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wienerbarnes · 3 years

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Italian Heart

Pairing: Bucky x Italian!MobBoss!Reader

Word Count: 4,867

Warnings: canon level violence, possible inaccurate italian slang lol

A/N: ive been watching a lot of the sopranos lately and i feel like ive never seen a bucky x mob boss reader au (ive only rlly seen em where buckys the mob boss. if there are ones where reader is the mob boss PLS SEND EM TO ME I BEG) a lot of the slang and mob stuff here is from sopranos bc... im not in the fucking mafia so forgive me anyway enjoy :)<3

MAIN MASTERLIST

Bucky’s never seen a woman quite like yourself.

Dressed in expensive satin and jewelry that hangs between your breasts, an angry look on your face at the fact you’re sitting before him and Sam in an interrogation room in the tower. Freshly done nails, clean and crisp lipstick, spicy perfume, and an expression of annoyance.

As put together as you look, you don��t look like someone to be fucked with. Which, he supposes is good for a mobster; the Boss of Newark.

Looking at you, though, he’d never thought you to be such a figure of intimidation. While the mafia is still alive, despite how the media tries to deny this, he always pictured an old Italian man that chain smokes cigars. He doesn’t think he’s too far off, to his credit; he can smell the remnants of smoke on you.

“Mind if we make this fast? My cousin’s comin’ for dinner and I was gonna make ziti.” You huff, crossing your legs under the table.

“Sounds delicious. Sorry for dragging you all the way out here.” Sam says, a calm look on his face even though he’s well aware of what you’re capable of.

When hunting down the last traces of the super soldier serum, he never thought Nick Fury himself would suggest getting in touch with you. He didn’t think it was worth the time to question how the two of you knew each other.

Theft. Drugs. Murder. Bribery. The list goes on, and there’s not a single thing that ties you to any of it.

A shrug of your shoulders, “So, what exactly is this about?” You ask.

“What is it that you do for a living?” Sam asks.

“I work in waste management.” You respond, a rehearsed answer.

Not exactly a lie, the environmental facility you manage is one of hundreds of covers used by your crew for your crimes. Environmental facilities, deli shops, strip clubs, auto shops. There isn’t a business in Jersey you aren’t tied to.

“Waste management? Like, garbage disposal?” Bucky asks, knowing exactly what it is you do for work.

You smirk, “Yeah, we dispose of garbage sometimes. What’s that got to do with me being here?”

“It’s to my understanding that you’re in the business of… buying and selling things. You and… the people you hang around got a real knack for it.” Sam tells you.

Bucky holds back a roll of his eyes. More like stealing and selling. Expensive Italian suits, antique watches, cars, electronics, illegal cigars. Who knows what else.

“I don’t know where you heard that… but I’m a popular gal, maybe I know a guy who might know a guy. What are you lookin’ for?” You ask.

You know this game, after being in the mob for so long. After being a part of your own crew for years, your patience and hard work paid off, working your way up to a captain and finally a boss. It didn’t take you long to learn in this business that government officials are jokes. Always wanting to bust my balls and then come crying to my corner for help, it’s a bunch of ugatz.

“Serums.” Bucky finally speaks.

A laugh escapes you, “What, like vitamin C?” You teasingly smirk at him.

His chair makes a loud sound in the small room as he pushes it back harshly and stands, resting his hands on the table in between the two of you. You don’t flinch.

“Enough with the bullshit. Super serums. To create super soldiers. We need to get them before they end up in the wrong hands and make a big ass mess.” He snaps at you, but you don’t seem phased in the slightest. In fact, you seem rather amused.

“You must have a lot of agita with all that anger, Sergeant Barnes.”

He doesn’t hold back this time and rolls his eyes before you speak up again, “Your first name is James, isn’t it? Ain’t that Italian?”

“No, it’s English. Or Scottish. Or Jewish - I don’t know, who cares? Are you gonna help us or not?” Bucky takes his seat again, crossing his thick arms over his broad chest.

“What’s in it for me?” You ask, leaning back in your chair.

“Not being arrested for all the shit we know you’re caught up in.” Sam offers.

You roll your own eyes this time, “I’ll take my chances. Thanks for wasting my time, boys, don’t let it happen again.” You stand, prepared to make your way back to the train station to go back to Jersey.

“Wait,” Sam stops you, “What is it that you want?”

You smile innocently and take your seat again, taking a minute to think before answering, “My little sister’s a big fan of yours. I’m sure she and all her friends would think it’s cool if you showed up to her prom as her date.” You wink at Sam.

Silence fills the room as the men think about your request.

“You’re gonna do it, right?” Bucky looks over at him and sees Sam rubbing the crease in between his eyes. He was expecting you to ask for immunity, protection, money, guns. But after hearing your request, he supposes you have enough of all that stuff anyway.

“Man -” Sam begins to refuse.

“Sam, it’s a fucking school dance in exchange for some of the most powerful and sought after serums on the planet - go to the fucking prom.” He tells him, eyebrows scrunching in confusion as to how he would hesitate on something so simple.

“She’s eighteen, so you won’t have any problems with the media or none of that.” You add, the information not really making Sam feel any better.

“Alright, alright, fine. I’ll go to the dance with your sister if you help us get these serums.”

You smile, happy to have done business with the two men, “What information do ya got for me?”

…

Bucky and Sam wait outside a back room in the facility you own. They passed the garbage trucks parked neatly outside, but could hear your screaming and the smell of Cuban cigars as soon as they entered the building.

She’s with a customer, they were told, by someone in your crew, them meeting Bucky’s expectations for mobsters more than you did. None of them ask any questions, but Bucky and Sam aren’t stupid, they’re sure your crew is aware of what’s going on and know the exact reason they’re there.

“You’re a fuckin’ asshole, you know that? The Bible says, Do nothing out of selfish ambition or vain conceit -”

“You listen to me, you take your Bible and your quotations book and shove it up your fat fucking ass! Now get the fuck out of my face!”

Bucky can’t help but scoff listening to you scream at whoever’s inside. Sam elbows him, silently telling him that now isn’t the time to find your work funny, especially not in front of the rest of your crew.

Bucky knows he’s old-fashioned, and while things that were taboo such as body modifications or certain fashion styles don’t phase him anymore, he doesn’t think he’ll ever get used to hearing a woman talk like that. He doesn’t think he’s ever even heard anybody talk like you do.

Suddenly a man bursts out of the room, huffing and puffing, and you walk slowly behind him, as if to make sure he makes it outside okay.

“Grab his plate for me, will you?” You say not to anyone in particular, voice smooth and calm as if you hadn’t been yelling and threatening that man’s life for the past twenty minutes.

One of the men from your crew follows outside, seemingly to collect the license plate of the man who just left.

“Nothing’s gonna happen to that guy, right?” Sam asks as he and Bucky enter the room, taking a seat in front of the desk you have in there. He knows there’s no point in asking, that you’ll do whatever you want regardless because it’s obvious you’re passionate about receiving respect, but it was worth a shot.

“Is that what you came all the way to Jersey to ask me? Christ, I’m fuckin’ starving, you boys want anything to eat?” You ask, accent heavy as you reach into the side drawer of your desk and pull out what seems to be some kind of meat wrapped in paper.

“Gabagool?” You offer to them, picking out a slice for yourself and placing it in your mouth.

“Gesundheit.” Sam responds.

“It’s pork, you asshole.”

Bucky silently reaches over and picks off a slice of the cured cold cut, putting the meat in his mouth and savoring the flavor. While he can’t stand the way you make a living or the sailor’s mouth you have, he loves Italian food, and actually chose a neighborhood in New York that has plenty of traditional cold cut markets and restaurants to live in in order to fulfill his cravings.

“There’s a big party staged downtown this weekend, we think that’s when the drop is going to happen.” Sam tells you, bringing the focus to their reason for coming here in the first place.

“I’ll send one of my boys.” You reply in between your chews.

“That wasn’t the deal. The deal was you get the serums.” Bucky speaks up.

“Buck, you know how many people want her dead?” Sam tries to reason.

“What the fuck do I have a crew for then? - No, if pretty boy wants me to do it myself, then I will. The same people that want my head are the same fucks who are terrified to be within twenty feet of me in fear they’ll make eye contact. I’m not scared of nothin’.” You say, narrowing your eyes at Bucky.

“What did you guys come here to talk about?” You ask.

Sam looks confused at your expression, “...To go over the plan? Hash out details? So you know how everything’s gonna go?”

“I’ll be fine; I’ve seen The Godfather once or twice,” You tell him, wrapping up the cappo, after Bucky picks off one last slice, and replacing it in the drawer, “Don’t worry Captain, this ain’t my first rodeo. I’ll get the serums for you.” You open a different drawer and pull out a cigar and a lighter.

Bucky watches as you place the large cigar in between your red-painted lips, bringing the flame of your lighter to the end and hollowing your cheeks until smoke exits from the corner of your mouth. Bucky feels blood travel south as his eyes glaze over your hand grab the cigar out of your mouth and blow out a long string of smoke.

“I guess we’ll be in touch then,” Sam stands and Bucky follows after.

“My sister’s wearing blue, so find yourself a nice tie.” You call out, lifting your feet up to cross them on the desk, dress rising and showing your legs.

Bucky blushes, and then laughs as he exits when he hears you, in a deep and more exaggerated accent than your own, “Just when I thought I was out… they pull me back in!”

…

The morning of the party, Sam and Bucky pick you up from your house, planning to take you into New York to discuss final details before tonight.

You get in the passenger seat, Sam offering it to you and climbing in the backseat. As Bucky begins to drive off, your phone rings.

“I told you to leave that.” Bucky says, telling you explicitly to leave electronics here to prevent anyone finding out where you are, and also to avoid any distractions.

“Wanted to see what you’d about it, Sarge,” You wink at him, pulling out a flip phone and answering the call.

“Yeah… Uh huh… He what? Are you fucking kidding me?... Alright… Tell him not to move a fucking muscle.” You hang up, slamming the phone closed.

“Stop at the facility for a sec, I gotta take care of something.” Bucky sighs and turns away from the route to head to your facility.

“Bucky’s going to be going with you tonight, by the way, he’ll be in disguise. Just in case anything goes wrong.” Sam tells you, not really caring anymore about having to make a stop for you to take care of whatever business you need to take care of.

Your only response is a hum as Bucky can feel the anger radiating off your now tense body.

You slam the car door shut as Bucky parks behind a garbage truck outside, not even waiting for him to fully put the car in park before you exit.

Him and Sam follow quickly behind you to see what’s going on. You enter through a side door that leads to a large room, a garage for the trucks, Bucky assumes.

There’s a large truck inside, and racks of suits wrapped in plastic scattered around. A younger man stands near the truck as your crew peruses around the racks, he couldn’t be older than twenty-five years old. Your heels click on the ground as you approach, slowing down as you glance between the suits and the young man. Bucky and Sam hang around a few feet behind your trail.

You stop, fuming, staring at the man before you speak, “You wanna tell me what the fuck happened?”

“I -” He begins, but you cut him off, raising an open hand at him.

“Actually, I don’t even want to hear your fucking voice right now. Because if what I heard you did is true; if what you did to Vinny’s guy is true, you’re gonna be a fuck load of trouble.”

“Can I -”

“Shut the fuck up.”

“But -”

“I said shut the fuck up, Christopher! What part of that don’t you understand?” You yell, and even Bucky feels intimidated.

You turn to your crew, “What the fuck happened.” You demand, more than ask.

“Kid says he tried to take the truck, Vinny’s guy had a gun that fell outta the seat, went off, shot him.” One of the men summarizes, not looking up from the rack of suits.

You raise a manicured hand to pinch between your eyes, “You keep me skinny, Christopher, with all the fucking stress you cause me.”

“Would you let me explain?” He tries.

“If you don’t do as I told you and shut your fucking mouth, you’re gonna be buried with two assholes,” You threaten before continuing.

“They were fuckin’ suits! All you had to do was take the truck! How did you fuck that up -” You stop yourself and sigh, attempting to calm yourself down.

“Here’s what’s gonna happen. You’re gonna take all this shit, you’re gonna take it back to Vinny, and you’re gonna tell him what happened yourself.” You finish.

“Marone!” He exclaims, rubbing his face with his hands.

“Enough with the theatrics! You’re lucky I don’t put a bullet in your ass! Now, I don’t see you grabbing that rack and that rack and that rack and putting it back in the truck!” You wave your arms around the room.

The kid sighs and begins grabbing the racks one by one and rolling them back in the truck.

“Would it be such a shame if they all went back?” An older man from your crew asks, already wearing one of the expensive suits. You scoff and laugh.

“Bucky, pick yourself somethin’ nice for tonight,'' You turn to face him, and he jumps at the sound of your now calmer voice being directed at him, as opposed to the harsh one used on Christopher, “On me.” You wink.

...

Sam and Bucky sit on the bed and watch as you get ready. A small apartment near the party that’s already been swept for bugs. A favor, you called it, from someone you know.

They don’t question it.

“You and Bucky will go in together and I’ll be waiting at a secondary location watching and listening to everything.”

Bucky can’t tear his eyes away from your dress. A mermaid dress, he thinks it is, black and tight and hugging you in all the right places, curving around your ass and sleeveless at the top, allowing you to show off a nice necklace and your cleavage. It’s an understatement to say that he’ll enjoy accompanying you tonight, even if it’s in a costume.

His mother probably would’ve loved it if he would’ve gotten with someone like you. Someone who loves their family, a spitfire that wouldn’t take any of his shit, and whose god damn gorgeous. She might’ve had to wash your mouth out with soap, though.

“So, why is Bucky goin’ again?”

“Safety.” Bucky answers.

“Is he going for my safety or am I going for his?” You tease, finishing the last few curls of your hair, smoke coming from the iron after each time you pull your hair away from it.

“Once you find our guy, get talking with him and see if you can get him to make you an offer,” He begins.

“One I can’t refuse?”

“Then, you’ll try and get him alone, see if he’ll show you the serums, and once you do, we’ll be taking care of the rest.” Sam finishes explaining.

Bucky plucks a box from his pocket and opens it to reveal a pair of diamond earrings. One, a camera, and the other, a microphone. You’re also given a comm to hide in your ear so both him and Sam can hear everything and you can hear them.

“Easy - peasy.” You respond.

The ballroom is lively, loud music and people everywhere, and Bucky attunes all the action overwhelming him to a sweat and not that fact that you’re pressed up against him, his arm wrapped around your waist.

About a hundred different people come up to greet you, asking about your family, offering you drinks and food. Bucky can see right through all of them though; they’re all putting on the act out of fear. Everyone’s attention is on you, and Bucky’s sure if he wasn’t in disguise right now, no one would even notice.

You bring him to the middle of the crowd and he can’t be surprised when you start to dance with him, pulling at his arms to get him to loosen up. He complies, wrapping his arms around your waist and pulling you close as the two of you move together.

“I’ll let you know when I spot him.” He tells you, voice causing goosebumps to rise on your neck; goosebumps that he notices but doesn’t point out.

It only takes a song or two before he spots who he’s looking for and sends you over, making sure your com is on, and choosing to stick by the bar, giving him a good view of you and allowing himself a break of having your body pressed against his.

He’s impressed listening to you talk to this guy, voice smooth and sultry, yet still commanding.

He knows there was a lot of talk when you took position as boss; not a lot of people in the mob took you seriously and didn’t think you or a woman in general would be good in that kind of position in power. So, you use that to your advantage to get shit done, and Bucky applauds you for that.

It’s not long before the guy offers to go somewhere more private to discuss business and Bucky follows far behind, Sam praising you through the coms from where he waits in the car outside, watching through the camera in your earring.

Bucky waits outside of a closed office door upstairs, listening to the conversation through the coms but hearing your exclamation through the door when the guys give you his asking price.

“5 mil each?! What do you take me for, some kinda stunad?”

“Take it or leave it.”

“Take it or leave it, yeah, I can put a bullet between your eyes and take it, alright.”

“Stop messing around and take the offer, it’s not real anyway!” Sam tells you, not wanting to lose their chance on the serums.

You ignore him prioritizing your need for respect over the stupid mission, “How do I know these aren’t Kool-Aid pouches poured in glass bottles?”

“Well, I’m certainly not going to test ‘em out for you.” The guy scoffs.

“Stronzo. You’re outta your fucking mind offering me that.”

“I’ll lower the price for you if you give me a little dance, how ‘bout that?”

“Vaffanculo.” You curse at him.

“Up yours, lady!” He yells back, and Sam sees through the camera, he grabs at you.

“Buck, get in there.” Sam tells him, and it only takes Bucky a second to kick open the door.

He’s a bit taken aback when he not only sees the case of serums out on the table, but you holding the man bent over the small table in the middle of the room next to the serums, gun held to the back of his head.

He very quickly decides that you’re fine and moves to grab the serums, closing the case and holding it securely in his left hand.

“Don’t kill the guy.”

You stay silent and Bucky looks at you again. He can almost see the steam coming out of your ears and he notices a small cut on your cheek bone. He looks down to the man’s cowering figure and notices a large ring on his hand.

You mumble something in Italian to the man, a threat of some kind that Bucky can guess given how the man shuts his eyes and shakes a bit under your hold. Sam finally enters the room, military grade handcuffs in hand.

“Feds are on their way, get her out of here.” He tells Bucky.

You slowly lift the gun off the man’s head and stand up straighter, walking over to brush past Bucky in the direction of the back door.

He makes eye contact with Sam and gives him a nod before following after you, watching as you scrunch up the bottom of your dress to replace the gun in an ankle holster. Once outside, he stops you under a street light near the car and raises his hand to look at your cheek.

“We gotta get going,” You swat at his hand.

“You’re still bleeding.” He says, using his thumb to brush away the line of blood, smearing a red tinge on your skin.

He looks into your eyes and for a second he sees the tough exterior drop. The face of someone who got smacked across the cheek all for mouthing off at some asshole.

Your vulnerability doesn’t last long, though, as you sniff and walk towards the car, opening the passenger door and sitting inside before Bucky can make it over there to open the door for you.

The drive back to the apartment is silent, and Bucky doesn’t know what to do or say to fill the silence. Stepping into the apartment, you immediately go to change and collect your things. Bucky moves to the bathroom to look for a first aid kit of some kind.

He meets you in the room and you’re now in cotton pants and a large t-shirt, sandals on your feet showing the bright red color of your toenails and the lines indented in your skin from how tight your heels were. You’re hanging up the dress and zipping it back in the cover when Bucky drops the first aid kit on the bed.

“Christ, it’s only a small cut.” You mumble.

“Just - Let me, would you?”

He takes out the liquid of disinfectant and soaks a cotton pad, cleaning off your cheek bone with it before covering it with healing ointment and a bandaid.

You don’t thank him when he finishes and he huffs as he closes the kit, “When do you drop the act, huh?”

“I don’t.”

“Really?” Bucky asks in annoyed disbelief.

“No. People tend to try and have me whacked when I drop the act.”

He sighs, “So, what, nobody ever takes care of you? Treats you? You don’t have any days off? Time to be yourself?”

“This lifestyle doesn’t really allow me to have days off, Sergeant Barnes.” You snap, gathering the dress in your hands and turning to face him completely.

“Take me home, I’m tired and my feet hurt.”

You leave him in the room and he waits an extra few seconds before dropping the conversation and following you out.

...

Bucky opens the back door to the environmental facility with his right hand and sees the door to your office open, you and your crew sitting together surrounded by cigar smoke and he can hear a TV on.

“Sir, please step into the vehicle.”

“Like the cop would be callin’ this asshole Sir if the fuckin’ cameras weren’t around!” You wave a hand at the TV, not yet seeing Bucky standing there.

He finds it funny that the gnarliest criminals - the literal Mafia - spend their time watching shitty, scripted cop shows.

It’s been about two weeks since the mission with you where you retrieved the serums. Sam went to prom with your sister five days ago, which was hilarious for him, especially when he got photo prints of different sizes in the mail at his apartment. He didn’t bother thinking about how you found his address.

One of the men sitting next to you glances his way and sees him standing there, smirking at the vision of him; hair combed slightly back and to the side, and a large bouquet of flowers in his right hand and a small paper box in his left.

“You got company, Boss.” He says.

You look over to the doorway and your jaw drops in an open-mouthed smile.

“Look at googootz! Now this is a man that knows how to treat a lady, are you boys paying attention?” You tease, scurrying over to him and pinching one of his cheeks, resting your free hand on his large bicep to guide him into the room, the rest of your crew ushering out to give the two of you privacy.

“What’s in the box?”

“Cannoli.”

You throw your head back with an exaggerated moan, “You know the way to an Italian woman’s heart, Sergeant Barnes. What’s with all the gifts?”

“Thought I’d treat you.” Is all his response is.

You narrow your eyes at him and stand up a little straighter, crossing your arms over your chest.

The last conversation before he dropped you off that night hasn’t escaped his mind. He understands the difficulties of life - how it’s hard to find time for yourself among the busy schedule that is existing. He catches himself sometimes, too, forcing his body to run with no sleep, burning through all of his energy until he’s completely drained and blaming it on life.

But life’s not always like that. Life allows for days off. For treats. For a bit of kindness. And Bucky’s come to show you just that.

“What, a beautiful woman like you never received flowers and pastries before?” He says, taking a half-step forward to be close enough to look you closer in the eyes.

“Are you flirting with me?” You whisper in amusement.

His eyes glance away from yours to look down at your red-painted lips. He gives you a shy smirk, really turning up the charm. For a big, bad, boss, you’re pretty easy to break down.

“Let me take you out tonight.”

“Maybe I’ve got plans.”

“Cancel ‘em.”

“What makes you think you’re worth canceling plans for?”

“Why don’t you trust me and find out?”

“You should know by now, Sergeant Barnes, that I don’t trust.”

He doesn’t respond for a moment, setting the box of cannoli on your desk before reaching his now free hand up to your face, using his finger to brush away a stray hair and push it behind your ear.

He then takes a hold of one of your hands, turning it over to place a kiss on the top of it, before wrapping your fingers around the flowers in his other hand, forcing you to take them.

“No restaurant you’ve been to a hundred times over, no drama, no business. Just a man trying to treat a lady.” You look down at the flowers before meeting his eyes again.

“I get to pick the place.”

“No.”

“The kind of food.”

“No.”

“The -”

“No. Let me take care of everything.” Bucky insists, determined to get you to give up control for the first time in what he can only imagine has been a very long time.

Bucky knows better than anyone how terrifying it is to give up control. It was terrifying when he was forced to give up control, his free will taken away from him in the war for decades upon decades, but it’s terrifying even now when he has to do it as a free man. It makes a person vulnerable. When was the last time you were allowed to be vulnerable for somebody?

“I’m gonna pick you up here at six. Wear something nice and leave the executive attitude at home.” He finishes, leaving you with the flowers and cannoli before returning back outside, ignoring the stares he receives from you crew who wait patiently outside your office.

He feels your eyes follow him at the door, and he can’t wait to sweep you off your feet tonight.

#bucky barnes #bucky barnes x reader #bucky barnes mob au #bucky barnes x mobboss!reader #mob au #marvel #bucky barnes au #bucky barnes oneshot #even tho bucky wants her to give up control we all know he prob likes being yelled atin italian #and that the real reason he wants to take you out

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apairofcrepeswiththerarestape · 4 years

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The New York Review of The New Yorker for March 30th, 2020

Hello! Welcome to the relaunch of the New York Review of the New Yorker, a series where I, humble New Yorker subscription haver TD Sidell, attempt every week to read and review the New Yorker! This is an old on-again off-again project done last in 2015 (I think) which always crops up whenever I have very little to do. SURPRISE being out of work and trapped at home leaves very little to do SO HERE WE ARE AGAIN! This issue was pretty much a bummer through and through and had waaaaaayyyyyy to many references to Camus' The Plague (I lost count after the 4th, jeez, READ ANOTHER BOOK NEW YORKER STAFF WRITERS) so let's get into talking about this bummer!

COVER

Hey everybody! New York is all cooped up in their homes! Busy landmarks are all but abandoned! This is what this very well executed but pretty banal cover says to me. Artist Eric Drooker has cursed this one poor human with sweeping all of Grand Central and if you haven’t been there, it’s huge. Pretty mean there, Eric. At least this unknown person has something to do all day instead of reviving old projects that were mildly amusing at best AND gets to be in quiet Grand Central which actually seems kind of nice. Ok, mixed meanness and nicesness there, Eric.

TABLES FOR TWO

During this project’s hiatus The New Yorker has gone through a lot of changes. Gone is the Financial Page and in its place is this restaurant column that also at one point had a bar section but that too has been done away with. Usually I read this section thinking “this place sounds nice” and then never eat there. Occasionally there will be an article reviewing a place I’ve gone to or know people who work at and then I’ll read it with glee or anger depending on the complicated algorithm of my opinion of the place/people who run it/people I know that work there and Hannah Goldfield’s. This week it’s more of a state of restaurant world in this time of pandemic told via the goings on at the Num Wah Tea Parlor, one of my favorite places in New York. Turns out EVERYTHING SUCKS!

TALK OF THE TOWN

The thing about talk of the town is that it usually follows a pretty simple formula: the first bit is about politics, the a little slice of life piece, then something about a celebrity or the internet doing something interesting, then something vaguely about the arts, and then a wildcard. Sometimes the order changes but generally these are the things, a few little articlets that are perfect for a short train ride or a wait in medical office of some kind. This week though, OH BOY, do they seem extra dumb.

The political piece, by David Remnick, is about how terrible the president is handling this whole thing, which is NO DOY! increasingly, in this time of ultimate bullshit, it becomes hard to read these types of articles with anything less than a shrug. Everything Remnick says is totally correct but what’s the fucking point? WE ALL KNOW WE HAVE A TERRIBLE PRESIDENT WHO IS TRULY TERRIBLE AT EVERYTHING BESIDES PROMOTING HIMSELF. Having a columnist in a the freaking New Yorker point that out to me with specifics is a real snooze.

Next is a shortie about how terrible delivery people have it now. This is pretty hilarious because I've seen how people who read the New Yorker tip so I feel like 50% of the folks reading this little jammie would be like "yeah, that's fine"

After that a thingee about a kid from Mercer Island, Washington (an upper class suburb just outside Seattle) who made a covid tracking website (not the one I use, I'm all covditracking.com for my getting even more depressed by the second news) that got popular. Now, I grew up in Seattle and knew a bunch of kids like this AND THEY WERE INSUFFERABLE. Like calling cheap fouls while playing pickup basketball at the JCC insufferable. Also, Mercer Island sucks and is built on a landfill.

Then an extremely dumb meditation on toilet paper, the less said about it the better.

Finally a thing about a couple multimedia artists who made a thing where you randomly talk to people on the phone. I've relaxed my previous stance on multimedia artists recently (my previous stance was that they were pretty much awful) but it's hard to even get through even the first paragraph of this without rolling my eyes completely into another dimension. The sentence that did me in was "He had just returned from a two-year trip abroad, during which his algorithm dictated where he lived, taking him to Dubai, Taipei, and rural Slovenia." Aaaaanway I assume that invariably you get connected to someone jerking off when you use their phone thing.

THE POLITICAL SCENE

OH BOY! Susan B. Glasser writes about Never Trump Republicans, or at least one Never Trump Republican's attempt to rally other republicans to their cause. This had a real laugh to keep from crying vibe. The subject of the story was a former PR person who spent their career working for a cutthroat firm that worked against corporate regulation. While I'm not certain of the exact tactics of this firm, I AM sure that it involved lying and obfuscating like they were getting paid for it (which duh, they were). The irony of someone decrying the acts and tactics of our extremely wet baby president when they themselves paved the way for those acts and tactics throughout their entire professional life is so rich it gave me brain gout. Anyway, SHOCKINGLY, this person spent a whole bunch of money and nothing changed! Ha HA HAAAAAA (sob).

SHOUTS AND MURMURS

Did not read.

ANNALS OF CULTURE

JILL MOTHER FUDGING LEPORE EVERYBODY! J comes through with a history of contagion fiction and even though this piece is patient zero for the pandemic of The Plague references in this issue (that was a little much, I know) it still sparkles. This was a great one.

LETTER FROM CHENGDU

Peter Hessler on his life in the lockdown of China. Weirdly I found this piece very soothing. Maybe it was all the different descriptions of the way people wore their masks? I DON'T KNOW! I kind of fell asleep reading this one.

COMIC STRIP

Chris Ware, much like Miller High Life, is something that I really loved in the early-mid 2000s but now have really lost my taste for. His self deprecating misanthropy schtick seems pretty boring now! Especially coming from a very successful person!

OUR LOCAL CORRESPONDENTS

I was really dreading Adam Gopnik's piece about New York during the time of Corona, even more so when I checked its length in the table of contents. Luckily it has a lot of photos by Phillip Montgomery. Some of those photos were very affecting (empty subway car/shelves at grocery store/classroom/restaurant, person diligently cleaning Port Authority), others less so (hand inside of plastic glove, rich person looking forlorn from windowsill of very fancy apartment), and one which was kind of both (stockbrokers on the phone outside the stock exchange (boring as hell but one of the dudes has a jacket with the word "Pasta" stitched into it and he's either selling pasta futures (which would have been a good thing to invest in seeing as how my body is now 65% pasta) or he's a stockbroker named like Tony Pasta or whatever and believe me, if I ever get the fuck out this I'm sure as shit unleashing on the world my character "Tony Pasta, Stereotypical Italian Stockbroker" who only invests in gabagool but somehow makes tons of money doing it.)). Without looking at the words I cannot remember any of the stories from this article though!

FICTION

I used to never read the fiction in the New Yorker but now I do. Even though I do have a degree in English and World Literature and should be able to tell you more about this story besides that I was bored by it, I cannot! It's possible I was bored because there was so much talk about tennis in it and oh boy I do not give a fudge about tennis!

ON TELEVISION

Doreen St. Felix gives us more of the what is ______ now that Corona is happening with television filling in the blank. It was fine.

A CRITIC AT LARGE

David Denby spends a few pages talking about how horny Harry Houdini was.

BOOKS

Casey Cep tells me more things amount Mormonism that make me go WHAAAAAAAAAAAAAAAAAA??????????????????????????????????????????????????????????????????????????????????????????????

BOOKS

I've never heard of Anna Kavan before but if I ever get to go to bookstore again I'll buy a copy of Ice because Leo Robson made her sound cool and kind of mean and fucked up and I like that in authors.

THE THEATER

Did not read.

Also did not read any of the poetry or laugh at any of the comics.

THAT'S IT Y'ALL! Another one of these in the "books"! Will I keep doing this? Probably! See you next week! Probably!

#The new york review of the new yorker #the new yorker #new york #corona #another dumb project #important criticism

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