#and this one would definitely fit titans original horror theme it had going on in s1

[undertheknightwing]

The struggle of not wanting to interact with the Titans fandom that much and having an idea for an angst/hurt + comfort horror-ish au fic about how Gar met the Titans

[edendaphne]

“Discordant Sonata” Ch. 5

New chapter!

Read it here on Ao3

Read it here on Wattpad

CHAPTER 5: FERMATA

Glossary:

Clochette = little bell

*~*~*~*~*~*~*~*

(Mood Music: Hallelujah - Brian Crain cover)

It was just another Monday morning in the life of Nathalie Sancoeur. While she wouldn’t necessarily categorize herself as a morning person, she did prefer to wake up extra early to quietly watch the sun rise, her beloved cat Clochette lounging lazily on her lap, as well as enjoy the luxury of being able to get ready for the day at a leisurely pace.

Her daily routine of scrolling through the trending news on her tablet while sluggishly sipping on black coffee was uneventful as usual… until she began going through the Adrien Agreste hashtag, as she always did.

Clochette did not appreciate being violently sprayed with coffee. Nathalie coughed and sputtered, wiping her dripping mouth and nose. She grabbed the nearest available towel (which, as she discovered later, turned out to be not a towel but a pricy dry-clean only sweater) to clean her face and tablet with. Hopping off and looking back with what was surely the cat version of a sneer, Clochette walked away from a very confused Nathalie, who continued to gawk and sputter at the blurry photos of her charge, hand-in-hand with the one and only Ladybug.

Inhaling sharply and leaping out of her chair, Nathalie snatched her phone, first to dial Nadja Chamack’s number, followed by the Agrestes’ lawyer, hoping they could help her minimize the potential damage of this situation.

“Gabriel cannot find out about this,” she muttered to no one in particular, clutching the countertop with a white-knuckle grip.

A couple of hours later, Adrien sat at the Agrestes’ titanic dining room table anxiously poking at his breakfast, waiting for the other shoe to drop. Sleep-deprivation from a night full of bad dreams (chronic nightmares were an unfortunate side effect of using his miraculous against its intended use) only amplified the maddening suspense.

Last night he’d been terrified to check the news, fretting that the photos from his date with Ladybug would undoubtedly be leaked onto the internet. There was no way he’d be lucky enough to escape that. He did, however, recall that none of the phones pointed at them had had their flash turned on, and therefore, there was a tiny possibility that the photos hadn’t turned out clear enough to confirm that it really was Ladybug and Adrien in the photos, and not some attention-seeking lookalikes. It was that tiny ray of hope which allowed him to fall into a fitful sleep.

A hope that was dashed when he checked his phone at 3am (having been jolted awake by a particularly vivid night terror). As a result, he spent the next few hours searching for more photos, filing claims and reports all over social media, hoping they would get taken down sometime before anyone he knew could find out, and had gotten no more sleep.

“Good morning, Adrien,” a stern female voice rang suddenly from the other side of the large dining hall.

Adrien suppressed a grimace. “Good morning, Nathalie.”

Nathalie paused, chewed on her lip as she stared at him without blinking, and then continued, “You have Chinese lessons at 6pm tonight as always. You also have an early morning photo shoot tomorrow with a 5am wake-up call, so be sure to set your alarm for the correct time. Your piano recital is this Saturday so don’t forget to get in some extra practice this week.”

Adrien stared back expectantly, wondering when the warning about his behavior and consequences would come. A weighty pause and an air of tension hovered over the two of them, and the lack of conversation turned awkward, so Adrien forced himself to say, "Sure."

Nathalie stared back, trying her best to maintain a professionally cool and nonchalant expression, although Adrien could tell she was struggling to remain her composure. Adrien fretted internally, wringing his hands under the table, wondering if she knew.

Of course she knows, this is Nathalie . But why hasn’t she said anything?!

After several seconds, which felt like he was held at the precipice of a roller coaster and waiting anxiously for the drop, Nathalie finally said, “That is all.” She added a quick, “Have a good day at your shoot,” before walking away briskly.

Adrien consciously had to stop his jaw from dropping.

“Th-thank you, Nathalie!” he managed to blurt out when she’d almost reached the door.

She stopped abruptly and looked back, her eyes full of an emotion he couldn’t place. There was an unspoken understanding floating in the air between them. A solidarity. An odd sort of pact forged through kinship, through a need to survive together as allies under hostile territory.

“You’re welcome,” she replied quietly and exited the room, leaving a very puzzled Adrien behind.

He sank into his chair like a deflating balloon, recovering from the pressure and anxiety of what he’d originally anticipated from this meeting. Any time there was something he’d be getting in trouble for, Nathalie was always kind enough to warn him beforehand. If she hadn’t mentioned anything to him (and he was positive that she knew who he’d been with the night before), it meant that Gabriel hadn’t found out and that she wasn’t going to tell him, since he relied on her to inform him of any news that might interest him.

This wasn’t the first time Nathalie had put her job on the line for Adrien. Why would she continue to risk her job, her position as his father’s confidante and right-hand-man, so to speak, on his behalf? She received nothing tangible from helping him; there wasn’t anything he’d be able to repay her with. No accruing of favors or debts to hold over his head or she would have said something already. Adrien knew she wasn’t happy working for them and yet she’d never resigned. Why was she still here after all the trouble the Agrestes had brought into her life?

Whatever the reason, Adrien was thankful. He let out a large sigh of relief, hoping that some of Ladybug’s legendary luck (which had apparently rubbed off on him last night) would stick around a little bit longer.

After finishing getting ready, Adrien opened the front door and was halfway across the threshold when he heard a stern voice call his name from inside the house. He spun around to see Gabriel, who had just exited his office. Adrien felt an unpleasant chill trickle down his spine, yet tried to keep his expression neutral.

“Good morning, Father,” he called back as casually as he could.

Gabriel approached until they were less than an arm’s length away and stared down at him through his glasses. Despite having almost reached his height, he still felt so large and imposing that Adrien couldn’t help but almost shake when he stood this close even after all these years.

“I could sense you last night,” Gabriel finally spoke. “What happened?”

Adrien felt his limbs freeze up. Of course his father had felt his distress when he’d had his claustrophobic attack he’d had in the closet with Ladybug the night before. To him, being able to detect strong emotions came as natural as breathing by this point.

“Oh, I- uhh... I was watching a horror movie,” he lied as nonchalantly as he could.

Gabriel raised an eyebrow and his mouth twisted into a disapproving frown.

Adrien wasn’t sure if he looked convinced or not. He continued, “I’m sorry if I disturbed you. I’d forgotten how much I disliked scary movies, but I got really into the story and wanted to see what happened.” He forced himself to smile, but was pretty sure he probably just ended up looking like the grimacing face emoji.

Gabriel grunted slightly in acknowledgement. “See that it doesn’t happen again. You were fortunate I was already in bed and reading a book. The emotion from you last night was quite tempting, and I have often pondered whether you would make a more efficient akuma than you are as Chat Noir.”

Suppressing a flinch, Adrien replied dejectedly, “Understood.”

They went their separate ways quietly, having nothing left to say to each other. Adrien walked slowly, desperately attempting to squelch the negative emotions he was currently feeling so as to not alert his father again. A sense of restlessness and desperation had been slowly growing within him for a long while now, and yet he couldn’t place what it was trying to compel him to do. He wanted to disappear, to run far away to the other side of the world and never have to see his house, or even Paris, ever again.

Taking a deep breath, he reined himself in.

I need to calm down. Think, Adrien… Think about something good, think about something nice, think about something that makes you happy. Like puppies, or ice cream. Or...

Or her.

Adrien felt his throat dry up and he gulped down a thick lump. He allowed his mind to drift towards better memories, thinking of Ladybug and her gentle smile; of the way her slender arms felt when they embraced him, so comforting and warm, making him feel completely safe; of how she smelled of fresh spring flowers and rain, and of her sweet voice as she sang the tune he associated with unconditional love and acceptance because of his mother.

Unconsciously touching his cheek, he blushed as he yet again mentally replayed the moment when Ladybug had kissed him the night before and how it made his body feel like it was on fire. He caught himself wishing he would’ve been able to return the kiss, idly wondering how her soft skin would have felt against his lips instead…

His eyes flew open.

What am I saying?!

He shook his head quickly, having finally reached his chauffeur, definitively attempting to ignore the whirlwind of butterflies in his stomach as he entered the car and tried to mentally prepare himself (again) for the day ahead.

(Mood Music: Dance for Me Wallis - Abel Korzeniowski, W.E. Soundtrack

Ladybug ran across the rooftops, agitatedly searching for an elusive candy-themed akuma, whose presence only caused her stomach to growl that much louder.

Why does there have to be an akuma now ? It’s lunchtime!! Why does Hawkmoth want me to be hungry?! I just wanted my sandwich! Well, prepare to feel the wrath of a “hangry” Ladybug, you jerk!!

She swung across buildings casting worried glances down below. Left and right people had been turned into chocolate statues, which posed a major problem as it was a particularly warm day in August, so she didn’t have long before the the statues would begin to melt.

She needed to hurry and find this akuma.

Hearing a thunderous roar, she jumped down onto the pavement and sprinted toward the sound only to find the akumatized person pointing a humongous chocolate cannon at a little girl. Seperated from her parents, the girl screamed and ran, but there was no way she would be able to outrun the much larger man.

“Stop!! Don’t shoot, she’s just a kid!” Ladybug shouted, rushing towards them.

To Ladybug’s surprise, the akuma pointed its canon at the sky and fired. And yet it wasn’t a thick stream of chocolate as she had expected it to be.

“Are you serious?? Chocolate rain?! ” Ladybug huffed incredulously. Finally reaching the little girl, Ladybug pulled her close, spinning her yoyo upwards to shield them like an umbrella. She quipped, “Here’s how we’ll stay dry!”

“Then I’ll make others feel the pain!” the monster bellowed, conjuring up a wave of chocolate to ride on, using a gigantic chocolate bar as a surfboard, and sped towards a shopping center where people were still scrambling to evacuate.

“Hey, get back here!” Ladybug exclaimed, chasing after him. She called back at the little girl, pointing at a fabric store whose owners she knew. “Go inside that building over there with the blue sign! They’ll help you hide!” She watched flicked a glance over her shoulder to make sure the girl was heading to the building, then focused on the akuma.

Ladybug gradually closed the gap between her and the akuma, who was about a couple of blocks away roaring at the crowds. Before Ladybug could reach the akuma, something hit her hard from the side, sweeping her away and shoving her against the side of a building.

Wind knocked out of her and seeing stars, she barely registered what had just happened and struggled weakly to no avail. Thankfully, she’d managed to reflexively protect her neck from whatever hard metal weapon was pinning her down, which she subsequently tried to push away once she noticed its presence, but was too disoriented to succeed.

She groaned, blinking away the fuzziness in her vision and trying to identify her assailant. When she fully opened her eyes, she was met with a pair of bright green, iridescent ones, their unmistakable familiar glow sending a shiver up her spine.

“Chat…?” she rasped, aghast, feeling her stomach drop like an anvil. Staring wide-eyed and having been rendered speechless, her mind was filled with questions, but a single one stood out above all others.

Why?

Ladybug felt stupidly naive now, having let her guard down, foolishly inferring that just because Chat hadn’t shown up yet it might mean that her words had had an impact on him. How presumptuous of her to assume that with a few well meaning gestures she would be able to forge the beginnings of a friendship with someone who had been her enemy for years, how utterly arrogant she’d been.

She had tried so hard to not get her hopes up in regards to where Chat Noir’s allegiance would lie during the next akuma attack. And yet, now that that moment had finally arrived, she still felt woefully unprepared for the amount of hurt she was feeling.

Her chest heaved rapidly and she willed herself to fight back, desperately wanting to punch him, to kick him, to do anything other than to remain frozen under his grasp, and yet she couldn’t summon the strength. She knew she needed to. She had always been able to, putting aside whatever curiosity and worries she’d had about the boy under the mask to do her job. But for some reason this time was different. Had she compromised herself and her own competence in her ill-fated attempt to broker peace between them?

I can’t hurt him. I just can’t.

In the midst of her confusion, she began to plead hoarsely, “Chat, please, I--” But she was interrupted when he placed his fingertips gently on top of her lips. He leaned into her, the subtle yet alluring scent of leather and expensive cologne he always carried with him causing her insides to flutter. The world seemed to have stopped as he pressed up against her, and she could barely hear the commotion around them.

Chat Noir’s cheek lightly brushed against hers and she gasped softly, the confusingly pleasant contact producing goosebumps all over her body. He finally whispered, “The akuma’s in the mixing spoon inside his apron pocket. Watch out for his licorice net gun.”

He lingered for a few extra moments then pulled back, giving her one last indecipherable look, and as quickly as he appeared he was gone. Ladybug stood there, stupefied. All she could do was stare at him vaulting away like a shadow while everything else seemed to move in slow motion.

What the hell just happened?

The incident with the candy akuma was not a one-time occurrence. Chat Noir remained an indirect participant in the next few akuma battles, never staying in one place longer than it took for him to discreetly tackle or corner Ladybug, always making it look like they were fighting, and secretly whisper the location of the akumatized item, some advice or clue, and, on occasion, even a few words of caution.

But Adrien knew he wouldn’t be able to keep this up forever. His father had said little about it but Adrien knew that he had noticed, and his excuses about having previous commitments and lessons to attend, or claiming to be concerned about civilian safety (Gabriel had always disdainfully scoffed at his attempts to protect those in immediate danger) would not hold up much longer. It was only a matter of time before Gabriel became truly suspicious.

All he needed was more time.

Somehow, in the midst of his busy schedule and extracurricular activities, for the last few weeks Adrien had begun to secretly research and study as much material as he could about magical artifacts (scarce as said information was), hoping to find some way where he and his father wouldn’t be at odds with Ladybug anymore, and everything could be solved neatly and without violence.

So far there he hadn’t found anything even remotely useful, and his morale was running low.

And so Adrien found himself underground as he often did, clutching a bouquet of pink carnations and standing by the glass capsule (he refused to call it a casket or coffin) that his mother resided in. Harsh, bright, fluorescent lights illuminated this giant underground chamber, which gave it a cold, clinical atmosphere, almost like a hospital room.

(Mood Music: True Colors - Brooklyn Duo cover)

He stood there for a while, taking in her appearance. Since she'd fallen into a death-like coma, she hadn't aged a single day, looking as radiant and beautiful as ever.

Just like he remembered her.

“Hi, Mom,” he said, tracing a finger over the cool, hard surface, speaking quietly and reverently, as if anything louder than a murmur would somehow cause her discomfort.

“It’s so good to see your face right now. So much has been happening lately.” He sighed, then busied himself, placing the fresh flowers in an ornate vase that sat on the table, throwing away the old bouquet into the wastebasket underneath it. “Father’s kept himself really busy and I hardly ever get to see him, even less than usual. We’re like strangers. Sometimes I feel like the real Gabriel Agreste got abducted by aliens years ago and the one we have now is some nefarious martian doppelganger.” He finished fiddling with the flowers and leaned against the capsule, speaking casually, “I mean, you know how he is, he’s never exactly been a cheery ray of sunshine; he’s always had an ornery side,” he chuckled softly.

“But now he’s…” He groaned with a grimace and rubbed the back of his neck. “Now he’s like... a black hole. Not a single spark or hint of light in him anymore. And he sucks your happiness away if you spend time around him. I’m not sure how Nathalie can deal with him every day. I don’t really understand what’s happened to him after all these years. I mean, I know he misses you, like always. But there’s gotta be something more. And I…” He paused, shifting his weight uncomfortably. “I don’t think he’s doing so well. Health-wise, that is.”

Taking a deep breath, he continued, “I walked in on him once a while back as he was having one of his coughing fits and... I saw the blood on the handkerchief. I ran up to him and asked to take him to a doctor but he waved it off, claiming it was just an old stain. And yet, ever since that day, he started using black handkerchiefs instead. He won’t tell me exactly how using his miraculous against Ladybug has been affecting him, but I know this is connected. I don’t know how much longer he can keep this up.” He paused, biting his lip. “I’m really worried about him,” he finally said. He was silent for a few minutes, absentmindedly cleaning a few fingerprints off the glass with his sleeve, trying to keep himself from imagining two caskets side by side.

Never in his life had he felt such heaviness, such sadness, such weariness as the kind he’d experienced this past year. His relationship with his father had deteriorated far worse than he’d ever thought possible. Gabriel’s explosive, violent, and often unpredictable outbursts had everyone around him constantly on edge. And although Adrien would hate to admit it, he was almost afraid of being in his own house. It had gotten to the point where he’d begun wearing a snug leather glove while he slept, so that he would get woken up if Gabriel ever attempted to remove his ring. It hadn’t happened thus far, but one could never be too careful around him nowadays. Something had to change, but he didn’t know what it was.

“Anyway, sorry, enough about that. Ummm,” He changed the subject, scrunching his face deep in thought. “Oh! School starts next week, so that’s pretty exciting! I get to see my friends every day instead of once every few weeks. You’d like them, mom, I know you would,” he rambled excitedly. “I’ve talked about them before. Nino, Alya, and--oh, I think you’d especially like Marinette. She’s a very artsy person, like you are. And she’s super nice. I wish you could meet them all. Someday, maybe...” He smiled sadly, wishing with all his heart that that day actually would come, and yet his hope continued to dwindle

“Oh, and…” Adrien turned his head away briefly and almost winced, like a kid who was about to get grounded. “There’s… someone else I wanted to talk to you about. I don’t know if she counts as a friend yet, but I… I’ve been spending some time with- um, with L-Ladybug,” he stammered. “D-don’t get upset though! I’m just trying to figure out how to help you and not have to fight her. There’s gotta be a way to do both. I just haven’t figured out how yet. I know it would probably be easier to keep doing what Father says and just steal her miraculous, but after all these years it still hasn’t worked and I’m… I don’t...” he trailed off, struggling to find the right words and his hands curling into fists.

Damn it. Why is this so hard?

He let out a big, shuddering sigh, curling in on himself. “I’m tired of fighting, mom. I’m just tired.” He knelt down by his mother’s feet, wearily sagging against the platform and placing a hand on it.

A few minutes passed. Adrien’s thumb stroked the side of her capsule wistfully, imagining how things were many years ago. He would sit on a plush, fluffy rug leaning into his mother’s legs as she tenderly stroked his head while sitting on her favorite sofa, and they would talk for hours.

“I’ve been hanging out with her. With Ladybug, that is,” he finally spoke. “I’ve gotten to know her a little bit. And every time I’m with her, it just hits me that she’s just… a normal girl. A normal girl who’s been granted huge powers, but still, just a girl. She’s not some creepy harpy with fangs who’ll gouge your eyes out with her claws, like Father always made her sound like. She’s…” He smiled fondly, the smile reaching his eyes for the first time that day. “She’s kind of cool, actually. She’s so different from what I ever expected her to be. She’s kind and funny, very friendly, and she’s really prett-- UMM, I mean--” His head shot up, eyes popping wide open. “She’s, uhhh…! She’s pretty neat.” He cleared his throat and fought the urge to unbutton his sweater, since it had suddenly gotten very warm in this large, empty hall.

“Anyway, uh…” He coughed once and continued, “I know I can trust her. I just want us all to get along, and I know she does too.” The side of his mouth quirked upwards and he looked up at Emilie. “It’ll be our little secret, okay?”

He stood and laid his upper half on top of the glass, draping an arm across the capsule and setting his head down upon the cold surface; it was as close to a hug as he was able to get from her.

He looked upon her frozen features with a small smile on his face and said softly, “I love you, Mom. I’ll visit you again soon, okay?”

Adrien made his way down the long platform, finally reaching the exit. He took one last look at the end of the chamber, the bright green of the vegetation in the manmade oasis contrasting starkly against the greys and blacks of the hall’s beams, pillars, and walls. He flicked off the lights and exited, the loud creak of the metal door echoing across the hall, which then became a silent tomb once more.

[quarantineroulette]

Seditions of You: An Interview with Filmmaker Joe Wakeman

Joe Wakeman’s second feature, The Shoplifters (not to be confused with the Palme d’Or-winning film of the same title, but hopefully SEOs are none the wiser) is “a series of tableaux depicting the follies of a group of naïve Marxist would-be radicals” striving to be revolutionaries, only to discover that “what they really want is to be seen wearing berets.” 

Although he began work on it a decade ago, The Shoplifters carries some very timely themes about online activism, consumerism, and the shallowness of modern culture as a whole. With fairly little effort, its thought-provoking vignettes resist passive cultural consumption and its stylistic fluidity keeps it visually stimulating as well. Its 70 minutes also offer a lot of seamless humor, from a slightly slapstick dressing room shoplift to a smart, satirical "revolutionary bake sale” in Washington Square Park.

Ahead of The Shoplifters’ appearance at the NewFilmmakers New York Film Festival on February 6, I spoke with Joe via email about collaborations, Maoist propaganda and Communism as fashion statement, among other fun topics. 

1) What ignited your interest in Marxism & Maoism? 

I've been interested in Marxism since I was a teenager, probably about when I was 13 and first encountered the politically inclined punk of The Sex Pistols and The Clash, and Dead Kennedys -- I think it's somewhat common for young suburbans to go through a "Communist" phase. What I didn't realize at the time was that my interest in Marxism was really less about politics, which admittedly I knew precious little about (though I do lean rather strongly to the left) and more about the iconography of Communism: I would go around with sickle and hammer belt buckles and spell "Revolution" with a backwards “R.” That sort of corny thing.

 Later on, when I was 18 or so, I saw Jean Luc Godard's La Chinoise and his Groupe Dziga Vertov films with Jean-Pierre Gorin, all beautifully boring films depicting sexy French Maoists who do very little real revolutionary activity, despite their ability to quote at length from Marxist texts. These films made it apparent to me that what we think of in the US as "Marxist," where Communism has never been a reality, is as much a set of fashion and cultural signifiers as is the uniform of a typical "Goth" or "Emo Kid" -- berets, fists in the air, shabby clothes, shiny boots and cigarettes. 

2) I believe you've mentioned that you started working on -- or had least conceived of -- The Shoplifters about 10 years ago? In what ways has it changed in that time? 

Yes, at that time my friend Taylor Bruck (who plays Che Smith in the film) and I were also sometimes engaged in the "cool crime of shoplifting." There was a certain politically oriented moral code about it, where it was okay to shoplift from big corporations like Barnes & Noble but not right to steal from local businesses. But after seeing the Godard films we talked about how goofy it would be to take those politics further and call ourselves "revolutionaries,” which became the kernel of the absurd story for The Shoplifters that we wrote together.

The original script had a lot more characters and more action, arsons and assassinations and a lengthy courtroom finale at the end, where the Shoplifters are put on trial for sedition and theft. All that sounds exciting, but keep in mind, this was the script of a teenager. It's really rather cringe-worthy to read today. I threw the whole thing out when I reworked the film, though a couple scenes survive: the opening speech and the fitting-room sequence, where we pile on layers of stolen clothes, are both from the original version of the movie. We tried to shoot scenes from that script at that time, when I was 18 years old, with some borrowed equipment from the TV studio I was working for at the time, but we shot on damaged tapes and botched the sound recording. The material was practically unusable so, dejected, I hung up The Shoplifters for awhile and dedicated myself to working on other things and developing more before taking another crack at it. 

3) Do you see The Shoplifters as sharing any similarities with your first feature, They Read By Night? Although stylistically different, they both seem to lovingly mock certain countercultures. I also like that they both have "nested" films within films (the short in They Read by Night and the music video and "Post-Capitalist Potential for Mass Education in the Internet Age" sequence in The Shoplifters).

Definitely. Actually They Read By Night was an attempt, after the first failure of The Shoplifters, to write a similar film on a smaller scale. I swapped out the berets for leather jackets and the characters became greaser-rock ‘n’ roller juvenile delinquents instead of revolutionaries, but the point is essentially the same -- that their so-called rebellion is still a symptom of capitalism, buying into another kind of "outsider" fashion. 

As for the films-within-the-film element, I've always been attached to the idea that a movie does not have to tell one story, or focus on the story, or even just be one type of film. This is the other big element learned from the likes of Godard and other counterculture filmmakers, Dusan Makavejev, Warhol et al. -- that the "plot" of a film is not so important as the ideas which animate it, and to express those ideas more in the form of a lively discussion that, in a movie, can be shown with images rather than just spoken with words. Let's make our characters watch a film together and see how they react, or in The Shoplifters they educate themselves about Mao Zedong by reading about the Cultural Revolution on Wikipedia and from there its a free-flowing association of images culminating in some psuedo-Greek philosophy. It's the kind of methodology that people experimented with in the ‘60s and you see less often today, though occasionally you do see it, in Sion Sono's excellent recent Antiporno. Or, actually, the web-browser screen cap stuff in The Shoplifters is inspired by the 2014 teen horror film Unfriended. It's kind of a limitation of the cinema's potential when a movie just tells you a story one way, unless the story is really good, like Titanic or something. 

  4) Both films also have musical sequences (the fight scene in They Read By Night and "Style Revolutionaries" in The Shoplifters). Given your involvement in the music scene here in Brooklyn (Joe is in the band Toyzanne, who you should definitely check out, and directs music videos as well), would you ever consider doing a musical?

I love musicals! They're a popular illustration of that same idea -- the story stops, and somebody sings a song that comments on it, or sometimes the song continues the story, or presents a separate situation which is analogous to the story. I was raised on musicals and I think they can still be cutting-edge as a genre, even though many might regard them as old-fashioned. I composed a lot of the music for The Shoplifters, together with DP Torey Cates and help from musician friends from the Brooklyn scene: Brendan Winick (also in Toyzanne), Frank Rathbone and Jenna Nelson (of Sic Tic), Kate Mohanty. Holly Overton and Sannety (who also stars in the film) contributed their unique stylings for different sections of the film as well. When I showed my friend John Sansone an early cut of the film, he remarked that he didn't realize that it was a "musical" which surprised me because there's no singing, (except for the Smiths cover and "Style Revolutionary"). But when I considered the role music plays in the film, it's really not too different from a musical in structure and tone, which was something that made me feel very happy about it. I'd like to eventually do a proper musical with lots of songs that plays with the genre in a more direct way, but I also don't think I'm mature enough yet as a filmmaker to attempt that.

5) How did the various collaborations in the film (the score, and the sequences from Oliver David and Preston Spurlock) come about? 

Oliver David had made two music videos, one for my old band Bodega Bay and one for ONWE that had this style of a slow-motion fashion advertisement for the bands. I really enjoyed these videos and wanted Oliver to do something of a "remake" of the same style, this time advertising the revolutionary cadre in the film instead of a rock ‘n’ roll band, making the not-so-subtle commentary even less so. Likewise, when I was preparing to make the film I became close friends with Preston Spurlock, who makes these mind-blowing video collages of old commercials and such that are like wading through cultural toxic waste dumps to tap into some unconscious reflections that can't be put into words. I connected these in my head to stuff like Godard's Histoire(s) du cinema or the work of Adam Curtis (HyperNormalisation, The Century of the Self) and thought they would add a lot to the dialogue of images I was trying to present in the film.

 I think that it's unimportant for an artist to be the "sole author" of a film. It is more interesting when I think, “Oh, Sannety can do things with electronic music that I don't even understand,” or “Oliver and Preston work in video in a completely different style from me which can form a relationship with my style, so why not ask them to contribute and make it a real dialogue rather than a constructed one.” I think collaboration is key in filmmaking -- it keeps the spirit of montage living through and through the work, which if you consider Eisenstein and Vertov, is really "Revolutionary" filmmaking. 6) I liked the criticisms of Internet activism the film presented. In the ego-driven realm of social media, do you feel there is any way for a pure act of protest or activism to thrive or even exist? 

Yes I do think real activism can exist and can even be given a lot of strength through the Internet and social media -- those things have leveled the playing field and given voice to marginalized communities who hadn’t had that kind of visibility before the advent of these networks. Community organizer Candice Fortin, introduced to me through Gwynn Galitzer and Suffragette City Magazine, is another voice present in the movie, in keeping with the collaborations that exist throughout the film. She explains activism in the modern era and what people can do to start enacting change very eloquently midway through the movie, and i don't think I can say it better than the way she did in the film. She is constantly posting about progressive candidates, organizations and other concerns through social media to bring about political change on a grassroots scale. You can follow her @candicefortin for a start, but mainly pay attention! These opportunities to help are all around. 7) Do you have a favorite piece of Maoist propaganda?

Yes! This Maoist ballet from the cultural revolution, encouraging women to form feminist revolutionary cadres: The Red Detachment of Women. You can watch it on Youtube. Footage from it appears in Preston Spurlock's section of the film, I think it's beautiful and absurd, but I think weirdly Old Hollywood despite its anti-Western screed, like An American in Paris or something but cheaper looking. I really get a kick out of it. Perhaps when this one-day musical comes to fruition I’ll dole out some political ballet as a quiet (or more likely, loud) nod.

The Shoplifters is screening as a part of the NewFilmmakers New York Film Festival at Anthology Film Archives on Feb. 6, 2019. RSVP here. 

[true-halloween-tales]

2017: #8-STRANGE MONSTERS FROM ART

Pandora’s Box issues forth a tale each year about monsters in different mediums.  We have previously examined monsters in everything from books, to comics, to even songs (see 2016: #6-STRANGE AND DANGEROUS MONSTERS FROM BOOKS, 2013: #3-STRANGE COMIC BOOK MONSTERS, and 2014: #4-STRANGE MONSTERS FROM SONGS).  Art, specifically paintings, woodcuts, and statues, offer a wealth of monstrous possibilities.  Horror specifically about art is best seen with Rod Serling’s The Night Gallery tv series which was about spooky paintings which each told a tale.  Ray Bradbury’s book and film, The Illustrated Man, was about tattoos that each depicted a future event.  Many horror films have paintings with false peek eye holes.  Sometimes monsters in paintings come alive such as in the recently released It and the evil nun in The Conjuring 2.  The Dark Shadows tv series often featured paintings, from old paintings of unaging vampires to Dorian Gray inspired paintings (see 2016: #7-GUIDE TO DARK SHADOWS).  Jack Nicholson as The Joker in 1989’s Batman walked through an art gallery and said, “I don’t know about art, but I know what I like (see 2017: #10-SUPERHEROES).

There is a lot of spooky art perfect for Halloween.  The Greeks had artwork of mythological figures, and the Middle Ages presented paintings of Death personified.  In 1505, Hieronymous Bosch completed the triptyche, The Garden of Earthly Delights, which features three panels representing the Garden of Eden, the garden of earthly delights, and Hell (see above image).  I particularly like the Hell panel, and it is perhaps my favorite painting.  There are many monsters and horrors that inhabit Bosch’s landscape of Hell.  There are giants rats tearing apart knights, and creeping about are bird-men, fish-men, and even crocodile-men.  One particular marching crocodile-man is my favorite figure in the painting, and I would love to know what Bosch would say his story would be (see below).  

The painting also includes armies, descending moons, fiery pits, and giant human bodily organs converted into objects including rooms.  Similar hellish work to Bosch’s was released in the 1600’s by Jacob Isaacsz. van Swanenburg as seen with his The Harrowing of Hell (see below).

Henry Fuseli’s The Nightmare from 1793 produced a perturbed imp and a demonic horse (see below).  Freud kept a reproduction of that painting in his apartment in Vienna.  

Perhaps the most recognizable horror-related painting is Edvard Munch’s The Scream (see below).  The Scream is a series of four paintings Munch painted between 1893 and 1910.  They were inspired by a red sunset that Munch felt like was a scream of nature.  

In 1915 the interesting artistic movement of Dadaism developed, and Dadaists created all sorts of odd art demonstrating the absurdity of life.  Max Ernst produced a forest of woodcuts and paintings that include chairs entirely made out of human bones, flying god-heads, half-human absurd abominations, and an ominous elephant-like monster in his The Elephant Celebes from 1922 (see below).  Ernst spent time as a child with fevers staring at patterns in wood grain, similar to Salvador Dali’s paranoiac-critical method (see 2016: #10-MONSTERS ON THE LOOSE 7).  

Dadaism formed into Surrealism, and Dali’s work has all sorts of melting monstrosities, flaming giraffes, and the like.  Dali’s Paint-Maker’s Plight from 1941 shows an eyeball humanoid similar to costume’s worn by The Residents (see below and 2012: #1-SPOOKY MUSIC).

In 1954 Francis Bacon painted the dark, Figure with Meat, which features a grotesque pope seated between a grossly bisected cow (see below).  In 1989’s Batman, Nicholson’s Joker sees Figure with Meat in the art gallery scene and stops to comment that he likes that one.  

In 1967 Picasso’s untitled Chicago statue was dedicated, and it is a monster that most resembles an Afghan Hound (see below).  I frequently walk past it, but it sure does not bark or growl; too bad it doesn’t.

Surely the cherry, or bloody bit, on the horror cake is Otto Rapp’s Deterioration of Mind Over Matter from 1973 which features a rotting human head melded with a bird cage (see below).

In the last fifty years there have been many artists that have specialized in painting or drawing monsters.  Frank Frazetta created scores of fantasy paintings especially Conan the Barbarian related artwork (see below).  

Boris Vallejo still releases sword and sorcery artwork as well artwork depicting superheroes (see below and 2017: #10-SUPERHEROES).  

Bob Eggleton, Larry Elmore, and Erol Otus release artwork that is oriented towards Dungeons & Dragons (see below for Erol Otus artwork).  Wayne Barlowe has released paintings of aliens, monsters, and even devils.  There is so much available art of monsters, that we must mix them all up in the churning cauldron of creepiness and watch the three best monsters crawl out.

Salvador Dali certainly is an artist who can contribute one of the three strangest monsters appearing in art, but which one?  He produced artwork more surreal than the world had ever seen.  Dali had so many monsters appearing in paintings, it is hard to decide which is his best.  His work contains quite a few stretched out or melting people, often just huge heads held up by supports.  But those are not monsters.  He featured a titan bursting out of our planet in one painting and an elongated black ghost of  Vermeer in another.  His 1936 painting, Soft Construction with Boiled Beans (Premonition of Civil War) features a large monster that is the definitely the first to bubble out of the cauldron of creepiness (see below).  The unnamed monster represents civil war.  It is a weird collection of limbs, and seeing it travel through the desert landscape it is painted in would be fascinating.  It appears to be dismantling itself or removing its own limbs, and it represents self-destruction.

The second painter identified by the cauldron of creepiness is Ivan Albright.  Ivan Albright is a painter who used a very distinctive type of magical realism in his work.  His dark paintings show wrinkles upon luminescent wrinkles, cracks, scratches, edges, and the effects of entropy.  His work is both disturbing and mesmerizing (see 2016: #3-BLOODY MESMERISM).  His incredibly detailed painting, The Door, is almost as large as a full sized door, and it looks like a door to the Outer Limits (see 2017: #3-GUIDE TO THE OUTER LIMITS).  But that isn’t a monster.  Surely his best artistic contribution to the imagery of monsters is from his 1943 painting, The Picture of Dorian Gray (see below).  This painting was commissioned for the The Picture of Dorian Gray film with Angela Lansbury from 1945.  The black and white film switches to color when the painting is shown.  If you ever have the opportunity to see this painting, do so; it is located at Chicago’s Art Institute.  It is a large painting, with blood dripping off of Dorian Gray’s hands and psychedelic, magical colors dripping all over the place like 1969 Haight Asbury.  The animistic depth and detail of the painting are incredible.  Dorian Gray looks like he could turn you to stone like a medusa if you met his gaze (see 2013: #2-MEDUSAS).

The third artist suggested by the cauldron of creepiness is that of H.R. Giger.  His work is dark, often grey, and with sexual and cyborg themes.  His 1976 painting, Necronim IV is definitely his most influential work and contains his greatest and famous monster (see below).  The monster is what inspired the design for the Xenomorph alien species in the popular science-fiction horror series, Alien.  There were four original Alien films, two recently made interesting prequel films, and two Alien vs Predator films.  I doubt Giger knew when he painted Necronim IV that it would have the greatest name recognition for the word, alien.  

If the cauldron of creepiness issued forth these three monsters from art in the flesh, and they fought to the death, which would win?  Boiled Beans, Dorian Gray, or Necronim?  It would be hard to find a suitable arena that Dali’s Boiled Beans monster could fit into.  Perhaps a large Greek arena would suffice.  I expect Boiled Beans would stand there – barely – hopefully cognizant of the proceedings and demonstrating some form of sensory awareness.  Dorian Gray would very slowly saunter forward, and each step he took would age the place rapidly like it was being contaminated as in the film, Silent Hill.  The Necronim would move faster than the other two, and would swiftly scamper to the center of the arena, releasing a cold alien hiss.  That would get Boiled Beans attention who would start to shake and move.  The Necronim would attack Boiled Beans since it is a larger perceived threat than Dorian Gray.  The Necronim would attach itself to the mammoth leg of Boiled Beans and start madly scratching and tearing like a rabid black cat.  Blood would gush, possibly not normal blood – but blood made of boiled beans!  Boiled Beans would get in one powerful punch on the Necronim sending it across the arena crashing into the stone stands, sending rock splinters scattering.  Dorian would still be slowly sauntering to the center, very detached.  Boiled Beans vicious blow to the Necronim would cause himself to collapse, with his limbs appearing as a mass of trees falling down simultaneously.  Due to Boiled Beans self-destructive nature, as the dust settled it would be revealed that the large monster died upon collapsing to the ground by being crushed by its own hefty limbs.  The Necronim would inspect Boiled Beans confirming its death before proceeding to Dorian Gray who was still approaching.  The Necronim would be all over Dorian Gray, tearing him to pieces in a bloody blur!  Dorian Gray was already going to pieces, and a Xenomorph would wipe him out, with his arms and legs flying off all over the place.  But the Necronim would not strut away from the battle as a survivor.  The glowing energies of Dorian Gray would have touched the Necronim… entropic energies.  The Necronim would rapidly rot like it had been aged many decades, and it would burst with its alien acid blood spraying and sizzling.  As the acid fumes filled the air, Dorian Gray’s limbs would reattach and he would stand back up.  The power that kept Oscar Wilde’s Dorian Gray going was a wish that very much behaved as if he had sold his soul to the devil.  Dorian Gray would walk away from the mass of Boiled Beans and the fuming Necronim and smile… then his lips would fall off.

[dannyphantomrpg]

Visual Aid: 107 Danny Phantom Facts

So I did this again.

(It’s what keeps me occupied when my husband’s asleep and the tablet pen is charging~)

((This one was barely longer than the 10 Years Later, Part 2, but it took all day for some reason...))

Let’s get this thing started~

Hey everybody, Butch Hartman here. I am so excited today because I'm teaming up with Channel Frederator today to talk about my show, Danny Phantom. Can give you the inside scoop.

You guys remember the fandom? Are you kind of curious about the show? Well, relax, we've got something for everybody here as we talk about the 107 facts about Danny Phantom.

For example, did you know that the 2005 Michael Jackson trial was actually features on Vlad's TV on one episode? It's there.

107 Facts: Danny Phantom.

001 Danny Phantom was created by me, Butch Hartman, after I had previously worked on the Fairly Odd Parents with Nickelodeon.

002 When making the show, I drew a lot of inspiration from Buffy the Vampire Slayer and Ghostbusters.

003 The title Danny Phantom was inspired by the titles of 1960's cartoons like Jonny Quest. More specifically, I wanted to create a title with a real first name, followed by a last name that was also kind of an action word. Some of these alternative action words were "Danny Thunder" "Danny Lightning" and "Danny Power". "Danny Phantom" was the name I went with cause I thought it sounded the coolest.

004 Some of the alternative first names I had for our hero included "Billy Phantom", "Kenny Phantom", "Jackie Phantom", and "Davey Phantom". I think you'll agree they don't quite have the same ring as "Danny Phantom" does.

005 I came up with the concept for the show Danny Phantom while driving a moving van from Las Vegas to Los Angeles with my mother. Unfortunately, she was more fascinated by the sight of a desert tortoise, than the birth of a new, awesome Nicktoon.

006 Before settling on a superhero show, one of my first concepts for Danny Phantom was a bit more in the main Ghostbusters. It was called Danny Phantom and the Specter Detectors, and it would have focused on a powerless Danny and his friends hunting down ghosts, using an array of ghostbusters-like gadgets.

007 Danny Phantom was pitched to Nickelodeon executives over dinner. Execs treated me  after they ordered more episodes of Fairly Odd Parents, and they happened to ask me if I had any more ideas for TV shows. And, yes, being treated to nice dinners is definitely an appreciated perk.

008 There's some early concept art of Danny showing a surprising design. I originally drew him with the Superman-type body, which was basically a lot of unrealistic buff muscles. I reverted to the slimmer design when I decided it's be more interesting to portray Danny as a fourteen-year-old kid.

009 I decided Danny should be fourteen years old because that age is kind of a bridge between childhood and adulthood. It's more of a period of self-discovery which certainly fits the theme of Danny learning to live and control his ghostly abilities.

010 Danny's skinnier, final design, was the collaborative effort of character designers Steven Silver, Shannon Tyndall, and - surprise - me.

011 Unlike many other cartoon characters, Danny has five fingers. Take that Timmy Turner.

012 You may notice that when Danny goes ghost, only his hair turns white and his eyebrows stay black. They're actually meant to be white as well, but we all thought the white brows made Danny look like an old man so we, uh, kept 'em.

013 Sam and Danny were originally meant to share a psychic connection, so one would know where the other one was at all times. But I scrapped this to keep things simple. Only Danny was finally to have the superpowers.

014 Danny was originally gonna have a pet owl named Spooky that would be able to track ghosts. I scrapped the concept as Harry Potter rapidly gained popularity. I  didn't want his series to be constantly compared to the boy wizard.

015 I wanted to give Danny a really cool ghost motorcycle to use as his primary means of transportation, but then I realized that giving a motorcycle was pointless because, you know, he can fly really fast.

016 The father-son duo of Jack and Danny Fenton are a reference to Jack and Danny Torrance from The Shining, which explains why Jack Fenton constantly accuses his children of being ghosts.

017 I gave Danny an older sibling because, unlike Timmy Turner, I felt that Jazz Fenton would make Danny feel less in control at home and give him somebody to contend with. I thought this lack of control would make Danny's experience with his superpowers all the more satisfying for him.

018 Jazz Fenton was named after a character in John Byrne's 1990's comic book Next Men. I always thought the name Jazz was cool.

019 Tucker Foley's name is a combination of actor and comedian Chris Tucker and Eddie Murphy's character from Beverly Hills Cop, Axel Foley.

020 Danny's teacher, Mr. Lancer, is named after a family restaurant in Burbank called, you guessed it, Lancer's.

021 Vlad Masters was originally going to be a vampire, but Nickelodeon execs thought making him a Vampire could lead to some pretty violent territory and I thought that too. So he was changed into a ghost.

022 A remnant of this scrapped concept can be found in his villain name "Vlad Plasmius". Plasma is found in blood which, you know, vampires kind of have a thirst for.

023 I refer to Vlad Masters as Danny Phantom's Lex Luthor. Like Luthor, Vlad uses his wealth to exert his power, or at least some of it. He also has a personal connection to Danny that gives him the upper hand in most scenarios.

024 Danny's love interest, Paulina Sanchez, is a parallel to Superman's love interest, Lois Lane. Both characters have no romantic interest in the protagonist because they have a crush on the protagonist's superhero alter ego. Lois loves Superman, but not Clark Kent, and Paulina loves Danny Phantom, but not Danny Fenton. Paulina: But you still have no shot with me Oh, the cruel irony.

025 Danny's ghost sense is identical to Spiderman's spider sense. Both senses alert their respective heroes whenever danger is nearby.

026 The parallels of Spiderman don't end there. Dash Baxter is a parallel to Peter Parker's football playing bully, Flash Thompson. Not only do Flash and Dash bully the protagonists of their universes, but they idolize the protagonist's superhero alter ego without realizing the hero is actually the person they bully. Their names both words that describe their quick movement and rhyme with each other.

027 The ghosts of Danny Phantom's world aren't the spirits of the deceased as ghosts tend to be in pop culture. Instead, they're monsters from another dimension. We call them ghosts because it's easier to say and it's more appealing than saying monsters from another dimension.

028 Danny's hometown, Amity Park, is a tribute to the settings of a few famous horror stories. Amityville, Long Island is the location of the famous haunted house known as the Amityville Horror. But Amity Park is also named after Amity Island, the location of the book and Steven Spielberg film Jaws.

029 Danny's high school, Casper High, is named after Casper the Friendly Ghost. Hey, if we hadn't added all these paranormal references, you may have forgotten the show is about ghosts.

030 Quite a few key members from the Fairly Odd Parents had a hand in making Danny Phantom, including writer  Steve Marmel and art director Bob Boyle.

031 One of the major differences working on the Fairly Odd Parents and Danny Phantom was the latter series' more serial format containing everything from character arcs to recurring story lines. Danny Phantom embraces storytelling angle by making the episodes 22 minutes long as opposed to Fairly Odd Parents whose 22 minute run time consisted of 2 eleven minute episodes.

032 One of the most challenging aspects of creating a superhero show like Danny Phantom, was giving all the superhero tropes a unique and interesting twist. We wanted to keep the series fresh an unique.

033 I originally wanted to cast a fourteen year old boy for the role of Danny, but I couldn't find anybody that sounded heroic enough. That heroic voice I searched for was ultimately provided by David Kaufman. Before playing Danny, Kaufman broke into the realm of voice acting when he played Marty McFly in Back tot he Future: The Animated Series.

034 David Kaufman kept his audition for Danny as a CD in his car that he would listen to towards the beginning of the show whenever he drove to the studio to record. He did this to remember what Danny sounded like in order to immerse himself into the character efficiently.

035 I wasn't the only one Kaufman's performance left a deep impression on. His daughter, Grace, calls him Daddy Phantom.

036 Sam Manson is played by actress Grey Griffin. I basically made an effort to include her in every show I created back then. Thus far, she's played Vicky in the Fairly Odd Parents and Kitty Katswell from T.U.F.F. Puppy.

037 Tucker isn't the first loyal friend Ricky D'Shon Collins has played. Before hunting ghosts with Danny, he helped TJ Detweiler keep balance and order on the playground as Vince LaSalle in Disney's Recess.

038 Maddie Fenton's voice actress, Kath Soucie, has essentially crafted a career out of voicing cartoon mothers. She played Dexter's mom in Dexter's Laboratory, Betty DeVille in Rugrats and Miriam Pataki in Hey Arnold.

039 Danny's father, Jack, is played by legendary voice actor Rob Paulson, who's played iconic roles like Yakko Warner, Pinky, Carl Weiser, Experiment 625, Donatello in the new Teenage Mutant Ninja Turtles, and Raphael in the old one, and way too many more to mention here.

040 Although Mr. Lancer is far from hardcore, his voice actor, Ron Perlman, has played quite a few characters throughout his career that redefined the word, He played Hellboy in the Guillermo del Toro films of the same name and he voices Slade Wilson, also known as Deathstroke, on Teen Titans, as well as the Lich in Adventure Time.

041 Valerie Grey was originally played by Grey DeLisle for the episode My Brother's Keeper before renowned voice actress Cree Summer was chosen to take over the role. If her name doesn't sound familiar, you've probably heard her voice as Penny on Inspector Gadget or maybe even as Susie Carmicheal on Rugrats.

042 Valerie isn't the only one that's had a change in her voice. Dani, that's Dani with an I, was voiced with two different actresses through the series. She was played by AnnaSophia Robb in her debut episode Kindred Spirits. The role was then taken over by Krista Swan in the episode D-Stabilized, which was Dani's second and final speaking appearance.

043 Tara Strong plays two of the show's recurring villains: Ember McLain and Penelope Spectra. This is definitely not the first time I've worked with her. You probably know her best as Timmy Turner in the Fairly Odd Parents, which proves she can effectively play both the hero and the villain.

044 Every celebrity guest in the show was cast as a ghost, similar to how celebrity guests would play villains on the 1960's Batman series starring Adam West and Burt Ward. Some of these celebrities include Particia Heaton from Everybody Loves Raymond as the Lunch Lady, and Matthew St. Patrick from Six Feet Under as Skulker, and Will Arnett from Arrested Development as the Ghost Writer, and Martin Mull as Vlad Plasmius.

045 These celebrity voice actors typically played their ghosts for a limited time before different voice actors took their roles. Sometimes as soon as the ghost's second appearance. Series Kath Soucie took over the role of the Lunch Lady and Kevin Michael Richardson became Skulker.

046 Tucker's dad, Maurice Foley, is voiced by Phil Lamarr who voices Hermes Conrad on Futurama and Samruai Jack on Samurai Jack.

047 Mark Hamill plays Undergrowth. He's, of course, best known for playing Luke Skywalker in Star Wars, but also as countless voice acting credits, including the Joker and Fire Lord Ozai.

048 The ghost child Youngblood was played by actor Taylor Lautner when he was just nine years old. Lautner would later be featured in everybody's favorite love story Twilight. Wait, who wrote that? Do I have to say that?

049 Danny's ultimate enemy, Dark Danny, is played by Oscar-nominated acting legend Eric Roberts. His impressive resume includes everything from the Dark Knight to the Cable Guy.

050 The first recording session for Danny Phantom took place on November 21, 2002, about a year and a half before the show premiered. The first episode to be recorded was also the first episode to air: Mystery Meat.

051 In fact, Danny Phantom premiered on April 3, 2004, right after Nickelodeon's annual Kid's Choice Awards.

052 Unlike many other animated shows, the cast of Danny Phantom recorded their dialogue in the same room together. David Kaufman described the experience as something akin to a stage play.

053 It takes the actors around 3 hours to record dialogue for a single episode. David Kaufman knows that shouting "I'm goin' ghost!" so many times made his voice hoarse by the end of the day.

054 In the episode What You Want, I voiced a football announcer that also looks a lot like me except he's, you know, a cartoon. I mean, he looks a lot more like me than Dr. Bender does. I hope.

055 The theme song we hear today wasn't the only one recorded for the show. An alternate version got so far into production that an alternate opening sequence was storyboarded all the way around it. The alternate song sounds very similar to the final product with different lyrics that focus more on explaining Danny's abilities.

056 The theme song was changed because Nickelodeon wanted it to tell Danny's origin story. This way, new views wouldn't feel alienated when watching the show for the first time no matter what episode they started out with.

057 Luckily, changing the lyrics wasn't an overly complicated, make-10-calls, logistical nightmare since I wrote the lyrics of the theme song. Both of them actually.

058 I based the show's theme song after the song The Invisible Man by Queen, one of my favorite bands.

059 One thing I learned from working on the Danny Phantom theme song is that your first idea isn't always your best idea, and to never stop pushing yourself until you've made something truly awesome. You're welcome for that halfway through burst of inspiration.

060 I also co wrote another fan favorite song Remember, performed by Ember in the episode Fanning the Flames, which also happens to be my third favorite episode. Yes, my third favorite. I am very, very specific.

061 Danny Phantom was the first show to be produced by my very own company, Billionfold Inc. which was co-founded with my wife. Billionfold comes from a biblical term, hundredfold.

062 A single episode of Danny Phantom took approximately 10 months to produce, stretching all the way from pre-production to post.

063 While the pre-production phase took place in Burbank, California, Danny Phantom's animation was done by a Korean animation studio called Rough Draft. Rough Draft's resume includes work done on other animated classics like Futurama, The Simpsons, and SpongeBob SquarePants.

064 The individual villains found within Danny Phantom's rogues gallery was based on ideas that I had. Ember McLane stemmed from a pitch regarding an episode about music fads, and the effects they have on teenagers. The Lunch Lady was generated from my very astute knowledge that students tend to hate school prepared lunched.

065 Vlad is a Green Bay Packers fanatic because Danny Phantom's story write, Steve Marmel is a cheesehead himself. We nearly got sued for this, but luckily Marmel was smart enough to make the team colors of the Danny Phantom Packers gold and green instead of green and gold.

066 One scrapped running gag Marmel wanted to incorporate was that Vlad's home would be blown up after every encounter he had with Danny, but this recurring joke was mainly lost in editing.

067 Had the series gone on, Danielle would have been taken in by the Fentons, effectively becoming the younger sister of Danny and Jazz.

068 Technus was intended to have another upgrade, Technus 3.0, in the episode Identity Crisis. The design was scrapped after we decided the upgrade didn't really fit anywhere in the episode's story.

069 The addition of Danny Phantom's logo later in the series was the suggestion of Nickelodeon executives, who thought he needed a symbol akin to heroes like Batman, Superman, and Spiderman. But perhaps more honest reason was because the execs wanted to make the hero more marketable.

070 Danny officially became 99.99% marketable in the season 2 episode, Memory Blank, in which Sam gives him his D logo.

071 The series score was composed by Guy Moon, who is also responsible for the music heard in the Fairly Odd Parents.

072 When Guy Moon and I met to discuss a soundtrack of an episode, I would usually sing over the episode in progress to give Moon an idea of how I wanted the music to sound. Moon would bring a camera to these sessions and record my, admittedly, unskilled singing to remember my instructions.

073 Not everyone can become a half ghost, half human. If Sam or Tucker had gotten caught int the middle of the Fenton's malfunctioning Ghost Portal, it would have likely killed them.

074 Wulf is fluent in Esperanto, a language created in 1887 by Dr. Ludwik Lejzer Zamenhof, perhaps better known by his pseudonym of Doktoro Esperanto. Esperanto was created in the hope of replacing every language in the world as the one universal language. Judging by the fact that this video is in English, you can probably guess how that plan worked out.

075 The episode titled Shades of Grey is obviously a play on Valerie's last name, but the title could have a much deeper meaning. The term "shades of grey" refers to an unclear position on the scale of good to evil, usually somewhere in between. This certainly applies to Valerie, as she doesn't necessarily fight ghosts for good or evil. but for her own personal reasons.

076 During Shades of Grey, Danny names the ghost dog Cujo. Cujo's also the name of a horror novel by Stephen King about a dog bitten by a rabid bat, which turns the dog into a cold-blooded killer.

077 The green glowing, double bladed melee weapon Maddie uses to slay the legion of Vlad's monsters in Maternal Instincts is practically identical to Darth Maul's double bladed lightsaber in Star Wars Episode One, save for the red color.

078 Because I know everyone loves multiple Episode One references, the the title of the second season's 9th episode The Fenton Menace is obviously a play on the title of everybody's favorite Star Wars film, the Phantom Menace. Yes. Everybody's favorite Star Wars film.

079 To continue the Star Wars nods, the Danny Phantom universe has its own line of popular toys called Space Wars featuring characters that resemble Chewbacca and R2D2.

080 Some of the computers in the Danny Phantom world have pears in the back of them which you probably guess was a nod to Apple computers. Timmy's dad in Fairly Odd Parents has the same symbol on his laptop.

081 Save for the creepy pictures of Maddie, the programs and icons on both Danny and Vlad's computers are exactly the same, in the exact same order.

082 Skulker's hunt for Valerie and Danny in Life Lessons closely resembles the plot of Richard Connell's famous short story "The Most Dangerous Game". Much like the story, Skulker kidnaps two very skilled humans on his property for the sole purpose of hunting what he considers to be the most challenging prey out there, or, the most dangerous game.

083 Mr. Lancer spouts the titles of books in place of shouting swear words. Some of these exclamations include The Great Gatsby, Chicken Soup for the Soul, and Moby Dick, which is about as close as we'll be getting to colorful language on a Nicktoon, except for maybe Ren and Stimpy, or Rocko, or SpongeBob. We're slick here at Nickelodeon.

084 In the episode What You Want, Paulina transforms into a popular anime cat names Sayonara Pussycat, who resembles the character Hello Kitty. But Sayonara is actually a rather dramatic and final sounding word for "goodbye" in Japanese.

085 In Teacher of the Year, all 13 levels that Tucker shows Technus are based on the eight worlds from the 1990 NES classic Super Marion Bros. 3. The level 0 glitch is a reference to the infamous Minus world from the original Super Mario Bros.

086 Before sending Danny into the Ghost Zone in the episode Prisoners of Love, Tucker can be seen playing Space Invaders on his PDA.

087 Valerie Grey lives on 461 Elm Street, an obvious reference to the classic horror film A Nightmare on Elm Street. She'd probably stand more of a chance against Freddy Krueger than the other kids in the Street as well.

088 Johnny 13 and Kitty's voice actors, William Baldwin and China Phillips, are a married couple in real life. The knot has been securely tied since 1995. Way before they were cast.

089 In Fanning the Flames, Danny quips "Do you take requests? How about Beat It." in addition to telling Ember to hit the road, Danny's referencing Michael Jackson's classic song Beat It. Good one, Danny. And good one, me.

090 Michael Jackson makes a more obvious cameo in the episode Infinite Realms where he's seen in at his 2005 trial while Vlad is flipping through channels.

091 When we see Tucker's report card in What You Want, we learn that Tucker is not only highly proficient in computers, but sewing as well. If Danny ever needs a suit redesign, he who he can call. Not the Ghostbusters, they'll likely kill him. He should call Tucker.

092 The Groovy Gang and Scaredy Cat from The Million Dollar Ghost are an unsubtle jab at Mystery Inc and Scooby-Doo. An additional fact fact for you guys, I actually worked for Hanna-Barbera, the animation studio that created Scooby-Doo.

093 The secret government organization dedicated to eliminating paranormal entities known as the Guys in White are obviously a parallel to the Men in Black who essentially do the same thing but with evil extraterrestrials.

094 I've gone on record saying the reason Danny is not shirtless when he's at the water park is because he gets sunburned very easily.

095 We can all infer that Sam has good taste in films. For instance, a poster for Stanley Kubrick's A Clockwork Orange can be seen in her room.

096 In Memory Blank, Sam wants to see Trinity of Doom, a movie starring Femalien, the female version of Alien that’s a Predator, not a Xenomorph, you uncultured swine!, Terminatra, the female Terminator, and Nightmerica, the female version of Freddy Krueger. I'd still go see that.

097 Danny has a birthmark that's shaped like the state of Florida.

098 Timmy Turner's favorite comic book hero, The Crimson Chin, appears at the Ember concert as one of her many adoring fans in the episode Fanning the Flames. I officially sanction your conspiratorial speculations.

099 In the episode What You Want, Danny and Tucker can be seen playing an arcade machine titles Crash Nebula. Crash Nebula is one of Timmy Turner's favorite heroes of the Fairly Odd Parents. The plot thickens!

100 The cross referencing continued over into the Fairly Odd Parents, too. In Poulter Geeks, a wanted poster for Danny Phantom can be seen in the ghost hunting basement of Timmy's parents.

101 Or you guys could be thinking about this all wrong, and Danny could just be a fictional hero. In the Fairly Odd Parents Crash Nebula special, Danny can be seen on the back cover of a comic book. The truth is out there.

102 If Vlad were real, Steve Marmel would have made him the happiest half man/half ghost on the planet. The writer purchased a brick at Lambeau Field, the home of the Packers, and engraved it with "Someday I will rule - Vlad Plasmius".

103 David Kaufman's favorite episodes tend to be the ones in which Danny spends time with one particular member of his family and the plot strengthens their bond and understanding of each other. He cites the episodes Maternal Instinct and My Brother's Keeper as prime examples.

104 Like every great superhero, Danny Phantom has transcended into the realm of video games. His first outing was a Game Boy Advance adaptation of The Ultimate Enemy, a 2D side-scrolling beat-em-up ordeal.

105 The second was called Danny Phantom: Urban Jungle, which was released for both Game Boy Advance and Nintendo DS and it was a side-scrolling shooter.

106 There was once a Danny Phantom themed ride at the indoor Nickelodeon Universe theme park at the Mall of America in Bloomington, Minnesota. Danny Phantom: Ghost Zone's design was that of an Ali Baba. In other words, it consisted of a stationary horizontal gondola with a 360 degree swinging pendulum. Unfortunately, the rise was taken down in 2015.

107 Danny Phantom ran for three season, from 2004 to 2007. A total of 53 episodes were created for the series. The news of Danny Phantom's cancellation was not well received by the fans at all. The Danny fandom took to the streets of New York City and protested outside of Nickelodeon's building to bring the ghost boy back into production. Unfortunately, to no avail. But thank you. Seriously, thank you.

Ok, guys, thanks so much for watching. Hope you guys enjoyed it, 107 facts about Danny Phantom. Don't forget to like and subscribe to the Frederator Channel.

[kaimaciel]

@the-river-dream-shore thanks for tagging me :)

Rules: answer all the questions, add one of your own and tag as many people as there are questions i mean you can tag other people then :)

1. coke or pepsi?

Coke

2. disney or dreamworks?

I lean more towards Disney.

3. coffee or tea?

Coffee. I literally can’t survive without it. I only drink tea when I’m sick. 

4. books or movies?

I read more than I watch movies.

5. windows or mac?

Windows. Mac doesn’t support most of the programs I use.

6. dc or marvel?

It depends on the year and the media. In the last few years, I was definitely a Team Marvel girl. I loved Journey into Mystery, Young Avengers, and the first half of Loki Agent of Asgard, but then most of the characters started to get replaced, the comics became too preachy and condescending, reading them didn’t appeal to me, it only made me angry, not to mention the never ending Events. Right now, I don’t read a single Marvel Title. The Marvel Movies, on the other hand, are all a must see! I absolutely love them and it’s amazing to finally share my geeky passions with my friends who didn’t read comics until now.

The opposite happened with DC. Their movies are boring, dark and depressing (I hope Wonder Woman is good!), but both their comics and video games are amazing. I love what they’ve done with Jason Todd (Red Hood), Young Justice is an amazing series and I’ve played all the Batman Arkham games and Injustice. Overall, I think DC is now more focused on good stories and good characters. 

7. xbox or playstation?

Playstation. I’ve had them all.

8. dragon age or mass effect?

Neither. 

9. night owl or early riser?

I try to go to bed early because I have work early in the morning, but given the choice, I’m a night owl. 

10. cards or chess?

Cards. They’re more fun, especially with a large group. 

11. chocolate or vanilla?

Chocolate. I only eat vanilla icecream when it’s mixed with chocolate.

12.vans or converse?

I don’t know what those are :/

13. fluff or angst?

angst enveloped by hurt and comfort with a tear-jerking happy ending.

14. beach or forest?

I live near the forest, so I’m used to seeing it all the time, and I love it. Beach is something I crave every summer, but then get tired of. I’m almost albino, sun light is painful to me.

15. dogs or cats?

Both. I always had a dog and lately, we’ve been adopting a few stray cats. My cat just had 4 kittens and I wish we could keep all of them. They’re so cute.

16. clear skies or rain?

Clear skies. I find rain depressing unless I can stay warm at home and watch it fall from my comfy chair.

17. cooking or eating out?

Eating out, usually. I’m not much of a cook and I hate cleaning everything the kitchen. 

18. spicy food or mild food?

Mild food, spices don’t sit well with my gastric system.

19. halloween/samhain or solstice/yule/christmas?

We don’t celebrate Halloween in my country, but Christmas is always a huge event, even though is so expensive and exhausting. 

20. would you rather forever be a little too cold or a little too hot?

Neither! I like mild temperatures. 

21. if you could have a superpower, what would it be?

Telekinesis and the ability to shoot power blasts from my hands!!

22. animation or live action?

Animation, mostly, but somethings I would prefer live action now that I’m older.

23. baths or showers?

Showers. I usually don’t have the time for a bath.

24. team cap or team ironman?

Team Cap (the original Steve Rogers though).

25. fantasy or sci-fi?

Mostly fantasy, but I’ve begun to enjoy sci-fi too.

26. do you have three or four favourite quotes, if so, what are they?

People find it far easier to forgive others for being wrong than being right. — Harry Potter and the Half-Blood Prince 

I am serious. And don’t call me Shirley. - Airplane

Why? I'm not talking about killing Penguin or Scarecrow or Dent. I'm talking about him. Just him. And doing it because... Because he took me away from you. - Batman Under the Red Hood

27. youtube or netflix?

Youtube

28. harry potter or percy jackson?

Harry Potter. I never read Percy Jackson (I was going to read Magnus Chase from the same author buuut... he made Loki the main villain, so that’s an automatic NO for me).

29. when do you feel accomplished?

When I finish what I set out to do and succeed 

30. star wars or star trek?

Star Wars. 

31. paperback or hardback books?

Hardback! I love them, except for the paper cape that keeps falling out when I read.

32. horror or rom-com?

It depends on my mood, but I love both.

33. tv shows or movies?

Movies. It takes a lot of time for me to get invested in a tv show

34. favourite animal?

Dogs, cats, magpies, deer, dolphins, red pandas...

35. favourite genre of music?

All genres, again it depends on my mood. Except for Pimpa. 

36. least favourite book?

The Twilight series, Fifty Shades of Grey, 

37. favourite season?

Spring, when there are flowers blooming everywhere and the weather gets warmer.

38. song that’s currently stuck in your head?

Amar pelos Dois by Salvador Sobral, our Portuguese Eurovision winner. I’ve been listening to covers of his song in other languages and I’m so happy people like it enough to honor with a cover. It fits with any language. 

39. what kind of pajamas do you wear?

Matching set pajamas or an oversized T-shirt in the summer.

40. how many existential crises do you have on an average day?

Twice a week, just a few minutes of self-loathing when I’m lying in bed, but nothing big.

41. if you can only choose one song to be played at your funeral, what would it be?

Our funerals only sing hymns so I would choose O come, o come, Emmanuel.

42. favourite theme song to a TV show?

Biggest Dreamer - Digimon Tamers 

Go, Go Power Rangers!

43. harry potter movies or books?

The books were better. It all looked better inside my mind. 

44. you can make your OTP become canon but you’ll forget that tumblr exists. will you do it?

Pairings are important for a while, but then we move on to another fandom and find new ones. So I would keep Tumblr.

45. do you play an instrument and if so, what is it?

I had piano lessons, but I’m awful. I also played the flute in middle school.  I wish I could learn to play the violin.

46. what is the worst way to die?

Either burned or skinned alive.

47. if you could be entirely invisible for a day, what would you do?

Probably watch a bunch of movies for free.

48. If you could have personally witnessed anything in history what would it be?

I would have liked to take a tour on the Titanic, visit every single room.

49. If you could understand animals but you could never understand humans again, would you?

No. I need to understand humans, and it’s probably best if I don’t know what my dog and cats think of me.

50. What is your most favourite album currently?

None.

51. What is your favourite word/phrase/colloquiallism? Name one (or more) per language you speak c:

Água mole em pedra dura, tanto dá até que fura -it means with persistence, everything can happen

Antes só que mal acompanhado - means better to be alone than surrounded with people who don’t give a damn about you.

52. What mythical creature would you like to be able to transform into?

Either a Dragon or an Angel

Thanks for the challenge. Here are y tags:

@virushoney @thenightling 

Please tag me so I can read your answers ;)