#and it genuinely bothers me when people think classism is the ONLY factor because it really brings the rivalry down so much

[floralovebot]

I think Riven was poor in the show... I think Riven hated Sky for being a prince too. They're fighting was because of that too. Are you saying that Riven did not hate Sky because he is a prince? Riven said a lot that he did not like Sky because he is rich and rich people are unfair. Please share your thoughts for me.

I'm pretty sure this is in response to this post? But let me know if not!

Anyway, Riven coming from a poor or even "middle class" background isn't canon, it's just a really good headcanon. I say it's a headcanon because when it comes up, it's always a vague implication that could also be about something else. Like his mother abandoning him could definitely have led to him growing up poor, but it's also not an exact confirmation. His mother leaving for money could mean they were poor, but it could also mean she just wanted More Money. Darcy saying he has "a darkness inside him" is likely about mental illness and trauma rather than him being poor and taking it out on the others (also anyone who uses this as an example just know i am beam blasting your house so hard). Riven calling out nepotism and classism could definitely be more personal but it could also be an example of his very high morality and moral judgment. (like riven is extremely intelligent and stands up for people in less fortunate situations a lot.)

Like,,, it's never directly stated that he's poor and the implications that people usually see could very easily be about something else. Kind of like the headcanon that Helia grew up at RF or comes from a military family; lots of good implications, but not canon. Or s1 implying that Flora could be a lesbian or wlw; lots of implications, but not canon. On the flip side, there are tons of things about Riven that are directly stated or directly implied (like his trust issues, issues with administration, his mental health issues, and even his mother leaving him). But Riven coming from a specifically poor background is something that's more often than not just an implication that could be implying something else. I'm not saying that implication isn't there at all, but it can definitely be read in other ways (for example, I've seen people headcanon that Riven comes from a noble family and hates classism because he's seen it up close). But regardless, Riven being poor is just an implication because it's not stated or shown in canon.

Also, I should note that my post wasn't about shitting on this headcanon. I like the idea that Riven comes from a poor background. It makes sense within canon, I do think it's implied (even some of the weaker implications are still fun to me), and I often use it in other headcanons and aus. But again, it's not Canon and his rivalry with Sky and the other specialists had a lot of components that aren't related to classism. My post was specifically about how the Sky vs Riven rivalry wasn't just about classism. Riven absolutely does not like royalty or the idea of different classes in general. However, his rivalry with Sky was never just about Sky being a prince.

Riven calls Sky out for having advantages over them, yes. Riven calls out the other characters for not knowing something, for being privileged, for nepotism, etc, yes. But his dislike of Sky specifically didn't stem from classism. Like I said in that post, classism was absolutely a factor but it wasn't the Biggest Factor.

Riven had a lot of internal issues in s1 and all of them played a factor in his rivalry with Sky. Sky being a prince was the icing on top. It really cemented everything that Riven thought of Sky before, but it was never the First Reason, the Big Reason, or the Only Reason. Riven didn't like the specialists because they were constantly undermining him, constantly insulting him (sometimes in a direct insulting way and sometimes in a "playful/joking" way), always assuming the worst of him, and never taking his side in literally anything. He also has extreme trust issues, felt like he would be better off alone, and used everything they said and did as a confirmation of why. Like s1 Riven had a really bad case of confirmation bias and was constantly looking for reasons to hate them (Sky being a prince was One of those reasons).

Like I said in that post, the Riven vs Sky rivalry had a lot of depth and both parties played into it. In canon, it was never just Poor Boy Hate Rich Boy. Sky being a prince and therefore having a lot of privilege was absolutely a factor in Riven's dislike of him, but it was never the only thing or the biggest reason. If Sky hadn't been the prince, Riven still would've hated him. Like,, that's important! Riven didn't hate Sky Just because he's a prince. He didn't trust Sky, hated that Sky looked down on him (regardless of their class standing), and hated that Sky "saw better in him". He hated that they were both extremely stubborn, irrational pricks who took it out on each other. He hated that Sky clearly didn't like, trust, or respect him.

And again, I really do think his relationships with the other royal and/or rich characters back this up. If Riven hated Sky simply for being a prince, that energy would've been directed toward Brandon first and it would also be directed toward Bloom, Stella, and Aisha. But it isn't. In fact, Riven often shows that he respects and likes Aisha! Even when he does call the other royal/rich characters out, it's never with animosity. It's usually in this, "yeah you're rich and dumb and privileged here I'll show you how it's done 🙄" kind of way. With Sky, it's more "i hate you i hate you i hate you i hate myself fuck off i hate you AND you're a prince god could you get any worse???". Yknow?

[thornswithroses]

2016 Books I’ve Read

I had been hoping to read more books last year, but I am relieved to have made it halfway to my reading goals. It is a lot better than it was back in 2015. 

Real Murders (Aurora Teagarden, book #1) by Charlaine Harris

I actually enjoy Harris’ other mysteries more than I do the Sookie Stackhouse series. And I’m glad I only bothered with one of the Stackhouse books, considering that I hear how disappointing the last book ended. It does not help that the True Blood series left a bad taste my mouth after how they end Tara. The Harper Connelly books are actually my favorites, but the Teagarden ones may soon prove to be my second. I like Aurora Teagarden, I like how as ridiculous and delightfully flowery of a name she has, she is a grounded person.

Harris likes to describe the clothing her protagonists wear or want, and while I usually enjoy that aspect of writing, it is rather amusing when Harris does it. Namely, because the clothes she describes sound rather dated and probably would be more suited to someone in their sixties rather than their late twenties. 

The writing is sparse but absorbing, and Harris has a flair for a comfortable Agatha Christie likability in most of her works. This is no exception that.

Would recommend: a cozy but gripping reading to relax at night with.

Ash by Malinda Lo

I found myself so frustrated for sweet Ash. I never really appreciated how much the original Cinderella had to overcome until reading this book. Even her beloved father talked over the healing women of their original village, including Ash’s mother. Isobel is one of my most hated characters this year, for how she abuses Ash. And how much of pain Ash goes through could have been avoided if she had been listened to. 

I am usually leery of love triangles where the queer girl has to choose between a man or a woman. I’m bisexual, and I am very much aware that a queer woman is not less queer for wanting to be with a man. However, we cannot argue that heterosexual relationships are prioritized over homosexual ones. We cannot claim that bisexuality is not often dismissed as a curiosity by writers, most especially by male ones. It is 2017, and this shit still occurs. We cannot argue that female sexuality and relationships with women, be they romantic or platonic, are often dismissed in media. 

That said, I knew Malinda Lo was not going to fail me with how she handled Ash’s bisexuality. I used to follow Malinda Lo’s writings on AfterEllen in my Baby Feminist Years, and I do not regret that. She is a phenomenal writer, whether she writes in fiction or nonfiction. 

Ash’s relationships to Sidhean and Kaisa are different but special in her life. With Kaisa, their relationship has the delectability of apples, a tenderness and subtle warmth that is not written enough for gay relationships. With Sidhean, there is a tension for forbidden lust and the gradual trust they grow for one another. 

The ending is satisfying, but that is all I will give to you. I urge you to read this book, especially as it comes from an author that actually actively works with diversifying young adult literature to the best she can. 

Would recommend: a thoughtful, lyrical novel about a girl that overcomes obstacles to find love and her own independence. 

Mary Reilly by Valerie Marin

This is the Strange Case of Dr. Jekyll and Mr. Hyde as seen through the eyes of Mary Reilly, a loyal, hardworking house-maid for the doctor. The book is written as if it were from Mary’s own journaling. 

I like the protagonist. Usually, when the perspectives of fringe characters are written about how they view a famed character, they simplify too many matters.

With Mary, yes, she is enamored but misguided by Dr. Jekyll’s supposed virtues, but as the novella goes on, as palpable as the sexual tension gets between them, she is not shy about pointing out the classism he and the world have on her, at least to herself. 

The book also has her deal with the abuses she undergone as a child from her father’s hands. I will not give spoilers away, but it is rather satisfying how she comes to terms with her abuse after attending a funeral (and, no, it’s not her abuser’s funeral.)

I like the different relationships she has with her fellow servants and how we see the grit of her daily duties. As I said before, the sexual tension between Mary and Dr. Jekyll is deliciously intense. It also helps that they are both shown to genuinely care about each other, adding a certain sweetness to the star-crossed quality of their relationship. 

And when the book wants to be chilling, it does indeed do that.

Would recommend: for all your fun, gothy indulgences!

The Name of The Wind by Patrick Rothfuss

An underrated epic fantasy that seems to understand that the quiet moments of a person’s life is just as important as the high-paced ones. The narration written uniquely, there’s a story-within-a-story with yet another one hidden somewhere under there. 

I enjoy reading older, isolated, world-weary Kvothe and how that contrasts with him telling his story of a younger, bright-eyed him that wants to learn and wants to avenge his loved ones. 

The book is a big one, and it is filled to the brim of so many conflicts and adventures. The humor is vibrant as red, the constant worry of poverty always hitting close to home for me, and his friendships and rivalries with everyone makes one feel invigorating. Oh, believe me, there is plenty of darker aspects to this story, and plenty of moments where I had to take a break from reading because it hurt too much at times. But Rothfuss seems to have the instinctual sense of when enough is enough, unlike the likes of George R.R. Martin and Joss Whedon.

Sometimes I got annoyed with how it felt like the author’s own feelings spilled somewhere. I thought the book could get too dismissive of the beliefs of the rural villages, and, believe me, I hate the concept of a sweet, harmless small town, especially when it mostly features white people. I’m no Stars Hollow fangirl, but my issue is rather it does not look at it through a nuanced lens.

All in all, what issues I have are little compared to so many factors that had me enjoy this book.

Would recommend: for people looking for a rich narrative that carves out many emotions from you, especially if you’re looking for an elaborate fantasy.

Decreation by Anne Carson

I am going to be real with you.

There are a lot of elements to this book that have flown over my head. 

Decreation holds so many references and vocabulary that had me searching all sorts of sources to understand. 

I have been interested in reading Anne Carson since seeing so many snippets of her words around.  It's possibly odd to say that being confused by the book and having to do research to know it makes me enjoy "Decreation" very much. I like books that force me to think. I like books that have the sort of lines that ring well together like a series of synchronizing bells. Anne Carson has an enthralling mind, and I look forward to reading more of her work. If you want to read a challenging book with prose and poetry that is clean and shining like knives, this is the book for you

Would recommend: for people looking for something that makes them want to ponder and to be lulled by the beauty of how words are arranged.

The Poison Eaters and Other Stories by Holly Black

When it comes to short story collections, let's face it, there are going to be stories that you adored, stories you're indifferent to, and stories you just really, really, really hate. For most of the stories in this collection, I enjoyed them immensely. I remember when I read Holly Black's first novel, Tithe, I was absorbed by the lush prose. I can only describe it as like a spiderweb, how it shimmered and ensnared. I am crestfallen that she has simplified that style over the years, I wish YA authors can trust their readers, especially the teenage ones, into appreciating descriptive prose. One of the reasons why I moved from YA literature to adult fiction by the time I was sixteen was because I got tired of the simple style of writing. I wanted to challenge myself more, and I wanted to appreciate the art of language. I still do. Holly Black's style is still not how it was in her Tithe days, but the stories are still written in an eye-catching way. Maybe not like a spiderweb, but surely as the sheen of water. My favorites were: "The Coldest Girl in Coldtown" is about vampire towns, need I say more? "The Boy Who Cried Wolf" had an interesting take of becoming a wolf where it is a flower instead of a bloody chomp that turns you. I will admit I have always had a soft spot for beautiful things that cause horror. "The Night Market" was a delightful romance with a Filipino girl with a port stain birthmark on her face that has an elf in a tree enamored with her, much to her surprise and frustration. It was entertaining to see their dynamic of challenging and outwitting one another, especially over the girl's sister's safety. "The Dog King" was with wolves in a castle, literally and metaphorically. "The Coat of Stars" was about a gay man rescuing his lost love, with the bonus of costume porn. "The Land of Heart's Desire" had me the excellent opportunity of reuniting with beloved characters from Black's Modern Faerie Tales series. The last story, "The Poison Eaters," I love the unique narration, the way the girl that was a weapon became a strategist for revenge. The stories I disliked were few and far. "A Reversal of Fortune" had an endearing pit bull dog, but that's all the positivity I can give it. The story's concept sounded good--a girl challenges the Devil to save her pet's life--but written in such a weak and juvenile way that was also, to put it bluntly, gross. "Virgin" also had an interesting concept but I feel this had the potential to have been expanded more, whether novel-length or just a longer short story. "In Vodka Veritas" went too far into the silly route for me, especially for an interesting concept as having a Bacchanal in a high school prom. The narrator was also annoying as fuck. "Paper Cuts Scissors" should have expanded the characters more, it was a shallow little story. "Going Ironside" was hard to follow and it had a good concept but a lukewarm execution.

The Goblin Emperor by Katherine Addison

The Goblin Emperor is a political fantasy that is loving and hopeful and does not move through violence necessarily so much as surviving the eyes and gossip of a land that does not always see half-Goblins like Maia in high regards. I like my prickly books; I appreciate the blood and the lust and the anger, and all the other juicy bits of a harrowing plot. Believe me, I do. However, I honestly find the politics here and in the Kushiel's Legacy far more engrossing than in famous works such as Martin's "A Song of Ice and Fire" series. Maia is proof that having a genuinely sweet personality does not make one a dull protagonist. He is an underdog and coming from an abusive home life will certainly have readers already feeling protective of him. The biggest charm out of Maia however, is how Maia uses his goodness and need for survival to be calculating as Maia moves into the Emperor role. He's calculating how good his ruling should be. That is striking to me. He holds similar characteristics to one of my favorite fantasy characters, Sansa Stark. The characters surrounding him, all differing arrays of morals, are also striking. His bodyguards that are quite the sun-and-moon pair in demeanor and strength, his loyal assistant, his fiance, a passionate warrior girl. All in all, this was a satisfying read and one that I will enjoy rereading again and again. 

Would recommend: if you love character-driven stories set in a lush, intricately-woven setting with one of the most likable protagonists around. 

Carpathia by Cecilia Woloch

Woloch writes of moving, of grief, of love, all with great aplomb. There is a birdlike quality to her words as she talks about her father, his death, love, of moving across so many landscapes. Her poems have the serenity of the color blue. I cannot wait to see read more from her. 

Would recommend: if you want to be lulled by beautiful wording and imagery.

The Divinity Student by Michael Cisco

This book is like reading one long hallucination. The surrealism is everywhere, the horror underlying everything. The imagery is haunting in the best of ways, it feels like smoke clinging to your clothes. There is no logic to this story. You just cannot make sense of it. There is a reason why Cisco is often compared to Franz Kafka.

Would recommend: if you want to pore over surrealism and odd imagery rather than a particular plot. 

Uprooted by Naomi Novik

One of the most satisfying fantasies I have read the past few years. Novik knows how to make twists and she knows how to make those twists flow right. While I could feel old-school sort of fantasy as a backbone to this story, it still stands all on its own. The characters were vivid in their personalities.

Sometimes I had frustrations with Agnieszka, with how much she fussed over dealing with fancy indulgences. There is nothing wrong with her for preferring a rural, simpler life, but it felt tacked-on too often. At least it is not as bad as Hunger Games, where the bad guys in that story enjoyed to opulent, feminine indulgences that had something of a homophobic coding too. 

I do adore how Agnieszka’s clumsiness is not made to be endearing, but a human flaw. I wish to have seen more of her friendship with Kasia and see her relationship with the Dragon get developed more but all in all, it was enjoyable. 

The magic system was also beautifully envisioned and executed. 

Would recommend: character-driven, brilliant world-building, and unique storytelling.

Batgirl, Volume 1: The Darkest Reflection by Gail Simone

I hate the new 52. I hate most of it. I'm probably not going to read most titles from DC for a while. I am still not forgiving them for that hot topic nightmare that is Harley Quinn's makeover. I also have a small confession to make.

As a child, I was not that interested in Batgirl. I liked her enough on the Adam West show. I thought it was fantastic that she was a librarian. I thought Yvonne Craig was lovely. Other than that depiction, I barely gave thought to Barbara Gordon. 

With DC animation, my holy trinity of favorite female characters was Huntress (Bertinelli), Wonder Woman, and Catwoman. In recent years, especially with the passing of Craig, I've come to appreciate her more, value her character, her relationships with others, her strong will, her kindness, her flaws, her mistakes. Gail Simone actually made her a whole person to me when she was Oracle. And while I am still pissed that she is not that anymore, Simone's writing had me cheer for Barbara in getting back out onto the streets. This volume shows the ups and downs of her friendships to people she has known for a long time, the tentative friendship with her roommate that has the potential to expand a lot deeper, and above all, her relationship with both her parents. It always annoyed me when superhero stories got with the Disney Parent Problem, where there was only one parent active in the protagonist's life and how that was most often the father. Here, we see Barbara's mother and how their relationship is broken, and you feel for both of them. You want to be angry with Barbara's mom for leaving the family, but you also empathize her efforts into healing that rift, especially how they're not quite satisfied; no doubt there is a deeper story about why exactly she left. You understand Barbara's hurt but you also know she's not one to deal with emotions, including bitterness, well, and she is not above pettiness and evasiveness. I really look forward to where this goes in the next volumes.

Would recommend: for long-time Batgirl fans and for those interested in getting to know her more.

Ms. Marvel, Volume 1: No Normal by G. Willow Wilson

Kamala Khan has to be one of the sweetest characters I ever had the fortune of reading. She’s awkward, silly, earnest, and good-intentioned.

Some of the dialogue does feel stilted. I am guessing because Wilson is still trying to balance showing real-life issues while telling a story. I know people had issues with how static her family feels at the moment, although from what I’ve seen, they do develop well as the series goes on.

Would recommend: a fun, charismatic read that personally makes me think back to watching favorite Saturday morning cartoons.