#all the other ads i could find were related to gay things like western films with homoerotic tones or even ads related to places of queer

[lesbicastagna]

by the way. june (first ever yaoi magazine) 1988 number with keiko takemiya cover and devilman ova ad on the back.

credit of the pics @ Ioglady on twitter. tried to find scans from mandarake or similars but, as is often the case with old magazines, didn't have any luck.

[pantton-sandacers]

Who would the Sanders Sides be as the Beatles?

Alright, everyone, this is gonna be a Long Post so buckle up.

I was thinking about which of the Sanders Sides would fit which of The Beatles, and this is what I came up with. Here we go.

Anxiety/Virgil as Ringo Starr:

1. Later addition to the group and lack of initial acceptance.

Ringo was added to the Beatles later than any of the other members, being the replacement for their former drummer, Pete Best. After Ringo was added to the band, many fans were outraged, and they made their voices heard.

After his appearance at the Cavern Club the following day, Best fans, upset by his firing, held vigils outside his house and at the club shouting "Pete forever! Ringo never!"[x] Harrison received a black eye from one of the upset fans, and Epstein, whose car tyres they had flattened in anger, temporarily hired a bodyguard to ensure his safety.[x]

Eventually, Ringo was accepted by fans as a member of the band and began receiving as much fan mail as the other band members, securing his place as a member of The Beatles.

By November 1962 Starr had been accepted by Beatles fans, who were now calling for him to sing songs.[x] Soon afterwards, he began receiving an amount of fan mail equal to that of the others, which helped to secure his position within the band.[x]

He was a source of inspiration for several songs written at the time, including Penny Valentine's "I Want to Kiss Ringo Goodbye" and Rolf Harris's "Ringo for President".[x] In 1964, "I love Ringo" lapel pins outsold all other Beatles merchandising.[x]

During live performances, the Beatles continued the Starr Time routine that had been popular among his fans: Lennon would place a microphone in front of Starr's kit in preparation for his spotlight moment and audiences would erupt in screams.[x]

Both Ringo and Virgil had later additions to their respective groups, a lack of initial acceptance, and eventual very wide acceptance from others.

2. Exclusion from their group.

As the Beatles’ music evolved, Ringo’s drumming wasn’t needed as often for their songs anymore, and he was eventually only getting one track per album, though he was content with that.

He was also feeling increasingly isolated from the musical activities of his bandmates, who were moving past the traditional boundaries of rock music into territory that often did not require his accompaniment; during recording sessions he spent countless hours playing cards with their road manager Neil Aspinall and roadie Mal Evans while the other Beatles perfected tracks without him.[x]

In a letter published in Melody Maker, a fan asked the Beatles to let Starr sing more; he replied: "[I am] quite happy with my one little track on each album".[x]

During the recording of Sgt. Pepper’s, Ringo wasn’t given as much freedom in how he could play his instrument, often being given specific instructions on how and what to play.

Although the Beatles had enjoyed widespread commercial and critical success with Sgt. Pepper, the long hours they spent recording the LP contributed to Starr's increased feeling of alienation within the band.

He commented: "[It] wasn't our best album. That was the peak for everyone else, but for me it was a bit like being a session musician ... They more or less direct me in the style I can play."[x][x]

His inability to compose new material led to his input being minimised during recording sessions; he often found himself relegated to adding minor percussion effects to songs by McCartney, Lennon and Harrison.[x]

The Beatles began to argue with one another as tensions rose between them. Paul criticized Ringo’s drumming, making Ringo leave the band and go on holiday for two weeks to get away from the other members.

During the recording of the White Album, relations within the band became openly divisive.[x] As the sessions progressed, their collective group dynamic began to decay; at times only one or two Beatles were involved in the recording for a track.[x]

Starr had grown weary of McCartney's increasingly overbearing approach and Lennon's passive-aggressive behaviour, which was exacerbated by Starr's resentment of Yoko Ono's near-constant presence.[x]

After one particularly difficult session during which McCartney had harshly criticised his drumming, Starr quit the band for two weeks, taking a holiday with his family in Sardinia on a boat loaned by Peter Sellers.[x]

When Ringo returned from his vacation, he found that George gave him a ‘welcome-back’ gift.

He returned to the studio two weeks later,[x] to find that Harrison had covered his drum kit in flowers as a welcome-back gesture.[x]

Both Ringo and Virgil were excluded by the other members of their groups and were often restricted in what they were allowed to do. They both took some time away from the other members, came back, and received kind gifts from one of the other members of the group. (George giving Ringo flowers and Patton giving Virgil a card.)

3. Other forms of subtle ostracization from peers.

Ringo was often joked about among the Beatles, but if you look at any given Beatles interview, you’ll find them joking about each other a lot, so Ringo was not a specific target of joking for the band, but I still included some of their interview moments from/about Ringo.

(source) [Image description: Reporter:”Is Ringo the best drummer in the world?” John:”Ringo isn’t even the best drummer in the Beatles.”]

(source) [image description: Interviewer:”Do you have any political affiliations?”  Ringo:”No, I don’t even smoke” *brings his cigarette up to his mouth*] I just felt like this would be a kind of thing Virgil would do.

Logic/Logan as George Harrison:

-The “forgotten member”

Each one of the Beatles has something memorable about them. For Paul and John, it was their huge roles in the band as the composers and singers on a majority of the Beatles’ songs. For Ringo, it was his large nose and his... difficulty singing. George, however, didn’t have much of a memorable trait about himself (until the later years when he became fascinated with Indian music and their culture.)

Often referred to as "the quiet Beatle",[x][x] Harrison embraced Hinduism and helped broaden the horizons of his fellow Beatles as well as their Western audience by incorporating Indian instrumentation in their music.[x]

The impromptu musical education Harrison received while playing long hours with the Beatles, as well as the guitar lessons he took from Tony Sheridan while they briefly served as his backing group, laid the foundations of his sound and of his quiet, professional role within the group; he was later known as "the quiet Beatle".[x][x]

George Harrison is similar to Logan in being, “the quiet Beatle,” as Logan was called, “the least popular character,” by Virgil.

Though I do hope that we, as fanders, can grow to appreciate logic more, and I can already see that happening with posts like this going around and with it currently being  Logic Appreciation Week.

Morality/Patton as John Lennon:

1. I am the Walrus

I’m sure many of you recall in the My Personality Q&A video, the sides were asked “How are you feeling right now?” and told to answer with only a song title. Patton answered with, “I am the Walrus,” a song by The Beatles, sung by John Lennon.

In a later Beatles song, “Glass Onion,” John Lennon sings, “Well here’s another clue for you all, the Walrus was Paul.”

Many believe this to be hinting to the famous, “Paul is Dead,” theory because Walruses are a symbol of death in some cultures, but it would take hours to cover the basic evidence for that theory so I will spare you from that rant.

This line is most likely referring to the cover of The Beatles Album; “Magical Mystery Tour,” and The Beatles’ movie of the same name, where The Beatles are dressed up in different animal costumes.

[image description: the cover of Magical Mystery Tour, showing the Beatles in different animal costumes.]

I realize the song lyrics said, “the Walrus was Paul,” and not John, but Paul was, in fact, not the true wearer of the Walrus Costume.

The Beatles Bible.com states that while it was claimed Paul wore the Walrus costume, John Lennon was the true wearer on both the cover of the album, “Magical Mystery Tour,” and in the movie of the same name.

It was later claimed that it was, in fact, McCartney in the walrus costume, and that this accounted for Lennon's line that "the walrus was Paul" in Glass Onion. However, the Magical Mystery Tour film clearly shows McCartney playing bass while wearing the hippo costume, and Lennon seated at the piano dressed as a walrus.

(Source)

2. Peace Activism

John Lennon is known for his work in bringing peace and love to this world. He was very anti-war and pro-peace. Which reminds me of how Patton always sees the good in people and always tries to do the right thing.

Lennon wrote and recorded "Give Peace a Chance". Released as a single, it was quickly taken up as an anti-war anthem and sung by a quarter of a million demonstrators against the Vietnam War in Washington, DC, on 15 November, the second Vietnam Moratorium Day.[x][x] 

In 1973, Lennon contributed a limerick called "Why Make It Sad To Be Gay?" to Len Richmond's The Gay Liberation Book.[x]

3. A Role-Model Status and Quick Wit

Paul stated in an interview that John was the leader, and someone they looked up to. Patton is also the “dad figure” that people look up to.

John was described as having “quick wit,” a trait Patton also possess, in making puns (believe me, your wit has to be quick to make a pun about a situation before it passes, I know.)

In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest."[x]

Princey/Roman as Paul McCartney:

1. The Cute One

Paul was often referred to as “the cute Beatle” and Roman is the most looks-obsessed Sanders Side.

Their fans' hysteria became known as "Beatlemania", and the press sometimes referred to McCartney as the "cute Beatle".[x][x[x]

Paul has taken a selfie, something Roman has also done.

(Source) [image description: Paul McCartney taking a picture of himself in a mirror]

2. Creative Motivation

When the Beatles found themselves in times of trouble, Paul McCartney came to them, speaking words of wisdom, “Be Creative!”

That was really cheesy I’m sorry but I had to.

In instances where the Beatles were feeling depressed or down, Paul would always encourage them to keep up their creativity to continue their productivity.

Upon the end of the Beatles' performing career, McCartney sensed unease in the band and wanted them to maintain creative productivity. He pressed them to start a new project, which became Sgt. Pepper's Lonely Hearts Club Band, widely regarded as rock's first concept album.[x]

Epstein's death in August 1967 created a void, which left the Beatles perplexed and concerned about their future.[x] McCartney, stepping in to fill that void, gradually became the de facto leader and business manager of the group Lennon had once led.[x]

His first creative suggestion after this change of leadership was to propose that the band move forward on their plans to produce a film for television, which was to become Magical Mystery Tour.

3. Being Savage

Some of you may know about John’s second wife, Yoko Ono, and those of you who don’t, I envy you. Yoko was not liked by any of the Beatles, and she is known for being the main factor in the Beatles eventual breakup.

One, very savage thing Paul did during the recording of the Beatles’ song, “Get Back,” reminds me a Lot of something Roman might do.

In 1980, Lennon stated that "there's some underlying thing about Yoko in there", saying that McCartney looked at Yoko Ono in the studio every time he sang "Get back to where you once belonged."[x]

And that concludes this post! I hope you all appreciate all the time and effort I put into research for this. Thanks for reading! :)

[recentanimenews]

Anime NYC, Day One

It’s Anime NYC weekend! I’m here to cover everything for you – at least, everything I can get to. We’re starting early, though, as I’m typing this before the con begins. That’s because Seven Seas, which is not allowed to leave California due to some agreement with a lich, I believe, has announced a giant pile of titles every day this week, including some absolute stunners.

We start with Dragon, Ie wo Kau (Dragon Goes House Hunting), which sounds absolutely hilarious based on title alone. It’s a Mag Garden title that runs in Comic Blade, and a fairly recent series. As for the premise, well, I’d hate to spoil…

Do you like sports manga? Have you been thinking “I like sports manga, but there’s not enough fanservice? Where are my girls in swimsuits”? In that case, we have Harukana Receive, a beach volleyball manga that takes place in Okinawa. It runs in Houbunsha’s Manga Time Kirara Forward, and has 4 volumes to date.

I greatly enjoyed My Lesbian Experience with Loneliness when it came out earlier this year, and so am delighted to hear Seven Seas has licensed the sequel, My Solo Exchange Diary, which only comes out in Japan next month. Judging by the title, it promises to be as emotionally compelling as the previous book (exchange diaries by definition requiring another person).

I have often begged for licenses from Shogakukan’s Big Comic Superior, one of the more overlooked seinen magazines. And, well, OK, I asked for it. Now we have Wonderland, which manages to turn Alice in Wonderland into a horror thriller sort of deal, as humanity shrinks all of a sudden and has to fight to survive. The author may be best known over here for Fighting Beauty Wulong.

How a Realist Hero Rebuilt the Kingdom has been one of J-Novel Club’s breakaway hits, so it’s no surprise that Seven Seas will be releasing it in print. Get ready to hear about Machivelli’s The Prince a lot and ask yourself “Isn’t that Saber?”.

This should not be a surprise anymore given the number of classic titles Seven Seas has announced, but it still surprised me. Space Battleship Yamoto will be coming out as one omnibus manga! From 1974, it ran in Akita Shoten’s now defunct Bouken Ou magazine, though I believe Media Factory may have the rights now. The anime version may be better known to Western fans as old as I am as Star Blazers.

Udon still has the rights to Rose of Versailles, though it’s been significantly delayed. But Seven Seas teased us with two sort-of-related titles. The first is Versailles of the Dead, combining 18th century France with zombies. It runs in Shogakukan’s Hibana, and is from the creator of After School Charisma.

And we may not have Rose of Versailles yet, but we are getting a Ryoko Ikeda title, as we have Claudine! This single volume shoujo manga is considered a pioneer in the field of LGBT manga, meaning of course that it’s going to end unhappily for all concerned, like most pioneers of LGBT manga. Claudine ran in Shueisha’s Margaret, and will be complete in one volume.

Who wanted a combination of beloved fairy tales and survival game manga? Certainly not me, but there’s definitely a market for it, and they should be delighted with Fairy Tale Battle Royale, a Kadokawa title that runs in Gene Pixiv.

If you liked The Heiress and the Chauffeur, Seven Seas has a new shoujo series by the same author (and that also ran in LaLa from Hakusensha). The Bride and the Exorcist Knight is about a young woman who attracts demons, and the boy who rescues her… and then says they should get married. The boy’s age worries me (he’s apparently 12), but we’ll see how this is handled.

The biggest surprise so far (I may have to edit this when Friday’s titles come out) is the license of the Shin Tenchi Muyo novels. These novels expand on the past of the original OAV series, with one devoted to Aeka’s family, one to Tenchi’s grandfather, and one to Washuu. (Romanization may vary depending on when you got obsessed with Tenchi Muyo). These came out in the 1990s, and were on no one’s radar, so I was stunned. But I will absolutely pick them up.

Friday brings us the final Seven Seas titles. First we have Elf-san wa Yaserarenai (Plus-Sized Elf), a comedy manga from Comic Gum. Dieting elves seem to be the comedy du jour.

Ojojojo proves that the Dragon Maid author can still get things licensed, but at least it doesn’t seem to feature monster girls. Outcast girl meets outcast boy in this 4-volume series from Takeshobo’s Manga Life.

Lastly, there is Hanayome wa Motodanshi (The Bride was a Boy), an Asuka Shinsha title about the titular bride, who was assigned male at birth but has decided to transition, and her husband who finds out about this but falls for her anyway. It’s apparently autobiographical, and should appeal to fans of My Lesbian Experience with Loneliness-style manga.

Now onto Anime NYC proper. After a bit of line wackiness (better signage was desperately needed), I got into the Exhibit Hall, grabbed a copy of Nekomonogatari Back (likely my sole purchase this weekend), and headed to the panel on Anime Fandom 15 years ago, run by Doug Wilder of Animecons.com.

It really is startling to see how far we’ve come in that time. 15 years ago, VHS was dying and DVDs were the new thing, but they were frequently high-priced and sometimes came with a box to hold the remaining volumes… which may not always have come out if sales were really poor. Streaming was being talked about, but that’s all. It was a physical media world.

There were magazines! Animerica, Protoculture Addicts, Newtype USA. Wizard magazine devoted part of its content to anime, which makes me sad as it means I have to remember Wizard magazine. You still had Toonami and Adult Swim, but ADV Films (remember them?) was starting up The Anime Network. We had the Lupin dub! Which changed so much dialogue it could have been a different series.

There were the usual gateways. Sailor Moon, etc. Gundam Wing was HUGE at the time. I noted from the audience that it was the Gundam series that attracted a lot of female viewers. Doug also discussed other robot series like G Gundam and Battler Aura Dunbine, which tried to sell itself as being similar to Gundam Wing, which… it wasn’t.

After this nostalgic trip, I toured the show floor a bit. Spoke to Mangagamer about the delays on the Higurashi re-release (their programmer is very busy with other titles, so Tsumihoroboshi may take a few more months.) Got a hot dog, because the days when I try to power through an entire day on water are long gone. Then camped for Viz, which meant seeing Funimation Favorites, which was fun. They’re excited about the Nichijou re-release.

Viz had a lot of people at its panel, though the only panelist was Charlene Ingram, their marketing director. Most of the announcements were things that had been mentioned at prior events, such as Infini-T Force and the Homestuck print omnibuses. A lot of anime clips, which the audience appreciated. The Terra Formars one was quite violent.

A big announcement was that Viz has partnered with Pluto TV, an app that allows you to watch various titles whenever you want, including Viz titles. They were also very excited about Osomatsu-san, the very popular comedy manga that sort of came out of nowhere this past year.

On the manga front, we talked about to My Hero Academia speedup starting in 2018, as well as the Vigilantes spinoff being licensed. The one new series that they announced was That Blue Sky Feeling (Sorairo Flutter), an LGBT series that runs in Square Enix’s Gangan Joker. It’s about a boy drawn to the school outcast, who may be gay but that’s not stopping our hero getting close to him. It looks quite interesting.

After the Viz panel I went to dinner with two friends at a pub on 46th street nowhere near the con, which I always recommend when you do NYC cons – the convention center is near absolutely nothing. Fish and chips were eaten, rum and coke was drank, and a good time was had by all.

Then back to the con for the One Piece 20th anniversary panel, which had a considerable line, but everyone managed to get in. (By the way, the con had about 20,000 people, which is not bad given it’s a first-year con. The panel was run by the One Piece Podcast, and the hosts were Zach and Kelly. They oddly tried to keep it a spoiler-free con, which was increasingly difficult as the panel went on.

A lot of the events going on in Japan for the anniversary were discussed. One Piece is big business there, with shops, restaurants (one restaurant is run by a guy dressed as Sanji, who flirts with the women but is hirrible to any male customers. That sounds… a bit too accurate for my taste) and the like.

There’s an exhibit at Tokyo Tower. There’s a kabuki show, though the lead actor recently got injured. One Piece is used in tons of ads – Coke, Nippon Ham, and a ludicrous ad in appalling Engrish for a pen, ending with “THIS IS A PEN!” declaimed. (That phrase is the standard opener for Japanese kids learning English.)

The live-action One Piece is in production for North America, and few fans seem excited, even with Oda supervising it. Too many people remember Dragon Ball… and Ghost in the Shell… and Death Note. Still, hope springs eternal. Oh yes, and they also showed the 4Kids opening – a surprising number of people grooved along. I guess it didn’t kill the fandom after all!

They had a history of the One Piece anime and manga over the years after this, which got increasingly vague as we tried not to spoil. Unfortunately, I had to cut out before the panel ended, so that I could come back here and write all of this up for you.

Tomorrow brings us Kodansha, Yen, and other assorted fun things. Who’s gonna be there with me?

By: Sean Gaffney