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#and The Fox…. tbh his quest was one of the main reasons I made my new playthrough
spiderin-space · 4 months
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Lots of scene redraw sketches 👀
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2016 Year In Review
Where Kurt talks about literally everything.
Totally not late 👌.
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(Recommended Sountrack. You may just want to put it on loop.)
(Alternate soundtrack. This is what I listened to for the majority of writing this.)
Top lists are a sort of fun exercise for me. They present a unique challenge: to sell an idea well but short enough so the full list is reasonable to read in an afternoon. They also allow me to flex my own creative muscles by talking about many topics and concepts all at once. One of my favorite parts about anime is writing and talking about it after all. So top lists let me do that all of that for a bunch of different shows all at once. Also they’re pretty interesting to compare to other critics who are much better than me and like, do this for a living. I find that when I compare top lists to each other, they tend to agree on what each individual show is doing, yet disagree on which is the best. But I digress.
Anyway, if you read last years’ post, thank you—the writing in it sucks compared to how I write now so I don’t blame you if you don’t read it. Secondly, I’m changing the format a bit: I’ll still do a top five list, but I also have a few anime that I’ll just call “notable.” To me they aren’t good enough to put in my top list, but have interesting ideas or execution that is worth talking about (also, some other people may believe that they are worth their top list, which is a discussion topic in and of itself). Then I’ll just list off the rest of the shows I watched this year and give them little cute bite-sized reviews. I’ll also give star ratings out of 5 to everything (2.5 is the “average show,” but I refuse to rate with a fraction). Now then, we have a lot to get through so let’s get cracking.
Top Five New Anime
As always, in airing order.
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Kono Subarashii Sekai ni Shukufuku wo! (KonoSuba: God’s Blessing on This Wonderful World!)
Jan 14, 2016 to Mar 17, 2016; 10 episodes; Studio DEEN (btw is it Deen or DEEN? I can’t seem to find any consensus on this.)  
So like, think SAO, but not edgy. KonoSuba takes the inherent absurdity of the SAO premise and puts that at the forefront. It opts out of the darker concepts that most of these “stuck in another world” anime tend to take in favor of hilarity. This is mostly done by creating a world that is legitimately wonderful as opposed to fake-difficult. Which means that the ridiculous problems the protagonists have are not at all because the world sucks, it’s because they suck. Each of them are jerks or weirdos in their own way and how they play with each other and the world is a riot. The show also does lots of clever things with its videogame world like: how luck stats affects quest rewards, how one develops their own skill repertoire, how dying works—hell, the first episode uses a literal pause as a method of conveying the protagonist’s thoughts. It feels like a DnD campaign that went off the rails in the best possible way. Even the show’s weakness, the occasional moments of terrible or rushed animation, are leveraged into comedic beats. It’s only 10 episodes (and a fantastic OVA) and a sequel is coming out soon. It’s definitely worth the watch.
★★★★☆
I didn’t expect to ever put a DEEN show on this list.
Mother’s Basement did an OP analysis along with Re:Zero here.
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Boku No Hero Academia (My Hero Academia)
Apr 3, 2016 to Jun 26, 2016; 13 episodes; Bones
Many hero shows nowadays are trying to be a dark and intense, discussing themes of loss or the responsibilities of power. My Hero Academia handles hard concepts like that as well (especially in the most recent arc in the manga), but, first and foremost, it absolutely loves heroes. The original writer is a huge fan of old American comics and this show is a shonen recreation of the original Golden Age of superheroes. They explode onto the scene. They smile in the face of overwhelming odds. They always beat the villain and save the day. The best heroes are those that just want to be heroic and this show understands that. It’s world, like the author, loves heroes. The school loves heroes. The main character loves heroes. This incredibly positive view just emanates from the show and can be felt in every aspect. By far it’s biggest weakness is Bones seems a bit afraid to take risks: the fights a bit too true to the manga and the pace afraid of running out of material. But the character writing, the world building, the soundtrack are all top notch. A sequel is in the works and there’s also an OVA story that isn’t in the manga. An easy recommendation.
★★★★☆
One of my favorite critics, Nick Creamer, did a review on ANN. He also reads the manga and talks about it often on his blog, Wrong Every Time.
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Re:Zero kara Hajimeru Isekai Seikatsu (Re:ZERO -Starting Life in Another World-)
Apr 4, 2016 to Sep 19, 2016; 25 episodes; White Fox
The opposite of KonoSuba—Re:Zero instead takes the SAO premise and makes it legitimately dark. It does this, not by making a main character whose defining character trait is “I’m cool,” but by crafting a world that is half high fantasy and half intangible, unceasing horror. The show leans on the uncertainty of being thrust into a new world and the agony of respawning again and again while talking to people who killed you as if they weren’t ticking time bombs. However, this story is not built to crush you. It carries heavy elements, not to present meaningless challenges to a blatantly overpowered protagonist (cough), but to push the protagonist to strive harder. In this way, it creates a relatable character. A character who we know is not strong and sometimes doubts himself, just like how we do when we face our own monsters. Then he faces his problems head on, sometimes by himself and sometimes with friends who don’t really understand the depth of his struggle. It says to the audience “this is not the end of your story” in a way that fills us with determination to reach our own happy endings. And that is a story worth telling.
★★★★★
This is probably the best story about being thrown into another world since…KonoSuba. 2016 was pretty good about this premise tbh, especially when you also consider Grimgar was released as well.
Mother’s Basement did an OP analysis along with Kono Suba here.
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Flying Witch
Apr 10, 2016 to Jun 26, 2016; 12 episodes; J.C.Staff
Flying Witch doesn’t really have anything important to say. It doesn’t have a deep meaning like “one’s journey to personal peace” or “the intrinsic strength of the human spirit.” It’s just a slice of life story put in a casually magical setting. Like every good slice of life, episodes aren’t super related, and once you know all the characters you can watch it in basically any order. Some episodes don’t even show off any magic. All it does is carry a carefree lighthearted tone for 12 episodes. The show does this by establishing the world with many, many wide environment shots and then dropping so many quirky-cute characters whose interactions are so lovely and so charming that you just have to come back. In many ways, this show is K-on! except the captivating music scenes are replaced with equally stunning magical scenes. And I adore its sound design. Many of the most iconic tracks are reprises of its main theme at different tempos or with different instruments, creating a very cohesive experience throughout the series. In particular, its flying theme is gorgeous. Just like K-on!, it’s one of those shows that you watch on a rainy day and it will be just what you need. Flying Witch has quietly entered my personal favorites.
★★★★★
None of the critics I follow have made long articles about this anime. What this is telling me is I need to find more anime bloggers. Now taking suggestions.
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Yuri!!! on Ice
Oct 6, 2016 to Dec 22, 2016; 12 episodes; MAPPA
To say this show was an endeavor would be selling it short. Yuri!!! on Ice tackles something like seven or eight parallel stories and relevant backstories of characters who all have different cultures and goals, and then it also has to explain enough about professional skating for you to actually care and understand the performances the show takes so much time to show and, if that wasn’t enough, it’s also LGBT. You have to give it to MAPPA for trying. The success of each of these aspects is middling, but, at the very least, it handles the stories of Yuuri, Yurio, and Victor fairly well. I’ve already touched on many of the techniques it uses to develop it’s expansive cast, but setting that aside, there is just a lot of show here. In order to communicate the number of ideas it tackles, the show presents everything full of purpose. Most scenes work overtime here and the resulting dialogue pops. Even the commercial break cuts are used effectively: they are foods that are native to the region that the cast is currently in which establishes a sense of place. At the same time, they’re food, so they refer back to the Yuuri’s in-joke about being a pork cutlet bowl and also maintain the lighthearted, happy tone of the show. Yuri!!! on Ice is efficient like that. It’s also one of those rare shows that sneaks into the public eye, so supporting it feels a tiny bit like supporting animation as a medium. But, before all that, it’s a story about a guy who follows his dream. That’s about as grand a story as anyone can tell.
★★★★☆
Notables 
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Hai to Gensou no Grimgar (Grimgar of Fantasy and Ash)
Jan 11, 2016 to Mar 28, 2016; 12 episodes; A-1 Pictures
If you read just the premise, this show should suck. It’s just another one of those “stuck in another world” anime that come out every season. However, it has an interesting secondary hook: it’s actually a slice of life. Some of the most interesting portions of SAO and Log Horizon were how the videogame world interacted with the daily lives of the characters, so a show about this should be good, right? Unfortunately for Grimgar, it seems to be in the business of ruining it’s own emotional beats. The first episode is a good example of this: they open with a goblin hunting section that would be high tension, yet the animation struggles to provide the necessary impact. A training sequence occurs, but ends up paying too much attention to the instructor’s fanservice to offer anything meaningful. Then there’s a bit where the main crew gather round the campfire for some casual conversation which also stumbles because their topic of discussion is witch girl’s breasts. In fact, a lot of potential emotional hits snuff themselves out by becoming fanservice beats instead. A real shame. 
★★☆☆☆ 
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Flip Flappers
Oct 6, 2016 to Dec 29, 2016; 13 episodes; Studio 3Hz
Well, I’ve already talked about how I feel about this show, but it just keeps popping up. To me, Flip Flappers comes across as trying too hard and losing focus and meaning as it tries to rationalize its own absurd world. It fails to explain bits and pieces, and, once you go down this rabbit hole, you have to hit everything. So we end up with this sort of half-done mess. However, people are still talking about it, so I think your assessment of Flip Flappers is a personal measurement of how much BS you can handle before you reject a plot idea. And the plot really is the “only” thing that grinded me about Flip Flappers. It had interesting characters, clever world building, and its ability to play with its animation style produced lots of great single episodes. It’s not a bad show, but it depends on what kind of person you are to tell if it’s a great show.
★★★☆☆
Short Answer Section
Ok, hopefully this goes by faster. 
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Winter 2016
Prince of Stride: Alternative -  Madhouse does sports anime sounds like a good show. Unfortunately, this is less sports anime and more otome game. The parkour/running scenes are well animated (it’s Madhouse), but the character beats don’t work very well. All in all, ok. -  ★★☆☆☆
Musaigen no Phantom World - Flip Flappers but bad. How disappointing. -  ★☆☆☆☆ 
Sekkou Boys - Honestly? Not terrible. It’s a short, so attempting to put any sort of character development is kind of a crazy idea, but at least it was hilarious. -  ★★☆☆☆
ERASED -  2/3rds of a great show. The first 8-ish episodes are tightly written and well directed. The next 4 are…less so. At least for the writing part—the direction is still pretty good. ERASED fails to explain some character developments in ways that really make sense. This is similar to my problem with Flip Flappers, but, as ERASED is a mystery thriller, it is a much larger oversight. In short, the director once again proves himself much better than the works he has been given to adapt. -  ★★★☆☆
Zootopia - Disney does not suck, usually. Zootopia, in fact, is one of their better films. The setting is actually self-explanatory enough to work without too much info dumping, so it uses this kooky setting to tell a story that is relevant to our own world. Being a mystery/detective thriller, the plot is required to be more tight than Disney animated movies usually are and for the most part Zootopia delivers. It’s probably the best animated Disney movie this year. -  ★★★★☆
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Spring 2016
Uchuu Patrol Luluco - Trigger at their Trigger-iest. Luluco actually manages to reference (“reference” aka “directly call out”) every single Trigger show in this short mini-series. It’s actually a really fun ride, in the same way that Gurren Lagann is, but because of how much it meanders it loses some of it’s punch. Still, I’d recommend it because honestly, at 13*6=74 minutes total running time, what have you got to lose? -  ★★★★☆ 
Gyakuten Saiban: Sono “Shinjitsu”, Igi Ari! (Ace Attorney) -  Ace Attorney shows us that some things are much better played than watched (like some other shows). But, all in all, it didn’t suck. It’s actually pretty good for people who don’t have the time to play the games. And I did get a lot of notes on that one post… - ★★☆☆☆
Netoge no Yome wa Onnanoko ja Nai to Omotta?  -  For the most part, a generic harem anime except the archetypes are marginally more interesting and the secondary hook is unconventional (videogames as opposed to…super human high school. We live in a world where super human high school is more common than just videogame club). The fanservice is expected. The comedy is ok. Overall it’s just kinda eh.  -  ★★☆☆☆
Sakamoto desu ga? -  This show is actually just one joke repeated for twelve episodes. I mean it’s a pretty good joke; you could call this the slice of life One Punch Man. But I liked One Punch Man—I put it on the top list last year, so what’s wrong with this show? Well the strength of One Punch Man is not actually Saitama (haha), but rather the cast of side characters. Since Saitama is a static character, the development is shipped to everyone else so we get our character beats from them. Then, Saitama is used only for comedic beats. Sakamoto, on the other hand, fails to do this, and instead uses a rotating static character cast, so it has to rely entirely on comedy to compel you to watch. And, like I said, it’s just one joke repeated for twelve episodes. - ★★☆☆☆
Tanaka-kun wa Itsumo Kedaruge -  Like Sakamoto, Tanaka-kun is also just one joke, but it spends a bit more time developing the surrounding cast since that joke isn’t as potent. It’s slow pace reminds me a lot of Flying Witch, but it uses its characters more than its environment for the jokes. In fact, that’s probably the more important difference: there are more jokes. Flying Witch is content to let you stew in the world for a while, but Tanaka-kun feels pressured to hit you with another joke right after another. It’s not a bad show, but it’s a bit clumsy in its execution. - ★★★☆☆
Kiznaiver (2/12) -  I touched on this already, but Kiznaiver is an interesting enough topic to revisit. Often for character shows, a director will take one of two ways to show relationships: 1) understated gestures and close up camera angles on expressive body parts—this is the stance KyoAni and PA Works likes to take—or 2) metaphor as shorthand to character mindsets, anywhere from expressive skating performances to personal demons gone physical. Neither of these is really Trigger’s style, so for their own character story, Kiznaiver, they turn the relationships into an actual physical connection and then use force to move relationships. I still haven’t gotten around to finishing it, but it’s a clever workaround and very Trigger even if it’s not their usual director. I’m excited to see how it’s done. -  ★★★☆☆?
Finding Dory -  I…don’t remember much of it. Usually that means it’s just kind of ok. A “just kind of ok” Disney movie probably means it’s above average so let’s go with that. (I am a serious critic who seriously critiques things with seriousness.)  - ★★★☆☆?
I need to start writing shorter opinions or we’ll be here all day. 
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Summer 2016
That scroll bar is getting pretty small…
Love Live! Sunshine!! (3/13) - Of the 3 episodes I’ve watched, this seems very much like “Love Live! 2, Love Liver!!” It still has this weird problem of taking itself too seriously (remember “I love school idols!” ?), but Sunrise is a roll here, given another iteration we might have a very good character comedy. - ★★★☆☆?
New Game! -  Aside from having the most adorable OP of 2016, this show isn’t really notable. Yeah, it’s cute, it’s Doga Kobo. Yeah, it’s funny, it’s Doga Kobo. There’s some fanservice, often leveraged into comedy a la Monogatari, but that’s kind of it. For the most part, this is Shirobako channeling K-on! which sounds amazing but ends up just being pretty ok. I wonder how much better it could be given a two cour season. -  ★★★☆☆
Taboo Tattoo (1/screw it) - I was coerced into watching one episode of this thing. It has like almost an interesting premise but every time they introduced another character I just got more disappointed. Please send help. - ☆☆☆☆☆
Amanchu! (1/12) - J.C.Staff has this weird artistic style that seems to change completely whenever they are making a joke. This works for some anime, but it’s not very subtle. In the case of Amanchu!, I think they needed to deliver it with a more softer style overall, but it’s not a deal breaker. I just haven’t gotten around to watching the rest. -  ★★☆☆☆?
Kono Bijutsubu ni wa Mondai ga Aru! (3/12) - Comedy anime about girls in art club falling in love with a dense otaku and surrounded by other quirky idiots is not a new concept. To be different, Konobi tries to provide more structure to its story, evident just from the first episode. Well, I’m only 3 episodes in but I’ve found the comedy weakens the plot and the plot weakens the comedy. Often with short seasons, it’s better to focus on only one aspect, as dividing your resources like this results in a mediocre show, but I still haven’t gotten that far. I’m hopeful. - ★★☆☆☆?
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Fall 2016
WWW.Working!! (6/13) - It basically plays out like Working!! lite. WWW.Working!! was the original “rough draft” for the Working!! manga after all, so it kind of makes sense. It’s alright. Working!! is a stronger show overall and has a rare multi-season full adaptation, so, choosing only one, I’d choose Working!!. That was probably really confusing. - ★★★☆☆?
Shuumatsu no Izetta (2/12) - History drama meets magical girls. You know, maybe we should stop making so many “x + Magical girls” anime. It’s an interesting take and the direction it goes is pretty fun. Instead of following a WW2 titan, you follow a small country that needs the magical girl to keep themselves from getting totally destroyed. I’m not sure I’ll finish it, but if that’s your kind of vibe, Izetta is the show for you. - ★★☆☆☆?
Mahou Shoujo Ikusei Keikaku (1/12) - Continuing the theme of “x + Magical girls” anime, this one is Magical Girls meets Battle Royal. At least, that’s what it’s supposed to be. The pace is so incredibly slow that the little premise you read on MAL tells you the story past the first episode already. I don’t think I’ll be coming back to this one. - ★☆☆☆☆?
Cheating Craft (2/12) -  Calling this an Anime is kind of hazy but luckily this post is about more than just anime. The first episode is sort of a flashback type deal that explains the concept and the next episode is the first of what seems to be a series of tests. Instead of the subtle strategic type of show I expected, it’s actually just ok-ish action with poorly defined characters. So it’s been dropped. - ★☆☆☆☆?
Hibike! Euphonium 2 - I’ve talked about this so much you guys probably already know my stance on it. It’s hampered by the nature of adaptation as the Mizore-Nozomi arc could probably be removed. But the Asuka arc shows KyoAni has still got it. One of the best shows of the year. - ★★★★★
KEIJO!!!!!!!! - You know what’s interesting about this show? In story structure, it’s the most generic shonen ever. But the base premise is so absurd and so confident in itself that it carries pretty well. The absurdity even spreads to the title: all caps and eight exclamation points. This show knows what it’s about. - ★★★☆☆
Gi(a)rlish Number (2/12) - Oregairu is well written show. Gi(a)rlish Number is also a well written show. Thanks Wataru Watari. But because of how cynical they are, they’re really hard for me to watch. So I’ve only watched two episodes. Thanks Wataru Watari. I’m sure I’ll have lots of opinions about this so I’ll talk about it at a later time. - ★★★★☆?
Haikyuu!!: Karasuno Koukou VS Shiratorizawa Gakuen Koukou - Carrying from the momentum of the previous season, Haikyuu!! remains good. I think this is the weakest season so far in terms of emotional pay-off (probably because it’s, ya know, 10 episodes), but it’s still my favorite sports anime. Hopefully the next season isn’t too far away. - ★★★★☆
Moana - Compared to Zootopia, this Disney film is more hand-wavy with its plot. It’s not like the world is harder to build, one of them has demi-gods and another has talking animals, the world just isn’t as important for this type of story. On the flip side, it has arguably the best sound design of an animated feature in 2016. I enjoyed it, but all I ever think about with Disney princess films is how cool the Kingdom Hearts world is going to be. -★★★★☆
I’M DONE. 
Holy cow I didn’t realize how much stuff I watched last year. And I didn’t even finish a lot of shows I wanted to. 
Man. I hope one day I get paid to write about this stuff. 
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Thanks as always for reading. Let me know if I missed something! 
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