#WE JUST REALLY LOVE UENDO OKAY | Explore Tumblr Posts and Blogs

abrthephantomq · 4 months

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Soooo....

Turnabout Storyteller.

I had already vaguely known about Uendo having DID due to me not necessarily avoiding spoilers when reading fanfic, but...

I have so many thoughts on this as someone who HAS the disorder they're representing here.

Like, one, I definitely appreciated the way they revealed it -- during a Mood Matrix session. Having multiple sets of feelings and having them switch on and off like that is def a thing. I've/we've experienced that before.

But also -- before that, when Uendo was switching between his "characters" and everyone thought he was just putting on a performance? Yeah, see. They did that really well considering that like -- yes, the way alters hold the body/the face can be really different. They certainly felt like different people, which was really cool to see. I liked the different poses they had because as I played I was like, "Huh... is he the character with DID...? He is, right?"

The thing is, I'm like 80% certain that Uendo is the murderer, and THAT annoys me -- but I'm not done playing through the case, yet. I just started the second half of the trial, so.... I'll comment as I go.

But if I'm right and Uendo IS the murderer, I'm gonna have to roll my eyes because soooo many pieces of media use my disorder to show HEY SOMEONE WITH THIS COULD BE A KILLER AND NOT KNOWWWWW and I hate that. Because like.... no.

OH THANK GOD. Like 3 seconds into the send half of the trial and it's NOT Uendo. Yay. Yayyyyy. I'm actually really glad they did that subversion of the person-with-DID-is-the-killer trope. Thank fucking GOD.

SIMON GRABBING ATHENA when she starts to doubt she can prove Bucky's innocence is just -- fuck. Okay. Yeah, I see why the fandom loves that particular moment. (I love Simon so much omfg).

I am honestly loving this case and I actually really like the way they've presented Uendo -- it's simplified a bit for the sake of the audience, but at the same time, switching DO be like that. And you can certainly be co-conscious and share memory.

Like.... that's legitimately how our System works -- there's usually 2-3 of us up front at any given time, with someone generally more forward, while the other(s) listens / watches. Sometimes others push to the front. And there are 4 of us who more or less have access to the continual life happenings even if we don't always recollect specific details (or what we were feeling) later.

Also Owen being a LITTLE makes so much damn sense? Fuck, idk man, I love it. I kinda adore them.

I really really really got weary when Uendo's diagnosis was revealed because, y'know, the whole oh God pls tell me you're not the murderer even if it was kinda looking like you were.

That fucking balloon girl did it, didn't she? Jesus fucking Christ. I love that, but I also hate that. Also it's so unfair they made this chick so goddamned pretty.

Also man can I also say just how like.... they legitimately refer to Owen as a child, and Kisegawa with Ms., and -- that's actually a nice little piece of the writing here. Like... is it absolutely perfect? No. It's not. But let me tell you -- as someone with this disorder? Writing it and showing it for an audience is hard.

That whole, "everyone is unique" thing applies here -- every System is different. They all develop ways of functioning in order to blend in and protect themselves. Uendo may not have the denial bit that comes with this disorder (do you know how many times I find myself asking if I'm sure I'm not faking this thing? do you??? because like, it's a "rare" disorder, right? and was my trauma REALLY bad enough for me to have alters???? etc) -- but considering the confident way he, Patches, and Kisegawa speak about their experience with the disorder, I would imagine they've been in therapy for it for a while, now.

But also -- the three of them not being aware of Owen? Or denying his existence, at least? Well, they were either protecting him because he's so young, or they legitimately did not know since apparently he may only come forward when the body is drunk.

idk I love that Uendo et al was not the killer. Like so much. Thank FUCK.

Also that was a really fun case even if it was like, not entirely relevant to the overall story happening here in SOJ. I definitely enjoyed it.

#ace attorney #spoilers #spirit of justice #uendo toneido #thoughts of a person with DID #idk I ain't mad at the representation even if I was gonna be pissed #if Uendo had ended up being the culprit #thank God they did not do that

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lesbianmarth · 4 years

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it’s been a while since i posted about aa but i just finished soj in its entirety tonight. here’s my new list so far

i still have to give thoughts on cases 4 5 and dlc so that’ll be under a cut. spoilers!

6-4: this was such a filler case, almost shamefully so. i don’t know why they thought they could manage to do this in the 4th case when every game with 5 cases has been pretty consistent about making the 4th case plot relevant, sometimes literally just a preamble to case 5. so yeah i think this one was kinda ass

the two things it had going for it: one, athena. in 6-2 i actually got confused about why i ever liked her, because in that case she felt like she was just acting the part of the Peppy Teen Girl With a Rowdy Streak that makes up almost every assistant character. But then as SOON as she started bantering with Simon in 6-4 i was like “oh, THAT’S why i liked her!” was nice to take control of her again.

two, uendo toneido. while i don’t think you can say the DID was portrayed with quite the necessary respect or kindness, it was handled better than i’ve seen other media handle it-- at least it’s not completely demonized. other people have written more on that in better detail so i’m not really the judge, but the basic point is that this witness was mad fun to read, and even the dumb jokes like the changing number of floor cushions were entertaining. thus why this case is in the “hard carried by one side character” tier.

especially since there was like nothing else going on. no connection to the main plot, only two other characters besides uendo, and for some reason the clown tits girl was here instead of the magic show case (and to be honest, she wasn’t enjoyable for me even BEFORE she did the standard aa female villain thing and changed her speech pattern as soon as she fell under suspicion). just a weird, nothing case stuck right around the point aa games usually enter endgame. And especially weird because...

6-5 part 1: inexplicably there are two separate cases in the final chapter and each gets one day of investigation and trial. such a weird setup, and it really shouldn’t work... but i think it kinda barely does. barely. it would still have been better to split it into case 4 and case 5 though.

i have a hard time articulating much on the first case bc it sort of blends together for me. the main thing is that the concept of it being a civil case where apollo and phoenix face off is really good. it was a good change of pace, even though you knew it was gonna be a murder somehow anyway. sarge was reasonably nice, i guess, paul atishon had some good animations and quirks (my favorite being when he tries to just walk away from the stand to avoid answering a question), and the logic of the actual murder was good enough.

but i especially got those strong “oh this is a FINAL case!” vibes during the segment in the cave, and that added so much to it even if not much of it was relevant in the first half of the case. the adventure feel reminded me of some of the (out of context bc i still havent played it) scenes i know from 3-5, which is a good association to invoke imo. and it did a lot to give apollo and dhurke time to bond.

speaking of which, dhurke, holy shit. what a KING. i don’t think i’ve ever liked a dad character in ace attorney this much. he’s so genuine and like down to earth that it’s impossible not to start liking him and believe how much he cares for his sons. the bit where he rescued apollo from the cave flood... i felt it in my heart

6-5 part 2: let me just get this out of the way: ga’ran sucks. her design after she goes full evil is so bad, she’s so malicious that it’s immediately obvious she’s going to be the culprit, her breakdown is ridiculous and just embarrassing to watch, and inga had already established way more charisma as a villain when he did the “those were orders of execution actually” bit in 6-3. with that said,

i actually liked it for the most part. the spirit channeling stuff was excellent imo-- they probably use it to similar or greater effect in 3-5 but as someone who again has not played that, i was surprised and almost impressed by how well it was applied. maya was relevant for something! it feels like it’s been ages!

rayfa was a little underutilized, i think-- her moment of determination where she stops letting ga’ran have control over her was alright but it fell flat bc it didn’t have any weight during the moment. i kept hoping she would like, wordlessly take of her shawl and do the little verbal preamble to the divination seance while ga’ran kept yelling at her to stop, but no, the script can’t be good like that, i guess. and since she didn’t get to be the investigation assistant for long, none of her charm in that role carried through.

but DHURKE!! oh my god! in a game almost devoid of emotional impact, his involvement in this case really hit. the way they painstakingly animated his death, the scene where he makes a promise with maya, and then the weight of knowing in hindsight that everything he did in the first part of the case was after he’d already died and just wanted to see his son again before passing on for real....... it hurt. i felt something during that section. this case would also be hard carried by him if not for the fact that i really liked the murder bits.

amara was good too--liked how they made her suspiciously serene and accentuated it with the lightning strikes to make her look like a hidden murderer character about to reveal herself, only to walk it back and confirm she was being forced to act that way. i thought it worked. nahyuta was boring though, i’m sorry-- i get the motivation with having to be a bastard bc his sister and mom were basically held hostage, but the only time i found him compelling in that mess was the bit where he removed his one fingerless glove and revealed he still has the dragon tattoo. that was it. athena was also completely unused the whole case (not even a single mood matrix? really?) and trucy one again went without any role of importance.

the ending also... yknow, a friend said they had to end it this way bc they never figured out what they were going to do with apollo (since following up on what they started in aa4 clearly wasn’t an option???) and just threw him on a bus to get rid of him. i agree with that-- he really feels thrown to the side, and with that i think trucy’s officially stranded with no hope of any character advancement. and the way they ended the game with phoenix and lamiroir deciding “yeah, maybe NOW we should finally tell those two they’re related” honestly felt insulting lol

but maybe the dlc case will let things go out on a high note...?!

6-6: it was okay.

it would’ve worked pretty well as a filler case in an older aa-- honestly i think it’d be one of the better filler cases, certainly worth replacing the shitty ones like 2-3 or 3-3 or, hey, 6-4. but whether i’d say it was worth paying for... eh.

the time travel conceit was done well enough, i think. the way they tied it back to sorin and pierce’s backstories was nice, and the twist about having two receptions was good, although they needed to treat that as a real twist with much more gravity. when the truth comes out it just feels like “oh of course that’s what happened” rather than a big surprise worthy of the Confessing the Truth theme. it’s sort of important because the case becomes a lot less interesting when you take out the time travel element.

far as characters are concerned, i think they needed more side characters to sell the whole thing-- another sprocket family member or another servant of the household. it felt a little limited-- sorin and pierce are pretty good witnesses and i like their quirks and their secrets, but the only alive woman (ellen) has very few traits and no connection to the deeper story of the case, so she falls really flat. the old aa characters didn’t add much- maya and edgeworth were just there for fanservice, ema didn’t get to do much other than acknowledge for the first time in years that she’s a big edgeworth fan, and larry is annoying as hell like he always is.

and oh my god i actually forgot while i was writing that, how they put in athena and trucy but only used them for brief slapstick where trucy would try to set athena on fire and shit. again-- no mood matrix? couldn’t even try once to fit those two characters into something?

i did like pierce’s transformation into his surgeon form though-- that was really cool. loved him doing surgery on a robot, taking xrays of the lawyers, and his breakdown was fantastic-- he would make a really good culprit if they didn’t whiff the last bit of pathos at the end. i don’t think he should’ve been aiming for revenge on sorin; it would have hurt much more if he was still loyal to the guy and never intended for him to be in danger, but the final “why’d you do it?” talk in the trial just felt flat and one-note, much like the one in 6-4.

... so that’s spirit of justice! not a super positive experience but i’m happy to say it’s done. as much as i want to go and replay dgs, i think when i do go back to ace attorney i’ll be replaying the trilogy for the first time since high school

#ace attorney #aa playthrough

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