#and the spoilers without context only accounts for like 1/4 of events that happen

[mtdthoughts]

Shadow Pt. 1 (Migi & Dali Analysis)

If you've read my other posts, you'd probably figure out that I'm really invested in the characters of Migi & Dali, and I enjoy trying to analyze their minds and their character arcs.

Dali was arguably the most complex character in the story (which is a big reason why he's my favorite), as he often hides his feelings and motivations, both from the other characters and the viewers.

In this post I want to explore the reasoning behind one of his major actions in the story.

In my opinion, the question addressed here is one of the most important towards understanding the story, and in my opinion one of the hardest to answer..

Things may not be as they appear on the surface. I myself initially had a surface-level answer to the question, but was eventually able to construct a satisfying answer by gathering and analyzing clues from the story, and I hope whoever reads this post can do the same.

Of course, I might be wrong, but hopefully this thread will give some insight.

Part 2

Part 3

Part 4

Keep in mind that *spoilers* for the entire story will be discussed.

First, I want to give some context:

1) In Episode 12, Dali was ready to take Eiji with him and Migi and live happily together with the Sonoyamas, as shown by the cherry pie fantasy.

2) However, Eiji, wanting to take accountability for killing Reiko, turned himself in to the police. Then, all of a sudden, Dali's attitude suddenly reversed, and now he refuses to appear and chooses to stay in Migi/Hitori's shadow.

3) Dali says that Migi's happiness is enough, but Migi still wants him and Dali to live as two. Dali likely wants the same thing but rejects this, telling himself that being Migi's shadow was enough, as if he was in denial.

4) During dinner on Christmas Eve, Dali shows signs of wanting his own life with the family through his reaction to the Sonoyamas' words and his nightmare of being left behind.

5) On Christmas morning, the Sonoyamas accept the twins, but Dali still refuses to come out until Migi tells him that their happiness is mutual.

6) The twins finally reveal themselves, and Dali is touched to the point of crying tears of joy when he faces the Sonoyamas' love for the first time as himself. The twins then live happily with the Sonoyamas, and the main story is concluded.

Based on these events, it seems like Dali really did desire to live a happy life with the Sonoyamas, which brings me to the following questions:

Why did Dali bind himself to Migi's shadow?

Why did Dali reject his own existence and happiness?

Why did Dali reject the happy family life that he not only wanted but was also offered to him?

A key hint lies in Dali's scar. Although Dali used the scar to point out his and Migi's new facial difference, I believe the scar has another meaning, namely its association to Eiji and his arrest.

Because Dali and Eiji are similar, I believe the answer to these questions is that Dali felt guilt over what happened to EIji and perhaps felt responsible for all the harm and damage from the revenge quest that he started. The scar is a constant reminder of his (self-perceived) sins, and he likely hated himself and saw himself as unworthy of happiness. As a result, he punished himself by imprisoning himself in Migi's shadow, as if his final revenge was against himself.

The shots below illustrate this, as Dali looks back to Migi and echoes Eiji's sentiment that "the pie was too sweet for him," and that he just wants the Sonoyamas to dote on their cute Hitori without any worries such as a problem child like himself.

The next part of this discussion will elaborate this idea and will go over evidence for it.

[deerspherestudios]

Game Progress Update!

Since I've posted this devlog on the game page, I'm happy to announce Day 2 script is complete! :-D However, this doesn't mean the next update is right around the corner. In fact it's probably a long ways off as I still have the artwork, coding, and sounds to do next; but progress is progress!

For now my game plan is to keep working on the script for Day 3 and onwards, while also coding Day 2 into Ren'py. For all I know I'll be done with the script before starting any of the artwork ;v; But I think it's a good compromise as I have better balance between personal work and college work. For more ramblings info and sneaky peeks:

@isabellaswork Since I'm not sure if you can respond to submissions, I'll address this here! The next update will be a full one!! Regarding the timeline, I've stated before I'm hoping to release and finish the game by this year but uh, judging from the amount of content I have for Day 2 alone, that might be further off than I realized.

This might be sad news to some, but I assure you the longer I work on the script, there could possibly be hours' worth of MO content in store. (Just proofreading the Day 2 script took me an hour start to finish so imagine the scale of,,,, possibly 5 days, ,,)

I never expected people to have this much interest in MO; I really want this game to be the best I can make it, even if it means delaying it for the foreseeable future.

Anyway, enough with the downers. Here's some sneak peeks for Day 2 (don't mind the formatting, I've yet to streamline my writing to coding process):

I'll start to implement it into Ren'py with the proper code work and ask my beta tester to play it once that's done! :-) Overall I'm happy with it, I'm as excited as ever to share this project with everyone. I wish I could graduate faster just to work on it full time but oh well, that's a little bit further in the future </3

I'll leave you with these until my next update; Mushroom Oasis Day 2 spoilers without context:

Have fun speculating <3 Until next time, fireflies <3<3

[hermitdyke]

Please do go off about metanarratives and colaborative storytelling in LL if you want king, my analisys loving heart is curious and interested

Anon thank you so much I was really unsure to share this. Warning for 3L and LL spoilers.

3rd Life and by extension, Last Life is a great example of a Metanarrative and an Emergent Narrative. The definition used of metanarrative for this is “An overarching account or interpretation of events and circumstances that provides a pattern or structure for people’s beliefs and gives meaning to their experiences”. An Emergent Narrative is “any video game storyline that is not written into the game by its developers, but emerges from the player’s interactions with various gameplay subsystems”.

Taking these definitions and placing it in the context of a collaborative Lets-Play series with multiple creators recording and taking part, allows us to analyze a complete storyline and find relevancy and meaning to the things the characters do/say/own, even if seemingly inconsequential from the start.

Multiple Perspectives and Metanarrative

The collaboration of 14 and 17 creators for each series is crucial in understanding how the story functions as it does. The individual’s viewing of a single point of view or POV of any single player reveals an amount of new information, interactions, and conflicts. The viewer’s knowledge of the single character’s experiences is about the same. When viewing multiple perspectives, the story expands significantly, showing different relationships between everyone and provides context to events that one may not have seen in the single POV.

For example, in viewing Impulse’s finale episode for 3rd Life, viewers may be confused or lost on why Bdubs attacked and took Impulse’s final life over a clock that Scar had given him. If the viewer had not seen Bdub’s first episode, they would not have realized the relevance between Bdubs and Scar with a clock, being that one was given to him at the very beginning from Scar during an early mining session. Viewers would also not know unless they had viewed Scar’s finale that the clock that was given to Bdubs was taken off of Impulse after losing his yellow life.

Immediately, the lack of viewership on multiple perspectives limits the scope on why the event is relevant, and the viewer may find the story ending dissatisfying, when in fact it is incredibly false. The cross-analysis of perspectives and events gives meaning to this otherwise simple event and forms a narrative from a simple item in the game- an Emergent Narrative.

Emergent Narratives, Lives, and Boogeymen

The term “subsystems” in the definition of Emergent Narratives is another way of describing a game’s mechanics. 3rd Life and Last Life differs from vanilla Minecraft in that they’re playing in a limited life, hardcore system, with the random threat of the Boogeyman and a proximity voice-mod. Without these, the narrative would be dramatically different, although it is possible to form an Emergent Narrative using vanilla Minecraft (DSMP!Eret’s Betrayal is a popular example). Because of these features and players interacting using these features, a narrative emerges from what in any casual Lets Play, could be considered a “bit”. This is what makes 3rd Life and Last Life stand out.

In 3rd Life, an emergent narrative is formed when Ren asks Martyn to kill him, despite Martyn being green and him being yellow. Ren’s use of the red life mechanic provided him a way to protect Renchanting under the threat and pressure of Scar. Ren (the player) judged being able to attack anyone at will overruled the safety of having multiple lives, and that he now poses as a new threat to the server. They also use a vanilla mechanic in renaming the Red Winter axe so all members could recognize their newfound power and creating a desirable item in their alliance. In “proving his loyalty”, Martyn and Ren’s storyline really kicks off and starts to conflict with the other members as a new power on the server.

A recent example in Last Life is from Scar’s perspective and goes to show just how possible it is that Last Life can/will follow a similar route as its counterpart. Bdubs in his first episode asks Etho, “if you were the Boogeyman and I died to a mob in here, would you be like, ‘man”, is that a consideration you’d make?”, “..like I missed my chance, should’ve taken them when I could. (Timestamp: Bdubs Last Life Episode 1, 17:20-17:38)

This is ironic, considering that Bdubs at the time was the Boogeyman. An episode later, one of the two boogeymen of the session, Joel leads Lizzie into a trap, getting in a few hits, only to fail and lose a life himself. The damage that he dealt to Lizzie weakened her was only after killed by a mob, and brings the scenario Bdubs suggested into reality.

Without the use of the limited lives, Boogeyman system, and the limited Enchanting table resource, this narrative thread would not have worked. And in the Metanarrative of the story, unless the viewers both viewed Bdub’s and Joel/Lizzie’s perspectives, they would not have found relevancy in this scenario.

Lack of Script

The most important part of the Metanarrative and Emergent Narrative is that no one knows that these events are important or are going to amount to something in the end. It is the viewer’s knowledge and creators’ forethought of the series to see the narrative emerge from just a couple of friends playing a video game and starting a war, to developed characters with an overarching storyline in a limited episode run. At the start, none of the stories was intentional. The individual’s interpretation of the events and forming these connections between one or more perspectives is the real storyline, and if the creator wants to support this discovered story, they can (Martyn and Scott’s 3L endings).

A great example of this inability to script events is in Bdubs’ 3rd Lift perspective. In his first episode, he passes by a cliff face with a pond below. As he approaches and looks down the cliff, he says, “Nobodies against each other, y’know, it’s just kinda hanging out.” As he passes by and down the hill, “Eventually, once we get down lower, like once you’re on your third life, I think then its vengeance time.” (Timestamp: Bdubs 3L Episode 1, 12:41- 12:51)

Because of his experiences and the events unfolding in 3rd Life, the irony is not lost when he is killed just at the bottom of the exact same cliff by Grian and Scar as revenge. These seemingly irrelevant events in the moment form patterns across the entire series, with some underdeveloped locations, suddenly becoming relevant. A seemingly irrelevant moment is now much darker and holds so much more meaning to the character.

What does this mean for Last Life’s story? Is there an Emerging Metanarrative?

Narratives can be found anywhere, and in collaboratively playing an open-world sandbox game, there’s almost no avoiding it. With the start of Last Life, any of these seemingly casual conversations or collected items could have any sort of meaning in the future. This happened in Scar’s episode this week where he worries that he’ll drop from 5 to 1 life and get boogeyman “Oh no- we’re gonna lose all of our lives, aren’t we? We have five lives and by the end of this I’m gonna be a red life.”(Timestamp: Scars LL Episode 2, 4:54-4:59)

Only in the end, for both him and Joel to be Boogeymen, and for Joel to drop to red and lose his alliance with Scar. The catastrophe of the episode essentially avoided Scar, even though he was constantly at the forefront of the conflict. These small off comments, seemingly inconsequential are now made relevant and active conflicts between the characters.

And there’s plenty more of these events across 3rd Life, and predicting what is to come is nearly impossible (though I do have my own ideas).

-Comments made towards Etho’s tree and wool base, only for both to be burned multiple times, and all of Etho’s deaths being related to fire.

-Martyn to BigB in early episodes, wanting to track down Ren and their relationship and building of Renchanting/Dogwarts

(Personal theory- there are currently 3 wither skulls on the last life server, belonging to Grian, Etho, and Pearl/Scott. Currently, they are irrelevant, but there are THREE WITHER SKULLS, with the entire server having easy access to soulsand.)

[aion-rsa]

RiffTrax: A Guide to Christmas and Holiday Episodes

https://ift.tt/3p3xspq

Since its inception, RiffTrax has regularly visited the crazy world of Christmas movies and shorts because when you get down to it, Christmas is a crazy time and Santa’s such a rich concept that it’s easy to go completely off the rails with him. Here’s a look at all the various Christmas-related movies they’ve watched. Luckily, all of them are available on-demand, so you can buy them and download the entire movie with the audio already synced up.

A handful of the shorts were featured in previous editions of RiffTrax Live, but are also available on their own. Then there’s the Christmas Shorts-stravaganza, which not only featured a bunch of Christmas-based short films, but also a film about serving pork and some kind of competitive swimming event. Weird Al was there too! At the show…not…not the swimming event.

Like when I discussed the 30 Most Insane RiffTrax Shorts, I’m going to give both the lucid explanation of what each short or movie is supposed to be in a sane, reasonable world and what we actually get.

You can check out RiffTrax’s collection of Christmas movies and shorts right her.

“Now, come on. Let me show you the rest.” “No, really, I have to go, I…”

NESTOR THE LONG-EARED CHRISTMAS DONKEY (1977)

The Idea: Remember how great the Rankin/Bass stop-motion version of Rudolph the Red-Nosed Reindeer was? It was such a classic that people watch every year as a holiday tradition. Expanding on that world, the same company released Nestor the Long-Eared Christmas Donkey, figuring they’d spin another classic out of a more religious context. In it, Nestor undergoes some hardships due to the massive size of his ears, but is chosen to help Joseph and the pregnant Mary make it to Bethlehem.

The Output: You remember how Rudolph went, right? He was teased for a bit for being different, but that led to him discovering lovable, memorable characters and getting into fantastic adventures before proving his worth and showing that his so-called deformity was really his greatest strength. Okay, now imagine that exact story, only remove the lovable, memorable characters.

Then take that part of the movie where he’s teased and stretch it so it makes up 95% of the story. Hell, just make the thing completely depressing. There. You have Nestor the Long-Eared Christmas Donkey.

Read more

Movies

MST3K: A Christmas Episodes Guide for Mystery Science Theater 3000

By Gavin Jasper

Movies

The 21 Best Christmas Horror Movies

By Rosie Fletcher and 5 others

This is an earlier RiffTrax release, so the only one on it is Mike. Hearing one riffer can be a little off-putting, but it’s worth it to see such a terrible rewrite of Rudolph without any of the magic. Oh, and spoilers for a 40-year-old holiday special, but Nestor ends up becoming best buddies with the man who killed his mother and it’s never explained because it’s at the very end of the movie. I guess Jesus being born really packed a punch.

“Introducing Chewbacca’s family!” “And many scream-yourself-awake nightmares!”

STAR WARS HOLIDAY SPECIAL (1978)

The Idea: In a time when Empire Strikes Back was far from release but the studios wanted to keep Star Wars in the public’s mind so they’ll keep buying their merchandise, it was decided to bring the cast in for a prime-time holiday special in the ’70s. Based on Han Solo trying to get Chewbacca home to his family in time for Wookie Life Day, the special features everyone from Luke to Vader with special guest stars Art Carney and Bea Arthur. It also has an animated short that gives us the very first appearance of Boba Fett!

The Output: Whenever I try to explain the Star Wars Holiday Special to someone who has never seen it or even heard of it, I point out that George Lucas, known for being a pretty greedy guy, refused to make money off of it in any way. He would never release the Holiday Special in any format because he was that disgusted by it. I don’t blame him because if not for Mike, Kevin, and Bill, I wouldn’t have been able to sit through it myself.

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TV

Star Wars: Obi-Wan Kenobi and Darth Vader Had a Rematch Before A New Hope

By John Saavedra

TV

100 Best Christmas TV Episodes of All Time

By Wesley Mead

Each segment appears to be more horrific than the last. We get huge stretches of time where Chewbacca’s family just kind of meanders around their household, growling at each other, with no subtitles. There are “comedy” and musical bits that are just a slog to sit through. One such bit appears to be Chewbacca’s father Itchy watching virtual reality porn. Not even kidding. Mark Hamill is covered in enough makeup to put the studio in the red from their cosmetics budget, Harrison Ford looks like he’d rather be doing anything else, Carrie Fisher is pretty high, and Bea Arthur sings lyrics over the “Cantina Song.” It’s a glorious Hell.

As the cherry on top, the version they watch has all the 1970s commercials completely intact. One of which features Schneider from One Day at a Time!

“He always has loads of fun.” “Why, here he is in Dallas in 1963!”

A VISIT TO SANTA (1963)

The Idea: A couple of kids send a letter to Santa Claus, asking to visit him at the North Pole before Christmas. Santa decides it’s a good idea and has them picked up and brought over in a magic helicopter. He shows Dick and Ann around his home and talks for a moment about how he spreads yuletide cheer through Thanksgiving parades. Then they ride around on a rocket and look at Santa’s prized train set.

The Output: It’s summed up perfectly when Kevin notes, “Interesting. I didn’t know that David Lynch made a Christmas film.” The whole production is very creepy, reminiscent of Manos: Hands of Fate’s cinematography. With all the many Santas that the RiffTrax guys have seen over the years, this one is probably the least jolly (that is, until A Song for Santa). He comes off as a deranged murder suspect trying to lay low with a disguise. In fact, everything about this short is suspect, like the elves, who are really just little kids in miniskirts.

Read more

Movies

Why Chronicles of Narnia’s Santa Claus Celebrates Christmas with Weapons of War

By Juliette Harrisson

Movies

Christmas Movies: A Complete Holiday Streaming Guide

By Alec Bojalad and 1 other

Dick and Ann only have a few lines in the opening and thank God for that. We can understand maybe five percent of anything they have to say.

“Ah, good. Finally, on the silver screen, the be-top-hatted spider-dog of my nightmares. Unless…I’m just having another nightmare.”

CHRISTMAS TOYSHOP (1945)

The Idea: As two kids are put to bed on Christmas Eve, their father tries to set up the tree and all the gifts downstairs. He stumbles around and the ruckus makes them think – in their dreams – that Santa just fell down the chimney. Sharing the same dream, they go downstairs and greet Santa. The little girl asks about where the toys come from and Santa tells the story of a magical toy shop. From here, it becomes a cartoon about living toys having fun when the shop owner is gone.

The Output: The animated sequence is your usual old, black and white cartoon fare. A bunch of toys do stuff for several minutes, including a forgettable musical number, then a plot suddenly happens at the end. Here, it’s an evil spider showing up to try and kidnap a toy of Little Miss Muffet, causing the toy soldiers to come to her rescue.

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Movies

20 Christmas Movies for Badasses

By Michael Reed

Movies

The Mystery Picture on the National Lampoon’s Christmas Vacation DVD Cover

By Daniel Langrish-Beard

Somehow, the live-action segment is supposed to be a framing device and everything about the cartoon is being related by Santa. Why he’s telling them about a spider kidnapping a toy, I don’t know, but there you go.

This won’t be the last questionable piece of Santa Claus storytelling. We’ll get to that in a bit.

“Wow. I have literally never seen anything as small and of no account as this tree.”

CHRISTMAS RHAPSODY (1947)

The Idea: A lonely, tiny tree sits in the middle of the snowy forest, feeling itself worthless and meaningless. To its surprise, it’s taken in by a family and set up in their cabin. They decorate it for Christmas and give it the meaning it had been wanting for all this time.

The Output: You know, this one is almost decent, at least in concept. The basic Christmas moral buried in there is rather touching. Too bad the short has two things working against it. One, it’s really boring. Two, the tree is such a sad sack and won’t shut up about how much it sucks. It keeps explaining itself as being small and of no account, which will get your eyes rolling after the eighth time it repeats that.

There’s really nothing else to talk about here. Well, maybe the father’s creepy scalp.

“I need you tonight.” “WHOA!”

RUDOLPH THE RED-NOSED REINDEER (1948)

The Idea: No, not the Rankin/Bass cartoon we all know and love. This animated short is a completely different adaptation of the Rudolph song, predating the stop-motion special by decades. Rudolph is still made fun of for his nose and Santa needs his help due to a foggy night, but don’t expect to see his elf dentist buddy or the abominable snowman.

The Output: Other than the missing characters (which isn’t a criticism, since this came first and those guys weren’t mentioned in the song), the biggest difference in this telling is Rudolph’s status. The Rankin/Bass version made sense in that Santa had a bunch of reindeer living at the North Pole, so of course Santa would come across Rudolph. Here, Rudolph lives in a reindeer civilization. According to this short, animals live like humans around the globe in different sectors (ie. a rabbit-only town) and the only known human being is Santa Claus.

Read more

TV

Doctor Who: revisiting Steven Moffat’s Christmas specials

By Mark Harrison

Movies

17 Movies Secretly About Christmas You Need to Watch

By Mike Cecchini and 4 others

Oh, man. Maybe this is a sequel to Peace on Earth. Pretend you know what I’m talking about.

Another high spot is Rudolph’s mother, who is for some reason shown completely dressed, walking on her hind legs, and having almost human proportions. The riffers all find themselves sexually confused by this.

“Watch this!” “I saw Bam Margera do this on Jackass!”

A CHRISTMAS DREAM (1946)

The Idea: A little girl is happy to receive a few new toys on Christmas. So happy that she discards her older, rattier doll. As she goes to sleep that night, Santa decides to teach her a lesson about the value of one’s belongings by giving her a dream where her old doll comes to life to plead for her attention.

The Output: This is live-action and the doll is depicted with stop-motion animation. To this short’s credit, the animation is incredibly well done, especially for such an old film. It’s also really horrifying and the riffers don’t stop harping on that. The little girl is so excited when any sane person would be in a fear coma.

Read more

Movies

The Strange History of the Die Hard Movies

By Ryan Lambie

TV

Doctor Who: revisiting Russell T. Davies’ Christmas specials

By Mark Harrison

Also, Santa can make you dream whatever he wants. I didn’t know that. That’s disturbing and a far bigger threat than getting coal in your stocking. All he needs are elves in the background, playing jump rope.

“One, two…you better not shout… Three, four…you better not cry… Five, six…you better not pout… Seven, eight…I’m telling you why…”

“Happy Christmas to all and to all a good night!” “Well, Happy Christmas to the one household I visited! The rest of the planet can ram it for all I care!”

THE NIGHT BEFORE CHRISTMAS (1946)

The Idea: We all know the famous poem A Visit from St. Nicholas by Clement Clarke Moore. This is another adaptation of it, though without the bickering cartoon mice. Rather, we see Santa as he visits a home, delivers gifts, and flies off into the night.

The Output: This is one of the most reasonable of all the entries here because there isn’t much you can do to screw up that classic. The only questionable stuff is how rather than have any kind of special effects budget, shots of Santa flying off on his sleigh are done through animation and go back to live-action in close-ups. Otherwise, it’s fairly forgettable amongst the other freaky shorts and movies they watch.

Still, it is a dick move of Santa to give one kid a tiny toy shovel for Christmas. Who the hell would want that?

“Ladies and gentlemen, for the first time in 150-plus movies, RiffTrax has nothing to say.” “Just this…enjoy.”

SANTA AND THE ICE CREAM BUNNY (1972)

The Idea: Santa is stranded in the sands of Florida. His sleigh is partially buried in the sand and his reindeer have abandoned him. He calls over a group of children to help him get the sleigh out of the ground, but to no avail. Santa insists that they don’t give up and relates their situation to the story of Thumbelina (or Jack and the Beanstalk). Luckily, the kids know one magical creature who just might be able to help Santa and make sure Christmas is saved.

The Output: God, where do I even start with this? It’s hard to sit through, but this is one of the most must-see riffs.

The Ice Cream Bunny is practically a mascot for RiffTrax (sorry, Disembaudio). It’s bad in every way. It’s an inconceivable mess. The Santa parts are embarrassing to watch and make you feel really uneasy in its disturbing, low-rent cheesiness. Then you’re rescued from it thanks to Santa telling the story of Thumbelina. By that I mean that they play a completely separate movie with a higher budget that has absolutely nothing to do with the Santa situation. This “flashback” is 50 minutes long and the entire movie is an hour and a half, so yeah. The Thumbelina stuff is also creepy to watch, if not boring at times, but it’s worth powering through.

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Movies

A Complete History of RiffTrax Live

By Gavin Jasper

Movies

The Rod Serling Christmas Movie You Never Saw

By Chris Farnell

Once we return to Santa, we’re finally introduced to the Ice Cream Bunny. Words cannot do this justice. It’s a guy in a terrible rabbit suit driving a fire truck filled with kids when the guy most certainly can’t see what he’s doing and almost runs over a dog. There’s this really unsavory feeling watching what’s supposed to be a delightful movie for children and Bill kills it by adding a horrifying, demented laugh whenever the Ice Cream Bunny is on screen.

RiffTrax has two different versions of the movie. One is the classic VOD released in 2010, where the movie takes a lengthy break to show us the stuff with Thumbelina. In 2015, they did a RiffTrax Live edition with a different print of the movie. In it, the Thumbelina stuff was replaced with Jack and the Beanstalk. Comparing the two is a no-brainer as Jack and the Beanstalk is far more entertaining on its own and is 70s as hell. Plus the RiffTrax Live version includes several bonkers shorts beforehand.

“The sequel to The Ice Cream Bunny’s Amos and Andy!”

SANTA CLAUS’ PUNCH AND JUDY (1948)

The Idea: Santa visits a large group of children (orphans?) and delivers their presents, but one of them asks for a Punch and Judy puppet show. Santa uses his magic to summon such a performance to the delight of the children.

The Output: Have you ever watched a Punch and Judy show? Yeah, nobody goes out of their way to see one. There’s nothing all that wrong with the kids, Santa, or the setup in this short. The focus is just on what I imagine to be a skilled exhibition of puppeteering that hasn’t aged well. Just a puppet beating his girlfriend with a stick, as well as various animals, and we get a break where two minstrel show puppets have a boxing match. So yeah, fun for children.

“He’s like some horrible Soviet Bloc animated version of Santa.” “His nose looks like an infected thumb!”

THE SHANTY WHERE SANTY CLAUS LIVES (1933)

The Idea: A poor little boy live alone and in the cold, doomed to freeze on Christmas Eve. Luckily, he’s discovered by Santa, who takes him away to his own home, where the kid sees all sorts of wonders.

The Output: First thing’s first, the Santa Claus in this movie is rather horrific, one of the scariest of all the Santas in all of these movies, which is impressive for a cartoon. Despite being the title character, he only gets about a minute of screen time anyway. The rest is either the kid being depressed and cold or the kid watching yet another old-timey cartoon scenario where the toys just kind of do stuff and sing for several minutes until something resembling a plot happens at the end. In this case, the tree accidentally catches on fire and the boy has to help put it out.

The most striking thing about this short is the never-ending parade of racism. Lot of uncomfortable toys lounging in the shanty where Santy Claus lives.

“Ooooooh, I’m full grown, all right!” “Kids, if you ever hear someone say that in that voice, call the cops.”

MAGIC CHRISTMAS TREE (1964)

The Idea: A child befriends a witch around Halloween and is given a seed that will eventually sprout a magical Christmas tree. Not only does it talk, but it will also grant him three wishes! Unfortunately, the power goes to the boy’s head and his poor decisions put Christmas in some serious danger.

The Output: While it may not be the absolute best RiffTrax, it’s the best kind of bad movie for them to tackle. The movie is incredibly strange, but it gradually builds on it. In the beginning, it’s almost straightforward, but it gets more and more questionable as the minutes pass. For instance, there’s a scene where the main character’s family leaves to go Christmas shopping on Christmas Eve. The boy makes a wish to have ultimate power for a limited time (why a limited time? I don’t know) and uses his power to make it day and then goes around messing with people who are doing their usual daily routines, not at all aware that it’s supposed to be the night before Christmas.

Read more

Movies

The Best Alternative Christmas movies

By Mark Harrison

Movies

Disney+ Christmas Movies for Kids: The Best Family Films to Watch this Holiday Season

By Alana Joli Abbott

By the end, we have a greed-loving giant living in the mountains showing up out of nowhere. What Christmas movie isn’t complete without a greed-loving giant living in the mountains showing up out of nowhere?

“And in the second place, ice cream break was over more than an hour ago!” “Ah, kids love it when furries have labor disputes.”

SANTA’S ENCHANTED VILLAGE (1964)

The Idea: As a sequel/extension of the Mexican Santa Claus movie (more on that later), we see a village where Santa’s various helpers get toys ready for the holiday season. Unfortunately, Stinky the Skunk would rather take extremely long breaks, much to the chagrin of his supervisor, the Ferocious Wolf.

The Output: By “sequel” I mainly mean that the guy who made this had the rights to the Santa Claus movie and would occasionally toss in clips from it. The original footage in this short (and the two that follow) are incredibly low-rent, mainly in the form of the mascot costume characters and their terrible voices. Most notable is how the Ferocious Wolf is accompanied by loud, obnoxious accordion noises whenever he walks around. Which is a lot.

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Movies

The Best Christmas Movie Soundtracks of All Time

By Ivan Radford

TV

The Best Christmas Movies Available on Netflix

By Alec Bojalad

One of the true highlights is when the Ferocious Wolf visits Santa’s office and rants about how Stinky the Skunk is such a bad employee. Santa’s reaction is to just sit there the entire time, nodding and laughing his ass off like a lunatic. Which reminds me, the Ferocious Wolf complaining about his ulcer is – I kid you not – his catchphrase.

“Hey! Right here at this moment, this officially became the craziest thing ever made by man.” “Seriously, Merry Christmas, everyone. Merry Christmas.”

SANTA CLAUS AND HIS HELPERS (1964)

The Idea: The Ferocious Wolf, Stinky the Skunk, and Puss’n Boots get in a big argument and Santa is none too pleased. Watching from space along with his good friend Merlin, Santa decides to go give his angry employees a visit and set them straight.

The Output: This installment of the Santa’s Village of Madness Trilogy is easily the least coherent. Seeing the costumed characters is complete bedlam and even the riffers give up in awe of the chaos. Not only is half of the footage of this short taken directly from Santa Claus, but a couple minutes are taken from Santa’s Enchanted Village! But hey, no angry accordion music this time, so that’s something.

“Whoa! He’s got a face like a squid’s anus!”

SANTA’S MAGIC KINGDOM (1966)

The Idea: Puss’n Boots is the head of security in Santa’s Village and he confronts a visitor. It turns out to be a princess on the run from a giant ogre that’s out to destroy Santa Claus and end Christmas! Puss needs to gather an army together to face this beast and save Christmas.

The Output: So this giant ogre? They never actually show him. Well, except for a shot of a lame dinosaur statue that we see for a second. I don’t know if that’s actually supposed to be the ogre. Whatever. Otherwise, the narrative is just another fever dream filmed with the tiniest budget. Merlin ends up being the one to challenge the big monster and what a fight it is! I think. They never actually show any of it. We just hear them off-screen while everyone else reacts. The elves couldn’t even do that right.

“Ladies and gentlemen, a third-string ballerina on painkillers.”

SANTA CLAUS AND THE FAIRY SNOW QUEEN (1951)

The Idea: A six-inch tall woman called the Snow Queen visits Santa on Christmas Eve, but is annoyed to see him sleeping in her presence. As a joke, she gives life to a handful of nearby toys. The various toys dance and laugh, but are reluctant to be given off to children as lifeless gifts. Not only have they taken to being alive, but they’ve also grown attached to each other. Whatever will Santa and the Snow Queen do?

The Output: This whole thing is incomprehensible and it doesn’t help that the Snow Queen has a really thick European accent that you can barely cut through. The real star of this short is the Candy Lion. See, while you have understandable, recognizable toys hanging around like a toy soldier, a ballerina, a ragdoll, a Jack-in-the-box, and so on, you also have the Candy Lion. Described as a half-mummified Chewbacca, the dead-eyed toy stands around in the background for the most part and gets one memorable line when he excitedly brags to Santa, “I can eat candy!”

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TV

13 Craziest Interpretations of Santa Claus to Ever Slide Down a Chimney

By Daniel Kurland

Culture

The Beatles Christmas Messages Were Carols to Be Played at Maximum Volume

By Tony Sokol

The Jack-in-the-box is easily one of the more annoying characters in RiffTrax history, though. Goddamn that repeating freak. This is all hosted by Snoopy, a high-pitched “brownie” (which appears to be no different than an elf) who I’m not sure if I’m repulsed by or attracted to.

“My finger isn’t tired!” “Oh, God! What is he about to do?!”

SANTA CLAUS CONQUERS THE MARTIANS (1964)

The Idea: On Mars, children have become joyless and robotic due to the planet’s lack of fun and insistence on constant studying and good behavior. The only thing that brings them any happiness is watching Earth programs, such as news on this Santa Claus character. Afraid for the future of his planet, Kimar and his crew visit Earth to kidnap Santa (and eventually two children) and bring him to Mars so that he can spread joy to their world…whether he wants to or not!

The Output: While this movie may be on the IMDB bottom 100, I consider it a guilty pleasure. As I discussed when speaking with Kevin Murphy, I think at its core, Santa Claus Conquers the Martians is a great concept for a children’s movie. It has its own unique whimsy. Unfortunately, it’s hurt by bad, hammy acting and the kind of bad costuming and effects you’d expect from a movie like this.

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Movies

10 remarkable things: Santa Claus Conquers The Martians

By Ryan Lambie

TV

The Best Christmas Movies Available on Amazon Prime

By Alec Bojalad

Santa Claus Conquers the Martians is the only RiffTrax movie to also be featured on Mystery Science Theater 3000, Cinematic Titanic (the offshoot where the other MST3K cast members went off to), and RiffTrax, all with their own unique set of jokes. There’s a good reason for that. The movie is incredibly silly and ripe for mockery, yet at the same time completely and utterly watchable. The RiffTrax version features the movie in its entirety, rather than the abridged version from MST3K.

“Don’t you wish that your school bus looked like this?!” “Packed with bearded lunatics and flanked by grim clowns? No!”

FUN IN BALLOON LAND (1965)

The Idea: A little boy goes to sleep and dreams of a world of giant balloon people and other children to play with. After getting into a variety of adventures, he and a little girl watch a holiday parade filled with all sorts of balloon floats.

The Output: This 1960s nightmare is the perfect B-side to Santa and the Ice Cream Bunny. The first third of it is complete and utter nonsense. This little boy would just wander around a warehouse, stumble upon some kind of big balloon statue, someone would voice said statue by shouting from across the room off-screen, and then it would move on to a completely unrelated scene. There is a group of ballerinas who show up to dance for absolutely no reason. At one point the boy is inexplicably walking around in only a gold lamé diaper and Kevin wonders, “Is this movie even legal?” The boy proceeds to hit on mermaids and plays hide-and-seek with a lobster thing.

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Culture

25 Unsung Christmas Icons

By Gavin Jasper

TV

The Best Christmas Movies Available on Hulu

By Alec Bojalad

Then it becomes old footage of a holiday parade that lasts about a half hour and has more clowns and majorettes than I have ever seen in one place at one time. It’s pretty dry, but the woman narrating it is completely insane and the RiffTrax crew show absolutely no mercy in painting her as some kind of drunk lunatic. She ends the movie with a “guessing game” where she keeps changing the rules every three seconds and you don’t even know what the hell is going on.

“Still going? If this was a game of Ski Free, the Abominable Snowman would have gobbled them up hours ago.”

ZLATEH THE GOAT (1973)

The Idea: A boy named Aaron reluctantly has to bring his family’s prized goat Zlateh to the butcher in order to sell her. During the journey, the weather takes a horrible turn and Aaron and Zlateh are forced to hide out under a pile of hay for several days. The two form a bond that allows them to survive the ordeal.

The Output: This Hanukkah story is absolutely miserable. Despite being just a short, it feels like it goes on forever and pads itself out with many shots of the kid having to drag the goat through the snow. And you know how I just said that they form a bond that allows Aaron to survive? Yeah, that’s from him drinking milk directly from Zlateh. It’s nasty.

“It’s fun to make things of sugar. And they are good to eat.” “WHAT?!” “Just grab a slice of instant diabetes, kids!”

AT YOUR FINGERTIPS: SUGAR AND SPICE (1970)

The Idea: The At Your Fingertips series is all about arts and crafts using stuff around the house. Here, we see how you can use sugar to create festive Christmas ornaments. Through creativity and hard work, you can make decorating a blast!

The Output: The At Your Fingertips series is all about spending way too much time on ugly and insane crap that really looks far from fun. This Christmas-related one is no different. Things come off as less festive and more gross and unpleasant. And that’s before the children start eating pure sugar. Ugh.

“If she’s already sleeping, we might be able to see her dreams.” “We’re in, children. Let’s get ready to begin our Christmas inception. I won’t lie to you: we might have to shoot our way out.”

SANTA CLAUS (1959)

The Idea: In a Mexican adaptation of the Santa Claus myth, we see the jolly one as he spends the night delivering presents. Some children get extra focus for the movie, including a little boy whose parents don’t seem to have time for him and a poor, little girl who only wants a doll to play with. As Santa tries to make right by them, he’s vexed by Pitch, a devil sent to ruin Christmas for everyone.

The Output: This is another MST3K double-dip, but for good reason. It’s delightfully insane. See, Santa is already a nutty concept, but we get into Drunk History territory here where the people behind the movie don’t quite get it and his mythology gets even stranger in translation.

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Movies

The Strangest and Most Disturbing Santa Claus Movie of Them All

By Jim Knipfel

TV

The 12 Best SNL Holiday Sketches

By Chris Longo and 1 other

Did you know Santa is good friends with Merlin the Magician? Did you know that he has a burly blacksmith working for him? Or that Santa lives in space with little children from all around the world doing his bidding? Or that he regularly fights the minions of Satan?

The MST3K version might be better, but it is nice getting to see the full cut of the movie for once.

“Who and what are you?” “I am—“ “Meryl Streep. I am good in everything.”

A CHRISTMAS CAROL (1952)

The Idea: The Alastair Sim version of A Christmas Carol, otherwise known as Scrooge, is considered an outright classic. Perhaps the greatest telling of the Charles Dickens story of a hateful rich man realizing his own humanity thanks to being visited by ghosts. Here, we get to see the movie in its abridged form and get through it in minutes.

The Output: Listen, A Christmas Carol has a pretty solidified structure. Scrooge is a dick, his dead friend warns him, he gets led around by three other ghosts, and he comes out of it a better person. Abridging it simply does not work. Basically, Marley introduces him to the Ghost of Christmas Present and that’s enough to make a change. Bridget puts it best: “They edited the Dickens out of the movie!”

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Movies

A Christmas Carol: The Best and Worst Adaptations

By Robert Keeling

TV

The Most Disturbing TV Christmas Specials

By Wesley Mead

This short is part of Have a Mary Jo Christmas and a Bridget New Year, which is done by Mary Jo Pehl and Bridget Nelson instead of the usual riffers. It features some non-riff stuff in-between this and the following short…

“Man, I wish I hadn’t gone commando today…”

THE LITTLE LAMB (1955)

The Idea: During storytime, a group of children ask to hear a story about an animal while one girl wants to hear a story about Jesus. Their mother figures to cover both by telling the story of Jesus’ birth from the point of view of three shepherds. While two of them brave strong winds to save a lost, little lamb, an angel appears to them to tell them about the birth of Christ. They and their curmudgeonly associate go off to find the new king.

The Output: Honestly, this one isn’t all that bad, really. It’s a pretty solid production and the only part that really gets a rise out of Mary Jo and Bridget is when they warm baby Jesus’ body by laying the lamb next to him. It’s not the most memorable little short, but it’s fine for what it is.

Plus I’m always distracted by how much the guy playing Joseph looks like CM Punk. It’s downright uncanny in some shots.

“A real child’s actual tears! I know I’m ready for Christmas!”

I BELIEVE IN SANTA CLAUS (1984)

The idea: Simon is a bullied child whose parents have been kidnapped by African soldiers. Desperate to get them back, he and a friend sneak off from a school field trip and board a plane in hopes to find where Santa Claus lives. Alongside a Christmas Fairy (who looks an awful lot like Simon’s kindly teacher), Santa goes to Africa to rescue the captives. Meanwhile, the children are captured by an ogre.

The Output: Did any of that sound lucid? Because this French film is out there, man. It’s cute, but it also decides that being a kid’s movie means it doesn’t have to be logically coherent. You know, even though there’s an entire plot thread about African warlords kidnapping people. Kids like that stuff, right?

You know that, “I’m the captain now!” part of Captain Phillips? Imagine Tom Hanks replaced with Santa in that scene and you’re just hitting the tip of the iceberg of how bizarre this Christmas film is.

“Monkeys, you know, are very much like human beings in many ways. And sometimes they do the very same things that we do.” “Why, here’s a monkey Black Friday stampede!”

SANTA CLAUS’ STORY (1945)

The Idea: It begins with Twas the Night Before Christmas and ends with the, “Yes, Virginia, there is a Santa Claus,” speech. In-between, Santa tells two children about how monkeys also celebrate Christmas and have their very own Monkey Santa Claus.

The Output: Monkey Santa Claus. Really.

This short is barely being held together by a narrative. They basically have a bunch of footage of monkeys and chimps doing stuff and since this includes 20 seconds of a chimp wearing a horrifying Santa Claus mask and costume, they decide that there’s a Monkey Christmas and write everything around that.

Somehow, this was the sanest thing shown at the RiffTrax Live for Santa and the Ice Cream Bunny.

“Bricks on his face. Sure! He’s a dragon.” “All dragons have bricks on their face.”

THE TALE OF THE CUSTARD DRAGON (1965)

The Idea: Ogden Nash’s poem for children comes to life. A little girl has a pet dog, cat, mouse, and dragon. The dragon, named Custard, is a bit of a coward and only wants to be let alone. But then on one Christmas Eve, when his friends are attacked by an evil pirate, Custard has to stand up and save their presents.

The Output: The poem is acted out via a handful of kids in little Halloween costumes, including Custard being a dragon with a brick facemask. The short takes place in somebody’s den and aesthetically, the whole thing is a weird mess. Custard also straight-up murders the pirate, which makes sense on the page, but feels a bit off the reservation when we see a child viciously attacking an adult in a lame costume.

“AAAAAHHHH! Hannibal Lecter’s Christmas trees!” “Good God, he’s keeping them alive!”

THE CHRISTMAS TREE (1975)

The Idea: This short tells us the story of three pine trees who are cut down and go through the process of becoming Christmas trees. This means being sold, being decorated, enduring Christmas, and, sadly, being discarded. Shown in live-action, the trees are portrayed by mimes in tree costumes and facepaint.

The Output: It’s cute, but also bewildering. With zero dialogue, we watch these three guys mug at each other while Christmas stuff happens around them. As strange as it is by default, it loses its mind in the final minutes when we see the trees thrown in the garbage as they start to die. Not only do the trees-with-faces die, but we get to see their trees-with-faces ghosts fly up into the sky.

Tree ghosts. Yup.

“GAH! His face looks like a series of horrible wounds!” “That just started healing.” “What are the dots..?!”

SANTA’S CHRISTMAS CIRCUS (1966)

The Idea: Hey, kids! It’s time for Whizzo the Clown! This local TV clown has a special show in store for everyone as he and his audience of kids play around and pretend to be circus performers! Then they check out some motorized Christmas-based decorations before getting ready for the main event: riding a magic carpet and visiting Santa himself!

The Output: This one’s best summed up right after the opening credits end. As Whizzo walks out and mumbles loudly like he’s having an episode, Mike laughingly wonders if they’ve gone too far, knowing that the three of them are about to sit through some rough shit. While Whizzo certainly has energy and some kind of charisma, he’s also the poster boy for why people are frightened of clowns without having to go the easy serial killer route. No, he’s a friendly and jokey clown, but he’s also completely horrifying to look at.

This low-budget affair not only features Whizzo’s catchphrase of, “Now I have that to worry about,” but also the catchphrase of one girl in the audience loudly coughing throughout the hour. It’s incredibly uncomfortable to sit through.

“Yeah… Celebrate the nativity… That’s what daddy likes…”

GIFTS FROM THE AIR (1937)

The Idea: A poor boy wanders through the snow, enduring Christmas Eve without food, family, or toys. He comes across a toy store where a dancing toy soldier annoys the store owner enough to have him thrown out. The boy takes the soldier in to his humble home and his good deed is rewarded as the toy soldier happens to know how to summon Santa Claus himself!

The Output: Dancing toy cartoons with poor kids is nothing new for RiffTrax, but this one is certainly unique enough to be a must-watch. The moment Santa delivers the toys to the little boy, it becomes complete and utter madness. It’s a bunch of bizarre toys who talk like what appears to be 1930s celebrities. Like there’s a goat that sings like Bing Crosby, so even though I know who Bing Crosby is, that doesn’t make the toy goat make any more sense.

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Movies

MST3K Turkey Day: The Long History of Mystery Science Theater 3000 and Thanksgiving

By Gavin Jasper

Culture

Best Holiday Gifts for Geeks in 2020

By Chris Cummins

The highlight is when a Santa Jack-in-the-box pops out and tells another toy something so indistinct that Mike notes, “‘How the hell are you, scramble puss? Smelly Christmas to you,’ is what I heard.”

“Well. This place looks cozy. I LIVE HERE NOW!”

SANTA CLAUS’ WORKSHOP (1930s)

The Idea: Once again, we get to see how Santa Claus performs his duties. From his home in the North Pole to the home of a nice middle-class family, we see Santa get letters from kids, fly on his sleigh, and deliver the presents themselves. We also get a look at the family in question, who celebrate the holidays via singing a lovely rendition of “O Come All Ye Faithful.”

The Output: It’s your usual fare on this one and not too much that sticks out. That’s not to say that it’s meant to be skipped, as Kevin singing “Pretty Woman” over “O Come All Ye Faithful” makes this worth the dollar.

The one part of the short that makes it seem off is the revelation towards the end that Santa doesn’t simply fly across the world to deliver presents in one go, but instead flies back and forth for every single household. I mean, Santa can only carry so many presents in that sack of his, right?

“And so, they started out together, not realizing they were being followed.” “Well, they were easy to track…thanks to a long trail of spunk.” “DAMN IT, KEVIN!” “(Sorry.)”

SPUNKY THE SNOWMAN (1958)

The Idea: When a group of children write a letter to Santa, it’s up to their newly-created snowman Spunky to deliver it to Santa himself. Spunky and the little dog Jeff go on a quest, only to be opposed by a fox, an owl, and a wolf. Each creature wants to steal that letter and bring it to Santa, figuring that they can then steal the gifts. Spunky and Jeff are soon aided by a bear, but can even he keep them safe?

The Output: The guy’s name is Spunky. You know exactly what kind of jokes you’re getting the second you see that title.

Otherwise, it’s an animated story that tries to be whimsical, but is really just nonsense. It takes a bunch of Christmas cliches like magic snowmen, letters to Santa, talking animals, and desire for Christmas trees and badly pastes it all together into a confusing package.

“When you’re not shaking that over our heads to make us work, you can hobble around on it and enjoy your sciatica!” “A zinger from TV’s Frank!”

BEYOND CHRISTMAS (1940)

The idea: Three old rich men feel lonely during Christmas night and one comes up with an idea of throwing wallets with $10 bills out onto the sidewalk and inviting anyone kind enough to return them to enjoy dinner with them. The gambit pays off and leads to a romance between a Texan with a golden voice and a schoolteacher. Unfortunately, tragedy strikes the old men and they have to help the couple out from beyond the grave.

The output: This movie (originally known as Beyond Tomorrow) is actually pretty damn good. It’s a little sluggish in the second half, but it’s original, has some likeable characters, and never really gets too stupid. Even Bridget and Mary Jo find themselves getting invested in what’s going on when they should be telling jokes. With them, it feels more like you’re watching a movie together rather than just watching them rip it apart.

Personally, I think it would make for a better Christmas movie if the first act took place during Thanksgiving and built towards an ending happening during Christmas. Might have made the supernatural and uplifting stuff pop more.

“Seriously, what the Hell is going on with the mitten tree?!”

CHRISTMAS CUSTOMS NEAR AND FAR (1955)

The idea: As some children prepare for a Christmas pageant, one asks their teacher about the origins of the Christmas tree. This leads to her explaining how children from different countries celebrate Christmas in varying ways.

The output: As we all know, different = funny. While some of the customs might be normal, it doesn’t help that most of them are depicted by children dressing up as foreigners while standing in front of a curtain. So it’s a Christmas pageant within a short about the attempt to rehearse a Christmas pageant. Crazy.

Through the short, we get to see a weird kid dancing around in an elf hat, a Christmas tree covered in mittens, and a thing about how kids in China do a big ceremony to celebrate the events of Christ’s birth.

“Whaddya know?! Armed and dangerous!” “None of my quips are funny but some…make very little sense!”

JACK FROST (1997)

The idea: Not to be confused with the Michael Keaton family film from the same time, Jack Frost deals with a serial killer who escapes captivity, only to be seemingly vaporized by a chemical spill. In actuality, he survives as living snow and uses his new form to attempt revenge on the police officer that arrested him in the first place. Even when the officer and his family know what they’re up against, they don’t even know if there’s a way to stop him.

The output: I remember renting this baby back in the late-90s and, hoo boy, it’s a lot worse than I remembered it being. As a horror villain, Jack Frost wants to be like Freddy Krueger or Chucky, where he kills his victims while belting out memorable one-liners. The problem is, everything he says falls flat or is complete nonsense. He constantly stumbles on his own attempts at charisma.

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Movies

MST3K: The Landmark Episodes of Mystery Science Theater 3000

By Gavin Jasper

TV

Doctor Who: The Weird Anomaly of the 1965 ‘Christmas Special’

By Andrew Blair

Despite taking place in a town in winter that’s supposed to support the existence of snowmen and sledding and the like, it’s obviously taking place in a hot and sunny area with weak attempts to hide it.

It’s still better than the sequel, which was one of those cringeworthy “intentionally bad” gems.

“God… Oh no, have they been hypnotized?” “I…I…I think it might be a cult. They’re quietly chanting to that tree right now.” “…I think the tree might be marrying them.” “This is horrible!”

A CHRISTMAS FANTASY (1962)

The Idea: Two children admire their Christmas tree before falling asleep on the couch. As they dream of trees in the winter, Santa Claus appears to deliver gifts. It’s only just over five minutes, so there isn’t much happening here.

The Output: Despite its short runtime, this one really meanders. The way the kids stare at the tree like they’re about to be murdered by the Blair Witch. The endless shots of trees with no leaves on them.

The money shot of this short is when Santa shows up. Rather than just get a guy to wear a beard and call it a day, they instead have him wear a mask. It seriously looks like Leatherface is pretending to be Santa here and it’s HORRIFYING. As the guys put it, even Krampus is freaked out by this Santa.

“Santa, I wrote you a new song!” “Oh, good! A song! That’ll get me hammered.”

A SONG FOR SANTA

The idea: A trio of lost boys find themselves in a church and sit down to enjoy the warmth and chorus. One child nods off from the music and finds himself in Santa’s domain, where he offers to create a new and original Christmas song to delight Santa and his angels.

The output: The first half is normal enough, despite little of interest happening. Right when the Santa stuff happens, things get weird and creepy. Instead of elves, Santa has little girls dressed as angels and disturbingly leers at them like there’s no good that can come out of whatever’s happening. The boy’s attempt to write Santa a new song goes nowhere, as he just sings him an old song with the justification that, “I didn’t know this song until now, so it must be new to you too.”

This is another one of those oddball shorts or movies where there’s a framing device that’s forgotten about. The boy never wakes up from his dream or anything. It just ends with him hanging out with creepy Santa and his underage harem.

“Spirit…tell me if Tiny Tim will live.” “I see an empty chair in the chimney corner.” “Oh, so he not only lives, he walks?!” “No!” “It’s a Christmas miracle!” “No, no!”

A CHRISTMAS CAROL (1959)

The idea: I explained Christmas Carol earlier. Luckily, we finally have a version that’s the full story and not abridged like what Bridget and Mary Jo watched.

The output: This one’s by Coronet Films, meaning it’s old as hell and feels cheap. To its credit, despite running at just over 20 minutes, it tells the complete story without feeling rushed. It just feels a bit under budget, what with the limited quality in costumes and several sets being some props on a fog-filled sound stage.

Still, it’s A Christmas Carol and you have to go out of your way to do a bad job with that. This one’s still fairly watchable, even if the riffs are well-deserved.

“This isn’t so much A Miracle on 34th Street as it is A Horse Who Took a Dump on 34th Street.”

SANTA’S SUMMER HOUSE (2012)

The idea: A group of travelers get lost in a fog and end up at the doorstep of a kindly couple who allow them to stay in their mansion for a couple days. Little do these visitors realize that their hosts are none other than Santa Claus and his wife! The two try to use their wisdom and magic to improve the lives of these visitors and mend their relationships.

The output: This piece of shit is written and directed by the same guys who gave us A Talking Cat!?! It even takes place in the same house. At least with Talking Cat!?! there were two separate houses used. Here, it’s just the one.

It’s a hell of a lineup of actors. Mrs. Claus starred in RiffTrax target Honor and Glory. The egomaniac scientist guy in this movie is the JCVD knockoff from MST3K’s Future War. Santa himself is played by Robert Mitchum’s son. Even though he isn’t all that overweight and doesn’t have a beard, he’s still identified as looking a lot like Santa.

The movie is just bad dialogue said by bad actors, occasionally broken up by wipe edits featuring Christmas Clip-Art. It never reaches Talking Cat!?! levels of batshit, but it’s still stupid as a pile of rocks.

“They’re buying a brother?!”

CHARLIE’S CHRISTMAS SECRET (1984)

The idea: A young Seth Green plays Charlie, who feels that he’s outgrown Christmas. The commercialism does nothing for him and makes him feel hollow. At first, his instincts are vindicated when he comes across various others – a bitter, old woman, a poor single mother, and a scheming homeless man – but soon he realizes the meaning of Christmas by putting their needs first.

The output: Again, this one is halfway decent. All in all, it tells a really sweet story. It just happens to have a few awkward aspects to it. The whole thing has subtitles and they almost never match what’s actually being said, instead going for the simplest way of conveying whatever thoughts. Like instead of saying, “No thank you, I’m not hungry right now,” it would just say, “No.”

The most questionable part of this special, and something that I’m glad is called out by the riffers, is that Charlie apparently has to buy his own Christmas gifts. Part of the plot is that he has his eye on a stereo and instead of asking Santa for it or having his parents buy it for him, he has to save up the money from his paper route, get the stereo, and then have his mother wrap it and place it under the tree.

What the Hell?

“No. No way. There’s no such thing as Santa Claus. You’re just someone in a Santa suit.” “That’s why YOU never get anything for Christmas!” “Also, ’cause you made Feeders!”

FEEDERS 2: SLAY BELLS (1998)

The Idea: Previously, aliens invaded and feasted on a handful of confused and horrified Earthlings. Now a second UFO has arrived to conquer again, this time with its aliens creeping around and causing havoc through a suburban town. As one family gets ready for Christmas, they gradually come to realize how doomed they truly are.

The Output: RiffTrax was kind of slick on this one. On Halloween of 2019, they put out a riff for an utterly terrible low-budget piece of garbage called Feeders, which is about a bunch of laughable alien puppets invading Earth and killing some of the ugliest people to ever show up on film. Then, just a couple months later, they released a riff on its Christmas-themed sequel.

While I do suggest watching the first one, you won’t be too lost if you don’t. A survivor from the first movie goes about summarizing the first movie’s events in a series of loose framing devices that aren’t directly connected to the rest of the movie. It is pretty funny on its own, though, because a character who died in the first movie and is featured prominently in the flashbacks is played by the very same guy who is the protagonist of this movie.

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Movies

The 16 Best Winter Horror Movies

By Daniel Kurland and 3 others

TV

The Twilight Zone Marathon: A History of a Holiday Tradition

By Arlen Schumer

Not only does the climax take place on Christmas Eve, but Santa gets involved! Santa, who for some reason sounds like Homsar from Homestar Runner, is attacked by aliens (who look even worse than in the first movie) and proceeds to be the secret weapon in saving the world. He’s up there with the over-the-top boss character and the silliest-looking dead cat special effect in reasons why you should watch this one.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

“And now I will read you this editorial.” “‘The Rent is Too Damn High!’ by Virginia O’Hanlon”

YES, VIRGINIA, THERE IS A SANTA CLAUS (1974)

The Idea: A young girl, teased by her classmates, wonders about the existence of Santa Claus. Various adults try to assure her of his existence despite admitting that they’ve never actually met him. She ends up writing to the newspaper and asks them. Egged on by an ambitious paperboy, the newspaper’s editor decides to publish his response for everyone to read.

The Output: Imagine watching a Peanuts special that features absolutely none of the Peanuts cast and is at about 75% the quality. That’s what this cartoon is. It’s also very dull, what with them trying to add a narrative to the whole newspaper editorial.

There is some real heart in it, but it doesn’t work as a whole. Probably my favorite part is when the “Yes, Virginia” editorial is read out loud. Despite the simplistic animation, the people’s reactions are emotional. Some kids seem humbled. Some adult couples embrace. Then all of the sudden, the local Irish cop character does a happy jig that probably cost them half the animation budget.

“All of this was in Dickens’ first draft, by the way. Even the goofy music.”

BANKS: THE MONEY MOVERS (1977)

The Idea: Due to his familiarity as a popular literary character, Ebenezer Scrooge (er, Arthur Scrooge?) is used as a window to help people learn about how banks work and why they are a worthwhile place to put your money. As a stand-in for the viewer, Scrooge learns about deposits, withdrawals, interest, loans, and other aspects of the business.

The Output: This is all explained via a version of Christmas Carol where Scrooge is taught a lesson by ghosts for being stingy with his money. Namely that he keeps it in his mattress. As Mike points out, it’s incredibly messed up that Marley is suffering eternal damnation because he never got a Wells Fargo account. I get trying to map your lesson onto a preexisting story, but think it through a little!

Also wild in this is how despite his old-timey appearance, Scrooge exists in modern times and is even seen using a check to buy a motor scooter. It’s completely inane, but at least the guy playing Scrooge seems like he’s having a fun time.

“The birth of Jesus Christ, ladies and gentlemen. That’s what it’s all about.”

ALIAS ST. NICK (1935)

The Idea: As a family of adorable mice get ready for Christmas, a scheming cat decides to get through their defenses by dressing up as Santa Claus, delivering their gifts, and then devouring them. His plan appears to be working extremely well, but there’s one mouse child who doesn’t believe in Santa and is quick to see through his disguise.

The Output: Although the guys don’t bring it up, it’s kind of odd that the kid who spends the whole cartoon being loudly and annoyingly skeptic about the existence of Santa Claus is absolutely 100% vindicated. There isn’t some kind of last-second evidence of Santa or something. It just ends.

Otherwise, this is just your average off-brand Looney Tunes cartoon. Probably the most bizarre moment is when the cat puts together his Santa costume and strips a doll naked to make his beard.

“And now the ancient tradition of giving a present to Tommy Lasorda.”

DECEMBER HOLIDAYS (1982)

The Idea: A narrator explains three of the bigger December holidays: Posadas, Chanukah, and Christmas. Through what appears to be fly on the wall footage, various families celebrate these holidays with their festive traditions. The narrator tries to educate the viewer on the families’ behavior and how it relates to the origins of the holidays.

The Output: I mean, that’s…pretty much it. There’s nothing wacky about this short. It’s pretty dull, but it’s a decent enough target for Mike, Bill, and Kevin. Sometimes you don’t need an Ice Cream Bunny to have a good time.

“When are you planning on going back to Florida?” “I think we’re going to wait until you have your baby. Just want to make sure you’re okay.” “And that you don’t give birth to a CGI vampire baby.”

BABY OF THE BRIDE (1991)

The Idea: A made-for-TV movie starring Rue McClanahan is actually the second in a trilogy about a dysfunctional, all-grown-up family filled with all kinds of interpersonal problems. In the previous movie, Margaret Becker married a much younger man and it took her children some time to adjust. Now things are getting crazy as not only is one of her daughters pregnant, but Margaret is pregnant too! She, her new husband, and her four kids all have to deal with a ton of drama, which all culminates at midnight mass!

The Output: This is another Bridget and Mary Jo installment and the two have a habit of tackling movies that aren’t so much the worst thing ever, but are too corny to ignore. That’s Baby of the Bride, pretty much. It’s very much a watchable movie, but it’s also a movie about Blanche from Golden Girls being pregnant, which is buried among all kinds of different subplots about how dysfunctional her family is. This family collectively gets divorced more than they get their cars’ oil checked.

The whole narrative is about eight months long because of the whole double pregnancy thing, but the climax is during Christmas Eve, so I guess it ultimately counts as a holiday movie. It just takes a long time to get there.

“I think this guy was a boss in Cuphead.”

THE SNOWMAN (1932)

The Idea: Somewhere in the arctic, an Inuit child and his animal friends enjoy their slightly-less-chilly summer by building a snowman. After happily putting it together and throwing snowballs at it, the snowman comes alive and goes on a rampage. Can the child destroy what he created before the malevolent snow beast goes too far?

The Output: This cartoon is all over the place and is one of the absolute best holiday shorts RiffTrax has commented on. So much crazy shit is compressed into this package. Snowman buttcracks? Check. Jimmy Durante impressions? Check. Penguin church? Check. I won’t even spoil how the snowman is defeated other than saying that it’s completely ridiculous and makes zero sense.

Still, it’s better than that Snowman movie with Harry Hole getting all the clues.

The post RiffTrax: A Guide to Christmas and Holiday Episodes appeared first on Den of Geek.

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[katkonstant]

Harrow the Ninth: Act 1 Analysis - Local Bone Lady Newly Single and Ready for Mental Breakdown

I am so scared! so confused! and so turned on by the sepulchered mystery of Harrow the Ninth’s Act 1! And because it’s quarantine time, it’s organizational mapping and near-obsessive theorizing time baby. 

I’ll warn you: this got LONG. 

Spoilers galore. 

This post is to try and organize my own thoughts as well as preserve in time that I don’t know shit when HTN finally hits. All to answer the big question: What in the necro-hell is going on? Here’s what we know as fact:

Gideon the Ninth was about Harrowhark Nonagesimus, Reverend Daughter and Badass Emo Princess, and her not hugged enough but grinning through the pain sword lesbian cavalier, Gideon Nav. A catalogue of their romp of death in Canaan House.

Harrow the Ninth is currently cataloguing two things: (1) Harrowhark Nonagesimus, Reverend Daughter and Mentally Unstable Concussion, and her cavalier, Ortus Nigenad and their guided tour of Canaan House. AND (2) Harrowhark Nonagesimus, Baby Lyctor, aboard His Imperial and Unending Magic School Bus.

Similar to @Siadea‘s wonderful post (x), I am all aboard the Timeline Fuckery Theory (TFT). Operating under the TFT, I will refer to our cast of characters accordingly. To summarize the TFT, the major point is thus:

In the prologue of Harrow, I think the Harrowhark of Gideon the Ninth (hereby Harrow1) settled in, swan dove into the River, somehow backstroked in time to when she woke up on the Emperor’s ship, and then she resurfaced (with Ianthe’s help), stripped of all memory&detection involving Keyword:Gideon. 

Gideon  [ORTUS]

It appears Harrow1 has programmed Harrow2 with a find+replace formula for ‘Gideon’ and replacing it with ‘Ortus’ on a pure, sensory input level. I have NO idea how she (or something else) did this. Prologue Ianthe Tridentarius telling Harrow, “I know what you’ve done, and I know how to reverse it” makes me think Harrow did this to herself. 

It scrubs the past as well as the present. Proof - (1) When Harrow2 gets the Emperor’s invitation to Canaan House, we gather from context that Ortus asks her if she’s considered someone else. Only we read it as Ortus saying, “have you considered ORTUS NIGENAD?” AND THEN THE SCENE STARTS OVER, but rewound to moments before. Like a glitch in the Matrix; (2) The Emperor’s lips distort when he says “Ortus Nigenad did not die for nothing” and is confused when Harrow2 says it back to him; (3) When the Emperor later says the name of the third Lyctor ‘Ortus’, Harrow2 starts bleeding from the ears and passes out.....We’ll get to him in a sec.

The three syllables Prologue Harrow dies on: Could be ‘Gideon’ and the mark of her successful mindflaying from recognizing the word. Could also be ‘Alecto’. Hell, could even be ‘Nigenad’. Inconclusive.

The Chilly Weirdo Harrow Has the Hots For (alternatively, who tf are you?)

The Lady of the Locked Tomb is appearing and disappearing in Harrow2′s mind, both at her recall of Canaan House and in her (current?) stay with the Emperor. 

She has Griddle’s Eyes. As we’re familiar with the lyctors, we know that when their cavs are “eaten”, necromancers’ eyes change to their cavalier’s colors. OR the Lady has simply taken on Griddle’s eyes to put Harrow2 at ease.

She has the voice of who Harrow2 needs to hear. We’ve heard the Lady sound like Pelleamena (Harrow’s mommy dearest), Crux, and Aiglamene (Captain of the Ninth guard). Both of these are people who loved Harrow1. 

These characteristics ^ lead me to believe that the Lady can see Harrow1′s obsession with her and is either Manipulating Harrow2 by manufacturing her voice and eyes, or is genuinely trying to love Harrow2 in return. (She may have been present for Harrow’s entire life. See my Ch.3**)

What does she want from Harrow2? --> I think, without support or proof, that the Lady wants to Rise Again (as villains entombed are wont to do). As she doesn’t have a corporeal form, she’ll likely need Harrow’s help. Underlying idea being: the Emperor dies when his Unholy Other Half returns. It would be a little contrived to have the “beautiful lady revealed to be the big bad” device be the GTN and the HTN twist but we’ll see. 

Interesting point: The Lady doesn’t like His Holy Frumpyness & Co. “Lie. Lie now.” She’s either protecting herself further down the line, or the Lady thinks that Mercy would have harmed Harrow2 because of this info. It’s possible this is the same interest if she needs Harrow’s help to free her. 

Now Let’s Talk about Swords

AKA the sexiest part of this dissertation. 

Harrow the Concussed is carrying Griddle’s Two hander. Not just any two hander. It is in fact and distinctly, Griddle’s sword. This is supported by (1) Harrow2 was given the sword by the Emperor “as a gesture” implying he knows Griddle and the sword’s significance to Harrow1. And (2) The severe physical reactions Harrow2 has to the sword’s loathing. In GTN Harrow1 mentioned to Griddle, “I have always felt like that sword hates me”. (this in and of itself is mystifying but I’ve got bigger occult fish to fry)

Either Griddle’s Sword or Cytherea is alive. The fade to black of Harrow rekilling Cytherea is a mystery within a Christmas light tangle of other mysteries and I’m not fucking with it. BUT. There are Five lifeforms aboard the ship that traversed the River: Mercymorn, the Emperor, Ianthe, and Harrow. Harrow2 tells us that the Body/the Lady isn’t in sight. That leaves inanimate objects: Cytherea’s body, or the two hander that hates Harrow. 

Harrow2, the Concussed, is not carrying a rapier. Only in the Prologue does Harrow have a rapier on her hip. Ortus the Alternate cav carries a rapier. See the next theory for why this is significant. 

The Events of Canaan House Two are Not Real. 

These are my weakest theories. They’re all weak, but these ones are chief weaklings. The Time Fuckery Theory’s biggest snag is ‘Canaan House: What’s Real?’, and I think only the events with Harrow2 on the ship with Ianthe are actually occurring. 

I think someone is soul/spirit guiding Harrow2 on this Canaan House Round II to show her something. Proof: (1) The repeated “Is this how it happened?”/”This isn’t how it happened.” Clearly indicate that this IS a repeated experience for Harrow, and not the original. (2) Ortus glitches a bit, looks at Harrow2 and says “You never did have much of an imagination.” Someone who knows Harrow1 made him say this. I think. (3) If we count who possibly could spirit-guide Harrow2 on this quest, we have to find the denominator candidates: the only people who knew Harrow1 at Canaan House and at Drearburh are Gideon, and Harrow1 herself. And - if the Lady really has been following her around, the Lady of the Locked Tomb. (4) This theory cannot account for the strobing red egg hallucinations on paper Harrow2 is being delivered. 

Second explanation: it’s all happening in Harrow’s head, and Harrow1 is the spirit guide. In support: There is a surprising amount of explanation and character depth from Ortus. I believe Harrow1 knows Ortus enough from childhood to be able to project him onto Harrow2 this way. 

Third explanation: Because the people Harrow2 is interacting with are all dead, it’s microscopically possible Harrow2 is tripping some soul-shrooms in the River and having the souls of Canaan House teach her something via flashback. In support: Prologue Harrow says five pairs of eyes close to submerge into the River, but hers would not open again. Incredibly vague, but could mean she was going to be spending a significant amount of time in the River. This theory is unlikely, as Harrow is a bone adept. Souls are squishy and freaky to her. Unlikely also from what we saw of the River. Ie; the River is an inhospitable predator which ripped Cassiopea apart and scares the hell out of Mercy and the Emperor. Not an ideal destination spirit-walk vacation spot. Plus, the only clear reasoning we get from Harrow about why she’s descending into the River is because she knows she’s going to die (although she tells Ianthe she has no plans to die)

Things to Note: (1) Teacher immediately spills the Sleeper beans, lets the laboratory cat out of the bag, and unmasks the key mystery. I think who/whatever is guiding Harrow2 around makes this happen legitimately just to save time. (2) Harrow2 is learning things from Ortus, Teacher, Abigail Pent, etc that Harrow1 and Gideon didn’t know.

If the Events of Canaan House Round Two ARE Real. 

If the Great Value Canaan House timeline is actually happening and are physically influential, the implications are fucking vast, because now we’re considering the multiverse of how time works. I am not about to get into that shit because I do (contrary to this post’s existence’s suggestion) have a life, and I don’t feel like rededicating it to the theory of relativity and time dilation. 

The biggest question though would then become: How would events have unfolded if Ortus had gone to Canaan House and not Griddle? The only conclusion to that is: everyone would be dead and Cytherea would be alive. Which does not jive with the happenings of Emperor Frizzle’s Magic NecroBus and Harrow2 (many are alive, and Cytherea is dead). It could be that Cytherea is, in fact, alive and needs re-killing via the Act 1 end of Harrow2 stabbing her. I can’t say.

What does freak me out about Canaan2 is Harrow herself. 

Not her insanity, mind you, but the fact that Harrow2 is hilarious. She’s always been acidic and funny, but Harrow2 is crude and funny. This is very, very bad. She makes a remark about the term ‘bone frenzy’ that Ortus says only someone who’d prefer ‘prurient magazines’ would think of. Can anyone guess who might be more incline than Harrow to prefer prurient magazines? Say a messy sword necrolesbian with a subscription to Frontline Titties of the Fifth?

Harrow2 is also not chasing Palamedes Sextus around the grounds of Canaan House in a near-suicidal race to Lyctorhood. 

Not only is she not working herself to death, but Harrow is doing the opposite: she is socializing. With the Fourth and Fifth! She’s caustic and rude while she does it, but she’s still spending time around them for whatever reason. 

All these behaviors are Griddle behaviors and they make. me. nervous. 

Is Harrow2 Actually a Lyctor?

Harrow’s Dramatis Personae section lists ‘Harrowhark the First’ with a huge and glaring and delightful redacted section below her name. If someone truly had the time, I’m sure they could sleuth out the layers of the censorship and find out what it says. However, it’s plain that the underlying text does NOT say ‘Gideon Nav, her cavalier’. So we’re left with more questions - who or what died to give Harrow her power? .....As a point of interest, it looks like the original writing has been overlaid with even more text. 

Ortus’ eyes were black - the same shade as Harrow’s. Harrow2 wouldn’t be able to confirm or deny that she had successfully eaten her Canaan Redux cavalier.

In the prologue, Harrow1 calls herself “half a lychtor” implying that either 1) she’s simply not trained, or 2) something went wrong in her lyctorhood creation

And then we have this weird Chapter 3** internal narration of Harrow2′s childhood without Griddle. And she’s.. absolutely bananas. She grows up a ghoulish, lonely, nut job. But she still says she had committed the indelible sin halfway. That she hadn’t been able to choke him (Ortus) down. 

Her manifestations of power don’t add up. First, Ianthe (undisputedly a lyctor) shoves Babs’ knife through her hand and has no problem with it, or healing right up. Harrow2... isn’t so lucky. Prologue Harrow is also in the process of dying. Conversely, while in the River, Mercymorn dismisses the idea that Harrow2 could possibly be using theorems and freaks out when she discovers Harrow can. Conclusion being: Either Harrow2 is incredible weak, or incredibly powerful but untrained, or she is Something Else Entirely*.

Harrow2 isn’t experiencing lyctoral indigestion. Cytherea tells Ianthe right after she eats Babs, “I can see him fighting you. Mine [meaning her cav, Loveday] came willingly, and it still hurt for a century.” We know Babs still fights Ianthe in HTN, as her eyes are usually swapping shades. It’s not something Harrow1 or 2 mentions as a problem. 

* My working theory is that Harrow2 is kind of lyctor-ish and being protected by the Lady, the Sword, or Griddle (who might be incarnate in either).  

Side note: It might be too far into the weeds to wonder about but I want to know what pregnancy would do to a lyctor. If we follow the Die Young but Beautiful and Powerful practices of the Seventh House, Dulcinea’s family uses their crappy genes as internal combustion engines: cells dying within them allow a perpetual source of thanergy. On the opposite end of that same theory, a necromancer constantly producing thalergy (life and cell growth) should therefore be significantly weaker, right?

This^ is only relevant when considering the other theory:

Papa Gideon [ORTUS] knocked up a fellow Lyctor. 

While it would explain the creepy “egg” texts Harrow2 is hallucinating, as well as why Cytherea spared Griddle multiple times at Canaan house, I doubt this theory for a few reasons: 

Of the available lyctors able to carry children, there is Cassiopeia, Anastasia, Mercymorn, and Cytherea. We only know Mercy and Cytherea.

It’s strongly implied that Cytherea and her cav, Loveday, were in a relationship. Since Loveday is technically still inside of Cytherea, I doubt she wanted to date around. 

The Emperor strives to present the Lyctors as siblings. This a) props himself up as the holy and imperial papa bear to guide and govern them, b) perpetuates the eternal and indestructible bond of siblings, and c) kills any idea of inter-lyctoral hooking up. Can you even imagine the destruction a Jersey Shore: Unholy Power bar fight would wreak?  

I’m not fully convinced Lyctor Gideon [ORTUS] is Griddle’s father. While it would make sense in terms of stature (Lyctor G/O is a single rippling muscle and Griddle’s biceps are... noteworthy), Silas Octakiseron told Gideon that her mother had hair just the same shade as her (source: Sister Glaurica’s toiling soul). Could be that Griddle’s Mom’s soul screaming “Gideon!” was her calling for the Lyctor, her brother/other relation. 

However, I DO believe Griddle is... more than. She wasn’t killed by the nerve gas, and Harrow2′s eyes are not Griddle Gold. 

As a second side note, Lyctor Gideon [ORTUS]’s cav was named Pyrrha Dve. This is exciting to me because of my slutty fandom tendencies and because a name like ‘Pyrrha’ begs for Tragic Backstory, and I’m here for it. Also, I want more interaction with Augustine as he’s who Ianthe says “won’t come save” Harrow. Eye emoji.  

Alecto

As far as I’m aware, there are no solid leads on who or what Alecto the Ninth is. Casting about in wildly unwarranted guesswork, I can throw a few baseless theories out; 

Alecto is Griddle’s truer name (possibly birth name or even what she’s called if when she is brought back);

Alecto is the Lady of the Locked Tomb; 

Alecto is the Emperor’s Cav. In Harrow’s ‘Dramatis Personae’, The Emperor is listed as well as his lyctors and their cavaliers. Except, the Emperor does not have a deceased cav. He has “A.L.”, his guardian. A.L. =Alecto, mayhaps?; 

Alecto, a combination of (2) and (3). The Lady is supposedly the Emperor’s death and who he could not kill twice. If she were his ‘guardian’ she would be a) more powerful than him, and b) someone he was emotionally attached to which he couldn’t bring himself to kill again. 

Things I Cannot and Refuse to Account For:

Ianthe Tridetarius became a sewn tongue as a favor for Harrow1. Wtf. 

Ortus Nigenad’s self-insert cavalier epic of Matthias Nonius. Wtf. 

**The entirety of Chapter 3 is either true or it’s not. Wtf was that shit.  

The psychotic “You lied”/”Egg” texts Harrow2 is hallucinating. Wtf.

This is.... all probably incorrect, and I applaud you if you made it this far. I could keep going, the material of Act 1 is that dense. But in answer to The Great Big WTF that is Harrow Act 1 - my theory is simple. 

TLDR; I think Harrowhark Nonagesimus is tearing down the laws of the universe to bring back Gideon the Ninth.

[snkpolls]

SnK S3E13 Poll Results (Manga Reader Version)

The poll closed with 539 responses. Thank you to everyone who participated!

Please note that these are the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

RATE THE EPISODE 534 Responses

WIT kicked off the arc fantastically according to the viewers! This episode got overall positive reviews, with 95% of respondents giving it a 4 or 5 rating.

An ideal opening episode in my opinion!

Incredible start for possible the best season yet ♥

Awesome opening episode to set the stage for the arc to come. Pacing was just right, imo.

HYPE MY SOLDIERS

I think it was a great ep and did pretty well with the chapters it adapted. The dialogue was there and so were the scenes, the ending hyped what is coming so much so I'm already in love!

Lack of creavity when it come to the OP and ED visuals, but the ep overall was good.

The soundtrack slaps, voice acting is on point, and the animation proves to be very promising. Overall, it's a great episode to start off the second cour!

Awesome episode with awesome soundtrack.

One of the best episodes of the whole series, which was surprising.

RATE THE OP 533 Responses

Overall respondents liked the new Linked Horizon opening, which was a great summary of the current arc, but overall it fell flat as a song that most would be willing to label as their favorite.

OP depicts the upcoming battle well!

Great adaptation, just wish the opening was a little more original

It is the worst OP of all. The song is disappointing; it sounds like typical, boring song from random shonen series.

The opening definitely had some parts to it that felt recycled from previous openings, but I guess it's just Linked Horizon's way of linking them all together.

SPACE OPERATION RAINBOW!!!

To me it looks like they ran out of time to make an OP so they slapped a green filter on what they had done already.

RATE THE ED 530 Responses

The 104th-centered still-frame ED has some mixed reviews with most of the fandom sitting somewhere in the middle between loving and hating it. Respondents overall are leaning more toward the positive, however.

ED is perfect with the time skip just over the horizon

WE GOT A FEW NEW SAWANO TRACKS. HOW ARE YOU FEELING ABOUT THEM? 530 Responses

Well over half the fandom are already pumped for new music from the series’ composer Sawano Hiroyuki! A whopping 76% already feel that he’s killing it. 22% need more time to decide how they feel. A small sliver of respondents don’t really care for the OST. Who hurt you?

ost perfect as usual

It was good but at this point everything sounds like it's been reused a bunch of times. Hopefully we get some new great tracks later on..

Hyeh

The bassline in the new rendition of "Attack on Titan" (or however Sawano spells it) is amazing. I cannot wait for the S3 soundtrack to be released.

WHICH OF THE FOLLOWING WAS YOUR FAVORITE MOMENT? 532 Responses

The scene with the Beast Titan appearing with his army of titans took 30% of the vote, with Levi attacking Reiner as a close second with 22% of the vote. 10% overall liked the entire episode, and 7% favorited the cliffhanger staredown. We can all agree the battle to come has us all hyped!

I repeated the scene where Reiner appears until the end of the episode tons of times already

Did they really had to skip Levi's frustrated expression after he failed to kill Reiner? It was my favorite moment…

Levi attacking Reiner and everything after that has become one of my favorite scenes in the series. Damn!

Nice Erwin Screentime, nice Levi nyooming behind Eren

Best girl makes her appearance

the last three minutes of the episode where the warriors show up was fucking amazing

ON SCALE OF ARMIN TO ERWIN, HOW GOOD ARE YOU AT GIVING ORDERS? 526 Responses

The majority of respondents relate to Armin’s timid nature a bit more when it comes to overall confidence in giving orders. Just a small 6.3% of you guys feel you have the charismatic swag that Erwin brings to the table.

I loved Armin giving orders politely.

How was Armin overcoming social anxiety a billion times cooler then eren flying over a 60m wall, becoming a titan and basically saving humanity.

ON A SCALE OF 1-5, HOW MUCH DO YOU WANT TO GO HORSEBACK SURFING? 528 Responses

This was in no way a serious question. But at an almost even split, 35.8% of voters would totally try their hand at horseback surfing, while 35.2% would never risk their life doing such a dangerous activity!

HOW DO YOU FEEL ABOUT THE ANIMATION QUALITY IN PART TWO SO FAR? 529 Responses

Overall respondents are pleased with the animation in the first episode of the RtS arc, with 54% stating that it’s the best animation they’ve seen from the series yet. 42% feel it could be better, but is also not the worst. A small percentage don’t find the animation all that impressive.

I can’t believe how clean all of the animation is looking. SUPER impressed with the difference in art-style compared to season 1 as well.

The animation is on the highest level.

i miss the thick lines the show used to have

i really love the colour palette of this season and the op especially.

IMO the color tones on this episode could've been handled better, it was too gloomy on some scenes :(

The animation & art style was almost as good as season 2’s (which is one of my favorite pieces of animation of all time) but still lacked in some areas.

Looks like they went all out with budget on this season and I'm loving it

WHAT DO YOU THINK OF THE CG COLOSSAL TITAN IN THE OPENING? 532 Responses

57% of respondents aren’t too upset about the GCI Colossal Titan in the opening and say they don’t mind either way. 35% aren’t happy at all with the decision to make the Colossal CGI, while a few actually find the effect super cool.

ON A SCALE OF 1-5, HOW EXCITED ARE YOU TO FINALLY SEE THIS ARC ANIMATED? 533 Responses

The overwhelming majority are extremely excited to see this arc animated after all these years. With its high levels of action and drama, it’s no surprise to us to see that the fandom is looking forward to getting this arc in an animated form!

IVE WAITED MORE THAN 2 YEARS FOR THIS IM NEVER BEEN SO FUCKING HYPED IN MY WHOLE LIFE

I've waited so many years that I'm satisfied and ready to pass now that my favorite arc is being animated

HOW DO YOU FEEL ABOUT THE ADAPTATION OF RTS SO FAR? 532 Responses

67% of respondents are feeling very satisfied with the way the arc is unraveling in the anime, finding that it’s a very close adaptation of the original source material. 23% feel that it’s still too early to judge the adaptation properly, and a few less feel that the adaptation so far is somewhere between good and bad.

Fantastic adaptation.

Good pacing jumping right into the action, while staying faithful to the manga.

Overall very good, but could be a TAD better

I think the adaptation so far has been great, but I need to see how the action is handled before I say for sure whether it's well adapted or not.

It was ok.

It was very well-adapted! All the important details were there and nothing important seemed to be missing, which was something I was sad about in the last arc. It seems like everything I want will get covered.

How do we come back from there without breaking my heart?

PART 2 IS SLATED FOR 10 EPISODES. DO YOU THINK THIS WILL BE ENOUGH TO ADAPT THE ARC WELL? 531 Responses

Voters are confident that WIT knows what they’re doing by shortening the amount of episodes that will air for this action-heavy arc, with only ¼ of respondents feeling that they haven’t given themselves enough screen time to cover every last detail. 10% don’t want to say either way.

i was disappointed in knowing it was a 10 episode arc, but seeing the quality and taking into account that this is an action-heavy arc, i'm bouncing off of the walls to see what wit has underneath their sleeve. hopefully they don't ruin the best arc

one advantage of the short season is that they cant draw out the serum bowl for too long. God, that was a painful wait when the manga was dropping those chapters.

Really well done, the pacing in particular was great. After seeing it I was convinced 10 episodes was perfect for this arc. A 6-4 split is perfect.

WHAT DO YOU THINK ABOUT THE VERY SPOILERY OPENING? 532 Responses

61% of respondents agree that the opening, while spoilery, is a great summary and teaser of what is to come for those who only watch the anime. Without context, they can’t know what every last symbolic image in the opening means, after all! 23% of voters expressed distaste at how much WIT is spoiling the viewers, however. 9% aren’t even concerned about it.

The whole opening was just one big “fuck you” to people who don’t read the manga.

it only becomes obvious b/c manga readers keep pointing stuff out. Yes, the intros have always hinted at things but it goes so fast that I don’t think every person will know exactly what something means if they’re anime only.

The Opening is good representation of this phase of the story ending.

I don't get why people are making a big deal over the "spoilers" in the opening when they're not even anime-onlies themselves in the first place.

Man, it only seems spoilery for those of us who know what's coming. Anime onlies don't understand the context of the images, so they can't recognise them as spoilers unless it's directly identified as such! We gotta stop judging this stuff from the perspective of someone who already knows what's coming.

It's definitely not holding back on the indications that'll happen in the arc

HOW DID THE NEW ED MAKE YOU FEEL? 527 Responses

61% of manga readers felt nostalgic seeing the images of the 104th during their trainee days coupled with a somber song. 20% felt sad about the ending, and 15% were just disappointed with the entire thing.

Lazy ending.

WHAT DID YOU THINK ABOUT THE RED EYES ON THE TITANS? 533 Responses

Just over half of the fandom feel that the red-eyed pure titans was a cool aesthetic to add to show that they are under some form of control by a shifter. 33% feel it’s a cool addition, but not really necessary. 11% don’t care.

I was on board with the red eyes until the cart titan also had them. No longer made any sense.

I don't get why Pieck's eyes are red when she's not a mindless being controlled by Zeke…

Like the red eyes but why does Pieck have them too.

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 530 Responses

Perhaps unsurprisingly, over half of the fandom is most hyped to see the Eren vs. Reiner showdown in Shiganshina. Although not far behind, 28% of respondents are excited about Erwin’s badass unhooding moment as he challenges Reiner.

THUNDER SPEARS FOR NEXT CHAPTER!!!!!!!!!!

ADDITIONAL THOUGHTS ON THE EPISODE?

Even though I totally know what will happen, the episode is written and directed in a way I still get goosebumps and forget I actually know what will happen. And the music, oh god. That's amazing. These two together have a really good effect.

I need the next one RIGHT NOW.

AAAAAHH!!!!

It was an introduction episode, so imo, it's just there to put the basis for the rest of the season. There was a good balance between the "emotionally charged" scenes and the more quiet ones, all this accompanied with an increasing tension in the background.

I wish theyd reanimated the scene of armin talking to eren about the opening instead of just reusing the animation from season 1.

that Zeke smile is like : hey there, i am here to euthanize you all. Love it !

I'm buying tickets into denial islaaand, bye, bye!

Airpipes. AIRPIPES. p.s. cracking soundtrack

Reiner has been enjoying himself some Marley protein, he extra swole now.

Armin was the MVP

PIECK!!!

I don't like the fact that WiT decided to spoil a lot. Some anime onlies already have guessed that Armin is going to be burned and then will become the next CT. So the serumbowl won't be as emotional and exciting for them anymore. I don't understand why WiT decided to do such thing. Don't they want anime-onlies to enjoy the show?

Exactly as expected you'll find a strange titan next to the beasty

I love Mikasa’s improved design and hope they show more of her working in a team like the manga. Focusing on the mission ect without pandering

RIP nameless soldier killed by Reiner.

Very happy to get a glimpse at best girl Pieck

Really no questions about our exactly right girl in this poll ? I am dissapointed :/

Watching this episode is bringing back all the suspense and awe I felt when I read this part in the manga. What a treat to be able to relive it!

They did a great job at keeping the tension and the "well shit everything's about to go wrong" from chapters 73 and 74, and managed to make the explosion at the end worth it, despite the fact I still think Reiner's continued survival throughout the arc is stupid and wish the anime had changed it so it'd be more believable, but here we are.

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 514 Responses

Thank you to everyone who participated! We’ll see you again in a few days!

[the-mf-bread-babies]

– REBUILD III –

RUNAWAY RENEGADES

· COLLECTION 1 ·

“backstories”

———————————————————

- VOLUME ONE -

Dennis, Aaron, Damon, Sawblade

It was a normal (or was it?) day. The alarm on the boy's phone rang loudly, and he woke up.

Two hours late. It was a Monday.

Too tired to care, he fell back down to his bed and went on his phone. He opened Twitter and was shocked to spot the #1 trending hashtag:

#DojaCatIsOkAgainParty

He rejoiced, opening it to find millions of tweets without any context. After ignoring various fancams that made him lose hope in the current situation, he stumbled upon a thread explaining the current situation.

“#DojaCatIsOkAgainParty : A THREAD <3” The first tweet twote, accompanied with four pictures: One of Doja Cat herself, one of Nicki Minaj, another of whoever becomes the next US president, and Lana Del Rey. What the hell is going on?

“As we all know, Doja Cat, Beyoncé, and many other artists have somehow been cancelled by Lana Del Rey within a week in May of 2020,” Okay… “This is due to Lana's satanic powers.” Oh, okay. Yeah, this was the same account who said that Avril Lavigne has a clone. Who was part of the CIA. Sure, man, whatever.

“At 3:56 AM today, Doja Cat had kidnapped [insert 46th president here] and escorted him to a secondary location. Then, Nicki stabbed the shit outta him. This has caused the America fandom to go insane.” what. “Lana was behind this. As we all know, she and Jessie J had hacked into The Pentagon and made Beyonce Knowles president, for clout.” what.

He put down his phone, questioning what the hell Stan Twitter was on now. The boy approached his cat, Sawblade, who was sleeping on the floor. Sawblade yawned dramatically and circled the boy's legs. He picked her up and laid her onto his bed.

“kwjdkwjjrjrjrkjwkjwjrkj” The cat purred. His phone buzzed. It was a notification from PlayStation Messages. He opened it, eager to know if one of his friends finally wanted to play multiplayer with him.

“#0.00 NULL$$ - Hello PLAYSTATION user! We at NULL HQ politely invite you to join us in making the world a better place one job at a time. Kindly go to this location and sign up for one of our many job offers! No résumé needed, only experience, hard work, and an interview and a fitness test! We hope to see you soon!”

Oh, a scam. He took a screenshot of the text, and then immediately blocked and reported the user, NULL000000. Huh, odd username. Whatever, he's not gonna reply–

One DM from Twitter.

NULL AGENCIES ✓ – @NULLhiring

“#0.00 NULL$$ - Hello TWITTER user! We at NULL HQ politely invite you to join us in making the world a better place one job at a time. Kindly go to this location and sign up for one of our many job offers! No résumé needed, only experience, hard work, and an interview and a fitness test! We hope to see you soon!”

The same thing, huh? This NULL guy really wants his money, he guesses. First Nicki commits manslaughter and now he keeps getting the same scam messages? It's only been not even an hour today and yet so much has happened. What next, Enya comes out of hiding?

“BuzzFeed News: Famous singer Enya comes out of her big-ass castle to collaborate with Nyan Neko Sugar Girls creators for new Apple TV miniseries”

Damn, okay, this is a dream. The boy wrapped himself in a blanket, hugged his bolster and wriggled around, trying to sleep. He couldn't, so he went back on Twitter.

jimin is fr**kin DEAD (@bangtanctwice):

“dont s-word me but like why is l/*n//a out of prison again. i thought she had the electric chair already ://”

illumi killed silva <3 (@hxhoverwatcch)

“ITSSB ACK !!!!!!!!! HXH IS BAAAACK!!!!!!!!!!!!!!!!! YEEEEAAHAJAHAHAAAAA DJDJJDJDJSNDNFJDDJ”, followed by an edit of Hisoka Morow.

oikawa⁷ (@HAIKYUUUUS)

“man how the hell did furudate think a crossover w yu yu hakusho mp100 bnha kny gintama n hgtv could save haikyuu. it practically ended the moment they all ate that volcano w departure in the bg”

Kerry Washington ✓ (@kerrywashington)

“LITTLE FIRES 6 OUT NOW!!!! I'm gonna EXPLODE Earth in this one!!! I'm going back to the Early Cambrian stage!!!! Bye Pearl!!”

Internet Explorer Anitwt (@iloveboruto)

“Y’all Kurapika brought A SHOVEL to that fight with Uvogin!!! A Whole SHOVEL!!! 😂😂😂”

knas is canon !! (@moiiiraclones)

“guys i think bakugos a kurta..... think abt it.... red eyes... always stressed......”

vic (NOT SPOILER FREE!!!) (@myname_jeff)

“why is no one addressing the fact that jfk 2 is happening and like everyone involved has stans”

ray is ia rn (@cryptodorito)

“my dog just ate my dad ....... stan list !”

give moxxi another dlc (@TORGUEEEE)

“hey does anybody find it weird that gearbox just released borderlands 4 w no buildup At All. seems p fishy :(”

gerard's hand sanitizer (@raytowo)

“did mcr just do twelve concerts in three days. legends”

ceo of tanjirou (@hiskoamorron)

“pls stream jessie j now ;) or die <\3”

ceowo owof bakuwugowouwu (@bakubaby)

“yes, what i did was wrong. there are dogs everywhere starving and eating dog treats is not morally right. that said, (1/67)”

Okay, enough of that. No more. Please. Three hours have passed, and he's still very confused, if not even more confused than before. Is there some sort of event today that he missed? Why is every single tweet weird? Is all this real? Is he in a parallel universe? Is he dead?

The boy zoned out into the bedroom wall, thinking of all the possibilities of this happening. He was lost in his imagination, his train of thought splitting and exploding due to all the unusual occurrences. That was, until Sawblade voiced out her needs.

“YEEEEEEHEHEA” she yelled. She was starving, mainly because the last time she ate was like, a whole hour ago. Sad.

“Ye lah,” “Mew,” “Meow meow mew mew mew,” The boy meowed as he dragged himself to fill up his cat's bowl. “chyouooyoymeeeiielll,” he complimented, ruffling the cat's face.

The boy tripped over his Form 3 activity book as he was walking, a reminder that he should probably do his homework soon. He turned the doorknob and opened the door and he was shocked to find that his house…

Had been ripped in half.

He pushed his back against the wall and slowly inched along the wall towards the kitchen, staring down into the abyss below the house. The living room had a sofa missing, and the television looked like it was going to fall down any second. Furniture floated in the void below the floorboards, which was bent, with plumbing pipes exposed, as well as the metal rods holding the house together.

It reminded him of what Sanctuary looked like when it was floating in space in Borderlands 2. But instead of a city, it was a condominium unit. And instead of Lilith lifting it up, it was… unknown. If only he could gunzerk, or have siren powers, or be a ninja sniper assassin, or have a turret, or have a giant mech, or be super tall and have a buzz-axe. If only. But thank God there's no Mordecai. To hell with Mordecai. I hate Mordecai. He's the most straightest man. Ever. Claptrap is less straight than him. HANDSOME JACK is less straight than him. R O L A N D is CLEARLY less straight than him. Mordecai is the epitome of heterosexuality.

Thankfully, the boy reached the kitchen safely, but still very full of anxiety, and poured the cat food into a flat container, since Sawblade is so fluffy, her face can't fit in cat bowls. He emptied the water bowl, cleaned it, and filled it with filtered water, making sure it's slightly cooled. Sawblade likes it that way. As she cronched on the kibbles, he stared into the distance, wondering what his apocalypse name would be.

He grabbed a glass of water and a packet of muffins for his breakfast. As he ate it, he scrolled through his timeline as if it was the morning paper. Oh, Katy Perry gave birth to twelve kids. And Gowon killed X Æ A-Xii. With a machete. Ok. That's cool, I guess. Capitalism, y’know?

:DAMON @C0RR0Sl0N

“my house got sliced in half. im just chillin here w my cat sawblade. considering eating cat food. not influenced by any recent drama ok”

Send Tweet.

As the boy was eating, he noticed the front door to the house was missing. The entrance lead to what seemed like the side of the street. In a foreign place. The lamppost was unfamiliar, and so was the pavement design. It seemed rather American.

He peeked his head out, and lo and behold, he spotted a pet shop just a couple of feet away. The sudden shock of all this made him forget about his cat, an indoor cat, a curious one. Sawblade stepped slowly outside, and as she went into the boy's view, he stormed to catch her, panicking and swearing profusely.

Of course, this made her way more terrified, and she ran faster, and… into the ajar door of the pet shop. “SAWBLADE!!! DON'T!!” he yelled loudly as he stopped in front of the building. The boy paused, unsure whether to proceed or retreat.

“Russell Family Pet Store, since 1965” wrote a large sign on the front. It looked rustic, but well-kept. The blinds were drawn, so the boy couldn't see what was inside. The building occupied two lots, and seemed to be two storeys tall. A nice rooftop garden was situated on top of it, and there were painted-over remnants of many posters plastered onto the walls. The walls were now coated with light brown paint. This building was surely cared for by a variety of owners.

Although hesitant, the boy stepped into the store, his hands shaking. He could've probably pass out right then and there if he wasn't searching for Sawblade. He sneaked into the building quietly, determined to get his cat and run like hell right after. However, his ideal plan was quickly foiled after he stepped on a squeaky toy.

“Shit, who's there?” A deep voice asked. It seemed like it belonged to someone tall, depressed, and very angry about capitalism. The boy was stuttering, both from the panic of being caught, and also because he had to speak to a native English speaker. “Probably just the delivery guy,” A second voice assured. This voice seemed quite hard to guess, but it was surely a kind one. Very trustworthy. “Jed, is that you?” The kind voice added. Yeah, these two are totally friendly. Probably. Don't take any chances, though.

A figure approached the boy, and it towered above him. The 5'9" hulking beast stopped. “Oh, sorry, we're closed. It's Judgment Day,” the kind man said. Well, of course it's judgement day. Why wouldn't it be judgement day? “Wait, no, I'm an idiot. Martin Luther King Jr’s day.” The man corrected. “How the hell do those two even remotely sound like each other?” The first voice said, the owner sitting behind the counter, shadowed.

“M-My cat's here.” “Have y-you sa-see-sawn her?” The boy was actually very fluent in English, even more than Malay, but the panic he was experiencing kind of absolutely extirpated any knowledge of it from his brain. Really, dude? “Sawn”? What is this, Texas?

Fortunately the two were understanding. The man behind the slau– counter stood up suddenly. “Holy shit, do you speak Spanish? Habla español?!” He asked excitedly. “No, why would I–? I'm Malay, dumbass,” the boy retorted, then realising that he just insulted someone much older than he was and that was… kinda rude. “WAIT SORRY” he blurted out, sending him back into the panic that he was under when he entered the store.

“HUH?! No, I’M sorry, I just assumed you were South American just because you couldn't speak English!” The man yelled, apologizing loudly. Yeah, this dude's sure as hell white. “I CAN!!! WHERE'S MY CAT!!!” The boy shouted back, very confused at where his priorities should be right now. “Oh!” said the man in front of him.

“IS THIS HIM– SORRY, HER?!” The man asked, reaching towards the corner. “We, uh, found her just straight-up running into here. Which is really weird, since cats, like, don't do that,” he said, holding Sawblade. Senang cita. “YES!! THANK YOU!!” The boy yelled. Why is everyone yelling?

Sawblade looked comfy all snuggled up in the man's arms. “He… seems to like you,” The boy said jealously. Usually, he was the one Sawblade loved most. “I have ten cats, so,” The man replied casually. “…How? Even?” he questioned as he carefully took Sawblade from the stranger. “I just do?”

The boy still remained very confused. “Name's Aaron, by the way. Please don't call me Ay-Ay-ron. Just… please,” the kind man said. “Ok” the boy replied. “Mine's. Um. Uh.” “…” The boy thought whether to say his real, legal one, or the one he went with online, which he seemed to prefer way more than his real one. “THE NAME'S DENNIS RUSSELL. I SHARE MY INITIALS WITH A VIDEO GAME.” The white guy said, interrupting the boy's statement. “Oh. Good to know. Hi, Mr. Danganronpa,” The boy politely said. “Fuck yeah,” replied Dennis.

“And if you're wondering which one of us is part of the Russell family that's running this shop,” Dennis began, “Den, don't,” Aaron interrupted. “It's my family. But, my dad became a magician, and my dad's choosing to indulge in his gardening hobby here, so the job's passed down to me now,” Aaron said.

“G//ay Ass!” Dennis shouted. “Okay, fine, Dennis, since we got married last month, you're part of the Russell family, too, honey,” Aaron said. “Just don't–” “YEEEEEHAAWWEE PARDNER WELCOME TO YE OLDE RYUSSELL PEYT SHYOP–” Dennis yelled loudly enough to give the boy a heart attack. However, this was probably the tenth time this week he did this, so Aaron was just very tired. “Jesus.”

“Um, what is this place?” The boy was still very much confused on why there was a pet shop sitting in front of his house, which was ripped in half. “I just told you…” Dennis said disappointedly. “No, like, where am I? Why are you guys American? I'm assuming? I'm not?” The boy said. “Well, our pet shop's in Toledo; Toledo, Ohio,” Aaron stated, gesturing towards a pile of papers. “If you're lost, we have some maps, some phone books…” he continued, unaware of the current situation.

“No, I live in Selangor, so– Selangor, Malaysia, not Ohio, out of all places, God, no, and my house is right over there,” the boy argued, pointing outside. “Well, half of it,” The two pet shop workers stood at their places, trying to process what the hell this kid just said. “Like? There? Outside this gracious state that occupies the #2 spot for most arson cases in the US? That's Malaysia?” Dennis shot back, also unaware. The boy was a bit excited after hearing him mention the name of his country, but shook it off to further develop the conversation. “Yes. Somehow. Also, I really don't think this is Ohio. Too many buildings and I haven't seen any corn fields,”

“Didja know there's over 75,000 farms in this 14-million acre state? There are, ya just gonna know where to look :)” Dennis stated. “What the hell? That's way too many farms. How does… what…” The boy replied in shock, almost dropping Sawblade. “I'm sorry, what?” Aaron asked. “Yup! Lotta farms in the buckeye state!” Dennis replied excitedly.

“HALF?!” “Of it??” It seemed like Aaron was the only one there actually concerned about the task at hand. “Huh? Oh yeah. Not really that big of a deal, though, honestly; enough food here for thirteen weeks,” How the boy calculated that, and how accurate it is remains a mystery. “Anyway, how do state fairs work? Like, do corn dogs taste good? I've had deep-fried Oreos once, they tasted really good. Really love 'em,”

Aaron ignored the exchange by the two very excited individuals and opted to step out to see if the boy was right or not. In his head, he was honestly convinced he wasn't, but that was up for change. Hell, he didn't even look at his phone or the TV today, so maybe the kid's right, his house is snapped in half.

Oh, it is.

“Holy shit, Denny, come look,” he yelled, gesturing to his husband. “Okay! I hope the aliens aren't homophobic or anything! :)” Dennis replied, running eagerly to the door. “HOT DAMN!” Dennis shouted. Now the boy could see how they both looked like, especially Dennis.

Dennis was definitely over six feet tall, he had balding, spiky red hair, and his eyes were big and sunken, and had bags under them. Aaron, on the other hand, had only seemed tall because of his hair. Aaron was missing a tooth for some reason. His lower-left fang. That's weird. They were both sporting uniforms; an orange shirt covered by a green vest with the logo of the pet shop sewn near the… like the… the end of it but like in the front? Like the middle? But like the logo was on the side. Yeah

“I don't think aliens are homophobic. Have you played Borderlands? Lots of g/ay people, and they're all technically aliens. I think the aliens are g//ay,” the boy explained thoughtfully. “I have, at my friend's house this one time, but then I died and I had to, like, pay, so then I just left his house, man,” Aaron replied. “Yeah, that's fair, usually I just save and quit whenever I die,” the boy added.

“Wait, what's your name, again? This whole time, you're being referred to as ‘the boy,’” Dennis asked, breaking the fourth wall. “Shrek,” the boy replied. The two men nodded in solidarity. “Good name,” Aaron complimented. “It reminds me of my childhood, and good times, and Shrek-flavored Oreos,” he added.

Shrek paused for a bit, hesitant to tell them his preferred name, but saying it anyway because they both seem quite nice and understanding, also, his family's not there. “I'm kidding. Shrek is but only my middle name,” Shrek explained, “Please, call me…”

“Damon,”

Gender euphoria ran through his veins like that one time Thanos put on the infinity gauntlet and he was AAAAAGH, P O W E R,,, HNGGH, that but Yeah. “Cool! Hi, Damon!” Dennis said, watching Damon's eyes burn with joy. Oh, just saying, like in some more volumes, this little kid turns into a pyromaniac, so. Yeah. Watch out for that. This is Foreshadowing.

Aaron scanned the horizon, unknowing what the hell was happening. “Hey, guys, should we… go investigate or something?” Damon thought for a bit, but not too much because this thing going on seemed too random to properly scan and plan. “Um, I don't know,” he said wisely, “Did you guys hear about that thing with, like, Nicki Minaj and the president? Were you guys affected or whatever?”

“With who and what? Nick– NICKI?? THE PRESIDENT?? OF HERE?? WHATEVER THIS THING IS???” Dennis struggled to figure out what Damon was saying. “Yeah, she stabbed him or something. Doja Cat helped too :)” Damon explained, confusing the two even more. “Why?” Aaron tried. “I dunno. Drama?” “Heard Lana's involved too… but you didn't hear it from me, yeah?” Damon added.. “THE COW GIRL. HELPED NICKI. AND LANA. ASSASSINATE THE PRESIDENT. DAMON.”

- * Special Thanks * -

Snowball

Sandball

Gon Freecss

Killua Zoldyck

Leorio Paladinight

Kurapika Lastname

Hisoka Morow

(is that the correct spelling?)

Illumi Zoldyck

Kikyo Zoldyck (shes pretty, ok)

Kanamori Sayaka

Mizusaki Tsubame

Asakusa Midori

Pakunoda

Machi Komacine

Moira O'Deorain

Freddy Krueger

Sideshow Bob

Spy TF2, Pyro TF2, Scout TF2, Leia Organa, Han Solo, Yoda, Darth Vader, he's cool, Sheev Palpatine, Developers of the video game “Tiny Thief”, Mad Moxxi, Ellie Kurta (shes a spiderant. my theory), Handsome Jack (Not Really, Burn In Hell) (during the period of time between me writing this and me copying and pasting this, i have developed a crush on not only jack, but his doppelgangers too. help)

Angel :)), Claptrap, Dr. Zed, NOT Marcus Kincaid, Dr. Patricia Tannis, Roland, Lilith, Brick (ga/y rights), Zer0, Krieg, Tiny Tina, Tiny Tuna, Louise Bob's Burgers, Mabel Pines, Stanley Pines, Lazy Susan, Sheriff Daryl Blubs, Deputy Durland, Officer Spectre :)), Yoda Again, 2003 Honda Civic, Ray Toro, Lynz Way, Gerard Way, Mikey Way, Frank Iero, Linda Bob's Burgers, Bob's Burgers Bob's Burgers, Sans Undertale, Komaeda, Sombra // Olivia Colomar, Actually All Of Talon Bc They're Hot Af, Except For That French Guy Max, Torbjörn Lindholm, Torbjörn Lindholm, Torbjörn Lindholm, Spider-Man PS4, Miles Edgeworth, Phoenix Wright, The Lil Psychic Girl, Uhhhh Mario Brothers

part 2 incoming.

[icantpickaurlsothisisit]

My thoughts and Theories on the Final Chapter of “Who Killed Markiplier”

A lot of folks have already seen the ending, but if you have not. I suggest you go and watched the final chapter before reading my thoughts and theories, or anyone else’s, on the matter to prevent spoilers.

If you seen the final video or don’t care for spoilers, then continue to read. If you want.

This is a Long Post. If you want to jump past from Video Facts straight to My Theories. Your welcome to. I don’t mind. :)

Colonel called the Viewer (Us watching) Bully four times, so for this post the Viewer will be known as Bully. Mostly because I don’t want to type the Viewer so much.

So the “Who Killed Markiplier” Videos are an origin story for Darkiplier and presumably Wilford Warfstache.

What we for Certain (Video Facts): 

Characters Names: Benjamin - Butler, Abe - Detective, Damien - Mayor, Celine - Seer, George - GroundKeeper, William Mustard - Colonel, Chef - Chef, Mark - Markiplier

Video 1 - Bully is the District Attorney. Bully is good friends with Mayor Damien. Bully saw Markiplier (The dead guy) last alive at the Poker table. The Colonel did have a gun at the party. Bully passed out at 1:30 am. Markiplier was killed at 1:30 am. The Colonel and Markiplier were not not good terms upon Markiplier’s death. Markiplier is confirmed alive at 1:17 with the Detective. Markiplier hired the Detective to investigate the Chef and Butler at the least. Mayor Damien and Markiplier were childhood friends. Detective was the last one to be with the body before it went missing.

Video 2 - Detective was friends with Markiplier for years. Markiplier isolated himself for some reason. Detective have been working with Markiplier for years. Detective doesn’t trust Bully. The Detective told Bully that Markiplier was stabbed 37 times, poisoned, beaten, strangled, drowned, and shot in that order. Celine is seen in a group photo by Markiplier. The Colonel is familiar with the Manor because he use to own the Manor. 

Video 3 - Celine came back to the Manor. Colonel questions why she is there. Colonel was trapped in the Board game Jumanji once (fun fact).Celine is familiar with the arcane arts. Detective, Butler, and Chef don’t trust Celine to talk to dead Markiplier. Colonel trust without doubt. Celine never liked the house. Damien stayed in the house with Celine. George have not been in the Manor for 15 years. When George said “murders” lighting doesn’t strike. George only went into the house because of the strange lights and to close the door on Celine. Everyone is accounted for but Damien in the final scene.

Video 4 (Final) - Celine is gone? All employees quit. Chef worked there for 25 years. Bully hears voices as they walk to the Detective’s clue room. Detective believes Colonel killed Markiplier. Colonel believes the Detective did all of this. Colonel shoot the Detective while arguing with him. The Colonel accidentally shoot Bully in a fight for the gun. Damien and Celine are trapped in the void with Markiplier’s body. Markiplier stole Damien’s body. Markiplier have been planning this event for years to get revenge. Bully, Celine, and Damien return to the living in Bully’s body. Colonel is in disbelief as Bully comes to. Bully, Celine, and Damien are now Darkiplier. Darkiplier runs off in the direction of the Colonel. The Detective is still alive.

What we can conclude from Context Clues:

Video 2 - Markiplier and Celine had a relationship, and Damien and the Colonel were too formal in the group picture.

Video 4 (Final) -  Markiplier and Celine were married. The Colonel and Celine had an affair. The Colonel and Markiplier were childhood friends.

My thoughts, some Theories, and a bit of a Summary:

Markiplier wanted revenge on the Colonel and Celine. He found out about the affair a few years back and started plotting. He hired a close friend and detective (Abe) to investigate his wife’s actions. Finding out that one of his childhood friends (the Colonel) was together with his wife (Celine) cause Markiplier to go quite as he planned for revenge.

Markiplier could have confronted the Colonel about the affair, causing their relationship to go sour. Or some other event and/or argument cause the relationship to go sour.

Markiplier began to practice the arcane arts as part of his revenge plan.

After some years, he invited his “trusted” friends to a Night of Poker. Once everyone was throughly drunk and/or passed out, Markiplier set his plans into action. 

A plan to frame the Colonel for his death.

The Colonel would have the most evidence stacked against him; with the affair, the negative feelings the Colonel have for Markiplier, and the knowledge of the Manor belonging to the Colonel at some point. It was the prefect way to get back at the Colonel. But he needed a body. To either stand in his place or... 

To take over as his own.

We know it was really Markiplier’s body, so how did he get a new body, especially Damien’s? This could had happen in several ways.

Way One:  Markiplier killed himself, then took Damien’s body.

Way Two: Markiplier hired somebody we did/didn’t see in the videos to kill himself, then took Damien’s body.

Way Three:  Markiplier used his magic on a drunk Damien to switch bodies and then killed Damien himself as Damien was in Markiplier’s body and vice versa.

Personally, Way two is too complicated. Why go to the trouble to hiring someone to kill you? There could be evidence leading back to the real killer and evidence show you wanting to be killed. Your plans to frame someone else for your death are at risk. But there is also the fact that if it’s the Detective helping Markiplier frame the Colonel, then it could have been him.

That’s leaves Way One and Way Three. Both are possible, but only one can be determined if the the Detective is being truthful with Bully when he told them how Markiplier died. 

If the Detective is telling the truth, then it’s Way Three. Damien is drunk by 1:30 from Poker Night. Markiplier at 1:17 appears to be sober as he talks with the Detective, asking for investigation updates on his staff. Being drunk impaired Markiplier as he was killing Damien. This would lead to the many stab wounds, poisoning, strangulation, drowning, and gun shot wounds on Markiplier’s body. Markiplier isn’t thinking straight, which leads to an overdue in the murder.

If the Detective is lying for some reason as not trusting Bully or helping Mark, then it’s Way One. If the Detective doesn’t trust Bully, then Markipier killed himself and made it to look like murder, and later on took Damien’s body to continue living. If the Detective is helping Markiplier, then he lying about how the Markiplier died and getting as much evidence against the Colonel as he can.

No matters how Markiplier’s death really went down, Markiplier, as Damien, sent his body to the black void with his magic. With the body gone and murder confirmed, his plan was near to completion when Celine can into the Manor. Not knowing that Celine was practicing the arcane art until she came back, through Markiplier’s plans in a loop. 

Celine wanted to contact the dead, hoping to get answers from the dead Markiplier, but would end up contacting Damien instead. Before Celine could fully make contact to the dead, Markiplier, as Damien, stopped her before she could and stayed behind with her as everyone left. With everyone gone, Markiplier sent her, body and soul, to the black void to prevent the truth from coming out. Then Markiplier left the Manor in Damien’s body, convince that all loose ends have been tied up.

The employees all quit at the height of the madness. The Colonel refused to leave Celine and Damien behind. The Detective staying to take the Colonel into custody. And Bully find the Detective’s Clue Room and so does the Colonel a bit after. The Colonel, believing the Detective did all this, goes confront the Detective with his gun, and the Detective confronts the Colonel about being the murder. The Colonel shoots, either in anger or accidentally, the Detective. Bully tries to take the gun from the Colonel and in the struggle a miss fire happens; Bully is shot and falls to their death as the Colonel screams it was an accident.

Bully meets up with Celine and Damien in the black void and learn Markiplier and plan this and is in Damien’s body. They offer to sent Bully back to their body if they could go to. Bully said yes. The three of you come back to the land of living with a hysteral Colonel. As Bully takes Damien’s cane, their hand change to Damien’s and in the mirror we see Damien’s, Darkiplier’s, reflect. Darkiplier runs off in the direction of the Colonel, possible to talk with the Colonel.

My Theories:

First Theory:

George can say “murders” without lighting striking because he have not been in the house for 15 years. Every time lighting struck when murder, murderer, or murders was said the person that said it have been in the house, which was everyone but George. George haven’t stepped in the house until we saw him do run in the house in Chapter 4 (Final). The energy in the house that cause the lighting must have gotten one everyone in the house when Markiplier died.

Second Theory:

Darkiplier wants justice revenge against Markiplier for the wrong he did to them. But is the Markiplier that created the mess in “Who Killed Markiplier” the same Markiplier we know?

My theory is that there is a Multiverse (Multiple Universes) with the Markiplier Egos and the “Who Killed Markiplier” videos is an event in one of these Universes. 

Our Markiplier have stated that both Wilford Warfstache and Darkiplier are from another world entirely and bleed into our world. Mark said that back when he was talking about Darkiplier in “A DATE WITH MARKIPLIER.” 

And in the “A DATE WITH MARKIPLIER “ videos there are multiple ends. In one ending Markiplier is a washed up actor, another you eat ice cream with Mark, you eat ice cream with Dark, you get abducted by aliens, Mark and you are trapped and Mark is digging poor to your escape with a spoon, and in two of the endings a nuke went off and you need to pick between a sardine or peanut butter sandwich.

Our choices determined what ending we got. And each ending is cannon, in its own right.

The Multiverse theory makes every ending in “ A DATE WITH MARKIPLIER” real. Even the ending where we’re Chica.

So with that said. I believe Darkiplier is looking for their Markiplier, the one who did them and the Colonel wrong. 

Knowing Darkiplier can use the black void for their powers, their Markiplier can do the same. Dark’s Markiplier used it to seal Celine and Damien away, so why not Universe hop. Their Markiplier is out there in the Multiverse, possibly a YouTuber like our Markiplier. 

But Dark needs some help finding his Markiplier and taking him down.

So Dark started to recruiting other Egos. Bim Trimmer, The Host, Silver Shepard, Googleplier, Ed Edgar, Dr. Iplier, The King of Squirrels, and most importantly- 

Wilford Warfstache, who is believed to be the Colonel.

Taking their Markiplier’s channel would be taking everything from him. His fame and fortune.

But the thing is, our Mark isn’t like that. His channel isn’t everything. If it ends, it not the end of everything. You can watch “MORE GOO MORE WINS | Mario Kart w/ Mark #2″ by CrankGameplays and you can hear our Mark at 15:25 said “If my channel died tomorrow, I’d would be totally-totally fine with that. Because it doesn’t stop me as a creator.” 

Our Mark makes videos to create stuff. Darkiplier’s Mark does for fame.

That’s my take on the situation anyway.

P.S. The Multiverse would also explain why Mark have died at least twice and still runs a channel for Dark to take.

Videos Mark died in: “The Fall of Slender Man” and “Warfstache Interviews Markiplier”.