#Sydney's notebook

[unladyboss]

In season 1 EP 8 of #thebear Carmy got hold of Syd's little notebook, that she left behind after she quit

It's only recipes and ideas but he spent a while just staring at it #sydcarmy

It just occurred to me that this is how Carmy knew about the plans Syd wanted for the restaurant. Family Style etc...

Then he kept the notebook, running his fingers over the pages

Did she leave it there on purpose? I don't know if she did, because she always walks around with it. Why would she leave it in the markers box?

[dykebarbie]

made a silly silly playlist and i needed cover art for it so i drew this. its now my favorite thing ive ever made

bonus version:

[only-one-brain-cell]

Help why do they look like they’re in a meeting with a principal because their son did something stupid.

[ambeauty]

Finna write a one shot about this look. Mmhmm yep yep yep! Thank you Vogue 🤭

[steven-myself]

Arnold Schwarzenegger Scrapbook - FACTORY Fanzine

[gamingwithsydney]

20 questions for Fic Writers!

Hello, all! Finally getting to this after putting it off for so long! The absolutely lovely, ray of sunshine human being, who should be an inspiration to all, @linwelinloves (also at @linwelinwrites ) tagged me in her reply to the questions, so I am finally paying this forward! I am tagging @shrimplyfangtastic and @cinnamonsera and @thenotebookwizard @cherry-kirsch! Have fun, you four!! <3

Now! Time for the questions! Lets go!!

✧.* | 1. How many works do you have posted?

Currently, 9. I have a bunch in the works, and nearly all of the posted ones are WIPs that I’m trying to finish before posting first editing reasons. Thank you to everyone reading those and being patient! <33

✧.* | 2. What is your total published word count?

Approximately 16.8k! Most of my words, however, are locked in Scrivener, crying to get out while I nurse them to their full potential with writing and edits before posting!

✧.* | 3. What fandoms do you write for?

My posted fanfics consist of Harry Potter, Marvel and Star Wars. Though, in my WIPs I have Good Omens, Genshin Impact, Doctor Who and others, I’m sure, that I can’t remember at the moment!

✧.* | 4. What are your top five fics by Kudos on AO3?

Top 5 out of 9 fics, would be, most to least: Obi-Wan: A Jedi Undecided at 36, Adrenaline and Joy at 22, Din and Grogu: Father and Son, at 20, A Gift of Gold at 16, and finally Crookshanks: A Mysterious Cat at 8!

✧.* | 5. Do you respond to comments? Why or why not?

Comments?! Where??? Gimmie gimmie!

Seriously, though, comments mean the world to me, especially as a smaller author! They make me feel accomplished, accepted and know that people value what I give to them! Even just reading it means the world, so comments kind of blow my mind that someone would spend time writing something for me to read with their thoughts!

Back to the question, though, I always reply as soon as I see them! A writers lifeblood, and a huge compliment to me!

✧.* | 6. What’s the fic you wrote with the angstiest ending?

For my published works, no question that it would be Natasha Romanoff: Remorse, it has a heartbreaking story, even though its only a few hundred words long, and I think it set me off on a very strong path for writing angst!

✧.* | 7. What’s the fic you wrote with the happiest ending?

The happiest ending? For my published works I think that would be either Adrenaline and Joy, which is just good ol’ speeder racing with Anakin and Ahsoka, or A Gift of Gold, which is another Star Wars one with Han and Leia after the Original Trilogy. Both are stupidly adorable, and very dear to me!

✧.* | 8. Do you get hate on your fics?

Luckily, nope! If I did I would delete it if it was a comment, or ignore it as best as I can. Luckily, though, I have done a pretty good job of surrounding myself with very positive fandom friends!

✧.* | 9. Do you write smut? If so, what kind?

No, I don’t write smut! I’m far too shy/uncomfortable with anyone seeing it, much less writing it. I do heavily admire people who do have that courage, though!

✧.* | 10. Do you write crossovers? What’s the craziest one you’ve written?

I’m not a very crossover inclined person, so I haven’t written any, and read just a handful. But, I do have a Genshin Impact/Honkai Star Rail idea, with Kaveh, Alhaitham Aventurine and Ratio! I really hope I write it someday because it may just become the most chaotic, funny crack fic I’ve ever written!

✧.* | 11. Have you ever had a fic stolen?

Not that I’m aware of! I recently set my fics to registered members of the Archive as there was a thing going on with another site. I do wish for everyone to see my fics who wants to, so they are still on Fanfic.net for everyone’s viewing!

✧.* | 12. Have you ever had a fic translated?

Translated? No, although that would be a humongous honor that someone would enjoy my work so much to let it reach a while new audience!

✧.* | 13. Have you ever co-written a fic before?

I hope to, eventually, but right now, no! Closest I’ve come is friends giving me absolutely wonderful ideas that I steal (Thank you all for the support, time, opinions and love)!

✧.* | 14. What’s your all-time favorite ship?

My all time favorite ship? Ooh, that’s tough…if I could say by fandom it would go something like this:

HP - Ron/Hermionie

SW - Rey/Kylo, Rey/Ben

Marvel - Clint/Natasha

Good Omens - Aziraphale/Crowley

Genshin Impact - Kaveh/Alhaitham, Cyno/Tighnari, Neuvillette/Wriothesley (GI is so hard to choose omggg)

Honkai: Star Rail - Aventurine/Ratio

✧.* | 15. What’s a WIP you want to finish but doubt you ever will?

Hmm…I don’t think I have any, just one’s I’m taking a break from. However, it may be a Marvel one in my drafts called Clintasha: A Live Story as the working title. It was my second actual foray into fan-fiction, although it hasn’t seen the light of day. With some polishing, editing and finishing it, though, I think I could have it all ready to go, easily!

✧.* | 16. What are your writing strengths?

With little to no question I would say highly emotional scenes, be it angst, anger, sadness, depression, all of the “negative” and dark scenes and emotions are really fun for me to write, and I’m usually very impressed and happy with the results.

✧.* | 17. What are your writing weaknesses?

As I’ve said, I don’t write smut, so this is all purely SFW, but I would say the biggest difficulties are writing romantic affection, romance and intimacy. I get nervous even writing characters kissing deeply/making out, and never go into much explanation of the feelings of such actions. I do hope to get better at it though, especially as I have no problem reading that type of thing when done by others, and I know it will enhance my writing and help me grow as such!

✧.* | 18. Thoughts on writing dialogue in another language in fic?

I do this a lot, be it Russian, French or Mando’a! I usually write the dialogue in the language it’s being spoken (not English in this case), then at the end of the paragraph, in Parentheses i will put the translation for what the character said.

Although I do want to try a fancy system where there are little things you press next to the untranslated words to go down to the author’s note and read the English version, before pressing another tooltip-thing to go back to where you were. I think it’s pretty easy, so I should do it soon!

✧.* | 19. First fandom you wrote for?

Well, that would be between two, actually, my first Fandom I wrote Fic for would be for Harry Potter, an unfinished long fic from years ago. My first published Fic would be Marvel, Natasha Romanoff: Remorse. That one, I am still very proud of to this day.

✧.* | 20. Favorite fic you’ve written?

For my published works, I think that would be Obi-Wan: A Jedi Undecided. It’s my baby, a long fic that I adore and cherish (and also need to work on so I can finish publishing/writing it), and it had a very, very, very dear place in my heart.

If we were to say unpublished WIPs, there’s too many to count, I think. Although, most of them would be Genshin, I know that for sure!

[drewbs]

sydney sargent brainrot setting in

[toomanyfandomsstuff]

Just listened to the hive of anxiety and I’m fucking crying

[teamseaslug]

Going through drawers and man serving/bartending had so much downtime

[apamates]

i might be the only person standing on this hill but hear me out,

marcus, sydney and carmy would make a cute throuple

[unladyboss]

SYDNEY'S NOTEBOOK/ CARMY'S NOTEBOOK

At this stage there are so many notebooks. Sydney inspired this .

CARMY got hold of hers when she left.

We never see him give it back

At the start of season 2 she is using ANOTHER NOTEBOOK

It looks like he still has hers or something similar

Near the end of the season, she has one that looked like the original.

If it is the original how'd she get it back?

Or did she buy a new one?

It doesn't SEEM important but I think it is. Christopher Storer doesn't do random. He uses every story element that he puts in there for a reason.

Carmy's new notebook for season 3 is huge.

It's also not Sydney's.

Is it a menu book because he hasn't been working on menus with syd

Or is it a book for sketching?

It was important enough to bring with him

[luveline]

Hi Jade ! I loove your sunshine!readers, could I request one for Carmy ? Maybe someone calls her to get to the restaurant when hes feeling anxious to calm him down idk if thats good lol love ya !

ty for requesting <3 fem, 1.4k

Is it The Beef or The Bear? In your head, despite the wishes of everyone who works there (except for Ebra, who seems to have mixed opinions), you always call it The Beef. But the sign brags otherwise, and when you push open the doors, nothing inside is left to remind you of the old restaurant. It was a total gut. 

“Hi, gorgeous,” says a familiar, warm voice. 

You almost walk straight into her table, distracted looking for brown curls through the kitchen door’s little window. “Hey, Tina.” You grin at your second favourite chef. Your most favourite Sous. “You taking a break?” 

She offers you a round butter cookie from a sleeve of them. Her cup of coffee billows with steam. “Uh-huh.” 

“Hiding from a meltdown?” you ask, taking a cookie, fingers oily with butter, sugar grains falling to the floor. 

“It’s not like that,” she says. 

Well, what is it like? you think. 

Richie’s text wasn’t exactly descriptive. Need ur help with the little Bitch, he’d said. Then, when you didn’t answer, ASAP!!!!

You figured it must’ve been another rant. He’s prone to these… episodes of anger where he doesn’t realise he’s spinning out and hurting people who really care about him. You try to bring him out of it, but he’s a Berzatto. They’re all the same, sort of. Everything that’s wrong with them has been stamped into them a long, long time ago. 

He’s been better since Nat steel armed him into AA, but still. You tilt your head to one side, sugar cookie between your fingers, listening for the goings on in the kitchen. “Sydney’s here?” you ask. “I thought she was sick.” 

“Sydney gets sick, but she doesn’t take sick days,” Tina says with a loving shrug. 

You smile at her in brief goodbye for now and make your way to the kitchen, where you push in quietly. All their ‘Behind!’ and ‘Corner!’ and ‘Hands!’ makes you laugh, and you can’t take it seriously so you don’t, but you’re not trying to be dangerous in there either. 

“Hello?” you ask. 

Sydney and Richie look up from a cramped notebook at the table nearest to the door. There are employees you're unsure of prepping vegetables along the wall, but Carmy isn’t anywhere to be seen. 

“Fucking finally,” Richie says, before rubbing his face regretfully. “I’m sorry, it’s just– I texted you an hour ago, babe, you’re letting me down.” 

You laugh. “Sorry, babe,” you tease. “I have a job, just like you.” Your hands are cold where you tuck them under each armpit, crossing your arms. “Hi, Sydney. You feeling okay?” 

“No. He’s stressing me out.” 

“Which one?” 

“Both of them.” She looks like she might rub her face too. “I need him to be in here right now, he should be doing this, but he keeps walking away and– and not saying where he’s going.” 

“He is stressful,” you agree, though usually Carmy’s stress tends to bounce right off of you, “I’m gonna find him and strap him down for you.” 

Sydney just frowns. 

“I’ll see what’s up,” you say more seriously. “In the office?” 

“Out the back,” Richie says. “Smoking like his mother. He’s a fucking steam train lately.” 

It’s like they want to worry you. You give them grateful nods, sorry nods, and start to make your way out of the main kitchen, past the dishwashers and the dessert station to one of the back doors. Carmy isn’t your responsibility. You don’t have to apologise for him, you don’t have to mother him, he should commit to his responsibilities all on his own, but… it’s hard. You like apologising for him because his behaviour isn’t always on purpose, and he struggles with commitment for similar reasons. There’s this aching, stagnated grief in him that’s reawakening, there’s the stress of the restaurant, his business, the scars of the last ten years, and before that. You know it isn’t your job to come here and make him feel better, but isn’t it? When you love someone, it’s half the deal. 

Carmy shouldn’t yell at his friends, or employees. He shouldn’t chain smoke, and he shouldn’t be sitting on the low wall by the dumpsters shaking so hard with his head so low that you can see the first notch of his spine in his shirt. 

“Carmy?” you ask. 

His head ducks further down. You can hear him breathing, not too hard as to alarm you, and yet unrelaxed. 

You smile without thinking. You hate seeing him like this, but looking after him is a pleasure. “Hey, Carmen. Can I sit with you?” 

He forces his face up. “What are you doing here?” he asks. 

Trying to make sure he doesn’t tear another chunk out of Richie. “It’s my lunch break.” 

You perch on the wall beside him and snap your nearly forgotten cookie into two pieces, one side bigger than the other, which you offer him. 

Carmy takes it. Looks at it without expression, though that slowly turns to a dry ire you’ve felt directed your way a hundred times. “What the fuck is this?” 

“Cookie.” 

“I don’t want this.” 

“Could you just eat it?” You put your own half in your mouth in its entirety, all aligned to your teeth. It shatters into sweet, soft crumbs between your teeth. You talk with a hand over your mouth, “It’s not gonna kill you.” 

Carmy looks at it for a long time before he eats it. 

You watch him. He’s more tan than you’d think, that Italian gene kicking in, skin clinging to whatever sunshine it finds. He spends enough time inside that you’re surprised it can muster the energy. He looks better with it though, his curls look gold toned under the sun, and his clenched jaw doesn’t seem so harsh. 

“What’s wrong?” you ask eventually. Almost conversationally. 

“Nothing.” His hand shakes on his thigh. He turns his palm down to clasp his knee. 

“You sure?” 

“No.” 

“That one’s my favourite.” 

“What?” 

You poke toward a tattoo on his hand. It’s a simple flower, same style as most of his tattoos. “I like it ‘cos it’s just a flower.” 

“My least pretentious,” he guesses. 

“Something like that.” 

He tips his head back. 

“Richie texted me. He thinks I’m gonna… like, I’m gonna calm you down, I guess.” 

“You always do,” he says. 

You give him a long, smiley look. “So you’re in love with me?” you ask warmly, pushing up into a knee to wrap your arm behind him, hugging him before he can move away. “You’re totally fucked for me, Berzatto, that’s fucking crazy.” 

“Fuck off,” he laughs. 

You rub his arm, his skin hot in your hold. He touches your waist very, very lightly. “What am I supposed to do, anyway? I can’t cook. You and Syd are on your own.” 

“You already… already did enough.” He grabs your waist where you wobble on the brick wall, grit biting your knees, his hand comparatively soft. 

“Such a crush on me,” you tease in a whisper, his hair crushed under your cheek. 

You’re tempted to kiss his temple, but affection with Carmy is like oil and water sometimes. You give him a last protective squeeze and sit yourself down again. 

“Carm,” you say, “you know you can call me, right? Like, if you don’t feel okay.” 

“Yeah. Yeah, I know.” 

“Or text me. If that’s easier. It’s hard to say hard things out loud.” 

He laughs again. “Sorry.” 

“I know, I don’t– I don’t seem like I know what you’re talking about, I get it, but I do understand. N’ even if I didn’t, I don’t mind listening. Or laughing at you.” 

“What’s that about?” 

“The laughing?” you ask. “You tell me.” 

His hand slides behind your back in half a hug. “Guess it’s funny.” 

“Can I change my mind about the tattoo?” 

“The flowers not your favourite?” 

“No. You know which one I like best?” 

His thumb rubs into your back. “The snail.” 

“Absolutely the snail. You’re so fucking silly sometimes, I’m supposed to take you seriously when you’re yelling and red in the face with a snail on your arm?” 

You can’t see his face with your cheek to his shoulder, won’t know that he’s smiling at you with a rare aura of peace. Can’t see the wanting, either. 

[thebearer]

nothing in the world belongs to me |carmen berzatto x reader|

prompt: still new in your relationship, you show up to the bear for dinner unexpectedly, surprising carmen and the others.

based off this prompt from the other day :)

contains: fluff lol. really, it's just fluff. established-ish relationship (the others don't know). carmen being a little nervous and possessive but mainly cute <3 language.

“Alright, listen up,” Richie stood next to Sydney, flicking through the piles of tickets that were ringing through by the second. It was normal now, an expected task in their routine. “We need to walk the focaccia to table seven, please.” 

“Yes, Chef!” A chorus of nearly robotic voices rose from the sizzling hiss of the lamb searing in Carmen’s pan, lifting the spatula to tip the meat over, before giving it back to the chef on the line. 

“And for table nine, we’ve got a shellfish allergy, alright? So let’s triple check the cross contamination on that. T, can you handle that one?” Richie moved from his leather bound book of notes back to the ticket. 

“Yes, Chef!” Tina chimed, pulling a freshly washed pan, filling it with the veal stock. 

“Table nine, is that- that’s the senator?” Carmen turned to Richie, tasting the roux bubbling on Victoria’s station, giving her a curt nod of approval. 

“No, that’s table eleven.” Richie hummed, looking back at his notebook. “Nine, is… a birthday. Booked online.” Carmen had already begun to drone him out, mind racing with a million other things as Richie listed the guests name. Until he got to one. 

The name Carmen was sure he was hallucinating. The name no one knew- How would they know? How could they possibly know your name? 

You and Carmen had been seeing each other for a little while. A few weeks that were slowly turning into months. A casual thing that was slowly turning more serious. Dates and meetups are becoming more frequent. You’d even invited him over to your place a few times, he’d spent the night last week. 

Still, Carmen hadn’t managed to tell anyone. Selfishly, he liked that you were all his for now. Privacy was not guaranteed in the Berzatto house, in Carmen’s life still. He knew they meant well, they always did- he knew it wasn’t purposeful, the intrusion that almost always led to a demise. Carmen wasn’t ready for it, not yet, he still wanted you all to himself. 

“Carmen?” Sydney’s voice pulled him out of his panicked trance. “Chef, are you- are you good?” Her voice lilted with that familiar suspicious quip, the one always accompanied with her lifted brows. 

“What?” Carmen blinked, hands buzzing, heart thumping. He could see the window, Richie’s frame blocking most of it. “Sorry, yeah- yeah, I’m good, Chef.” 

Sydney watched him carefully, a slow nod before she continued calling out orders. Carmen could feel Richie’s eyes on him, narrowed with curiosity. Carmen tried to be nonchalant, crossing the kitchen back towards Tina, his eyes cutting carefully, looking out the window. 

There you were. 

Sitting pretty at the middle table, surrounded by friends, some Carmen recognized from your Instagram. He’d actually logged in to the app, looked you up after the first date, consumed every photo of yours in the dark of his room. Cheeks burning with excited heat, stomach fluttering in a way he hadn’t felt since junior high. 

“Alright, walk five salads to nine.” Sydney called out. “Where’s our runners? God, Richie, can you run-” 

“-I got it.” Carmen called, the urgency in his tone making Tina jump behind him. Carmen took the tray before Gary could, his hands shaking as he lifted it. 

“Cousin, I can get it.” Richie frowned. 

“No, I-I got it.” Carmen nodded, swallowing down his fluttering nerves. His eyes cut to your table through the window, heart skipping when he saw you. “I got it. I’ll be- I’ll just be a second.” 

“I don’t- I can’t even handle that one right now.” Sydney sighed in exasperation. “Alright, Chefs. Let’s get back on track.” She announced, shaking her head. Richie frowned, pulling out his phone. 

Sugar’s cell buzzed against the hostess stand, excusing herself to check it. 

From: Richie 

‘Look at table nine.’ 

Sugar huffed. 

To: Richie 

‘Why? Is there something wrong?’ 

She stepped back, casually turning to scan the room, eyes landing on the table. A small group of girls, younger, and amongst them- Carmen? 

To: Richie 

‘Is something wrong with the food? Do I need to comp it?’ 

From: Richie 

‘No. Cousin wanted to go out there.’ 

Sugar frowned, angling her body behind the large plant near the front as casually as she could. She watched through the leaves as Carmen passed out the salads, each girl grinning widely, but their eyes always cut to one on the end. 

Carmen saved your salad for last, hoping the lowlights of the restaurant would hide his boyish blush, setting the bowl in front of you carefully. “Hey,” 

“Hi,” You smiled sheepishly, looking to meet his gaze. “Everything looks so good.” 

“Yeah? Thanks.” Carmen nodded. “I-I didn’t know you were comin’ tonight.” 

“I’m sorry.” You cringed softly, embarrassed heat flooding through your veins. You knew better, knew you shouldn’t have done this- showed up at his restaurant unannounced. 

“I, uh, it’s my friend’s birthday.” You nodded towards Alicia at the end of the table. “And I was telling them about that pasta you made me, and they really wanted to come try it.” Your nerves bubbled, rambling in nervous peals that seemed to pour out before you could stop them.  

“Yeah, no, that’s really nice. Thank you.” Carmen nodded, giving a half smile to your friends, hoping they didn’t see the way he wiped his clammy hands on his apron. “Why didn’t- Why didn’t you just call me? Tell me you were comin’ in.” 

“I didn’t want to bother you.” You muttered softly. “I honestly didn’t think you’d even see us here, I swear. I didn’t mean to bother you or anything-” 

“-You’re not bothering me.” Carmen’s voice dropped to a coo, accompanied with a soft smile that had your head spinning. “Never a bother, but, uh, next time? Bother me, ok? Wanna make sure you get the best seat in the house.” 

Your cheeks flushed with heat, your friends excited giggles only intensifying the rushing heat blanketing over your body. Carmen’s own cheeks heated, tongue rolling on the inside of his cheek to hide his grin. 

“Alright?” Carmen added, and in a complete act of shocking boldness, his hand squeezed your shoulder affectionately. A small gesture on the outside, but for Carmen, it was huge. 

“Alright.” You grinned, leaning into his touch, your hands sliding over his. 

“How’s everything so far?” Carmen turned to the table, nodding at the excited gushes of compliments, not missing the way your friends cut their eyes to you with animated glee. 

“Just let me know if you need anything, ok?” Carmen turned to you.

“I will.” You nodded, starry eyed with love sick affection. 

“Good. I’ll see you before you leave, alright?” Carmen muttered, ducking down towards you. His lips brushed over your cheek, your perfume clouding his senses. “You’re not botherin’ me. ‘M glad you’re here.” 

Your cheek pressed to his, a gentle, affectionate rub before Carmen parted. Both of your features painted with shy delight. 

Carmen could feel everyone’s eyes, through flickering gazes and lifted brows. Sydney’s gaze lingering over him skeptically, still counting tickets. Fak’s wide grin from the corner, loading trays to take out. 

“Hey, uh, Marcus.” Carmen ignored Richie’s raised brows, a teasing, questioning remark on the tip of his tongue. 

“Yes, Chef?” Marcus muttered, looking up from the cannolis he was garnishing. 

“Table nine has a birthday. I was thinkin’ maybe the chocolate ganache, punch it with the little circle to make it look like a cake. Add a candle?” Carmen muttered, hand rubbing across his face. 

“Yeah, Chef, I can do that.” Marcus nodded. 

“Thank you.” Carmen nodded. “And Chef? Let me know when it’s ready before you walk it.” 

Marcus frowned. “No, it’s not- I just wanna walk it, ok?” Carmen shook his head. 

“Alright.” Marcus nodded slowly. “Heard, Chef.” 

Richie smirked, leaning against the stainless steel table. “So,” Richie hummed. “There a complaint or somethin’? Need me to go talk to ‘em-” 

“-No,” Carmen snapped, the possessiveness in his tone startling the both of them. “Sorry, it’s- No, I-I don’t need you to do that, Chef. Everything’s good.” 

Richie nodded slowly, passing the dishes to Gary with a nod. “You gonna tell me what that was about?” 

“No, Chef.” Carmen clipped, an edge to his tone that was teetering on annoyed. “But, uh, there’s not gonna be a check on table nine.” 

“What?” Richie frowned. “Did you mess somethin’ up? Seriously, Cousin, if something's wrong it’s my job to know-” 

“-No, it’s not-.” Carmen huffed, eyes pinching closed, running a hand over his face in frustration. “Look, that’s… The girl on the end? I-I’ve been kinda seein’ her, ya know?” He muttered. 

Richie gawked, blinking in disbelief. “No shit.” He grinned. “No shit? You-You’re serious?” He turned to look out the window. 

“Don’t fuckin’ look.” Carmen hissed. “Look, it-it’s not a big deal, alright? Just don’t-don’t say anything o-or do anything.” 

Richie swallowed back a teasing remark, a reactive reaction from years of being with Mikey. How the two of them used to tease Carmen endlessly, until they were fighting on the front lawn, Mikey howling with laughter while Carmen was red faced with mortified anger. 

This time, Richie held back. He wasn’t sure why, call it divine intervention, a gut feeling maybe, but it felt different this time. 

“Alright.” Richie nodded slowly. “No ticket for nine. Heard.” 

Carmen’s foot tapped anxiously. “I mean, right? Th-That’s what I should do right?” Carmen looked over his shoulder out the window. “That would be shitty to give her a check? Be a complete jagoff move to charge her?” 

“Yeah,” Richie scoffed lightly. “Jagoff of the fuckin’ year. Makin’ your girl pay to come to your place.” 

Carmen’s heart swelled at the term- your girl. His girl. You were his girl. 

“Walk four Pappardelle to nine. Walk one Pappardelle vegetarian style to nine.” Sydney called. 

Carmen dipped the spoon in the glaze, garnishing the plate before sliding it towards Sydney. “So, you gonna take these out?” He muttered. 

“No,” Carmen huffed. “Gonna wait until the cake.” 

“Yeah, good idea, Cousin.” Richie nodded with a proud smile. “That when you’re gonna tell them no check tonight?” 

“No,” Carmen shook his head. “I don’t- It would feel weird comin’ from me.” He looked up at Richie. “I was gonna let you do it.” 

“Yeah, I can handle that.” Richie smirked. “And I won’t say anything, Cousin.” He stopped Carmen before he could say it. “I got you, Cousin. I won’t fuck it up, alright?” 

Carmen nodded slowly, a strangled thank you on the tip of his tongue. The door swung open behind Richie, and for a second, Carmen caught a glimpse of you. Smiling and laughing, leaned in over the table, no doubt giggling with your friends about him. Carmen’s heart squeezed, but this time, without fear. No, there was no dooming fear that you were mocking him, making fun of him. This time, he felt the content rush of adrenaline filled love. A change in his routine, yes. Unexpected, sure, but he was glad for it. Glad that you were there- here, with him.

[wh0reforcoriolanussnow]

Aussie Slang || Tom Blyth x Actress!Reader

Summary: You quiz Tom on set on some Australian slangs as his Aussie gf ;)

A/n: Inspired by the interview between Sydney Sweeney and Joe Davidson, also bc as an Aussie this was fun to do lol 🙈

Warnings: none

Wc:

actress!reader au masterlist

Divider by @pommecita

"Tomm" You enter your shared trailer with your phone in hand, recording. "Yes, darling?" Tom looks up from his script as he gives you a smile and slightly confused face as he looks towards your phone. "I'm going to test your knowledge on aussie slang and words," You set up your camera on the table in front of him as he pulls you by your waist to sit on his lap.

He touches your hair that were in hair rollers as you smile at his buzzed hair, your favourite look on him. "I feel like I'm going to be absolutely terrible as this," He points out as you chuckle, fixing your camera. "I know, especially since I don't really say some of the stuff I'm going to quiz you on," You giggle as he throws his head back.

"That's even better," He sarcastically says with a smile as you pull out a small note book with the things you wrote down. "Okay, first one, are you ready?" You hype Tom up as he nervously looks at you. "This one is an easy one, I say it all the time. She'll be right"

You hide your smile behind the notebook as he thinks, "She'll be right?" You nod at him, "When have you said this?" He looks at you dumbfounded as your jaw drops, "Tom! I say this all the time, I even said it just this morning!" "I was half asleep this morning!" He reasons as you cover your face and laugh.

"This morning you told me it was going to be colder today and you said to bring my jacket remember?" "Yeah..." "Well I said she'll be right and I regretted not bringing one so you gave me yours. There you go, I just gave you a hint!"

Tom's mouth forms an o shaped, "Doesn't it just mean it's all good?" "Yes!" You chuckle. "Okay, that was an easy one" Tom smiles as you give him a look and look to the camera shaking your head. "Okay next one, I don't really say this to you but when I'm talking to my sister on the phone, you might hear me say this one: scoenonn"

Tom gives you the weirdest look as you laugh so hard tears started to form. "I'm sorry could you repeat that?" Tom looks absolutely baffled. "Scoenonn." You say in your Australian accent one more time as he shakes his head. "Is that even english?" He quietly laughs to himself as he thinks hard. "I say this to my sister when I greet her sometimes," You give him a hint.

"I actually have no idea," Tom says, his finger drawing circles on your back. "It just means what's going on" You laugh as Tom pulls another baffled expression. "Why can't you just say what's going on instead of what you just- How do you even spell that!" You show your notebook to Tom as he furrows his eyebrows at the spelling.

"Scoenonn. Wow." He chuckles to himself. "For this one I'm going to have to actually find it around here,” you look around the trailer before getting off Tom's lap and running into the bedroom and to your bedside drawer pulling it out. "Babe, what's this?" You show him a tub of vaseline as he gives you an odd look. "Vaseline?" He says in a questioning tone as he gives you space to sit back on his lap.

"Yes, but what do Aussies call this?" You hold it up to him before applying it to your lips as he watches you intently. "Uh-" "I think I have said it to you when I ask you where it is," Tom rubs his chin as he thinks. "Is it something completely whack and doesn't make sense?" He asks as you shake your head.

"This is fun," You giggle as you look to your phone. Tom lets out a groan of frustration, "Can you just tell me?" "Fine. Vaso. We call it Vaso" You couldn't help the smile that was forming on your lips as he shakes his head and laughs.

"You aussies sure do like shortening things up," He points out as you laugh at his comment. "Okay second last one, "What is a bottle-o." "A bottle-O? Is that just a a type of bottle?" You shake your head, "Nope." "Uhm, is it a name of a shop in Australia?" "You're getting there!" You chuckle.

"Want me to put it in a sentence?" You asks as he nods, "Do you wanna come with me to the bottle-o and pick out a few beers?" Your aussie accent comes through as he smiles at you accent. Tom absolutely adores your accent and could listen to you talking all day if it mean hearing your accent.

"A bottle shop?" He guesses as you pat his shoulder. "Good job babe," You grin as you flip the page of your notebook. "Okay last one, If you don't get this one, your aussie fans are going to be so disappointed as well as your girlfriend." You tease him.

"Aussie Aussie Aussie," You watch him as he repeats it to himself before his eyes light up. "Oi oi oi!" He chants back as the two of you burst out laughing. "Yes!" You wrap your arms around his neck as his arms wrap themselves around your waist. "This was fun wasn't?" You say as you lean forward and grab your phone, aiming it towards you two in each others embrace.

"Maybe I should quiz you on some British slangs, see how you go," Tom looks at you with a smile on his face as you make eye contact with him, "I'd be so good at that love," You chuckle before ending the video. You posted it on your Instagram and it blew up. Tom kept his promise of testing you on British slangs and that video also became very popular which then turned into your little thing of quizzing the other cast members.

[chefkids]

The Bear is A Midsummer Night's Dream and Marcus is making the violet love potion for Syd and Carmy

There have been Shakespeare references in The Bear from the very beginning. In the very first episode Marcus finds Carmy’s James Beard award for Fairest Creatures, which is a Shakespearean sonnet about life being short and how everything will end and die even if they're beautiful, but the only thing that survives are children, and not having children deprives the world of beauty. Nat's conversation with Jimmy about raising children was parallel with Carmy's conversation with Terry about starting a restaurant. Then of course there was Richie singing Love Story which is about Romeo & Juliet.

Violet and purple flowers are a reoccurring thing we see and learn about in Season 3 of The Bear. According to Roman mythology, the wild pansy, a type of violet flower, was originally white, then turned into the purple Love-in-idleness when Cupid accidentally shot one of his arrows at it, working as a love potion with Cupid's powers. The first time we see purple flowers is in Tomorrow when Carmy tweezing purple flowers next to Luca at Ever, this is the same wagyu dish they ate at the Ever funeral with Sydney. We see more flowers in montages, like Carmy eating them at Noma, bouquets in hotels, and at Marcus' mom's funeral and more.

A Midsummer Night's Dream TL;DR: The play starts with Theseus preparing for his wedding to Hippolyta, he declares that young people should have fun and celebration, not sadness like at a funeral. Hermia, Lysander, Helena, and Demetrius are in a love square and run away to the woods. Puck aka Robin Goodfellow, a fairy that enjoys mischief, manipulates them with the juice of a violet flower, love-in-idleness, that makes people fall in love with the next creature they see. Things get messed up, the wrong people fall in love with each other, and they all fight with each other. Puck reverses the magic, then the couples reconcile and get married at Theseus and Hippolyta's wedding. There is also group of 6 stupid men called the Mechanicals that put on a play, Pyramus and Thisbe (which is also the inspiration behind Romeo & Juliet) for the wedding. In the end, Puck breaks the fourth wall and apologizes to the audience for any offense the play might have caused. The Bear Season 3 started and ended with a funeral and an attempt at a celebration, and we know there will be a wedding in Season 4.

Marcus and his magic purple flowers are always tying back to Syd and Carmy. In Doors the purple flowers at the funeral cut to Sydney and Carmy's "cause you write in the margins" wholesome moment between them.

In Children, Marcus sees a white violet then it cuts to Sydney reading the partnership agreement that Carmy sent while wearing a purple flower scarf.

He then tells Nat about it, she mentions it's the state flower of illinois and he decides to make a white violet flower dessert.

In Violet, Marcus is working on some purple liquid and holds a violet petal, then it cuts to Syd and Carmy.

Even back in Season 1 Marcus was interested in the color purple and flowers, roommate Chester brought pantone color swatches. In Legacy Marcus and Carmy talk about creating magic to push his violet dish further, then Sydney appears.

In that same episode after the conversation about legerdemain and magic, Richie's notebook makes its own sleight of hand. It's a bit hard to read his terrible handwriting but on one page it says Lover for Syd on top and below:

Carmy -> Syd Luca -> Carm

And in another page he wrote:

Syd -> pansy Luca -> Carmen

Richie is Puck/Robin and he wants to see what would happen if Luca and Carmy start fighting for Syd. Richie and the Fak's have been fucking with the dream weave and Carmy’s love story for a while by pushing him to be with Claire.

The Faks are the Mechanicals, a group of incompetent manual laborers. We see Carmy tweezing herbs next to some pansy flowers, then Fak brings out the donkey piñatas. In A Midsummer Night's Dream, one of the mechanicals, Bottom, gets turned into a donkey then the rest of the mechanicals say they are being haunted. And we all know how much the Fak's love to talk about being haunted. Can't get more on the nose than that for them.

The Faks/Mechanicals are mechanics but they think they can make a movie/play. Theodore Fak thinks he makes art films, Sammy Fak argues with him over SD cards and tells him he makes films for children's parties. Even Francie Fak is a reference to one of the mechanics, Francis Flute, who is the only one forced to play the female role in the play they are putting on for the wedding. Also, In A Midsummer Night’s Dream (1999) Michelle Pfeiffer played Tatiana, the Queen of the Fairies, who Storer originally had in mind to play Donna. 

When Richie arrived to Ever he took off a fishing hook from a purple flower, then right after Luca appears and greets Carmy. Carmy's flower tattoo in his hand is a violet, and it was right in front of his face the whole dinner when he was next Sydney and Luca and they started vibing with each other. Next season will have a wedding and Marcus' white violet dessert will be tasted. Richie already told us plan he has for Syd, the pansy and it goes from Luca to Carmy.

At the end of the play Puck has an epilogue and breaks the fourth wall to apologize to the audience if they have offended them. Richie and Tiff broke fourth wall to address the "kids" aka us the audience in Apologies. In conclusion, The Bear is a Shakespearean comedy, but it is also first and foremost, a messy love story. 💜

[garlicisgodsbestinvention]

perfect dimensions

(Carmy x Designer!Reader)

Summary: The Bear is weeks from opening, and Sugar hires an interior designer to bring the vision to life. Part 1/3.

Warnings: cursing, WILL contain smut later 👀NO use of Y/N because this is the 21st century. Carmy x female!reader, reader is described as having longer hair but that’s it for physical descriptions. NOT EDITED because I’m lazy girl tehe

—————————MINORS DNI——————————

“I hired a designer,” Natalie tells them in passing on Thursday, waving a vague hand when both Syd and Carmy open their mouthes to ask, “She’ll be here in like, twenty minutes.”

“Okay, heard, but we already have a design,” Carmy says, gesturing to the wall covered in layouts.

“Oh, sorry, I didn’t know you had a degree in architecture and engineering. Those are fake dimensions, Bear; we don’t know shit about anything, so someone is going to come in and make sure that we’ve got the right fucking shade of white!” Natalie shouts before the office door slams shut, leaving Syd and Camry to stare after her with equal confusion.

“Pregnancy is making her…” Syd starts to say.

“Mean?”

“Yeah, mean. Definitely a little mean,” Sydney sighs, “She’s right though. Vibe doesn’t get us to opening night.”

And that’s how Carmen finds himself stuttering through an introduction from a now much-more-pleasant Natalie when she shows a woman through the front doors.

Carmen extends his hand to you, clearing his throat, nodding like a fucking idiot when you tell him your name.

“Yeah,” he says, “I’m uh, I’m Carmen.”

“Nice to meet you,” you say, mouth spreading into a smile that makes his heart beat a little faster. “Walk me through?”

Natalie takes the lead while Carmy and Syd hang back. One glance at the look on his partner’s face should have sent Carmy scrambling for something else to do, but he’s not fast enough to remove himself from her presence before a laugh is bubbling from between her closed lips and he’s desperately hoping his face isn’t turning red.

“Im, uh, Carmen,” Syd lowers her voice in a mocking tone.

“Fuck right off,” Carmy shakes his head at her.

“You literally forgot your name!”

“I didn’t forget my fuckin’ name—“

“Like oh my god, a pretty girl with pretty eyes appears and you forget how to talk!”

“Are you done?”

“Absolutely not. I can’t wait for Richie to meet her.”

Carmen wishes the day would never come.

Ten minutes later you appear back in the dining room, Fak following close behind with a shit-eating grin that makes Carmy wish he had never gotten out of bed this morning.

“Carmy! Did you know she likes to bake?”

“No, Fak, we’ve only just met. Would you let her do her job?” Carmen sighs, rubbing his fingers into his eyes to stop an oncoming headache. Syd snorts.

“We’ll chat more later, Neil, I promise,” you say.

“You might have just made yourself a new best friend,” Syd laughs.

Carmy looks away the moment your eyes swivel over to his, trying to disguise that he’s staring as best he can.

“So,” you say, “Natalie said you had drawings. May I see?”

Camry’s fingers itch in a weird way, but he manages a nod before striding over to his backpack to pull out the notebook while you scan the wall of swatches and inspiration photos. You nods your head a little, like you’re concocting an idea.

Carmy wants to twirl a finger through the strand of hair hanging loose out of your updo.

“So, uh, this is what I’ve come up with so far.”

He then spends the next ten minutes walking you through each of the drawings, explaining himself a little too thoroughly, and making random comments about lighting and booth fabric. You look intent the whole time, brow furrowed at the page, occasionally pointing and you don’t even have to say anything—Carmy just starts to over explain immediately following the point of your painted fingernail.

When he’s done, you nod your head slowly, the corner of your mouth twitching up. You’re wearing some sort of lipstick that reminds Carmy of the stain of touching a cherry pit.

“These are amazing,” you say finally, and Carmy feels his face heat. “I like the vibe. I love the vibe, actually. Are you a sensitive person?”

You look up at him and Carmy short-circuits.

Syd says yes, at the exact time he says no.

“Conflicting signals,” you say, “Anyone else to weigh in?”

It takes a second for him to realize that you’re making a joke, and he has to shake himself out of a stupor caused completely by the sight of your smile.

“Uh, no, no I’m good. Gimme feedback,” he says, and you reach out to flip the pages back, landing on the entry.

“Great. I’m going to tell you what we need to fix,” you say, straight to the point. “This entry is too small. Either we need to extend out into the sidewalk, or we need to push the kitchen back by at least five or six feet. The bar is going to create a bottleneck right here, and we need to inset these shelves to give you a little more working room. The lighting here needs to be sconces, and the bathroom doors need to slide to maximize space—this is too small for a swinging door.”

Carmen is fully intent on taking in every word you’re saying, but out of the corner of his eye he can’t help but see Syd’s face transform into something mildly resembling devious.

“Heard,” Carmy says, nodding his head as you looks back up. “Let’s rock.”

——————————————————————————

You become a fixture in Carmy’s life in the same way that Sydney or Richie or Nat are, appearing every time he turns the corner and whispering a hello in passing before you start barking orders to the contractors who listen to your every word. Strangely, he can relate. A week ago you told him, Carmen, please decide which side of the bar you want the ice machine on, and do it quickly so I can tell the water guy when he gets here. He’s never made a decision so fast in his life.

Even Nat had popped an eyebrow when he replied, on it, before you’d even really finished your sentence.

Usually, he’s on autopilot—walking in and straight back to the office or the kitchen and hardly ever stopping to notice what’s going on. He’s the first one in and the last one out by design, so he doesn’t even see everyone else arrive until they’re already there.

This morning, though, Carmy walks into the kitchen to see you already there, writing something out in a notebook as Natalie talks, waving her hands wildly.

“Okay, I got you,” you’re saying only glancing up when Carmy’s shoes shuffle too loudly on the floor. “Oh! Good, you’re here. I need you.“

Carmy raises his eyebrows. “Need me?”

“To look at paint swatches,” you say, ushering him into the main dining area. The words ring in his head like bells as he follows you, the scent of your perfume surrounding him as he walks through the crowd of it. You smells so good, and it reminds him of New York City somehow, the faint scent of rain.

He figures that you must have come in even earlier than he and Natalie both, because you’re dressed more casually than usual, and there’s a charm necklace dangling over your tee shirt that he tries to identify when you turn without you realizing he’s staring. He makes out a paintbrush and nothing else.

“Right, so,” you start, gesturing to the wall. There’s a beat of silence with them both staring at the three swatches on the wall, and then Carmy turns towards you.

Your words overlap.

Carmy says, “I hate them.”

At the same moment, you say, “They’re horrible, right?”

Carmy laughs, shaking his head. “Yeah, yeah, not it.”

“Okay, so hear me out.” You say, leaving his side to pull something from your folder. “Pink.”

“Pink?”

“Like, oyster shell pink. Neutral enough that in the low light it’ll look pale, almost indiscernible from white. And this wall—“ you point to the back where the booths will be and shake your head. “Has to be a mural. It’ll look unfinished if it’s bare.”

Carmy nods along with everything that you say, trying to envision it. “What kind of mural?”

You tilt your head, chewing at your lip. Carmy completely short-circuits for an embarrassingly long second.

“I might have some ideas,” you say in a soft voice, crossing over to the table where you’ve set your things and pulling out a black sketchbook.

“Two artists in residence, huh?” Carmy jokes, his stomach fluttering when you smile.

“Do you draw anything other than food and restaurant interiors?” You ask.

“Sometimes.”

“Sometimes,” you repeat, looking up at him. He knows that you want him to elaborate—he would never admit out loud that he spends the hours he’s not cooking trying to replicate the way your necklace hangs off of your neck and the curve of your wrist.

Occasionally he doesn’t do weird, obsessive, borderline creepy things—sometimes he sketches the buildings outside his window as the sun goes down, or tries to remember what the boat in Copenhagen looked like, or that one place he used to drink coffee at in New York.

Your eyes narrow at him just a little, like you’re trying to read all the things he’s not saying.

He dips his head, half to look at the page you’ve opened the notebook to and half to get out from under the scrutiny of your pretty eyes.

“That’s insane,” Carmy finds himself saying, looking down at the waves of color on the page. “It looks like, almost like wood? Or marble. That’s—fuck, that’s so cool.”

The page is covered in shades of brown and deep green and black, melding together into something that reminds him of tree rings or stained wood panels, muted like an old chinoiserie river painting.

“You could hire someone to change it out seasonally maybe, it’d be cool, but I think something like this would look nice with the color of the wood we picked for the tables—“

“Will you do it?” Carmy asks, fingertips tracing over the edge of the paper and coming away brushed with color—oil pastels. “Could you, I mean, I wouldn’t trust anyone else to do it like this.” He tells you, rubbing the tips of his fingers together and watching the color meld together before meeting your eye.

Your mouth is parted, eyes wide as you look at him, and he gets the urge to flick your bottom lip to see if it’s as soft as it looks.

“I,” you start to say, “Yeah. I can do it. If you want me to.”

“I do,” he says, too quickly. “Want you to. Paint it.”

Because what else would he be asking you to do? He wants to throw his entire brain into the blender on high.

“Okay,” you say, “I’ll start tomorrow.”

He makes a mental note to make sure he’s there all day to peer through the windows and watch you work.