, "Among The Holy."

Give ear...

Spelljammer - Among The Holy (music video)

You guys have been a band now for damn near 15 years, maybe longer. Most bands don't make it past two years! What is the "key" to the band staying together for so long and continuing to find inspiration for creating new music?

Rob: I don’t think it’s been 15 years just yet but we are getting there, haha. None the less - that’s a really interesting question! Nik and I started the band much because we share the same taste in music, film and, well, art in general. I think that's the core keeping it all together. Also, there have been a few constellations of band members over the years, all with their own dynamic. I think these kinds of changes, and the new directions of the music because of that, is part of the inspiration. Maybe another reason is that we all live in different cities and because of that sometimes a lot of time passes between rehearsals, writing sessions and such, making us always craving for new Spelljammer jams and songs.

Nik: The craving yes. And another reason I think is the fact that we’ve never really been in a rush to get anywhere. Anything Spelljammer, the music included, takes time. If we had been set on making it, this thing probably would have fallen apart a long time ago.

Abyssal Trip by Spelljammer

How did the theme for Abyssal Trip originate?

Nik: I have always been more drawn to the feelings or emotions you get from a riff or piece of music than to any theme of a lyric. But I would say that any themes came in at the lyrics state, which is at the end of the process. But the themes aren’t that specific to any of the albums. I think I cast a pretty wide net in the beginning and stuck to it. For the next album perhaps we will venture more into unchartered waters. We’ll see.

What fascinates you about the Great Abyss of the ocean?

Nik: I totally get that the word abyss conjures up images of ocean trenches and, yes, the ocean is a fascinating and to a large extent undiscovered place. However, when I wrote that I wasn’t necessarily thinking of the ocean but more the abyss of our own minds. But I think it’s a word that evokes many things, like despair and doom, and it is of course totally open to interpretation.

Is mankind doomed or do we have time to correct our course?

Nik: I’m not as pessimistic of a person as the lyrics may suggest. I think we will be here on earth for a long time. Mankind is clever (perhaps too clever for her own good) even if there are a lot of people hell-bent on trying to screw up everything for everybody else.

Rob: Yes, and considering how ignorant and careless (some) people are acting during this pandemic, at least over here, makes you wonder if there’s any hope at all.

Nik: People are the worst. Ultimately, though, none of it matters because we’re all doomed.

Have you guys seen any good movies/documentaries or read any good books lately that inspired you or otherwise challenged your thinking about life, the present, or the future?

Rob: I can’t say that I’ve seen or read anything recently that challenged me significantly, I guess I’m getting too old to be that overwhelmed haha. The film A Ghost Story though was kind of cool though because it was different, slow and weird (in a good way), and for me it’s always inspiring to read/see/hear something that makes you think, "Man, I wish I had come up with that idea”.

Nik: Absolutely! Punch Drunk Love, Moon, and Office Space are definitely movies like that. I have watched so many movies and series through this pandemic and I can’t remember any of them right now. But I did just notice that there is a season 3 of Loudermilk on HBO! If you haven’t already, see it! I’m currently reading "Homeward Bound, The Life of Paul Simon” by Peter Ames Carlin. It’s a good read about one of my favorite musicians.

For recording this album, what kind of gear did you use and what production/engineering considerations did you have to take into account?

Rob: Since we did a remote recording in the countryside we had to use whatever stuff that we could fit into a couple of cars. I have a couple of old audio interfaces that I linked for a total of 16 channels. I also have a small collection of mics (nothing fancy) and we used them all and the rest was borrowed. We set up the drums in the living room and put the guitar and bass rigs as far away as we could (the adjacent rooms) to avoid bleed and just focused on getting the rhythm tracks done. The goal was to get us all in the same room and to catch the vibe from a relaxed rehearsal kind of situation. The bass rig used was a Orange Terror Bass and an Ampeg SVT 810 and the guitar was tracked through a Reval Mark I and/or Orange TH-100 and a Orange PPC 412. Of course there’s always some unforeseen problem lurking and this time it was the electricity in the old country house.

Nik: I don’t use many effects, just a fuzz. For this one I used a Supercollider from Earthbound Audio. It is exactly what the name suggests. That’s all you need really.

The album cover is amazing! It reminds me, in some strange way, of the creature in the old B-movie Robot Monster (1953). What's the story behind the artwork?

Nik: It definitely has a B-movie vibe that I really like. I’m afraid I can’t really tell you much about it other than the artist name is Aaron Cahill and you can find his stuff on Instagram under the name nghbrs.

I filmed your first US appearance at Psycho Las Vegas in 2016. Fans want to know: do you have ambitions of returning to North America once the world sorts out this pandemic?

Rob: Yes, that’s our first and only US appearance so far and we wouldn’t mind at all returning to Vegas or any other part of the US. For now it’s really hard making any plans at all. In fact, you would think that this kind of isolation would enhance creativity, and maybe for some it does, but for us it’s actually been the most unproductive period so far for Spelljammer. So I’m hoping that by the time this thing blows over we get the inspiration back both for writing/recording new music, and in time hopefully revisiting the US!

Nik: I agree, playing at Psycho Las Vegas was a blast. I hope we get another opportunity to come back some day.

Spelljammer at Psycho Las Vegas/a>

Some Buzz

“The vastness of everything is something that I think about a lot,” says Spelljammer bassist/vocalist Niklas Olsson. And it certainly shows in both the expansive, sludgy sounds and contemplative lyrics of the Stockholm, Sweden based trio. Following a 5-year break between their previous album, Ancient of Days — perhaps fittingly spent pondering said vastness — Spelljammer is back with an album that perfectly bridges the band’s earlier desert rock leanings and their later massive, slow-burning riffs.

'Abyssal Trip' (note: carefully reread that album title) takes its moniker from the perpetually dark, cold, oxygen-free zone at the bottom of the ocean. The 6-song, 44-minute album fittingly embodies that bleak realm with rumbling, oozing guitars intercut with dramatic melodic interludes. The songs take their time to unfurl, making them even more hypnotic. Likewise, the lyrics take a poetic approach to establishing the sonic scenery.

“The lyrical themes we address, like the ultimate doom of man, and the search and longing for new and better worlds, are still there,” Olsson says. “The concept of something undiscovered out there in vast emptiness is pretty much always present.”

The recording process for Abyssal Trip differs from previous releases in that the band — guitarist Robert Sörling, drummer Jonatan Rimsbo and Olsson — opted to capture the performances while holed up in the mental bathysphere of a house in the countryside near Stockholm. “The songs benefitted from the relaxed environment of being away from everything,” Olsson explains. Indeed, the album sounds confident and meticulously arranged, afforded by the band’s isolation. Sörling mixed the album and it was mastered by Monolord drummer Esben Willems at Berserk Audio.

Album opener “Bellwether” begins dramatically with a very slow, nearly minute-long fade in of rumbling distortion setting the stage for heavily distorted bass and guitar plucking out the lugubrious riff for another minute and a half before the drums begin, and likewise equally as long before vocals gurgle to the surface. “Lake” abruptly shifts gears, opening with an unusually fast gallop before rupturing into thundering doom that soon drops into a clean-tone Middle Eastern melodic breakdown.

The title track serves as the album centerpiece, opening with ominous film dialogue about blood sacrifice that launches into pummeling, detuned guitars rumbling over gut-punching drums and howling vocals hearkening to the proto-sludge of Pink Floyd’s “The Nile Song.” The dynamic relents briefly for a slow building clean guitar melody before all instruments lock into a jerking riff topped off by a trilling Iommi style lead. Throughout, Abyssal Trip is, just like its title suggests, an epic tour through desolate zones which yields much to discover.

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[planetmosh]

DEATHCHANT - Waste - album

DEATHCHANT – Waste – album

Deathchant – Waste, the band’s sophomore album and first for RidingEasy Records, is anything but. The 33-minute, 7-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, NWOBHM thrash, COC grunge and punk fury all rear their head at times, sometimes all at once. Heavy…

[metalpurgatorymedia]

ALASTOR Debut New Track 'Dead Things In Jars'

ALASTOR Debut New Track ‘Dead Things In Jars’

Sweden’s psychedelic doom quartet Alastor debuted a new track named ‘Dead Things In Jars’ from their upcoming new album “Onwards and Downwards” due out May 28th.  

[doyourememberrocknrollradio]

Punch - Deathhead | Brown Acid - The First Trip | RidingEasy Records

[ghostcultmagazine]

Alcatrazz – Official Bootleg Box Set Volume 2: 1983-1984 (HNE) Align The Tide – Hollow (Cleopatra Records) Apeiron Bound – Multiplicity (Layered Reality Recordings) Austere – Towards The Great Unknown Box Set (Lupus Lounge) Becoming The Archetype – Children Of The Great Extinction (Solid State Records) Bloodbox – Post Human Disorder (Headwound Records) Blood Of Indigo – Dawn Of The Shaded World (Self-Released) Brymir – Voices In The Sky (Napalm Records) CB3 – Exploration (Majestic Mountain Records) Dreadnought – The Endless (Profound Lore) Dynazty – Final Advent (AFM Records) Eaten By Sharks – Eradication (Self-Released) Edenbridge – Shangri-La (AFM Records) Grave Digger – Symbol Of Eternity (Rock Of Angels) Hexis – Aeternum (Debemur Morti) Hierophant – Death Siege (Season Of Mist) The Hirsch Effekt – Solitaer EP (Long Branch Records) Iron Savior – Reforged – Ironbound (Vol. 2) (AFM Records) Lonely Robot – A Model Life (InsideOut Music) Long Distance Calling – Eraser (earMusic) Machine Head – Of Kingdom And Crown (Nuclear Blast Records/Imperium) Manifest – The Sinking (Sound Pollution) Marcus King - Young Blood (American/Republic Records) Master – On The Seventh Day God Created Master Re-Release (Hammerheart Records) Might – Abyss (Exile On Mainstream) Obituary – Cause Of Death – Live Infection & Slowly We Rot – Live And Rotting (Relapse Records) Olhava – Reborn (Avantgarde Music) Red Rot – Mal de Vivre (Svart Records) Santa Cruz – The Return Of The Kings (M-Theory Recordings) Shroud Of Despondency – Air Of Abrasion (Self-Released) Sigh – Shiki (Peaceville Records) Spirit In The Room – Flamingo EP (Housecore Records) Stitched Up – Jupiter Jazz And The Suicide (Self-Released) Storm – Invincible EP (Indie Recordings) Tad Morose – March Of The Obsequious & Thoughtcrimes – Altered Pasts (Pure Noise) DIY bands and labels: message us on our website to get added to our future lists and NMF posts: https://ift.tt/KW7Gh8f Shoutout to some good labels: @Century Media Records @NuclearBlastVEVO @Nuclear Blast Records @NuclearBlastUSA @Ripple Music @Metal Assault Records @Unique Leader Records @Atlantic Records @InsideOutMusicTV @Creator-Destructor Records @Napalm Records @SpinefarmRec @SpinefarmUS @Pelagic Records @MetalvilleTV @Mighty Music @Metal Blade Records @HEAVY PSYCH SOUNDS RECORDS @Seeing Red Records @RidingEasy Records @Rise Above Records @Rise Above Records @Triple B Records @UNFD @threeonegrecords @Sumerian Records @Atomic Fire Records @Earache Records @Season of Mist @Upstate Records New York @Tankcrimes @Trepanation Recordings @Roadrunner Records 💻 Omar Cordy (https://www.instagram.com/ojcpics​​) 🎤 Micaela Superstar (https://ift.tt/qclPONM) 🎵 Fahad Syed (https://www.instagram.com/fahanzi​​). Gear we use: (These are affiliate links and Ghost Cult makes a small profit from a sale) Set up A: Sony A7 III - https://amzn.to/3tQm422 Tamron 17-28 - https://amzn.to/3ePrlTd Tamron 28-75 - https://amzn.to/3fqCjgY Desview Mavo-P5 Monitor- https://amzn.to/33LlTub Manfrotto Befree Travel Tripod - https://amzn.to/3hxbL0e Set up B: Canon 80D - https://amzn.to/3ye8WqV Sigma MC-11 - https://amzn.to/3brZdU2 Sigma 18-35 - https://amzn.to/3tLlEd7 Tokina 11-16 - https://amzn.to/3bty9Uk Feelworld T7 Monitor - https://amzn.to/2Re9hta Audio: Sound Devices MixPre-3 - https://amzn.to/3tKkJd2 Gearlux XLR Mic Cable - 3 Pack - https://amzn.to/3w3zN6Y Deity D3 Microphone - https://amzn.to/3tRa6W2 Fifine Usb Mic - https://amzn.to/3w8JHEG Lighting: YONGNUO YN600L - https://amzn.to/2QkNrn5 YONGNUO YN300 Air - https://amzn.to/2QjN5gu Dfuse Softbox - https://amzn.to/3uQq4AN Aputure MC - https://amzn.to/3oirFgx NanLite PavoTube II 6C - http://bit.ly/NanLitePavoTubeII Lightstands - https://amzn.to/3uSBl3x 5 in 1 Reflector - https://amzn.to/33KHdjo

[beardednjnja]

Might start posting pics of latest vinyl acquisitions or just stuff from my collection in general.

My red/green/yellow starburst vinyl of Monolord's Empress Rising. Limited to 75 copies.

[hard-rock-music]

V.A. – Scrap Metal Volume 2 [Excavated Heavy Metal From The Era Of Excess] (2023)

RidingEasy Records and Permanent Records have teamed up for a brand new compilation series called ”Scrap Metal: Excavated Heavy Metal From the Era of Excess”. The series aims to highlight heavy metal artists and tracks from the late ’70s and ’80s that simply got lost over time. (more…) “”

[cult-of-the-night-creeper]

Design by @shanehorror

[itttsarkanyokvannak]

West. Coast. Street. Doom.

R.I.P. X Street Reaper