Tex Blaisdell, The Dead Who Walk.
0 notes
Also, can we just really take in the true excellence and impact of Michonne’s character.
She’s a black woman whose story isn’t defined by the hardship of being a black woman.
She’s given incredible emotional range. She’s absolutely badass and strong, but not stoic and stiff. She’s allowed to be as compassionate and nurturing as she is fierce. She expresses grief, loss, anger, pettiness and annoyance; she also expresses hope, love, devotion, loyalty, and bravery. She’s tough and hardcore, but also soft and feminine.
She’s not the sassy best friend. She’s not the magical negro. She’s not the stepping stone for the male MC to decide he doesn’t want. She’s not forgettable or disposable. She can challenge white characters (including the main man) without the writing trying to humble or punish her.
She’s pivotal (the ratings and fan engagement prove that). She’s desirable. She isn’t chasing after a man who barely considers her to own detriment. Her love interest loves her unconditionally. He respects her and wants her in EVERY way. He dreams of her. He can’t truly live without her.
THIS is an immaculate character, brought to life by an incredible actress who is valued in production, and backed by the narrative. THIS is what characters such as Bonnie Bennett and Abbie Mills (amongst others) deserved. THIS is what we want to see.
2K notes
·
View notes