Season 8, Episode 2: Honestly, Elizabeth
I think I’ll do all my write-ups this year scene-by-scene. It’s easier to keep track of everything that happens in the episode that way, and I can write up thoughts while I’m watching the episode.
I’ll just jump right in!
Scene 1: Narration/Jack Jack
The first scene starts out with Elizabeth writing in her journal about the arrival of Lucas’s mother to town, and I think the writing here was actually polished up as to be concise and fairly decent. I didn’t mind seeing Jack staring at his father’s picture, but I think what would have made a much more compelling scene would have been for him to turn away from the picture and pick up a toy off of the ground and just start playing with it. Something symbolic of moving on, or at least of Jack’s lack of connection to his father at this age. While he’d certainly be curious when he gets older, at his current age he has no real reason to care.
Elizabeth waxing poetic about how strong and brave Jack was, and how her son embodies those same traits is…I don’t know. It came off a little silly to me—like it was trying just a little too hard to be meaningful.
—
Scene 2: Lucas check on Helen
I like that Lucas seems to care for his mother a lot, and that he wants to help her. I think he realizes there’s perhaps more to her visit than merely wanting to see Elizabeth, but isn’t willing to push for that kind of information. My guess is that they’re just not that emotionally close to one another.
—
Scene 3: The Crate of DOOM
Joseph from the railroad brings a delivery for Lee and in helping Joseph carry it, Lee hurts his back. This was a genuinely good scene. CALLCARSONCALLCARSONCALLCARSON. It also has the advantage of making everyone feel friendly and neighborlike. Elizabeth popping out of her house, Jesse just stopping by… It was nice.
—
Scene 4: Nathan and Elizabeth Talk
Opal’s dress was really cute in this scene, and Robert really is growing up fast! I’m glad Allie and Opal seem attached to him; the show feels more cohesive with its little friend groups and it’s been hard to really show that off since Cody left. Allie fills that void easily and I think gets better lines/dialogue/scenes as well. She gets treated like a character of the appropriate age.
Also, Nathan treating Robert respectfully is nice. It comes off like he recognizes Robert’s good intentions and genuine enthusiasm and treats him appropriately, too.
The little quip about Allie being interested in boys was cute (and not over-the-top), and I like that Nathan is the first to bring up the missed…dinner date. Elizabeth’s response is interesting to me; she does seem a little more enthusiastic, at least about how fun it would have been had she followed through on it. When Nathan suggests they could try it again, though, she clams up. I think what’s interesting about it is that she doesn’t look disgusted or unhappy with the idea, just…a tad uncomfortable—like she wants to say something but can’t/won’t. A pretty good scene.
—
Scene 5: Introducing Joseph Canfield
At this point in the episode I knew I’d love Joseph. He’s so wholesome and pleasant both in his demeanor and his offer to pray for Lee.
—
Scene 6: Nichols and Dimes
I really am enjoying Fiona’s interactions with Mike Hickam. Actually, I’m enjoying that Mike gets any lines at all. He’s a pretty good actor and deserving of the screentime. Also that man has a butt and they’re showing of in like, every other scene he’s in LOL. Fiona trying to explain the reason for the name of the shop is quirky without being too over-the-top I think. It works well enough and I think lends some more personality to her character.
This scene gave us some more low-key genuinely funny stuff with Jesse repeating “Nichol isn’t spelled that way, right?”
Henry’s surprise at the barber being a woman isn’t too over the top either. At this time, barbers would just about always be men, because not only did they handle haircuts and shaves, but it served as a gossip (and business, as Fiona mentioned in the last episode) center for all the men in the area AND the barber usually also treated things like toothaches and first aid if a doctor wasn’t around.
I admit her reaction to all the men running off was...a bit surprising. I figured her feelings would be hurt, but she literally just laughs it off, maybe just too excited at having her own business to continue to think about, you know, what will happen if she doesn’t get customers.
—
Scene 7: Joseph runs out of gas.
There isn’t much to say here, but when he walks back to town he sings “It Is Well with My Soul” which was always one of my favorite hymns. My pastor had his own piano arrangement of it and everything. I knew from this moment forward that I would defend him to the death.
—
Scene 8: At the clinic
This is probably not the most...accurate medical scene ever, but it wasn’t bad. The best part about it was actually Molly, though. It looks like she’s really thrown herself into working with Carson and she’s used to it and even enjoys it!
—
Scene 9:Nathan and Bill talk
The scene is super simple but I think it was excellently done. Nathan wants to adopt Allie and Bill thinks that’s a fine idea in theory, but in starting proceedings (court filings, public notices, et cetera) he could stir things up. It sounds like Bill and Nathan spoke about Dylan since Bill knows how Dylan found him (the newspaper article).
Bill mentions a fee and at first I thought this was going to be the start of a really sour joke about Bill being greedy or something, but to my surprise (AND IMMENSE RELIEF), they were just discussing it like a business transaction...which it is. Nathan trusts Bill to be fair with that... AND I LOVE IT.
Allie’s mother’s full name is Colleen Mayes Grant. Allie’s full name is Allison Mayes Parks. Would Parks also be Colleen’s full name if she were married to Dylan? Am I missing something here?
Anyway, Nathan and Bill then talk about the money that Nathan used to trap Dylan, and Nathan admits he got it from Lucas, which...surprises Bill.
“You asked Lucas?! You do love your niece.” Nathan is a little amused by it, but I think this is interesting. I mean, 1) Nathan asked Lucas in the first place, which is telling, but also, 2) Lucas loaned him the money without even asking what it was for. Maybe they are not on such bad terms after all, lol. ;)
Nathan points to a map and asks about some land, and Bill says he owns that land, and that he was thinking of building a cabin on it but he’s just not really that sure he wants to. Nathan asks if he’d be willing to sell and Bill (jokingly) asks, “How much of that money did you give back to Lucas?”
Good scene, wholesome scene. I genuinely enjoy watching these two interact. It almost reminds me of the older seasons when Bill and Frank and Jack would all scheme together; stuff like this just helps build up the characters a lot, and it helps the town feel...real.
—
Scene 10: Lucas and Elizabeth Chat
This was a short but nice scene. I think it’s clear Lucas is a bit worried about his mother and asks Elizabeth to visit her in the hopes that it might encourage her to talk to someone or feel better.
At first I thought this was perhaps a bit much, like...she barely knows the woman why would Helen even want a visit from Elizabeth? But then I thought...well, Lucas is probably thinking of the fact that Elizabeth has spoken with Helen now and again about her writing, so a visit from her would be expected since she’s in town.
I like Elizabeth’s honesty in admitting she was intimidated by Helen. “So she does bite!” Kind of a cute/silly scene. I liked it.
—
Scene 11: Rosemary and Elizabeth talk.
This was probably the second weakest scene in the episode. Rosemary just says hi and tells Elizabeth she can’t help with anything regarding Lee, and then Elizabeth says she’s off to visit Helen, and Rosemary says “Oh, the old saying...the way to an editor’s heart.”
Elizabeth replies with, “I don’t think that’ show that saying goes.”
I think they were trying for Funny here but it misses its mark and doesn’t really add anything to the episode. I’d have rather had an earnest word of encouragement from Rosemary.
—
Scene 12: Elizabeth visits Helen
There are a lot of things to like about this. Helen takes her job very seriously, and corrects Elizabeth (“book” vs. “manuscript”—it ain’t a book yet!). Helen comments on Elizabeth being undisciplined but this is an objectively true statement (whether Elizabeth likes it or not).
I think Helen is actually really understanding when Elizabeth blurts out that she was late with her first draft because, “I decided not to let my writing interfere with my life.” She’s pretty calm about it, and says maybe her trip was for nothing.
Elizabeth springs back and hurries to explain that while her writing means a lot to her, and she takes it seriously, it’s also not her main source of income. I was really worried that Helen was going to come off as this huge bitch hurting Poor Widdle Ewizabiff’s Feewings but I think she’s actually pretty great in this scene. She doesn’t come off as the bad guy, but neither does Elizabeth. In fact, I feel like both characters communicate quite cleanly and it seems Helen appreciates Elizabeth’s spunk, haha.
—
Scene 13: Henry and Lucas have a meeting
The writers straight up wanted to negate some of what happened last season, and I think that was a smart choice. There are some lines in this scene that I really enjoy a lot. “I like you, Henry. I don’t know why, but I do.” I think Lucas likes Henry because he’s been mostly up front with Lucas about his methods...which he does here, too.
“I’m willing to get my hands dirty.”
Henry’s proposal is that he will double the crude output in the first year he’s back as Lucas’s partner, and if he doesn’t manage it, he will walk away. However, if he is successful, he becomes majority owner at 60% and is allowed to make all business decisions.
This is a very good opportunity for Lucas, provided he trusts Henry can at least maintain current output. He loses nothing if Henry walks away and he loses hardly anything (in fact, he loses a bit of profit and a LOT of responsibility) if Henry manages it and stays on.
When asked why he had a change of heart, Henry says he “has his reasons.”
—
Scene 14: Joseph comes back to town + Fiona’s
This actually isn’t its own separate scene, but rather, the camera pans from the previous scene to Joseph walking into town.
Joseph stops Hickam about getting some gas, but Hickam is sent away to hold up his end of a bet while Jesse helps Joseph.
The camera then is in Fiona’s barbershop, so I’m counting these two scenes together. Hickam asks for a trim and she agrees to do it. He apologizes for running off earlier and she accepts his apology with grace and says she’s glad he came back. He tells her it was the right thing to do and she calls him out instantly for having accepted a bet from Jesse.
This is a pretty funny little joke, but the best part about it is actually how it ties Hickam and Jesse together. They’re around the same age and they could be friends; I like the implication. Some of the male friendships have suffered a bit in recent years so it’s nice to see those getting a splash of attention.
Anyway, Fiona doesn’t take offense and Hickam seems relieved.
—
Scene 15: Sergeant gets some pats
Sergeant is a good boy and so deserves some pats! The only thing I hate about this scene is the dialogue. Robert is like, a farm boy...and you’re telling me he’s never ridden a real horse? Please. This is in a time period where most of these kids would know how to ride a horse. He’s no larger a horse than any other horse in town! The bigger concern should be that Sergeant is an ex-mounted police horse, which means he needs a more experienced rider (and that certain signals could mean different things to Sergeant than they would mean for a farmhorse).
It’s still pretty cute overall, but I think they could have had the kids currying him or something instead. “We can start by patting him” seems a little silly when this horse has been patted by everyone in town 3 billion times by this point.
The camera then adjusts to the window of the saloon’s upstairs room where Helen is watching Elizabeth spend time with the kids.
She’s more or less smiling and watching Elizabeth and the kids, studying them. As predicted, she has already decided she likes Elizabeth.
—
Scene 16: Hickam narrowly avoids death
Or more like, he moves while Fiona is trying to cut his hair and she gets his ear with the scissors. He literally runs out of the barbershop, past Helen and Lucas who are now out for a walk, and straight to the clinic.
—
Scene 17: Rosemary talks to Elizabeth and the kids
This is a continuation of the last scene where the camera catches Rosemary from outside the clinic (as Hickam goes in) and follows her over to Elizabeth where she says hello (they are still with Sergeant but over by the church now).
I’m a little tired of these Cute Widdle Opal moments. She’s like, nine years old. The fake smiling and “oh my goodness!”ing is too much for me at this point. I probably hated this scene the most.
—
Scene 18: Lucas talks with his mother
Helen calls out the situation exactly for what it is: Elizabeth is the reason Lucas has settled in Hope Valley, and Lucas and Nathan are vying for Elizabeth’s hand. Lucas admits these are both true.
Just a nice little scene. Helen seems pretty normal and good here.
—
Scene 19: Elizabeth talks to Nathan
On her way out of the mercantile (with a cloth to clean Opal’s face) Elizabeth runs into Nathan who is on his way up to Bill’s land to check it out. She says he must be serious if he’s going in the middle of the day out to look at it, and he says he is. “I think it’s time I settle down.”
She walks down a step or two and turns after him as he’s about to go into the mercantile: “Nathan? When you’re back from your trip, perhaps we could get together?”
And he agrees to this, almost in a tone that’s like, he doesn’t want to seem too excited.
As soon as Nathan is in the store, Robert goes flying by on Sergeant with the worst posture I’ve ever seen.
Elizabeth steals Newton from Nathan and goes after Robert, catching up to him and dragging him back to town right in front of Jesse and Joseph.
Joseph is of course iMMEDIATELY like: “I want to live in this crazy place.”
This isn’t how I would write a scene like this, mostly because I would assume that Robert could ride a horse (and his posture later kind of says this...lol) and it’s really hard to film something like this without it Actually Being Dangerous (mostly due to the gravel in town—a horse could kick that into someone’s face and they’d be messed up, or they could slip in it)(also, the filming location doesn’t have a lot of Large Spaces where they can really let a horse gallop safely). I’d probably have a stunt double dashing off at an actual run if possible, and show Elizabeth catching up to Robert who has been thrown from the horse. He’s fine (landed in some prairie grass or something) but then it’s actually really scary.
Her “catching up” and “helping” just doesn’t work very well when it’s very clear these horses are moving at a leisurely pace.
But if you can use your imagination it wasn’t a bad scene.
—
Scene 20: Lee and Rosemary
It’s the next morning, and Rosemary helps Lee sit on the couch. Rosemary gives him his coffee but there’s no sugar in it (this is hard to believe; they’ve been married how long? She’s been making this every day for how many years?) and she boogies over to Elizabeth’s.
—
Scene 21: Rosemary and Elizabeth have a chat
Rosemary talks to Elizabeth about the chase after Robert and then to little Jack and there’s a little moment where she looks at Jack and talks about how her and Lee like hearing him laugh when the weather is nice and the windows are open. It was a nice touch.
Rosemary offers to babysit until Laura arrives.
It’s a nice scene but I’m a little tired of the babytalk for a child that is way older than they’re acting. This is a 2-3 year old child, not a baby who can’t talk.
—
Scene 22: Bill meets Joseph Canfield
Joseph came back to town to have another look around and consider buying the gas station. He mentions the church, and Bill says they don’t have a pastor right now because “he left to become a missionary.” I’m not sure which pastor they’re talking about here: Zeke or the guy before him, or even Frank? My guess is Zeke since they took the time to give him a name, and there’s no reason why Frank would do that when he’s been written away as finding his calling in mentoring/pastoring/caring for terminally ill children.
Joseph says he’s looking to settle down and would like it to be Hope Valley, which is....sudden. I’m not sure what the script could have said instead, but maybe if there was some kind of hint that his wife isn’t happy in their current situation? Or maybe that he’s been looking around and that he found Hope Valley when he wasn’t even looking—just doing his job.
It’s a hard sell either way. There’s a whole lot of nothing in this area, so it’s hard to imagine Hope Valley wouldn’t be on the map with a railroad stop...lol...
Joseph says he doesn’t want to build, so Bill says he knows a guy.
Good scene. I’m always happy when Bill gets normal interactions, and it seems like in this scene we’re meant to imagine that he is actually on his rounds (since Nathan is away).
—
Scene 23: Elizabeth and Helen edit...
Helen says “dour” in a way Elizabeth has never heard it said, and it sounds kind of clear that everything Helen says, Elizabeth just blanks out and can’t discuss reasonably.
“I’m just not used to writing this way.” You’re...not writing. You’re editing. There’s a difference. And Helen seems to be trying to get at the Author’s Intentions (“Would you describe this character as dour?”) to ensure that Elizabeth’s writing matches what she’s going for.
They’ve made it past ONE page at this point. They do share a chuckle over how slow their progress is, though, and I mean, as a writer that’s a whole entire mood, so it’s fine.
—
Scene 24: Henry’s cabin
For some reason Henry owns a cabin and Joseph, Bill, and Henry are checking it out. Bill is mostly snooping to find things wrong with it lol, which is very in character for him, considering Henry is (or at least was) the enemy.
Joseph decides to buy the place because it’s not too far from town and there’s room for the kids to play.
Boom he’s in.
Welcome Hope Valley, Joseph!
—
Scene 25: Robert’s Sorry + Helen’s Truth
Robert has atoned for his sins by cleaning all the stalls out or something. Helen and Elizabeth meet Robert on a walk. He’s atoned for his sins by cleaning the stables.
Helen and Elizabeth chat a bit, and Helen drops a bunch of Truth Bombs:
-Authors often feign indifference to the characters they create, or insist they are mere fabrications outside themselves.
-Elizabeth is honest with herself and with others, and honest in her writing.
-Most people are uncomfortable and afraid, and hide behind characters they’ve created for themselves.
She then says that she’s like that (kind of an awkward delivery line) and then instantly launches into saying she came to see Lucas and to see her, too, but if she’s being completely honest, she’s come because her husband has left her.
(Scene break for commercials)
Elizabeth runs after Helen and calls her “Mrs. Bouchard” but quickly corrects herself to call her “Helen” (NOW IT MAKES SENSE WHY HELEN DOESN’T WANT TO BE CALLED MRS. BOUCHARD!) and asks if she wants to talk about it.
“There’s really nothing to say. It’s not going to change anything.”
Lucas’s father is in London, supposedly, and as Lucas walks over to the two of them, Helen asks for Elizabeth to keep this just between them, as he doesn’t know yet.
I’m not sure where they’re going to go with this, or how they’re going to resolve it, but it’s possible this was just a misunderstanding (seems farfetched but hey, it’s Hallmark).
As an aside, the flowers they have out on display are all summer flowers. Does it matter? No. Am I pointing it out? Yes.
Lucas offers to take both women to dinner and Elizabeth says she isn’t able to go. I think she should have stated she had a prior engagement (so she didn’t appear to be rude), but Helen takes him up on the offer.
Walking away, Elizabeth runs into Laura, Emily, Anna, and Timmy, which was nice because all the mentions of Laura without actually seeing Laura made me worry she wasn’t on the show anymore, haha.
Laura isn’t with Jack because Rosemary wanted to watch him for the day. Elizabeth turns around and asks Lucas for his help with something.
—
Scene 26: The Surprise for Rosemary and Lee
Elizabeth comes over to collect Jack with a surprise: a nice dinner all premade, a bottle of wine, and some mood music. ;)
This is a wholesome and sweet scene. Elizabeth leaves with Jack and Lee struggles to his feet to dance with Rosemary.
—
Scene 27: The letter
Henry goes to the mercantile to see if there’s any mail and there IS...the letter he sent out last episode has been returned...opened.
Henry’s upset by this (he seems genuinely hurt) and asks Ned if he opened it. Ned says he didn’t, and Florence defends him by saying he would never do that. Henry leaves and Ned says he forgot to take care of something in the back and wishes Florence good night.
Very suspicious. I don’t think Ned opened the letter but I do think he read it. He looked a little upset himself...? Not sure what’s going on here. Could it involve a relative? Nora? A business proposition?
—
Scene 28: Florence and Molly
At the saloon, Florence and Molly talk about the letter, and Florence says she thinks the person who opened it was the person Henry sent it to.
Molly notices Bill laughing and having a good time with a woman she doesn’t know and stares at them. Florence points it out and says Molly must be bad-tempered because she’s hungry and suggests they order and eat. Molly gets up and marches right on over there and embarrasses Florence with her BS.
She mentions the chili in the cafe and then fakely says, “Oh nooo, I’m being rude,” and introduces herself to Helen.
Helen doesn’t shake her offered hand but does give her name. She’s extremely awkward and leaves in a hurry, with Florence on her heels.
Helen tells Bill he must have a “fan.”
Bill says he wasn’t aware of that.
The classic Bill Squint™.
—
Scene 29: Mike returns
Mike comes back to have his haircut finished. She says she’ll be more careful this time; he admits it’s his fault...and they both agree that they’re both to blame a little bit.
Clara and Faith drag their men in and insist on them getting haircuts/trims. I liked the scene with Fiona and Mike, but didn’t really care for the last bit as much. Mostly because everyone hates the idea of her cutting their hair and this is supposed to be funny, even to her? Like...I don’t know. It just falls flat for me.
—
Scene 30: Rosemary is a bad influence
Rosemary asks Elizabeth how the meeting went. They talk about the fact that Lucas and his mother are nothing alike and Rosemary says, “Well maybe he’s like his father.”
Elizabeth is like “Let’s hope not.”
And of course that gets the ball rolling. Before long, the truth is out: Helen’s husband left her.
Elizabeth really should have...shut her mouth lol. But at least Rosemary believes that’s a bad position for Elizabeth to be in.
Lee comes in with Jack wearing a little outfit...
And then the truth comes out that what’s in the crate is a LOT of coffee. 250lbs of it.
—
Scene 31: Bill and Molly Talk...sort-of.
Bill chases Molly out of the cafe and insists they talk about what happened the night before, and Molly says she made a fool of herself. Bill tries to figure things out by saying he’s been a bachelor for a long time (probably trying to ease into it by admitting he just hadn’t realized she was Interested because he’s not used to the whole thing, to take some pressure off you know?) and Molly stops him like, “Are you under the impression that I’m interested in you as a suitor?”
Bill is more or less like, well...yes (but I wasn’t alone in that thought).
Molly tells him she was curious about the woman with whom he was dining. “True, I have mentioned to Florence that it might be nice getting to know each other seeing as how we’ve lived in the same town for years...”
Bill: “Well, see? You are interested in me.”
Molly: “You flatter yourself.”
She then leaves.
Anyone who knows me will know why I don’t like this scene lol, but at least neither character is being made a fool of, here. Pretty sure Molly is both curious and jealous.
—
Scene 32: Henry’s tirade
I think they should have rerecorded this scene because it 100% sounds like Henry is drunk off his ass and not just angry. More punctuated words would have fixed this easily.
Anyway, Carson comes by the mercantile just in time to see Henry yelling at Ned and Florence about the letter (but specifically Ned). Henry sees Carson come in and leaves, but falls outside. His blood pressure is ridiculously high. Outside, the acting is fine and he sounds angry (but deflating).
“Sometimes what you do in between [birth and death] just isn’t enough.”
This makes me really curious about that leTTER... It almost has to be a personal matter: family, perhaps?
—
Scene 33: The Confession
Elizabeth runs into Nathan while she’s out with Sergeant and they talk about Bill’s land. Nathan’s very enthusiastic about the land and the idea of living there.
LOOK AT HIM.
This is probably the most animated we’ve seen him!
(I think this talk of land and building on it might be forcing her to think of Jack, by the way. They already have the profession in common and now the land/planning for the future thing, too? A future she never got to have with Jack? OOF.)
I think at this point she’s worried that he wants to do this FOR HER and the guilt is what prompts her to speak. She goes on to tell him that he means a lot to her, and so does Allie, but she thinks he’s looking for more than friendship.
He says he wasn’t trying to hide that, and she thanks him for his honesty. She goes to express that he wants more from her than she can give. He was shot that one time when she thought it had been him who died, and she can’t go through that for real, not again. She doesn’t want to lose him the way she lost Jack.
He says he wouldn’t let that happen and she gets (RIGHTFULLY!) upset because that isn’t something he can meaningfully promise, and it’s pretty insulting considering the way Jack died; he isn’t better than Jack, after all. Anything could happen.
So Nathan says that his solution, what makes his promise different, is that he would quit the Mounties.
And she says, “No!”
Then we get the lines:
Nathan: I know you feel the same way that I do.
Elizabeth: I can’t.
Nathan: Elizabeth, I’m in love with you!
Elizabeth leaves hurriedly on Sergeant and that’s the end of the episode.
—
I don’t want to end this without talking about the last scene a bit. I think some people might be a bit confused about it. I think she has feelings for Nathan and has been repressing them because it’s too scary a thing to consider. She wants to let the idea go but knew she couldn’t just cut things off without saying anything.
But how do you say something like that kindly? How do you do that without hurting feelings or looking stupid?
I feel like the talk about the land, as well as Nathan’s comment earlier in the episode about settling down, has forced Elizabeth to be honest with Nathan the way that she is honest in her writing, and she does this specifically because she doesn’t want Nathan to go making decisions based on feelings for, or a potential future with, her. It isn’t fair to Nathan or Allie.
For those of us who haven’t lost a spouse traumatically, I don’t think it’s easy to understand this specific brand of anxiety/fear, but this episode made it really clear that this is something she’s really struggling with. The heart wants what it wants, but it also feels fear sometimes (and in this case, rightfully so).
Nathan offering to quit was wonderful but I think it would frighten Elizabeth just as much to feel she’s the cause for someone giving up something they’re passionate about. I personally think she’s thinking too much of Jack when it comes to that. Sure, Nathan’s a Mountie, and sure, he likes his job and is good at it like Jack was, but I think for Nathan family and safety would always come first.
It didn’t come first for Bill. It didn’t come first for Jack. But it would for Nathan. I don’t think Elizabeth realizes this—that for Nathan this isn’t him giving up his passion for love (or to settle down). It’s settling down because he wants to make a life here for himself and doesn’t want to ever have to leave, a choice he won’t get if he stays with the Mounties
For Jack, the Mounties were a Calling, a lifelong passion.
For Nathan, they were a career he enjoyed.
I’m interested to see when this will be revealed in the story and how that will make Elizabeth feel. No matter what, it’s scary to be the person ‘forcing’ someone else to give up something big, in this case Nathan’s livelihood (in exchange for her peace of mind). I have some personal experience with this. In fact, when I was dating my (now-)husband for the first time, he wanted to move to be with me. We were young. He had a college picked out. He had a career path. I had a job doing physical labor and I was living at home. If he needed help, my family would be too poor to assist and we had no extra space for him to stay. I refused. We actually broke up over it. There’s just so much pressure on the person who isn’t giving something up: fear of feeling indebted to someone, fear of the relationship HAVING to work out (or it was a waste of everyone’s time and money)...
Anyway, this storyline could mean a lot to me if it’s done right, so...I hope it is. :)
—
Overall this was another enjoyable episode. I was shocked at the intensity of the ending, and pleasantly surprised by most of the rest of it. Fiona’s actually growing on me as a character (she’s made of sterner stuff than some of them). I’m definitely looking forward to next week and I hope you are too!
My only real criticism so far, other than the ones outlined above, is the sheer number of scenes. I think it might be...a bit much. Almost...scattered? But we’ll see how they do in future episodes.
Feel free to message me with any thoughts/opinions/et cetera. ♥
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My thoughts:
I see no god up here other than me
Mr. Coconut - Mr. Coconut is the best Total Drama character, he didn’t deserve to be voted off on his first appearance. I miss him.
Cody - I know people don’t like Cody fans, but he’s honestly my favorite because he’s funny, I guess. His crush on Gwen was entertaining in the first season, but I can’t believe he kept her bra into the second one. I also really liked his writing when after his crush on Gwen lost it’s charm, they introduced Sierra and let his character flow towards hers.
Izzy - I’ll be honest, I liked her character a lot more in the first season than the second. She was funny, random, and all over the place. Not to mention when I first started watching this show, I had a weird obsession with red hair.
Noah - I know a lot of people that don’t like Noah, and I get it, but I really like him. His sarcastic tone is hilarious to me, and I wish he lasted longer in the first season. Luckily, he was in the third season for a lot longer, and I really enjoyed that.
You’re the best
Sierra - I can really relate to Sierra, because like her, I ship everything and everyone, all the time. I can also relate to her crush on Cody, because for whatever reason, when I started watching this show I had a weird crush on him. I don't regret anything.
Courtney - There are really only two opinions on Courtney, you love her or you hate her. I love her, to be quite honest. I admire her strategies and how she got so far without cheating at all, she shouldn’t have been voted off, it was incredibly unfair. Her relationship with Duncan was also pretty entertaining.
Trent - While writing this, I realized that Gwen wasn’t included on this list, and that’s kind of sad. Anyway, Trent is pretty cool and I really liked his voice, especially in the second season. I wish he had been in the third season other than the aftermaths because he was actually a singer and I would’ve loved to hear him sing some more. His obsession with the number nine wasn’t too weird, either, I figured it was just some form of OCD, which I also have, so that was kind of cool. But the actual reasoning was really sweet, too.
Chris - I would hate Chris in real life, but as an animated tv host, he’s hilarious.
Justin - What can I say? He’s hot. He wasn’t the best villain in the second season, but I still enjoyed watching him.
Leshawna - She’s so cool, I aspire to be like her. I want to be as badass as she is and have her kickass attitude. She was such a major player in the first two seasons (less so in the third, because of Alejandro) and one of my favorite moments in the entire show is when she knocked Heather’s tooth out in the third season.
Hey, I think you’re pretty cool, I like you a lot
DJ - He’s such a sweetheart and it’s so nice to see. I loved Bunny in the first season. I didn’t like his alliance with chef in the second season, though, it kind of ruined his character, in my opinion.
Lindsay - I usually don’t like the dumb blondes, but Lindsay’s pretty funny. I liked her stretched out arc between the first two seasons where she was a total pushover with Heather, but then started to stand up for herself and share her ideas. But that was completely overlooked in the third season to make her the same dumb blonde she was in the first season.
Katie - Most people would put her next to Sadie, but I actually liked Katie quite a bit better. I preferred her character design and her voice was slightly less annoying.
Duncan - He’s pretty entertaining. I don’t typically like bad boys in any context, but he was pretty good. I liked his relationship with Courtney, but didn’t like the one with Gwen nearly as much. It kind of made sense, but it also didn’t at the same time. His whole disappearance in the third season wasn’t exactly original, but it was still well-executed.
Bridgette - I liked Bridgette a lot better in the first season than the second. Her character was great, she stood up for herself and stuck to her morals. But then in the second season, her character was totally overshadowed by Geoff’s and all she did was make out with him. The same happened in the third season, but with Alejandro. However, that gave the opportunity for the objectively best song in season three.
Owen - He was a nice guy, but I didn’t like his gag with the potty humor. I’ve never thought that was funny, but it does kind of fit the show’s target audience.
Alejandro - He was an excellent villain and I loved his manipulation tactics, he was smart, quick-witted, and took advantage of his skills. He was basically a better Justin. I put him this low, though, because while I enjoyed his place as a villain, his character was only so-so.
Chef - He had his moments, but they didn’t come often enough for me.
I remember you
Beth - She absolutely deserved her win in season two and I feel bad for her during her time with Heather and then Lindsay, but she never really stood out to me as a character.
Tyler - He was funny and all, but he didn’t get enough screen time to make too much of an impression.
Geoff - He was really interesting in the first season as a party boy, but in the second season, all he really did was make out with Bridgette and argue with her. I really enjoyed his appearance during Gwen’s character development during the first season.
Harold - I used to like Harold, and I was considering putting him farther up on this list, but then I remembered what he did to Courtney, and it just wasn’t cool.
Sadie - Her entire character was tied to Katie’s and I don’t really like when that happens with characters. Props to her for getting farther in the game, though.
Eva - She definitely left a strong impression on me even with her limited screentime, unlike most of the other characters in this tier, but it wasn’t really a good impression. She came off as angry and that was it. That was her character. I can relate, I have anger issues sometimes, but it’s not my only trait.
Blaineley - She fulfilled her role as a new character, but not quite as well as either Alejandro or Sierra. Alejandro fulfilled his purpose as a villain and Sierra fulfilled her purpose as an addition to Cody’s character. However, Blaineley was supposed to be a villain. This honestly didn’t occur to me until recently, but now that I think about it, that’s part of the reason she couldn’t fulfill her purpose. I mean, if you can't even tell that a character’s supposed to be a villain, they’re not being a very good villain.
You are the literal worst. Actual scum. Leave this planet and never return.
Heather - I know it’s typical to put Heather in the worst tier, but I really don’t like her. I appreciate her as a villain in the same way I appreciate Alejandro, but she was just ruthless. Most other characters centered around her existence and their relationship with her was their only aspect. I guess that isn’t really Heather’s fault, but I’m still going to associate it with her.
Ezekiel - Oh lord, this guy. He’s incredibly misogynistic and absolutely did not need to come back for the third season. It was kind of funny seeing him for the first challenge and being the first one voted out again, but he didn’t need to come back after that, no matter how interesting the challenges centering him were.
My definitive list of favorite Total Drama characters
1. Cody
2. Noah
3. Izzy
4. Mr. Coconut
5. Gwen
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