#and not just pull some horrific trauma out of my ass for the sake of a climactic plot twist

[vicsuragi]

okay i finally watched an episode from the correct season of ordinary lies and i am so fucking confused that was such a 90 degree turn they took in the last 10 minutes.

[butwhatifidothis]

Tumblr is starting to VERY MUCH dislike how long the other reblog chain is getting, so this will be Reblog Chain 2 of my jotting down notes of this fic. Here is the first reblog chain for Chapters 1-20

But it appears as though I was correct in sleeping off Chapter 20, because Chapter 21 is. Hm. bad. Very. Not good.

Chapter 21:

Transcript under the cut:

Chapter 21: It's Called Scars so it Gonna Be Ass

- To be blunt, the constant need to reaffirm that yes, Edelgard went through terrible experimentation and that yes, they were very horrific, is tiring. This is chapter 21. The experiments occurred in chapter 2. Every single chapter between now and then have, at some point, mentioned that INDEED, Edelgard DID in fact go through horrific trauma. It is tiring to the reader to constantly have to reread the same thing - we know it happened. We know it was terrible. There's no need to constantly say so; we already understand as readers.

- "Every time the spark of life broke through Byleth’s blank face, it brought a flickering hope to the Flame Emperor’s heart." ->

- Firstly: Awkward use of the Flame Emperor epithet (its usage is on and off with how appropriate its been - this is off).

- Secondly: Once again, Byleth's face was rarely if ever blank. She was never the Ashen Demon, as even the last chapter showcased. The author is mistaking reservation with emotionlessness, which is simply wrong

- "There had been so many empty days and nights, without friendship, love or joy. With nothing to hope for, except someday, the peace of the grave." -> Suicidal tendencies: another trait that Edelgard doesn't have... (strikes against canon: 89)

- ...but Dimitri does. Counter: 12

- "Dimitri, too, was troubled by the thought, grasping the side of his head and frowning. As the spasm passed, he turned to Edelgard and smiled warmly." -> It seems a little callous to so casually toss Dimitri's symptoms into his interactions with others when such things simply don't occur in the canon interactions. It's not impossible, or strictly against canon, but it does not feel natural; it's more as though the author is shining bright neon signs that say DIMITRI HAS MENTAL HEALTH ISSUES than a genuine attempt at writing Dimitri's mental health issues. This is not the first time this sort of seemingly thoughtless showcasing of symptoms has happened (Noted separately: Dimitri having drastic mood swings)

- "No, this world must be ruled by humans…not cruel gods who ignored the prayers of little girls." -> This statement follows Edelgard internally chastising the actions of not gods, but the Children of the Goddess. This is a weaselly attempt at dodging Edelgard's racist beliefs that Nabateans should not be allowed positions of power by shifting the belief to apply to miscellaneous gods instead. While not inaccurate per se - she does also canonically believe that gods should have no power in human affairs - it is not honest

- "Byleth nodded with childlike simplicity. “We should all try to get along.”" -> Again describing Byleth as childlike and/or innocent. Counter: 3

- For those curious: yes, the rat scene is implemented, yes it is sloppy, yes it is out of character for Claude - so much so that it is being noted separately - and yes it is forced to all hell

- What will be noted here, however, is that this is yet another instance of a man being demeaned/humiliated for the honor of a woman. See quote: "Byleth was on him in an instant, a tempest forming in the sea of her blue eyes. “That isn’t funny.” She crossed her arms sternly. “Jokes are about bringing people together...about making them smile. Right now, the only person laughing is you.”" with Claude reacting awkwardly. Once again, Man Bad Woman Good

- In a showcasing of a complete lack of self-awareness within the fic: "“Maybe if you’d have taught the Deer instead…but since you seem to have no ambitions outside of cleaning up Edelgard’s messes…”" -> This is Claude being portrayed as the bad guy, not the one being completely and utterly right

- " She slapped Edelgard on the back, and smiled heartily. “I agree, Dimitri!” Edelgard grimaced, trying to hide the fact her teacher had just struck the wound she had received during the mock battle." -> As well as where undoubtedly countless scars would be, yes? Scars that still cause Edelgard pain? In fact, Edelgard has been slapped on the back by Byleth and Jeralt numerous times before, and yet expresses no pain or discomfort.

- Another thing, that I had not noted though ought to have: Edelgard, a victim of sexual assault (in this fic), rarely seems to mind people touching her. She gets a little surprised if someone tries to get her attention with touch, yes, but Byleth's constant unprompted and random touching of Edelgard is never said to do anything but bring warmth and joy and comfort to Edelgard. It seems as though Edelgard suffering through sexual assault is just another source of trauma for the author to dump onto her for nothing more than pity points

- This is incredibly harsh to say, yes, and I would usually refrain from attributing such harshness onto a piece of text, but remember that Edelgard's scars only cause her pain when it's convenient, that she only experiences headaches when it's convenient, that she experiences PTSD episodes (when Claude mentions the rat) when it's convenient (note that in this fic he does it outside of battle, where her getting triggered wouldn't compromise her chances at victory). Edelgard not being touch averse and being a victim of sexual assault are not inherently something bad - survivors react to trauma differently, after all - but it is another in a steadily longer line of instances where Edelgard is simply given trauma for the sake of making her pitiable to the reader and the love interest, not something that Edelgard genuinely has to struggle with.

- "As Claude and Dimitri looked at their classmate expectantly, Edelgard was wracked with another bout of guilt. Deep in her soul, the princess knew these peaceful days would end soon. When that happened, no feast or vows of friendship could make up for the chaos and horror she would unleash. It would be better to pull away, close off her heart, rather than fuel the flames of her inevitable betrayal." -> Aka, "Feel bad for me, I feel guilty for planning to cause the death and ruination of countless innocents' lives all because I convinced myself that my way is the only way to get things done my way without ever actually trying to see if more peaceful ways could have worked. I'm going to orphan children, force families to fight each other, have the land be rampaged by banditry, and overall bring chaos onto these days that I ADMIT ARE PEACEFUL all because I feel that my way would be better. Wah wah pity me but I don't wanna be pitied I promise wah wah."

- "Byleth shrugged with a characteristic blend of innocence and spirit. “I guess I just like winning.” She began to blush and grabbed Edelgard’s hand. "It's so exciting! I’ve never had anyone other than Papa to celebrate with before!”" -> Byleth = innocent/childlike. Counter: 4

- The fic likes to reaffirm again and again that Byleth is "now" only acting like this due to Edelgard's presence in her life. Note also these statements written previously: "Every day, [Edelgard] was watching the person she loved grow and change. Become who she always was supposed to be." This, perhaps unintentionally, again enforces the "Lesbian Love is Pure and Innocent" trope; these wlw are only allowed to be their good girl, innocent selves - who they were always supposed to be - due to the pure lesbian love they have found with one another

- Count Bergliez didn't know of the experiments initially, but he eventually found out and did nothing to stop them, fleeing from a young and tortured El who was pleading for him to save her - Unnecessarily painting Count Bergliez as a spineless coward too afraid of Duke Aegir to save a child in pain

- Once again, a man fails to save a woman and further traumatizes her

- It should be noted that Bergliez is fearful not for his own life, but for that of his children, who were the ones Duke Aegir threatened. He, very similar to Ionius, cannot save Edelgard, except Bergliez (unlike Ionius) has a tangible, physical, explainable reason as to why he couldn't, and yet it is him who is painted as the bad guy, not Ionius. He is worthy of Edelgard's scorn and hatred, but Ionius only receives a begrudging feeling of betrayal from Edelgard that she feels guilty for harboring, even though he failed her far more than Bergliez failed her.

- "Daughters must always be loyal to their fathers" trope

- "No decent person thought the things Edelgard did. Just as her body had been twisted and shattered by the experiments, her mind bore terrible scars. Scars that the monster kept hidden, so she could walk in the world of men." -> Dehumanizing oneself as a monster as well as having violent thoughts (that specifically stem from trauma) one feels guilty for harboring are not traits Edelgard shows in canon... (strikes against canon, 90, 91)

- ...but Dimitri does. Counter: 13, 14

- "world of men?" Did the author perhaps mean "world of man," as in mankind? Keep note of

- The reason as to why Bergliez is said to have witnessed young El's tortured state and did nothing to help her is revealed: in canon, he dislikes her. It is blatantly and objectively said that he and Edelgard share a mutual displeasure in the other's company. What this fic had him do will be used as an excuse as to why he doesn't hate her, since no one is allowed to dislike Edelgard on the "good" side

- Edelgard, upon being asked if revenge is the reason she is doing what she's doing (reuniting Fodlan): "“No.” Edelgard put her hand to her chin thoughtfully. “I think for a long time, it was…but after a while, I realized that revenge wouldn’t satisfy me.” She looked at the blue sky above. “After you go through that much suffering…when you beg for help, day after day, and no one cares...you realize that nothing will ever truly make you feel safe again. The only thing I want is for this madness to end.”" -> This is internally inconsistent. See chapter 15 note: ""You know why they created me in the first place.” / “To reunite Fódlan,” spat Hubert. “It was all my father talked about.” / “And I will give it to them. "" This directly connects Edelgard's want to reunite Fodlan to the wants of her tormenters (as this states she is doing it out of spite). Note how Hubert spits at the idea of reuniting Fodlan, and how it was all his father - portrayed as a villain - talked about. This is not what this Edelgard wants, at least not of her own independent want. Earlier in this very chapter, Edelgard internally states a want to hurt Bergliez for leaving her behind. To say that she now no longer thinks vengeance would satisfy her, or that none of the reason that she is doing everything she does is out of a want for revenge, is ridiculous

- Edelgard to Bergliez, upon being asked what will happen to him and his family should Edelgard rise to power: "“All those who distinguish themselves will be rewarded. Given your history, I have little doubt you will be among them.” She nervously played with her white gloves. “All I ask is that when I seize back control of the throne, I can count on the military’s support.”" -> Yes, all who distinguish themselves to Edelgard, for Edelgard's cause, that Edelgard can see and/or know of. How likely is it that a poor farmer who is exceptional at fighting will actually be noticed by Edelgard and be given the credit he deserves, when others who may not be as meritable but do have some merit have the connections to show themselves directly in front of Edelgard? What means will Edelgard give the poor soldiers (that she or Byleth aren't already friends with, notably Dorothea and Leonie) that will allow them to be able to be seen by her and have their merits recognized? Edelgard is the one who says who gains power after all, so it is her they must prove themselves to, but how can they realistically do that?

- What about professions that are not immediately beneficial to Edelgard's cause, such as the arts? How will they fare in Edelgard's society, when their works and talents yield no tangible, objective results (such as, say, farming)?

- Something the fic will address?

- Edelgard does not nervously do anything in front of those she is trying to negotiate with in canon, not even Thales. Strikes against canon: 92

- "[Bergliez] could only laugh in response. “I think we’re going to get along rather well, my lady…and the other?”" -> Except Bergliez and Edelgard don't get along well, ever. Pre ts they are stated to dislike each other, which continues even onto post ts with Bergliez being the only noble Edelgard couldn't bring to heel. Strikes against canon: 93

- As predicted: No one is allowed to dislike Edelgard on the "good" side

- Literally forgot Hubert was with Edelgard and Bergliez lmao

- Ionius tried to consolidate power to be rid of the consort system due to his unending love for Anselma -> A ridiculous idea, plain and simple. Ionius was Emperor. If he wished to be rid of the consort system there was no need for him to try and take away all power from the other Imperial houses.

- If Ionius truly loved Anselma, why did he allow her to be exiled from the Empire? Why didn't he step in and use his influence as Emperor to help her?

- Edelgard, when she is Emperor - passed down a supposedly empty crown, at that - showcases the all-encompassing power the title of Emperor truly holds to one willing to use that power. That Ionius supposedly wanted to do all of these reforms and yet nothing at all was done, ever (save for ruining Houses Hrym and Ordelia, something even this fic has as canon), if Ionius did want to make these reforms, means that he was too spineless and cowardly to truly go through with trying to pass them. This again unintentionally showcases how awful a ruler and weak-willed a person Ionius was when he had power when trying to paint him in this righteous light.

- Lambert was stated to be trying to pass reforms before he died in canon, not Ionius. From parents to the children, the author is attributing traits from Lambert onto Ionius just as he (author's confirmed gender is male) attributes traits from Dimitri onto Edelgard

- " Her father and mother…she had thought their romance a fairy tale-a story from her father to make a motherless child feel valued. But…they truly had loved each other." -> Edelgard does believe Ionius when he told her of the story of when he and Anselma (supposedly) met each other. There is nothing to indicate that Edelgard thought it to be a lie: in fact, in canon: "But I choose to believe there was genuine love between them." Strikes against canon: 94

- It seems as though finally, after around 18 chapters, Edelgard's scars will finally cause her genuine inconvenience due to her complex about them as well as her trust issues. She has a gash on her back from the Battle of Eagle and Lion, but will not have it treated if Manuela isn't the healer, and yet the woman is occupied dealing with the rest of the students who were injured. How will this fic deal with this?

- Ingrid, referring to her and Sylvain: ""We just switched from Felix lecturing us all day to listening to Edelgard moralizing, didn’t we?"" -> The author is trying to compare a childhood friend whose friends have had years to get used to their barbed tongue to a stranger that directly insults the dreams of one of them. Something which Ingrid canonically hates having be done to her, even from Felix, a childhood friend. Once again, Ingrid being so casual about Edelgard being so disrespectful of her dreams is out of character. Strikes against canon: 95

- "Sylvain shook his head knowingly, ignoring Felix’s truly alarming scowl. “You should have seen his face, Edelgard. Dimitri would go on and on about this girl he met when he was a kid…and Felix would complain about her for hours!” He looked at Felix and smiled. “For all his whining about the “Boar,” nobody loves Dimitri more than him.”" -> Oh? A romantic gay male relationship presenting itself within the fic?

- Another vision of SS experienced by Edelgard. Word from a nameless guard: "The woman, Byleth, leading their forces... She’s not human! She killed half my battalion with one swing of that sword of hers. She didn’t speak, she didn’t shout, she didn’t even change her expression!” The panicked man was teetering on the edge of hysteria. “All those people rallying around her, and it’s like she doesn’t care at all. Like she's a walking corpse!"" -> Obviously saying that Byleth becomes the Ashen Demon if not allowed to be with Edelgard.

- Unintentional statement: Byleth can't be the pure innocent (lesbian) woman without Edelgard's (lesbian) love granting her purity, reverting her to a monstrous, corrupt demon incapable of humanity

- See chapter 20 note: "Implying that choosing SS - aka, choosing the Nabateans - makes Byleth less human. Intentional?" Confirmed to be intentional. Also false: in canon, even when accounting for CF's lesser chapter count, Byleth emotes far more on SS than on CF, which matches with CF having Edelgard call Byleth detached in their A support. Strikes against canon: 96

- The same nameless soldier, same context: "And those Faerghus kids…” / Edelgard leaned forward in her chair. “Ingrid…Sylvain…what of them?” / “They…they were animals. Screaming and ranting about revenge for the King.” -> Is the author really demonizing Sylvain and Ingrid for (potentially!) being mad at Edelgard for murdering one of their childhood friends? Is that really the depths the Edelgard worship will sink to, that friends becoming enraged at a friend's unjust murder from a warlord is being portrayed as something sad for the warlord? Just what else should Edelgard be pitied for?

- "The scared girl desperately tried to drown out the thoughts that reverberated incessantly. / They’re going to despise us…it’s destiny. And how could they not? If we were truly good, the Goddess would have saved us…protected us. But She didn’t. The Goddess took Mother. She took our family. And soon, She’ll take everything else we love. She hates us. / It’s what we deserve." - Now confirmed that Edelgard hears multiple voices in her head tormenting her. That trait that, once again, Edelgard does not have... (Strikes against canon: 97)

- ...but Dimitri does. This is the third time this chapter that this has happened, and far from the only chapter to display such baffling characterization of Edelgard via Dimitri's traits. It is nonsensical.

- " Why had [Edelgard] even been born at all? Nonexistence would have been preferable to watching every faint dream be dashed, to suffering alone over and over. She was just…so tired of being alive." -> Once. Again. Suicidal tendencies/thoughts is not a trait Edelgard shows in canon... (Strikes against canon: 98)

- ...but Dimitri does. The fourth! The fourth time in one chapter the author desperately wanted to just write Dimitri!

- If the fic wanted to take Edelgard in a different direction than canon does and has her display some of these traits, it would be more passable, but this fic is under the delusion that it is in any way following canon closely, especially in regards to Edelgard, and so this can only be seen as a desperate attempt from the author to have Edelgard be sympathetic by donning the skin of an actually sympathetic character such as Dimitri

- "Edelgard looked at herself in the mirror. The back of her academy uniform was stained red, the rhythmic, soft dripping of blood assaulting the princess’ ears." -> And no one commented on this? No one was worried? Not Ingrid, Sylvain, and Felix, who were sitting right by her? Not Lysithea, who saw her take the blow to her back and never get it healed? Not Dimitri, who delivered the blow? It just so happened that literally no one at all noticed this?

- Byleth literally slapped Edelgard on the back earlier? Wouldn't her hand come back red with blood if it were seeping through the uniform?

** The scene that follows the previous note is too long to quote, despite how truly terrible it is. Long quotes, even extremely long quotes, have been presented in these notes before, but the length this quotation would be if the full extent of it were written here would be a mess, and quite frankly, at that point it would do one better to simply go to the fanfiction itself and read the text from there. With the context received from these notes, if one wishes to see the words for themselves, go to chapter 21 of The Emperor and the Goddess, enter Ctrl + F (or Find in Page on mobile devices), and enter the phrase "Byleth crossed her arms, clearly frustrated" verbatim. The following note will not be quoting the entire scene from the fic (merely summarizing it), though context is needed to understand how truly bad the scene is. **

- To have hope in this fic performing anything correctly is proving to be a fool's dream, for it has yet to do anything right; that includes the aforementioned gash upon Edelgard's back. As stated, it did not draw the attention of those who were sitting around her nor did it draw the attention of the one who witnessed the injury itself, nor of the one who delivered the injury itself, so no one commented on the gaping, bleeding wound Edelgard was "hiding" from everyone as she turned her (bleeding) back to them and left for the baths to clean up (it must be heavily stressed: immediately after leaving it is revealed that the blood is seeping through her uniform). As she was washing - naked, of course - Byleth just so happened to step into the baths with only a towel wrapped around her "for modesty," much to the horror of Edelgard, for she does not want Byleth seeing her scarred body. A slight argument arises between the two over Edelgard getting her injuries checked, before Byleth warns Edelgard that she will go to Rhea and force her to go to the infirmary should Edelgard continue to refuse treatment, which drives Edelgard past the brink. She raises her arms from the bathwater and presents her scars (""Fine!... If you want to see so badly, here!""), to the horror of Byleth ("Byleth Eisner was not a woman given to strong emotional reactions, but she staggered back, hands over her mouth."). Edelgard cries in hysteria, fear of her beloved teacher running away in disgust over her ugly, mutilated body overwhelming her. But Byleth, childlike in her innocence, shared that she too is scarred in strange ways, and that she too is scared of failing those around her - that she has no ambitions save to help and protect those around her. Byleth reveals that it is Edelgard whom Byleth looks up to for always being so strong and always moving forward, and shows that without Edelgard Byleth wouldn't know how to handle the pressure everyone else puts on her. The exchange ends with Byleth reassuring Edelgard that she is beautiful and not the monster she thinks she is.

- There is no nice way of putting this: this is a classic example of how not to write someone opening up to another about something. Edelgard views herself as weak, ugly, repulsive, a monster, shameful, but it is Byleth's love and affection that gives her comfort and warmth, that gives her hope of something more. It forces Byleth to behave wildly out of character (the author can try to excuse this with "well she wouldn't normally behave like this!" all he wants, it doesn't matter when it goes against the base, canonical Byleth. Strikes against canon: 99) in order for Edelgard's scarred body to be seen as something that is repulsive, that is ugly, that is stained, so much so that the pure, childlike, innocent Byleth couldn't stand to see something so tainted. And yet it is that same pure, childlike, innocent Byleth's pure, innocent, childlike love that pushes away the pain of Edelgard's scars for just that moment. Other characters become suddenly blind and/or forgetful of Edelgard's obvious, bleeding wound so that it is Byleth who can be the one to save Edelgard with her pure, innocent, childlike presence and her pure, innocent, childlike uncertainty about her own insecurities (but only when it is convenient for Edelgard, as even Byleth didn't noticed the gaping, bleeding wound until she was alone with Edelgard where no one could interrupt their bonding moment). This scene is inorganic and forced, ham-fisting Edelgard and Byleth in the same room - the wash room, where both are either naked or nearly naked - so that Byleth is the one to find Edelgard, no one else. No one was worried enough about the sudden exit Edelgard took from the conversation she was having to follow her and make sure she was alright, and Byleth just so happened to enter the baths right after Edelgard. The scene is, to be frank, insulting.

- There have been a couple of joking references to a book titled Stones to Abigail in these notes, but in all seriousness, this scene plays unsettlingly similar to a scene in said book, where a scarred girl who is naked reveals her "ugly" and "revolting" scarred body to the love interest, who goes on to soothe and comfort the naked girl as best they can. The resemblance is uncanny

- Byleth described as childlike/innocent. Counter: 5

- Edelgard, in canon, never expresses feeling herself to be ugly, or repulsive, or a monster. Strikes against canon: 100

- Again, Edelgard's scars are only important when they are convenient - this time, in helping develop the romantic relationship between her and Byleth

- There are ways in which scars can be utilized without being problematic, but certainly not when this much focus is placed on them and yet they are only truly present when they cannot hinder Edelgard.

- Perhaps particularly insulting is this phrase from Edelgard: "Did she actually love Byleth at all, or just being saved by her?" Yes, Edelgard, you do simply want to be saved by Byleth, because that is precisely what the narrative has been drilling into the reader's heads ever since Byleth showed herself. Byleth is Edelgard's light, Byleth is Edelgard's hope, Byleth gives Edelgard back her humanity, Byleth is Edelgard's one source of joy, Byleth is Edelgard's entire life, and nothing, absolutely nothing in this fic has shown this to ever be a bad thing. This dependence on Byleth to bring Edelgard joy at the near complete expense of everyone else has been propped up as something romantic, and yet it's now, 21 chapters and over 85K+ words in, that we're supposed to believe that this was actually Edelgard being unhealthy? Even though the author himself said that this was what he enjoyed about their relationship, how much they found each other in each other? Even though we see what the author thinks would happen to the two of them should they separate - Edelgard, lonely and afraid without her beloved teach, and Byleth, the Ashen Demon who cares for nothing without her beloved student - in her visions of SS? This is a joke

- It cannot be overstated that Byleth came to the bathhouses completely independently of Edelgard. She did not come to specifically see her because she followed her out of worry for Edelgard due to her injury - she only knows that Edelgard's injured in the first place due to seeing bloody bandages that Edelgard removed in the bathhouse, before Byleth arrived.

- Author's notes: "On Bergliez, we find out very little in-game, but he 1) offers himself for execution so his men can go free in SS and 2) seems to be actually competent at his job. I thought a nuanced portrayal was more interesting, since I've been writing Aegir as the absolute worst person in the world." -> Note: this is what the author believes to be a nuanced take on someone. Someone who likes Edelgard entirely and does nearly whatever they can to help her, but they did one thing that's morally gray (leaving a child behind to save his own children from the same fate) that is portrayed as objectively bad, so now they are nuanced. While perhaps this sort of character would be truly nuanced in better hands, as it is with his actions being portrayed as something that is obviously so completely and utterly wrong and him someone who deserves complete and utter condemnation - and yet Ionius, who does far worse for far less understandable reasons, gets a comparative slap on the wrist - it causes confusion as to Edelgard's lines. Bergliez seeing her the one time and never helping her is enough for her to want to hurt him as she was hurt, but her father repeatedly coming to and "being forced" to watch her actively be tortured and doing nothing does little to invoke similar depths of resentment? Even granting the idea that "she gives more slack to her father," Ionius is objectively and far worse than Bergliez, down to doing hard things to protect their children, and yet it is only Bergliez who is shined in this unpleasant a light

- To be clear, Bergliez's decision was not a good one, but understandable. It is a gray decision to make. But notice how he is called "gray" and "nuanced" and yet Ionius is nearly completely innocent, as described by the author himself, despite their being no given explaination as to why "he was a figurehead" should be a good enough reason to wash him literally standing there and watching as his children - some of whom aren't even teens yet - get slowly tortured and killed.

- "There are many localization changes I understand (Byleth wanting to get drunk after the battle is one of them), but Treehouse's decision to remove Ionius' entire reason for power centralization (eliminating the consorts) was a big, big mistake." -> Given the history of this author's grasp on the Japanese language, this needs to be checked, as he cannot be trusted as a source as to whether this is true

******* Notes of Claude mischaracterization: Chapter 21, section 1, paragraphs 1, 21 & 23, 27 *******

[tirsynni]

Okay, keep in mind I’m going to start my RE6 watch in, oh, fifteen minutes and haven’t seen it yet, so this bit of Leon flailing is based on what I have seen. This also relies on both the games and movies (and ignores the books and other bits of canon/pseudo-canon).

Under a cut because this went longer than planned and I think I forgot what I was going for after a bit due to Leon flailiing.

We meet our intrepid hero in RE2 (and technically, RE2 Remake, as they provide different bits of background on Leon). In the original, Leon was late because his girlfriend broke up with him, he got drunk, and overslept. In the remake, he was deliberately told to not come because the outbreak had begun and ended up going to Raccoon City when he couldn’t get a hold of anyone (I think that’s what it was). For the sake of argument, we’re combining the two. He had a girlfriend, she broke up with him because he had this crazy idea to apply to a police officer position in another city because he wanted to investigate insane murders of all things, dealt with the break-up by getting drunk, but was late going to the city because he was told not to come. In at least one RE universe, it’s established that drinking is a possible coping mechanism for him. No further details given.

So we have an inclination there but no further evidence of use. Not yet. In RE2, he still pretty optimistic, helpful, compassionate, and people-focused. Honestly, a pretty sweet guy who just wants to help people (and not be turned into a flesh-eating monster). By the end of the remake, we have some foreshadowing after Ada falls when the shadows fall over him and his face is grim. We have a hint as to what he could be.

The end of RE2 is full of betrayals and pain. He learns about Ada. He is horrified by Annette’s attitude toward the virus and her dismissal of her role in it. He is kidnapped by the government who, instead of helping him and Sherry, threatens her life to force him to work for him. The scene ends with him still bloody, hunched over, and shouting that she is just a child. Fucking ow.

His next bit is in Darkside Chronicles. Still pretty sweet, pretty optimistic, a trained fighter not flinching when attacked by monsters, and there’s a nice contrast between him and the more grizzled Krauser. Krauser is more cynical, more ruthless, not a bad guy (not yet), but unlike Leon, he tends to judge things in certain categories, like victims, weapons, etc. The most interesting bit of contrast between the pair is that Leon is far calmer about the monsters than Krauser, who is terrified and, between that and his career-ended wound, sees the viruses as weapons which can be utilized. At this stage of the game, Leon’s big concern remains helping people, as seen in his defense of Manuela. Even after his betrayal by the government, he looks at Krauser and never thinks of the man betraying him or hurting him. He fearlessly extends his hand to Krauser.

In DC, when the final scene of RE2 is referenced, he never mentions the government’s threats or his own forced employment. There is no canon reference to him telling anyone ever.

RE4 is just... fucking trauma. He deals with it with quips and puns and bad humor, but you can tell he’s frustrated and angry. He’s furious with the bad guys and how they treat Ashley and Krauser. He’s betrayed by Krauser and is confused by how Krauser chose his path (which hurts a bit, honestly). How Saddler uses the parasite to control and hurt him. Confirming Ada is alive and the betrayal inherent in that. There’s just... a lot going on for him in RE4. Still! He maintains his sense of humor, keeping Ashley’s spirits up, and flirting with Hunnigan at the end. He’s still holding on.

ID takes place after RE4. For the first time, he references his horror at how the government destroyed Raccoon City without trying to help survivors. He references his horror about the nightmare that was surviving in Raccoon City. He is, again, betrayed. He, once again, has the nightmare that is his own government thrown back in his face.

Still, he’s hanging on! He’s trying to be optimistic, but you see him faltering when Claire is angry with him at the end. Hell, I swear you see him trying not to cry at certain scenes.

Again, no reference that he’s tried to explain anything to Claire, and... yeah. I can see her trying to fistfight the government over all of this, and Leon repeatedly, desperately hopes to end these horrors without accidentally creating more.

Still holding on, though! Still hanging in there!

Damnation, in my opinion, is when we really see him start breaking for the first time. By the end of that movie, he’s realized how thoroughly the government has manipulated and betrayed him. The government couldn’t act in that country, but they knew he could and would and set him up. He just had to shoot a man to save him. He has Hunnigan, someone he trusts because Leon trusts easily and gets attached to people easily and she’s been working with him for years, insisting that she knew nothing about it. He’s exhausted, hurt, betrayed again, and with Sasha and later by himself, you see him drinking, the former with a flask used by yet another person he wasn’t able to save. No sign of optimism. No joking. With Sasha, he gives the suicide speech which could easily have been intended for both of them: you can’t eat a bullet not because life is good and worth living but because you chose to serve others when you picked up that gun and now you need to live for them.

RE6? More horrific betrayals. More... everything. It starts terrible and then keeps going.

By Vendetta, he gets vacation time and slinks away with a bottle. There is no indication that even by then anyone has any idea how terribly the government has betrayed him, and he’s stuck with them. When he wants to lick his wounds, he doesn’t go to anyone for help. He claimed vacation time, hid himself away, and pulled out a damned bottle.

So we’ve had hints from the start that alcohol was an acceptable coping mechanism in his head, even if we didn’t see any signs of self-medication until the end of Damnation. The guy also hides and tries to treat his wounds by himself. He never tells anyone about how much the government has fucked him over. He does try occasionally to reach out -- to Luis, to Krauser, to Jason -- and it didn’t help any because they all ended up dead

It makes me curious about what would have happened if Chris and Rebecca hadn’t found him in Vendetta. When his vacation was done, would he just have taken a deep breath, trashed the bottles, and greeted his co-workers with a dad joke? It’s also interesting that one of the few times we see him that hostile toward an ally is when he does take that time to tuck himself away and engage in behaviors we don’t see him normally display around others. He’s the guy who either breaks the tension or, if he’s fucked up, just withdraws. I don’t see him as an alcoholic, although that is a popular fan headcanon. That would take it more out of his control, put it more into the public arena. He keeps pain and unhealthy coping mechanisms private, with Chris and Rebecca literally having to hunt him down in a random location when he tucked himself away to drink.

Through his timeline, we see the ongoing betrayals and hits take their toll on him, we see him using humor less and withdrawing more, we see when he picks up that bottle in Damnation.

But we also see him pick himself up in Vendetta when needed and take to the battlefield and stagger to Chris and Rebecca after getting his ass kicked by Arias. By that time, he’s definitely no longer the bright-eyed rookie in RE2, but his core remains the same. 

If Chris could just give him a hug instead of a bottle after Vendetta, I would appreciate it.

[mooglesorts]

man. it's weird, because there's a lot of things about me that are Very Badger Primary, to the point where i would probably pick it with a strong bird model over anything else at this point... except that i hate dehumanization. i saw primaries described recently as 'things you wouldn't be you anymore if you went against,' and more than just about anything else that's it. even when i think people are monsters, i can't see them as not human; i'd be hard put to define exactly what i consider a 'monster,' but it's more about like. good faith than personhood, i suppose?

it's not necessarily a permanent status to be one--people can change--but my deeply held instinct is that once you have done something monstrous you will always be a person who has been a monster by your own choices, and that it's your duty to learn how to accept that while still living your life, and act accordingly from thereon out. you have to reconcile that you are a person with the fact that some doors are closed to you now, and it's up to you to decide what you do from there.

just. like. even when i hate someone and as far as i'm concerned they can go fuck themself, even in the multiple Heavily Badger social environments i've been in over the course of my life--church, progressive circles, the way the structure of the internet kind of just affects you in general--even on occasions where i've gotten swept away and given in to the pressure to dehumanize (or perform it) for a minute, there's always, always been a voice in the back of my head saying this is a person. this is a person. this is a person. this isn't right.

unintentional dehumanization sets off my '...should we really be doing this? we are getting into not good territory here, it's time to pull up and start questioning' alarms. explicit, intentional, purposeful dehumanization sets off the whole ass tornado sirens. if people on my side are doing it it's enough to throw me into a system-destabilizing crisis, because NO NO NO I WANT TO GET OFF THIS RIDE, I WANT NO PART OF THESE PEOPLE'S MORAL SYSTEM, I FEEL UNCLEAN. it's a good way to make sure i will never, ever, ever trust someone again.

things that are Really Really Badger, off the top of my head (after the cut because Long and trauma talk):

[[MORE]]

---

-i've always loved playing adoptable games, pet simulators, etc? any game with randomly generated characters that are Yours Now and a Community, in a deeply badgery way. including games where they can die (the satisfying part is making sure they don't). except that, no matter how much fun the gameplay is, if it gets to the point where they start feeling disposable, and the only way to really keep playing is to stop humanizing them, i lose interest. it's super fucking depressing. it feels like part of me dying inside a little. i don't like it at all.

-i've always been drawn to fandoms and roleplaying communities. i was fiercely loyal to, and proud of, my first rp community on dragoncave as a 13-year-old. when my abusive mom found out about it and completely isolated me for half a year, the promise of being able to make it back to them--just sneakier this time--kept me going; when i finally got back and the group had drifted apart in my absence, it.... was absolutely devastating. i never really recovered from it. even then, i spent years trying to get the group back together every now and then, until i finally gave up.

-i am always keenly, painfully aware of the life cycle of a community. every time i hear the sentiment 'you guys are all great and i love this group' my stomach drops, because i know it's only a matter of time before things go sour or the group dissolves. rp groups, skype chats/discord servers, fandoms, you name it, i am always bracing myself or staying away entirely to avoid the inevitable and it hurts. and it hurts to see people taking part in a community i don't dare be part of, which makes lurking in fandoms... really rough. frankly, it takes me a lot of courage every time i express my appreciation for the shc community because i've been burned so many times.

-on that note: i went through some really traumatic stuff at the end of 2020 that completely turned my life upside down, and i was doing bad until i stumbled across the shc community. the moment i started engaging, it was a huge boost to my mental health, and my ability to cope with circumstances under which i was about to break down spectacularly. and it has been ever since! contributing to The Group Project and seeing other folks being friendly with each other gives me the happy feelings.

-i used to go out of my way to build and run spaces, mainly fandom and rp spaces, and took a lot of pride in engineering them so that they Functioned Well. unfortunately it wore me the hell down over the years for Burnt Badger Reasons, and now i'm too jaded, bitter, and exhausted to give a shit about being a mod/community leader anymore because of it lmao

-among those burnt badger things i relate HARD to the Red Ledger narrative. hoo boy.

-i wish i could find it again, but there was an mlp comic i saw once which went into luna's observations of what each element of harmony Means. with the element of friendship, she says that twilight has a massive amount of love to give; right now it's all focused on celestia, but when she learns to expand it outward she'll have grown into her full potential as a person, and she'll change the world. that struck a chord with how i used to feel, hard, and it's really stuck with me ever since. (hello, unhealthy snake model)

-emphasis on 'used to feel,' lmao

-got super invested in a really toxic '''mental health''' community at a low point in my life; exploded HARD trying to help everyone i could; got into vicious, protracted fights with the shitty mods for years about the harmful way they ran their community until i finally managed to go 'fuck this it's not getting better' and leave.

-had to numb myself emotionally to the people around me for a long time once i really started learning about mental health and trauma stuff, because now i was seeing signs of their pain and baggage everywhere i looked, and i couldn't handle not being able to help.

-the imagery with which i think about my bird primary is overwhelmingly negative. whether it's my actual primary or a model, i uh. i feel like a healthy relationship to one's primary doesn't involve associating it with gore.

-i saw a conversation recently about how birds think of morality in terms of 'if you can, you should,' and how that's scary for badgers because their definition of 'can' involves destroying yourself for the sake of that 'should,' and... yeah, that's a mood. that's a BIG mood. thinking about bird primary stuff is hard--and i had to pick up my lion model to deal with it--because it's so easy for me to spiral into a self-shredding spiral of other people are counting on you to do the right thing, how dare you pull back for your own health and sanity. how dare you turn your back for even a minute. how dare you rest. the work is never done.

which is... a very exploded badger approach to exploded bird morality. whoops.

-fix-it and time travel fiction in which Everything Went Right This Time and It's Going to Be Okay are one of my very favorite self-indulgent fantasies. i will enjoy putting characters through the wringer in all kinds of creatively horrific ways which may or may not end on a downer note, certainly, i love that shit, but i will also 90% of the time have a backup version of the arc or dynamic that's softer and lighter and Actually Healthy This Time. it's the dichotomy there that really gets me tbh, a story where Everything Ends Happily by default will mmmaybe pull me in? but stories where there's the constant shadow of this could end horribly, it's supposed to end horribly, and we got a happy fucking ending anyway are just... that shit will make me cry, man.

it's also why i kind of really hate stable time loop stories where it initially looks like this is going to be The Good Timeline this time around, but OOPSIE everything went to shit anyway! we're right back where we started, just like it was meant to be all along! it's a tired cliche by this point and an unsatisfying one for me, and it makes me roll my eyes every time.

-this is relevant to the bird vs. badger because like... my gut instinct is to prioritize people over systems. when shit hits the fan, when someone's fallen into the machinery and is about to get hurt, i don't feel right about it if i just let it happen. i'll break the machinery if i have to to keep it away from them; i won't feel great about that, and it might cause problems, but fuck it, we'll figure it out later. throwing people into the gears of a system when i'm convinced it's the only option makes me feel Awful.

-related to the above, another trope that really speaks to me in fiction is when a character defies the rules of reality through sheer force of will. no, this is not happening, i don't give a shit what the limits are supposed to be. i refuse to let this be the way things are. (there's that lion model.)

-i've just kind of... always wanted to be an Everyone Badger. it makes me sad how much of that i've lost over the years as i've gotten more cynical, but it's what i wish i could be.

---

doubtless i'll think of more the moment i hit send, and there are just as many things about me that are Super Bird Primary, but like... mamma mia that's some spicy badger. the main thing stopping me is the Can't and Refuse to Dehumanize bit. i also... hm. i think i can function okay without a community? they just help a lot, and it sucks when i'm confronted with one i don't have a (stable) place in. any thoughts? is it possible for a bird system's foundation to run so deep that eventually it overrides the bird?

[thanksjro]

Spotlight: Hoist - This One’s About the Guy I Keep Mistaking for Hound.

It’s time to focus on the straight man. Not, like, straight as in hetero. Don’t get it twisted, Hoist is queer by default just like every Cybertronian in IDW, not that that’s been established in-canon just yet. No, Hoist is the straight man because he’s the grounding line in this issue.

Hoist, as established during Spotlight: Trailcutter, is off the Lost Light currently on a mission. At this exact moment, he’s running from something.

Well, it was nice knowing you, Hoist!

No, he manages to escape Tarn’s grasp by doing some sweet grappling hook drifting using his tow line, and books it for the crashed shuttle that all his fellow mission-goers are hiding out in. Missionaries, if you will. Looks like Swerve left right after Trailcutter hung up on him, so it’s probably for the best that he didn’t get that forcefield around his voice box. Can’t imagine it working at that long a range. Sunstreaker’s here, along with his pet, Bob. Sunstreaker’s feeling a little salty right now, probably because he’s supposed to be the handsome one, and instead he’s got some sort of face thing going on in this issue.

Yeah, nobody looks quite right in Spotlight: Hoist. Then again, maybe I just don’t get Cybertronian beauty standards.

On that note, let’s take a real quick look at our interior artist for this issue, Agustin Padilla. Padilla doesn’t have a ton of work within the Transformers franchise, but he’s worked on some iconic pieces- specifically, MTMTE #16, The Gloaming. 

Yeah, THAT one. We’ll get more into his work when we hit that issue, I promise.

Back to the story at hand: Hoist puts on the cloaking device for the ship, hiding them from Tarn, then gripes to Swerve about the scanner scope being a huge friggin’ liar, because it said that there wasn’t a gotdang thing out there, because there clearly is. Swerve is less than thrilled by the prospect of having Tarn in the general vicinity, to the point that he forgets how to talk for a solid .5 seconds. Swerve’s seen the DJD in action, and it’s not pretty.

They’ve got six hours before the cloaking shields drain the power, then it’s goodbye Safetytown, hello Murderville. So, what better way to spend their final hours than by sniping at one another over things like fault and who’s gotten the shortest end of the stick here?

Looks like Perceptor has a pretty strong lead on all the other guys, seeing as his legs have become one with the ship. Hoist’s busy trying to get in touch with the Lost Light, though no one’s picking up. Gee, wonder why.

Swerve is really in a needling mood, as he asks Sunstreaker where his apology is, seeing as he was the one piloting the ship when they crashed. Sunstreaker blows a gasket for a second over the fact that all he seems to do these days is apologize. Hoist manages to calm the situation and change the topic pretty smoothly, as he fiddles around with the internals of the shuttle to try and get the Lost Light’s attention.

Good at multitasking, Hoist is.

We get the backstory on Bob, who Sunstreaker found after Metroplex woke up and decimated the local Insecticon population on Cybertron, almost certainly upsetting the balance of the ecosystem and traumatizing poor Bob. Yes, even our dog stand-ins have trauma in MTMTE. Sunstreaker, in true pet-owner fashion, baby-talks Bob, saying that he’ll bite that big, nasty Tarn if he gets near them, won’t he? Oh yes he will! Yes he will! What a good boy, yes you are!

Swerve isn’t so optimistic.

Well, that’s certainly a sentence I just read with my own two eyes. Really hoping this is a bit of hyperbole, because I’d hate to think just what sort of life Swerve’s led that resulted in him watching a guy triple his size give himself an enema.

Sunstreaker, who knows that Swerve is kind of a massive baby, isn’t terribly impressed with how scared the DJD made Swerve, accidentally strokes the guy’s ego for a moment.

Swerve, completely on the defensive now, lists off the five things he’s afraid of. Hoist butts in to point out the implausibility of Swerve’s fears.

Smash cut to four hours later, and Swerve hasn’t slowed down a bit, having talked to the point that he doesn’t even realize he’s doing it anymore. Sunstreaker’s about had it with this marathon bashing he’s receiving, and suggests that Swerve pick on Hoist for a change. Swerve declines, saying that there just isn’t enough material to work with, because Hoist is boring.

Fun fact, this is his character quote for his introductory paragraph on the Wiki article. He had so little characterization up to this point, this is what they went with. Such is the fate of many of the Transformers who didn’t enter the original 80s cartoon until the second season. Roberts decided to run with it and take the rare opportunity to NOT give someone mental illness so severe and unchecked it’s simultaneously sad and hilarious. Hoist is probably the only dude in the entirety of the IDW run to just be a regular person.

After Swerve confirms that he does in fact know his colors, we blow past another hour, to find Hoist hard at work cutting Perceptor off of the ceiling/floor- Hoist, like most everyone on the Lost Light, is a doctor- as Sunstreaker and Swerve discuss previous scrapes they’ve gotten through. Apparently Sunstreaker fell off a bridge forever ago that was named after a biblical reference, because it doesn’t matter how little you believe in a higher power, you CANNOT escape the pull of the 𝐂𝐡𝐫𝐢𝐬𝐭𝐢𝐚𝐧 𝐀𝐞𝐬𝐭𝐡𝐞𝐭𝐢𝐜.

Swerve asks Hoist if he has anything to contribute to the discussion, and while Hoist does have experience in near-death situations, he’d really rather not talk about it. Swerve respects his privacy.

Well, he tries.

Hoist indulges our little red and white idiot, because it’ll get everyone the Swerve-equivalent of peace and quiet, and begins his tale.

Long story short, it looks like another hotshot pilot had the same idea as Hoist’s, and things got a little crashy-explodey-everyone’s-deady. Hoist was the only survivor, and had to walk his sorry butt back to civilization. Then the exhaustion set in, and he was forced to sit there, fully convinced that he would die alone in the middle of nowhere.

Once he’s finished with his story, Hoist makes the horrific discovery that Swerve’s been bleeding to death over the last five hours, and failed to mention it.

No, Sunstreaker, he’s honestly just like that all the time.

Swerve’s spark casing has ruptured, which I can only imagine is somewhat similar to having a hole poked in your heart. A problem, to put it lightly. Sunstreaker and Hoist decide that, to keep Swerve from biting it, they’ll take the fight to the DJD, in an attempt to get some sort of transport back to the Lost Light and all the tasty medical equipment on board.

Man, it really is unfortunate that Rung’s still not got a head at this point in the timeline, because Swerve is like a jelly donut filled with self-loathing. God just took a jumbo-sized bakery syringe and jammed it right in there.

Hoist and Sunstreaker ignore Swerve’s protests/pained screaming, and gear up for a fight with what they can find. Hoist manages to make two working crossbows and a butt-ton of arrows, not to mention a couple bowie knives in about five minutes, and they head out to kick some tushie.

The lads split up, keeping in touch via communicators, and Sunstreaker manages to get found by Tarn. He gets his ass kicked, because of course he does- the DJD aren’t famous for their macramé and pies, they’re famous for super-murder and being horny for the Decepticause. As Sunstreaker has the realization that he’s leaving his beloved Bob behind, Hoist finds him. Sunstreaker’s in quite the pickle, because he’s had his chest blown in, and Tarn’s been replaced by Shockwave, Megatron, Sixshot, and Overlord.

This just gets better and better doesn’t it?

Then this happens:

Welp.

Swerve’s theory may hold some water, but we can’t worry about that right now, because Hoist is going to try and fight this bastard. Good luck with that, Hoist.

Yeah, that went about as well as it could have.

Hoist is about to get stomped like a bug, when the Con-biner suddenly phases out of existence. Weird.

Hoist runs back to the shuttle, I guess just leaving Sunstreaker in the middle of that clearing, even though he literally is a tow truck. He returns to find that Swerve’s passed out from blood loss, but Perceptor’s still awake, which is good, because there’s some grade-A bullshit going on on this planet, and we need the smart guy to info-dump for the sake of the plot.

Man, this is such a cool plot device, and I’m so mad it never comes up again after this Spotlight.

So, Tarn and all the big bads that Hoist ran into weren’t real, but projections of his and his team’s worst fears. It was feeding off of Swerve, but now that he’s down for the count, it’ll probably go for either Hoist or Perceptor next.

Then there’s what feels like an earthquake, one so powerful it finally removes Perceptor from the ceiling, letting what’s left of his body fall. Hoist runs outside to see just what the hell’s happening now, only to find Metroplex outside and closing in.

The phobia shields work on sub-sentient creatures too? Good lord, this thing just never stops, does it?

Thinking quickly, Hoist scoops up Swerve and the upper half of Perceptor and bolts for the edge of the cliff their ship is sitting next to. He must have been training for the Robot Olympics or something, because he makes the leap by a large margin, even when weighed down by two limp bodies.

Then he punches Perceptor in the face, knocking him out cold.

Then he commits an act of animal abuse as he knocks Bob out with his tow hook.

Our hero, folks! Let’s give him a hand!

As Metroplex fades out of existence, Hoist remembers that he is not immune to trauma, as he’s forced to sit there, completely alone, until help arrives.

No wonder he got that massive Rodimus Star. What a trooper.

Thus ends Spotlight: Hoist, as well as the Spotlight series as a whole.

So, Swerve may not have much of a read on Hoist, but I figure I can try and take a stab at it. Hoist is… helpful. The entire issue, he’s the one who never stops doing things. If he’s not trying to repair the shuttle, he’s cutting Perceptor out of the floor, or he’s patrolling the perimeter, or trying to defuse the tension between his crewmates, or building weaponry, or punching people in the face for the greater good.

The folks he’s surrounded with for his Spotlight accent the characteristics he lacks- he’s not insanely smart like Perceptor, or strikingly handsome like Sunstreaker is intended to be, or capable of holding a conversation like Swerve. He blends into the background, always has and always will, both within canon and as a character.

He’s just a guy. He’s the guy,  a jack of all trades, master of none. And that’s okay.