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b-else-writes · 6 months

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The Great CLAMP Re-Read Part 2: Man of Many Faces

Onto the next work in CLAMP's oeuvre, Man of Many Faces (technically the translated title should be 20 Faces, Please!!). This ran from 1990 to 1991, and it is wild to think that it was running concurrently with RG Veda (and Tokyo Babylon!) because it is SO tonally different. It is also technically CLAMP's first foray into shonen, running in Newtype magazine, although it feels like it's aimed younger. I had never knew it existed! It's one of the few CLAMP manga with no anime adaptations (it did have 2 drama CDs).

It's out of print and was released in English by Tokyopop in the early 2000s, in two volumes comprised of 11 chapters. I read this entirely online and would probably only hunt down a physical copy if I'm feeling like being a completionist. Spoilers? I guess?

Synopsis: Ijuin Akira is a precocious 9 year old at CLAMP School who leads a double life as the gentleman thief 20 Masks/Faces. As 20 Faces, Akira steals beautiful objects to satisfy the whims of his kleptomaniac two mothers. One day, Akira ends up in the bedroom of 5 year old Okawa Utako, sparking off a romantic comedy due to his double life and the nature of love!

The Story: There really....isn't one. Whatever it bills itself as, this is not a heist story. Man of Many Faces is pure fluff, basically a gag manga, which is what makes it so crazy that it was concurrent with the dark, fatalistic fantasy of RG Veda and the tragic urban fantasy of Tokyo Babylon - did CLAMP need a cute comedy as a mental break?

The chapters have a similar structure: Akira's two mothers spot something and cry "we want it!". Akira goes after the object and ends up entangled with Utako as they overcome the next (very low stakes) obstacle in their relationship. Akira often gets advice from his uncle and school pediatrician Akechi Shigetaka, while narrowly escaping his next door neighbour Kobayashi Ryusuke, who acts as the Inspector Javert. Along the way, he and Utako mediate on love and what makes a good man and good bride.

The story ends with the two getting married and still working to make sure that their relationship is always loving and new. It's a light, charming read (I was able to read the whole thing in about an hour) and it did make me smile a few times. The Christmas episode is particularly cute. Otherwise, the story is fine, just enough to string together the story that it doesn't implode from meandering fluff.

The Themes: Despite being so divorced from their serious works, I'd actually say you can see a lot of what would come to be CLAMP's attitude towards love - what makes a good love? Can love last forever and overcome all barriers? Are people destined for each other, and if so, does that make love easy? Some of the waxing poetic is very silly (Akechi once quotes the plot of Some Like It Hot, yes, the Marilyn Monroe film, to give advice) and very questionable, but there are some surprisingly nuanced takes too.

Namely, you are entitled to your feelings (very CLAMP), that nobody can fully know another person's heart (hello Tokyo Babylon) so we must remember we are two people and not lose ourselves in each other (X 1999??), be understanding and kind, and that love and people will change, and love is about meeting that new person each day, which is shockingly mature for CLAMP, who I had always taken to be rather fatalistic and immature in their romantic attitudes. I definitely walked away thinking that I hoped these two kids made it.

The Characters: It's an 11 chapter gag manga - the characters are thinly written. That doesn't mean they aren't charming. Utako is a rich brat but an adorable one, and Akira's maybe polyamorous mothers are very funny. Akechi and Ryusuke are especially funny, and Akira's father definitely leaves an impression. Akira himself is rather boring, he's a Mamoru with even less personality (interestingly this predates Sailor Moon by 2 years, but you can't read it without thinking of Tuxedo Mask!). They all serve their purpose, are funny and cute enough, but you're not going to be left contemplating them either.

The Art: It's very 90s shojo in style (despite being marketed for shonen) so it is competently drawn, comprehensible visual storytelling, and nice to look at, but it is not particularly transcendent, especially by CLAMP standards. The only time they really shine is in the splash pages, which are sooo delightfully sweet. Akira's mothers are very pretty, and Utako is cute, but the character designs are unremarkable despite the nice outfits. It also hits one of my irritations, which is that the backgrounds are very ill-defined and replaced by patterned screentones. In short, it is fine.

Questionable Elements: The way gender roles was discussed did not sit right with me. This was written in the 1990s in Japan so I am not surprised it is so "woman are emotional and crazy and end up as housewives" and shojo like it or not has a lot of sexism baked in so it didn't shock me, but it is disappointing and can make some of the advice and comments touted unpleasant. Also I see you CLAMP with Utako's first love being her teacher - at least he rejects her!

Overall: A little sidetrack in CLAMP's oeuvre as sweet as the pastries our couple enjoy. It's got enough genuine charm to get it across the line into enjoyable, but it's also perfectly obvious why it remains one of their most obscure works - you'll end with a smile, but it won't change your life. I wouldn't personally recommend it to anyone except diehard CLAMP fans. It's a nice sugary treat for a quick read and doesn't overstay its welcome, but only just.

#clamp #man of many faces

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