Been thinking about the Frankenstein ballet again recently and ouugughh the people who play victor are always so gorgeous like what the fuck
Frederico Bonelli as Victor!!! He's the original cast for him I believe, since he played him in the recorded show
Tristan Dyer as Victor OH MY GODDD hes so,,,,,just,,,heshsso,,shehs
ALEXANDER CAMPBELL AS VICTOR☝️☝️☝️❗❗❗ Alexander Campbell plays Henry in the original recorded version of the ballet and he plays Victor in another version hes SO silly🙏🙏🙏
Annnddd José Pablo Castro Cuevas as Victor!!!! He's literally so gorgeous AND Amanda Assucena as Elizabeth shes so beautiful im WAHAHHHSHAG
When from time to time they tried to observe each other through eyes which Love had limed, their flesh assumed the hue of their hearts and souls. Love the Dyer did not deem it enough that she was hidden in the recesses of two noble hearts: she meant to show her power in their faces. Indeed, they bore many marks of it, since their colour did not long stay the same. They blushed and blanched, blanched and blushed in swift succession as Love painted their cheeks for them.
— Gottfried von Strassburg, Tristan translated by A. T. Hatto (1960)
JUST SLAPPED MY HAND OVER MY MOUTH TWO CONSECUTIVE TIMES like I fr literally had to shift face-slap hands to grab my phone because !!!!! I just found a pic of a guy (from a play I think??) and he looks exactly how I imagine young!Terzo (that isn’t literally just young Bela Lugosi lmao) I’m screaming
a painting of two skeletons holding guns and smoking, nychos art aesthetic, 8 k highly detailed ❤🔥 🔥 💀 🤖 🚀, android jones and chris dyer, psychedelic artwork, skeletons smoking cigars, psytrance artwork, scary detailed art in color, psychedelic art, 8k highly detailed ❤️🔥 🔥 💀 🤖 🚀, thomas kinkade and tristan eaton, psychedelic art style
@lizzie_annis rocking Any Okd Iron for Aver Magazine Photographer Macrae Marran @macraemarran Wardrobe Stylist Nicole Noarin Tabalba @nicole.tabalba Hairstylist Nat Jibeil @nataliejibeilihair Maketup Artist Georgia Louise Panayi @georgialouise.makeup Writer/Interviewer Tristan Dyer @tristandyer #nashvillefashion courtesy @blackprgroup (at Any Old Iron) https://www.instagram.com/p/CoKTy2yuRm7/?igshid=NGJjMDIxMWI=
EDWARD WATSON TO RETIRE FROM ROYAL BALLET; BECOME REPETITEUR; NO PROMOTIONS AFTER THE 2019/20 SEASON, TWO LEAVERS
“Principal dancer Edward Watson joins the roster of Royal Ballet coaches for the 2020/21 Season as Répétiteur. During the past 18 months Watson has been coaching dancers for various productions and in his new role, with his in-depth knowledge and experience, will help prepare them for the broad range of the Company’s repertory.
He will give his final performance on the main stage in The Dante Project by Wayne McGregor on a date yet to be confirmed following the postponement of the production’s world premiere. Watson joined The Royal Ballet in 1994 and is regarded as one of the world’s leading male dancers of his generation, winning multiple awards and bringing a unique artistry to the Company’s repertory. He created numerous new ballets and forged creative partnerships with acclaimed international choreographers including Wayne McGregor, Christopher Wheeldon and Arthur Pita.
Kevin O’Hare comments: “Edward’s artistic sensibility and extraordinary physicality have made him one of the most distinctive performers of his generation, and indeed in The Royal Ballet’s history, ushering in a new era of possibility for men in ballet. His expressive versatility and openness for collaboration have proved an inspiration both for leading creatives such as our Resident Choreographer Wayne McGregor and also for the other dancers in the Company. He follows in the footsteps of the great dance-actors of The Royal Ballet giving memorable performances of dramatic intensity in such roles as Kenneth MacMillan’s Crown Prince Rudolf and Christopher Wheeldon’s King Leontes, contrasted with the poetic grace of his Palemon in Ashton’s Ondine and an otherworldly presence as Oberon in The Dream. We look forward to the opportunity to celebrate his career at a future date and I am delighted that he now brings his artistry to bear on leading the next generation of performers.”
Invaluable contributions to The Royal Ballet over many years have also been made by Soloist Tristan Dyer and First Artist Erico Montes who retire at the end of the 2019/20 Season. The Royal Ballet wishes them both every success for the future.”
The green trio, Monotones I, is gender neutral. The three figures execute the same academic steps in unison, their limbs at the same angles. The only difference is that the man (Dyer) is the principal supporter of the two women on pointe (Maguire and Naghdi). The choreography is based on pacing and lunging to the pulse of Satie’s Trois Gnossiennes, torsos curving as shoulders twist in épaulement. Exacting and exposed, Monotones I was immaculately danced.
(via Royal Ballet Soloist Tristan Dyer's insights into World Ballet Day | Beautiful Ballet Dance Magazine - Interviews, Podcasts, Reviews - The Wonderful World of Dance)