#SDaboutFilms

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Recent visually beautiful and generally watchable Russian fantasy movies

(because I start forgetting they exist at all) Ironically, all of them are adaptations of books/comics.

I Am Dragon / Он — дракон (2015) This movie is a very free adaptation of the novel "The Rite" / "Ритуал" by Maryna and Serhiy Dyachenko (Марина и Сергей Дяченко). It's a reinterpreting of an ancient tale about a maiden, a hero and a dragon. I don`t like the novel because it's very postmodern, wracks the typical fairytale plot and hurts my escapist feelings by ugly reality, but the movie is pretty fairytale-ish and nice. Firstly, it is visually beautiful and represent Slavic pseudo-medieval lore the way it should have always been in Slavic fantasy.

Secondly, as a love story between a monster and a maiden, it has got A PLENTY of tropes I'm usually looking for in Chinese dramas, so I understand very well why it was pretty popular in Asia.

Thirdly, when I said it's visually beautiful I wasn't joking. The main hero is played not by an actor, but by a male model, who is shirtless all the time (and sometimes pantless) and has a very fit and good-looking body. It's something unbelievable that someone in Russia made a movie to please women's eyes! Really, it's insane!

The folk-rock band Мельница wrote an insanely beautiful song "Обряд" (The Rite) for this movie (more matched to the book plot, though), but it was never used as OST, which is a shame. The song is about a black sheep girl, who is denied by society and asks a dragon to come for her and to take her away, because the dragon is denied by this world just like her. You can listen to it here. The band also has a song "Змей" (The Wyrm) (based on Lev Gumilev's poem), which is more accurate to the plot of the movie: the wyrm kidnaps maidens to make them its wives, but they are all dying during the flight; at the end of the song a hero-knight is ready to shoot it in order to stop it. Listen to it here.

It ends with HE, which is better than the book's obscure ending, so it is pleasure for me to rewatch it till these days.

Major Grom: Plague Doctor / Майор Гром: Чумной Доктор (2021)

It is an adaptation of Russian comic series "Major Grom" by Bubble comics. I am traditionally not very happy with the source material, but it is very good reworked to be the screen play of this movie.

It's very beautifully made in terms of director's, cameraman's and screenwriter's work, which is a rare thing for Russian movies. Also, the actors are young and handsome, especially the villain, which is a rare thing not only for Russian movies, but for the current Western movies, too. It has got a lot of allusions to Russian reality and a lot of beautiful views of Saint Petersburg, the second capital of Russia and one of the most beautiful Russian cities. And it has got some unusual visual solutions that turn it into a comic it should be.

The plot revolves around a mysterious serial killer (kinda bad Batman), a black sheep police officer and Russian Mark Zuckerberg (kind of). Mark Zuckerberg is the best guy of this movie and I like him a lot! Серёёёёжа! 🧡🧡🧡

This movie wasn't popular in Russia because of political situation in the country by the moment of its release (the both sides found out in there something insulting for them and banned it), but even if it has something like that, I honestly didn't pay attention to it. It's just a nice blockbuster with a tragic and handsome villain. The villain also has got his own BL-drama (in the comics they are really lovers, it`s as obvious as it could be shown in a Russian comic).

By the way, the villain is hot, insane, ruthless, sensitive and suffering. How does he contain all of this character treats in one personality? you may ask. He doesn`t. He has dissociative identity disorder, I would answer.

I don`t know if it works by now, but some time ago you could watch this lovely movie on Netflix.

The Master and Margarita / Мастер и Маргарита (2024) This is a loose adaptation of Russian classical novel "The Master and Margarita" by Mikhail Bulgakov. I genuinely hate this book, but the adaptation reinterprets it, divides it into very interesting layers and makes it understandable and beautiful.

It`s layered, so it will probably be hard to understand what layer are we currently on if you are not familiar with the original story. The first layer is an ugly Soviet reality, the second layer is a plot of the novel that the main hero is writing, a story within a story. The third layer is the insane intertwining of the first two layers. On the reality layer the Master loses his job and freedom because of friend's denunciation and becomes star-crossed lovers with a married woman. On the novel level he meets devil, who visits Moscow by chance, and the devil gives him and his woman opportunity to live their lives being free from everything that usually tortures people IRL. Somewhere among those layers is a little plot about Jesus and Pontius Pilate.

The movie is visually beautiful. Although it feels pretty anti-Soviet, Soviet visuals of the movie are gorgeous. There were used the Stalin-times concepts of Moscow of the Future, the CGI buildings in frame came from the real architecture projects of those times. The Stalin Empire architecture style and views are typical for Moscow (but as I know, ironically, this all was shot in Saint Petersburg). It seems to me that this movie is heavily stuffed with visual allusions to the Western works: devil's escort looks like bunch of Pennywises, Margarita is Enchantress from Suicide Squad I, the scene of blood dripping is from Blade I etc. Usually, when I see it in Russian movies, it feels like plagiarism because I can recognize the reference but there is nothing except for these references . But here we have got the plot, so the allusions work as allusions and don`t irritate me.

The movie is dark, disturbing, uncomfortable. It really makes you feel as if you watch devil and his escort marching around you; they ravage, kill and destroy everything and you can only breathlessly, helplessly and in fear watch them. The German actor playing devil is insanely good. He stole the movie and I understand why it should have been named Woland (the devil's name) instead of the current movie's name. You may want to watch it, because it's very unusual in terms of plot and visuals experience, especially when you are not familiar with the book.

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A (scary) fairytale about love for adults  —  "The Mistress of the Copper Mountain" musical

It's a relatively new Russian musical by Gleb Matveychuk (premiered in 2024), I watched it in flesh this week and felt the urge to tell someone about it. The Mistress of the Copper Mountain (Хозяйка медной горы) is a character of Ural folklore (made up by a writer Pavel Bazhov, though). She is a spirit of Ural Mountains, and, as any other spirit, a trickster rather than a main character of the stories, who is kind to some people and cruel to the other. The base of the musical are three stories of Pavel Bazhov: "The Mistress of the Copper Mountain", "The Malachite Casket" and "The Stone Flower", but the stories are fused and rewritten in a more suitable for a musical way: The Mistress is not a trickster anymore but a tragic character of a story, two other main heroes are a jewelry mason Danila and a daughter of the Mistress, Tanya. The plot of the Bazhov's stories exists only as some homages in the musical's plot, so I'll recap only musical's story:

Stone masons' dance The 19th century, Ural, Russian Empire. The peasants (read: slaves) have to work at copper mines that belong to a cruel and ruthless feudalist. But there appears a problem: an evil spirit that guards the mountains has killed almost all of young mine workers.

The Mistress of the Copper Mountain kills unlucky peasants because they have come to rob her mines. There is an insanely beautiful aria of the Mistress but for some reasons unknown the director of this musical doesn't want to record audio versions of songs, so I've found her aria sung by some other artist (not the one from this musical). I don't like it, but it's better than nothing: Youtube till 3:05.

To help people, a jewelry mason Danila volunteers to go to the mines and to meet an evil spirit. When they meet, Danila asks her to stop massacring peasants because they are slaves and can't do as they please. She asks him in return to spread her warnings to feudalists: they have to leave the mountain be or they will be killed.

Danila keeps his word and gets punishment for his audacity. While getting healed by a forest witch, he learns a story of the Mistress: she was born as a result of non-consensual sex of Slavic Hades and Persephone, unloved and cursed to be unloved till the end of her days. Besides, she has got the Stone Flower, an artefact, one glance on which can reveal all the secrets of the mason craft.

Danila feels pity for the Mistress but also wants to know the secrets of the mason craft. He tries to create his best work but feels that he lacks this sacred knowledge that only the Mistress has:

Danila laments on his lack of knowledge while making a sculpture of the Mistress.

There is a beautiful aria sung by Kirill Gordeev, but I have only a pirate audio: Bilibili, timecode 48:30

As soon as Danila fulfills his promise, the Mistress allows him to ask for reward. Danila asks her to show him the Stone Flower - the secret of the mason craft:

Unexpectant, the mysteries of the Universe reveal to him the perfectness of the Mistress and he falls in love with her:

She isn't happy about it because after one night of love he will turn into stone, but he is eager to sacrifice himself in order to give the unloved semi-goddess a spark of love, so they spend night together:

The Mistress gives birth to a girl and gives her away to people because she thinks her stone heart can't give her daughter enough love. One peasant woman becomes girl's stepmother, names her Tanya and gives her all her love:

Meanwhile, the Mistress lives all alone in her mountains and suffers from lovesickness to her deceased lover:

The aria of the Mistress in this part is here, in amateur version on YouTube, timecode 3:06. It's melodically the same as the duet of Danila and the Mistress before they spend night together, you can hear it in the pirate version on Bilibili, timecode 56:15. Although Tanya is loved by her stepmother, peasants find her strange and avoid her, and even want to hurt her, thinking she is an evil spirit herself. So her mother gives her magical dowry that wakes up her semi-goddess powers:

Then the Mistress punishes feudalists and their servants who tortured slaves, partly herself, partly with her daughter's hands.

This guy was eager to kill and torture peasants by feudalist's orders, so it was a pure pleasure to see this maniac get killed.

Tanya is extremely not happy about being used for the bloodshed, so she blames her mum for being a monster and herself for being a monster's daughter. I like this song a lot. And again, only pirate version: bilibili, timecodes 1:14:55 and 1:44:15. But the Mistress explains her about the curse and her stepmother says she has got a kind human heart of her father, so Tanya decides to take mother's curse to herself. Her kind heart will allow her to be benevolent and generous mistress of Ural mountains.

Tanya puts mother's cursed crown on. The dissipated curse releases the Mistress of the Copper Mountain and brings Danila to life. Now they can finally be together. The only one official audio from this musical is the final duet of the Mistress and Danila (Vera Sveshnikova and Kirill Gordeev are singers from the musical):

I liked that it was a pretty feministic story: "the lady in the fridge" is a man, the one who finds something beautiful in the monster and sacrifices himself in the name of love is man as well. It's pretty fresh. The main idea "love defeats everything" is not from Bazhov's stories but it's an immortal idea. And the plot of returning an evil creature to the light side by the power of love is typical Russian and sometimes Asian, so it can be something unusual for a Western viewer (for the sake of variety). At last, let me show you some pirate medley of video scenes from the musical:

P.S.: I also like the aria of the feudalist "Equality is a myth", but even pirate version is of almost unbearable quality. But it's here, Bilibili, timecode 31:00.

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Longreads, meta-analyses, recaps, lists: #SDaboutLBFAD - about c-drama "Love Between Fairy and Devil" #SDaboutMJTY - about c-drama "My Journey to You" #SDaboutFoF - about c-drama "Fangs of Fortune" #SDabout100dmp - about k-drama "100 Days My Prince" #SDaboutMM - about c-drama "Moonlight Mystique" #SDabouttropes - about tropes, favorite types of characters etc. #SDaboutFilms - about Western (non-Asian) movies and series Impressions of stuff: #SDaboutSpirealm - about c-drama "The Spirealm" #SDaboutBlossom - about c-drama "Blossom" #SDaboutTTEOTM - about c-drama "Till the End of the Moon" #SDaboutDerailment - about с-drama "Derailment" #SDaboutONHCT - about tw-drama "Oh no! Here comes trouble" #SDaboutSL - about c-drama "The Legend of Shen Li" #SDaboutDark - about German Netflix series "Dark" #SDaboutSW - about "Star Wars" Reblogs and picspam: #SDaboutpicspam - picspam, collected by me for no fandom topic #SDaboutSKZ - about Stray Kids K-pop band (mostly Lee Felix) #SDaboutMLC - about c-drama "Mysterious Lotus Casebook" #SDaboutMDZS - about c-drama "the Untamed"

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