#STOP SDKJFSF

[nexility-sims]

𝐍𝐎. 𝟑   ❛ 𝐡𝐨𝐭 𝐚𝐧𝐝 𝐟𝐚𝐬𝐭 ❜   |   NAKAWE, 2023

❧  𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫𝐲  /  𝐛𝐞𝐠𝐢𝐧𝐧𝐢𝐧𝐠  /  𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬  /  𝐧𝐞𝐱𝐭.

   ❛  Karolina Teague was hardly famous. Her name carried a certain heft among culture critics whose heyday had passed, but she liked the anonymity that came with being washed up. All of her favorite people were has-beens, after all, and she wasn’t ashamed to spend her time reminiscing about days past with them or anyone else who would listen. Today, she welcomed a whole crew of listeners into her Nakawe home—a film crew to be exact, led by a director-producer duo who had known her name well before a previous interviewee mentioned it to them. She wouldn’t be the star of their documentary, but they believed from its inception that the story wouldn’t be complete without her thoughts.

❧ honestly very proud of the scrapbooking !!!! this is basically just shameless exposition, but i am convinced i picked a creative vehicle for it :^) i watched that 90s docuseries on hulu a year ago and this specific story post was born fjdhjf anyway, canonically, no one would be writing or printing in script like that but i am simply NOT that committed to my worldbuilding sdkjfsf consider this whole thing an english language reimagining (^:

𝐬𝐜𝐞𝐧𝐞 𝐜𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 & 𝐭𝐫𝐚𝐧𝐬𝐜𝐫𝐢𝐩𝐭 ↓

Karolina took them on a tour of her colorful seaside house, one concluding in a room already set up for their perusal. It was the archive, she explained. This was what they came for; her recollections were valuable, but she had so much more than her own memories. Photographs waited on the tables, and an old television screen teased some scene from exclusive VHS tapes. Karolina plopped down onto a sofa and gestured widely, saying, “Have a look. I’m ready when you are.” 

The director, a woman named Ildaria, picked up a photograph. 

“Can you tell us about her?” 

Karolina beckoned for the photo, and Ildaria walked over to hand it to her. For a moment, she peered at it, keeping everyone in suspense. Finally, she replied, “Sure. What’s she going to do, sue me?”

“Maybe,” a cameraman elsewhere in the room snorted.

“I’ll take the risk,” Karolina laughed. “Look, I don’t know Princess Leonor, but I met her plenty of times. She was at The Den at least half the nights in 1991, for sure. Probably into 1992, but I didn’t really keep track of her comings and goings. Definitely not after 1993.”

The producer, Eilo, held up another photograph. “What’s the story here?” he asked.

Karolina reached for it. Unlike the other photo, this one was a proper candid. There were several people in the frame, but Leonor was at the center, kneeling by a table with her hand draped across Renzo’s thigh as he held her head in his palm and said something beyond the capture of still photography.

“It wasn’t anything formal,” Karolina explained. “Renzo didn’t date anyone in those days, and I don’t think she did either. They liked each other. It was mutual fascination with zero understanding, is how I saw it. They hung out—liked each other’s company. Hot and fast, burned out quick, that’s what it looked like.” She shrugged. “That was Renzo.” 

“And Leonor?” Ildaria asked, having sat down nearby. 

“Like I said,” Karolina began. She seemed to be choosing her words carefully. “I didn't know her. Seemed like a cool girl. I’m older, mind you. I think she wanted to get a little wild and try new things—this is off the record—and The Den was for her what it was for everyone. You could kick your shoes off. Scream along to your buddy’s new song, have a movie star tell you his woes while he pours your drink, get high in the dressing room and probably be fine—” 

“Did she do that?” Ildaria’s eyes were wide.

Karolina cleared her throat. “No, of course not. Not everyone did! Enough, sure. We all know the quote-unquote horror stories.”

The crew listened, rapt, having stopped flipping through albums and poking around the bookcases, eager to hear something explosive. They had set out to make a documentary about a particular time and place. The Den at the turn of the century was their subject. That glorious decade solidified its place in celebrity culture, to say nothing of its place in music history. The princess was just a footnote in that story. Nonetheless, it was a tantalizing footnote. Most people below a certain age were shocked to hear that she hadn’t been a humorless, buttoned-up bureaucrat her entire life. The idea that someone whose day job involved keeping the country afloat may have once been young and reckless intrigued. That she was adjacent to the salacious stories of sex, drugs, and rock and roll they knew better nearly crossed the line into unbelievable. Yet, people in Uspana also knew their royals had been wrapped up in the glamor of celebrity for decades. Even now, they continued to rub elbows with rock stars, including the one elder princess who was herself a music star. 

“She’s a different person now, clearly,” Karolina continued. She spoke tentatively still but nonetheless addressed what everyone wanted to know. “But, for a time, she was at The Den with everyone else, drinking too much and carrying around a pharmacy in whatever cute purse you had that night. You may remember there was a big Reyes death around then. It’s like—when my mother died in 2009, I lost my shit, too.” 

Karolina shrugged again. “She was having fun. I was doing worse, alright, so I only feel judgmental about it insofar as she’d probably be embarrassed if you asked her about any of it today. Royals are supposed to do their sniffing in private, right, not in a bathroom Renzo forgot to hire someone to clean. She was snobby, but my sense was that she liked pretending she wasn’t—roleplay, you know, transgressing or whatever.” 

Someone coughed. The rifling through materials resumed. Ildaria and Eilo shared a look. 

“You haven’t talked to her since ‘92?” Ildaria asked. Eilo, meanwhile, had pulled out his cell phone and was typing with fast fingers. 

Karolina shook her head. “So, she knew I’d asked Renzo to let me collect photos and bring along my Zenith. I got a weird email in 2000 inquiring about them from someone who worked for her.” She grinned, then added as an aside, “Only one recording, by the way. The Den had a strict no video policy.”

“We’d like to see them sometime,” Ildaria responded. 

Karolina nodded, then shook her head and clarified, “Which—my tapes or the email?” 

Eilo answered without looking up, “Both.”

He finished what he was doing after a moment of quiet, then held his phone up for Ildaria and Karolina to see. “Seems like she’s still in touch with people,” he said.

They leaned forward to view the screen while he swiped at it, then Karolina laughed.  “Okay, maybe she just didn’t like me!”  

While they watched, Eilo moved through a hastily thrown together slideshow of the princess with various people Karolina knew well. Some looked like event photos. Others were captured with long lenses—paparazzi shots that made money but didn’t always generate enough interest if the other person was a comparative nobody. Not everyone had evolved in the last thirty years. Plenty of people who visited the bar during the decade of Renzo’s ownership continued to have flourishing careers. They were, at the time, young and beautiful and painfully unprepared for the lifetime of celebrity ahead of them. That’s what they brought to this place more than anything: their pain, which, being creative types, they eagerly spun into something beautiful and private. 

That’s what The Den gave them. These impossibly talented, dedicated stars created fleeting things for each other and no one else. Bands and dance troupes formed. An endless stream of songs and poetry and performance art kept the bar’s little stage occupied nightly for years. Offstage, people with no reason to meet in the real world bonded in this space of both contrived and undeniable intimacy. For some, the reprieve helped them endure the difficulty of becoming that invariably attended a rise in fame. It was detrimental to others. These were the ones who didn’t evolve—people who gave up their relevance to live forever in this meaningless, generative privacy or people who couldn’t make the choice and lost everything in the process. 

Karolina hadn’t evolved, but she hadn’t died or wanted to die either. From her perspective, what people like the princess and even Renzo himself had done wasn’t evolution. It was more like a revelation. People don’t change, she would tell Eilo and Ildaria later, over dinner, when the conversation had moved far away from the royal footnote. She believed people just uncover deeper truths about themselves, knowingly or unknowingly, and those became harder to conceal once they were exposed.

Have you felt that way before? she asked them. Exposed, like when you break your leg so hard the bone snaps right through your skin? They had. The conversation detoured to childhood misadventures, but Karolina had a point to make. She pulled them back. Some people get comfortable with that feeling and learn how to live in it. Other people, you know, they deny and lie and call it growth. That’s my opinion. I’ve seen it—artists are the worst for it, I swear. Artists who don’t want to be artists anymore? Worse than that. 

Can I say you sound bitter? Ildaria laughed. 

Now, Karolina threw her hands up. She exclaimed, joyful, That’s my truth, baby! I took too many bites of the world, and I’ve been disgusted by it ever since. Some people come out of their mamas malcontent.

Later that night, Eilo was exhausted, but Ildaria’s hand hovered over the light switch with uncertainty. She heaved a big, put-upon sigh, then asked, “Is it bad that I want to give Mencia Cipac a call?”

“Give her a call?” Eilo snorted. “Sure, Mencia Cipac, whose number you totally have, definitely won’t ignore your calls because she, for sure, knows who you are and has endless free time to spare.” He sat up straighter, then added, “No more overloading on projects. You promised. Besides, you don’t wanna poke that bear.”

“Not a bear,” Ildaria retorted. “A jaguar. Roar!”

TRANSCRIPT:

KAROLINA | Have a look. I'm ready when you are.

RENZO (O.S.) | Get that thing out of here, Karolina!

ILDARIA | Can you tell us about her?

KAROLINA | Sure. What's she going to do, sue me? CAMERAMAN | Maybe.

KAROLINA | I'll take the risk.

KAROLINA | Look, I don’t know Princess Leonor, but I met her plenty of times. She was at The Den at least half the nights in 1991, for sure. Probably into 1992, but I didn’t really keep track of her comings and goings. Definitely not after 1993

EILO | What's the story here?

KAROLINA | It wasn't anything formal.

KAROLINA | Renzo didn’t date anyone in those days, and I don’t think she did either. They liked each other. It was mutual fascination with zero understanding, is how I saw it. They hung out—liked each other’s company. Hot and fast, burned out quick, that’s what it looked like. That was Renzo.

ILDARIA | And Leonor?

KAROLINA | Like I said, I didn't know her. Seemed like a cool girl. I’m older, mind you. I think she wanted to get a little wild and try new things—this is off the record—and The Den was for her what it was for everyone. You could kick your shoes off. Scream along to your buddy’s new song, have a movie star tell you his woes while he pours your drink, get high in the dressing room and probably be fine—

ILDARIA | Did she do that?

KAROLINA | No, of course not. Not everyone did! Enough, sure. We all know the quote-unquote horror stories.

KAROLINA | She's a different person now, clearly. But, for a time, she was at The Den with everyone else, drinking too much and carrying around a pharmacy in whatever cute purse you had that night. You may remember there was a big Reyes death around then. It’s like—when my mother died in 2009, I lost my shit, too.

KAROLINA | She was having fun. I was doing worse, alright, so I only feel judgmental about it insofar as she’d probably be embarrassed if you asked her about any of it today. Royals are supposed to do their sniffing in private, right, not in a bathroom Renzo forgot to hire someone to clean. She was always a snob, but I my sense was that she liked pretending she wasn’t—roleplay, you know, transgressing or whatever.

ILDARIA | You haven't talked to her since '92?

KAROLINA | So, she knew I’d asked Renzo to let me collect photos and bring along my Zenith. I got a weird email in 2000 inquiring about them from someone who worked for her. Only one recording, by the way. The Den had a strict no video policy.

ILDARIA | We'd like to see them sometime.

KAROLINA | Which—my tapes or the email?

EILO | Both.

EILO | Seems like she's still in touch with people. KAROLINA | Okay, maybe she just didn’t like me!

ILDARIA | Is it bad that I want to give Mencia Cipac a call?

EILO | Give her a call?

EILO | Sure, Mencia Cipac, whose number you totally have, definitely won’t ignore your calls because she, for sure, knows who you are and has endless free time to spare.

EILO | No more overloading on projects. You promised. Besides, you don’t wanna poke that bear.

ILDARIA | Not a bear. A jaguar. Roar!

[primamchorus]

Does your OC consider their voice particularly "sexy"? Do they try to adopt a more seductive tone in romantic situations? How successful are these efforts?

hihi, good evening (or perhaps afternoon for you by the time i'm answering this? :0)! i hope that you've been doing well, mimble! thank you for the ask!

OC Language and Vernacular Questions

primam absolutely does not think her voice is sexy. she can be told by several people that they think her royal accent (which appears to just be queen's english / rp in-game) is sexy, and she is just, "ahaha...no... please stop, actually."

she does, of course, also tend to get very flustered if people tell her this.

as for romantic situations...aha... no, not at first. god...she's like a shivering leaf rattling away in the wind whenever it comes to anything more romantic, especially in regards to prompto. skdjf though, once their relationship is established, she does get more confident over time, and will say things he wants to hear in her voice and accent to appease him (because she's like that for him).

tandem has moments. i don't think he particularly cares if it is or isn't. what matters is that he can make it if or when the time calls for it. as someone who is definitely far more promiscuous than his sister who only has eyes for one person, tandem has eyes for no one, but still seeks pleasure all the same, he has learned how to adapt to certain sexual scenarios where voice ends up being a more key part of that session pending who it is and what it seems they're after.

in any case, i believe tandem's been very successful in a number of situations to at least elevate the trysts he's been in. he doesn't exactly have a romantic drive, mostly a sexual one.

nnnnah sdkjfsf

mollis is not exactly the type to think she herself is sexy. like, maybe she'll look in the mirror and just be like, "damn, that bitch is cute today! oh! that bitch is ME!" but that's mostly it: she thinks she is more cute than she is sexy.

same really applies to her voice as well. unlike a number of the nobles (ignis + a good handful of the ones i've written), mollie does not have a royal accent. she got her common accent from her mother. that's not to say it can't be sexy, though she definitely does not get as many compliments as her other noble peers who didn't drop the accent like gladio or noctis.

i think she can do a good job, however, at adopting a more sexual tone. she does like whispering sweet nothings and little words of praise to her girlfriend during intimate moments.

oh, absolutely not.

ros doesn't really think about his tone all that much, and it's kinda obvious. he speaks in a semi-monotonous tone with flat inflection. even then, because of the mild-royal accent he has, there are people outside of nobility and royalty that tend to find it more appealing and attractive. though you'll get people that are like primam, vera, or even lyra kinda, "i guess it's because they don't hear us talk all that often outside of news or interviews?"

ros is also...i'm not going to flat out say supremely aro/ace, but that's how i've written him so far? so, at the moment, there's definitely no 'turning on' of the 'sexy voice' or even an attempt at it.

is it strange that i don't really like thinking about that for aestus? like, i dunno, it's slightly strange to me for some reason. i can't articulate why.

though, seeing as he's married and has a child, i'm sure there's some kind of sexy voice down in there. somewhere.

when i imagine him speaking, though, i personally kind of imagine colin firth a bit? maybe with a bit of a deeper pitch. so take that as you will.

vera actually gets into disguises much more than aestus does, and she leans into playing her role. she's a really good actor when she needs to be, and if that means turning on a sexy voice to get the job done, guess what? she's practiced that sexy voice and has had it work a number of times in her favor.

as for whether or not she thinks her voice on its own is sexy, i don't think she has a grand opinion one way or the other. she views her voice as a tool that has to be honed and practiced to achieve what she wants out of a situation. so generally a very neutral approach to her voice in that regard.

at the moment, i haven't really written romance for vera. she doesn't exactly shy away from romance when i think about her and kind of toy with the idea like some of my other characters, though. so...this is something i'll have to see for myself if i...she? decides to pursue romance at all in the future.

nope. not at all. she doesn't really want to think about it. lyra doesn't care one way or the other if people perceive her voice as sexy. she doesn't think about it. key part of that: she doesn't think about it. she doesn't have the motivation nor the passing thought to think about such mundane things like her voice.

she speaks with mostly one tone, and that is the one tone you're most likely going to get. will she ever change that tone? probably not. well, unless she's angry, perhaps. then there might be a bit of a tonal shift. but for the most part, lyra makes no conscious effort for it. all that effort and going out of their way for things can be something her siblings do, lyra is out.

[lawlightfan42069]

sofia !

sofia makes me think of being able to fly and drifting through the clouds. like the ability to just be able to catch a breeze and take it for a ride across earth but especially flying through sprawling meadows and valleys. and stopping to rest in the branches of a forest. the forest feels kind of ethereal and also heavy as if theres Something important there if that makes sense. it makes me think of the soundtrack of this very specific game actually sdkjfsf its this song!! which feels like sitting in a forest that sits on the edge of another realm and as the sun begins to set fireflies come out to float around. 

send me a name and i’ll say what i think of first!