#analisa teachworth

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Dependency Demographics, 2017 by Analisa Teachworth

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Chloë Sevigny, Analisa Teachworth, Dese Escobar, Sophia Lamar by Haley Wollens and Kristie Muller for Buffalo Zine AW22

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Blood Orange   Champagne Coast

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Analisa Teachworth Tribute Palette

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Analisa Teachworth

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Blood Orange - Champagne Coast Blood Orange - Champagne Coast Directed by: Haley Wollens Produced by: Maya Rose & Jude Mc DP & Editor: Jude Mc Animation: Andreas 'Nout' Schmidt Camera Assistant: Taran Allen Styling & Art Direction: Haley Wollens Hair: Lauren Palmer Smith Make-up: John Guanlao Stylist's Assistant: Brandon Owens Starring (in order of appearance): Phiona St-Cyr Devonte Hynes Vanessa S Williams Analisa Teachworth Marie Karlberg Greer Simpkins Kalena Yiaueki Karley Sciortino *Special Thanks to Mickey Heffernan + DUNE studio, photographer Kat Geran, designers Eckhaus Latta, Brianna Capozzi, Sarah Aphrodite, and Foot Traffic http://ift.tt/N7uTdy http://ift.tt/PrOV70 Domino Recording Company is an independent record label founded in 1993. Subscribe to Domino: http://goo.gl/kdcyu http://ift.tt/KrLecm http://ift.tt/KWdjuU http://twitter.com/dominorecordco http://ift.tt/IrUzlE https://youtu.be/nO6y1-erVEw

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Le1f - Spa Day Casting Direction: Kevin Amato

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BenZel & Jessie Ware, "If You Love Me"

music video by Analisa Teachworth & Haley Wollens

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suzannegeiss.net, July 1 - September 1, 2013, The Suzanne Geiss Company, New York.

GAWS

AWRS

I'm tempted to say get trippy, but there's much more to say about artist/programmer/cameo master A. Teachworth

I view media exclusively via the internet, on my smart phone or laptop. I have been consuming the media this way for the past few years. Most of the information on current events, global issues, even friends, is gained through websites like twitter or Media Take Out. I have a very different relationship to the way we consume modern media and internet because I integrate it in, I let it heavily effect my art practice. Because I am aware, I am effected. I don't like being off the internet; I check Twitter impulsively where I follow people and companies, ingesting pure media while syncing it with my own atmosphere. These various platforms are fluid for reaching / receiving information from all sources. The web and the way we are subjected to information is constantly changing, and I parallel my art practice to this kind of hyper multi-sourced developing. Economically speaking, globalization has given a creative voice to people who didn't have one before, birthing all kinds of contemporary self expression. I am constantly trying to create something that exists in more than one place, space, or time. This possibility and the adaptation of creating in a digital space is freedom, it feels new and limitless - which is one of the reasons why I create. 

--Analisa Teachworth

[sky--ferreira]

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tune of the day: benzel | fallin' love

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ANALISA TEACHWORTH's COGNITIVESYNERGY.NET // IPHONE PIC, LOS ANGELES

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Christopher Jude, Analisa Teachworth

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Analisa Teachworth

Analisa Teachworth explores the different states of being in the modern world.

“The world today is in a place of rapid progression, completely new and changing at an accelerated pace. We experience a multitude of new forms of interpreting information due to technological advance. These subjects often leave us bombarded and unable to discriminate value. We find the mind and soul must battle to comprehend how to safely exist in our current state and still progress. Navigating through life we are compelled to find a fit for states being in the modern world.

Motion vs. rest, natural vs. technological, expansion vs. introversion.

In this age of hyper simulation how can we successfully control the matter of the universe, forward the mind into its higher stasis, and excel the soul deeper into its eternal harmony. Moving through space, objects, concepts, sound, we force- interaction. Propelled through new situations of our present, constantly determining answers to the questions you did not know you need to ask.

I have the fluid answer, seeking to express it on my terms. Making the effort to execute change and enter the battle expressing these ideas via performance through visual materials /objects we relate and interface, physical movements as metaphor , and sound as language.”

Battle Against Inertia was part of “Four Minutes, Thirty-Three Seconds,” an exhibition curated by Omar Lopez-Chahoud at LegalArt, Miami.

Photos by Kerry McLaney and Quentin Belt.