#and it’s just so. the way that jon cuts elias off and snipes at him but is still so hungry for what he has to tell him

[raven-foul]

theres just something (delusional) theres just something about the way that jon and elias talk to each other especially in s3 where theyre both kind of...familiar with each other. better the devil you know. elias is someone who jon can get mad at and be rude to because after all he’s shown himself to be a villain and the enemy. he’s someone who jon can be vulnerable to because he’s fucked up his relationships with all his other coworkers and he knows that elias is the closest thing he has to getting any help in this fucked up situation. tim saying “this place loves you too much to let you get swapped” and jon’s first thought is “what about elias? surely he’s the same?” jon can take 2 seconds out of the crushing guilt that he constantly feels for becoming an avatar of fear to tell elias to shut up or play along with elias’ smarmy remarks. for the whole time jon’s known elias he’s always been on some level scared of him but now he’s also resentful and angry and he can’t stop doing what elias tells him to do and he can’t stop reaching out towards him because he’s all that he has. so every interaction they have is charged with those conflicting feelings and weird familiarity. monster intimacy with my monster boss

[bibliocratic]

Been thinking about Martin being sad about/hating the way he looks bc he looks like his dad, and he tries to talk to Jon abt it, but he's Too Vague so Jon thinks he's worried that Jon doesn't like that he's fat and consequently comforts him about the wrong thing

This took so long, anon, sorry!

Because of the subject matter, there are content warnings in the tags

The first time Martin sees his own face, limp-eyed, flat and drained in the feeble straining light of the bathroom, he starts shaking. A stretching in his chest, like he's swallowed a swelling balloon that is pushing all the air out of him, bunging up his lungs and throat and mouth. That's how Jon finds him, tears sprung to his eyes as he sucks in scant and skittish breathes, his fingers clenching the lip of the sink and wondering why he can't be stronger than all this.  

After that, Martin takes to avoiding mirrors while he's in the safehouse.

It's not hard. He's had lots of practise recently. The Lonely had displayed many double-edged poisons in its folds disguised as furtive blessings. His reflection had been one of them. Martin had counted it as a grateful novelty, to walk past glass shop fronts and the over-stark bathroom mirrors in the staff toilets and see the refusal of light to grant his image returned to him. Even his exile to the seafront, the rock-pools vacant of crawling life or stubborn salt-encrusted fronds of lichen, had shown him only the eddy of tide, the ripples that his steps barely disturbed in the landscape.

It had been a kindness of sorts, to take his image from him. The mirror had never shown Martin anything but things he hadn't cared to see, his own neurosis writ large and backwards.

The morning is not unusual. The birds had woken him, piping shrill even through the double glazing, and Jon, still dozy and drooling his words into his pillow, had cursed and moaned indignant at the vocal wildlife. Martin had dropped back off for another twenty or so minutes, a smirk raising the sleep-dry corners of his lips, waking up when the bed creaked and Jon had stood and stretched and made all sorts of horrendous cracking noises like some sort of human castanet.

This morning though, Jon is in the bathroom, shaving, and making a worrying racket doing so, and Martin is still in that sort of headachy realm of not quite awake yet, where he still gathering the components than make him functional as he shuffles around in his boxers and waits for the shower to be free. Martin's not sure why today, but he finds himself opening the wardrobe. Inside, on the back of the left-hand side door, there's a full length mirror, pocked a little with age and smeared with dust.

Martin's not sure why he feels strong enough today to look.

The thing he expects to see first: his hair shorn down, just shy of a buzz cut. Martin's been doing it himself for years, every month or so hunching over the sink and bathroom mirror in his old flat in Stockwell and uniformly mowing his hair down to a prickly ginger fuzz.

His mum never liked his hair when he grew it out. Snapped and sniped about how long it was getting whenever it started to bend in a curl,  encroaching over his ears, and he'd not always had the money or time to go into town and go to the barber's. When he got his first job, scrimping aside the little he'd left over at the end of the month, he'd bought clippers from the nearest Boots, attached the first guard he'd picked up and ran it over his scalp until the up-scrub was spiky and even. The first time was a bit of a hack-job, lopsided and uneven, but he's improved his technique with time. The method and cut was cheap and basic and he wasn't fond of the way it made his ears look stuck out, but it was one less thing he had to worry about, one less thing his mum could disapprove of.

His hair now hangs, uninspired, slightly greasy and knotted over his ears. Shaggy-dog over his forehead until he swipes it back, a small curl down to the nape of his neck.

He looks like his dad. Sees the man he barely knew staring back, the image lost that Elias had so viciously returned. Studies his snubnose struck centre, a wide jaw that rounds out his face, ruddy cheeks with sparse and spotting freckles. Some of the hairs of his eyebrows are starting to grey. His eyes seem suspicious, washed out, unhappy. He wonders if this is what Jon sees, a man whose closed-off expression does not appear to trust the world nor its motives.

The sort of man who might just up and leave if the going gets tough.

Jon pads into the room, though Martin doesn't turn round.  He puts all his weight on the front of his feet, always has; even in the Archives, Martin could place Jon's footsteps next to Sasha's sturdier stride, Tim's faster tread.

Jon plants his face against Martin's back, grumbles through a good morning. He's smooth jawed again, his skin baking from the shower, his hair not quite towelled off properly, still dripping.

“Lookin' handsome,” Jon mumbles, throwing out a hand to gesture at the mirror, at the twin men standing awkward and self-conscious opposite each other.

Martin observes at his own hands cast back at him through the mirror. His thick arms, the round and pasty pale of them. He has big hands, he thinks to himself. Broad, weathered palms, the skin cracking dry, short and stubby fingers. Hair starts to grow sparse on the back of his hand close to his wrist and only gets thicker and denser up his arms. Jon slumped standing immediately behind him isn't visible in the reflection; Martin's body takes up too much room, wide and solid, even when he wants to secrete himself smaller. He's tall, like Dad was, he guesses, though he stoops and hunches in his shoulders to try and negate it. Martin thinks he looks like the sort of man that plays rugby and drinks too much. When he's walking home, trudging through the residential streets between the tube station and his flat, people passing him sometimes scrunch their body in away from him, and every time that hurts. In the dark, without his stumbling words and over-eager expression and his clumsiness, something about him looks like it could turn nasty, and Martin doesn't know how to take that.

He went drinking with Tim and Sasha once in Lambeth.  They'd had four or five and Sasha had bought them obnoxiously coloured and overpriced cocktails before dragging Tim over to the pool table, Martin sitting out to the side amiably, sipping his sugar-heavy drink and tapping his feet to the music someone put on the jukebox. Two men came over ten minutes later, drunker than them, arguing that they'd been there first, and Sasha had been fired up enough to snap back. It had looked like a scrap brewing, so Martin had put his drink down and stood up, anxiously ready and willing to urge Tim and Sasha away just to keep the peace. The two had looked at him, eyes roving up before they held up their hands, backing off, saying they'd come back when they'd finish.

“No bother, ey, big lad?” they'd slurred at Martin. “Didn't mean anything by it.”

Sasha had beamed as they left, and called Martin a lucky charm. He hadn't felt very lucky. He'd felt sick at the reminder.  

The problem as he sees it, is that everything about him is big.

Inside: too big heart and too raw-open soul. A great vast reservoir where he keeps every bubbling expression of fear and grief and rage that he's never expressed with his body.

Outside: big stocky arms, an over-hanging stomach matched with a tall spine and the sort of footsteps that announce his arrival well before he enters a room.

Martin's dad never hit his mum. He assumes that's something Elias would have glibly enjoyed sharing.  But sometimes he'd stood too close when they'd been fighting, looming, deliberately crowding in her space, and she'd noticed how much taller he was, how much stronger. She'd thought she saw something mean and nasty in his eyes, the way he clenched his fists that meant he wanted to.

She'd imagined she saw that look in her son sometimes too.

Martin worries about that. Worries what other poisoned legacies his dad left him with.

“Mart'n?” Jon says. He's encircled his arms as far as he can around him, though they don't link up, scratching his nails through the hair on his chest. His hands long-boned but smaller, slighter.

Jon is not a small man nor a tall one, average in appearance in most ways if not for the scars, if not for the way the composite of his image makes Martin's heart something stronger in his chest. But Martin is bigger than him when they lie together, Jon's side of the bed made less by default, shunting him further over to the corners. Martin is stronger than him, because Martin has lifted him bodily to hear Jon's laughing protestations as Martin manhandled him onto the sofa and kissed the veins down his throat, the blush risen in his cheeks.

And Martin's angrier than he used to be. Or angrier than he used to admit to being. His mood pinballing from flat to frustrated as everything the Lonely dulled ploughs back into him, all of Martin's mechanisms, the checks-and-balances he built within himself gone ruinous. Martin can be so angry these days, and he doesn't know how to deal with it.

Martin doesn't like the way that worry fizzes under his tongue.

“My dad had big hands,” he says out of nowhere. “He wore some rings, I think, and he had to get them resized to fit his fingers.”

“You making plans to get us rings already?”

Jon's joke is shy and nudging, but Martin doesn't feel like raising the corners of his mouth in a smile.

Martin moves a hand to squeeze the flesh that bunches around his upper arms, pats his stomach.

“I've definitely got his belly,” he says. “His arms. Prob'ly end up with his hair to boot, he was receding a bit.”

Jon's hands stroke palm down over what stomach he can reach.

“I like your stomach,” he says, and it's not that Martin doesn't believe him, because he's getting better at not doubting people, at allowing himself to trust they might like something about him. It's that that wasn't the point.

“Hmm,” Martin says noncommittally, and glances at his own hands again. Square chewed nails and the small bumps of veins.

“You don't look happy,” Jon says.

“What? No, I mean, it – it's fine, it's...”

“Do you... not like looking in the mirror?”

Martin sighs.

“Not particularly.”

“Because you have a problem with how you look?”

“You don't have to spell it out like that, Jon.”

“Like what?”

“Like you're a – my therapist or something. I don't want to – to be questioned o-or psychoanalysed about it. I just, no – I don't like looking at myself. That's all.”

Jon's arms don't unhook from around him. Martin exhales and feels the frustration like sediment build up.

“I look exactly like my dad,” Martin says finally, bitterly.

“You don't,” Jon replies quietly, into the meat of Martin's shoulder.

“You can't know that,” Martin says, although the words are empty of meaning and they both know it. Jon both can and does, whether he means to or not.

Feeling his Adam's apple bob, he continues: “Elias, he showed me. When I was – er, when we needed him distracted.”

Jon's arms clench around him.

“Elias showed you what he wanted you to see,” he says after a careful moment.

Martin shakes his head, because he saw what he'd known already, what his mum had seen, the trickle of memory gushing torrential. That he has his dad's big fingers, big hands and big anger, and he is frightened of what sort of a man that makes him.

“I could....” Jon's fingers flex and skate over the skin where Martin's stretch marks root down to his hips. “I could look? If you wanted? Tell you if Elias was... if what he showed you was true.”

Martin thinks about it, but Jon feels the silence of his refusal and presses his nose against the freckled handful of skin where Martin's shoulder blades are.

“I'll tell you what I see then?”

“See see, you mean?”

“No. Normal seeing. With my own two eyeballs.”

“I am being blessed with the originals today, what a gift.”

Jon headbutts him with his forehead, and the small laugh and a 'Jon!' is pushed out of him as a scarred palm is held up near his face, an eyelid opening in the skin to leer at Martin.

“Put your bloody Pan's Labyrinth eyeball away,” Martin grouches, and he can feel Jon grinning mischievous as the disconcerting eyeball winks before being sunk closed back into the skin.

“Better?”

“I am never going to get used to that.”

Jon makes a noise of agreement. He unplasters himself from Martin's back, and takes a tugging hold of his wrist.

“Look at me?”

Martin lets himself be turned round. Weak-willed, soft-spined to the last wherever Jon is concerned.

Jon looking up at him now, fringed with damp locks seaweeding down his face. Martin brushes them back out of the way, and Jon captures his hand, meshes their fingers together slowly and precisely.

“Tell me?” he asks quietly. “What you've been thinking about? And I'll tell you what I see.”

“My hands,” Martin says after a moment and Jon nods and hums and holds Martin's captured palm in front of him.

“Bigger than mine,” Jon says, demonstrating, holding the two of them as imperfect reflections of each other.  “You've got short nails because you bite them. The cold's making the skin dry, but they're soft, usually. Sturdy. Even when – even when we were leaving the Lonely, I knew once you took my hand we wouldn't get separated.”

“My – er, my arms,” Martin says after a while, prodding with his free hand at the loose flesh at the undersides of his arms. “Well, my bingo wings.”

Jon frowns, reaches up to encircle his grip around them.

“You've got muscle under there,” he says. “You can lift me, no trouble. The first time you did, I, um, couldn't help but hope you'd do it again.”

Martin finds it in himself to meet Jon's gaze.

“Yeah?” he says, pleased.

Jon is starting to blotch with blush, but he carries on, fingers stroking Martin's upper arms.

“Even if you weren't strong,” he says. “You've got – your, um. Freckles. There's no pattern to them, of course, but I like seeing if I can find one anyway.”

“You're a big softie,” Martin chides roughly, dry-mouthed and watery eyed.

Jon doesn't deny it.

“What else?” he asks delicately.

“I'm – I'm heavy,” Martin says, the words shrivelling quiet on his tongue. “I-I don't mind – I'm not ashamed of being, you know, not the smallest guy, I've never had a-a problem with it, not exactly, but I-I'm bigger than you. I'm stronger than you and I take up more room and, my dad, I look so much like him s-s-so what if – ”

He trails off. Swallowing. Unable to finish.

Jon's arms embrace him and he allows himself to be bent down, the angle uncomfortable and Jon on tip-toe, his face mushed into the side of Jon's throat.

Jon rubs at the broad expanse of his back.

“You'd never hurt me,” Jon says, fiercely. “Whether you look like your father or not. You're not him, Martin. I can't, I know I can't convince you, but it doesn't matter if you've got his arms or his eyes or his hair. He's never been where you've been, or done what you've managed. I bet he doesn't – doesn't write poetry, or whistle the Archer's theme tune, or I dunno, is completely useless at catching things.” Martin gives a wet attempt at a laugh. Jon's hands move comfortingly up and down.

“You're not your dad,” Jon continues after a moment. “You aren't responsible for the man he was, or the man your mother thought she saw in you. That's not – it's not your burden to carry. Fuck whatever shadows Elias showed you. You're not him. It's – I can't make you like what you see in the mirror, but when I look at you, I don't see any of the things you're scared of.”

“You can really just, know all that, huh,” Martin says after a minute, lifting up his head, rubbing his eyes with his hand.

“I don't need to,” Jon replies.

Martin's hugs are crushing and enveloping but Jon clings back as tightly.

Martin pulls back after a minute, wiping his eyes again though he knows they've gone red and puffy, already feeling the crimping heat of self-consciousness in his chest. Jon leans back in to kiss him, first his lips, and then his cheek, quick and affirming, as he trails his fingers through his hair.

“You'll be wanting this cut soon,” Jon says, although he seems disappointed at the thought, combing his fingers through the tangle self-indulgently.

“I might try growing it out.” Martin tests the water of the idea, and Jon looks approving at this, nods and hums and runs his fingers through again.

It's been a long time since his hair was longer. Martin thinks he might suit it.

“What would you say to a beard?” Martin follows up,  just to see Jon try to valiantly quash his dissatisfaction and keep a neutral expression. He almost succeeds.

“If you... If you think it best,” Jon manages stiffly. 

Martin's laugh is a free and booming thing in his chest.