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kingstylesdaily · 4 years

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Harry Styles’ “Adore You” Is Everything a Music Video Should Be (Including Underappreciated by The VMAs)

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KSD NOTE: there is a mention of suicide in regards to the beginning of Adore You.

On November 18, 2019, a website promoting a mysterious place called Eroda (“No Land Quite Like It”) arrived on the internet. Two days later, the official Twitter account for this fictional frown-shaped island began teasing local seaside attractions. You may have missed it, depending on which corners of the internet you choose to lurk, but not if you were a Harry Styles fan, a group that went into pure overdrive trying to figure out what it all meant.

I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lost were a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stone profile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Maybe it’s not quite remarkable that I took time out of a Friday morning to watch a music video, but that I sat at my desk, in an office, with other people around (back when we did those kinds of things) and proceeded to wipe away a few tiny tears from under my eyes by the end of it, was an experience I had not been through… maybe ever? In a world of lyric videos and TikToks, actual, thoughtful, impactful music videos with a full (and sweet!) story are about as rare as a glowing and growing fish these days.

Ultimately, “Adore You” does everything a music video should do. In nearly eight minutes, this video uses excellent visual effects in a cool and interesting way, tells a compelling and heartfelt story, is anchored by an irresistible leading man and an adorable sidekick, is backed up by the catchiest song you could ever dream of, and culminates with a touching and hopeful ending. It’s a treat for the eyes and the ears and the soul. It’s innovative and the kind of thing that begs you to watch it more than once to catch all the details (and yes, I do tear up every time).

So one would think that an award show with the specific purpose of celebrating this type of creativity would be extra sure to nominate such a charming and effective clip, but alas, “Adore You” was overlooked in the MTV Video Music Awards main categories this year. Of course, some could argue that that fact only adds to the video’s credibility but I’ll do my best to not be that petty as I’m still rooting for it to win in the three technical categories where it picked up nominations: Best Visual Effects by Mathematic, Best Art Direction by Laura Ellis Cricks, and Best Direction by Dave Meyers, who remains one of the most inventive and influential directors of all time and whose videos with artists such as Missy Elliot, Pink, and Kendrick Lamar have been racking up nominations for nearly 20 years now. He also saw four other videos he directed get recognized this year: Normani’s “Motivation” (Best Chorography), Travis Scott’s “Highest in the Room” (Best Hop Hop and Best Visual Effects), Anderson .Paak’s “Lockdown” (Video For Good), and Camila Cabello feat. DaBaby’s “My Oh My” (Best Cinematography).

But I reached out to Meyers to specifically ask about the intricate details of “Adore You” and how it all came to be; how he captured such a vibe with the overcast and dreary weather, mixed so wonderfully with the charming oddities of the people that make up this world of Eroda. In addition to directing the video, he also co-wrote the story with Chris Shafer and said, “It’s the first idea that popped to mind after the first listen to the song, and the first idea I pitched to Harry. It was a story that underscored my understanding of what Harry stood for and felt it was necessary to tell it as a narrative to convey his optimism.”

The extended version of the video starts with a two-and-a-half-minute introduction to the world of Eroda, narrated by Rosalia. This includes the “peculiar” people and their professions on the island, meeting The Boy (Styles) and his glowing smile that most people try to avoid, and the quirky superstitions these people continue to live by. “It all served a purpose,” Meyers said of the details. “The superstitions were a set up for how society generally reacts to different things. They fear change or oddity, even if it’s what’s best for them.”

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing phased them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

However, it’s likely that Mother Nature is also a Styles fan, as Meyers recalled, “I seem to remember going up on the hill for Harry’s picnic with the fish and being worried that it was so gloomy. By the time we came to shoot, the sun came out. And then the sun went away as soon as the scene was over. Similarly, we had the worst storm when Harry was contemplating suicide at the start. Pouring rain, drenching him. So I guess in that sense it was fun watching how Scotland provided a backdrop for the emotions we were after.”

And hey, at least they had the weather on their side to add to the mood while shooting the video, as one of their main characters, well, didn’t exist. “It was very odd shooting with no fish,” Meyers admitted. “But was quite rewarding later seeing it dropped in and making empathic sense to the story we were after.”

Of course, the main character they did have on hand is an awfully useful and appealing one at that. Fans became enamored with the moment Styles uses the back of his hand to check the temperature of a coffee pot before dumping the fish inside the water so it could stay alive. I asked Meyers about this particular moment and he said, “The problem we had was apparent when Harry ran in and threw the fish in the pot. We all sorta felt — well, what if it was hot? So I believe Harry improvised that as a solution and we felt it was perfect for the character’s sensitivity and consideration for this poor fish.” And that’s not the only nice thing he does for his fish friend — he also serves him a tiny taco! “The taco was a whimsical way to express friendship between Harry and the fish,” Meyers offered. It looked pretty tasty, too.

The entire video serves as a showcase for what Styles does best and what makes him such a unique artist: his music, his acting, and his charisma, which Meyers knew would offer him a lot to work with. “Harry is a leading man. I felt that from my first meeting and wanted to play with his wonderful range of emotions. So finding a story with a real character arc was part of my focus in building this world.” Meyers described working on “Adore You” as an “all-around memorable shoot: awesome location, lovely Harry, compelling story, great effects, and… it worked.”

It did. And it was a risk: a video this complex and detailed (and one has to assume, costly), attached to a marketing campaign that proved to be even more involved, still came with no guarantee that the fans wouldn’t shrug it off. But as Manos Xanthogeorgis, SVP of Digital Marketing & Media at Columbia Records told Billboard last year, “When you have a video and a piece of art at such a level, it’s an incredible challenge for the rest of the team to build a campaign at that same level of artistry and creativity.” Oh, and that was only step one, as the marketing team engaged in “real-time marketing” with fans online, ensuring they would continue to remain engaged by dropping clues and clips in the lead-up to the video premiere and subsequently the album. “This whole campaign was around mystery and sometimes mystery is more powerful than knowledge,” Xanthogeorgis said. The Twitter handle has remained active throughout 2020, used as a continual marketing tool for Styles’ next videos including the Meyers-directed “Falling” and this summer’s hit, “Watermelon Sugar.”

With that kind of fan engagement, “Adore You” seemed like a no-brainer for the fan-voted categories of the VMAs this year, as they surely would’ve turned out to vote just as feverishly for this video as they did when searching for clues (about a made-up island, at that!). But hey, maybe MTV was just not interested in massive fan engagement this year — after all, it’s not like everything Styles does, including growing freakin’ facial hair, has the internet in a tizzy for weeks. Ultimately, as the impact of music videos (and certainly the ceremony celebrating them) continues to lose relevance, the disregard of this specific project simply feels like a missed opportunity to acknowledge a rare achievement in the art form.

While Meyers was sure to describe his inclusion in the VMA nominations this year as “lovely and flattering” (and he better have a moonperson in his possession this time next week, MTV!) it’s still puzzling why “Adore You” wouldn’t be included in the big categories, considering Styles is squarely within their demo, at the very least. That “Adore You” is also a technical and storytelling masterpiece, as well as a full moment that was used as inspiration both for the experience online and in-person at the Fine Line Spotify listening party last December, that also comes packed with one of the most enthusiastic groups of fans around, well, that should have had the entire network drooling.

Of course, some of this can simply be chalked up to a perfect storm. As far as his singles go, “Lights Up” was a nice appetizer, but “Adore You” remains the delicious entree (you already know what’s for dessert). “Adore You” is a perfect pop record if I’ve ever heard one (and I have) and deserved a special video. A Chris Isaak “Wicked Game” sexy vibe wasn’t going to work here. The song tells the story of such passionate, pure, and heartachingly naive and innocent love that it almost had to be directed toward a non-human being. Instead, Styles chose to inject those same carefree, sweaty, sticky, delicious, whimsical beach vibes into the “Watermelon Sugar” clip, which was the right choice, and not just for the summertime season (MTV has since added the Song of Summer category to the VMAs and included “Watermelon Sugar”).

But it’s “Adore You” that has melodies that bring a smile to the faces of babies, get your toes tapping even when you hear it in the dentist’s chair, and likely has my neighbors rolling their eyes when I sing along to it in the shower. The song is so simple it’s deep, a theme reflected in the video, as is the central reminder to help and care for others, a thoroughly 2020 message.

However, not all is lost. Both “Adore You” and “Watermelon Sugar” continue to rack up major spins at radio with the latter hitting number one on the Billboard charts earlier this month. Grammy voting kicks off at the end of September and Academy members should take note. Not only is Fine Line more than worthy of being acknowledged, but having Styles on hand to potentially collect trophies and perform is in your best interest when it comes to viewers and online chatter. Do not wait to take him seriously. This is the album, this is the time. Prove that you aren’t a bunch of stodgy old white men who think he’s just for teen (and um, thirty-something) girls, but that you understand the music he enjoys, is inspired by, and subsequently makes, is the same rock music you appreciate as well. An artist like Styles can be both of those things at the same time, and really, the best of both worlds. Give the album a listen, and then one more to let it all sink in. If you have not yet succumbed to the force that is Harry Styles fandom, I truly can’t recommend it enough — and please know that it will get you eventually.

Source: Decider.com

#kingstylesdaily #Harry Styles #hs: news #hs: adore you #August 2020 #Decider

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hlupdate · 4 years

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I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lostwere a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stoneprofile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing fazed them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

#harry styles #articles #270820 #tw suicide mention

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stylesnews · 4 years

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Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing fazed them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

#harry styles #aug20 #adore you #decider #suicide tw

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toomanyfeelings5 · 5 years

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the definitive ranking of pulp! the classics covers and summaries, from worst to best

(Note: Pride and Prejudice was not included in this list, as there were only poster and greeting card options for the work, and not an actual book or summary. Had a book and summary been provided, it would have ranked lowest for unoriginality. It’s literally just 1995 Colin Firth staring moodily at you. The caption is “Lock Up Your Daughters...Darcy’s in Town!” which is just unfortunate, frankly, and honestly laughable.)

16. Wuthering Heights by Emily Bronte

You take a novel that’s positively overflowing with drama and give it THIS cover? THIS summary? Absolutely uninspired.

Here’s looking at you Cathy...

Childhood sweethearts turned star-crossed lovers, fuelled by bitter jealousy and dark revenge. She’s pretty and posh, he’s a moody brooding bastard. Heartbreak, alcoholism and plenty of illegitimate kids – it’s a perfect Northern drama.

Where is the feeling? The screaming violins playing as we read? The moors? The time skips? A hint of the positively bonkers plot that only a Bronte could compose?

15. The Picture of Dorian Gray by Oscar Wilde

Oh, the heterosexuality of it all. On an Oscar Wilde novel, no less.

Hey girl...I’d sell my soul for you!”

Dorian Gray might be as pretty as a picture, but he's paid a devilishly high price for it. He'll stay drop-dead gorgeous, but there's something nasty festering in the attic...

Pretty as a picture and still lusting after ladies? Please. Pulp! Classics, you can do better.

14. The Great Gatsby by F. Scott Fitzgerald

Again, we must speak the ancient chant: Oh, the heterosexuality of it all.

When it came to loving...He knew which Daisy to pick!

Sorry old sport, but Gatsby has a bigger house than you, prettier friends than you and a Rolls Royce to cart them all round in. To a backdrop of popping champagne corks and orchestral jazz, our hero bids to buyout his old adversary, perennial jock, Tom Buchanan and reclaim Daisy, his favourite bit of High Society totty.

Nick Carraway gets not one mention, which is odd given that he’s the narrator, the protagonist, and Gatsby’s most ardent love interest. Also strange is the cover’s insistence that Jordan Baker, known lesbian, would swoon over Gatsby. Doubly strange is how tiny the women are in comparison to Gatsby’s massive frame. What is, again, bamboozling, is how the slogan on the cover seems to imply that Gatsby knows how to pick a woman. He doesn’t know how to choose anyone, let alone love them. All Gatsby truly knows is the desperate pursuit of a fruitless dream.

13. Romeo and Juliet by William Shakespeare

Romeo looks like he could be Juliet’s father. Juliet looks like an Upper East Side Widow, not at all like the tween girl she really is.

Too wild to live...too young to die!

Romeo, Romeo, wherefore art thou…. Oh wait, he’s hanging around in the garden again. Will young Romeo and his Juliet ever be able to express their raging hormones? Or will their feuding families make this romance blossom into a poisoned flower? Either way, both their houses are totally plagued!

“Wherefore” means “why,” not “where,” though I do have to award points to the summary for placing the blame squarely on the feud and not on these doomed young lovers. Though again, young isn’t the operative word I’d use to describe this version of Romeo and Juliet.

12. Robinson Crusoe by Daniel Defoe

This is what one would expect upon seeing a pulp cover of a classic novel. Not much originality or flair is present, but at least some sense of the story is conveyed.

Solitude was driving him nuts!

Cannibals! Captives! Coconuts!

One man’s love of the sea leaves him stranded on a desert island with nothing but a few goats, a bible and a parrot for company.

Will he ever escape? Will his new pal Friday learn to efficiently press a goatskin jerkin? Or will solitude send him totally barmy?

WILL Friday learn to efficiently press a goatskin jerkin? One must read to find out, I suppose...

11. Tess of the D'urbervilles

Marilyn Monroe?????

She’s...no angel.

The original Wessex girl!

Tess is just a humble milkmaid when the local landowner has his wicked way. Her new beau, the smarmy Angel Clare, is none too pleased when he finds out she’s already been deflowered. What is a girl to do? Bloody revenge of course, and an ending to touch the hardest of hearts.

At least the summary blames the terrible men in Tess’s life rather than Tess herself, unlike the tagline on the cover. And while Marilyn Monroe seductively lounging about with a drink doesn’t recall the faintest essence of Hardy’s novel, one would like to imagine Tess relaxing in whatever clothes she pleased, a straw dangling out of her drink, a smile on her face as she answers to no one and spends her quiet evening in solitude.

10. Three Men in a Boat by Jerome K. Jerome

An innocuous cover; the men’s faces hint at the comedic nature of this novel, and yet...something nags the brain upon looking at this.

To say nothing of the dog...

Incompetence, embarrassment and general disaster - no it’s not PMQs, it’s a trip down the Thames! Three hapless fellows and a world weary dog decide they need a holiday from their exhausting hypochondria. Hilarious mayhem ensues.

To say nothing of the dog indeed: Why does the dog on the cover have a human face?

9. The Metamorphosis by Franz Kafka

All one can say upon viewing this cover is: Jeff Goldblum, is that you?

Change really BUGGED him!

Poor old Gregor. One day he's depressed about his dreary travelling salesman gig, the next, he's roaching around the apartment and disgusting his family. All that's left is creeping the walls and eating garbage. How's his sis ever going to find a sugar daddy with her grotty bro in tow?

Gregor isn’t grotty, he’s our six-legged hero in this tragic tale.

And yet in the end, the question that haunts us all echoes in our minds in an unceasing echo: is that Jeff Goldblum?

8. Alice’s Adventures in Wonderland

Alice as a hippie is eye-catching, but not particularly creative.

This cupcake was off her head!

What HAS happened to little Alice? Taking 'shrooms, hanging out with hookah smoking ne'er-do-wells and being dragged to court. That's gonna be one hell of a hangover!

As much as I’m intrigued by Alice wearing heart-shaped sunglasses and a peace sign necklace, the summary and the cover consist of one joke and one joke only.

7. The Strange Case of Dr. Jekyll and Mr. Hyde

I just like how Dr. Jekyll in this cover looks equally as fucked up as Mr. Hyde.

No more Mr. Nice Guy... There’s a sinister man about London town with something of the night about him. Mr Hyde is mad, bad and has a penchant for bumping off MPs and other kindly innocents. Will his friend Dr Jekyll be able to stop him? Or is there something more to their relationship than meets the eye…? Only the intrepid Utterson can get to the bottom of this mystery, but what will he find in Dr Jekyll’s lab?

Points to this summary for including Mr. Utterson, and for insinuating that Dr. Jekyll and Mr. Hyde may be clandestine lovers.

6. A Christmas Carol by Charles Dickens

Ladies, gentlemen, and otherwise, don’t we love it when a greedy rich man gets bludgeoned by a mace into being more generous and kindly towards others?

This cat was a drag....’til a midnight wake-up call...

Christmas?! What a load of Humbug. Mistletoe and Wine just don't do it for Scrooge; he's a workaholic miser with an attitude problem. If he doesn't change his ways, he'll end up with no friends and Tiny Tim won't last the year. Let's hope some spooky night-time visitors can put the jingle back in his bells!

Ring-a-ling-a-ling, Mr. Scrooge. The mace is raised and the bells are ringing.

5. Heart of Darkness by Joseph Conrad

The tag-line made me, as the youths say, laugh out loud.

Whoops! Apocalypse....

The horror! The horror!

Kurtz might be the apple of every brutish imperialist’s eye, but his God complex is getting wildly out of hand in the depths of the jungle. What on earth will Marlow find when he finally gets downriver? Devil worship? Savages? Heads on sticks? Or just another nutty white man with his knickers in a twist?

Surprisingly anti-racist summary made this jump to the higher echelons of this esteemed list, though of course that doesn’t excuse this novel’s abhorrent and embarrassing fake-deep racism. It also must be noted that the tag-line should have been “Whoops! White supremacy!” and the text of the novel should have entirely consisted of Chinua Achebe’s essay on the work.

4. The Hounds of Baskerville by Arthur Conan Doyle

The cover alone is a winner. A rabid chihuahua out for blood? Inspired.

Murder...Mystery...Walkies!

A desolate moor, a diabolical dog in need of a muzzle and some inbred locals; Sherlock Holmes is really up against it. With the help of his trusty sidekick Dr. Watson, Holmes pieces together a mystery that has captured the imagination of readers across the decades. All whilst practising a serious coffee and cocaine habit.

The tag-line is fun and catchy, but sadly this summary must be admonished for insisting that Dr. Watson is merely a “trusty sidekick” to Sherlock Holmes. Heterosexuality strikes again, reducing the impact of the striking cover design.

3. Dubliners by James Joyce

Finally! Some style, some panache, some flair to accompany these short stories about being sad and horny in Ireland.

Stuck in the Liffey with you...

Booze, Sex and Hot Floury Potatoes… Those Dubliners are at it again!

Liars, thieves, whores and priests… James Joyce sure knew how to throw a party! This relentlessly downbeat collection explores the very worst aspects of human nature, and doesn’t leave out the juicy bits. It might not be in the best possible taste, but who doesn’t want to get down and dirty in Dublin?

The summary and cover work in tandem to wholeheartedly convince me that Dubliners is an action-packed, slick collection of stories detailing the wild escapades of a motley cast of ragamuffins, and I gotta hand it to the folks over at Pulp! Classics for injecting some bonafide vintage cool into Joyce’s work.

2. Othello by William Shakespeare

I have so many thoughts on this. Mr. T. as Othello is fascinating, as is the tagline, “Some kind of Bard...aaaaasss.” Is this a commentary on blaxploitation media? One can’t help but recall Mr. T.’s reasoning behind his mohawk, his gold chains, to honor his ancestors and assert his living, unshakable humanity in a racist society. Is this is a genuine effort on the part of Pulp! Classics to imply that a blaxploitation-influenced adaptation of Othello could reveal deeper truths to the play that we have had yet to glimpse?

Some kind of Bard... aaaasss

He’s a bardass brother with the love of a fine woman. That is until some cloven hoofed honky starts talking crazy about variously hued sheep tupping the hell outta each other! You gotta pity the fool who gets shafted by the green eyed monster. Let’s hope Othello can work out who to trust before it’s too late…

The fast-paced alliterative language of the summary harkens to Shakespeare’s own wit-fueled dialogue and penchant for creative language. The summary also calls Iago a devil, which is apt, and implicitly criticizes his racism, hinting at the play’s greater tragedies to come. The cover and summary also work in tandem to emphasize Othello’s jealousy and destruction: the “green-eyed monster” is mentioned, and the cover itself is a putrid green. An excellent example of what a vintage cover and summary can achieve.

1. Frankenstein by Mary Shelly

You all knew this was coming.

This kid was born on the wrong side of the lab...

Frankenstein’s monster is on the rampage; terrorising the locals, unleashing murderous hell… and reading novels in his spare time. Can his petrified creator stop this reign of horror before his girlfriend gets the chop?

A James Dean-inspired creature, thereby making them a queer icon? Masterful. The creature being “born on the wrong side of the lab?” A stroke of genius; that they’re called a kid puts the poignancy of the monster’s plight into even greater relief, while simultaneously emphasizing their tragic charm. The clear distinction between Frankenstein and the creature? Reader, I exhaled in a cathartic release of tension. The loving detail that the creature reads novels in their spare time, like any other leather-jacket wearing, motorcycle-riding ruffian with a heart of gold? Beautiful.

Truly, the obvious queer energy of this cover and summary highlights an overlooked dimension of Shelly’s great work while also paying homage to what draws us to this Modern Prometheus time after time. Do we care about the petrified creator in this summary? Not at all. He’s not on the cover, appearing both rebellious and gentle. We are here for the creature, in their leather jacket, on their motorcycle, novel sticking out of a back pocket on their jeans, ready to whisk us away to a place where even monsters like us can find solace, and be at peace, and commune with each other. We need only take their outstretched hand, and be willing to leave the mundane world for something better, for the chance to no longer be alone.

#books #art #classic works #i'm going to purchase a copy of that frankenstein cover and no one will stop me

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onestowatch · 3 years

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Get to Know Groove-Pop Duo Balu Brigada [Live Performance + Q&A]

Inspired by musical heavyweights like Frank Ocean and Gorillaz, Balu Brigada is all about experimentation. Their discography provides the perfect backdrop to any setting—from coastal road trips, summer BBQs, flirty dancefloor moments, and everywhere in between. The band is no stranger to performing, having toured around New Zealand numerous times, including treating an exclusive audience to an electric performance at Live Nation and Vodafone’s recent Ones to Watch showcase.

In addition to delivering a standout show at our recent showcase, the duo has just released their latest single, “How It Would End,” the first song off their upcoming EP. The single is their debut release as a two-piece, with its bouncy synth hooks and groove-worthy melodies sure to get you up on your feet.

On the eve of their first release as a two-piece, Henry and Pierre Beasley Zoom in from their parents’ rumpus room—the scene of many family jam sessions, which spawned their self-described “groove-pop” band Balu Brigada—to discuss archival footage, guilty pleasures, and which brother is the better mover.

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Pierre: We’re actually at our parents house right now, because our houses are both equally too small to do anything in, but actually right behind us is a grand piano that used to be our grandfather’s. He was an orchestral conductor, so it’s a bit of a family heirloom.

If that piano could talk, what do you think it would’ve said to you during your piano lessons back in the day?

P: Try harder [laughs].

Henry: It would probably say, “Slow down!” as well, ‘cause I remember just getting frustrated. You know, you play something 100 times, badly, and you just wanna get it done so you play it faster but then that sounds even worse!

P: It was a classic case of your parents make you do piano lessons and you miserably endure them, and then I think we picked up our own instruments, that we did actually enjoy playing, from there.

When would have been your first-ever public performance? Did you put on shows for Mum and Dad when you were little?

P: Probably some church Christmas event or something, to be honest. We were brought up in the church, so I think my earliest memory of performing was being a little Elvis in a Christmas production, which, yeah, I wouldn’t like to see that footage back...

Could there potentially be footage out there somewhere?

P: Yeah [laughs] Some granny with VHS footage of me with my hair in some big, slicked-back mop or something.

H: Pierre and I have got a bit of an acting background as well, so there’s some horrendous clips that you can pull up of us on shows that I won’t name [laughs]. But you can’t take yourself too seriously; you’ve just got to be able to laugh at it.

Performing is in your blood though, isn’t it?

P: Yeah, Dad was a ballet dancer in his prime and he actually met our mother, who was an actress, in a musical. They spent the majority of their twenties performing and then Mum pursued a TV career until she started having us boys so, yeah! Performance is very much in the construct of our family, which has been really cool because we’ve got that support from our parents who also understand the life of a performer and understand the passion.

H: We just actually saw some archival footage of Dad in his Royal New Zealand Ballet days—it was quite a trip! That’s literally some of the first footage we’ve seen of him as a ballet dancer, which is wild because it was such a big part of his life. Obviously no one had a bloody iPhone back then to just record clips, but it’s a shame. I would love to see more footage of him dancing, because it was such an integral part of fostering our creativity as well.

Did you boys take ballet lessons when you were kids?

PIERRE: I did it for a few years and Dad’s always said, “Ooh, you would make a good dancer!” And still to this day he’s like, “You know, it’s not too late to become a professional dancer...” You didn’t though, hey?

H: Nah, I didn’t. Pierre’s definitely more the mover, which you’ll see in a few videos of ours. I’m kind of skulking in the background doing something minimal and then Pierre’s managing to find a dance move out of thin air, which I can’t quite fathom myself.

You both studied music at Auckland University [Pierre majored in jazz, Henry, pop]. Did you ever take ideas that you were working on for Balu Brigada into uni?

H: It’s kind of like the informal way we started the band. I was playing guitar randomly for other bands and didn’t really have a project of my own, but I was writing all these songs during uni, so I was like, “Okay, why don’t we try a song where I’m leading?” Previously, I’d just written for another project that someone [else] would front, so that’s when I enlisted Pierre and my other brother at the time…

P: Brother at the time [laughs].

H: [Laughs] He’s still my brother—he’s just not in the [Balu Brigada] project at this point—but that’s how we all got together and took our background of jamming in our parents’ rumpus room to playing my original songs, and then making it more collaborative along the way.

Did Balu Brigada originate as a four-piece?

H: Yes, there were a few versions. Sometimes we’d go with a three-piece because Pierre was underage, and couldn’t play the show, or sometimes we’d get someone to replace him for the shows that he couldn’t make. It was a four-piece for probably four years or so and then that transition [to two-piece plus live drummer] was in maybe 2019. That was a lot to do with the fact that the other two band members—they were invested in it, but also had lots of other plates to juggle, and Pierre and I have always been the core and the nucleus of the band, and so it was like, “Okay, this is our whole world, so let’s kinda scale this back. You guys can invest more into your lives outside of the band and we can just really home in on this thing.”

So it’s kind of like you two are Kevin Parker from Tame Impala, with extra band members brought in for touring purposes.

H: We’d love to draw that comparison! [laughs]

P: [Laughs] Absolutely! Yeah, the role that our drummer fills is less an actual band member and more a session musician, I suppose.

How would you describe your music to people who are yet to hear it?

H: I think our favourite description, or at least mine, is groove-pop at this current point in time. Would that be your choice of description?

P: I just go with the easy one: alt-pop. Groove-pop is also cool, but I dunno if you just made that up, or…

H: I definitely made that up.

P: [Laughs]

What was the last Balu Brigada single release and what’s your next scheduled single release?

P: So the last one we released was in October last year, it was called “Moon Man”, and our next single is called “How It Would End”. This is the first time that we are choosing to release a single when we already have [a new, as-yet-untitled EP] ready, so we can actually get some momentum with the project rolling out, as opposed to how we’ve done it in the past where we released a song and then we were like, “Oh cool, that went well, now we need to finish the next one,” which is a silly way to go about it if you want to get that momentum. So this time we’ve got a few things in the bank.

H: This is the first instance where we’ve been able to play songs live before they’ve been released, which has been quite exciting for us.

youtube

Which songs off this upcoming EP have you performed live so far?

P: We’ve been playing “Number 1” and another song called “Favourite Clothes” in our most recent shows, and they’ve been going down well. Because we don’t have too many of those up-tempo, four-on-the-floor, driving songs, “Number 1” is a good one to just slot in there to hype-up the energy a bit.

The entire EP is killer, but I reckon “Number 1” is my favourite song on there at the moment. It reminds me of N.E.R.D!

H: For sure! N.E.R.D is a massive influence and when I started that one off I was definitely conscious of, “Oh, is this too Neptunes or too Pharrell?” And then I was just like, “Nah.” We love that you’ve drawn that connection, that’s great.

Also, something about the overall vibe and the sparkling melodies throughout “I Should Be Home,” another standout track from the EP, called to mind The Strokes...

P: Yeah, I’ve been listening to a lot of The Strokes—especially their latest album—so that would make sense. I just think all of the melodies that Julian [Casablancas] hits are real nice.

H: I think because Pierre was listening to The Strokes so much that always bleeds into my listening habits, because we spend so much time together. I think that would have definitely been a subconscious influence, because it was definitely in line with what we were taking in at that moment.

Your previous way of working, drip-feeding one song at a time, reminds me of the Gorillaz’s Song Machine project, where songs were recorded and released separately before they were collated and released as a collection.

H: Yeah, for sure. I really liked that roll-out. It was cool, and obviously the featured artists on it are world-class, interesting, eccentric creatives in their own right. Gorillaz’ second [Song Machine release], “Désolé” [featuring Fatoumata Diawara] is my strongest memory of when I was living in Melbourne. I lived there for a few months and that song came out around that time, and I was like, “Woah!” I listened to it this morning, actually; it just rocks my world. Gorillaz are a massive inspiration in terms of how we like to think about music, eclecticism, and genre-mashing.

Given that part of your band name pays homage to the character Baloo (but with different spelling), talk me through your love for The Jungle Book.

H: That movie is a very nostalgic kick for us brothers…

P: Not the movie that was out a couple of years ago, the Disney one…

H: I couldn’t believe it when I found out it was from the ‘60s, hey! When you’re a kid and you’re watching that shit, there’s no differentiation that you can make between The Jungle Book and, say, Aladdin [released in 1995]. You’re just like, “The Jungle Book, man, it’s such a jam!”

Have any Balu Brigada songs been synced to a TV series or film?

H: Only in one very informal instance. I was actually on a show about six years ago called 800 Words and I think we had just released our third release and then I had a shoot day. The actor I was working with, Milena Vidler, was like, “Oh, I’ve gotta be listening to music in this scene, what shall I play?” And I told her, “We just released a song today!” And she said, “Well why don’t I play that!?” So that is literally the only sync we’ve got so far, but it was quite a serendipitous moment. To see myself on screen and then hear our band play as well was quite meta, a little in-joke or Easter egg.

Do you each remember what made you fall in love with music in the first place?

P: Abbey Road on vinyl. It was Mum’s. I would’ve been, like, 11. It blew my mind. It was the first time I got to know an album in full, and didn’t just know a single that was on the radio or whatever, and I just loved the way that album flowed and the musicality of it, and how it’s pop music but they were also experimenting. There’s just something about that album, which probably—when I think about it—is my favourite album of all time and made me want to do music.

H: Mum will definitely want the credit for that one; Dad’s got the Bowie records, Mum’s got The Beatles ones. This one is way less cool, but my answer is probably “I Miss You” by blink-182. Combined with “Ocean Avenue” by Yellowcard—that was my favourite song. I was like, “Yep, I’m a rock guy now. I’m a band guy. Take me as I am.”

P: [Laughs]

H: I couldn’t say that it’s my favourite song now, but I remember that distinction pretty clearly, being like, “Yeah, this is me now”.

Did you have any Yellowcard posters on your walls?

H: [Rotates webcam] I’ve got some nice Gorillaz ones over there, but no Yellowcard ones.

If you could choose any band to go out on tour with, who would it be?

P: I’d probably say Tame Impala, just ‘cause I’m a diehard KP [Kevin Parker] fan. But I don’t know if we’d be the right fit, though…

I can totally see you guys opening for Tame Impala – Balu Brigada would be the perfect fit!

H: I mean, my pinnacle artist is Frank Ocean and I love the idea of getting to tour with him, but, no [laughs]. I don’t think. So that makes Kevin Parker feel a little bit more attainable. I don’t think it would be too far-fetched, hey? I reckon we should link it up.

#balu brigada #interview #indie pop #groove pop #alternative pop

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nealiios · 7 years

Text

The Derrick: Part II - Making Faces With My Friends

Once upon a time, designers were able to make games without graphics. Dungeon Masters rendered breathtaking worlds full of beauty and danger thanks to the amazing power of IMAGINEOVISION, a game engine that required only the human voice and the creativity of its players. Choose Your Own Adventure books and text-only computer games formalized the process into descriptive chunks of text between which the player had to choose, again without relying on a single pixel to aid -- or to hinder -- the player’s imagination. The power of decision-based storytelling was, and still is, one of the most compelling forms of gameplay available, but the introduction of computer graphics into the adventure genre with Mystery House forever changed the game. In order to attract and hold the attention of a modern gamer, even the best text-based adventure usually requires at least a modicum of eye-candy.

As we discussed last time, The Derrick will primarily take the form of a text adventure. In order to illuminate the people and places of Adams, Oklahoma, I’ll be creating not only the story and design for the game, but also the pixel art as well -- a first in my 27 years of game development. Because I’m not a naturally talented artist, it’s taken me several years to develop my art style, and what follows is a brief exploration of how I’ve developed the approach that I’ll be using in The Derrick.

* * *

I’ve always wanted to be an artist. I’ve envied so many of my friends who could sit down with a sketch pad and a pencil and just DRAW anything they wanted. My friend Kenneth Mayfield valiantly spent many hours trying to teach me, and he let me watch as he worked with an airbrush to create the covers of many of the Starfleet Battles strategy games. I picked up as much as I could from him, and even got to the point that I could paint halfway decent nebulae and planets, but mastery with traditional media eluded me. My hand eye co-ordination was poor, and no matter how long I worked at it, I never felt like I was making measurable progress. I might have given up on it entirely if Photoshop hadn’t come along in the early ‘90s to show me another way.

My first experiments with digital photo manipulation were typical surrealism. I cloned my dad and made him sit in his own lap. I placed myself on the cover of important magazines. I did all the silly things that most beginners did with Photoshop, and learned how to blend out scratches and obliterate wrinkles from extant photos. But not too long after I began to experiment with the tool, I began to see it not only as a way to change photos, but also to create entirely new images from scratch. I could make up for my natural deficits in hand eye co-ordination by zooming in and editing pixel by pixel, and I could undo mistakes with a simple keyclick. The program didn’t give me the talent that I didn’t have, of course, but it did provide me with the confidence that I might be able to grow and develop in a way that I hadn’t been possible with mere paint and canvas.

I’ll be the first to admit that my first fully digital “painting” was terrible. I was no better an artist than I had been in junior high, but it wasn’t a bad place from which to start.

WALL OF EYES - As a whole, my first digital painting was terrible, but isolated bits of it revealed that I might be able to do things with digital painting that I hadn’t been able to master with traditional techniques.

When I got to work on my first painting, I’d had no concrete plan for what I wanted to draw. I started with the face of a cyber-punk girl and worked outward, but everything about her showed off my weaknesses as an artist. She had no structure to her face, the balance was wrong, her proportions were deformed -- from head to toe she was a nebulous mess. I’d also put zero thought into her background before starting, and as a result had to retroactively paint in a wall around her rather than painting her over it (a process that would have been a lot easier if Photoshop had had layers, but that feature wouldn’t come along for a few more years). Slowly the wall took on a kind of life of its own, becoming a rotting wood-plank fence. As the gaps and holes began to appear, my mind began to wonder what might be lurking behind them. It became evident to me that the real subjects of the painting were the eyes behind the wall rather than the girl in front of it. “Wall of Eyes” would name itself, and would later lead to two “sequel” images.

COULD SOMEBODY GET ME SOME VISINE? - Using the power of layers in Photoshop allowed me to “focus” more on fine details of the image.

With the original version of “Wall of Eyes,” I’d felt extreme hesitation at trying to fix any aspect of the image for fear of destroying what few elements I’d liked. The introduction of layers into later versions of Photoshop, however gave me not only a new way to experiment, but it also made me look at the creation process in an entirely different way.

In traditional art, it’s very customary to “build up” an image one layer at a time, painting several coats of translucent paint over each under until a net color or other effect is achieved (a core lesson I’d learned from painting nebulaes). With layers in Photoshop, I realized I could achieve the same effect without running the risk of messing up coats of paint (which would require destroying and painting over flubbed layers.) I could simply lay down different colors and textures and then alter their opacity however I desired. I could also reorder the layers in an instant, and change how they mixed with one another. Ultimately it began to feel more like the process of creating a collage, and it was freeing to realize that I could experiment without fear of messing something up.

My first use of this new feature was to return to “Wall of Eyes” and enlarge one eye that I’d found particularly menacing. Inspired by an old comic book cover, I recolored my “refocused” painting with lurid, pulp comic colors.

THE THING IN THE BOX - Taking center stage, the eye pops even more with contrasting values of heat and cold, and even greater layers of detail veining its malevolent gaze.

As I continued to toy with it and refine, I “cooled down” the fence with tones of moonlight to draw contrast with that hellish eye, and lavished more details on the eyeball itself. Using layers not only of color but also adjustments to saturation, and contrast, and other elements, I arrived at a final nightmarish image of something that none of us wants to find beneath our beds.

When I started thinking about the character portraits for The Derrick, I realized that a lot of the lessons I’d learned about painting could be used in the modification of existing materials. I could take photos of friends of mine and transform them into heavily stylized portraits that would fit the mood and style of the game I wanted to create. My portrait transformation for Delphine Mack is a fairly good example. I began with a photo of my friend Sarah Berry in vintage clothes appropriate to our 1920s setting.

The original image was black and white, and Sarah was posed against a crowded black background that had to be knocked out in order to make room for a different environment. Finding the boundaries between her dark dress and the dark background were a challenge, but it was an important step in isolating her for modification. Next, I began to hand tint the image for a slightly vintage-postcard look, and applied filters to create a paint-like “surface” to the image.

Next I turned towards the creation of a mysterious background, cloaking her in a graveyard-like fog of blue that fits the mood of the game. It felt as though she should be creeping around in graveyards or down at the riverboat dock.

Once the fog was done, I realized that I liked it, but it seemed to compress the image into a single plane, and the color was too monochromatic. So, for a remedy, I created masks to draw a noirish slash of light across her face, while also creating contrasting bands of orange and red behind and below her for a final mysterious effect.

The irony of Delphine’s portrait creation is that I hadn’t meant for her to be a major character in The Derrick. She was intended only to be one of several non-player characters with whom the player could interact during the course of the game. But as I watched her come alive during the creation of her portrait, I began to see her as a daring and brilliant protagonist that would be very different than your usual Lovecraftian hero, and a perfect centerpiece for the tale. Many of the other characters you’ll meet in The Derrick likewise found their narratives while I was busy “painting” their faces, some of which required a great deal more compositing of elements and layers than Delphine. Phineas Book is a great example of portrait that actually required the combination of several disparate elements -- one man’s face, another person’s hands, a suit that was appropriate for the time period, and a theatrical-looking fireplace that provided the perfect backdrop. The fire itself was hand painted for final effect, as were the eyes and other smaller elements of the scene.

#OneMoreStoryGames #StoryStylus #TheDerrick #Art #Photoshop #Games

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garynsmith · 7 years

Text

Van? RV? School Bus? 6 Questions to Ask Before Choosing a Home on Wheels

http://ift.tt/2vSW4tI

We've all seen photos of the perfectly manicured home on wheels: the reclaimed wood-lined walls, the occupants dreamily sipping coffee and watching a sunrise. People of all ages are asking themselves, "Can I do that, too?" Myself, included.

When I first saw the van that would one day be mine on Craigslist, I thought it was perfect for me. The 1986 GMC vandura had a comfy bed, turquoise cabinets and twinkle lights that made me weak in the knees.

But a mobile life can involve just as much work as a stationary one - sometimes, even more. You won't have to pay a mortgage, but you might need new brakes. You won't have to rely on neighbors to water your plants when you travel, but you will have to keep a tiny space organized and livable on the road.

If those things don’t scare you off, the rewards can far outweigh the work. Here are some important questions to consider, first.

Which home is right for you?

There are various names for homes on wheels and recreational vehicles, along with more unique and specific categories like Westfalia campervans.

The RV is a self-contained, manufactured home on wheels. It typically contains a bathroom and kitchen and, depending on the version you choose, it can be driven or towed. If you own a vehicle with towing capacity, a towable RV allows you to park and move around more freely - without dragging the kitchen sink.

Campervans are more compact but offer fewer amenities. They might have a small kitchenette, but rarely contain a bathroom. If you're willing to rough it on the road, the campervan can be a more affordable option.

Then there are the more creative approaches to mobile living. People have converted school buses, vintage Airstreams and even a mail truck into living quarters. Choosing the vessel for your life on wheels is an important decision, so weigh your options carefully.

How will you use it?

Once upon a time, people bought mobile homes when they retired. These days, the options for remote work allow younger people to embrace a mobile lifestyle, with many variations. Some people want to travel regularly, while others park their homes and only occasionally switch locations.

My motivation for buying a van was the freedom to spend month-long stints on the road and rent out my house whenever I left. As a freelance writer, I often travel in search of stories and this seemed like a perfect way to do so. I could have the comforts of home and the freedom of wheels.

However, since dropping $5,500 on the initial purchase and about $1,000 in repairs, I've landed a full-time job. It's now more of a weekend camping vehicle than a home. The extra headspace that once seemed luxurious now feels cumbersome, especially when I'm driving over windy mountain passes and spending $60 to fill up my tank. Also, the $80-per-month insurance has come to seem extra expensive since I'm paying for something I don't often use.

I'll travel regularly in my van someday, but my experience illustrates the importance of knowing how your van will facilitate the life you wish to lead. Where will you go, how often will you go, and what will you do? Looking back, I would have gone for something a little smaller and lower maintenance.

Freedom can become debilitating if you don't know how you'll use it.

Where will you park?

Campgrounds, RV parks, Walmart parking lots and city streets have all become temporary homes for people who live on the road. But you must consider parking laws, safety and cost - every single night.

RV parks and many campgrounds offer hookups for electricity and water. If your home is designed to accommodate those amenities, they're nice to have. It helps to research campground details before you hit the road.

If you're freeing yourself from rent or a mortgage, you might not want to dump that money back into parking each night. National forests offer free camping, as long as you're 100-200 feet away from any road, trail or water source. Ask local ranger stations about access to dispersed camping and local regulations.

While mobile life is often celebrated with a backdrop of ocean beaches or beloved national parks, cities are something to consider, too. They just require a little extra consideration.

Vans have a leg up on bigger, flashier RVs when it comes to cities, especially if your van doesn't look like someone lives in it. Urban van-dwellers go to great lengths to keep their living quarters quiet to prevent curious visitors and theft.

The most important piece of advice when considering where to park: do your research. Reserve a spot when heading to popular parks, call ranger stations for information about parking in the area, join local forums, and always collect information ahead of time so you you're not searching for a place to sleep when it's dark and there’s no cell service.

How much does it cost?

Simplifying your life by paring down your belongings can be a great way to save money. But, don't be fooled into thinking that mobile living is always cheap.

First, there's the cost of your vehicle, which can vary considerably. If you go for a van, the Ford E series is a popular option. Donovan Jenkins, a nursing student and outdoors enthusiast bought his Ford cargo van for just $2,700 and spent about $2,500 more converting the bare interior into a cozy home. His carpentry skills allowed him to save big bucks on labor.

Conversions - van, Airstream, school bus, etc. - can be expensive, even if you’re doing the work yourself. For example, this stylish Sprinter van conversion cost $64,120. You'll see a huge range on RV prices as well, from several thousand to millions of dollars.

Once you find a home that’s right for your budget, you'll need to consider living costs, too.

Camping fees are about $20 per night, which can be alleviated by free parking. But, you won't get water and electrical hook-ups unless you pay for them.

Vehicle insurance will add a few hundred to several thousand dollars in yearly costs. Comprehensive auto insurance, while more expensive than bare-boned liability plans, will protect your home and belongings from vandalism and theft.

I learned the hard way that an RV insurance plan is required of any vehicle that's been converted into a living space. Even though my van isn't technically an RV, AAA initially refused to tow me when I broke down in Seattle because I didn't have RV insurance. I've since upgraded, which has been worth it for the peace of mind. AAA's premier RV insurance includes unlimited 100-mile tows, and once per year, you can have your vehicle towed up to 200 miles.

Depending on the age and condition of your vehicle, you'll also need to factor in regular repairs. And, don't forget gas money! You'll spend a lot more on gas for your mobile home than you will on filling up your regular car. And the more toys you carry with your mobile home, the more your gas bills will climb.

Where will you go to the bathroom?

Unless you're able to find a mobile home with a built-in shower and toilet, personal hygiene can be a challenge on the road. But there are plenty of creative ways to make it work.

A membership to a gym chain with locations across the country, like Planet Fitness or L.A. Fitness, will allow you to access showers and bathrooms - not to mention a workout, which can be vital when your living space only allows you to walk a few feet in either direction.

Campgrounds and truck stops also provide facilities to the traveler looking to freshen up.

If you don't have a toilet, you'll likely find yourself using truck-stop and Starbucks bathrooms. But a late-night bathroom break could mean toilets aren't available, and you'll have to make due with whatever is around.

Can you work on the road?

Remote work opportunities have freed many people from the constraints of a typical office job. But working from a mobile home is much different than a home office.

First, consider how often you'll need to work, and where you'll be able to do so. It might be helpful to stay close to developed areas where there are plenty of establishments offering free Wi-Fi.

If you can work comfortably inside of your mobile home, you can use your mobile device as a Wi-Fi hotspot, or purchase a dedicated Wi-Fi hotspot for $100-150. Whichever option you go with, you’ll need to sign up for a service plan with data. Check on the coverage area of service providers before you pick one - they're no use when you're in a dead zone!

Working from the road also means you'll need electricity, which is nice to have for other uses, too, like charging your cell phone or running a fan to stay cool when your engine is off.

Solar panels are a convenient, rechargeable and environmentally-friendly energy source. And, this portable power station will let you plug in all sorts of devices.

I can see my van parked on the street, from the window of my house right now. I'm still not entirely sure what a mobile life will look like, but figuring it out is half the fun.

Wild Ride: Turning School Buses Into Homes on Wheels

RV Living in the City: Dodging the Rent Crisis

What It Really Costs to Live ‘Tiny’

from Zillow Blog http://ift.tt/2vTtp7S via IFTTT

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nofeeslender · 7 years

Text

Van? RV? School Bus? 6 Questions to Ask Before Choosing a Home on Wheels

If those things don’t scare you off, the rewards can far outweigh the work. Here are some important questions to consider, first.

Which home is right for you?

There are various names for homes on wheels and recreational vehicles, along with more unique and specific categories like Westfalia campervans.

How will you use it?

Freedom can become debilitating if you don't know how you'll use it.

Where will you park?

Campgrounds, RV parks, Walmart parking lots and city streets have all become temporary homes for people who live on the road. But you must consider parking laws, safety and cost - every single night.

While mobile life is often celebrated with a backdrop of ocean beaches or beloved national parks, cities are something to consider, too. They just require a little extra consideration.

How much does it cost?

Simplifying your life by paring down your belongings can be a great way to save money. But, don't be fooled into thinking that mobile living is always cheap.

Once you find a home that’s right for your budget, you'll need to consider living costs, too.

Camping fees are about $20 per night, which can be alleviated by free parking. But, you won't get water and electrical hook-ups unless you pay for them.

Where will you go to the bathroom?

Unless you're able to find a mobile home with a built-in shower and toilet, personal hygiene can be a challenge on the road. But there are plenty of creative ways to make it work.

Campgrounds and truck stops also provide facilities to the traveler looking to freshen up.

Can you work on the road?

Remote work opportunities have freed many people from the constraints of a typical office job. But working from a mobile home is much different than a home office.

First, consider how often you'll need to work, and where you'll be able to do so. It might be helpful to stay close to developed areas where there are plenty of establishments offering free Wi-Fi.

Working from the road also means you'll need electricity, which is nice to have for other uses, too, like charging your cell phone or running a fan to stay cool when your engine is off.

Solar panels are a convenient, rechargeable and environmentally-friendly energy source. And, this portable power station will let you plug in all sorts of devices.

I can see my van parked on the street, from the window of my house right now. I'm still not entirely sure what a mobile life will look like, but figuring it out is half the fun.

Wild Ride: Turning School Buses Into Homes on Wheels

RV Living in the City: Dodging the Rent Crisis

What It Really Costs to Live ‘Tiny’

from Zillow Porchlight https://www.zillow.com/blog/home-on-wheels-tips-220828/

#realestate nofeeslender sanjose

0 notes

vincentbnaughton · 7 years

Text

Van? RV? School Bus? 6 Questions to Ask Before Choosing a Home on Wheels

We’ve all seen photos of the perfectly manicured home on wheels: the reclaimed wood-lined walls, the occupants dreamily sipping coffee and watching a sunrise. People of all ages are asking themselves, “Can I do that, too?” Myself, included.

But a mobile life can involve just as much work as a stationary one - sometimes, even more. You won’t have to pay a mortgage, but you might need new brakes. You won’t have to rely on neighbors to water your plants when you travel, but you will have to keep a tiny space organized and livable on the road.

If those things don’t scare you off, the rewards can far outweigh the work. Here are some important questions to consider, first.

Which home is right for you?

There are various names for homes on wheels and recreational vehicles, along with more unique and specific categories like Westfalia campervans.

Campervans are more compact but offer fewer amenities. They might have a small kitchenette, but rarely contain a bathroom. If you’re willing to rough it on the road, the campervan can be a more affordable option.

How will you use it?

However, since dropping $5,500 on the initial purchase and about $1,000 in repairs, I’ve landed a full-time job. It’s now more of a weekend camping vehicle than a home. The extra headspace that once seemed luxurious now feels cumbersome, especially when I’m driving over windy mountain passes and spending $60 to fill up my tank. Also, the $80-per-month insurance has come to seem extra expensive since I’m paying for something I don’t often use.

I’ll travel regularly in my van someday, but my experience illustrates the importance of knowing how your van will facilitate the life you wish to lead. Where will you go, how often will you go, and what will you do? Looking back, I would have gone for something a little smaller and lower maintenance.

Freedom can become debilitating if you don’t know how you’ll use it.

Where will you park?

Campgrounds, RV parks, Walmart parking lots and city streets have all become temporary homes for people who live on the road. But you must consider parking laws, safety and cost - every single night.

RV parks and many campgrounds offer hookups for electricity and water. If your home is designed to accommodate those amenities, they’re nice to have. It helps to research campground details before you hit the road.

If you’re freeing yourself from rent or a mortgage, you might not want to dump that money back into parking each night. National forests offer free camping, as long as you’re 100-200 feet away from any road, trail or water source. Ask local ranger stations about access to dispersed camping and local regulations.

While mobile life is often celebrated with a backdrop of ocean beaches or beloved national parks, cities are something to consider, too. They just require a little extra consideration.

Vans have a leg up on bigger, flashier RVs when it comes to cities, especially if your van doesn’t look like someone lives in it. Urban van-dwellers go to great lengths to keep their living quarters quiet to prevent curious visitors and theft.

The most important piece of advice when considering where to park: do your research. Reserve a spot when heading to popular parks, call ranger stations for information about parking in the area, join local forums, and always collect information ahead of time so you you’re not searching for a place to sleep when it’s dark and there’s no cell service.

How much does it cost?

Simplifying your life by paring down your belongings can be a great way to save money. But, don’t be fooled into thinking that mobile living is always cheap.

First, there’s the cost of your vehicle, which can vary considerably. If you go for a van, the Ford E series is a popular option. Donovan Jenkins, a nursing student and outdoors enthusiast bought his Ford cargo van for just $2,700 and spent about $2,500 more converting the bare interior into a cozy home. His carpentry skills allowed him to save big bucks on labor.

Conversions - van, Airstream, school bus, etc. - can be expensive, even if you’re doing the work yourself. For example, this stylish Sprinter van conversion cost $64,120. You’ll see a huge range on RV prices as well, from several thousand to millions of dollars.

Once you find a home that’s right for your budget, you’ll need to consider living costs, too.

Camping fees are about $20 per night, which can be alleviated by free parking. But, you won’t get water and electrical hook-ups unless you pay for them.

I learned the hard way that an RV insurance plan is required of any vehicle that’s been converted into a living space. Even though my van isn’t technically an RV, AAA initially refused to tow me when I broke down in Seattle because I didn’t have RV insurance. I’ve since upgraded, which has been worth it for the peace of mind. AAA’s premier RV insurance includes unlimited 100-mile tows, and once per year, you can have your vehicle towed up to 200 miles.

Depending on the age and condition of your vehicle, you’ll also need to factor in regular repairs. And, don’t forget gas money! You’ll spend a lot more on gas for your mobile home than you will on filling up your regular car. And the more toys you carry with your mobile home, the more your gas bills will climb.

Where will you go to the bathroom?

Unless you’re able to find a mobile home with a built-in shower and toilet, personal hygiene can be a challenge on the road. But there are plenty of creative ways to make it work.

Campgrounds and truck stops also provide facilities to the traveler looking to freshen up.

If you don’t have a toilet, you’ll likely find yourself using truck-stop and Starbucks bathrooms. But a late-night bathroom break could mean toilets aren’t available, and you’ll have to make due with whatever is around.

Can you work on the road?

Remote work opportunities have freed many people from the constraints of a typical office job. But working from a mobile home is much different than a home office.

First, consider how often you’ll need to work, and where you’ll be able to do so. It might be helpful to stay close to developed areas where there are plenty of establishments offering free Wi-Fi.

Working from the road also means you’ll need electricity, which is nice to have for other uses, too, like charging your cell phone or running a fan to stay cool when your engine is off.

Solar panels are a convenient, rechargeable and environmentally-friendly energy source. And, this portable power station will let you plug in all sorts of devices.

I can see my van parked on the street, from the window of my house right now. I’m still not entirely sure what a mobile life will look like, but figuring it out is half the fun.

Wild Ride: Turning School Buses Into Homes on Wheels

RV Living in the City: Dodging the Rent Crisis

What It Really Costs to Live ‘Tiny’

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feamproffitt · 7 years

Text

Van? RV? School Bus? 6 Questions to Ask Before Choosing a Home on Wheels

If those things don’t scare you off, the rewards can far outweigh the work. Here are some important questions to consider, first.

Which home is right for you?

There are various names for homes on wheels and recreational vehicles, along with more unique and specific categories like Westfalia campervans.

How will you use it?

Freedom can become debilitating if you don't know how you'll use it.

Where will you park?

Campgrounds, RV parks, Walmart parking lots and city streets have all become temporary homes for people who live on the road. But you must consider parking laws, safety and cost - every single night.

While mobile life is often celebrated with a backdrop of ocean beaches or beloved national parks, cities are something to consider, too. They just require a little extra consideration.

How much does it cost?

Simplifying your life by paring down your belongings can be a great way to save money. But, don't be fooled into thinking that mobile living is always cheap.

Once you find a home that’s right for your budget, you'll need to consider living costs, too.

Camping fees are about $20 per night, which can be alleviated by free parking. But, you won't get water and electrical hook-ups unless you pay for them.

Where will you go to the bathroom?

Unless you're able to find a mobile home with a built-in shower and toilet, personal hygiene can be a challenge on the road. But there are plenty of creative ways to make it work.

Campgrounds and truck stops also provide facilities to the traveler looking to freshen up.

Can you work on the road?

Remote work opportunities have freed many people from the constraints of a typical office job. But working from a mobile home is much different than a home office.

First, consider how often you'll need to work, and where you'll be able to do so. It might be helpful to stay close to developed areas where there are plenty of establishments offering free Wi-Fi.

Working from the road also means you'll need electricity, which is nice to have for other uses, too, like charging your cell phone or running a fan to stay cool when your engine is off.

Solar panels are a convenient, rechargeable and environmentally-friendly energy source. And, this portable power station will let you plug in all sorts of devices.

I can see my van parked on the street, from the window of my house right now. I'm still not entirely sure what a mobile life will look like, but figuring it out is half the fun.

Wild Ride: Turning School Buses Into Homes on Wheels

RV Living in the City: Dodging the Rent Crisis

What It Really Costs to Live ‘Tiny’

0 notes

danielgreen01 · 7 years

Text

Van? RV? School Bus? 6 Questions to Ask Before Choosing a Home on Wheels

If those things don’t scare you off, the rewards can far outweigh the work. Here are some important questions to consider, first.

Which home is right for you?

There are various names for homes on wheels and recreational vehicles, along with more unique and specific categories like Westfalia campervans.

How will you use it?

Freedom can become debilitating if you don't know how you'll use it.

Where will you park?

Campgrounds, RV parks, Walmart parking lots and city streets have all become temporary homes for people who live on the road. But you must consider parking laws, safety and cost - every single night.

While mobile life is often celebrated with a backdrop of ocean beaches or beloved national parks, cities are something to consider, too. They just require a little extra consideration.

How much does it cost?

Simplifying your life by paring down your belongings can be a great way to save money. But, don't be fooled into thinking that mobile living is always cheap.

Once you find a home that’s right for your budget, you'll need to consider living costs, too.

Camping fees are about $20 per night, which can be alleviated by free parking. But, you won't get water and electrical hook-ups unless you pay for them.

Where will you go to the bathroom?

Unless you're able to find a mobile home with a built-in shower and toilet, personal hygiene can be a challenge on the road. But there are plenty of creative ways to make it work.

Campgrounds and truck stops also provide facilities to the traveler looking to freshen up.

Can you work on the road?

Remote work opportunities have freed many people from the constraints of a typical office job. But working from a mobile home is much different than a home office.

First, consider how often you'll need to work, and where you'll be able to do so. It might be helpful to stay close to developed areas where there are plenty of establishments offering free Wi-Fi.

Working from the road also means you'll need electricity, which is nice to have for other uses, too, like charging your cell phone or running a fan to stay cool when your engine is off.

Solar panels are a convenient, rechargeable and environmentally-friendly energy source. And, this portable power station will let you plug in all sorts of devices.

I can see my van parked on the street, from the window of my house right now. I'm still not entirely sure what a mobile life will look like, but figuring it out is half the fun.

Wild Ride: Turning School Buses Into Homes on Wheels

RV Living in the City: Dodging the Rent Crisis

What It Really Costs to Live ‘Tiny’

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