otp = patrick and luis lol
that is his reaction rn. luis (@amreality) will be delighted.
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girl , this is you. this is your badness level. it’s unusually high for someone your size. we have to fix that.
LIKE AN ANIMAL IN THE WILD, HIS GAZE SNAPS TO FIX UPON @amreality. a cold undercurrent rages beneath the ice. john kreese is a good solider, until his emotions interfere — and he cannot pretend he isn’t angry. ( but he can’t pretend it’s not funny, either. THE GIRL’S GOT BALLS. ) BUT THIS IS HIS TERRITORY. he marks it with stony silence and pursed lips, one hand on the cardboard prop at which she’s gesturing. he pulls him closer to him, puts himself between them. FUN’S OVER, KID. what’s a miyagi student doing here, anyway? what’s a little girl doing here?, he thinks, but no one in their right mind would call her little, and neither would he. he marks her as the enemy, but this not as a confrontation. A MISSTEP. LEARN FROM IT — OR SUFFER THE CONSEQUENCES. his voice is quiet, slow — warning. there will not be another warning. ‘i think it would be a good idea if you left, sweetheart.’
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❝ everything alright with you , sam ? you've been pretty quiet today during class. ❞ @amreality is probably one of mason's best students when it comes to drama , so it's easier to notice when she becomes less enthusiastic in participating in class. the usual sparkle in her eyes has resorted to a dull , sad sheen & he can't help but worry a bit about what might be going on in her mind , especially with the bandages she has on her hands & sometimes her face. yes , he is well aware of her other extra curricular activities , & while it's not something he truly understands , it's not really within his jurisdiction to really say anything about it. he's just a typical drama teacher ━━ all he can do is look out for his students & give them a safe place to talk if they need it. ❝ i know i shouldn't have a say in your life outside of school , but you can talk to me , if you need it. ❞ a pause , he focuses on organizing his books & papers , cleaning up to prepare for the drama club meeting he had after school. ❝ just . . . letting you know that if you need an ear , i'm willing to give it. it's probably helpful to have a place to talk with people who aren't heavily involved in . . . what you do outside of school. ❞
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📏 + 6’4” … madeline is tall 👀
Send me 📏 + your muses height and I'll compare them to mine! ;; @amreality
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todd is certain his heart is about to hammer out of his chest. without even looking, he can hear the slight tremble of the script between his fingers, papers that dare fly from his grasp if he doesn't will himself to grip tighter. he attempts to keep his eyes on neil ⸻ filling in and replying on cue, despite todd's lack of experience in theatre. he's growing more flustered, and the poor man isn't even considering auditioning alongside neil. ❝ with love’s light wings did i . . . o’erperch these walls, for stony limits cannot hold love out, ❞ he says, squinting at the script, ❝ wait. i thought you were auditioning for romeo. why am i reading his lines to you? ❞
starter call for @amreality !
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❛ you need to end things with courtney. ❜ bateman was growing exasperated at courtney desperate whines and complaints about her unhappy relationship ⸻ it was ruining the good sex between them, and courtney was always a favorite of his. ❛ you’re not happy with her. ❜
bateman and luis. @amreality
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julie , i was being hunted. and i was completely unaware it was happening.
they may call him a bully, but what they don’t understand is that a cobra doesn’t raise its hood to intimidate its prey: IT RAISES IT FOR ITS ENEMIES. he’s seen a thousand victims, teary-eyed kids with homemade bruises and terrified ordinary people thrust into a war they never wanted. maybe it’s not pc to say aloud anymore, but the screams of women have always troubled him the most. ‘i’m sorry that happened to you.’ part of him still nurses a dream of heroism; to make victims of the defenceless is something he — even this cruel and twisted thing he has become — cannot stomach. he can take pain. pain does not hurt. PAIN DOES NOT EXIST. john kreese knows well the sustained agony it takes to make this true. fighters know. @amreality knows, now. ‘but you learned to fight back.’ he nods slowly, sensing something shared pass between them.
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the day of the try outs for their next play has finally arrived , & mason couldn't shake the nerves he felt brimming deep within him. even though the days of him being on that stage has long since past , he still empathizes with the teens who's nerves could be seen radiating off of them as they step onto that stage , anxious yet excited at the prospect of being chosen for the show. so much talent would be witnessed here today , which will make the eventual decision all the more difficult to make. he had a few others beside him in the audience chairs to help with his decision , but his say would be the final one at the end of the day & he only prayed that his choices would be met with positivity & that those rejected wouldn't take it too hard. he knows how it feels to not get a role you worked so hard for & he'd be more than happy to offer support to anyone who needed it after.
running through the list of sign ups he had in hand , the teens would step up to the stage one by one , reciting either bits from the upcoming show or their own monologues that they chose. mason would make notes for each performance & make notes on what characters they would fit best , some already winning him over while others still had him curious to see more. ❝ neil perry. ❞ the name was called out by one of the assistants sitting at his side , calling out the next teen on their list. as always , mason smiled as the young man strode on the stage , noting how he's never seen him before. a lot of the kids who had auditioned for the play were regulars at the starlight children's theatre. was he brand new ? regardless of his questions , mason smiled up at @amreality again , motioning for him to stand center stage so they could see him. ❝ nice to meet you neil. i'm mr. greene , the theatrical director here , though please , no formalities. makes me feel old & i'm clearly still youthful. ❞ he grins , winking. ❝ what role are you auditioning for today ? you can start whenever you're ready. ❞
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a caller arrives in the form of @amreality.
the oxford estate acts a second home to the bridgerton girl, an escape from thunderous footsteps and roaring voices that come from the full and lively bridgerton family home. SHE ADORES IT, but the peace and quiet of the estate always brought comfort to her worst anxieties. IT'S DIFFERENT NOW to step foot into what once held such comfort that now brings forth the same anxieties she ran from. conrad's gone - off to fetch something or another, sign another document or whatever he does in his free time. that's left the girl with her father, whom she's been avoiding since her left ring finger gained a permanent fixture. guilt weighs heavy on her shoulders for all that has quickly taken over their lives. though, eloise never has been one to keep her mouth shut for too long.
"I'M SORRY." it escapes fast, not allowing her brain to catch up for fear it might silence what she needs off her chest. "it was reckless, what we did. sneaking out without a chaperone in a public place, no matter how private it may have seemed to us." heart thumping against the cage of her chest with the difficulty of attempting to maintain eye contact to show the sincerity in her eyes, no matter how uncomfortable it made her. "it's easy to forget what conrad's status is in society. a testament to your upbringing, but it is not an excuse. we should've been more careful, or not even gone at all. WE'RE LUCKY that an easy solution was there for us, but in the same vein, i've taken something from both of us that... while i may know is impossible to have, we now will never truly know. and for that, i am sorry."
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❛ what’s the matter with you, bateman? ❜ blinking, he shakes his head in response, unsure whether or not he is afraid of luis. mcdermott shoves a drink into his hand while bryce slaps him on the back, further confused on whether or not the pair of them noticed luis erratic behavior. ❛ uh , nothing … ❜ glancing down to see that mcdermott has gave him the wrong drink … since when did he look like van patten, of all people? and when will luis get the hint? idiots.
a conversation about women and their fashion was an usual topic for mcdermott to brag about his latest fuck, and it gave him an opportunity to mumble something needing wax, to be fallen upon on deaf ears. he makes his way over to luis, grabbing him by the arm roughly to pull him aside, away from the crowd. ❛ courtney could have saw that. ❜ considering she was love with him, looking depressed as always, ❛ how many times? i dont love you. ❜
@amreality [ MOUTH ]: while standing across a crowded room from one another, sender catches the receiver’s eye and mouths “i love you” to them. / luis. starting off so strong.
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oliver , a sudden kiss to catch the partner off guard
the champagne-whisky cocktail makes his head spin. @amreality, in all of his post-play exuberance, must have taken john’s congratulatory pats on the back and quiet little praises for something more. it’s the same old script, after all: a touch, a murmur — but john is so very rusty / so very lonely. crazy fucking bastard, he thinks, after a heartbeat or two, when thought resumes. familiar and unfamiliar all at once: the shadow of a five o’clock shadow; he imagines scratchiness mixed in with the softness. he’s no stranger to the high of triumph, but this in front of everyone? sure, the crowd proper is busy with their toasts and self-congratulations in the other room, but all it’d take is one lone partygoer to pop their head through the doorway, and it’s not the goddamn eighties anymore and oliver putnam sure as hell isn’t— well, he’s just not. it’s the very not-ness that has john shoving him away, instinctive as repelling an opponent’s punch. his hand curls into a fist without a thought, but when he raises it, it’s to scrub at his own mouth, where the wetness and warmth of the kiss lingers. ‘what the hell was that?’
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❝ . . . you should seriously get off the piano. ❞ mason is focusing on the keys before him even if he doesn't need to see them to play , ignoring @amreality as he continues to play an instrumental version of toto's africa , trying to hide the brief smile of amusement that appears & disappears just as quickly. okay , so maybe victor is slowly rubbing off on him a bit. he's so irritating & incredibly selfish , but . . . he's funny , charming , kinda cute & cares for his mom. that's something , right ? also , it's been a while since he last saw him hanging around. he thought maybe he had given up coming here , but here he is , as if nothing has changed. did he miss him ? maybe a bit , but he's not about to admit that so easily. after a moment , mason finally looks up at victor & shakes his head , fingers still seamlessly playing to a small crowd of patients who sit in chairs nearby , some paying attention while others could care less. ❝ you here for your mom or are you here for a nurse ? ❞ ouch. perhaps not the best way to start off a conversation after weeks of not seeing each other. ❝ laying on the piano like that isn't very sexy , by the way. it's only sexy when marilyn monroe does it. ❞
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HOW AM I SUPPOSED TO REACT TO THAT ? @AMREALITY ( MADELINE ) & AUDREY.
❝ 'THAT'S CRAZY, AUDREY, I'M GLAD YOU TOLD ME.' ❞ she deadpans, then pulls a face like it was totally obvious. her shoulders slump over in annoyance, she barely makes it an inch forward in posture before the dress she's pulled into stops her. probably for the best, she already has to look up at maddy. mom would not let her step out to a wambs-hirsch-roy potpourri without looking her best -- frizz and fashion-sense tamed.
among family events, where worlds unfortunately collide, audrey has few options if she wants to do anything more than look miserable in a corner. stick by her mom's side and listen to her bitch about everyone in attendance, try father-daughter bonding with tom, or find someone else to bitch with. maddy had seemed like a good option. audrey's mild resentments for her were best kept tucked into her fists, both curled around a stolen flute of champagne. it's not personal . . . it's not maddy's fault that she's tom's gem of a girl and audrey's the shell of her mother.
❝ whatever. be totally fucking boring. i thought it was funny. ❞ the funny in question was some hyperbolic gossip about the past: tom, greg and a bunch of documents, featuring all the exciting roy-side-characters. ❝ uncle rome told me. ❞ she huffs, glances around. ❝ d'you wanna dash? i don't think literally anyone would give a fuck. ❞
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🌻
something i really want out of cobra kai s6 is for miguel to confront terry one on one. this dude traumatized both of his senseis and has been following kreese the whole time, who he already knows is a bad person. he's gotten angry at kreese, why not terry? i'll write it, netflix, please
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@amreality ˖ ࣪ . ࿐ ♡ ˚
ㅤㅤshe feels a bit as though she's standing on uneven ground, unused to and unsure how to interact with one so seemingly sweet and innocent. it's only thanks to years of being what others expect her to be that she's able to plant a bright expression on her face, expression warm. ❛❛ got a knack for writing, do you? what's your favorite thing to write about? ❜❜
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