#and in this era of formula 1 those lines blurring a bit more make this kind of stuff less and less palatable

[cecoeur]

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[carolinesiede]

My 2018 Writing Roundup

2018 was one of those years where I felt like I was frantically treading water all year, only to look up and realize I’d actually managed to swim myself to shore. The previous two years somehow felt simultaneously tumultuous and like a plateau. At first, I thought 2018 was more of the same, but looking back it was way more of a transitional year than I realized. I’m ending the year on a higher note than I started it, which is a really nice feeling. I’m in an apartment I love, feeling a bit more stable, and I even developed the ability to do a full pushup for the first time in my life, which is by far my single greatest achievement of the year!

This was my fifth year as a full-time freelance writer, and I experienced a pretty big shift in the types of articles I wrote this year—fewer short news posts and way more long-form pieces that more truly reflect my voice and opinions. I actually didn’t realize it until creating this roundup, but good god did I do a lot of writing this year. No wonder I had some pretty severe moments of burnout. I’m incredibly proud of the volume of writing I did, although I’m also frustrated that I worked this much yet still frequently struggled to make ends meet. Thankfully, after a rocky year money-wise, I found a little more stability towards the end of the year. Here’s hoping I can carry that forward into 2019!

One of my big goals for 2018 was to immerse myself more in the world of film criticism, and boy howdy did I manage to manifest that one! I quadrupled the number of films I watched this year and filled in some big cinematic blindspots. I also began writing film reviews in a regular capacity, first at Consequence of Sound and later for The A.V. Club and Alcohollywood as well. While I’ll always enjoy writing about TV (and loved covering the shows I did this year!), TV criticism is something I kind of inadvertently fell into at the start of my career. Film has always been my first love, and I’m glad I found the courage and drive to shift into this new area of writing. It’s been lovely to start immersing myself in the world of Chicago film critics too.

But by far my biggest achievement of the year (beyond being able to do a pushup, of course!) is launching my column When Romance Met Comedy for The A.V. Club. I poured my whole heart and soul into the column, both in terms of each individual entry and in terms of shaping its overall voice and making sure to cover a diverse set of films within the rom-com genre. It’s been a lot of work (way more work than is actually cost effective for me, to be honest), but I’m incredibly proud of how the column turned out in its first year. It’s also been really lovely to get so much positive feedback, both from the commentary community as well as from my A.V. Club bosses. I started my writing career with a blog about rom-coms and I find it hilarious that it took me four years to think of actually pitching that as an idea elsewhere. I’m so glad I did, and I’m having a blast planning out my slate of films to cover in 2019. (If you want to stump for your favorite, drop me a line on Twitter!)

With that, I’ll leave you with wishes for a Happy New Year and a roundup of all the major writing I did in 2018. If you enjoyed my work this year, it would mean a lot if you would support me on either Kofi or PayPal. Or just share some of your favorite pieces with your friends!

OP-EDS

My my, what the hell is up with the Mamma Mia! timeline?

A timey-wimey guide to the modern era of Doctor Who

Star Wars: Episode IX can fill Leia’s absence by embracing its forgotten queen

From femme fatale to complex superhero: The evolution of the MCU’s Black Widow

All the songs from The Greatest Showman, ranked

WHEN ROMANCE MET COMEDY

Like the best romantic comedies, Bridget Jones’s Diary is about more than just falling in love

Bringing Up Baby and the screwball comedies that delivered romance via pratfalls

After When Harry Met Sally, almost every rom-com tried to have what Nora Ephron was having

The Big Sick lovingly updated the rom-com formula with a coma and a great 9/11 joke

Something Borrowed and the phenomenon of rom-coms that hate women

In a sea of unintentionally creepy rom-coms, the original Overboard goes, well, overboard

My Best Friend’s Wedding rewrote the rom-com happy ending

Will Smith’s lone rom-com muddled its message about pickup artists and romance

Breakfast At Tiffany’s is so much more than a fashionable proto-Sex And The City

25 years ago, Sleepless In Seattle found the romantic hiding in the cynic

Before palling around with Ant-Man and the Wasp, Peyton Reed was Down With Love

You can dance, you can jive, you can love Mamma Mia! without feeling embarrassed

Maid In Manhattan let Jennifer Lopez’s rom-com talents sparkle

Pair Crazy Rich Asians with this Hong Kong rom-com classic

Jane Austen provided the romantic comedy some Sense And Sensibility

How To Lose A Guy In 10 Days set the stage for the rom-com’s downfall

Romantic comedies (briefly) came out of the closet with In & Out

Pretty In Pink is a far superior riff on the Sixteen Candles formula

How Stella Got Her Groove Back is a sexy vacation romp that explores the line between fantasy and reality

The Devil Wears Prada pulls off the perfect romantic comedy look, even though it really isn't one

Enchanted, or: How I learned to stop worrying and love the Disney princess

Why are Hallmark Christmas movies so addictive?

Without hope or agenda: A defense of Love Actually

SEASON-LONG TV COVERAGE

Doctor Who S11

Daredevil S3

This Is Us S2 and S3

Jessica Jones S2

Supergirl S3 and S4

FILM REVIEWS

Crazy Rich Asians has so much rom-com razzle dazzle it practically sings

Ben Mendelsohn battles suburban ennui in Nicole Holofcener’s The Land Of Steady Habits

Michael Shannon is refreshingly ordinary in What They Had, a family drama with focus issues

Mark Wahlberg and Rose Byrne build an Instant Family in a comedy more touching than funny

After a clumsy opening statement, RBG biopic On The Basis Of Sex effectively argues its case

Jennifer Lopez’s overstuffed Second Act offers three movies for the price of one

The Girl in the Spider’s Web: Lisbeth Slander gets an action hero makeover

Widows: An Enthralling Heist Thriller with Some Less Interesting Gangster Drama Touches

If Beale Street Could Talk: Love is a Battle, Love is a War

6 Balloons tackles the everyday agonies of the opiate crisis

I Feel Pretty takes on identity crises while having one of its own

RBG examines the complex, inspiring woman behind all the memes

Book Club does a disservice to its gifted cast of legacy stars

Set It Up is a fine, breezy rom-com for the start of summer

Ant-Man and the Wasp takes a modest quantum leap for the series

Robin Williams: Come Inside My Mind looks into the late comedian’s heart

The Spy Who Dumped Me is a fun but fairly disposable summer flick

Like Father uses the Netflix format to play around with comic conventions

Madeline’s Madeline blurs the lines of fantasy and reality

Life Itself is so bizarre it has to be seen to be believed

Private Life takes a personal, observant look at late-life reproduction

The Nutcracker and the Four Realms is a CGI mess with an earnest heart

The Grinch goes CGI and gets a fluffy, sincere modern update

TV REVIEWS/OP-EDS

Grey’s Anatomy’s lengthy existence isn’t a joke, it’s a strength

This Is Us is obsessed with killing its dad

Three years later, Supergirl is still telling the best female-centered superhero stories

Even without a resurrection, John Legend rises in NBC’s electrifying Jesus Christ Superstar Live

Sara Bareilles and Josh Groban lend an infectious energy to the wonderfully earnest 72nd Annual Tony Awards

Iron Fist season 2 feels like an entirely different show—which is mostly a good thing

13 Reasons Why puts itself on trial but can’t give up its worst impulses in season 2

Sex dreams and explosive rectal surgeries—it must be the Grey’s Anatomy season 15 premiere

Pre-Air Review: Dietland offers an ambitious, unapologetic taste of something new

Season Two Review: The messages of The Handmaid’s Tale season two resonate now more than ever

Season One Review: AMC’s Dietland aimed wide and mostly hit its marks in a chaotic first season

PODCAST GUEST APPEARANCES

Cinematic Universe: Men In Black

Cinematic Universe: Independence Day

Filmography: Wes Anderson comedies

Debating Doctor Who: Favorite guest stars part 1 and part 2

TV Party: Let’s Solve Westworld Season Two

TV Party: Appreciating The West Wing’s “Two Cathedrals”

Plus some other episodes of TV Party including this one, this one, this one, this one, this one, and this one.

MINDMEET INTERVIEWS

Bernard Avle: Human Beings Are Stories

The CyberCode Twins: A Blockchain Beacon of Hope

Jason Berlin and Tour de Crypto: A Pioneering Journey to Raise Awareness for Charity and Bitcoin

And here are similar year-end wrap-ups I did in 2017, 2016, 2015, 2014, and 2013.

[bethebean66]

Best Albums of 2016

Allllright friends! That time of the year is finally here! Or, well... It came and went really. But, I was sick at the New Year, and my family was busy bumping our holidays, so my schedule was all out of whack. Now though! Is finally the time... My year end list of the best albums of 2016!

This was a pretty strange year for music for me. One of my favorite albums came out right away. One of them was released basically out of nowhere. A handful of top albums I never would have put on there any other year. And, another chunk just completely surprised me and have to be mentioned here.

No real use chatting away. Getting right into things, here's my top 25 albums of the year; with a quick rundown of my 25-11:

25. Béyonce — Lemonade 24. Conor Oberst — Ruminations 23. NxWorries — Yes Lawd! 22. Kaytranada — 99.9% 21. Blood Orange — Freetown Sound 20. Angel Olsen — My Woman 19. Wilco — Schmilco 18. Run the Jewels — Run the Jewels 3 17. Kamaiyah — A Good Night in the Ghetto 16. Flume — Skin 15. Leonard Cohen — You Want It Darker 14. James Blake — The Colour of Anything 13. Car Seat Headrest — Teens of Denial 12. Radiohead — A Moon Shaped Pool 11. Bon Iver — 22, A Million

Trust me, ordering those wasn't the easiest. Some real random albums on there, for me at least. A lot more smaller names than I ever list. And, a lot more music from the hip-hop world. Also, I'm pretty sure I've never placed Radiohead, Bon Iver, or James Blake outside of my top 10. With these fifteen out of the way though, onto the good part of the list! Here we go folks, my top ten albums of 2016...

10. A Tribe Called Quest — We got it from Here... Thank You 4 Your Service 18 YEARS. Eighteen years it had been since we last got an album from one of hip-hop's great acts. Drawing from formulas Tribe has proved successful, We got it from Here demonstrates why this group has remained in the upper echelon of artists, even in their absence. With deep influences of East Coast hip-hop, classic jazz undertones, guests spots from both long-time Tribe friends Busta Rhymes and Consequence, as well as current kings like Kendrick Lamar, Kanye West, Andre 3000, Anderson .Paak—Even a perfectly placed drop from the late former member Phife Dawg—this was arguably the best hip-hop album, and best surprise album of the year.

Favorite Tracks: We the People..., Dis Generation, Kids...

9. Vince Staples — Prima Donna This one is sort of sneaking onto the list. I typically don't include EP's. But, Prima Donna had to be on this list. You get five seconds into War Ready, and you'll understand exactly why (hint: it has to do with a brilliantly used sample of Outkast/Andre 3000). Just seven tracks and twenty-one minutes long, this albums comes with a heavy punch right to your chest. Vince is a force to be reckoned with in this game. If you don't know his name yet, you're going to soon.

Favorite Tracks: War Ready, Smile, Big Time

8. Solange — A Seat at the Table Yes, Solange made the better album of the Knowles sisters. Every year has an album that takes a political stance, covers our current events, touches on topics at hand—This is that album. A Seat at the Table brings funk, soul, and R&B blended together to deliver a message of empowerment, grief, healing, and weariness. We brush on prejudice, and struggles with racism in the current culture—in a way that truly speaks to you as a listener. Solange changed her sound and style, and she landed in a space I hope she plans to stay.

Favorite Tracks: Cranes in the Sky, Don't Touch My Hair, Don't You Wait

7. Anderson .Paak — Malibu Okay, yes, I'm going to get flack from the crew over at VNYL for placing this so low (really, is 7 even low?). But, it still made the list! Put it this way, .Paak had one of the best years of anyone not named Chance or Donald Glover. He was everywhere (including earlier on my list). This dude not only has one of the most soulful voices, best bands, and killer features—he appeared on practically every big album of the last couple of years. .Paak and Malibu have drawn similarities to both Stevie Wonder and Kendrick Lamar. The most difficult thing to do to this album is categorize it. Blurring more lines than a horrible 2013 pop hit, Malibu reaches Funk, R&B, Soul, Hip-Hop, and a number of smaller sub-genres. This is an album for music fans, even if you doubt you'd like it. Put this on, and play it loud. You'll be dancing to it before the end of the opening track.

Favorite Tracks: Am I Wrong, Silicon Valley, Heart Don't Stand A Chance

6. Sturgill Simpson — A Sailor's Guide to Earth A lot of people first heard Simpson's name from his beautiful cover of In Bloom. I so hope that you dove into this Grammy nominated album (Album of the Year and Best Country Album). Described as a "modern Waylon Jennings," Simpson is making country music for non-country fans. A more personal album than I ever expected, A Sailor's Guide is a letter written to his wife and newborn son while stationed away for the Navy. Singing over Sharon Jones' Dap-Kings, Simpson wrote and performed one of my favorite concept albums in recent memory. If this is the future of country music, consider me sold.

Favorite Tracks: Breakers Roar, Sea Stories, In Bloom

5. Chance the Rapper — Coloring Book Another sort of cheat on the list, as I don't typically include mixtures either. But, when the mixtape is better than most everything else released that year—on the list it goes! With elements of hip-hop, gospel, and rap, Chance has never shined so bright. Put it this way, while recording, Chance was able to get the following artists on board: Kanye West, Justin Bieber, Francis and the Lights, Justin Bieber, and Ty Dolla Sign. He even locked down Kirk Franklin and the Chicago Children's Choir. There's a reason he played for President Obama so many times. Honestly, there isn't a lot to say about this album. It's a must listen. So, just go do that.

Favorite Tracks: No Problem, Blessings, All Night

4. Gallant — Ology From the opening note of Ology, you can tell you're in for a treat. And then... And then you hear Gallant's falsetto. That incredible falsetto. Truthfully, I don't know if I've ever heard a more impressive introduction to a debut album. Gallant is a force. A voice this big, yet it feels as though you're peering into a room of just him and his pains. This album starts on a high note (figuratively and literally), and just builds and binds as you listen. Drawing the attention from artists such as Frank Ocean, Seal, even Prince, Gallant finally found his voice and gifted us the album he's waited his entire life to make. And we couldn't be more thankful.

Favorite Tracks: Bourbon, Skipping Stones, Bone + Tissue

3. Frank Ocean — Blond(e) Yes, I attached/didn't attach the "e." Debate as you'd like. Is this a digital vs physical release thing? Is it a deeper gender rooted one from Frank himself? Right now, it's because whichever version you take, I'm talking about that one. This year, we were not only graced with the long awaited follow-up to 2012's phenomenal Channel Orange, but we were given TWO albums from Frank. Because Endless was never officially released in anything but video format, I'm not going to cover it. Blonde though... This album was everything we waited for and so much more. Full of twists and turns, loose ends and sprawling melodies, there are so many elements here that seem out of place, yet work as strengths. Carefully crafted landscapes weave us through the deep emotions Frank seems to shelter from everyone. We get a glimpse at the romantic, at the beauty, the depth that makes Frank Frank. This album was vastly different than his previous. This album is sparse, it's vacant, but not hollow. You're in an empty room, but there's so space to move. Pitchfork said it perfectly, stating, "These songs are not for marching, but they still serve a purpose. They’re about everyday lives, about the feat of just existing, which is a statement in its own right."

Favorite Tracks: Solo, Pink + White, Nights, White Ferrari

2. Childish Gambino — Awaken, My Love I've been a fan of Gambino for the very beginning. The nerdy hipster that raps about Freaks and Geeks, and Sufjan Stevens—so different, and so relatable. Queue 2016 Gambino. When Glover decided to reinvent his musical persona and punch us all in the gut when he decided to channel his inner 70's and give us the record nobody ever saw being made. The rapper we knew is gone. No more Adele samples. Instead, we bring in R&B, psych rock, soul, and funk. With the lead singles Me and Your Mama and Redbone, a new era was upon us. Name drops of Prince, of D'Angelo, of Sly and the Family Stone, of George Clinton! Glover reinvented himself in a way that shocked the music world. Redbone was arguably the best song of the year. The retro fusion created, with the absence of rap altogether, is a treat. Hearing Glover sing, actually sing (and with no vocal manipulation), makes this album what it is. Yes, this is a different Childish Gambino. Yes, I miss the old. But, I'm not the slightest bit worried with where he is going. Glover was finally cast in a Spiderman. He created, directed, stared in his own new Golden Globe winning show. He was cast in a new Star Wars film. Then he wrapped the year by releasing one of the most groundbreaking records in the last few years. Needless to say, Donald Glover and Childish Gambino handedly won 2016.

Favorite Tracks: Redbone, Me and Your Mama, Have Some Love, Boogieman

1. David Bowie — Black Star Look up here, I'm in heaven / I've got scars that can't be seen...

A true gift to the world, from the legend that is David Bowie, on his 69th birthday. A heartbreaking and beautiful farewell to his fans, just two days before his passing. Bowie's swan song, his departing gift. He had recorded the entire album over the previous year in complete secrecy. Upon its release, the world was shocked. Applauded as one of his best works—becoming his first, and only, number one record in the States.

Touching on genres from industrial rock, hip-hop, jazz, and art rock, influencers ranged from Kendrick Lamar to Boards of Canada. This is not a pop album. But, this is a Bowie album through and through. He experiments, he hides messages, he reaches out to touch those lost and confused.

Bowie was a star, a Spaceman, an anomaly. He gifted us with music that will last forever. This collection of songs is breathtaking. It's hauntingly beautiful, and uplifting. He will forever be missed, and forever be loved. Leaving us with some of his best work was a move that only he could make.

Sean O'Neal, of the A.V. Club, perfectly stated, "a sonically adventurous album that proves Bowie was always one step ahead — where he'll now remain in perpetuity."

Thank you for everything. Rest in peace, Mr. Stardust...

Favorite Tracks: This album is seven songs long. Listen to it all. Bowie deserves that.

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What a year of music. Truthfully, I wish I had spent more time with it. There weren't as many big albums as years past. But, so many more gems. There were albums from favorite artists of mine that I basically completely overlooked (Sorry Jimmy Eat World, Thrice, Regina Spektor!!!). I'm surprised as many of you with some of spots on my list. But, these were all amazing albums. Very excited to see what these artists have in store for the future.

Looking past these, and into 2017, I want to list my five most anticipated albums to come. Some we may not get (I see you Brand New), but hopefully these are all in the coming months.

Japandroids

LCD Soundsystem

Gorillaz

Fleet Foxes

Spoon

Then, just because I'm not adding any honorable mentions to my best of list this year, I'm adding five more to my most anticipated. HEY, it's my list, I can do what I want!

TV on the Radio

Chromatics

Grizzly Bear

The xx

Arcade Fire

Okayyyy... That's it! That's my wrap up. 2016 is done and gone. And I'm already diving into 2017. I'm excited to see what music is to come. I'm excited to expand my ever growing vinyl collection. I'm excited to see better and better concerts. And, I'm excited to experience those incredible musical moments with the my favorite friends and loved ones. Follow me on Discogs, Spotify, or Last.fm. Happy New Year everyone.