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#Rotten Dinner Visual Novel
maddymoreau · 1 year
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(⸝⸝⸝ ᵒ̴̶̷ ꇴ ᵒ̴̶̷)◞♥︎ AWESOME Icon drawn by @vexmoth !!
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maleyanderecafe · 8 months
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Rotten Dinner (Visual Novel)
Created by: wormeow
Genre: Horror/Surreal
Playing Rotten Dinner feels like running around in a nightmare and I say that in the best way possible. The game feels very surreal and is filled with gore and creepy imagery at time, running around where it seems like there's no real escape. This game is completed and very r18, with the cannibalism, gore, sexual scene near the end as well as other similar types of topics. You can find more at @wwwormeow.
The story starts out with Bonnie, waking up tired and disgruntled about to head to class. After deciding whether or not to put on their necklace, before heading to class. While going to class, they end up seeing a guy named Nick bullied and bloodied in the bathroom.
If you decided not to wear the necklace this morning, Bonnie will completely ignore Nick, not wanting to deal with being bullied themselves. Upon going to their locker, they meet up with their friend Fred, a childhood neighbor that they surprisingly didn't spend a lot of time with as a child. The two of them hang out happily, with Bonnie having a good time hanging out with them. Upon going home though, the two of them are met by Nick who interrupts their conversation, where Bonnie can decide to either head back with Nick or Fred.
If they decide to go back with Fred, they will invite Fred over to their apartment to hang out, however, while taking a bath they feel that something is off. They yell out, freaked out that Fred might be trying to scare them in the bathtub, only to come out later and find that Nick has broken in and is holding a now dead and bloodied Fred. Nick ends up knocking Fred's head off, which can either cause Bonnie to scream or stay silent out of fear. Screaming will lead to a negative reaction from Nick as he hates loud noises, leading to Nick killing Bonnie. Staying silent on the other hand, will lead to Nick again telling Bonnie about his distaste of loud noises before confessing his love to them. As he does, describing his obsession of them and how he wants to taste them as he chokes them to death.
If they decide to go back with Nick, Fred will understand and leave the two alone. While talking, Bonnie will notice Nick acting rather shy and Nick will offer to walk Bonnie home. He talks about how he has a condition where his eyesight is waning thanks to the bullied attacks and even confesses to Bonnie and is cool even when Bonnie doesn't fully accept it back. Bonnie offers to have Nick stay over, but upon waking up seems extremely fearful as they know something is wrong. They hear Fred banging at the door before Nick ends up drugging Bonnie and causing them to pass out. Bonnie wakes up to Nick at a table, while freaking out about where Fred went. Bonnie finds out that they're tied up as Nick attempts to feed a suspicious meat to Bonnie. Bonnie demands to know whose meat this is, but is eventually forced to eat it.
Putting on the weird necklace will allow Bonnie to fight back the bullies if prompted, pulling Nick away from the other bullies and running away so that he won't get hurt. They end up stopping inside of a library as they get away from the bullies. Nick thanks Bonnie for saving him with Nick also acting both friendly and creepy at the same time. Things get worse as he talks about how much he loves the smell of blood and he suddenly loses his face. After leaving, Bonnie starts getting scared as they feel that someone is following them. They can either run away or take another path.
If they take another path, they are able to escape back to their apartment, but presumably are still stalked by Nick.
By running away, the bullies that were chasing them continue to run after them, until they end up in an alleyway. However, someone comes and ends up killing the bullies, leaving them next to their bodies. Running away again will cause them to be killed by presumably Nick, calling them an idiot for trying.
If they give up instead, Bonnie will wake up with a start at their apartment, paranoid about what happened, but not seemingly remembering who caused the panic in the first place. They end up greeting Nick outside their apartment, though very clearly panicking still and even calling the police. After going into the house, they have a strange realization while trying to explain the situation to Nick.
If they stop for a second, Bonnie will instead to break the fourth wall, realizing that they are acting more like a robot and that they don't have any autonomy. It switches to you the player, as Nick seems pretty calm, having already known about the fourth wall break. He starts to switch between different backgrounds, from the class hallways to the alleyway, and then to a crudely drawn beach. This eventually goes back to letting Bonnie continue.
If they continue, Nick will reveal that he was the one who killed the two bullies that they were running away from. Bonnie continues to freak out, as Nick gushes on how much he loves them. Bonnie ends up passing out as Nick has drugged them, though not without a struggle. Upon waking up, Bonnie is presented a gift from Nick. Acting rudely against him will end up with Nick getting angry and killing Bonnie, where as being grateful will end up with Nick showing the mutilation of organs in the box before Bonnie passes out again.
Upon waking up, Nick presents Bonnie with a nice looking meat on the bone, though Bonnie is still very angry about what happened. After a pleasant conversation though, Bonnie notices something is wrong and that their legs have been cut off. Nick having served their leg, asks if they want a piece.
If they instead leave Nick to be bullied, they will end up going to class. They end up trying to take a nap during class, and after constantly listening to the sound of dripping wakes up, startling the whole class. We find out that Bonnie has a nosebleed and excuses themselves to the nurse's. On the way there, they end up seeing Nick in the hallways. If they ignore Nick and go to the nurse, they'll fall asleep, but are fearful to wake up. When they do, they see Nick staring at them before he throws them onto the floor and licks their blood. He then apologizes for what he has to do, confessing his love and stabbing a scalpel onto Bonnie's head, killing them.
If instead, Bonnie talks to Nick, they will apologize for ditching them in the morning, with Nick thinking nothing of it. The two of them talk, and he maintains his creepy yet cute personality, even correctly guessing Bonnie's bloodtype based of smell. After going back to their apartment, Bonnie finds Nick waiting outside. Nick lets himself in, believing that because they talked he was basically inviting him inside. Bonnie tries to run for their phone, but Nick ends up catching them afterwards, cutting them open.
Finally upon getting all previous endings, Bonnie can decide to restart their life. Waking up again, they now have the default name Eve and becomes a far more cheerful and optimistic. They end up going to school together and meeting Nick. They have a crush on him though despite confessing, he seems to keep them at arms length. We get to know more about them, like their family and what they want to do in life. The two end up in the apartment together and start to engage in more kinky times, with Nick biting and ripping off part of Eve's thigh. The end is Nick thanking the player for being there with him, knowing he cannot leave but appreciating their company regardless.
As I said, Rotten Dinner is like playing through a nightmare and it's amazing in that sense. There's a lot of moments that are janky or kind of strange, sometimes jumping between shots, the feeling of dread where you're not sure where it's coming from and the strange man who keeps on appearing. The music and the visuals play well with this, with the music feeling very janky with an undertone of dissonance and the artwork being more muted or reddened in CGs. It's hard to describe other than the feeling of someone waking up over and over again in a nightmare, not knowing why they feel dread but not being able to do anything about it. Each of the endings, except for the one where Bonnie is able to escape is rather frightening to, with Nick killing Bonnie or someone else, seeing their guts spilled all over the place while being very nonchalant about what's going on, meanwhile Bonnie is screaming and freaking out. The fourth wall breaking component is interesting, and while I don't really understand it as why it was added to Nick's character, it does make the nightmare aspect even more scary, as now you have someone who knows who you really are, and not hiding behind some NPC that you control. In this aspect I can kind of also just ignore the MC's personality in this one (since much like other MCs they are miserable and hate life) because if it is really in the sense that they're sort of in a waking nightmare, they still might have previous feelings of fear built into them, thus maybe the reason why this happens.
Nick as a character is... weird. He seems like he's built like a fourth wall break type character, but we never really get to know why he likes Bonnie or even you as a player. I think it partially ties into his creepy factor since he does very much tether between cute and creepy very well, but it is unfortunate that we don't know the reason why he likes you so much. As a character, it's very strange to me that he can be this cute and also terrifying, even in a yandere sense. He starts off playing as a sort of bully bait as he is literally being bullied in the first couple chapters, but he has a ton of weird quirks about him, with his ability to smell the type of blood Bonnie has, to loving the taste of blood to just enjoying cannibalism. His endings are also rightfully terrifying, usually having to deal with the guts of his victims or simply even killing and decapitating one of your friends as Bonnie gets out of the shower. He hides his eyes under his glasses, but he actually has quite a cute face, which juxtaposes with the more horror of his love of cannibalism. We don't really see how he gets away with about half of these endings, but as I said, because this game is set very much in a nightmare state, it doesn't really need to make a whole lot of sense all the time. Still though, other than the fact that he is really into gore and hates loud noises, we don't really get too much about his backstory whatsoever. The most we get is when we play as Eve near the ending, but even then we really don't know all that much about him. Even as a yandere, he's kind of strange type, being the type that is willing to kill Bonnie which is upped by his strange fascination with gore. He does end up killing Bonnie out of annoyance if they are too rude or too loud, even stating that he'd keep their organs/body inside with the other bodies he has, but he also kills the bullies that go after them in certain endings and of course kills Fred as well. He stalks and knows a lot about Bonnie, though much of it comes from the fourth wall break, and even then he can still detect things like blood type like a hell hound. Nick as a horror based yandere, like a nightmare creature works very well, but as a character, we barely know anything about him.
Overall, a good horror type game with a ton of gore aspects. If you enjoy more bloody type games with horror in it, then this one is a good game for you. I was surprised at how much I enjoyed it despite not really being into as scary things as many others. Give it a try, Nick is very cute in a lot of scenes.
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kaine-chan · 1 year
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Once again I’m back with some yandere-things~ 
(from VN Rotten Dinner by @wwwormeow )
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raym-reimu · 10 months
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rotten dinner was a cute game
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reiynm · 1 year
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Reiynm PLAYS :D
ROTTEN DINNER ❤🍖
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butter-bunny · 1 year
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Goretober 2023
These will either be fics or drawings or both. These will all be from Yandere visual novels. You can definitely give me ideas for some.
Day 1. Lacerations (Ren Hana)
Day 2. Beathen/Bruised (Fraz)
Day 3. Teeth
Day 4. Cannibalism (Rotten Dinner)
Day 5. Self-inflicted (John Doe)
Day 6. Execution (Danganronpa)
Day 7. Gutspill (Tate Frost)
Day 8. Nosebleed
Day 9. Amputation (Lawrence Oleander)
Day 10. Asphyxiation (Rotten Dinner)
Day 11. Bones
Day 12. Vivisection
Day 13. Too Much Blood
Day 14. Body Horror
Day 15. Masochist (Fraz)
Day 16. Impaled
Day 17. Torture (Strade)
Day 18. Skinning (Tate Frost)
Day 19. Eyes
Days 20. Surgery
Day 21. Frozen (Tate Frost)
Day 22. Accident
Day 23. Candy Gore
Day 24. Decomposition
Day 25. Stitches
Day 26. Burns
Day 27. Head Trauma
Day 28. Holes (Ren Hana)
Day 29. Bugs (John Doe)
Day 30. Sliced
Day 31. Vomit
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endless-nightshift · 8 months
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Me: *plays horror game at 4:30am despite being paranoia prone*
Me: nOw WhY Do i fEel pARanOiD???
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ao3feed-gravescest · 4 months
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Rotten Girl Grotesque Romance
https://ift.tt/7atUOx3 by CarnageDaemon, CorpseKitty (CarnageDaemon) Ashley thinks to prepare an dinner for her and Andrew, but she sees something Very unpleasant that made her change her own mind about Julia. Words: 960, Chapters: 1/2, Language: English Fandoms: The Coffin of Andy and Leyley (Visual Novel) Rating: Explicit Warnings: Graphic Depictions Of Violence, Major Character Death Categories: F/M Characters: Julia (The Coffin of Andy and Leyley), Ashley Graves, Andrew Graves Relationships: Andrew Graves/Julia, Andrew Graves/Ashley Graves, Gravecest - Relationship Additional Tags: Sibling Incest, Incest, Jealousy, Possessive Behavior, Possessive Sex, Dubious Consent, Extremely Dubious Consent, Murder, Cannibalism, Mindfuck, Men Crying, Fear, Love/Hate, Their Love Is So, Dead Dove: Do Not Eat, Blood and Gore, Dinner, Bloody Kisses, Stalking, Assassination, Sex, Mental Breakdown, Betrayal, Revenge, Hurt, Emotional Hurt, Crying, Sexual Tension, Dubcon Kissing
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acid--dream · 10 months
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Hey have you heard of this visual novel called rotten dinner? all of its good, but the secret ending…. 👀👀👀
https://www.youtube.com/watch?app=desktop&v=K1BLfS4uMQo
You should check it out, there’s a playthrough with all the endings on YouTube but the secret ending is at 2:00:41
It's a romantic masterpiece of pure love.
Thank you so so so so much for showing me this.
> Fuck, do you feel it too, this heat and excitement. Your flesh is inside me... i've tasted you, you're incredible, oh my god
Got me wild.
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tenaciouslyobsessed · 1 month
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Intro to this blog?
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Uh I'm new to this place.
Current obsession
Be aware, none are organized and I’m lazy so it takes while to update
Yandere VN
Perfect Love (really into this rn)
Binary Star Hero
Mushroom Oasis
Rotten Dinner
Favor
Duality
Diona’s flower
Klien v.0.1
You and him
14 days with you
SWWSDJ
Tentador Leches
See thru friend
My ange
(There’s more but can’t remember)
Non yandere VN
Error 143
A date with death
SeekingL (this made me think about life)
The Arcana
Mystic Messenger (erm can be also in yandere section)
I'm really into yandere visual novels rn. Some of them are 18+, that's why I have my blog as mdi. If you're minor, block me plz :,D
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maddymoreau · 1 year
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Game: https://wwwormeow.itch.io/rotten-dinner
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maleyanderecafe · 9 months
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R18 Visual Novels/Games + Mobile Games Masterlist
R18 Indie Visual Novels
My Dear Hatchet Man
14 Days With You
Particles of Reality
Dachabo! Digi-Pet-Sim!
The Gaydere
Restart Heart
See Thru: Need A Friend?
You and Him
Don't Trust Him
Boyfriend EXE
Don't Look
Glass Mind
Colored Gaze
Forcefully Yours
Ai-yo Kogane san!
Hopeless Romantic
Duality
Broken Colors
Cannibal Sweetheart
Honey Hotline
A Cry for Help
The Snake's Taken a Spouse
Mine
10:16
Worthy Lover
Favor
Mad Room No. 3
Bad End Cinderella
First Time
Close to Obsession
Rotten Dinner
Metanoia
The Kid in the Back
Get to Know: Coffee Date
A Double Sided Mirror
Idolatry
Symptoms of Deceit
Apple for a Teacher: A Yandere Love Story
Flower Letters
Courtin' Cowboys
Mobile Games
Dangerous Fellows
My Psycho Boyfriends
Yandere Boyfriend Leo
Yandere Classmate Aiden
Yandere Richman June
Yandere Stepbrother Dean
Killing Kiss
In Search of Haru
My Puppy Fiance
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kaine-chan · 1 year
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A little hungry boy from VN “Rotten Dinner” by wormeow (https://wwwormeow.itch.io/rotten-dinner)
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psionotic · 9 months
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My Favorite Culture 2023
It's New Year's Eve, so time again for my annual post to this platform! Here are the things I experienced for the first time in 2023 though of course not all of them are from 2023.
—Books—
Tell Me I’m Worthless. There’s something rotten in the haunted house of Albion, and it’s British fascism and increasingly normalized transphobia.
Station Eleven. The world ended, but a small troupe of survivors travel the wasteland, performing Shakespeare and making music.
Friday Black. A collection of science fiction stories that nibble at our social and racial conscience. “Through the Flash” has become one of my favorite short stories.
Klara and the Sun. Another Ishiguro novel narrated by an insightful, sensitive outsider? Check. Sad robots and sick kids? Ow my heart.
Piranesi. A stately, somber fantasy about truth, memory, and identity (re-)formation.
I also enjoyed: Kaiju Preservation Society, The Many Deaths of Laila Starr
Classics I read for the first time: The Scarlet Letter, Billy Budd, Bartleby the Scrivener, Clotel, Little Women, The Awakening, Immortality, Assassin’s Apprentice, Man’s Search for Meaning, The Witching Hour, ‘Salem’s Lot, The Remains of the Day, Between Two Fires, The Leftovers
I was mixed on: Fairy Tale, You Died: An Anthology of the Afterlife
I was bummed out by: California
—Movies—
Godzilla Minus One. Yes, the best movie I saw this year is about a giant nuclear-powered monster. It’s also about found family, redemption, and reckoning with a nation’s trauma—and shame.
Barbie. The anti-Fight Club; an all-singing, all-dancing Jewel of the World.
Spider-Man: Across the Spider-Verse. Come for the visual and auditory wonderlands, stay for the kinds of character stakes that more literary films can only genuflect towards.
Nimona. An adorable sci-fantasy queer allegory anchored by the punk rock snarl of Chloë Grace Moretz.
The Menu. The world’s most feted, reclusive chef (Ralph Fiennes @ maximum menace) throws an invitation-only dinner for some jagoff 1%-ers. Things get weird and then very, very bloody. Also Anya Taylor-Joy is in this and she’s maybe my favorite working actress..?
I also enjoyed: Polite Society, I Tonya, Elemental, The Marvels, No One Will Save You, Two Distant Strangers, Guardians of the Galaxy Volume 3, Dungeons & Dragons: Honor Among Thieves
Classics I saw for the first time: The Haunting (1963), In the Mouth of Madness, Escape from New York, The Warriors, Lady Snowblood, Stalker, Sicario, Hanna, Insidious, Devil’s Pass, Edge of Tomorrow
I was mixed on: Creator, Last Night in Soho [though AT-J does her best!], The Invitation
I was bummed out by: Totally Killer
—TV—
Reservation Dogs. Succeeded Atlanta and Derry Girls as the best show about loveable weirdoes living in fraught circumstances. Now all three are over and I don’t know what to do, except say, “Love you bitches.”
Poker Face. Natasha Lyonne in a Rian Johnson-channeling Knives Out-by-way-of-Columbo joint with fun mysteries, a delicious visual sense, and delightful guest stars playing against type.
Scavengers Reign. Spacefarers separated during an emergency land on an alien world. An alien alien world with a complex, baffling ecosystem. Each is transformed by their experience. Alternatingly beautiful, horrifying, and profound.
Cunk on Earth. In this very British documentary series about the rise (?) of civilization, comedian Diane Morgan (as Philomena Cunk) asks some of the smartest historians and critics some of the dumbest questions imaginable. We’ve watched this maybe ten times this year, and it just keeps getting funnier every single one. Best line: “…they’d probably have a stroke, wouldn’t they?”
I also enjoyed: Silo, Fall of the House of Usher, The Last of Us, Harley Quinn, Scott Pilgrim Takes Off, What We Do in the Shadows, Cyberpunk: Edgerunners, Castlevania: Nocturne, Star Trek: Lower Decks and Strange New Worlds, Last Week Tonight, Taylor Tomlinson’s Quarter-Life Crisis and Look at You, Game Changer
I was mixed on: Star Wars: Ahsoka. Apparently the only nu-SW I can really enjoy is Andor and The Last Jedi…? Sad, this is.
—YT—
Folding Ideas. The best video essay channel covered the Metaverse, BlizzCon, and the GameStop stonks phenomenon this year.
Hbomberguy. The best video essay channel put out only a single video this year, the nearly four hour “Plagiarism and You(Tube)” which broke the internet and ended at least two careers.
Jacob Geller. The best video essay channel put out a half dozen videos this year, covering horror games, “Art in the Pre-Apocalypse”, the non-evolution of execution methods, and more.
Double Fine PsychOdyssey. A 32-part making-of documentary, following an indie game developer trying to build the at-long-last sequel to their most iconic game. During the seven years of development they face personality conflicts, staffing issues, artistic disagreements, the implosion of their publisher, angry fanboys, COVID, near-bankruptcy, a buy-out attempt, and a thousand other obstacles. If you’re interested in game development this is a must, but it’s also highly recommended to anyone involved with or fascinated by making collaborative art under capitalism (theater, film, etc).
—Games—
Baldur’s Gate 3. This was an incredible year for games, but nothing tops Larian Studios’ masterpiece. As good a simulation of an excellent D&D campaign as is possible in the medium, they’ve done just about everything right: deep character creation, memorable side characters and relationships, decisions with consequences that really matter, epic story moments, and satisfying tactical combat through some clever simplifications to the Dungeons & Dragons 5th edition ruleset. People will be talking about (and re-playing) this for a long, long time.
The Legend of Zelda: Tears of the Kingdom. The follow-up to one of the most creative and joyful open-world games ever made is even better than its predecessor, with a more heartfelt story and an unsurpassed physics and building system.
Alan Wake 2. Remedy’s Stephen King-meets-Twin Peaks classic got its loooong-awaited sequel. One half survival horror, one half hallucinogenic crazy train, all disturbing surreal goodness.
Marvel’s Midnight Suns. A little X-COM, a little Fire Emblem: Three Houses, marrying satisfying card- and turn-based tactical combat with some lovely character work. I never always knew I wanted to go stargazing with Illyana Rasputin, or watch movies with Nico Minoru, and this year I did both of these. (I also went fishing with Blade and joined a book club with Wolverine, so…).
I also enjoyed: Remnant 2, Dead Cells, Marvel Snap, Dead Space (2023), Resident Evil 4 (2023), Spiritfarer, Ratchet & Clank: A Rift Apart, Super Mario Wonder, Mario Kart 8 (booster courses)
Classics I played for the first time: Psychonauts, Portal 2, Rayman Legends
I was bummed out by: Diablo 4 [congrats to my once-favorite developer for earning this spot two years in a row!]
—Albums—
boygenius: The Record. Supergroup of queer indie-rock darlings put out their first LP and it’s top-to-bottom majesty. “Leonard Cohen” and “Not Strong Enough” might be my favorites now, but “True Blue” was my song o’ the summer and I must have spun it up a hundred times.
Mountain Goats: Jenny from Thebes. The first concert I’ve seen post-COVID was the Sacramento leg of the Goats’ recent tour. “Fresh Tattoo”, “Clean Slate”, and “Great Pirates” are highlights.
Susanne Sundfør: Blómi. I think I prefer the more europop-centric installments in Sundfør’s arty europop oeuvre (Ten Love Songs is still my fave), but there are some lovely songs here in art-music land, including the title track and “fare thee well” .
I was mixed on: Janelle Monáe: The Age of Pleasure, Paramore: This is Why.
—Podcasts—
If Books Could Kill. Michael Hobbes and Peter Shamshiri vivisect nonfiction bestsellers about politics, dating, manifesting, getting rich (quick!), and weight loss. Remember kids: Gladwell is a hack.
Just King Things. Two cultural critics who loved Stephen King as teens take up the Roland-ian task of reading and discussing every King book, once a month, for as long as it takes (the current schedule goes through 2028, but Uncle Steve is still pumpin’ ‘em out, so could be a while).
Triple Click. Kirk, Maddy, and Jason’s weekly non-cynical discussions of games and pop culture is my mood-enhancer. They’re gamers, but not Gamers, you understand.
I also listen to: You’re Wrong About, Hard Feelings with Jennette McCurdy, WTF with Marc Maron, The Besties/The Resties, Strong Songs
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mrhotmaster · 4 years
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Best Netflix Hindi Movies Of April 2020 In India To Watch
The Best Hindi Movies Of April 2020 On Netflix In India
Below is the list of all Hindi movies from Andhadhun To Udta Punjab on Netflix to watch in India 
In the past year, Netflix has made huge strides on the movie the front in India: it signed an extended-term address Karan Johar, and it has a gaggle of upcoming projects from the likes of Shah Rukh Khan, Anushka Sharma, Ajay Devgn, Anurag Kashyap, Vikramaditya Motwane, and Dibakar Banerjee. But the ones are still to return, and thus far, aside from Soni, none has been a clear winner. For now, the exceptional Hindi movies on Netflix belong to different studios. And happily, the sector's biggest streaming carrier has some amazing partnerships in the vicinity, despite the fact that it's nonetheless too reliant on stuff from the existing century.
ALSO SEE
April 2020 TV Series List: Hotstar, Netflix & Amazon Prime
To pick out the fine Hindi-language films on Netflix, we trusted Rotten Tomatoes and IMDb rankings, and different critics reviews, to create a shortlist. The latter two were preferred because RT does not provide a complete illustration of evaluations for Indian movies. Additionally, we used our own editorial judgment to feature or get rid of a few. This list may be up to date once every few months if there are any worthy additions or if some movies are removed from the provider, so bookmark this page and maintain checking in. Here are the pleasant Hindi films currently to be had on Netflix in India, taken care of alphabetically.
ALSO SEE
Amazon Prime Video Series: April 2020 Releases
Andhadhun (2018)
Inspired via the French brief film L'Accordeur, this black comedy thriller is the tale of a piano participant (Ayushmann Khurrana) who pretends to be visually impaired and is stuck on the internet of twists and lies after he walks into a murder scene. Tabu, Radhika Apte celebrity along.
Aamir (2008)
Adapted from the 2006 Filipino film Cavite, a young Muslim NRI doctor (Rajeev Khandelwal) getting back from the United Kingdom to India is forced to comply with terrorists' needs to perform a bombing in Mumbai after they threaten his family.
Andaz Apna Apna (1994)
Two slackers (Aamir Khan and Salman Khan) who belong to middle-class families fight for the affections of the heir and unintentionally become protectors of the central gangster in Rajkumar Santoshi's cult comedy classic.
Article 15 (2019)
Ayushmann Khurrana is a cop in this portrayal of casteism, non-secular prejudice, and the modern-day socio-political condition in India, which explores the absence of prosecution against three adolescent girls in a small village. A hard-hitting, nicely-made film, even if satirically, has been criticized for being a caste player and having an outsider's perspective.
3 Idiots (2009)
In this satire of the Indian schooling gadget's social pressures, pals recount their university days and how their 0.33 long-misplaced musketeer (Aamir Khan) stimulated them to suppose creatively and independently in a heavily-conformist international. Co-written and directed by means of Rajkumar Hirani, who stands accused inside the #MeToo movement.
Barfi! (2012)
Set within the 1970s amidst the hills of Darjeeling, writer-director Anurag Basu tells the story of three humans (Ranbir Kapoor, Priyanka Chopra, and Ileana D'Cruz) as they learn to love at the same time as fighting the notions held by using society.
Bawarchi (1972)
This remake of the 1966 Bengali movie Galpa Holeo Satya reunited the Anand trio of Rajesh Khanna, Hrishikesh Mukherjee, and Amitabh Bachchan, although the latter has a voice-most effective position. It's about a prepare dinner (Khanna) who offers to paintings in a household recognized for its unwell-remedy of domestic assist, handiest to grow to be the apple of everybody's eye earlier than disappearing with the family jewels.
The Blue Umbrella (2005)
Based on Ruskin Bond's 1980 eponymous novella, the tale of a young girl in rural Himachal Pradesh whose blue umbrella will become the item of fascination for the whole village, riding a shopkeeper (Pankaj Kapur) to desperation. A National Award winner directed through Vishal Bhardwaj.
Budhia Singh: Born to Run (2016)
Before he guided Jamtara for Netflix, author-director Soumendra Padhi brought us this first-of - an a-genuine-story tale of the youngest marathon runner in the world, the titular five-year-old (Mayur Patole), who completed almost 50 marathons under the tutelage of his teaching (Manoj Bajpayeee). Padhi had auditioned over 1,200 children before picking Patole.
Bareilly Ki Barfi (2017)
After an unfastened-spirited, younger woman (Kriti Sanon) in small-town Uttar Pradesh chances upon an eponymous ebook whose protagonist reads exactly like her, she units out approximately looking for the writer (Rajkummar Rao) with the help of the printing-press owner and novel publisher (Ayushmann Khurrana). Many critics loved Rao's work, whilst some observed trouble with its unsubtle script.
Dil Chahta Hai (2001)
Farhan Akhtar's directorial debut about 3 inseparable formative years buddies whose wildly special technique to relationships creates stress on their friendship stays a cult favored. Aamir Khan, Saif Ali Khan, and Preity Zinta famous people.
Delhi Belly (2011)
Three suffering buddies and flatmates (Imran Khan, Kunaal Roy Kapur, and Vir Das) are unwillingly stuck in the lure of a lethal crime syndicate in India's capital. Praised for his satire, his speed, his imagination, and his goofiness, even though a few have had issues with his over-reliance on scatological humor. It's all in English, and while there's a Hindi version, it's not on Netflix yet.
Dev.D (2009)
Anurag Kashyap gives a present day-day reimagining of Sarat Chandra Chattopadhyay's Bengali romance conventional Devdas, in which a man (Abhay Deol), having broken up along with his formative year's sweetheart, unearths safe haven in alcohol and tablets, before falling for a prostitute (Kalki Koechlin).
Dangal (2016)
The notable proper tale of amateur wrestler Mahavir Singh Phogat (Aamir Khan) who trains his daughters to turn out to be India's first world-class female wrestlers, who went directly to win gold medals on the Commonwealth Games.
Dhanak (2016)
This National Award-triumphing film from author-director Nagesh Kukunoor is the tale of two siblings — a 10-year-antique lady and her visually-impaired, 8-12 months-vintage brother — who set out on a 300-km adventure across the desert of Rajasthan to locate actor and goodwill ambassador Shah Rukh Khan, believing he can assist with a cornea transplant.
Drishyam (2015)
Ajay Devgn and Tabu megastar on this remake of 2013 critically praised Malayalam special, about a small cable operator (Devgn) who is doing everything he can to shield his own children, accused inside the missing-men and women's case of the son of a high-ranking police officer (Tabu) who was blackmailing his daughter with a nude photo. It's overlong and easy, watch the original — on Hotstar — if you're all right with the subtitles.
Dil Se.. (1998)
Shah Rukh Khan portrays a radio journalist who fell for an enigmatic feminist (Manisha Koirala) in this third and very last part of the author-director Mani Ratnam's thematic trilogy portraying a love tale against a political backdrop. It is the rebellion in Northeast India. Often recognized as A.R. The paintings of Rahman, in particular, the title music and "Chaiyya Chaiyya."
Gurgaon (2017)
Set within the titular Haryana city, this neo-noir thriller explores gender inequality and the dark underbelly of the suburban wastelands via a tale of an actual property mogul's (Pankaj Tripathi) undisciplined son who kidnaps his very own sister to repay a gambling loss. Its grittiness did not especially match audiences, however, critics were greater appreciative.
Gol Maal (1979)
A chartered accountant (Amol Palekar), with a knack for singing and performing, falls deep down the rabbit hole after mendacity to his boss that he has a twin, in this Hrishikesh Mukherjee comedy.
Guru (2007)
Mani Ratnam wrote and directed this rags-to-riches tale of a ruthless and formidable businessman (Abhishek Bachchan) who does not let something stand in his way as he turns into India's largest rich person. Loosely stimulated by using the lifestyles of Dhirubhai Ambani.
Hazaaron Khwaishein Aisi (2003)
Set in opposition to the politically-charged backdrop of the Emergency in the Nineteen Seventies, author-director Sudhir Mishra's film revolves around three friends (Kay Kay Menon, Chitrangada Singh, and Shiney Ahuja) whose lives are converted inside the wake of the turbulent period.
Haider (2014)
The Shakespearean trio from Vishal Bhardwaj was finished with the contemporary version of Hamlet, which is also fully based on the Curfewed Kashmir Memoir of Basharat Peer's 1990s (CNP). It follows a younger man (Shahid Kapoor) back home in a continuing violent upsurge to investigate the death of his wife.
Hamid (2019)
Sitting in the midst of the most insurgent neighborhood on the world stage, a younger Kashmiri kid attempts to reach out to his brother he's ever met to his uncle, whom Allah is ordered to be with. It was mohd's base. Amin Bhat's 'Cell No.786' was awarded the National Prize, although it was deemed a little tougher by other observers.
I Am Kalam (2010)
A smart and poor kid (Harsh Mayar), the son of a former noble family and influenced by India's late President A. P. J. Abdul Kalam, whose social circle in his youth had a destructive impact, has become a directorial debut of Nila Madhab Panda. Mayar was awarded a national prize.
Ittefaq (2017)
Inspired by means of the 1969 Yash Chopra movie of the identical name, which itself became a remake of the 1965 movie Signpost to Murder, an acclaimed author (Sidharth Malhotra) and a younger homemaker (Sonakshi Sinha), the best witnesses and suspects in a double homicide, gift special variations of activities to the investigating officer (Akshaye Khanna).
Jaane Tu... Ya Jaane Na (2008)
Imran Khan made his appearing debut — in creator Abbas Tyrewala's directorial debut — as Jai, a mild-mannered, peace-loving younger man, who is the opposite of his high-quality pal Aditi (Genelia D'Souza). The two start to look for a companion publish-university, oblivious and blind to how perfect they are for every other, as their pals and own family recognize very well.
Jodhaa Akbar (2008)
This 16th-century epic is a probably 3.5 hour-long tale of the same Mughal emperor (Hrithik Roshan) and Rajput princess (Aishwarya Rai), who, as he knows, is still his identical political union, and who will become true love. In a rising number of intolerant India, his message has only been informed but strong. It's led by Gowariker Ashutosh.
Koshish (1972)
In 1961 Gulzar rebuilt the Japanese film Happiness of Us Alone as a deaf and mute pair with Sanjeev Kumar and Jaya Bhaduri (now Bachchan). Their lives had been influenced by their courtship for several years, as their young people had started. Gulzar and Kumar were both recognized for their composure and their iconic depiction of illness on an Indian show computer.
Kahaani (2012)
A pregnant girl (Vidya Balan) travels from London to Kolkata to search for her lacking husband in creator-director Sujoy Ghosh's National Award-triumphing mystery, scuffling with sexism and a cowl-up along the way.
Kapoor & Sons (2016)
After the heart failure of their grandfather (Rishi Kapoor), distant brothers return to their home adolescence where they have to confront a host of other issues in their society. The star is Alia Bhatt and Ratna Pathak Shah.
Khosla Ka Ghosla! (2006)
Having kept a successful property supplier (Boman Irani), his son and his son's friends are forming a scheme to replicate a swindling squatter and compensate him less for it along with his own cash, to compensate for a freshly acquired property for a ransom. The directorial debut of Dibakar Banerjee.
Lagaan (2001)
Set in the very peak of British Raj in a remote, ruined Indian region, a village farmer (Aamir Khan) is all about cricket fun with the good colonists, exchanging three years for tax relief. He was named for the Oscars by director Ashutosh Gowariker.
Lage Raho Munna Bhai (2006)
The eponymous underworld don of Mumbai (Sanjay Dutt) continues to be electronic to the radio jockey with whom he has been smitten in this sequel to the original 2003 (also included in the list). Remarked for his willingness to combine the word with enjoyment while others think he fell into Gandhian. Co-written and directed in the # MeToo campaign, by Rajkumar Hirani.
The Lunchbox (2013)
Four managers – Anurag Kashyap, Zoya Akhtar, Dibakar Banerjee, and Karan Johar – are responsible for four separate components of this anthology series, which is based on four women's romantic lives, deepening their passion, energy, place and natural urge. Popular for their credibility and their portrayal on the television of real people. A Netflix Original.
Lust Stories (2018)
Four administrators — Anurag Kashyap, Zoya Akhtar, Dibakar Banerjee, and Karan Johar — helm four unique components of this anthology drama that focuses on the romantic lives of 4 women, delving into love, strength, status, and naturally, lust. Popular for their credibility and their portrayal on the television of real people. An original Netflix.
Lootera (2013)
Set in West Bengal in the early 1950s with the elimination of the regime by the zamindari, the young writer and daughter of a Zamindar (Sonakshi Sinha) is an archaeologist (Ranveer). This drama stimulated through O is directed by Vikramaditya Motwane. The short tale "The Last Seed" by Henry in 1907. His graphics were widely appreciated, but the love tale wobbled.
Manto (2018)
The existence of Pakistani writer Saadat Hasan Manto (Nawazuddin Siddiqui) — one of the best Urdu writers of the 20th century — before and after the Partition of British India, whose acclaimed lifestyles in then-Bombay is uprooted and unearths his work being challenged in Lahore. Nandita Das directs.
Munna Bhai M.B.B.S. (2003)
Highly normal Mumbai subworld don (Sanjay Dutt) attempts to save his life by enrolment in medical colleges, and his humanity bends to the oppressive dean (Boman Irani). When his mother and dad learn that their son is pretending to be a doctor. Co-written and directed using the # MeToo Movement by Rajkumar Hirani.
Mard Ko Dard Nahi Hota (2018)
Born with an extraordinary circumstance that doesn't permit him to experience physical pain, a boy who grew up watching martial arts films trains to defend the prone and longs to satisfy the one-legged man who won hundred-men combat. Praised for being a fun trip that trades on film nostalgia, although it would not aspire to be greater than a crowd-pleaser.
Masaan (2015)
Neeraj Ghaywan is investigating the lives of four men at his directing debut in the heartland of India, who will all battle caste, tradition and norms. State Award Winner and the Cannes FIPRESCI Medal.
Masoom (1983)
Shekhar Kapur's directorial debut changed into an uncredited model of Erich Segal's 1983 novel “Man, Woman, and Child”, wherein the joyful existence of a family is disrupted after an orphan boy — born of the husband's (Naseeruddin Shah) affair with every other female — involves stay with them. It's a real tear-jerker, thoughts you, and complex in some places.
No One Killed Jessica (2011)
In 1999, a journalist-activist (Rani Mukerji) and the victim's sister (Vidya Balan) have brought the rightful son of a famous leader into court on the grounds of the assassination complaint against her in 1999. Extremely praised, while others have doubted their heaviness.
OMG: Oh My God! (2012)
A remake of the 2001 Australian movie The Man Who Sued God, and additionally based totally on the Gujarati play Kanji Virudh Kanji, this satirical comedy-drama follows a small-time shopkeeper (Paresh Rawal) who documents a lawsuit in opposition to God after a low-intensity earthquake — legally dubbed as an “act of God” — ends in the financial spoil. Akshay Kumar also stars.
Oye Lucky! Lucky Oye! (2008)
The inspirational acclaimed thief (Abhay Deol), who after having been detained, recounts his life that began in a negative suburban West Delhi home, is ready to conduct Dibakar Banerjee's 'second directing company, as well as to the way he became media celebrity with a spree of burglary.
Paan Singh Tomar (2012)
An actual tale of the eponymous soldier and athlete (Irrfan Khan) who received gold at the National Games, and later turned into a dacoit to clear up a land dispute. Won pinnacle honors for movie and actor (Khan) at National Awards.
Pink (2016)
A legal professional (Amitabh Bachchan) comes out of retirement to assist 3 girls (Taapsee Pannu, Kirti Kulhari, and Andrea Tariang) to clean their names against the law involving a politician's nephew (Angad Bedi). Won a National Award.
PK (2014)
A surreal comedy-drama that explores religious dogmas and superstitions through the eyes of an alien (Aamir Khan) streaked on Earth as he drops his private communicator and makes friends with a TV anchor (Anushka Sharma).
Peepli [Live] (2010)
In the run-up to an election, the farmer is pursuing the assistance of an apathetic leader who advocates suicide in order to profit from the central government's policy that requires households of departing farmers to forfeit his property owing to an unpaid government mortgage. An incisive critique on Indian farmers 'suicides, the media and political circus. Aamir Khan and Kiran Rao's aunt produced it.
Queen (2013)
A 24-year-antique shy girl (Kangana Ranaut) units off on her honeymoon by myself to Europe after her fiancé calls off the wedding a day previously. There, freed from the traditional trappings and with the help of new pals, she profits a newfound perspective on existence. Won two National Awards. Co-written and directed by way of Vikas Bahl, who stands accused within the #MeToo motion.
Rang De Basanti (2006)
Aamir Khan leads the ensemble forged of this award-prevailing film that makes a specialty of four young New Delhi men who change into innovative heroes themselves even as playacting as five Indian freedom fighters from the Twenties for a docudrama.
Stree (2018)
Based on a Karnataka city legend — although transported to small-metropolis Madhya Pradesh within the movie — this Raj Nidimoru and Krishna D.K.-written comedy-horror follow a girls' garb tailor (Rajkummar Rao) who falls for a mysterious female (Shraddha Kapoor), who regularly disappears.
Swades (2004)
Shah Rukh Khan stars a successful NASA scientist on this based on a real tale drama, who returns domestic to India to take his nanny to the USA, rediscovers his roots and connects with the local village community inside the procedure.
Shaitan (2011)
Blackmailed by means of a Mumbai cop after successful-and-run, five buddies (Kalki Koechlin among them) level a fake kidnapping with a plan to gather the ransom on this black comedy. While a few observed it spell-binding, others were removed by its attempts to encounter as ‘hip' and ‘cool'. Produced by Anurag Kashyap.
Soni (2019)
In their everyday lives and paintings through which it influences their organizing attempts to resolve the upward drive of crimes against women through Delhi, a teenage cop who has a wave of brief anger and a cool-headed lady supervisor will battle with a profound mistake. An original Netflix.
Special 26 (2013)
Inspired by way of the 1987 Opera House heist in then-Bombay, Akshay Kumar stars as one in every of several conmen posing as authorities sellers running for the CBI — India's equivalent of the FBI — who execute a fake income tax raid on an outstanding jeweler. Neeraj Pandey (A Wednesday!) writes and directs.
Sadma (1983)
Balu Mahendra remade his very own 1982 Tamil film Moondram Pirai with Kamal Haasan, Sridevi, and Silk Smitha reprising their roles from the authentic. It's the story of a younger female (Sridevi) with retrograde amnesia who regresses to a baby's intellectual nation and finally ends up in a brothel, wherein she's rescued by means of a lonely college trainer (Haasan).
Secret Superstar (2017)
Though often melodramatic, this coming-of-age tale — produced by using Aamir Khan and wife Kiran Rao — of a Muslim woman from Vadodara who goals of being a singer dealt with important social problems and broke numerous field office information in the course of its theatrical run.
Taare Zameen Par (2007)
Sent to boarding school towards his will, a dyslexic 8-12 months-vintage is helped through an unconventional art teacher (Aamir Khan) to conquer his incapacity and discover his authentic ability.
Talaash (2012)
The ensemble of this psychological crime drama is headed by Aamir Khan, Rani Mukerji, and Kareena Kapoor, in which a police officer (Khan) will face up to his future in order to settle a murder of a rank that includes an intimacy employee (Kapoor) and an opponent (Mukerji). Additional manager, co-written by Zoya Akhtar and Reema Kagti. Pretty much commended, but a few think it seeks so hard.
Talvar (2015)
In 2008, a dual-hostility case in Noida was murdered by a teenage woman with an employee of the family; and the incompetent police bungle the probe with Meghna Gulzar and Vishal Bhardwaj, together to combine powers. Uses the influence of Rashomon to take three measures.
Tu Hai Mera Sunday (2016)
In the light of their heartfelt romantic story, which discusses gender and social divide alongside the other direction, 530 friends were at war to find a position in Mumbai where they could play football peacefully.
Udaan (2010)
Vikramaditya Motwane made his directing debut with this forthcoming tale about a youth expelled from the boarding school and returned home to the Jamshedpur company region where he had to paint at his father's restrictive factory.
Udta Punjab (2016)
The dark comedy crime film shows the interwoven lives of a junior police officer (Diljit Dosanjh), a welfare activist (Kareena Kapoor), a stripper (Alia Bhatt) and a pop star (Shahid Kapoor), with the Indian opioid crisis as a backdrop.
Wake Up Sid (2009)
A wealthy, carefree and privileged son (Ranbir Kapoor), a prosperous Mumbai businessman, feels like an unholy awakening when his college fails very recent exams, after which a desiring writer friend (Konkona Sen Sharma) from Kolkata starts taking more accountability and becoming independent of himself. The directorial debut of Ayan Mukerji.
A Wednesday! (2008)
Neeraj Pandey's movie is ready between 2 pm and 6 pm on a Wednesday, obviously, while a not unusual guy (Naseeruddin Shah) threatens to detonate five bombs in Mumbai until 4 terrorists accused in the 2006 Mumbai teach bombings case are released.
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