#and I know everyone wants cruel summer but my goblin brain is like

[princessofgayskull]

Hi sunflower, what's your thoughts on T Swift's Betty being a catradora song???

Me, taking a break from spop to focus on my mental health and setting better boundaries:

Me, reading this ask:

This ask woke me up from like a deep, sleeping beauty type slumber, not joking. I don’t get asked to talk about Taylor Swift often, despite being a fan of hers since I was nine years old (I’m 22 now *wink*) and we are about to find out why. But I pride myself on taking any fiction piece of media I interact with and connecting it somehow to Taylor Swift. I can do so to varying degrees of success (usually depends on the ships and romance of the world) but there are so many songs of Taylor’s that have just fit Catradora so well for me, both in and out of canon. 

Some of my favorite examples: out of the woods (AND IT KEPT ME UP AT NIGHT WHEN NOELLE SAID THIS WAS HER TAYLOR SWIFT SONG FOR CATRADORA LIKE GAH CASUAL TS LISTENERS WILL NEVER UNDERSTAND) bad blood, lwymd, don’t blame, dancing with our hands tied, the archer, breathe, you’re not sorry, the way I loved you, forever & always, should’ve said no, safe & sound- I could go on.

But I won’t because I wanna stay on topic and talk about betty. Now I have a number of songs from the folklore/evermore series that are for me catradora songs (we’ll get to that in a minute) but this one is… challenging. Because I could be like “yes, because [insert casual reason here]” or “no, because [insert casual reason here]” but I can’t because Taylor feeds her children well and there’s several aspects of this song I feel like should be considered.

This biggest one to be considered, for me, is the love triangle aspect. Folklore features at length the betty/james/Augustine love triangle, each of them having one main song on the album from their POV. Betty's is cardigan, augustine’s is august, and james’ is betty. (also I’m going to throw out the gender component for a second; I know taylor says that Betty is about a guy’s apology and I totally vibe with her reasons why she wanted to write a song about a boy apologizing BECAUSE HOW GREAT WOULD THAT BE?) The love triangle makes the application of Catradora iffy at best. Because it’s like, who would be who? I am going to go out on a limb and assume that you’re seeing Catra as James? I think that personality wise, Adora as Betty and Catra as James is not a stone’s throw away from fitting actually really well. Adora’s canon journey is one of coming to realize “I know what I want and I know that it’s okay to want it” and a big part of Catra’s arc is her being like “Well shit… there goes my plans. Kind of feeling like a dumbass rn” especially in s4/s5. 

(That s4/s5 distinction is important; I’ll show why in a second) 

But for me, there’s no augustine. Or one that’s obvious anyway. I never imagined that either Catra or Adora dated or even had any inclinations with anyone else during the five season run- that’s just my personal opinion, people are completely welcome to feel free to disagree. I don’t think Catra acted even out of distraction with Scorpia or DT, and I think Adora was so focused on being She Ra that when she wasn’t thinking about failing/abandoning Catra when she alloted time to do so, she was thinking about the crushing weight of her responsibilities. So you know, not that much time to get back out there. So I rule out what causes James to apologize in the first place- cheating.

Side note about James cheating- I’m pretty sure Taylor confirmed this, in the long pond studio sessions doc, when she’s telling Jack Antonoff (MY BOY JACK) and Aaron Dessner ( GRAMMY AWARD WINNING KING) that James “was a fool!” And James did sleep with Augustine as confirmed in august, but cardigan makes it seem like he was definitely dating Betty before the summer. Maybe Taylor took inspiration from friends and they “were on break.” I also believe that the kiss in the Heart is the first kiss, that Catra and Adora were never ‘together’ together before Adora found the sword and defected (again, that’s just an opinion, but Adora just looks so wonderfully gobsmacked), so…

We can rule out cheating, and I think we can accomplish this and still reserve the essential meaning of the song of “I did something wrong, I see that now, I apologize for doing it, and I still love you” by widening the lens of what the “did something wrong” was (or “did something bad” you know *wink*). In that wider lens really you could fit either Catra or Adora into the song, but I’m still going to assume Catra is the James in this scenario based on how much of her redemption arc is formed around her refusal to say sorry and then eventually doing so. Of course there is no standing your porchlight but rather standing while wrestling a bunch of murderous clones…. Hmm….

But there are some stupid friends! I wholeheartedly believe Catra is James because of the dissing of Betty’s friends. That’s what Catra does to Bow, Glimmer and the rebellion et al., for most of the show and by the end of s4 she has no friends for Adora to even mock (terrible and cruel of me, I know, but it’s true). Also I know people are like “he called her friends stupid and then expected betty to take him back?” but I scream sing the line “WILL YOU KISS ME ON THE PORCH IN FRONT OF ALL YOUR STUPID FRIENDS?” every time. It brings me serotonin. 

Along those lines we can ask “Who’s Inez?” in this situation. When I think gossip no one from the show really comes to mind, well, expect for Double Trouble. But Double Trouble doesn’t ever speak to Adora about Catra. This happens vice-versa, and in Betty, James reveals that Inez told Betty he cheated on her. 

I want to say something controversial… Glimmer comes to mind when I think “who’s the Inez?” And this is based off of two things: 1) Inez’s closeness to Betty, and 2) Inez drags James out to dry, rightfully so. And when I think of that I think of Glimmer screaming “Do one good thing in your life!” directly in Catra’s face. James gives Inez a bad wrap in Betty. Not cool James. 

Of course there’s the pivotal, “would you tell me to go fuck myself?/ or lead me to the garden?” To me this a fun way of showing there’s vulnerability to what James is doing, so automatically I’m led to is the scene where Catra asks Adora to stay, or each time in s5 when Catra risks, basically an identity crisis to let Adora in how she really feels, but there’s always the potential that Adora could spurn her by not returning her feelings or rejecting her outright. 

I think the best argument that can be made for “is betty a catradora song” can really be encapsulated by the lyric(s): “the worst thing that I ever did is what I did to you” and “the only thing I wanna do is make it up to you.” That is what about the song SCREAMS Catra to me. And yeah, it could be argued that Adora hurt Catra pretty brutally (Shadow Weaver makes that point EVEN THOUGH SHE HAD NO RIGHT TO) that she messed up by abandoning Catra- but Adora feels guilt for... literally breathing. Adora is the quintessential embodiment of “pick your battles, no that’s too many battles, put some back,” but Catra picked one battle first and foremost (yes, she had a few others but this was the one) and that was Adora. Everything that motivated her was surrounded around a narrative of surpassing Adora for a multitude of reasons, and because of that she pretty much hurts Adora every chance she gets after Promise. Adora is really Catra’s first casualty, it makes sense that she has to be her first apology. And I think that after being vibed checked back to back by DT and Glimmer and realizing “oh hey fuck, I’m still in love with her” and then almost dying just to not die because Adora saves her, I think much of Catra’s motivation shifts to “how to do I get Adora to want to stay?” 

That’s my logic for how Betty could be a catradora song in canon. Now not all of my Taylor associations are with canon catradora, many of them do belong to uws catradora, because it’s a lot easier to apply the more modern details of Taylor’s songs to a modern au. The song Breathe is big that way. (it’s in Upper West Side, it’s the song Adora listens to and cries to after that first ride, I just never mentioned that it was taylor because my conditioned reaction to bringing up taylor is to have my head bit off with someone’s semi incorrect and slightly sexist opinion that I never, ever ask for) And this ask got me thinking about what it would look like if I applied not Catradora to Betty, but Betty to Catradora. What would it look like if Catra skateboarded and wore black lipstick, Adora wore a cardigan and they had homeroom together until Catra really messed up? What would it look like if they were seventeen when they admitted their feelings for each other instead of 21? What would it look like if they spent a summer fighting but dreaming of each other? What would their love story look like if Catra and Adora were in that town where Taylor envisioned this “same event that affected three people in different ways?”

I think it’d look something like this. 

https://archiveofourown.org/works/31141973/chapters/76952048

what do you guys think?

quick but INCREDIBLY IMPORTANT thank you to @gimme-tea-bitch for helping me with this, being my beta, and listening to me talk about folklore/evermore.

[llendrinall]

Hi I have a writing promt.

A story that is written from both pov's that shows Draco and Harry falling in love with each other. Little moments together where they fall a bit more in love. Things they do that make the other thing "Wow I'm so in love with him". Ect.

Harry had always been starkly aware of Draco, but it was after the war, in the Wizengamot, when he actually noticed him for the first time.

Draco was sitting next to Pansy Parkinson, holding her hand so tight that he was leaving white marks. Harry got a glimpse of them when Pansy was called to give her testimony.

Then the unthinkable happened. Instead of demurring, which she was allowed to do –was expected by everyone to do, was what every other member of a Death Eater family had done so far– Pansy answered all the prosecutor’s questions. She gave true testimony and denied her parents the imperius defence.

Draco was waiting for her when she came down from the stand. He grabbed her hand and led her away with measured steps so it wouldn’t look like they were running.

 *

The second time Harry noticed Draco like that, as a person rather than as an opponent, was, coincidentally, the first time Draco saw Harry as Harry. Not as a school enemy or a war enemy or The Boy Who Lived or The Saviour Of The Wizarding World. Not even as Harry Potter. He saw Harry as just Harry.

It probably helped that Harry was unrecognizable under a thick layer of soot and grime so Draco didn’t know who he was calling an idiot. Draco also yelled to stop immediately and step back and, miraculously, Harry did. No hesitance.

Not all Death Eater had been arrested and not every awful individual had joined Voldemort, which meant that there were plenty of terrible people out in the world. Someone, Death Eater or not, had attacked Wisteria House. The house where rescued and freed house-elves were hosted.

Draco understood that the house-elves weren’t the goal. They were just the bait, a cheap collateral. The point of the attack was to have someone (maybe Harry, most probably Granger), cross the door quickly, without looking around them, and walk straight into a deathly trap.

Draco saw the trap, called out a warning and Harry listened. He listened to Draco.

Both of them walked away with a different opinion of the other. No one comes out the same from a burning building.

 *

 The third time went like this.

“Occupied.”

“Je- Blimey!”

“Find your own corner in the shadows to hide, Potter. This one is mine.”

“I don’t have time to find another spot.”

“Too bad. W- wait! No, quit it!”

“Scoot over! We can share.”

“No, we can’t. This is my dark spot, go away.”

“Either we share or I make sure they find you too.”

“As if I care. I’m not hiding from your devotees. Go away.”

“It’s Clay Buckthorn.”

“… be quiet, then.”

They hid in there for an hour, talking in whispers and sharing a bottle of butterbeer, while Secretary Buckthorn, the most persistent and insufferable politician to ever crawl out of the Ministry, looked around for a popular face to join his campaign. They were about to leave when in came Rita Skeeter, pressuring Percy Weasley to answer her questions. They watched from the shadows as she pressed and cajoled and he resisted. It was a bit like watching some sort of fight sport, only after ten minutes they weren’t sure who they were supporting.

 *

Harry thought Draco was dating Pansy Parkinson and maybe he still was. Evidently, it was all for show. No need to read so much into it.  

There was this old witch complaining about tradition and values. Nothing no one hadn’t heard before many times. People these days had no respect, it was disgraceful and so on. But then she turned to Dennis Creevey and his boyfriend (some Slytherin kid, Harry didn’t know him), and she asked if their families weren’t ashamed of them. Two men together. They ought to be.

Harry wasn’t sure if she knew about Dennis’ brother or not. It was hard to believe that people could be so deliberately cruel to a stranger. The question stopped him from immediately jumping to her neck. He had been accused of blowing things out or proportion before. And by before, he meant that morning when he called out that rude shopper who cut the line before a goblin.

Meanwhile, Draco rolled his eyes in that magnificent way of his. For someone who acted so proud and proper, Draco had a very expressive face and the rolling of his eyes was a spectacle to behold. He stood from his table, grabbed Theo Nott by the lapels, and kissed him on the mouth long and hard right in the middle of the crowded restaurant. Afterwards he sat down, perfectly composed, and both Theo and him turned to look at the witch like the smuggest pair of snakes in the forest.

The witch left the restaurant soon after. Dennis lost the wretched look on his face and Harry paid the bill on Draco’s table, earning a nod from him on the way out.

*

The day Draco’s heart began to beat a different rhythm was a hot Thursday in summer and someone had tried to kill him.

It wasn’t a particularly well thought attack and Draco took precautions. He wouldn’t have gotten anything worse than an intense headache and maybe some sore muscles. Still, Harry felt the need to push him to the floor and shield him with his body from the sparks and shrapnel falling over them. Harry had stopped the hex in mid-air, which was admittedly impressive. Draco watched the purple rivulets of the failed curse slowly descending around them and wondered if he was in shock. That would be embarrassing. This clumsy attack on his life didn’t deserve any shock.

Harry jumped from him (so nimble!) and chased down the would-be murdered, on foot, like a muggle. He, he just ran down the street, didn’t even cast a spell until he caught up to him and brought him to the floor. Draco was sorry to miss that part, although there were very good pictures on the newspaper the next day. Harry looked amazingly heroic. One of the pictures had him jumping in mid-air.

Draco didn’t know if this was something Harry did for everybody or if it was just for him, nor did he care. His chest and stomach and… other parts, were confused enough about how to feel, and his heart, in particular was beating to a new tune.  

*

So Draco could make moving shadows to play stories and it was amazingly beautiful and Harry loved it, he loved it, and no, it was not the potion talking, he was perfectly sound of mind. St Mungo was about to let him go! But Draco had come visit him and when Harry complained about being dreadfully bored, Draco had put on this absolutely magical spectacle (yes, Harry knew they were both wizards, it was still magical; no, no potion talking, it was an honest opinion). In the end Harry stayed the night, just like the mediwitch had begged him to, and fell asleep with the shadows performing a dance before him.

*

Draco didn’t call it love because he was quite an obstinate young man, but he was at that stage where he would easily admit that he was willing to lay down his life for Harry. He only had trouble with the word, not with the sentiment itself and its manifestation.

They were at the Ministry. It should be a pretty simple and straight-forward process. Go in, Pansy signs the documents, Draco bears witness and signs his own documents, go out. But of course it wouldn’t be so simple. A pretty pureblood witch doing anything against her family was a spectacle. The press wanted photos, people wanted to see it live, and, of course, there was the ever present mob who just wanted to shout awful things. Usually Pansy dealt with the mob by herself, swiftly and with a sting.

But today was different, hence why Draco had informed Pansy he would be accompanying her before she could ask him to. It wasn’t like the day she gave her testimony, but it was close enough. In a way, it was worse. A year ago they had her testimony to think about. Today it was just signing a document. That could hardly distract them from the crowd waiting for them.  

A push. A yelp. A crash. And Harry Potter gallantly preventing a very old wizard from having a huge flower vase fall on top of him. Somehow, Harry didn’t cast protego in time, so he avoided being brained by the vase but was splashed by the water and stood completely drenched in the middle of the Ministry main hall.

Across the mass of curious people and reporters and workers and people who had come to shout awful things, Harry looked at Draco. He gave him A Look. If he had more time, Draco would stop and think of a suitable metaphor for Harry’s eyes, their colour and intensity. But he didn’t, so he grabbed Pansy by the elbow and together they crossed the hall without the crowd noticing. Everyone’s attention was naturally fixed on the way the Saviour of the Wizarding World’s wet clothes clung to his chest.

Afterwards, once he had seen Pansy safely (and discreetly) home, Draco went to find Harry. He was perfectly dry now, but he had a faint scent of flowers around him.

“The rose garden is lovely in June,” Draco said, which should be enough but of course Harry didn’t understand him. Harry was kind, brave, handsome and clever in the most useless way so Draco had to actually explain, with words, that Weasley and Granger must have realize by now the extent of their fame and what it would mean if they married at the Burrow, where anyone could break in. Hence, why Draco mentioned his lovely rose garden where they could get married if they chose to without anyone invading their privacy.

“Hermione’s extended family is muggle.” Harry said, and dear Merlin it was even worse than Draco thought. They were going to pick a muggle place. So not only people breaking in, but a violent attack against the muggles too. Just what you want for a wedding.

“The Malfoy family marries for power, not blood purity.” Draco explained in a whisper. “There is no repello muggletum in our houses.”

“What!?” Harry cried, drawing immediate and sharp attention to them so they had to leave quickly and find a quiet place where Draco explained that Grandmother Imogen –that is, Lucius Malfoy’s mother– was a muggle but, most importantly, a peer of the Realm.

Harry stood in shocked silence for a minute, and after a lot of “whats” and “hows” and “no, really, how could you join Voldemort?” he accepted to at least extend Draco’s offer to the happy couple.  

*

Draco said he didn’t plan on attending the wedding. Just because he was offering his summer house it didn’t mean he expected an invitation. He got one anyway, because Draco had showed them his summer house and two country houses belonging to his muggle cousins and was very careful not to mention Malfoy Manor at any point. Ron appreciated it even more than Hermione.  

He rejected the invitation anyway because he said he much preferred to sit by the gates and send stinging hexes to anyone trying to intrude. It was his one chance to curse people indiscriminately and he didn’t want to waste it.

He showed up later, during the reception, looking handsome and with a pleased smile on his face. He grabbed a glass of champagne, immediately transformed it from a flute to a pompadour without wasting a drop, and sat himself next to Aunt Muriel whom he proceeded to engage in a long and acrid dispute until Ron and Hermione had left. Dear Aunt Muriel didn’t get a chance to insult the bride, or the groom, or any of their families really.

It was right then, while Draco forged a lifelong enemy (her life, not his) by insulting her garden (how did he know so much about flowers), that Harry realized he was in love. He was in love. He was in love. He wanted to be with Draco and insult people together and scandalize prejudiced old bats until they themselves were old bats.

*

Harry picked up a fight with the officiant (to be fair, that comment about the goblins was very unfortunate) and they ended up getting married at a muggle register’s office and Draco was so, so, happy. His family was obviously displeased. Cousin Nerissa said that her fiancée could officiate and was very offended when Fred Weasley said no one wanted to be married by a man named Cuthbert. It was amazing. George Weasley sat next to Cousin George, the baron. Hermione and Ginny Weasley started a fight with the most traditional-minded relatives (from every side). Cousin Audrey came out to the family when she was caught propositioning Luna Lovegood. Pansy Parkinson got engaged to no less than three lords and said they could sort between themselves who got to marry her.

Draco was so in love. It was amazing.