#also changed up which brush im using for this bc while i liked the texture of the other one it was getting annoying

[lesliemeyers]

this might be a deepcut meme but it has lived in my brain for years

[ghoulciifer]

So heard you want Haikyuu request! So when I get mad at someone (VERY rare) I just look at them like 😠. And just kinda shun them like “dont talk to me 😠. That was rude 😠” so i just scoot away from them. I wont walk away from them, ill just go to the other side of the couch or whatever and if they try to console me im like “no! You spoiled my show 😠” and only kinda yell at them if they keep pursuing like “im mad at you” and if they touch me im like “NO! IM MAD AT YOU” is all lmao UHHH PART 2

hc: how Kageyama and Nishinoya react when their S/O gets angry

tw: none (i think?)

tags: angry!reader, haikyuu, eventual comfort/fluff, slight nsfw with noya

notes: ahsgshahajsh i’m the same way when i get angry but i CRY so much, so i kinda felt this one? but i did hc’s for this because i wanted to do it NOW. i love my boys, especially noya. ty for the request, i love you, and my inbox is still open for asks ❥

» i feel like kageyama is just permanently unaware of everything going on around him, like all this boy has on his mind is fuckin’ volleyball and you, ofc

» i also feel like this is a big reason why doesn’t have a filter sometimes... which gets him in trouble.

» you two are just chilling on the couch, all cuddled up together, watching a show you’ve been trying to catch up to him on (because he’s impatient and apparently can’t wait for you to come home smh)

» you’re halfway through a super suspenseful episode, and there’s a huge lead up to a plot twist but it’s just dragging on forEVER

» “ugh, why can’t they just show who dies, already?” you grumble under your breath, beyond irritated, huffing for good measure

» kageyama just

» nonchalantly fuckin’ spoils it

» “oh F/C/N dies, happens next episode.”

» the speed in which your head turns his way is inhuman LMAO

» you’re so angry you can’t even form words, your blood boils as it rushes to your face and your brow is furrowed so deep

» not only did your boyfriend ruin the rest of the episode but YOUR FAVORITE CHARACTER DIES??

» of course kageyama doesn’t notice your death glare until a couple seconds later, looking at you with the most dumbfounded expression

» “...what?”

» you don’t even say anything, just get up, take a deep breath, and walk as calm as possible to the bedroom, slamming the door behind you

» meanwhile kags is still just ?? nani ??

» he leaps into action and tries talking to you through the door but once he hears the tub’s faucet running from your bathroom, he knows it’s your me time and he shouldn’t interfere

» so while you’re soaking up in a hot bath with your favorite scented candle burning at the edge of the tub, listening to your favorite playlist at a comfortable volume,

» kageyama literally sits on the couch and thinks SO HARD about what he could have possibly done wrong ahsgsgshaja this boy

» you were fine before you started watching the show, even after the show started you were quite literally all over him, so where did he go wrong?

» it finally dawns on him that your sudden mood change happened after he spilled the beans on your favorite character’s death

» insert kageyama slamming a palm to his face

» THIS DUDE FEELS SO FUCKIN’ BAD NOW

» he waits at least another 15-20 mins before creeping into the master bath to check up on you, a warm mug of your favorite tea in hand and the sweetest look on his face

» how could you still be mad at him when he’s literally doing the 🥺 face ???

» he crouches at the edge of the tub and leans forward to press a gentle kiss into your temple before setting the mug on the ledge, situating himself so his chin is laying over his folded arms, facing you

» “I’m sorry I’m an idiot... and about F/C/N. I know you liked them a lot.”

» you can’t help but giggle at how precious the moment (or the look on his face) is and you raise a hand to his cheek, rubbing the soft skin over his cheekbone with your damp thumb

» “It’s okay, Tobio, at least I didn’t have to see it. But next time... try not to spoil anything, okay?”

» nishinoya might seem like an air headed tornado to most, but he’s actually pretty perceptive !!

» so he’s always aware of when you’re angry, very in tune with your emotions, constantly tries his best to avoid hurting you or your feelings in anyway

» but uh... he fucks up sometimes.

» you were at your shared home, waiting for him wearing nothing but his old volleyball jersey and his favorite pair of your panties (y’know the ones, with a cute lil’ bow on the front and less fabric in the back ;0)

» there wasn’t really any special occasion but you both made it very clear during a suggestive text conversation earlier in the day that you were going to jump each other’s bones as soon as you got home

» he did let you know he needed to stop by tanaka’s after work to pick something up, but you figured that wouldn’t take long at all, right?

» wrong

» you’ve been nestled in the same spot on the couch for hours, the sun no longer shining into the living room, and you were absolutely steaming from the ears in wait for your boyfriend

» you honestly weren’t even in the mood anymore the longer time dragged on, the show you put on doing nothing to distract you from your aggravation

» eventually you hear the familiar jiggle of your front door and the clanking of keys being hung on the rack before footsteps head your way

» you keep the blanket in your lap wrapped around your waist and sit up, arms crossed, bottom lip jutted out ever so slightly with narrowed eyes

» “Hey, baby! I missed you all da-“

» he tried leaning down for a kiss but you pressed your hand against his lips before they got close enough

» noya is confused for a split second before he notices you’re wearing the one piece of clothing you know will get you laid when you wear it

» “...fuck.”

» “Actually, no, not anymore.”

» you get up from the couch and side step around him, ignoring the way his fingertips brush against your wrist in a failed attempt to grab it

» once you make it to your bedroom you lock yourself in the bathroom to change clothes, wash your face, let your hair down, etc.

» the running water lets noya know you’re starting your nightly routine, and there’s no way you’re doing anything after that

» he’s very aware that you just need to cool off, you got your point across and all that remained was the recovery process

» so he decides to use this time to get himself in his sleep clothes as well and situate the bed in the most comfortable set up possible, the way he knows you like it

» also grabs a snack or two from the kitchen and sets it on your nightstand in case you do decide to talk it out instead of going straight to bed

» he patiently waits for you to emerge from the bathroom as he holds onto the stuffed koala he won for you at some fair years ago HE’S SO CUTE I CAN’T ALDJSHSJAK

» when you finally do come out, donning an old pair of his sweats and an oversized t-shirt, hair brushed and face clean, his face instantly softens

» bc he can’t help but admire how beautiful you look in moments like this 🥺

» once you see the look in his eyes and the stuffed toy in his arms, it’s all over, my guy - you don’t even remember why you were upset in the first place

» you climb on the bed and settle on top of him, head tucked under his chin and arms wrapped underneath his shoulders while he runs his hands up and down your spine, koala bear long forgotten

» “I’m sorry I was out so late, babygirl, I lost track of time... I’ll make it up to you whenever you want, okay? and I’ll hold you like this if you just wanna go to bed.” He finally says after a comfortable silence, kissing the top of your head as he finishes.

» your heart practically melts and suddenly you want to be the one comforting him

» “It’s okay, Yuu. I love you so much.” you lift your head from his chest to give him a sweet kiss as he reciprocates the phrase against your lips

» the kiss lasts much longer than intended and grows in intensity - next thing you know, he’s got you flipped over with his hands sneaking under your shirt to explore your soft skin, mouth latched onto your neck

» his hands wander to the waistband of the sweats resting over your hips and when his fingertips brush over the familiar texture of lace, he looks up at you with the MOST excited look

» “You kept them on?? FOR ME??”

[aharris00britney]

ASKS 18

Andromeda’s a big wide open galaxy; okay anyways here are some asks about Dead by Daylight, ayoshi collab, sims 5, my old recolors, and just some sweet people who sent me some nice messages <3

Anonymous said: In your collab with Ayoshi, the outfit that shows off the Ciara Top and Jess shorts, where can I find the garter belt accessory used with the shorts?

Those stockings get asked about SO much lmao. They are BY Ayoshi like.. idk why people ask about them. I desperately want him to remake them with new textures. Maybe one day lmao. All of his CC is in this post including the stocking (Miso Tights).

Anonymous said: Omg whos your dead by daylight main

Kate and Yui <3 I have been using Jane recently too. I play as Spirit for killer but I only do killer for the challenges LMAO

Anonymous said: I am very new to The Sims world, ts4 is my first time playing, and finding out I can have mods on my game change my world, and you are one of my favorite creators! So I just came to say you are really amazing. I think I have all of your hairs, and most of you others cc, it is because of you my townies look so cute nowadays!! Remember your effort is really valued and you are loved!!!

thank you so so so much ;n; I would really advise against having all of my hairs lmao there are like 150+ and a lot of the older ones have issues i want to fix... just need to find the time

Anonymous said: what do u use to get the little sparkles in your edits :o is it a brush?

I honestly don’t remember. Every since the first one I just use the same lookbook PSD that has the sparkle on it. These look similar though so try them.

Anonymous said: wcif the first two chokers used in your pic for your hairs you just put up on your patreon?

All of my patreon cc posts are public the day they go up. the download is for patrons only but the CC posts are public. Those always have the CC i use linked at the bottom. Always. They have since June of last year. Just go to my Patreon and scroll down to the hairs, and you will see them linked. No pledging or following required. 

Anonymous said: Do you have a Ko-Fi? I’m wary about trying to send a one-off via Patreon incase I forget to cancel the next month.

I have a paypal.me link > here < but please don’t feel inclined to donate. Also if you do a one-off with Patreon you can cancel it right after you pledge and you’ll still have access to the Patreon content til the end of the month. 

Anonymous said: not to rush you or anything but bella is one of the prettiest sims you've ever created and i can't wait for you to release her omg

Bella queen wbk (thank you)

Anonymous said: your models are so pretty! would you consider release the tray files of them?

that is the plan, not sure when though. I am building them a house rn which i’ve been having fun doing. They all lived in a basement before

Anonymous said: hi :) just out of curiosity, what is the EA policy u always mention concerning the third hairs in ur posts? thanks!

CC put on Patreon is supposed to be post within 21 days of going on Patreon. One of the community managers said it a while ago. I have the details on my Patreon about me page if you want to read and get links. <3

@ariapixie​ said: Happy New Years!!🎆🎉🎉🎆🎇🎆

thank you!!! i hope youve been having an amazing year so far <3

Anonymous said: Heey love :) I am obssessed with your hairstyles *_* you're the reason I switched from alpha to MM :) just wanted to ask you how come you no longer include recolors for your latest hairstyles? :)

well there were a few reasons:

1). I never used the recolors myself. I like the colors I just never used them 2). I got comments about the colors looking too metalic 3). I had started Patreon around that time and doing recolors for 3 (and sometimes more) hairs every month would have been a lot. Especially bc my DDS was broken so I had to do them a bit more complicated than just saving as DDS. 

I know that some people really liked my recolors, and I am sorry if me stopping caused any issues. There are actions for the hair colors and recoloring hair is really easy to learn and do. 

@sadnessimmer said: 💌This is the Amazing Person Award! Once you are given this award you are supposed to paste it in the ask of eight different people, who, in your opinion, deserve it. If you break the chain nothing will happen, but it is sweet to know someone thinks you’re amazing inside and out! 💌

Anonymous said: how is your content so amazing ily so much 🥺💕

Anonymous said: Thank you so much for all that you do! Your hairs and collabs are amazing

thank you so much! 

Anonymous said: Could you ever see yourself creating hairs (or custom content in general) for the Sims 5 once it comes out?   

If the style is something I enjoy and the creation method is similar yes

@ariapixie​ said: Hi I think tumblr ate my ask so I’m sorry if you’ve already gotten this. I really love your editing it’s so beautiful and I was wondering if you would ever consider doing a tutorial on how you do it

honestly most of the time i do stuff differently. I run the same topaz/sharpening actions every time and then add some shadows and play with curves. Nothing that is super intensive tbh. I wouldn’t even know how to go about doing a tutorial tbh

Anonymous said: What's your name on the gallery? I can't ever seem to find anything from you, or do you not have one?

aharris00britney; make sure you have CC enabled

@wcifblog​ said: Hi, I am in love with your CC. I'm a simmer for a long time but just lately I've been trying to learn how to make my own CC. I've seen some of your speed meshing videos and I was wondering if you'd ever consider making a tutorial for beginners on how to create a new mesh from scratch. (I'm trying to create a curly hair on blender but I'm stupid I guess). Thank you so much for all your work, love, Kel.

hey! thank you so much <3 I actually don’t mesh stuff from scratch though. So I’m afraid I am not able to help in that department :( I’m sorry

@tarrinix​ said: would it be possible for you to upload a mass file for download that has all of your hairs? (I'm asking for only the ones created by you so others don't miss out of credit links and things like that.)

I really wanted to get all my 2019 CC updated before the end of the year and have it up in a .zip. But I never got around do updating stuff from the start of the year. I need to get back into updating stuff I just am so.. unmotivated recently? Idk hopefully I can get all my stuff updated in the next few months and have some mass downloads for 2017, 2018, and 2019 stuff. 

@xayami​ said: any thoughts on 365? 😳

well.... im excited for B#RN. that is what matters, right? LMAO I’m going through a Weyes Blood/FKA Twigs phase rn so I haven’t been listening to much kpop. Especially at the time that 365 released.

Anonymous said: the sim modeling your piper hair can murder me and i will thank her over and over how make good sim

Anonymous said: it's not even just her it's every GODDANG MODEL!!!

LMAO Ivy is my 2nd blond model. She is a queen isn’t she? She is actually the sim from this lookbook and I just randomly added her to my models household and she stayed. 

[whumpiary]

Hey im sorry if you've answered this before, but how do you draw your bruises/bruising? It always looks so good!!!

HI @norawritestrash! THANK YOU FOR THE COMPLIMENT AND THANK YOU FOR THIS QUESTIONNN!! Please never apologise for asking something, it makes me CRAZY happy

I wanted to wait until I had my tablet back to answer it for you so I could do some visuals with it!

The short answer: LAYERS and REFERENCES

The long answer: Under the cut (content warning for bruise photos obvs)

Okay! So first thing is first: learn your colours. If you’re going for something vaguely adjacent to realism, this is really important. 

We have a habit of “learning” what things look like wrong, and so people will try to paint bruises by splashing a bunch of purple, blue, and yellow and then wonder why it looks weird! I highly rec going in with your eye-dropper tool in whatever art program you have (even if it’s MS paint) and pulling some colours straight from photos:

You could use these colours as pallets if you like, or (like I do) just as a reference point to remind yourself what real colours do. One of the biggest rules of thumb with bruise colours is that they often pull red and yellow because a) bruises are just blood trapped under skin and b) most skin-colours pull yellow!

And while we’re on skin colours... make sure you’re looking at references specific to the skintone of your subject, as this can REALLY affect the colour pallet. You can fuck with this if you like, but make sure you’re doing it intentionally, ya know?

OKAY!! So now we’ve done all our learning and referencing etc etc, let’s get to putting it on a face (bc I mostly do faces).

I almost always do bruises very last on a portrait, bc I tend to paint them at a later stage, though if you’re wanting a more dramatic look you might want to take swelling into account. I just don’t because I’m laaaazy

We’re gonna take this painting of manny jacinto I did a while ago and bash him up with paint (sorry manny):

SO the first thing you wanna take notice of, is the shape of the face/section of face. We’re gonna do the eye:

See how the shape flows and tilts in different ways?? We could literally just colour these “waves” in black and put it on a low opacity and it would kinda look like a p good bruise. In fact, let’s do that:

This is just pure black, done with a textured brush, following the shapes of the face. A few little hacks here include pooling deeper shades in the “corners” of shapes, were blood would more obviously pool. Again, check your refs! Nature follows rules, bruises are just nature!

Now lets add in some colourrrrrrs.

Make sure, as you’re adding extra tones, be sure to do it bit by bit, and not just cover one colour totally over another, otherwise you’ll get this disaster (done in purple to demonstrate a double No-No):

 I like to start with a middle-range colour: not the deepest, not the lightest, but a middle range (usually a pink), followed by a slightly deeper shade (usually a deeper pink) to start shaping that dEPth.

PLEASE NOTE!! All bruise work I do, I do on a seperate layer ON TOP of the finished drawing. This is important later, but also just good practice so you can change your mind if you want.

Another method you can use is to do each individual colour/shade on a seperate layer. This is more complicated and fiddly, but some people find it easier

Now if you were going for a really subtle bruise (like a mostly healed on, eg) you could almost leave it here! If you like a bit of a darker look, just play around with tones until you get something you kinda like:

Remember all of the different yellows and greys from your pallet too!! you’ve got a whole range to play with!!

“BUT NELL!” I hear you scream “THIS LOOKS SO FAKE AND FLAT THO”

yeah, bih, I know. that’s when we get to CHEAT and play with ~layer blending modes~ which you can google bc i cant be bothered screenshotting. My fave blending modes for bruises (or also, always) are Multiply, Overlay, and Lighten. All of these have different functions and I could explain them, but I think its better for you to have a play on your own and see what you like (in some art programs, its worth noting, you can also use these modes on your brush, and get the effect from the get go. that’s not my personal preference but ya know. its an option)

BAM! Dynamic!! But maybe a little intense. So lets play around with those settings and transparencies a little...

ooooooh yeah there’s that stylised middle ground yeahhhhhh babyyy. see how you can see all those cool and warm undertones now??? thats the good juice.

And Voila! Now all that’s left to do is to stare at your finished piece and try not to judge it too much!! Usual shit.

Hope this helps! Never hesitate to ask questions like this. I love it x

[marksloan]

cristalcarrington’s icon tutorial!

a little treat for day 28 of my filmuary challenge!

i’ve honestly lost count of which one this is, but welcome to another icon tutorial! here i’m going to breaking down my icon creation process step by step. i currently am a mac user and all my previous tutorials have been windows orientated (which unfortunately were all lost in the great url loss of 2017). my process hasn’t changed much since then, but i have picked up quite a few new go-to tricks and i’ll be sharing these tips in this post!

anyway! here’s what you’ll need-

photoshop (i currently use photoshop cc so be aware that options and tools may not translate onto other programs/versions of ps) and yes, i do pay for my photoshop but if you’re in need of a decent, safe download i might be able to point you in the right direction so hmu

patience (believe me some of these icons have taken me a painfully long time to create) just don’t feel discouraged if things don’t work out perfectly right away!

a creative mind. please be aware that this tutorial is only for educational purposes. under no circumstance directly replicate my icons! the one involved in this tutorial is clearly fair game, but please try to take creative liberty with your work. what i’ve found a lot of fun is incorporating bits and pieces of what other people do into my own work.

further resources

if you need more reference/help, here’s an icon psd for you to have a look around while reading the tutorial or instead of the tutorial. again, please do not re-upload or redistribute.

please consider reblogging this if you’ve found it useful. or checking out my resources!

starting off

so today, i’m going to tackle a screencap for my ongoing filmuary challenge!

i tend to get my screencaps from google, so for this i literally just googled “mirror mirror screencaps” and selected a image from google images. when i’m not feeling lazy, i tend to go through the whole movie (great screencaps can be found at screencapped or kissthemgoodbye)

my first move is to open the screencap in the photoshop on it’s default canvas. the one i’ve chosen is normally the sort of screencap i’d go for-- one that has a central focus on the character and allows me to get a solid outline.

i tend to avoid screencaps that cut off the top of the characters head. i also tend to gravitate towards scenes that look easy to colour; if you choose overly saturated screencaps or screencaps that are too dark/light, then you will find it difficult to colour while conscious of the screencap quality.

base colouring

i then duplicate the screencap.

and then i set that duplicated layer to screen.

i like to make my icons super bright so i repeat this. it will vary depending on how dark the scene is. i prefer to do this to the screencaps as i find that it preserves the quality of the cap.

alternatively, you can use a psd-- my favourite as mentioned in previous tutorial is @blairsfelicity‘s icon psd which you can find in her tutorial here. my new method is just a whole lot lazier and i’ve been really enjoying the way my icons have turned out.

outlines

now here comes the menial part-- time for the outline.

remember to add a layer (unless you want to break your own heart by doing it directly onto the cap and being forced to start over (which i would NOT recommend by the way, crying over a screencap is as demoralising as it sounds)).

 i vary between using the pen tool and a brush/eraser for my backgrounds. i like to shake it up depending on what i feel like doing or what the screencap would best fit. it also completely depends on whether i’m feeling particularly lazy or not-- if i have time to burn, i’ll use a brush. if i’m in a rush, i’ll use the polygonal lasso tool and refine my selection area with masks.

in this tutorial (due to my boredom of doing things over and over, this beautiful filmuary) i’m opting for the brush method. but if you want me to talk through polygonal lasso process which is a lot quicker and really streamlines the process-- then feel free to drop me a message and i’ll be happy to make another talk through.

i like to use a brush for my erasing, on 30-50% hardness. i like to use a diffused/low hardness so my icon doesn’t look too sharp and the background and model seem to go with each other more. i’ll go for a small brush size when it comes to detailing (for example, when it comes to profiles, hair etc).

once i’ve outlined the model, i select the area around her with the magic wand tool and fill in the selected area with either a brush or a fill layer. then i merge the outline layer with the new colour layer.

(these two examples are from another icon process bc im dumb and forgot to take screenshots)

there will be a full little line around the model once you’ve merged the layers. i just tend to fill it in manually with a brush.

now here comes the fun part-- the colouring.

make those colours pop!

as you can see, the screencap has a lot of colours, but we need to make them pop. i take one of the colours, make a new layer and just paint until it’s vibrant and bold. once you’re happy with your colour selection, set the layer to soft light and adjust accordingly.

i tend to go for softer brushes when it comes to facial features. the lips, to make them a darker colour, i opt to set the layer style to multiply instead of soft light, and paint over the lip shape with a light pink/red.

i always like to highlight the eyes to aid contrast in the screencap. i also like to fill all eyebrows in with a black (set on soft light) as well as the lashline, just to add further dimension and contrast to the model.

prepping the icon

this is what my screencap looks like with the colouring complete. as you can see, each colour is on a separate layer. this is so i can adjust/duplicate each colour accordingly. once i’m happy, i place everything into a group together.

i make all of my icons on a 100x100px canvas. 

i like to edit the screencaps on their original canvas as it helps with the quality of the screencap as well as allowing me to outline accurately.

i just drag the files from one tab into another.

and then you can size it appropriately. 

my next step is to select the same colour as the background and to paint over the white strip at the top of the icon. i do this directly onto my outline and then merge the two together. you now have the foundations of your icon to build onto!

final touches in the colouring department

there is honestly no direction that i could give you when it comes to these final colouring steps. 

i like my icons to be very bright, so i target the contrast with levels and brightness/contrast layers. I like to also turn up the vibrancy to make the colours pop even more. 

my preference is for the skin to be very neutral, so i try to combat the saturation of the skin with colour balance and selective colour layers (as well as another step i will explain later in the tutorial)

as you can see above, i place the final colouring all underneath the background layer as this makes it easier for me to place textures later on. 

if you have problems with the model’s skin appearing too saturated, i’d recommend taking a solid fill layer of a black/white/grey and setting it to colour. place that layer just above the screencap and adjust it so it combats any saturation you might be experiencing.

textures and finishing touches!

clipping masks are honestly a god send for me. you can find them by right-clicking on the layers and selecting clipping masks. as you can see above, i use clipping masks to place a green texture on top of the icon’s background. i then layer above that by using further clipping masks, adding other textures and even layers to adjust the colouring of the background.

my favourite place to find textures are livejournal and deviantart-- soaked on livejournal is my go-to at the moment and i really enjoy evey-v’s icon textures. i also have my own resouces/textures that you can find here!

once i’m happy with how the icon looks, i copy all of the layers together and paste them under the background.

this is a super lazy way of sharpening the icon-- an alternative method is explained really well by @jennifergarner (aka the god of icons) on her icon faq page. i have used this in the past but after filmuary i’ve found a few little tricks.

i then just sharpen the icon and adjust the opacity of the sharpened layer depending on my preferences.

and then there we go---

my chosen export settings are just to go for PNG every time. this helps preserve the quality of the icon and help it look super clean and tidy for whoever wants to use it.

and with that, that’s a wrap up of my tutorial.

for other tips and tricks, here are some of my asks that i’ve responded to;

do you have any tips for cutting short/curly/messy hair?

hey, would you mind sharing a psd icon?

what are some of your favorite icons textures?

can you break down how to use different types of textures?

[resbang-bookclub]

AMA Transcript: Simple Melody

For our final AMA of Resbang 2017, @alliope, @bbbutterfingers & @daciafu stopped in to answer questions about their Resbang, Simple Melody! Here’s some of what went down:

Q: My first question for Allie is what inspired you to do this AU?

Allie: Well I've generally had the idea for an Over the Garden Wall AU for a while, not necessarily for SE, but as the first check-ins deadline was approaching I ended up rewatching bits of Over the Garden Wall and it just kinda clicked? Mainly I think it came from Crona's betrayal and Beatrice's betrayal and everything fell into place from there. I thought the eerie atmospheres would work well together! So I ended up scrapping my previous idea and wrote 3k plus a summary like three days before the first check-ins, rip.

Q: For butter/dacia, what went into how you decided which scene(s) to art?

butterfingers: HM well there was some chitchat when we started about what kind of work we wanted to do and I said that I loved the Boom comics covers, and then I shouted WHAT IF I MADE  COMIC BOOK COVERS! and I think Dacia went WHAT IF I DID BACKGROUNDS and I guess we just approached it as if we were doing something comic-y haha!

Allie: You two were the power duo.

daciafu: I've always been in love with the style of the backgrounds of OTGW since that's where all those cozy and spooky feelings of fall and the Unknown really shine and I'm honestly HORRIBLE at designing backgrounds so I wanted to take the challenge and push myself to get better! Mimicking other people's styles really helps me break down how they make their choices and teaches me how to make things look Decent so I was super hyped to pick up the OTGW style! And then when Butters and I were trying to figure out What Do and she said she wanted to tackle covers, I decided to do background-heavy scenes. 😊

Q: What is generally your guys’ process (writing for Allie and arting for butters and dacia)?

Allie: Well, I wrote in little scenes, like I would get an idea for a scene and just go for it, the fic wasn't at all coherent until maybe a few days before posting. This actually posed a problem since linking scenes took longer than I thought it would. Because I had most of my scenes written, I thought I had more finished than I really did. By the end of Resbang, I had 56k written but only 20k remotely post-able. I'm a super obsessive planner though, so my whole fic was outlined in detail early on, which was nice cause I knew what I was doing lol

butterfingers: I loved going through Allie's notes, I was always excited to see how they'd connect the dots! My art process is as follows: scribble something, put it aside, look at it a lot throughout the day with the thought that maybe I can surprise myself into seeing something new, find something I hate, fix it, rinse and repeat. For this project I actually... have a friend who works with Boom Comics and she was able to hook me up with a nice little gallery of illustrations for the OTGW comic so I got to go through and put together my mood board for it 😊

daciafu: I read over the gloriousness that was Allie's draft and immediately picked out some neat scenes or wanted to reimagine the classic OTWG ones. I spent a lot of time studying first! Looking at the art books, and poring over the show’s scenes and kind of getting a feel for the color palettes, textures and compositions. Then I watched a tutorial on Youtube where someone just deadass uploaded their painting process on a piece of official art that made it into the show. So that was EXTREMELY helpful to watch the way they painted back-to-front and kind of blended the planes without like, losing depth?? The internet is so, so wonderful. And then I got to work! Started with a soft brush for lineart so it wouldn't be too prevalent, moved onto base colors, then shading, and then really trying to establish textures and make the atmosphere Just Right(tm).

butterfingers: Genius!! Oh damn that sounds like such great advice vis à vis backgrounds. /takes notes

Q: You sound like the dream art partner Allie, I weep for my artists and my last minute HERE IS 10K I JUST TYPED UP BC IM A MESS.

Allie: Ahh geez, these two were the dream partners honestly, like I'm so glad they could gather stuff from my notes, cause I've always got everything together in my head, but then it gets out there and it's a mess, these two deserve all the love.

butterfingers: There was one thing I regret that I didn't have the chance to draw and it was like a throwaway line somewhere in your notes about Maka presenting Soul with a praying mantis and him freaking out. I resonated with that so hard hahaha.

Q: What was the hardest scene for you to write?

Allie: The hardest scene to write that's actually posted was anything with Justin really, I don't get his character and it was tough to write him. There were a few scenes that were hard to write because I rushed them, but I wouldn't say they were genuinely difficult scenes, I just gotta rewrite 'em! But overall the ending scene I'm still struggling to write and there's a dream scene that occurs which has been difficult to write just for making it dream-like enough?

Q: And what was the hardest to art? :o

butterfingers: I had a hard time with Maka's expressions. I had many scribbles designing a Ragnarok lantern, too, but it was very fun!!

Allie: Your design for the Ragnarok lantern was so good, I still cry over it.

butterfingers: Ahaha thank you! He was very Calcifer inspired ;)

daciafu: I struggled quite a bit with the first one I painted, just because it was all so new to me. I had to base color 3 different times because the soft lineart bothered me if something extended too far, or there was white background peeking through. And then reimagining the texture in the leaves and the ground to try to separate the planes there but also wanting them to be cohesive was a bit of a headache. If I had to go back and do that one over again I think I'd be more prepared to deal with the foliage lmao.

butterfingers: Your textures were very excellent, that was a quality I struggled with as well!

daciafu: The first one I painted was the Golden Light scene where Maka and Soul are leaving the woods and entering the fields.

butterfingers: Trees r hard.

Allie: They all came out so incredible though, I'm in awe of how you were able to create those leaves.

daciafu: Omg ;;;;; At the same time trees are so organic and flowy and the chances of getting them wrong are pretty slim considering they can get janked as hell lol they're super fun to just zone out to. "I’ll just put a happy little leaf here, ooh and how’s about another one right next to it. They can be happy friends. Oh look, the squad showed up!!" Channeling my inner Bob Ross... but yeah you can just do whatever with them and they somehow come together.

Q: Daciafu how do u.....background, like you did so well and all I hear from art friends is various levels of pterodactyl screeching when the word background is mentioned.

daciafu: I heavily based the Leafing the Forest scene and the church scene after stills from the show so I don't get composition points there, but I built the pumpkin fields just based off of the environment’s design elements. I really wanted to push the depth of that scene but also give it that same never-ending quality to it, and I'm super happy with the results. Another note is that I omitted the characters entirely while building the backgrounds. Since I'm usually a pretty character-heavy artist, I wanted to tackle it like I was preparing the scene for an animator later. And then once they were done, I added in our sweet kids. Doing it that way first really helped to cement the characters in the space rather than my usual "character is done, how can I put them in an interesting physical space?" struggle lmao.

Q: Did you guys feel like your writing/arting changed at all or that you learned anything/picked up new skills/honed old ones etc. etc. during Resbang?

Allie: Gosh yeah, it changed a lot. In hindsight a bad idea, but this was the first fic I'd ever written with intention of posting and the longest piece I'd ever written. Before this I had written very little and my longest piece was maybe 10k. Throughout Resbang I've learned most of everything from the ground up, it's taught me a lot about my limits, how I work and writing in general. I've definitely improved a lot from the experience!

butterfingers: Let me tell you all about the airbrush tool that I discovered during Resbang. Amazing. Incredible.

daciafu: I learned how to paint backgrounds!!! Which is something I've always wanted to get better at. And I got super comfortable in Clip Studio (I'd just gotten it) as well as using texture brushes, so overall it was a very helpful and wonderful experience as a Resbang participant and as an arteest.

Q: Oh that reminds me butters, what program do you use?

butterfingers: Paint Tool SAI for the most part, and then Photoshop for color correction, borders, and, like, finesse things! :)

Q: Did you guys listen to any music that inspired you or helped you create?

Allie: Ah, yeah! I had a playlist actually! https://www.youtube.com/playlist?list=PLjTCaFkFU6rkD1edJwCZmHvJiUwlSUeGZ

If you want I can explain some bits of it? I use music a lot when writing aha. I like to associate certain songs with characters and character relationships, so most of the songs are connected to a particular part of the story. The Monroe Transfer, Wayfaring Stranger, and Mountains were all more general atmosphere stuff. Blame was very much related to Maka, which may not be apparent now, but yeah. Ragnarok I actually connected a lot with Willow Tree March. Soul was probably closest with A Lady. Crona had a lot of songs, but Neptune was most specific to them, as was probably Ghost Towns. Some character relationships I associated with certain songs, Crona-Ragnarok and Soul-Maka were both pretty connected to Always Gold, especially that dang last line "there were holes in you, the kind that I could not mend" oh man. Crona-Maka was definitely We Could Be Friends, Bloom, and Spell. Meet Me in The Woods I thought was a pretty good group song! Those are just some general bits of my thinking with the music aha.

daciafu: Definitely checked out Allie's dope playlist. For most of my working time, tho, I was either listening to TAZ: Commitment or MBMBaM oddly enough lol. I will forever think of Justin's uproarious laughter whenever I look at them lmao.

Q: Were any of the relationships difficult to characterize?

Allie: Mmm this may sound weird but early Maka-Crona was weird for me, cause they were kinda at that point where they want to (or at least Maka wants to) like each other, but they don’t like or trust each other at all and it's a weird spot for them. I'm used to writing them as at least interested by one another, if not enemies or already fond of one another, so this felt like a very odd place to start with them.

Q: Do you guys have future plans for writing/drawing? Aside from polishing and posting the rest of the fic!

Allie: I have,,, too many plans,, I need less plans,, someone please take them away from me, I can't be trusted with them,,,, I do want to do a sequel for this when I get it finished, playing on the detail about crows memory lasting five years so. Beyond that I have a SoMa fic to finish for the prompt challenge!! I'm working on a gift for Crescentcrona, which is a fantasy Kirona fic called Eat The Rich. I have polyam week fics that I'm cleaning up, I think my favorite so far is a Azusa/Naigus/Sid/Mifune one for Through The Seasons. And God I have so many CroMa fics I want to write, I gotta fill the AO3 tag. I think the biggest one right now is a wings-related soulmates au that I've been working on on the side since October I think?

daciafu: Yo there's one scene that I'm like sUPER hyped to do if Allie does the sequel because I already know exactly how I wanna draw it but I wasn't able to fit that in near the end, and it didn't end up in the first part. But there are a couple of other scenes Allie and I workshopped that would be super fun to do and I would love to draw them. Other than that, my drawing plans are pretty much working on commissions as they come in. Surprisingly my queue has been maxed out and I just got a full time job so of course now I'm like.... hm.... I'll get 'em done eventually!!

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That’s the end of the AMAs for the 2017 season! Thanks again for reading along with us, and see you next year! :)

[bandmaiko]

do u have any digital art tips? i'm super new to it and advice would be appreciated, sorry if this is annoying or if you've answered this before!

edit: ok time to answer!

First of all it’s important to remember there’s no right way of doing digitial art. When i first got my tablet i was following a lot anime fanartists and watching tutorials that all did their work like sketch -> clean smooth lineart -> some sort of cell/airbrush shading and it did not help me get better at all. bc all my traditional work was messy af and id never drawn lineart in my life and hated it so i gave up before getting to coloring lmao. So don’t try to change your style for digital bc it’s already hard enough to get used to the feel of drawing on a tablet. I think what really helps me is to not treat it very differently from irl painting bc that’s what im used to doing. If you want to have a more natural feeling while drawing digitally, using textured brushes really helps!Some notes on coloring:I think the most important thing is to not be like “oh this shirt is blue so i must color it with blue” but think about what the different colors you wanna use look like next to each other bc the way a color looks completely depends on the surrounding colors (think about the blue/black vs white/gold dress dilemma). It rly helps to just study some photos and use the color picker tool to see what colors are actually in it.You’ve also probably heard not to shade with black (or darker versions of the same color) which is generally very good advice bc it makes your colors look very muddy and boring. However there’s this post going around that says what colors to shade what colors with and while it can sometimes help its not like there’s only ever one color of shading that’s gonna look good! I think the best thing u can do is just try things out and see what works. Bullshit it until it looks good yknow? And after you’ve done it a lot you start to develop some sort of feeling for it and it becomes easier to pick the right colors right away.This is probably completely unhelpful without any visual evidence but if there’s anything specific you want to know about please let me know bc it’d be much easier then to make a tutorial of sorts

also one last tip: START ON A BIG CANVAS. i usually start with 2500 px width or so

[rcsegarden-blog]

holy moly i just took a good three hour nap after class, and i missed all the introductions. well since i’m never on time to anything ( sorry don’t hate me ) i tried to make up for it by explaining my trash child in depth below, you can skip through the first half to read the summary at the end bUT i promise the self para is worth a read if ya wanna know my gal. i’ll try to get past the boring stuff, i’m aria most people tend to call me ari & i can’t wait to meet everyone of you. please don’t judge how many hamilton references i’ll make, it’s a problem and i’m working on it. any whoot i can’t wait to plot w every single one of you babes ! ps tw: death, depression, trichotillomania, self harm, & suicide risk ( if you’d like to not hear about any of these things, feel free to message me & i’ll give you a summary of rosalina without them! )

a self para?? ( bc i’m so extra )

How do you mourn when your own body is a complete and total reminder of your loss? Rosalina hadn’t quite figured it out.  She stared at the reflection of her sister in the mirror.  Identity was a fickle thing, especially when half of it is ripped away overnight.  Her heavy head fell to the side, tilted and her jaw slightly slackened leaving her soft pink lips parted.  The shadows fell heavily across her face making the contours look like deeply pitted bruises in the early morning light that filtered through the shades of her bedroom window.  A fierce, stern knock sounded from her door. The noise nearly caused Rose to jump out of her own skin.  If only it were so easy.

“Rosalina, you’d better be up and getting ready,” it was her father’s authoritative voice advised through the door.

Of course Rose was awake.  It was rare when the girl truly slept, not since everything happened.  The pills they gave her, coupled with their white lies of faith and healing, kept her in a fog during the day but her mind buzzed horribly during the night.  Uncountable hours were spent watching the pillow on the bed opposite hers which had long since stopped smelling of her sister, her attention buzzing with unthinkable concepts to healthy minds, all while her forefinger unknowingly traced the roadmaps of scar tissue telling a journey of loss across her forearm.

The face of her double stared back at her in the mirror making Rose’s stomach tick and curl.  She felt her chin quiver and she sniffed hard looking at the contents spread across her vanity.  The smooth tan surface was stained with rich, bronze foundation and drugstore hair dye in attempt to strip the features that had tied her to Penelope. She picked up her foundation sponge and watched the nude liquid drip onto the back of her hand, a perfect match. Rosalina had long since stopped fooling herself that a change in her appearance would fool others into security concerning her mental state.  She dipped her sponge tentatively before applying it to her face over her eyelids and lips.  She opened her eyes again, their slight green, like a spring she knew would never live to see come, the only relief from the bronze-smooth skin.  

The lid to her cream blush hadn’t been put on correctly.  She looked down at the small pot of dried out, deep pink cosmetics cracked like a small section of scorched desert. She parted her lips, which had been stuck together from being held together so tightly in anxiety, and spit into the jar.  She rubbed the saliva around the blush to reconstitute its creamy texture. Had Poppy been there Rose surely would have been scolded, maybe even roughhoused a little in lighthearted affection. Rosalina’s only consequence was a comfortless silence.  

The doorknob to the closet had been taken off promptly after Rose’s outburst. She stuck her fingers in the hole, pulling the door open.  Her hand lifted to the back of her head as her eyes scanned the array of clothing. Rosalina twisted a single strand of hair around her finger and pulled upward, a swift, small, quick action, pulling the hair out from the root.  She dropped it to the floor, pulling another, another, another, before ever noticing the action.  Her face flushed as she ran the tip of her finger over the area she had pulled from.  The empty space was detectable, a few hairs poking at her where the regrowth had begun again.  She rushed to her mirror, grabbing the brush in urgency.  She pulled her hair up into one hand, hardly able to contain the curls in her grasp, even with what she was convinced was an entire lock and curl of hair pulled out from the roots, before pulling an elastic band to hold it.  She would have to wear her hair in special ways.  Her mother was sure to notice.

Trichotillomania was only one of the many words thrown across the clinical room from the doctor’s file to her grief stricken parents. Depression, self-harm, suicide risk and survivor’s guilt followed. Rose had hung her head in defeat. The words and diagnosis meant nothing to her but a botched attempt at true healing.  What did this man know about her, or her parents? Didn’t any of them know the weight upon her chest, the terrible love she’d been subjected to by the virtue of being the surviving twin? The burden of living without her same wasn’t one she could carry.  The absence of Penelope wore away at Rosalina like the agony of a phantom limb.

They were going to send her there again, a strange place with blindingly white walls.  When she walked into those doors it make her problems seem to grow three fold.  She felt more alone than ever before.  Still, out of instinct, she found her hand reaching to take Poppy’s for comfort, desperate grasps for that same phantom limb.  Instead she got pills, diagnoses, white lies, blank notebook pages to express her thoughts and document her loss, and forced smiles like those on her grandmother’s painted china clowns.  They frightened Rose screaming, live, live, live.  Some stranger in her brother’s skin had showed up as well.  Since when had he cared? And did he think he was like the sutures in her arm, a simple fix that could replace Poppy by virtue of common blood, to stitch her together and heal her? They pressured her to live on without half her heart, breathe without lungs, but all Rose could think of was how peaceful it might be to drown.

She had looked up statistics. A person could last six minutes without oxygen, but Rosalina knew she hadn’t breathed in months silently cursing the human body and all it’s resilience.

Summary

Originally from Santa Cruz, California Rosaline was born into a middle class family beside her twin sister Penelope & an older brother ( possibly a wc i’ll be sending in, definitely think it’d be interesting to see him played! )

Heading home from a party on west cliff, they were just sixteen when the accident changed Rose’s entire existences. They hadn’t had more that two drinks Rosalina was keeping track the entire night, and yet when the twin sisters climbed into their beat up Toyota they were forced to share – One of them never made it home. Falling asleep at the wheel, partially intoxicated, Penelope drove the pair off the rocky cliffs straight into the ocean current. It’s a miracle Rose had survived, she heard that more than a million times the months following. Yet, as those months passed the more she wanted to be in that deep water with the same fate her sister had faced. Living without the one person in the world who truly understood her, it was like the world was constantly on fire without Poppy. Nothing made sense, nothing felt right, every passing day she lost herself a little more.

The pills helped settle the depression, the therapy over the next three years helped her work through the hair pulling, but life never really felt normal. Loosing a twin isn’t like loosing a sibling, that night Rosalina lost a part of herself she could never get back. A part of herself she blamed for not being able to save, arguably the best part of her heart. Though it’s not something she can shake, living every day wishing things had turned out different, with time Rose learned to live life again. Finishing high school a year later than expected, she applied to colleges around the United States – anything far enough to start a new life. 

Flash forward six years from the accident – Rosalina strays away from any memory of that night, the nightmares don’t haunt her quite as often, and though she misses Poppy every day she’s attempting to live life in honor of her sister. Rose is the kind of girl you can’t help being friends with, though she has a soft & effervescent exterior that one would assume glows from the inside out – she’s also quite mysteriously and drawn back at times. It’s a numb existence filled with prescription medications, a drink to forget the past, and a few puffs to relax the tension where her body seems to ache in place of her double. It’s still taken on day at a time, with pre rehearsed responses to the same “how are you feeling?” she’s learning to be okay with not being okay some days. Moving to Norely has helped get her away from the memories, and though she’s still in school waitressing pays most the bills now a days. 

I hope that gives you a good idea of who my trash child is & I can’t wait to see everyone on the dash as a big family. I’ve been dying to play Rose out for the past three months, I just hadn’t found the right place so I’m hoping this is it for us! If you’re interested in plotting please feel free to like this post or ofc come to my ims & I’ll reply asap x