#Scott Schoonover

[julystruck]

Antlers

guillermo del toro // lunaotic // james joyce // chris schoonover // c.s. lewis // /scott benson // lorde // pablo neruda // frank bidart // rio romeo

[graphicpolicy]

WWE #11

Publisher: BOOM! Studios Writers: Dennis Hopeless, Mairghread Scott Artists: Serg Acuña, Rodrigo Lorenzo Cover Artists: Main Cover: Dan Mora Ricky “The Dragon” Steamboat Then Variant Cover: Rahzzah Ted DiBiase Forever Variant Cover: Aaron Dana Action Figure Variant Cover: Adam Riches Royal Rumble Variant Cover: Brent Schoonover Colorist: Doug Garbark Letterer: Jim Campbell Price: $3.99

Roman Reigns battles the Wyatt Family and only one is left standing—but what do Dean Ambrose and Seth Rollins have to say about it?

WWE #11 preview. Roman Reigns battles the Wyatt Family #comics #WWE WWE #11 Publisher: BOOM! Studios Writers: Dennis Hopeless, Mairghread Scott Artists: Serg Acuña, Rodrigo Lorenzo Cover Artists:

[collectorscorner]

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[castlewyvern]

Breakfast Club homages by Brent Schoonover, j Scott Campbell, Tim Lattie & Luis Antonio Delgado, Mike Norton, Tony Sedani, Mike Perkins, Fernando Ruiz and Anwar Hanano, Jason Pearson, Casey W Coller and Takeshi Miyazawa.

[berniesrevolution]

IN THESE TIMES

Visiting Julia Salazar’s North Brooklyn campaign office one warm july weekend, I’m greeted by a volunteer with a spreadsheet. Like nearly everyone else in the converted coffee shop, she’s a member of the Democratic Socialists of America (DSA), and she asks me cheerily if I’m there to canvass. I’m not, but if I were, I would be instructed to make my way to a training session on the sunbathed patio out back that is scattered with half-full bottles of sunscreen. After that—in the span of just a half-hour—I would know everything I need to know about how to help elect a card-carrying socialist to the New York state Senate.

If Salazar makes it to Albany, she will join the ranks of 42 DSA-endorsed candidates who are now or will soon be serving in offices from the Moorhead, Minn., school board to Capitol Hill (that is, if Alexandria Ocasio-Cortez wins the general election as handily as she did her primary in New York’s 14th Congressional District). So far this year, local chapters have endorsed at least 110 candidates.

DSA may soon have 50,000 members across 200 local groups in all 50 states—up from 6,000 members in 2015. The surge in freshly minted socialists came in three waves: First, those energized by Bernie Sanders’ primary run; second, those brought in by Donald Trump’s election and the Women’s March; and third, those inspired by 27-year-old DSA member Ocasio-Cortez’s primary victory in May over incumbent—and Democratic heavyweight—Joe Crowley.

So what is DSA, exactly, and what is it doing with this growing army?

DSA’s electoral work has attracted national media attention in the wake of Ocasio-Cortez’s historic win. Yet it’s just one part of a bottom-up approach to politics that sees the ballot box and state power as tools for advancing toward a more radically democratic society. Members—most of them millennials, in small towns and big cities in every corner of the country—are engaged in everything from occupying Immigration and Customs Enforcement (ICE) offices to evangelizing about Medicare for All. Many reporters have tried to divine what DSA believes, be that the group’s policy prescriptions or its ideology. DSA, though—to crib from Karl Marx—isn’t looking merely to interpret the world, but to change it, campaign by campaign, door by door. What’s made DSA’s ascendance remarkable is less its analysis of capitalism than its ability to put people angry about capitalism to work.

IT’S TELLING THAT, UNLIKE MOST SOCIALIST GROUPS, DSA WAS FORMED OUT OF A MERGER—NOT A SECTARIAN SPLIT. 

In 1982, at the dawn of the Reagan era, the Democratic Socialist Organizing Committee (DSOC) and the New America Movement (NAM) combined forces. DSOC had been founded in 1973 by socialist intellectual Michael Harrington and other members of the Socialist Party who had grown disenchanted with political irrelevance. NAM, founded in 1972 by former members of Students for a Democratic Society (SDS), was rooted in ’60s counterculture, the New Left and second-wave feminism. (In 1976, members of DSOC and NAM moved to Chicago to found In These Times, and for the next decade the then-newspaper reported diligently on the ins and outs of DSOC, NAM and DSA.)

The 1980s would prove a tough decade for left politics, the 1990s and 2000s even more so. DSA shed members and closed chapters around the country as a few loyalists and a steady trickle of young recruits kept the organization running.

Enter Bernie Sanders’ primary campaign and his stalwart identification as a “democratic socialist,” a surprise boon for an organization with those two words in its name. DSA’s commitment to being a pluralistic, “multi-tendency” organization also meant it was open enough to accommodate thousands of newcomers.

Democratic socialism itself has always been a heterodox term, encompassing everyone from ideological Trotskyists to New Deal Democrats. The surge of new, mostly 20-something members include anarchists, Marxist academics and—most numerously—political neophytes excited about Sanders’ message and frustrated with the Democratic establishment.

DSA isn’t keen to enforce a strict definition of “democratic socialism”—although mainstream media outlets newly hip to DSA are desperately looking for one. On its website, DSA writes:

At the root of our socialism is a profound commitment to democracy, as means and end. As we are unlikely to see an immediate end to capitalism tomorrow, DSA fights for reforms today that will weaken the power of corporations and increase the power of working people. ...

Our vision is of a society in which people have a real voice in the choices and relationships that affect the entirety of our lives. We call this vision democratic socialism—a vision of a more free, democratic and humane society.

Members I spoke with took this to mean everything from taking public goods like healthcare off the private market (along the lines of Scandinavian social democracies) to worker-ownership of the means of production. Central Iowa DSA co-chair Caroline Schoonover was among many to say that democratic socialism means “taking power from the few and giving it to the many.” All saw small-d democracy—people having a say in the decisions that affect them—as central, both in politics and workplaces, and in DSA itself.

The Socialist Feminists of Democratic Socialists of America organize a protest outside of the New York County Republican Office in New York City on July 5, 2017. (Photo by Erik McGregor/Pacific Press/LightRocket via Getty Images)

For this story, I spoke with around two dozen DSA members from chapters around the country. The primary source of their excitement was that DSA chapters seemed to be actively working on something, not just sitting around reading Marx. Like the citizen action group Indivisible, which also exploded after the election, DSA let people shake off a feeling of helplessness about the political climate and roll up their sleeves.

DSA also offers a community. Chapters host regular beach days, parties, fundraisers and social events, like Metro D.C. DSA’s recent “No ICE Cream Social.” If Indivisible was able to connect many alienated, middle-class suburbanites jarred out of their political comfort zone, DSA has provided a home for tens of thousands of downwardly-mobile, debt-ridden millennials grappling with a system that simply isn’t working for them.

Adam Shuck and Arielle Cohen, 32 and 29, joined Pittsburgh DSA in its infancy; Shuck was among the seven people who first met at a bar in 2016 to talk about getting the chapter together. Each was energized by Barack Obama’s 2008 presidential campaign but disillusioned by his presidency. “I thought we were going to see some kind of New Deal,” Shuck says. The frustration led him at first to join the International Socialist Organization before the Sanders campaign brought him to DSA. While a student at SUNY Purchase, Cohen grew disillusioned with the sausage-making and compromise that created the Affordable Care Act, and organized with Occupy Wall Street before moving to Pittsburgh and finding her way to DSA. Now, Shuck and Cohen co-chair the Pittsburgh chapter.

Pittsburgh DSA held its first general meeting in December 2016 with around 100 people. Now it has a dizzying number of working groups: a health justice committee campaigning for Medicare for All; reading groups tackling Marx and Engels; an anti-imperialism committee lobbying for legislation criticizing Israel’s occupation of Palestine; a socialist feminist working group exposing crisis pregnancy centers; an ecosocialist group fighting the privatization of the city’s water and sewer system; a housing rights group pushing for protections for renters; and a number of inward-facing groups handling tasks like recruitment and communications.

The chapter also brought the newly revived DSA one of its early electoral victories, rattling the local Democratic machine. In December 2017, the group threw its weight behind Summer Lee’s campaign to represent House District 34. In the May primary, with the help of DSA and groups like Our Revolution and the Sierra Club, Lee, 30, a recent law school grad, beat Paul Costa, 57, a 19-year incumbent and member of a dynastic Pittsburgh Democratic family.

Lee had experience working on school board races and on a coordinated campaign to elect Katie McGinty governor and Hillary Clinton president in the 2016 general election, and she was impressed with DSA’s electoral work on Mik Pappas’ judicial campaign. Pappas ran on a platform of ending cash bail and working to end mass incarceration, and won in a landslide, with the help of a dedicated grassroots turnout effort staffed in part by DSA members.

“They were running 20 or more canvassing shifts a week,” says Lee. “I had never seen that type of energy around magistrate elections. I realized that ideologically we aligned.” She joined DSA shortly thereafter and sought them out as her first endorsement.

It wasn’t easy. DSA’s candidate endorsement process is a microcosm of its baked-in commitment to direct democracy. For every decision, at every level, there’s deliberate space for members to duke things out, combined with a commitment to ultimately supporting the group decision rather than splitting off into rival factions. The very question of whether to engage in the electoral process—and in particular, to work within the Democratic Party—remains fraught, with many members skeptical of investing limited organizational resources into elections rather than base-building.

Alexandria Ocasio-Cortez is joined by New York gubenatorial candidate Cynthia Nixon at her victory party in the Bronx after upsetting incumbent Democratic Representative Joseph Crowly on June 26, 2018 in New York City. (Photo by Scott Heins/Getty Images)

New York City DSA hotly debated whether to endorse Gov. Andrew Cuomo’s challenger from the left, Cynthia Nixon, after she declared herself a democratic socialist. Several dozen DSA members signed a “vote no” statement arguing that universal healthcare and rent control will be won not by electing candidates to office but by “building working-class power that holds [them] accountable,” citing the successful teachers’ strikes in Republican states. In late July, NYC-DSA officially endorsed her after an extended series of debates.

“We have folks who distrust electoral work, and even among those that don’t, there are different ways of thinking of how to approach it,” says DSA National Director Maria Svart, 38, a former SEIU organizer. “Everybody appreciates that electoral success only comes when you have an organized base. Having all these tendencies in conversation means that everybody learns from each other.”

While the endorsement process varies from chapter to chapter, in some cases—including Lee’s—the first step is filling out a lengthy form with questions from each of the chapter’s working groups. Typically, one is whether the candidate identifies as a socialist. Members weigh that alongside specific policy questions (“Do you support universal rent control? Abolishing the police?”) and a range of other concerns: How much of an impact could the chapter have on the race? How will it build the chapter’s capacity and the movement to challenge the capitalist class?

Next comes the interview process. After filling out Pittsburgh DSA’s questionnaire, Lee was interviewed by a roomful of members. The group voted to endorse both Lee and Sara Innamorato, a state representative candidate, and the two supported one another’s campaigns.

Ocasio-Cortez, in New York, jumped through even more hoops. Because her congressional district spans the Bronx and Queens DSA chapters, she had five interviews: with the electoral committees and membership of each branch, and then the citywide convention. “We put her through hell,” jokes Michael Kinnucan, a DSA member now co-managing the state Senate campaign of Julia Salazar (whom the organization endorsed alongside Ocasio-Cortez in a parallel process).

Abdullah Younus, co-chair of NYC-DSA and a member of DSA’s National Electoral Committee, explains that the extensive endorsement process isn’t just a means of vetting candidates, but of building members’ commitment to them. “It makes it a lot easier to have the same folks who write the questions come out and knock for those candidates,” he says. “They’re talking about work they’re invested in.”

Salazar, 27, estimates that some 800 DSA members live in and around her district, which has translated into hundreds of volunteers spreading the word about her September primary. Even in her short time with the group (she joined in late 2016), she’s seen a change in how fellow leftists relate to electoral politics. “I think part of it is people seeing the term ‘democratic socialist’ normalized in the electoral realm, through Bernie mostly, at least initially, and so seeing it as an actually viable strategy,” she told me between knocking doors.

Though she’d worked on legislative campaigns as a staff organizer with Jews for Racial and Economic Justice, Salazar only recently began to consider electoral work. “It’s not something I ever thought about before—not just for myself, but in seeing leadership development in community organizing as a path toward seizing state power,” she says. “That sounds like a jump, right? But ultimately that’s the goal.”

New York state senate candidate Julia Salazar (R) knocks doors in Bushwick, N.Y., with a fellow DSA member in July. (Photo by Raul Coto-Batres)

Thanks in part to the Sanders campaign and Ocasio-Cortez’s stunning upset, that goal feels more within reach now than it has since the days of the Socialist Party’s Eugene Debs. Big, universal programs like a federal job guarantee or Medicare for All draw overwhelming popular support. And small, local races offer an opportunity for the grassroots to tip the balance.

Establishment candidates in Democratic-controlled cities effectively depend on low turnout. Their political consultants tend to rely more on advertising and glossy mailers, and less on actually talking to people—particularly people who don’t usually vote. Mobilizing even a few thousand new voters in that context, then, is a fairly straightforward formula for victory. When DSA member Lee Carter won a seat in Virginia’s House of Delegates in November 2017, he beat his Republican opponent by 9 points—a margin of 1,850 votes.

“Our party structure protects incumbency, and relies on an ignorant electorate,” Summer Lee says, noting how much time her campaign spent educating voters about the election itself. “If everybody were voting, we’d have a completely different system.”

Depending on the city, DSA can offer a large, self-organized volunteer base to candidates who navigate its endorsement process. Pittsburgh DSA estimates that its volunteers knocked on some 70,000 doors through the course of Lee’s campaign. Turnout in Lee’s district was 14 percent higher than in others around Allegheny County and 54 percent higher than in the last midterm election.

(Continue Reading)

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Episode 351

Comic Reviews:

DC

Blood Syndicate Season One 1 by Geoffrey Thorne, ChrisCross, Juan Castro, Wil Quintana

Jurassic League 1 by Juan Gedeon, Daniel Warren Johnson, Mike Spicer

Marvel

Captain America: Symbol of Truth 1 by Tochi  Onyebuchi, R.B. Silva, Jesus Aburtov

Hulk vs. Thor: Banner of War Alpha by Donny Cates, Martin Coccolo, Matt Wilson

Moon Knight: Black, White, and Blood 1 by Jonathan Hickman, Marc Guggenheim, Mureqa Ayodele, Jorge Fornes, Adedotun Akanda, Chris Bachalo

Patsy Walker Infinity Comic 1 by Trina Robbins, Derek Charm, Rico Renzi, Clayton Cowles

Image

Eight Billion Genies 1 by Charles Soule, Ryan Browne, Kevin Knipstein

Dark Horse

Avatar: Adapt or Die 1 by Corinna Bechko, Beni Lobel, Wes Dzioba

Tales From Harrow County: Lost Ones 1 by Cullen Bunn, Emily Schnall, Tyler Crook

Jenny Zero II 1 by Dave Dwonch, Brockton McKinney, Magenta King, Arnaldo Robles

Boom

Grim 1 by Stephanie Phillips, Flaviano, Rico Renzi

ComiXology

Cold Iron by Andy Diggle, Nick Brokenshire, Tom Muller

IDW

Transformers: Last Bot Standing 1 by Nick Roche, E.J. Su, Rebecca Nalty

Dynamite

Vampirella Strikes 1 by Thomas Sniegoski, Jonathan Lau, Omi Remalante Jr.

AfterShock

Bunny Mask: The Hollow Inside 1 by Paul Tobin, Andrea Mutti

Archie

Archie Meets Riverdale 1 by Daniel Kibblesmith, Tim Kennedy, Pat Kennedy, Bob Smith, Matt Herms

AWA

Devil's Highway Volume 2 1 by Benjamin Percy, Brent Schoonover, Nick Filardi

Behemoth

Blind Alley 1 by IRRA

Ablaze

Belit and Valeria: Swords vs. Sorcery by Max Bemis, Rodney Buchemi, Dinei Ribeiro

Substack

True Weird by James Tynion, Klaus Janson 

Colonel Weird and Little Andromeda by Tate Brombal, Ray Fawkes

FCBD

Dark Crisis 0

Spider-Man/Venom

Mythos: Bone Orchard

AXE: Judgment Day

Doctor Who

Additional Reviews: Amphibia full series, Candyman 2021, The Hunt, Owl House, Russian Doll s2, Everything Everywhere All At Once

News: Omninews, 14th Doctor Announced, Round Robin results, Tales from the Human Target, new Spider-Verse comic, new Marvel trans hero, Survival Street, Marvel loses rights to Conan, Disney adapts Trevor, Naomi canceled, Amazing Fantasy 1000, Scream 6, Gotham Knights, CW, She-Hulk release date, new Pixar movie "Elemental" announced, Perry White one-shot, Black Mirror returning

Trailers: Paper Girls teaser, Players, Resident Evil Netflix

Comics Countdown:

King Conan 4 by Jason Aaron, Mahmud Asrar, Matt Wilson

Sandman Universe: Nightmare Country 2 by James Tynion IV, Lisandro Estherren, Andrea Sorrentino, Jordie Bellaire, Patricio Delpeche

Eight Billion Genies 1 by Charles Soule, Ryan Browne, Kevin Knipstein

Crossover 13 by Donny Cates, Geoff Shaw, Dee Cunniffe

Nocterra 10 by Scott Snyder, Tony Daniel, Marcelo Maiolo

Superman: Son of Kal-El 11 by Tom Taylor, Cian Tormey, Matt Herms, Federico Blee

Tales From Harrow County: Lost Ones 1 by Cullen Bunn, Emily Schnall, Tyler Crook

Grim 1 by Stephanie Phillips, Flaviano, Rico Renzi

Seven Secrets 17 by Tom Taylor, Daniele Di Nicuolo

Batgirls 6 by Becky Cloonan, Michael Conrad, Jorge Corona, Sarah Stern

Check out this episode!

[biggoonie]

ASTONISHING ANT-MAN: THE COMPLETE COLLECTION TPB

Written by NICK SPENCER Penciled by RAMON ROSANAS, BRENT SCHOONOVER & ANNAPAOLA MARTELLO Cover by MARK BROOKS ON SALE JUNE 2018 One tiny hero — one giant, action-packed book! Scott Lang was a down-on-his-luck divorced ex-con — until he stole Hank Pym’s size-changing suit to save his daughter! Since then, Scott’s life has been a rollercoaster. But will he continue to be a hero — or return to his former life of crime? Or perhaps both?! Scott has his hands full with a new business, some questionable employees and a teenage daughter who was once an Avenger herself! Then there are villains like the Power Broker and Scott’s archenemy, Darren Cross, plus the female Beetle — will she be friend, foe or something else entirely? Nick Spencer’s entire fast, furious and fun Ant-Man run is collected between two covers! Collecting ANT-MAN (2015) #1-5 and ANNUAL #1, ANT-MAN: LAST DAYS #1, and ASTONISHING ANT-MAN #1-13. 472 PGS./Rated T+ …$34.99 ISBN: 978-1-302-91132-4

[comiccrusaders]

Seth wants a title match against Roman at Extreme Rules, but The Authority isn’t sold that Rollins is still what’s “best for business.” No matter—Seth is willing to break all the rules to regain his spot at the top.

#gallery-0-4 { margin: auto; } #gallery-0-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-4 img { border: 2px solid #cfcfcf; } #gallery-0-4 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

WWE #4 Publisher: BOOM! Studios Writer: Dennis Hopeless Artist: Serg Acuña Cover Artists:   Main Cover A: Dan Mora “Now” Enzo Amore & Big Cass Incentive Cover B: Marco D’Alfonso “Then” Chris Jericho Incentive Cover C: Jorge Corona “Forever” Sting Incentive Cover D: Frazer Irving Unlockable Action Figure Variant Cover E: Adam Riches Unlockable Royal Rumble Variant Cover F: Brent Schoonover Unlockable Tag Team Championship Title Belt Foil Variant Cover G: Scott Newman Price: $3.99

PREVIEW: WWE #4 Seth wants a title match against Roman at Extreme Rules, but The Authority isn’t sold that Rollins is still what’s “best for business.” No matter—Seth is willing to break all the rules to regain his spot at the top.

[renaramblesaboutcomics]

Wednesday Roundup 4.10.2017

This week ended up being a relatively light reading week for yours truly, but that doesn’t lessen the quality of my enjoyment whatsoever. In fact, I had enough love to share that I wanted to go over all of the available Marvel Legacy Primers for this week as well, even if they’re just short blurbs!

So without further ado let’s jump into it.

Marvel’s America, Marvel’s Black Panther, Marvel’s Incredible Hulk, Marvel’s Invincible Iron Man, Marvel’s Jean Grey, Marvel’s Monsters Unleashed, Dark Horse’s Usagi Yojimbo, Lion Forge’s Voltron Legendary Defender, Viz’s Yona of the Dawn

Marvel’s America - Marvel Legacy Primer Pages (2017-present) Robbie Thompson, David Lopez

As interested as I am in America, I haven’t had the opportunity to really follow her outside of the Young Avengers run she is in. So I think, oddly enough, for me this is one of the most necessary “Primers” of any of the ones I’ve read so far, and the information was very good to have. It really helped to frame her history, her relationship with her mothers, and her confidence in herself in a new light that is really appreciated. And the art from David Lopez is as beautiful as any of his issues on All-New Wolverine.

Marvel’s Black Panther - Marvel Legacy Primer Pages (2016-present)  Robbie Thompson, Wilfredo Torres

There’s honestly not going to be that much more to say on most of these Primer pages. They’re fun, quick run throughs of relevant histories of the characters and teams that they showcase and depending on your interest and engagement may influence whether or not you want to hop in on the next storyline that they’re promoting. 

I do like the sense of unity and legacy that is built into the Black Panther title already, having it be a responsibility tied to kingship that T’Challa knows and the all-important bond it has between him and the memory of his father. 

It really puts a spin on the importance of Legacy that this event seems intent on hammering home.

Marvel’s Captain Marvel - Marvel Legacy Primer Pages (2016-present)  Robbie Thompson, Brent Schoonover

Carol Danvers is one of those characters I desperately want to lie on every feasible surface level, but whose books have never quite got me on board and whose guest appearances always leave me a bit more confused about her than I had been before her said appearance. And yet there was still not a whole lot added here. I appreciate it, and young Carol is adorable, but there was nothing here that didn’t make me feel like... well, like she’s Hal Jordan. And ‘m not a fan of Hal Jordan.

Marvel’s Incredible Hulk - Marvel Legacy Primer Pages (2017-present) Robbie Thompson, Joe Bennett

Everything I have read so far with Amadeus Cho, both in Totally Awesome Hulk and in his guest appearances or team-ups in Moon Girl and Devil Dinosaur to Champions has  really connected to me on a level that Bruce Banner hadn’t exactly managed over the years. So it was nice to see a little blurb that went over their mutual histories and explored what was there.

It almost makes people forget that Marvel unnecessarily killed Bruce Banner for... no reason. Almost. Not quite. Though he might be alive by now. I am obviously not current.

Marvel’s Invincible Iron Man - Marvel Legacy Primer Pages (2016-present) Robbie Thompson, Valerio Schiti

Gah, reading this overview of Tony and Riri’s history really reminded me how much I really loved reading Invincible Iron Man when it first came out and just how much I positively adored Riri’s character and her banter with Tony. You know. Before they completely undid the relationship within the first storyline and then Bendis went all Bendis on us and it became obvious that Tony was coming back sooner than later and then Secret Empire destroyed the world... somewhat literally. 

I’d love to read a Riri-centric book in better circumstances. Or at least once the next trade is out. We’ll see.

Marvel’s Jean Grey - Marvel Legacy Primer Pages (2017-present) Robbie Thompson, Mark Bagley

I was actually just recently talking to my good friend @shobogan about how much more interested I would be in Young Jean Grey if only Marvel had the guts to either give us a romantic relationship with her and Laura (or her, Laura, and Scott OT3 hullo) or have Older Jean Grey return to mentor her younger self and others at the school since she’s the only X-Man kept dead for this long who was considered a Top Tier X-Man. And since we’re finally getting the latter, it seems, now I have to look at what we know of Young Jean and consider my feelings all over again. And this primer gave me the opportunity to do just that!

While I’m not following Jean’s book at the moment, I’m obviously a pretty big X-fan so I have a general sense of where all the moving pieces are at the moment. And I have to say, with Older Jean returning it’s going to be a pretty awesome time for comparing and contrasting their characters and relationships. After all, this younger Jean is far, far less experienced than her counterpart, but has a peripheral knowledge of her own fate, and as much as she tries to not be defined by it, it’s been defining her in the opposite direction in a sense. And more than that, she’s a Jean who sees the Phoenix Force not as an asset or a tool, but sees it as an honest to god enemy, which I’m not sure how that will work. And I’m even more interested in Jean’s return now because of the possibilities of their interactions with the Force together. 

Guess we’ll wait and see!

Marvel’s Monsters Unleashed - Marvel Legacy Primer Pages (2017-present)  Robbie Thompson, David Baldeón

I have actually been planning for a little while now to pick up the trade of Monsters Unleashed because I had fun with the miniseries earlier this year and I have been craving more Elsa Bloodstone (as well as the entirety of the Nextwave crew) and this seems like one of the more interesting powers to come from the Inhuman collision.

.... Actually it’s completely stolen from the Teenage Mutant Ninja Turtles comic and later adapted TV episode dedicated to Jack Kirby who had the power of creativity to draw and create anything he drew and also had a a penchant for creating monsters and different worlds and so on. So I mean. There’s that unavoidable fact. But Kei’s cute so I’d be willing to overlook it for the sake of seeing what Marvel plans on doing with this very wild and unruly power. 

Dark Horse’s Usagi Yojimbo (1984-present) #162 Stan Sakai, Tom Luth

The conclusion of Usagi and Inspector Ishida’s investigation about the doctors’ murders has come and the hilarity of Kitsune and Kiyoko bumbling along with them and incidentally becoming crucial to the entire investigation does not lose its edge either.

Story: The conclusion of this particular caper is interesting mostly in how the framing by coincidence is not ultimately a linchpin to the story, having been solved almost immediately in the story’s first issue. The inventiveness of Sakai’s work, overall, is simple subterfuge which continues to make each new adventure feel unique and uncertain. In this instance, it would be in the assistance that Kitsune and Kiyoko end up providing by revealing the true murderer almost by accident. 

That being said, as simple as individual stories are for Usagi Yojimbo, the complexity really rests in the margins for long time fans, and that shows most clearly in the way a quiet buildup of several arcs seem to flow together for coming to a head. Perhaps the most famous and arguably best all around example of this would be in “Grasscutter” and how years of storytelling and slow vignettes linking together culminated in one of the greatest comic storylines of all time. We seem to be getting something similar in the backgrounds of more recent adventures with this guild of assassins which Usagi has unknowingly crossed the path of and caused ire to several times at this point. 

I’m excited to see where that story is taking us, and likewise interested in how little details, like Kiyoko successfully pickpocketing Inspector Ishida, will pay off down the road. 

Lion Forge’s Voltron Legendary Defender Vol. 2 (2017) #1 Tim Hendrick, Mitch Iverson, Jung Gwan Yoo, Ji-in Choi

Egghhhhh. Are you ever really rooting for something against your own common sense and get bit in the butt regardless? I feel like that happens to me on an inconceivably high average and almost all of it can be blamed on the fact that for some reason I am still expecting comics to play fairly with me. If anything my standards should be lower by now. But, well, let’s see if I’m being a bit too harsh on Lion Forge’s second effort in making a Voltron comic. 

Story: I would argue that one of the reasons that I had unreasonably high expectations for this comic is in part because the first comic produced by Lion Forge had actuallymanaged to not only be a fairly solid effort as a comic but managed to capture the spirit of the current Dreamworks Netflix series in a wa that was welcoming to fans new and old, and importantly of all ages. So I was hoping for more of the same with this comic project.

In more or less words... I did not exactly receive that. Where there was a solid read of the characterizations in the last comic, this issue showed a severely flattened to the point of parody version of the paladins, especially poor Hunk here who had the already obnoxious and unnecessary fat jokes and food jokes from the series amped up to the point of being his only characteristic in this comic. To the point that at one point he doesn’t even form a full sentence, just grabs a pie successfully from a training maze and says “Hunk win”. Which... I guess is somewhat better faring than the other paladins who didn’t even have dialogue that really fit them. Save for Pidge who was likewise flattened to “the smart one.” 

The storyline itself of a new planet where Voltron is needed but the species they end up helping... they actually fail initially, I won’t lie, is a pretty solid premise for Voltron overall, and would be something I’d love to see the show tackle similarly, but the fairly generic wolf-furry aliens didn’t receive a whole lot of depth in this first issue. 

Depth trended on being the biggest problem for this issue overall. There wasn’t an examination of the characters and their interactions, how they treated each other and how they tackled problems differently. The sort of things you’d want from an ensemble cast like Voltron. Which is surprising since again the first series by Lion Forge managed all that and was written on a much younger reading level at the same time. Each issue tackled exactly those very things -- individual characters, how they functioned in the group, and how they tackled obstacles differently to find a solution together. I would expect the same here but it didn’t seem to be on the menu. 

Hopefully all of this will be addressed and fixed as the comic progresses, but as for now I’m apprehensively putting this series on my three issue trial run. 

Art: The art was not a great improvement on the previous comic but it also wasn’t bad in the least. In fact I think the art popped very well, adjusting colors and textures about as well as you’d expect from a television show adaptation for kids. I do wish that the face models for the paladins would keep more consistent and overall there was a rushed feeling to the comic that seemed fairly unnecessary considering it’s the first issue. 

Viz’s Yona of the Dawn (2009-present) Vol. 8 Mizuho Kusanagi

You know, I keep hearing over and over again from friends and trusted sources that Yona of the Dawn is a series that will continuously subvert my every expectation and make me continue guessing and yet every volume I really do manage to be caught off guard by something which the story chooses to do which is shockingly poignant and new even to its fairy tale epic adventure structure. 

Story: So the Yellow Dragon joining the group was hilariously and purposefully anti-climactic but what we got as a result of that choice is the new direction for the series that ties directly into Yona’s own self-realization. She doesn’t simply want to rule and she doesn’t simply want to conquer. What she wants is to know her people and to save them from the crises that were overlooked by her father before her and by Su-Won now. She wants to take up arms to protect the entire country not just with the power of the loyal followers she has gained but with her own hands. She is something that neither of the kings -- her father or her cousin -- could have ever dreamed of being.

And then my expectations were really taken for a loop by us then in turn following Su-Won as he travels to the Earth Tribe and earns the respect and allegiance of the chieftan general there through a series of manipulations, tactical conceits, and ultimately quiet and subtle intimidation mostly by the fleeting moments in which he dropped his ditzy and well-meaning act to show his true intentions. But as fascinating as it was and as surprising as it was, for me at least, that this complete shift of POV for a few chapters actually managed to keep me on board when I’m not one to often fully appreciate the “villain’s side of things”, probably the most interesting part of any and all of this is actually how much tension is underlying Su-Won’s leadership. HIs appeal to the Fire and Earth Tribes is less in the leadership that he promotes and more in this current of possible warmongering that appeases the more warlike fractions of Kohka. 

It’s all fascinating and offers a sense of danger in Yona’s new quest to help the people of fher country feel a new sense of danger, knowing that our group is ultimately pretty unprepared for helping parts of the country which would not be as receptive to their quest or the offer of Yona’s leadership.

That being said... the final chapter driving home Yona’s relationship with Hak and everyone’s strange obsession with protecting Yona but rejecting her attempts to grow her own strength and independence. Lik eI guess we’re just all going to overlook the way she killed the slave trader mob boss in teh previous volume. But beyond all of that, my real concern is just... I cannot stand the way Hak’s character is portrayed in his “over protectiveness” of Yona. It’s far from romantic to me to continuously have a character obsess over someone to the point of “jokingly” considering locking them away for the world to see. 

It’s not the best issue of the series by far, but it has some great moments, especially for Yona.

Art: I actually do think that the further we’ve come in this comic, the more consistent and confident the at has gotten. There are still lots of soft tones and all the markings of a usual shoujo, but the real stand out this time around is that we’re beginning to see more and more the variation in ethnicities in the people of the country, which is honestly relieving even if for now the Earth Tribe, which drives that point home, consists mostly of Su-Won’s supporters and may carry with them some more unfortunate stereotypes being fed that I might not be aware of as a non-native to Japan.

So far as single issues this week are concerned there’s really no competition for Usagi Yojimbo in a regular week but especially not in a fairly light week. Yona is still a fantastic book and if there were other trades to compare it to I’d probably lavish on it more, but since we’re on singles I have to give this one to the unending quality that is Stan Sakai’s anthromorphic feudal epic.

And, once more, I am in a bit of a financial crunch for a multitude of reasons, not the least of which being the medical bills I’m paying for my dog, Eve, who experienced a catastrophic dog fight and underwent surgery recently. On top of that, I have exactly a month and a half to pack up everything I own and move halfway across the country again which is not helping those financial crunches I mentioned before either.

As such, I really would appreciate if you enjoy my content or are interested in helping me out, please check out either my Patreon or PayPal. Every bit helps and I couldn’t thank you enough for enjoying and supporting my content.

You could also support me by going to my main blog, @renaroo, where I’ll soon be listing prices and more for art and writing commissions.

RenaRoo Ko-Fi

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[hub-pub-bub]

Works by Woolf, Dumas, Kipling

As you may know, what’s described as hundreds of thousands of copyrighted works were released into the public domain today (January 1) in the United States. They include not only books but also Cecil B. DeMille’s film The 10 Commandments, Noël Coward’s musical London Calling! and one of the greatest revenge songs ever written, “Who’s Sorry Now?” the music for which is by Ted Snyder with lyrics by Bert Kalmar and Harry Ruby.

Such a formidable entry into the public domain hasn’t happened in the States in more than 20 years.

And the reason for that exposes one of the more interesting elements of copyright law: while  today we tend to worry about instances in which copyright protection is being weakened—as is the case in Canada where the Copyright Modernization Act has severely damaged copyright revenue collection for publishers and authors in the educational domain—there are actually cases in which overly zealous copyright protection is a problem, as well.

In the book industry and here at Publishing Perspectives, you often encounter concerns about “the erosion of copyright” as a grave and growing danger in the digital era. And so it is.

But you’ll find the phrase “erosion of the public domain” most pertinent to today’s news. And that’s because of a 1998 law called the Copyright Term Extension Act, or the Sony Bono Act—named for the entertainer-turned-congressman who died in a skiing accident nine months prior to the act’s passage.

As the staff of the Duke University Center for the Study of the Public Domain writes in an article called “The Incredible Shrinking Public Domain” there have been several steps in copyright legislation in the United States, resulting in the situation today.

We’re bulleting out the center’s text for you here for clarity and to make the progression of changes clearer:

1790: “When Congress passed the first copyright law in 1790, the copyright term lasted for 14 years, with the option to renew for another 14 years if the copyright holder was still living.

Until 1978: “Before 1978, the copyright term was still 28 years from the date of publication, renewable once for another 28 years—but 85 percent of copyrights were not renewed and went immediately into the public domain.

1978: “Under the 1976 Copyright Act—which went into effect in 1978—the term became 50 years from the date of the author’s death (with no need to renew to have the full term).

1998: “And in 1998, the copyright term was increased to 70 years after the death of the author, and to 95 years after publication for corporate “works-for-hire”, locking up an entire generation of works for an additional 20 years. With these and interim extensions, the copyright term has been extended 11 times in the past 50 years.”

And because that 1998 extension was retroactively applied to works that were then about to go into the public domain, there are works being released today that go all the way back to 1923: they were originally to have entered the public domain two decades ago.

‘The Mickey Mouse Act’

The Duke center researchers report that an astonishing 98 percent of copyrighted material now may be “orphaned”—a term that means no rights holders can be found or identified for these works. Studies, the center reports, indicate that only 2 percent of works now between 55 and 75 years old still have commercial value. So no one is benefitting from their protected status, “while the entire public,” writes the center’s staff, “loses the ability to adapt, transform, preserve, digitize, republish, and otherwise make new and valuable uses of these forgotten works.”

Glenn Fleishman wrote the Bono Act at The Atlantic in April, in a reflection of how the late Rep. Bono–who represented California’s 44th district—is understood to have been driven primarily by Hollywood’s interest in longer protections.

This is how the Sonny Bono Act got another, less felicitous nickname for itself: The Mickey Mouse Act.

“The Sonny Bono Act,” Fleishman writes, “was widely seen as a way to keep Disney’s Steamboat Willie from slipping into the public domain, which would allow that first appearance of Mickey Mouse in 1928 from being freely copied and distributed. By tweaking the law, Mickey got another 20-year reprieve. When that expires [in 2024], Steamboat Willie can be given away, sold, remixed, turned pornographic, or anything else.”

And in an insightful opinion piece, The New York Times’ editorial board on February 21, 1998, wrote:

“What vexes any discussion of copyright is the idea of benefit. It is easy to see what the Disney Corporation will lose when Mickey Mouse goes out of copyright, as he will within a few years. It is harder to specify what the public will lose if Mickey Mouse does not go out of copyright.

“The tendency, when thinking about copyright, is to vest the notion of creativity in the owners of copyright. But artists, including those who work for places like Disney, always emerge from the undifferentiated public, and the works in the public domain, which means nearly every work of any kind produced before the early 1920’s, are an essential part of every artist’s sustenance, of every person’s sustenance. So far, Congress has heard no representatives of the public domain. It has apparently forgotten that its own members are meant to be those representatives.”

As for books, in particular, the Duke center’s Balfour Smith’s research has produced a helpful list, according to which some of the works today being released into the public domain include:

Jacob’s Room, Virginia Woolf

Maestro-Don Geusaldo, Giovanni Verga, translated by DH Lawrence

Ivanhoe, Walter Scott, illustrations by Frank E. Schoonover

Heidi, Johanna Spyri, illustrations by Gustaf Tanggren

The Prospects of Industrial Civilization, Bertrand Russell

Bel Ami, Guy de Maupassant

If Men Played Cards as Women Do, George S. Kaufman

The Three Musketeers, Alexandre Dumas

The Prophet, Kahlil Gibran

Dead Souls, Nikolay Gogol

Land and Sea Tales for Boys and Girls, Rudyard Kipling

Where Are We Going?, David Lloyd George

Harmonium, Wallace Stevens

The Murder of Roger Ackroyd and The Murder on the Links, Agatha Christie

St. Joan, George Bernard Shaw

Towards a New Architecture, Le Corbusier (Charles-Édouard Jeanneret)

Whose Body?, Dorothy L. Sayers

‘The Second Part of the Copyright Bargain’

In arguing its case, the Duke center’s messaging takes care to counter any suggestion that its policies are in some way anti-copyright.

Public domain is “the second part of the copyright bargain; the limited period of exclusive rights ends and the work enters the realm of free culture.”Duke University Center for the Study of the Public Domain

“Does all this mean that copyright is a bad system?” we read in the center’s material. “Of course not. Copyright gives creators—authors, musicians, filmmakers, photographers—exclusive rights over their works for a limited time. This encourages creators to create and publishers to distribute—that’s a very good thing.

“But when the copyright ends, the work enters the public domain—to join the plays of Shakespeare, the music of Mozart, the books of Dickens—the material of our collective culture. That’s a good thing too. It’s the second part of the copyright bargain; the limited period of exclusive rights ends and the work enters the realm of free culture.

“Prices fall, new editions come out, songs can be sung, symphonies performed, movies displayed. Even better, people can legally build on what came before.”

And in honor of this important “Public Domain Day” in the States, we leave you with four verses that are among the best-loved poetry of the American canon.

Robert Frost’s 1922 “Stopping by Woods on a Snowy Evening” was published in 1923, renewed by Frost in 1951, and then copyrighted in 1969 by Henry Holt and Company as part of The Poetry of Robert Frost, edited by Edward Connery Lathem.

Before today, this poem technically couldn’t be fully quoted in a formal publication without permission of the publisher. Now, it can.

Stopping by Woods on a Snowy Evening By Robert Frost

Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow.

My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.

He gives his harness bells a shake To ask if there is some mistake. The only other sound’s the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

[stllimelight]

Union Avenue Opera to Provide Outreach and Veteran Discounts with 'Glory Denied' Premiere

Union Avenue Opera to Provide Outreach and Veteran Discounts with ‘Glory Denied’ Premiere

Premiere of Tom Cipullo’s Glory Denied

UAO receives PNC Foundation grant to fund outreach and veteran/military discounts in conjunction with Glory Denied

Composer Tom Cipullo to attend opening night performance and participate in Talk-Back session following the opera

Union Avenue Opera closes its 25th Anniversary Season with the St. Louis premiere of Tom Cipullo’s poignant and powerful 2007…

[popculturenet]

SUICIDE SQUAD #50 Preview Rob Williams (A) German Peralta, Brent Schoonover, Will Conrad (CA) Jim Lee, Scott Williams The infection in Temho Me4ta prison spreads, and cannot be allowed to reach the surface.

[collectorscorner]

CC Blogger - New Arrivals @ Collectors Corner : Wednesday - 10/30/19

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NEW ARRIVALS : WEDNESDAY - 10/30/19

ABLAZE Vampire State Building #2 (Cover A Charlie Adlard), $3.99 Vampire State Building #2 (Cover B Stefano Gaudiano), $3.99 Vampire State Building #2 (Cover C Diego Bernard), $3.99 Vampire State Building #2 (Cover D Charlie Adlard Sketch Variant), $3.99 Vampire State Building #2 (Cover E Guilherme Balbi Glow In The Dark Variant), AR

AFTERSHOCK COMICS Jimmy's Bastards Volume 1 Year One HC, $39.99 Knights Temporal #4, $3.99

ARCHIE COMIC PUBLICATIONS Archie 1955 #2 (Of 5)(Cover A Derek Charm), $3.99 Archie 1955 #2 (Of 5)(Cover B Ray Anthony-Height), $3.99 Archie 1955 #2 (Of 5)(Cover C Khary Randolph), $3.99 B & V Friends Jumbo Comics Digest #275, $7.99 Jughead's Time Police #5 (Of 5)(Cover A Derek Charm), $3.99 Jughead's Time Police #5 (Of 5)(Cover B Brent Schoonover), $3.99 Jughead's Time Police #5 (Of 5)(Cover C Greg Smallwood), $3.99

ASPEN COMICS Broken Pieces #1 (Alex Konat & Peter Steigerwald New York Comic Con 2011 Variant Cover), $14.99 Bubblegun #1 (Of 5)(Aspen 10th Anniversary Edition Black UV Variant Cover), $14.99 Bubblegun Volume 2 #1 (Angel Tovar & John Starr Phoenix Comicon 2017 Variant Cover), $14.99 Cannon Hawke Prelude #0 (Michael Turner Wizard World Philadelphia 2005 Variant Cover), $9.99 Fathom Cannon Hawke #0 (Koi Turnbull SDCC 2005 Variant Cover), $9.99 Harley Quinn #1 (Michael Turner & Peter Steigerwald Black & White Aspen Variant Cover), $19.99 Soulfire Faith #1 (Michael Ryan SDCC 2012 Variant Cover), $14.99 Soulfire Grace #1 (Pasquale Qualano & Peter Steigerwald SDCC 2012 Variant Cover), $14.99 Soulfire Power #1 (Pasquale Qualano & Peter Steigerwald SDCC 2012 Variant Cover), $14.99 Soulfire Volume 8 #5 (Cover A Raffaele Forte), $3.99 Soulfire Volume 8 #5 (Cover B J. P. Mavinga), $3.99 Soulfire Volume 8 #5 (Cover C Michael Turner), $0.00

AVATAR PRESS Warrior Nun Dora #1 (Cover A Daniel Gete), $5.99

Militia #5, $3.99 Psycho List #3 (Of 6), $3.99

BOOM! STUDIOS Garfield Snack Pack Volume 3 TP (not verified by Diamond), $14.99 Giant Days As Time Goes By #1 (Cover A Max Sarin), $7.99 Giant Days As Time Goes By #1 (Cover B Max Sarin), $7.99 Hellmouth #1 (Cover E Kyle Lambert Foil Variant), $4.99 Jim Henson's The Dark Crystal Age Of Resistance #1 (Jae Lee 2nd Printing Variant Cover), $3.99 Jim Henson's The Dark Crystal Age Of Resistance #1 (Netflix 2nd Printing Variant Cover), $3.99 Jim Henson's The Dark Crystal Age Of Resistance #2 (Cover A Mona Finden), $3.99 Jim Henson's The Dark Crystal Age Of Resistance #2 (Cover B Kelly Matthews & Nichole Matthews Connecting Variant), $3.99 Jim Henson's The Dark Crystal Age Of Resistance #2 (Cover C David Peterson), AR Jim Henson's The Dark Crystal Age Of Resistance #2 (Cover D David Peterson), AR Jim Henson's The Storyteller The Novelization SC, $14.99 Mighty Morphin Power Rangers #44 (Cover A Jamal Campbell), $3.99 Mighty Morphin Power Rangers #44 (Cover B Goni Montes Foil Variant), $4.99 Mighty Morphin Power Rangers #44 (Cover C Kris Anka Trading Card Variant), AR Mighty Morphin Power Rangers #44 (Cover D Dan Mora), AR WWE Then Now Forever Volume 4 TP, $16.99

COMIC SHOP NEWS Comic Shop News #1688, AR

COMIXTRIBE Sink Volume 2 Blood And Rain TP, $19.99

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DEY STREET BOOKS World According To Star Wars SC, $15.99

DIAMOND PUBLICATIONS Game Trade Magazine #237, $3.99 Previews #374 (November 2019), $3.99

DISNEY - HYPERION Sanity And Tallulah Volume 2 Field Trip GN, $12.99 Sanity And Tallulah Volume 2 Field Trip HC, $21.99

DISNEY LUCASFILM PRESS Star Wars A Finn And Poe Adventure Choose Your Destiny SC, $5.99

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FANTOONS Frank Zappa Coloring Book SC, $15.99

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FLOATING WORLD COMICS Algernon Blackwood's The Willows GN, $12.95

FPG Thicker Than Blood Collected Artwork Edition HC, $150.00

HEAVY METAL MAGAZINE Heavy Metal #295 (Cover A Kilian Eng), $9.99 Heavy Metal #295 (Cover B Dave Correa), $9.99 Heavy Metal #295 (Cover C Ian Bederman), $9.99 Heavy Metal #295 (Cover D Victor Mosquera), $9.99 Heavy Metal #295 (Cover E Nick Pyle), $9.99

HOUGHTON MIFFLIN COMPANY Trick Of Light Novel HC, $28.00

HUMANOIDS Bramble HC, $24.95

IDW PUBLISHING Amber Blake Volume 1 TP, $17.99 Canto #3 (Of 6)(Drew Zucker 2nd Printing Variant Cover), $3.99 Dick Tracy Forever TP, $15.99 Disney Afternoon Giant #7 (Cover A Magic Eye Studios), $5.99 Johnny Boo Volume 10 Johnny Boo And The Midnight Monsters HC, $9.99 Marvel Action Spider-Man Volume 2 Spider-Chase TP, $9.99 My Little Pony Spirit Of The Forest TP, $9.99 My Little Pony The Feats Of Friendship #2 (Cover A Tony Fleecs), $3.99 My Little Pony The Feats Of Friendship #2 (Cover B JustaSuta), $3.99 My Little Pony The Feats Of Friendship #2 (Cover C Katie O'Neill), AR Star Pig #4 (Of 4)(Cover A Sara Richard), $3.99 Star Pig #4 (Of 4)(Cover B Francesco Gaston), AR Star Trek The Q Conflict TP, $19.99 Star Trek Year Five #7 (Cover A Stephen Thompson), $3.99 Star Trek Year Five #7 (Cover B J.J. Lendl), AR Star Wars Adventures #27 (Cover A Derek Charm), $3.99 Star Wars Adventures #27 (Cover B Tony Fleecs), $3.99 Star Wars Adventures #27 (Cover C Manuel Bracchi), AR Star Wars Adventures Return To Vader's Castle #5 (Cover A Francesco Francavilla), $3.99 Star Wars Adventures Return To Vader's Castle #5 (Cover B Charles Paul Wilson III), $3.99 Star Wars Adventures Return To Vader's Castle #5 (Cover C Francesco Francavilla Black & White Variant), AR Teenage Mutant Ninja Turtles #99 (Cover A Dave Wachter), $7.99 Teenage Mutant Ninja Turtles #99 (Cover B Kevin Eastman), $7.99 Teenage Mutant Ninja Turtles #99 (Cover C Valerio Schiti), AR Transformers Galaxies #2 (Cover A Livio Ramondelli), $3.99 Transformers Galaxies #2 (Cover B Alex Milne), $3.99 Transformers Galaxies #2 (Cover C Andrew Griffith), AR Usagi Yojimbo #2 (Stan Sakai 2nd Printing Variant Cover), $3.99

IMAGE COMICS Black Science Volume 9 No Authority But Yourself TP, $16.99 Chrononauts Futureshock #1 (Of 4)(Cover A Pasqual Ferry), $3.99 Chrononauts Futureshock #1 (Of 4)(Cover B Pasqual Ferry Black & White Variant), $3.99 Chrononauts Futureshock #1 (Of 4)(Cover C Travis Charest), $3.99 Chrononauts Futureshock #1 (Of 4)(Cover D Eric Canete), $3.99 Chrononauts Futureshock #1 (Of 4)(Cover E Kevin Nowlan), $3.99 Chrononauts Futureshock #1 (Of 4)(Cover F Blank Variant), $3.99 Chrononauts Futureshock #1 (Of 4)(Cover G Rey Macutay), $3.99 Chrononauts Futureshock #2 (Of 4) Cover A Pasqual Ferry), $3.99 Chrononauts Futureshock #2 (Of 4)(Cover B Pasqual Ferry Black & White Variant), $3.99 Chrononauts Futureshock #3 (Of 4)(Cover A Pasqual Ferry), $3.99 Chrononauts Futureshock #3 (Of 4)(Cover B Pasqual Ferry Black & White Variant), $3.99 Chrononauts Futureshock #4 (Of 4)(Cover A Pasqual Ferry), $5.99 Chrononauts Futureshock #4 (Of 4)(Cover B Pasqual Ferry Black & White Variant), $5.99 Copra #1 (Michel Fiffe 2nd Printing Variant Cover), $3.99 Dead Eyes #1 (John McCrea 2nd Printing Variant Cover), $3.99 Die #8 (Stephanie Hans 2nd Printing Variant Cover), $3.99 Hit-Girl Volume 5 TP, $14.99 Kick-Ass #18 (Cover A Marcelo Frusin), $3.99 Kick-Ass #18 (Cover B Marcelo Frusin), $3.99 Kick-Ass #18 (Cover C Christian Ward), $3.99 Nomen Omen #1 (Of 15)(Jacopo Camagni 2nd Printing Variant Cover), $3.99 Often Wrong Volume 1 TP, $29.99 Ride Burning Desire #5 (Of 5)(Cover A Daniel Hillyard), $3.99 Ride Burning Desire #5 (Of 5)(Cover B Douglas Dabbs), $3.99 SFSX Safe Sex #2, $3.99 Street Angel Deadliest Girl Alive TP, $19.99 Witchblade #16, $3.99

IMMEDIUM Discovery Of Anime And Manga The Asian Hall Of Fame Picturebook HC, $16.95

INSIGHT EDITIONS Muppet The Christmas Carol The Illustrated Holiday Classic HC, $18.95

IT'S ALIVE Pink Lemonade #1 (Cover A Nick Cagnetti), $3.99 Pink Lemonade #1 (Cover B Jim Rugg), $3.99

KODANSHA COMICS Grand Blue Dreaming Volume 8 GN, $12.99 LITTLE BROWN AND COMPANY Queens Of Animation HC, $29.00

MAD CAVE STUDIOS Wolvenheart #1 (Of 6), $3.99

MANUSCRIPT PRESS Comics Revue Presents August 2019, $19.95

MARVEL COMICS Amazing Spider-Man #30 (Ryan Ottley 2nd Printing Variant Cover), $3.99 Amazing Spider-Man Red Goblin TP, $24.99 Avengers #24 (Luciano Vecchio 2nd Printing Variant Cover), $3.99 Black Panther #17, $3.99 Conan The Barbarian #10 (Cover A Esad Ribic), $3.99 Conan The Barbarian #10 (Cover B Steve McNiven), AR Contagion #5 (Of 5)(Cover A Juan Jose Ryp), $3.99 Contagion #5 (Of 5)(Cover B Ryan Browne), AR Dead Man Logan #12 (Of 12), $3.99 Deadpool By Skottie Young Volume 3 Weasel Goes To Hell TP, $15.99 Death's Head #4 (Of 4)(Cover A Nick Roche), $3.99 Death's Head #4 (Of 4)(Cover B John McCrea Connecting Variant), AR Doctor Strange Annual #1 (Cover A Ariel Olivetti), $4.99 Doctor Strange Annual #1 (Cover B Steve Skroce), AR Excalibur #1 (Cover A Mahmud Asrar), $4.99 Excalibur #1 (Cover B Mark Bagley Every Mutant Ever Variant), AR Excalibur #1 (Cover C Michael Del Mundo Young Guns Variant), AR Excalibur #1 (Cover D Tom Muller Design Variant), AR Excalibur #1 (Cover E Mike McKone), AR Excalibur #1 (Cover F Kris Anka), AR Excalibur #1 (Cover G Alan Davis Hidden Gem Variant), AR Fantastic Four Grand Design #1 (Of 2)(Cover ATom Scioli), $5.99 Fantastic Four Grand Design #1 (Of 2)(Cover B Ed Piskor), AR Fantastic Four Grand Design #1 (Of 2)(Cover C Tom Scioli Corner Box Variant), AR Friendly Neighborhood Spider-Man #13, $3.99 Invisible Woman #4 (Of 5), $3.99 Ironheart #11, $3.99 Journey To Star Wars The Rise Of Skywalker Allegiance #4 (Cover A Marco Checchetto), $3.99 Journey To Star Wars The Rise Of Skywalker Allegiance #4 (Cover B Movie Variant), AR Journey To Star Wars The Rise Of Skywalker Allegiance #4 (Cover C Will Sliney), AR Marvel Graphic Comic Box Ghost Rider, AR Marvel Previews Volume 4 #28 (November 2019), $1.25 Marvel Zombies Resurrection #1 (Cover A In-Hyuk Lee), $4.99 Marvel Zombies Resurrection #1 (Cover B Jung-Geun Yoon), AR Marvel Zombies Resurrection #1 (Cover C Jung-Geun Yoon Virgin Variant), AR Marvel Zombies Resurrection #1 (Cover D Greg Land), AR Marvel Zombies Resurrection #1 (Cover E Greg Land Virgin Variant), AR Marvel Zombies Resurrection #1 (Cover F Nick Bradshaw), AR Marvel Zombies Volume 2 TP (New Printing), $15.99 Marvel Zombies Volume 3 TP (New Printing), $15.99 Marvel-Verse Iron Man TP, $9.99 Marvel-Verse Thanos TP, $9.99 Red Goblin Red Death #1 (Cover A Philip Tan), $4.99 Red Goblin Red Death #1 (Cover B Pete Woods), AR Red Goblin Red Death #1 (Cover C Ryan Brown), AR Red Goblin Red Death #1 (Cover D Chris Daughtry & Ron Garney Wraparound Variant), AR Red Goblin Red Death #1 (Cover E Logan Lubera), AR Red Goblin Red Death #1 (Cover F Ron Lim), AR Red Goblin Red Death #1 (Cover G Philip Tan Virgin Variant), AR Runaways #26, $3.99 Savage Avengers Annual #1 (Cover A Mike Deodato Jr.), $4.99 Savage Avengers Annual #1 (Cover B Ron Garney), AR Silver Surfer Black #5 (Of 5)(Cover A Tradd Moore), $3.99 Silver Surfer Black #5 (Of 5)(Cover B Cian Tormey), AR Silver Surfer Black #5 (Of 5)(Cover C Ron Lim), AR Silver Surfer Black #5 (Of 5)(Cover D Cian Tormey Foreshadow Variant), AR Silver Surfer Black #5 (Of 5)(Cover E David Nakayama Mary Jane Variant), AR Spider-Gwen Gwen Stacy TP, $12.99 Star Wars Doctor Aphra Annual #3 (Cover A Elsa Charretier), $4.99 Star Wars Doctor Aphra Annual #3 (Cover B Colleen Doran), AR Star Wars Doctor Aphra Annual #3 (Cover C Mike McKone Star Wars Greatest Moments Variant), AR Superior Spider-Man #12, $3.99 Symbiote Spider-Man TP, $15.99 Thor Volume 3 War's End TP, $15.99 Tony Stark Iron Man Volume 3 War Of The Realms TP, $15.99 True Believers X-Men Karima Shapandar Omega Sentinel #1, $1.00 True Believers X-Men Moira Mactaggert #1, $1.00 Venom #19 (Cover A Kyle Hotz), $3.99 Venom #19 (Cover B Tony Moore Codex Variant), AR Venom #19 (Cover C Jee-Hyung Lee Mary Jane Variant), AR War Of The Realms Uncanny X-Men TP, $15.99 What If Classic The Complete Collection Volume 2 TP, $39.99 X-Men Starjammers By Dave Cockrum TP, $39.99 X-Men Trial Of The Juggernaut TP, $34.99

METROPOLITAN BOOKS Arab Of The Future A Graphic Memoir Of A Childhood In The Middle East Volume 4 1987-1992 SC, $30.00

ONE PEACE BOOKS Reprise Of The Spear Hero Volume 1 GN, $11.95

ONI PRESS Black Mage GN, $19.99 Rick And Morty #55 (Cover A Marc Ellerby), $3.99 Rick And Morty #55 (Cover B George Caltsoudas), $3.99 Sixth Gun Volume 6 HC (Deluxe Edition), $59.99 Sixth Gun Volume 6 HC (Gunslinger Edition), $80.00

PS ARTBOOKS Pre-Code Classics Operation Peril Volume 1 HC, $51.99 Pre-Code Classics Operation Peril Volume 1 HC (Slipcase Edition), $56.99 Pre-Code Classics The Beyond Volume 1 HC, $45.99 Pre-Code Classics The Beyond Volume 1 HC (Slipcase Edition), $55.99

RESTLESS BOOKS Look Hamlet HC, $17.99

SCOUT COMICS Headless #3, $3.99 Red Winter #4, $3.99 Snow White Zombie Apocolypse #1 (One Shot), $5.99

SEVEN SEAS ENTERTAINMENT Accomplishments Of The Duke's Daughter Volume 5 GN, $12.99 Arpeggio Of Blue Steel Volume 15 GN, $12.99 Classmates Volume 3 GN, $12.99 Didn't I Say To Make My Abilities Average In The Next Life Novel Volume 7 SC, $13.99 Freezing Omnibus Volume 13 GN, $19.99 Nicola Traveling Around The Demons' World Volume 1 GN, $12.99 Skeleton Knight In Another World Volume 2 GN, $12.99

SIX FOOT PRESS Bill Sienkiewicz Revolution HC, $49.95

SQUARE FISH Wires And Nerve The Graphic Novel Duology Boxed Set, $35.98

ST. MARTINS PRESS Marvelous Life The Amazing Story Of Stan Lee HC, $29.99

THE HERO INITIATIVE Captain America 100 Project SC, $12.99

THOMAS DUNNE BOOKS Fifty-Year Mission The Complete Uncensored Unauthorized Oral History Of Star Trek The First 25 Years SC, $21.99

TITAN BOOKS Addams Family The Art Of The Animated Movie HC, $39.95 Alien Prototype MMPB, $8.99 Captain Marvel Liberation Run MMPB, $9.99

TITAN COMICS Assassin's Creed Volume 1 The Fall And The Chain TP, $19.99 Bloodborne #13 (Jeff Stokely SDCC 2019 Black & White Variant Cover), $5.00 Shades Of Magic Volume 2 Night Of Knives TP, $16.99 Star Wars Insider #193 (Newsstand Edition), $7.99 Star Wars Insider #193 (Previews Exclusive Edition), $7.99 Tank Girl #5 (Brett Parson SDCC 2019 Variant Cover), $5.00

TOKYOPOP Still Sick Volume 1 GN, $12.99

UNCIVILIZED BOOKS Holy Hannah GN, $24.95

UNIVERSITY PRESS OF MISSISSIPPI Comics Trauma And The New Art Of War SC, $30.00 Gothic For Girls Misty And British Comics SC, $30.00 Jeff Smith Conversations SC, $25.00

VALIANT ENTERTAINMENT Bloodshot #2 (Cover A Declan Shalvey), $3.99 Bloodshot #2 (Cover B Dave Johnson), $3.99 Bloodshot #2 (Cover C Simon Bisley), $3.99 Bloodshot #2 (Cover D Brett Booth Pre-Order Edition Variant), AR Punk Mambo TP, $14.99 Roku #1 (Of 4)(Cover A David Johnson), $3.99 Roku #1 (Of 4)(Cover B Viktor Kalvachev), $3.99 Roku #1 (Of 4)(Cover C Marc Laming), $3.99 Roku #1 (Of 4)(Cover D Blank Variant), $3.99 Roku #1 (Of 4)(Cover E Howard Chaykin Pre-Order Edition Variant), AR

VAULT COMICS Mall #3, $3.99 Necromancer's Map #3, $3.99 Plot #1 (Josh Hixson 2nd Printing Variant Cover), $3.99 Plot #2, $3.99 Queen Of Bad Dreams #5 (Of 5), $3.99 Relics Of Youth #2, $3.99 Test #5, $3.99 These Savage Shores Volume 1 TP (not verified by Diamond), $16.99

VERTICAL COMICS Colorful Dreams SC, $24.95

VIKING BOOKS FOR YOUNG READERS Edison Beaker Creature Seeker Volume 1 The Night Door GN, $10.99

YEN ON Empty Box And Zeroth Maria Light Novel Volume 7 SC, $14.00 Hero Is Overpowered But Overly Cautious Novel Volume 2 SC, $14.00 Is It Wrong To Try To Pick Up Girls In A Dungeon On The Side Sword Oratoria Light Novel Volume 10 SC, $14.00 My Youth Romantic Comedy Is Wrong As I Expected Novel Volume 8 SC, $14.00 Suppose A Kid From The Last Dungeon Boonies Moved To A Starter Town Light Novel Volume 1 SC, $15.00 Woof Woof Story I Told You To Turn Me Into A Pampered Pooch Not Fenris Light Novel Volume 3 SC, $14.00

YEN PRESS Certain Magical Index Volume 19 GN, $13.00 Durarara Re;Dollars Arc Volume 5 GN, $13.00 High School Prodigies Have It Easy Even In Another World Volume 5 GN, $13.00 Our Last Crusade Or The Rise Of A New World Volume 1 GN, $13.00

ZENESCOPE ENTERTAINMENT Monster Planet #1 (Of 5)(Cover A Igor Vitorino), $3.99 Monster Planet #1 (Of 5)(Cover B Riveiro), $3.99 Monster Planet #1 (Of 5)(Cover C John Royle), $3.99 Monster Planet #1 (Of 5)(Cover D Ryan Pasibe), $3.99 Monster Planet #1 (Of 5)(Cover E Keith Garvey), $3.99 Monster Planet #1 (Of 5)(Cover F Leonardo Colapietro), $3.99 Monster Planet #1 (Of 5)(Cover G Blank Variant), $10.00 Tales Of Terror Bridgewater Triangle #2 (Of 3)(Cover A Igor Vitorino), $5.99 Tales Of Terror Bridgewater Triangle #2 (Of 3)(Cover B Daniel Leister), $5.99 Tales Of Terror Bridgewater Triangle #2 (Of 3)(Cover C Michael Sta. Maria), $5.99

GAMES

KONAMI DIGITAL ENTERTAINMENT Yu-Gi-Oh TCG Chaos Impact Booster, AR

NECA/WIZKIDS Marvel HeroClix Mordo Fear Lords Monthly Organized Play Kit, AR Orville Heroclix 2-Player Starter Set, AR WizKids 4D Setting Gas Station, AR WWE HeroClix AJ Styles Expansion Pack, AR WWE HeroClix Andre The Giant Expansion Pack, AR WWE HeroClix Asuka Expansion Pack, AR WWE HeroClix Big Show Expansion Pack, AR WWE HeroClix Eddie Guerrero Expansion Pack, AR WWE HeroClix Finn Balor Expansion Pack, AR WWE HeroClix John Cena Expansion Pack, AR WWE HeroClix Kane Expansion Pack, AR WWE HeroClix Macho Man Randy Savage Expansion Pack, AR WWE HeroClix Mixed Match Challenge WWE Ring 2 Player Starter, AR WWE HeroClix Ric Flair Expansion Pack, AR WWE HeroClix Rock Expansion Pack, AR WWE HeroClix Rock N Sock WWE 2 Player Starter, AR WWE HeroClix Roman Reigns Expansion Pack, AR WWE HeroClix Ronda Rousey Expansion Pack, AR WWE HeroClix Sasha Banks Expansion Pack, AR WWE HeroClix Stone Cold Steve Austin Expansion Pack, AR WWE HeroClix Triple H Expansion Pack, AR WWE HeroClix Trish Stratus Expansion Pack, AR WWE HeroClix Undertaker Expansion Pack, AR

RENEGADE GAME STUDIO Paladins Of The West Kingdom Board Game, AR

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[reimerstuff]

Grillmaster @tgoheen bringing the BBQ hotdogs today as part of the College of Communication's BBQ lunch/cookout with Dean Scott Titsworth. #ohiouniversity #ouscrippsmfa #ouviscom (at Schoonover Center) https://www.instagram.com/p/BnmkmmwHS61/?utm_source=ig_tumblr_share&igshid=12rt8f6gnlvbv

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Preview: Suicide Squad #50

Suicide Squad #50 preview. The Suicide Squad is all that stands in the way of a global pandemic. #comics

Suicide Squad #50

Rob Williams (A) German Peralta, Brent Schoonover, Will Conrad (CA) Jim Lee, Scott Williams In Shops: Jan 16, 2019 SRP: $4.99

The infection in Temho Me4ta prison spreads, and cannot be allowed to reach the surface. The Suicide Squad is all that stands in the way of a global pandemic. It’s line-in-the-sand time: Will the Squad be forced to live up to its name? Don’t miss…

[comiccrusaders]

Following his near career-ending knee injury, Seth Rollins is at his lowest. Rather than give up, he buckles down and vows to redesign, rebuild, and reclaim the title he never lost.

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WWE #3 Publisher: BOOM! Studios Writer: Dennis Hopeless Artist: Serg Acuña Cover Artists: Main Cover: Dan Mora “Then” Edge Incentive Cover: Dylan Burnett “Now” Bayley Incentive Cover: Frank Zerilli “Forever” Ric Flair Incentive Cover: Felipe Massafera Unlockable Action Figure Variant Cover: Adam Riches Unlockable Royal Rumble Variant Cover: Brent Schoonover Unlockable WWE Raw Women’s Championship Title Belt Gatefold Variant Cover: Scott Newman Price: $3.99

PREVIEW: WWE #3 Following his near career-ending knee injury, Seth Rollins is at his lowest. Rather than give up, he buckles down and vows to redesign, rebuild, and reclaim the title he never lost.