#Vincent bww

[artscheese]

Woah!! More doots!!

[vincentask]

Can you give Vesper some sweet dx batteries

[oneiikin]

(3.9.2024)

nightly waltz

timelapse

[redrockbluerock]

itty bitty guy vs a brick wall of a maestra

@artscheese 's Maestro Vincent is 6'5" Equil is 10'7" without her hat.

he'd still be shorter even if they swapped hats...

[quincysmansiondaily]

@vincentask

Screenplay: "Ohhh~ Another one, eh? Shorter than I expected. Looks like an unripe banana. Heh. Plantain."

Scriptwriter: "Another one..? It's always an interesting experience I can not lie... he's so.. tiny."

Quincy: "Please stop pestering him.. stay on target you two.."

Screenplay: " Alright, alright, I'll stop. So then Little Maesteo, we come to welcome you baring Gifts!"

*snaps welcome basket into existence.*

Scriptwriter: " This should have all you need dealing with the more.. intriguing creatures here."

Quincy: "indeed. It's mostly anon repellants. Magic, Horny, rude- Whatever you need be."

Screenplay: "And if that's not enough, you can always give us old coots a holler, and we'll lend a hand."

Quincy: "You're always welcome in the Mansion."

Scriptwriter: " We wish you luck in all your endeavors, Young one."

All: "And with that being said, Farewell!"

~ Quincy, Scriptwriter, & Screenplay 💐

----

( Go check them out they're really neat. )

[broadwayworld]

BWW Interview: Tony Vincent Opens Up About His Next Act- Shaping the Talent of Tomorrow in Nashville https://www.broadwayworld.com/article/BWW-Interview-Tony-Vincent-Opens-Up-About-His-Next-Act--Shaping-the-Talent-of-Tomorrow-in-Nashville-20191123 https://www.broadwayworld.com/article/BWW-Interview-Tony-Vincent-Opens-Up-About-His-Next-Act--Shaping-the-Talent-of-Tomorrow-in-Nashville-20191123

[bunchofbloom]

Excerpt:

I count my blessings every day for getting to play Josh in CRAZY EX-GIRLFRIEND. I spent 14 years in New York City trying to book a Broadway show and had gotten so close so many times but to no avail. So then to get this opportunity to utilize mymusical theatre skill set that I've worked so hard to attain, plus help create a new character in a new show... it's truly is a dream come true. And one of its many blessings is knowing that there are thousands, if not millions of people who are watching our show, who don't normally like musicals. I think our show does a good job at making new fans of this style of story- telling.

[rebeldiscord]

Can't stop listening to "That Time of Year" and " Love Kills" from Vinnie Vincent Invasion's "All Systems Go" album. In fact, I will cover the former soon. https://www.instagram.com/p/Bww-HU-nix6/?utm_source=ig_tumblr_share&igshid=bsrr38gykg6f

[russiden]

Posing with my new Tom Ford shades and my latest painting, a metre square copy of Almond Blossom by Vincent van Gogh, it's been a labour of love! #almondblossom #vincentvangogh #vangogh #idenruss #waoh19 #waoh2019 #worthingartistsopenhouses #worthing #tomford #selfportrait #affordableart #vincent #artcopying #worthing #worthingartist https://www.instagram.com/p/BwW-bfRABxP/?utm_source=ig_tumblr_share&igshid=1dmvevtmghb4t

[beautifulwhitewave]

"Hidden Artist" Acrylic on Glass by BeautifulWhiteWave

[artscheese]

Happy Balanniversary everyone!!

I love this little quirky game to death,, it was a part of a big developmental stage in my life and I can’t thank enough of it, honestly I don’t what I’ll be without it..

Thank you everyone and let the show go on!!

[vincentask]

.....Strange.. -💫🪡

[oneiikin]

(2.22-23.2024)

Spade and his pookie stuff <3

(Vincent and Erin belong to @artscheese !)

og meme

[konstantinwrites]

Treasures from the Roof of the Insurmountable, Part 2

Old Man Warming Himself (Vincent Van Gogh)

On we dodder...

37: On My Way by Omar Naber (Slovenia) (Returnee, 2005)

I like the Gmail chat message noises that Omar lined his chorus with. Bww-ling. Bww-pling. Instead of staring at my palms and thinking of something to say about “On My Way”, I end up checking my inbox, tabbing over to Livescore for soccer match updates, forgetting about my task and looking at thumbnails of upset Pep Guardiola from when possession stats just didn’t turn into goals. All of a sudden, I’m 40 seconds into my next track on Spotify, “On The Regular” by Shamir, and I’m imagining how sharp and voluptuous of a Eurovision entry it would be. Omar Naber’s “On My Way” is a great song.

“I do not dignify this schadenfreude with comment.”

Omar Naber has a good voice. Unfortunately, it’s not a voice which is well suited to this song – especially when it comes to the modulation and the big finish, where it seems like he struggles to deliver. “On My Way” itself is a fairly standard power ballad, and the live performance is fairly stale and doesn’t really capture attention. All in all, I don’t think it’s a good song, nor do I think it is a bad one. I do, however, find it a forgettable song.

Rebecca Milne

36: Grab The Moment by JOWST (Norway)

The looping “ki-ki-kill tonight” stab lines sound terrific, and the glitchy on-screen visuals and color scheme are rad. It’s constant electronica here and it tries to be low-key and likable. That would be nice, if the listener was rewarded. As it is, JOWST refuse to take a simple risk. Leading into the chorus, the rising volume and fastening beat signal that complicated emotion, “fun”, even if Norwegian based fun. The vocal-led choruses are pallidly disappointing. What we get is trudging downtempo, like DJs mixing Spandau Ballet songs into their music, but unmemorably. The rising-pitch bridge at 2:16 is lame and discomforting, too, with all low bass key notes like Super Hans on the keyboard.

There are a lot of electronica based songs at Eurovision each year, but EDM is still a rarity. Visually, at least, JOWST can expand Eurovision’s palate. Aurally, I wish they’d provided a higher band of emotion than Arman from Terrace House talking about becoming a firefighter at some point sometime.

I like this song a lot. It’s not necessarily the strongest entry this year, but it is likely to be memorable since it is breaking the mould of songs falling into a few genres. The melody is repetitive, but the performance manages to grab attention despite this. The main concern here is whether the live performance of the pre-recorded backing vocals and samples do the song justice.

Rebecca Milne

35: Hey Mamma by Sunstroke Project (Moldova) (Returnee, 2010)

They’re great on stage and a practical tool for Eurovision, producers able to fit this funk dance pop in between ballads that are probably better, but that probably don’t have saxophone. Yes, it’s with sax, like before. “Hey Mamma” is a lot better live, particularly because they can’t play their music video on stage, which is “Stacy’s Mom”, but shit. Linked in title.

When I don’t have enough money for travel, I give Sunstroke Project tapes to share-taxi drivers as payment. If you insert a “Hey Mamma” disc into the CD tray of your local eastern european minibus, you get to ride for free for the season.

Hey I actually enjoyed this one! Thank you, Moldova!

When I first heard that saxophone, I didn’t know whether to feel positively or negatively, but ultimately it reminds me of other European hits (see Alexandra Stan, “Mr. Saxobeat”) and I feel that Sunstroke Project only did good things by incorporating it into “Hey Mamma”. Musically sound and danceable, if I was switching radio channels in my car and “Hey Mamma” came on, I would let it play to finish.

I really enjoyed the music video - there’s a 1960s vibe going on with whatever filter they slapped over the lens or added during the editing process. This makes itself evident when Sunstroke Project’s girlfriend cracks two eggs together while sensually baking a cake. The LED violinist playing in a dimly lit, cable-filled room is also highly appreciated.

I feel that Moldova let themselves have a little more fun with their entry, producing an upbeat, enjoyable, lyrically understandable song with a humorous music video. It definitely feels like a breath of fresh air when compared to other Eurovision entries. I may even listen to it again for my own personal enjoyment, while sending good vibes out to Moldova for their success.

Patty Ritter

34: Dance Alone by Jana Burčeska (F.Y.R. Macedonia)

Congratulations to Jana on getting engaged during Semifinal 2! That was crazy! She also sang this monotonous nothing of a song. That wasn’t so crazy.

This one has a catchy 80s chorus. The lyrics are less filthy and less clever than Billy Idol's "Dancing With Myself", but it must be an inspiration. I can imagine dancing to this at a late hour. I like it well enough for a fun, forgettable ditty. 7/10.

Philip Piatt

33: Running On Air by Nathan Trent (Austria)

Look, this is the kind of iPhone case-with-a-stars-and-universe-design saccharinity that "Running On Air” is: I thought that Nathan is refusing to say the word “chest”. At 1:15 I thought that he is singing, “Whatever you want, whatever you need, you gotta get it off your chest.” (Except with a cute bloop noise covering up “chest”.)

But it’s not the chest. It’s, “You gotta get off your ass” that he won’t finish, which, hey, let’s take it easy here, boys, we’ve all just had a bit too much. Nathan doesn’t want to be the baddest blonde in town, I understand, although he does get fucking wild with, “Hey now, if you let me drown I’ll swim like a champion”, a scenario where his lifeless body rolls around on the seafloor better than any other mafia victim. That’s a victory and hell yes you’ll count it.

“Running On Air” is able to capture zero aspects of genuine human experience, but that’s okay for the day. It’s empty and it’s lovely and it’s not quite ass.

An early version of the song.

Every day brings moments that are better and some that are worse; now and then things suck all day, the low points sinking beneath the surface of water. “Struggle” is the background, here, and the solution will be a combination of indifference — “But I don’t care” — and determination — “I’ll get up again”. Along the way, “People who were there to believe in me” appear for moral support, but this person intends to be the hero of his own triumphs.

Christy Wareham

[artscheese]

Au doodle warm ups :0