#Stéphane Rozenbaum | Explore Tumblr Posts and Blogs

moviesandsets · 3 years

Text

L’écume des jours - Michel Gondry

In 2013 was released the very expensive movie from the book of Boris Vian, “L’Ecume des Jours”. With a beautiful casting, there is also a remarkable work on the setting to reconstitute the surrealist universe of the author.

The budget of the movie was around 18 billions €, and a big part came on the set design. There were too much objects to create, and the set designer Stéphane Rozenbaum had to work with a lot of french craftspeople, and it was a mammoth task to create this fantastic universe.

Let’s focus on some accessories:

The transparent limousine from the wedding of Colin and Chloé:

In reality, it is a Cadillac Fleetwood from the 1980s transformed by Peugeot. The project came to Peugot because the brand was a partner to the movie, and they dit one of the best product placement: showing the brand’s knowledge and the creativity in the service of French cinema.

The famous pianococktail, a funny musical instrument which creates drinks according to the pieces played. This marvellous object, invented by Vian thanks to his love for jazz and his overflowing imagination, took two months to make.

For all these creations, but also for the incredible kitchen, Omar Sy's office and the cocoon room, the film won the Cesar for best set design. The objective was simple: to create a timeless, zany, surrealist set inspired by the 1960s to 1980s.

#BYAA

0 notes

italianaradio · 5 years

Text

César 2020: tutte le nomination, domina L’Ufficiale e la Spia di Polanski

Nuovo post su italianaradio https://www.italianaradio.it/index.php/cesar-2020-tutte-le-nomination-domina-lufficiale-e-la-spia-di-polanski/

César 2020: tutte le nomination, domina L’Ufficiale e la Spia di Polanski

Anche la Francia si mette in pari con la stagione dei premi dell’anno corrente e annuncia le nomination ai César 2020. La sorpresa è che il bellissimo film di Roman Polanski, L’Ufficiale e la Spia (J’accuse) ha conquistato 12 nomination, nonostante le polemiche e le nuove accuse che hanno reso ancora turbolenti gli ultimi mesi del regista.

Nella categoria Miglior film straniero, spicca anche una nomination, l’unica, per l’Italia, a Il Traditore di Marco Bellocchio, che era stato presentato proprio in terra francese a Cannes 2019, e che aveva riscosso un discreto successo.

Ecco la lista completa dei nominati ai César 2020

BEST FILM La Belle Époque, Nicolas Bedos Grace à Dieu, François Ozon Hors Normes, Eric Toledano, Olivier Nakache J’accuse (An Officer and a Spy), Roman Polanski Les Misérables, Ladj Ly Portrait de la Jeune Fille en Feu (Portrait of a Lady on Fire), Céline Sciamma Roubaix, Une Lumiere, Arnaud Desplechin

BEST DIRECTOR La Belle Époque, Nicolas Bedos Grace à Dieu, François Ozon Hors Normes, Eric Toledano, Olivier Nakache J’accuse (An Officer and a Spy), Roman Polanski Les Misérables, Ladj Ly Portrait de la Jeune Fille en Feu (Portrait of a Lady on Fire), Céline Sciamma Roubaix, Une Lumiere, Arnaud Desplechin

BEST ACTRESS Anaîs Demoustier, Alice et Le Maire Eva Green, Proxima Adèle Haenel, Portrait de la Jeune Fille en Feu Chiara Mastroianni, Chambre 212  Noémie Merlant, Portrait de la Jeune Fille en Feu Doria Tillier,  La Belle Époche Karin Viard, Chanson Douce

BEST ACTOR Daniel Auteuil, La Belle Époche Damien Bonnard, Les Misérables Vincent Cassel, Hors Normes Jean Dujardin, J’accuse Reda Kateb, Hors Normes Melvil Poupaud, Grace à Dieu Roschdy Zem, Roubaix, Une Lumiere

BEST FOREIGN FILM Pain and Glory, Pedro Almodovar Le Jeune Ahmed, Jean-Pierre and Luc Dardenne Joker, Todd Phillips Lola Vers La Mer, Laurent Micheli Once Upon a Time … in Hollywood, Quentin Tarantino Parasite, Bong Joon-Ho The Traitor, Marco Bellocchio

BEST DOCUMENTARY 68, Mon Pere et Les Clous, Samuel Bigiaoui La Cordillère des Songes, Patricio Guzman Lourdes, Thierry Demaizi��re, Alain Teurlai M, Yolande Zauberman Wonder Boy Olivier Rousteing, Né Sous X, Anissa Bonnefont

BEST ORIGINAL SCREENPLAY La Belle Époche, Nicolas Bedos Grace à Dieu, François Ozon Hors Normes, Eric Toledano, Olivier Nakache Les Misérables, Ladj Ly, Giordano Gederlini, Alexis Manenti Portrait de la Jeune Fille en Feu (Portrait of a Lady on Fire), Céline Sciamma

BEST FIRST FILM Atlantique (Atlantics), Mati Diop Nom de la Terre, Edouard Bergeon Le Chant du Loup, Antonin Baudry Les Misérables, Ladj Ly Papicha, Mounia Meddour

BEST ORIGINAL SCREENPLAY

La Belle Époque, Nicolas Bedos Grace à Dieu, François Ozon Hors Normes, Eric Toledano, Olivier Nakache Les Misérables, Ladj Ly, Giordano Gederlini, Alexis Manenti Portrait de la Jeune Fille en Feu (Portrait of a Lady on Fire), Céline Sciamma

BEST ADAPTED SCREENPLAY Costa-Gavras, Adults in the Room Roman Polanski, Robert Harris, J’accuse Jérémy Clapin, Guillaume Laurant, J’ai Perdu Mon Corps Arnaud Desplechin, Léa Mysius, Roubaix, Une Lumière Dominik Moll, Gilles Marchand, Seules les Bêtes

BEST SUPPORTING ACTRESS Fanny Ardant, La Belle Époque Josiane Balasko, Grace à Dieu Laure Calamy, Seules les Bêtes  Sara Forestier, Roubaix, Une Lumière Hélène Vincent, Hors Normes

BEST SUPPORTING ACTOR Swann Arlaud, Grace à Dieu Grégory Gadebois, J’accuse Louis Garrel, J’accuse Benjamin Lavernhe, Mon Inconnue Denis Ménochet, Grace à Dieu

BEST FEMALE NEWCOMER Luàna Bajrami, Portrait de la Jeune Fille en Feu Céleste Brunnquell, Les Éblouis Lyna Khoudri, Papicha Nina Meurisse, Camille Mama Sané, Atlantique

BEST MALE NEWCOMER Anthony Bajon, Au Nom de la Terre Benjamin Lesieur, Hors Normes Alexis Manenti, Les Misérables Liam Pierron, La Vie Scolaire Djebril Zonga, Les Misérables

BEST ANIMATED FEATURE La Fameuse Invasion des Ours en Sicile, Lorenzo Mattotti Les Hirondelles de Kaboul, Zabou Breitman J’ai Perdu Mon Corps (I Lost My Body), Jérémy Clapin

BEST EDITING ANNY DANCHÉ, FLORENT VASSAULT – LA BELLE ÉPOQUE LAURE GARDETTE – GRÂCE À DIEU DORIAN RIGAL-ANSOUS – HORS NORMES HERVÉ DE LUZE – J’ACCUSE FLORA VOLPELIÈRE – LES MISÉRABLES

BEST CINEMATOGRAPHY NICOLAS BOLDUC – LA BELLE ÉPOQUE PAWEL EDELMAN – J’ACCUSE JULIEN POUPARD – LES MISÉRABLES CLAIRE MATHON – PORTRAIT DE LA JEUNE FILLE EN FEU IRINA LUBTCHANSKY – ROUBAIX, UNE LUMIÈRE

BEST COSTUMES EMMANUELLE YOUCHNOVSKI – LA BELLE ÉPOQUE THIERRY DELETTRE – EDMOND PASCALINE CHAVANNE – J’ACCUSE ALEXANDRA CHARLES – JEANNE DOROTHÉE GUIRAUD – PORTRAIT DE LA JEUNE FILLE EN FEU

BEST PRODUCTION DESIGN STÉPHANE ROZENBAUM – LA BELLE ÉPOQUE BENOÎT BAROUH – LE CHANT DU LOUP FRANCK SCHWARZ – EDMOND JEAN RABASSE – J’ACCUSE THOMAS GRÉZAUD – PORTRAIT DE LA JEUNE FILLE EN FEU

BEST ORIGINAL SCORE FATIMA AL QADIRI – ATLANTIQUE ALEXANDRE DESPLAT – J’ACCUSE DAN LÉVY – J’AI PERDU MON CORPS MARCO CASANOVA, KIM CHAPIRON – LES MISÉRABLES GRÉGOIRE HETZEL – ROUBAIX, UNE LUMIÈRE

BEST SOUND RÉMI DARU, SÉVERIN FAVRIAU, JEAN-PAUL HURIER – LA BELLE ÉPOQUE NICOLAS CANTIN, THOMAS DESJONQUÈRES, RAPHAËL MOUTERDE, OLIVIER GOINARD, RANDY THOM – LE CHANT DU LOUP LUCIEN BALIBAR, AYMERIC DEVOLDÈRE, CYRIL HOLTZ, NIELS BARLETTA – J’ACCUSE ARNAUD LAVALEIX, JÉRÔME GONTHIER, MARCO CASANOVA – LES MISÉRABLES JULIEN SICART, VALÉRIE DE LOOF, DANIEL SOBRINO – PORTRAIT DE LA JEUNE FILLE EN FEU

Cinefilos.it – Da chi il cinema lo ama.

César 2020: tutte le nomination, domina L’Ufficiale e la Spia di Polanski

Cinefilos.it – Da chi il cinema lo ama.

Chiara Guida

#Cinema

0 notes