#also someone else i know wrote hers about astrology twitter......

[sunuism]

i love studying linguistics bc i get to write fuck in my very serious thesis

[orbemnews]

She Wants to Kill the Girl Boss In a start-up economy of self-described “boss babes,” Ashley Sumner wants to be known in simpler terms. While on a run near her home in the Venice neighborhood of Los Angeles in early March, Ms. Sumner was thinking about identity and the peppy phrases that female professionals use to describe themselves online: “girl bosses” and the like. “I worry about the negative impact of that,” Ms. Sumner, 32, said. “I worry that it allows investors to see founders who are women as a separate class from the rest of the founders. I worry it allows investors to write women founders smaller checks. I do believe that women need to help inspire other women but also that identity can be used as labels to separate us.” Ms. Sumner is the chief executive officer of Quilt, an audio platform for conversations about self-care topics like wellness in the workplace, PTSD and astrology. (In prepandemic days, the company organized work gatherings and group discussions in people’s homes.) She has felt marginalized in the woman section of founders’ circles. “I am always asked to speak on the female founders panel,” Ms. Sumner said. “I want to be asked to speak on the panel.” Since she is in the discussion business, she wondered if she could start one with the central question. “When is labeling in support and celebration of furthering our mission of equality successful and when is it ‘othering’ and hurting our mission?” She ran home, sat sweatily at her computer, banged out a few words and overlaid them on a photograph of herself. “I am a female founder,” she typed, then dramatically crossing out the word “female” and adding a caption that read in part: “putting my gender in front of what I am belittles what I’ve accomplished.” Ms. Sumner isn’t particularly active on Instagram or Twitter. On LinkedIn, she had never done more than repost someone else’s articles or musings. But given that platform’s focus on professional life, she thought it was a reasonable place to first share her handiwork. Ms. Sumner’s post has drawn nearly 20,000 comments, from men and women in the United States, Australia, Africa, Latin America, India and beyond; from executives, construction workers, health care employees, professors and military professionals. After reading it, Kate Urekew, the founder of Revel Experiences, a marketing firm in Boston, contacted three successful business owners she knows to ask them what they think. Each said there is not yet enough representation of women in leadership ranks to ignore the gender disparities. “In order to change things and truly achieve parity,” said Ms. Urekew, 50, “you need to have more visibility for other women.” She added: “I love that she started this discussion, it opened up my eyes to many more aspects.” In something of a rarity for a viral social media post, especially one about identity, the comments reflect a range of perspectives and are mostly civil. “That’s what we all need to hear,” one man wrote. “Too much identity politics leads to confirmation bias.” “I don’t feel we are there yet,” a woman wrote. “We are still at a point where we are trying to get equal footing, and that takes awareness, doesn’t it?” “Succeeding in the business world means you are accomplishing a great thing and in some cases outperforming a male,” a man wrote. More than 150 female founders posted similar photos of themselves, crossing out the word “female,” and then shared what was now credibly a meme on the internet. One was Antoinetta Mosley, the founder of I Follow the Leader, a consulting firm that specializes in diversity, equity and inclusion strategy, initiatives and education in Durham, N.C. “It was a little shocking at first, to see ‘female’ crossed out,” she said of Ms. Sumner’s post. “I immediately clicked to see what she said, and I thought it was really striking.” Ms. Mosley, 34, said in the unconscious bias seminars she leads, she asks people to consider the way race, gender and other traits influence narratives about people’s professional skills and how they can perpetuate inequities. “When people see me as a Black woman leader,” she said, “they are assuming that my being Black and a woman influence my leadership style.” She believes these labels can sometimes hold women back from being considered on equal footing to men. She said that being a Black woman is a significant part of her identity, but she, like most people, has far more dimensions. She believes her professional traits result most from being an athlete and the oldest of four children with driven parents. Faryl Morse, 55, who owns the footwear company Faryl Robin, was also moved to make her own post, listing the social media lingo of “Boss Babe,” “WomEntrepreneur,” “Girl Boss” and “Mompreneur.” “Let’s please stop adding these cute names to women who are ambitious and are going after their dreams with persistence,” she wrote. “It is not empowering any woman.” Ms. Morse wants other women to see her success and know that they too can aspire to own and operate a thriving business in a male dominated industry, and she believes that being a woman gives her a different and valuable perspective. “But I am not a woman founder,” she said. “I am a founder. End of conversation. Gender should not be descriptive in the world we live in today. It doesn’t define me professionally.” Rayy Babalola, the founder of the Agile Squad, a project management and consulting firm in Kent, England, was captivated by the responses on LinkedIn but says that it’s not so easy for everyone to drop the labels and forget the struggle and perseverance required to find professional success. Ms. Babalola, 30, believes that to call herself a Black woman business founder conveys that she has overcome the dual obstacles of sexism and racism. And she feels a responsibility to signal to other Black women that they too can have a path to business ownership. “Being a Black woman has affected how I have been treated, and that has pushed me to become a founder,” she said. “And you can’t be selfish,” she said. “Just because you found a way doesn’t mean that it’s OK, now you can be silent.” She thinks identifiers like “female founder” and “Black-owned business” are still important. “Until those terms stop rattling minds,” she said, they need to be used to remind the world that they remain something of a novelty and in the minority. Nikki Thompson, of Overland Park, Kan., said she never shares her opinion on social media but when she came across Ms. Sumner’s post, she couldn’t stop herself. “Labeling perpetuates the differences we should be seeking to resolve,” she wrote. As a registered nurse, Ms. Thompson’s responsibilities include continuing education training and paperwork for patients, and many forms ask about race, gender, generational demographics, religion and ethnicity. She understands that data collection is essential when it pertains to diagnosis and treatment of illness. But she questions the value of that data collection in the many other facets of daily life. (Ms. Thompson was happy to answer the question of her age — she will turn 41 next week — but noted that labeling people’s age is part of the problem.) “What if we drop the labels, maybe the biases would subside,” she said. “This is a daily thing in my career, and I think a lot about words and bias and unconscious bias and how we might decrease it.” (She also said that the pendulum can swing both ways: She has heard relatives say of her male peers, “I had a male nurse and he was very good.”) Surprised by the reaction to her post, Ms. Sumner acknowledged that many of her experiences are influenced by being a white woman, “with all the privilege that entails,” she said. “But how do I see myself? How do I identify? As a founder, and as someone who starts discussions.” Source link Orbem News #Boss #girl #kill

[entergamingxp]

Sakura Wars Gets More Goods, Collabs, Comments From Kohei Tanaka

July 7, 2020 3:34 PM EST

Everything from the latest Sakura Wars stream including a Chain Chronicle collab, new Nendoroids, more goods, and comments from composer Kohei Tanaka.

Sega held the 14th Sakura Taisen Imperial Communication Department’s Broadcast stream on June 19, focusing on Sakura Wars The Animation. We’ve summarized every past Sakura Taisen stream on DualShockers, though on a more timely manner. So while it’s been a few days now since the stream aired, here’s our full summary, as usual.

The stream featured as usual: MC Mami Yamashita (who thankfully recovered from Covid-19), Seijuro Kamiyama’s seiyuu Youhei Azakami, and Producer Tetsu Katano. Present as guests were Kenji Akabane, who is the seiyuu of Kaminski in Shin Sakura Taisen The Animation (Sakura Wars The Animation), and Sakura Taisen series composer Kohei Tanaka. The stream focused on Shin Sakura Taisen The Animation whose final episode aired the same day.

After the introductions, everyone present on the stream started chatting about the anime, and introducing its characters. Most notably Kaminski Valery, captain of the Moscow Combat Troupe appearing in the anime’s story, sequel to the game. The first hilarious moment on stream was how Kenji Akabane was supposed to launch the video introducing his character, but got preemptively cut since he took so long. You can catch that moment at the 14:00 time stamp below:

Following that, everyone on stream commented various excerpt from each Sakura Wars The Animation episodes. I’ve personally only skimmed through this part to avoid spoilers, as time didn’t permit me to watch the whole anime yet.  However, you should definitely check it out if you’re a fan with a grasp of Japanese. This sequence starts at the 23:00 mark and lasts around 20 minutes:

One particular anecdote Kohei Tanaka mentioned is how the cat often seen in the anime, is voiced by Ryoko Shiraishi, who also voices Komachi.

Following that, Kenji Akabane spoke about his history with the Sakura Taisen franchise. He first got into the series with Sakura Wars The Movie, released on December 22, 2001. Akabane explained he really loves Hidenori Matsubara’s designs in the Sakura anime adaptations and how they adapt perfectly the original design by Kousuke Fujishima. As a reminder, nowadays whenever new Sakura Wars artwork is released, it’s always Hidenori Matsubara drawing it, and I don’t think Kousuke Fujishima has drawn Sakura Taisen artwork for years now, which is a shame. Kenji Akabane greatly praised the movie and how it’s still incredibly great looking even now. He was also really into collecting stickers back then and particularly liked the ones included in some of the OST CDs releases.

Kohei Tanaka too spoke about Sakura Wars The Movie. He explained that back during the movie’s production, when he recorded the BGMs with an orchestra, they had an audience as well. It was a pretty emotional moment as some of the fans watching the stream mentioned in the comments they were there. Back then, they recorded the audience for cheers and applause used in the movie as well.

Following that, the discussion subject moved back to Shin Sakura Taisen The Animation. Kenji Akabane was really hyped to be in the anime because he met Sumire’s seiyuu Michie Tomizawa during the recording. There’s also a scene early on in the anime where Kaminski meets Sumire and praises her, and he was ultra hyped about voicing that one scene. As for Akabane’s initial impressions of Kaminski, he only saw his actual design just before recording, and didn’t see it at the audition, so he was surprised how much of a pretty boy he is. He asked a lot about his personality and goals to the anime staff before recording to be sure to get in the role and voice him accordingly.

At that point on Kohei Tanaka started focusing on the ending theme song, Sakura Yumemishi. It’s sung by the girls of the Imperial Combat Revue’s new Flower Division: Sakura Amamiya, Hatsuho, Azami, Anastasia, Claris, along with Shangai’s Huang Yui, London’s Lancelot, and Berlin’s Elise.

With Sakura Yumemishi, Kohei Tanaka wanted to make something symbolizing the nobleness and frantic feelings of the women fighting in the series. That’s why Ayane Sakura, singing as Sakura Amamiya, has particularly high notes in the song, to show that franticness. Kohei Tanaka really praised her singing and said she pretty much fused with Sakura Amamiya. He praised all the other seiyuu as well, and said they did a wonderful job. He also jokingly apologized for making so many hard to sing pieces Kenji Akabane added he’d definitely refuse he was asked to sing one of the songs because it’d be way too difficult. Kohei Tanaka mentioned it was particularly difficult for Hibiku Yamamura, because she had to stay in Azami’s voice and yet sing very high tones.

Following that, Kohei Tanaka explained the lyrics of Sakura Yumemishi. Nearly every single song in Sakura Wars has lyrics written by original author Hiroi Oji. However, he couldn’t do the lyrics of Sakura Yumemishi, so Shouko Fujibayashi handled it instead. In the Shin Sakura Taisen game, Shouko Fujibayashi also wrote the lyrics for the character songs of Lancelot (Knights of the Round), Elise (Schwarzer Stern), Itsuki (Ruriruran Ginza Roman) and the charasong shared by Sumire, Kaoru, and Komachi (A Star Is Born).

Kohei Tanaka explained he loves working with Hiroi Oji and wants to keep working with him for years to come, but having someone else do the lyrics is also a good change of pace, which can bring a new angle to Sakura Taisen music.

Shouko Fujibayashi wrote many songs for Nana Mizuki, Hiroshi Kitadani, and many other legendary singers in Japan. She also regularly works with Kohei Tanaka as she writes the lyrics of most of the songs he does for One Piece. She writes lyrics for pretty much every single popular kids franchise, Precure, Kamen Rider, One Piece, you name it.

As that segment of the stream ended, we got the see a clean, non-credit version of Shin Sakura Taisen The Animation‘s ending sequence, with Sakura Yumemishi playing. As far as I know it’s the only way to see this version for now. It’s at the 53:38 mark:

Mami Yamashita, Yohei Azakami and Kenji Akabane  all really like the ED animation, especially the Kamiyama shot and how cool he looks.

An OST CD for Sakura Wars PS4 launched June 24. This is the OST CD containing the game’s instrumentals BGMs only. The vocal songs were in the OST CD included in the Japanese Limited Edition, and were also released on a separate CD, seen on the right.

Kohei Tanaka said he’s never tired of making Sakura Taisen songs and wants to keep doing it forever. He said that when he recorded the BGMs for Sakura Wars PS4 with an orchestra, at the same time he also recorded the BGMs in the One Piece: Stampede movie, so it was really exhausting. But he’s glad he did it.

Kohei Tanaka also quickly mentioned the BGM used in the final battle of Sakura Wars PS4. He explained how the game’s saddest BGM uses the same base as the final battle’s BGM, to represent the sadness and pain of battle.

The Shin Sakura Taisen The Animation OST CD for ending theme Sakura Yumemishi is out since May 27. Kohei Tanaka said there will probably be another CD later on with the rest of the anime’s BGMs.

Volume 1 and 2 of the DVD and Bluray disc release of the anime are out. Cover illustrations are by character designer Masashi Kudo. One of the coolest things about these are the audio commentaries by the seiyuu. Yohei Azakami mentioned he’s in the audio commentary in Volume 3, and it was the first time he ever recorded one. Kenji Akabane is on Volume 4’s audio commentary. Volume 3 launches on July 15. Volume 4 on August 19.

Starting the 1:08:40 mark of the stream, we had the usual goods and new collabs segment, with Mami Yamashita and Yohei Azakami wearing glasses and acting all serious. This is one of the meta jokes of these streams as they always do that for this segment.

First off, we learned the Shin Sakura Taisen The Comic manga will end with volume 3, launching on July 17, 2020.

最終3巻7月17日（金）発売予定

本日発売のYJ30号に最終話が掲載！

玄庵葬徹を倒した華撃団！ 華麗なるフィナーレをご覧ください！ そしてまた、新たな幕が開くその時までーー…

コミックス2巻デジタル版はこちら→https://t.co/JpNtOL8Uxy pic.twitter.com/7gzwcxvOXn

— 野口こゆり公式【新サクラ大戦 the Comic】 (@kenkouki_) June 24, 2020

The final chapter of the manga was pre-published online in Tonari no Young Jump on June 25, 2020. It has a pretty cool shot of Sakura Amamiya.

The new Sakura Wars goods on sale in Japan since June 17.

As a reminder, each character has been getting goods for their birthdays. Each month, one character gets goods dedicated to them. Special messages from the other characters, wishing them happy birthday, are also published online on the Sakura Taisen Twitter account. The first wave of birthday goods was for Sakura Amamiya in March 2020.

List of Shin Sakura Taisen main characters birthdays, blood type and astrological sign (These were revealed during the 11th stream on January 2020):

Seijuro Kamiyama August 11, Leo, AB.

Sakura Amamiya: March 19, Pisces, A.

Hatsuho Shinonome: September 9, Virgo, B.

Azami Mochizuki: May 15, Taurus, O.

Anastasia Palma: October 6, Libra, B.

Claris: February 1, Aquarius, AB.

The next one in line is Seijuro Kamiyama, they’re selling a t-shirt based on his parka from the DLC costumes. Along with a bunch of other goods. The last one to get birthday goods should be Claris, in January-February 2021.

Sakura Amamiya Nendoroid from Good Smile. They hinted they might make more for the other characters if this one sells well.

The next HG 1/24 scale plamo scheduled to release is Anastasia’s Mugen, scheduled to launch October 2020. Seijuro and Sakura Amamiya’s Mugen plamo released on June 20. Azami’s Mugen plamo launches in July.

Yurakucho Marui shopping mall in Tokyo is also doing a Shin Sakura Taisen collab from June 19 to July 12, selling exclusive goods. Kohei Tanaka made a song for the shop too. Details are on the shop’s site. There’s also a collab café with Princess Café at Yurakucho Marui, and Shibuya Marui. Fans can get exclusive goods there too.

Shin Sakura Taisen collab event in Ekimemo!, the mobile game with train stations turned into cute girls by Mobile Factory.

Collab event with free to play mecha Sega game Border Break.

Collab event between Shin Sakura Taisen The Animation and Chain Chronicle 3, gacha game by Sega.

【コラボ】「#アニメ新サクラ大戦」×「チェインクロニクル３(#チェンクロ )」コラボが開催中

花組キャラクターたちが、SSRキャラクターとしてチェインクロニクルに登場！コラボ専用のオリジナルストーリーにも注目です！#新サクラ大戦 pic.twitter.com/1UYkfQH4nu

— サクラ大戦公式@SEGA (@Sakura_Taisen) June 19, 2020

It’s particularly funny because Sakura Amamiya and the “Heroine” of Chain Chronicle 3, Feena, are both voiced by Ayane Sakura. She voiced a commercial for the collab.

Following that, the stream moved on to its ending corner.

Seeing Shin Sakura Taisen The Animation is over, future Sakura Taisen streams will stop focusing on it. Kenji Akabane said Sakura Ayane didn’t appear yet on the streams, and how she was super jealous of him when she heard he would appear at some point when they recorded the anime volume 4’s audio commentary together.

Kenji Akabane said he was pretty happy to appear on stream, and hopes there’s a “Shin Sakura Taisen The Movie” happening one day. He jokingly said he’ll do anything to make it happen.

As the stream ended, unlike with most streams until now, they didn’t announce a date for the next stream. Though they stressed out there will be more streams coming. As we covered in a separate article, they also teased a Shin Sakura Taisen sequel could be coming. Shin Sakura Taisen The Stage, the stage play, was re-announced as well.

【6月19日(金)生放送終了】 皆様、ご視聴ありがとうございました！

TVアニメ『新サクラ大戦 The Animation』 本日最終回放送です！お見逃しなく！#新サクラ大戦 #アニメ新サクラ大戦 pic.twitter.com/xmli41IknA

— サクラ大戦公式@SEGA (@Sakura_Taisen) June 19, 2020

帝劇宣伝部通信をご覧くださった皆様、ありがとうございました！#アニメ新サクラ大戦 最終話直前ということで大いに語らせていただきました！僕らリアタイは厳しそうですが、皆様は是非、さくらたちの勇姿を見届けてください！神山隊長！間に合えー！！！#新サクラ大戦 pic.twitter.com/ADGyHDhm67

— 阿座上洋平 (@azakami_youhei) June 19, 2020

The usual end of stream photos with everyone present. Every Japanese stream has similar social distancing setups like these nowadays. Usually they sit much closer.

Be sure to check out our review of Sakura Wars, and why did the game was titled “Sakura Wars” in the west. You can also check out our summaries of all the previous streams so far. DualShockers also recently had the opportunity to interview the Sakura Wars development team, and the full interview is coming later this week.

Sakura Wars is currently a PS4 exclusive and can be bought on Amazon.

This post contains affiliate links where DualShockers gets a small commission on sales. Any and all support helps keep DualShockers as a standalone, independent platform for less-mainstream opinions and news coverage.

July 7, 2020 3:34 PM EST

from EnterGamingXP https://entergamingxp.com/2020/07/sakura-wars-gets-more-goods-collabs-comments-from-kohei-tanaka/?utm_source=rss&utm_medium=rss&utm_campaign=sakura-wars-gets-more-goods-collabs-comments-from-kohei-tanaka

[pussymagicuniverse]

A Change is as Good as a Rest: Learning Little Lessons From Mercury

As I write this, yet another Mercury retrograde is coming to an end. When this is published, our speedy little space friend should be stationing direct, leaving varying degrees of chaos – or, as we’ll see, solved problems – in his wake. But I like the opportunities Mercury brings, even when he’s backtracking, so I thought I’d share a poem about an experience my son had during a past Mercury retrograde, and my views about how the whole mess can be helpful. 

My eldest son – let’s call him C – is a quadruple Gemini (one of two signs ruled by Mercury, the other is Virgo). His natal sun, Mercury, Venus, and ascendant are all in Gemini and his chart is Mercury dominant by many miles. My second son – E – is a triple Gemini (sun, Mercury, Venus) with Virgo rising and is also Mercury dominant, but Mercury retrograde always affects C much more obviously than it affects E.

One such incident was in Summer 2017: while visiting friends in Llandudno (North Wales), I co-hosted a poetry event, and we held the readings at the end of the pier. Mercury had just started moving backwards that day, or maybe the day before. C was 14 at the time, my other sons 12 and 13, my older daughter was just a year old, and I was four months pregnant with my younger daughter. My sons were all in the arcade right next to where we were reading when C decided to wander off while the other two were playing games. It’s worth mentioning C is autistic and so am I, and while C is a mega Gemini, my own chart is Virgo dominant despite my natal sun and Mercury being in Cancer (the short explanation is: I have three planets in Virgo – Mars, Jupiter, Saturn). A minor state of emergency ensued, with poets splitting off in different directions to look for C. It turned out he’d walked all the way back up the pier to the beach. On purpose, yes, but without telling anyone where he was going. There are always a few sides to a story, and this was no exception. Several months later, I wrote the following poem, which explains our two sides to the best of my ability.

•

Mercurial  

The younger ones ask where the eldest has gone, say it’s been half an hour since they saw him— in this moment the pier is ten miles long instead of just over one.

He’s the child who refuses a phone, and in this moment all bad things are possible; it’s like he wants to disappear. In this moment you almost hate the sea you love, because you know if he jumped in, he’d never make it. That’s a fine fate you’d keep for yourself, but not your children.

Everyone separates, leaves you to the vacuum of your headspace— you wander through murk of candy- floss, choking on doo-wop pumped through loudspeakers, the buzz of 2p slot machines. The sea is serene and you think it is waiting, or sated…

then someone’s calling, someone’s found him, on dry land, solid pavement beneath his feet. Your son lopes back down the pier to you, you look up to his his face, tell him how it scares you when he goes missing—his eyes clear, curious: to him you speak a dead tongue—he insists he knew where he was all along. 

*reprinted from my chapbook Land and Sea and Turning (CWP Collective Press, 2018)

 •

It’s interesting how Mercury retrograde played out for both of us that day in equal but opposite ways. We are both autistic, we are both heavily influenced by this mischievous planet – so while C went his own way, following his natural Gemini butterfly curiosity, it felt like everything he’d detached from – the noise, the lights, the smells, the caring about his own personal safety… – overwhelmed me instead. But there’s no point to astrological insight if we don’t allow it to teach us something. I learned to trust more in my son because of this experience – the older my boys get, the more I learn that letting them go their own way is gradual, not something that happens when they turn a specific age or leave home – and he learned to be more careful about communicating with his family.

Thankfully this most recent Mercury retrograde has been tame (though there’s still some hours left, so we’ll see how it goes). C had some misunderstandings with friends, but nothing too troublesome. It’s been a little stressful for me where communication is concerned, and deliveries have been slow, muddled, or non-existent. But I’ve used the time for quietly working on poetry projects, domestic organising (a never-ending task for a family of seven, and this Mercury has been transiting my 4th house of home and family!), and as usual, setting some things right that went a bit wrong previously – including preparing an anthology for publication after a nine month delay. I also finished my allocated therapy sessions for cptsd, complete with practical spellcraft to help me stay on track. 

I’ve learned over the years that when I’m being guided to slow my pace, I better do it – and ironically fast-moving Mercury is the number one teacher for me where that’s concerned, surprisingly more often than my chart’s own slow-but-steady dominant planet, Saturn. Even the poetry reading I did this month – a guest spot at an event I was supposed to do over two years ago but had to postpone (see what I mean about setting things right?) – was in a relaxed environment.

Because it’s tinged with chaos and drama – always fun for everyone – Mercury retrograde has become well known outside of astrological or witchy circles, but it is somewhat misunderstood. I’m only a witch with my head in the stars (plus one foot on the ground and the other in the water) not a professional astrologer, but in my experience it’s not worse than anything else the planets and the zodiac throw at us – it’s a party compared to what some planets can do (yes I’m looking at you again, Saturn). And even when it isn’t fun, it’s all energy to be harnessed and used in specific ways. I always feel like the most important thing Mercury can teach us is how to change and adapt when necessary – and it can be especially effective when he’s the reason we need to do it in the first place.

Born in Southern Ohio, but settled in the UK since 1999, Kate is a writer, witch, editor and mother of five. She is the author of several poetry pamphlets, and the founding editor of four web journals and a micropress.

Her witchcraft is a blend of her great-grandmother's Appalachian ways and the Anglo-Celtic craft of the country she now calls home – though she incorporates tarot, astrology, and her ancestors, plus music, film, books, and many other things into her practice. Her spiritual life is best described as queer Christopagan with emphasis on the feminine and the natural world. She believes magic is everywhere.

Find Kate on twitter and IG - @mskateybelle - and at her website.