#andrea fraser

[mentaltimetraveller]

Andrea Fraser, This meeting is being recorded, 2021.

Video installation (color, sound), 99:00 minutes.

Marian Goodman Gallery

[1dontwannagoback]

[fabienneaudeoud]

Andrea Fraser - Museum Highlights : A Gallery Talk (1989)

[gregdotorg]

Why Does Andrea Fraser's Work Make Me Cry?

Just me catching up on an almost 20yo talk by Andrea Fraser about why Fred Sandback's artwork makes her cry. She lays it out with nearly surgical precision, with frequent reminders that she's also operating on herself.

[halfabird]

Andrea Fraser, Museum Highlights, A Gallery Talk, 1989, video

[scintillulae]

[blog-girl-on-film]

Brendan Fraser by Andreas Laszlo Konrath | GQ. November 2022

[voguefashion]

Brendan Fraser photographed by Andreas Laszlo Konrath GQ Magazine, 2022.

[awardseason]

2023 Oscars — Nominees

Best Picture “All Quiet on the Western Front” “Avatar: The Way of Water” “The Banshees of Inisherin” “Elvis” “Everything Everywhere All at Once” “The Fabelmans” “TÁR” “Top Gun: Maverick” “Triangle of Sadness” “Women Talking”

Best Director Martin McDonagh (“The Banshees of Inisherin”) Dan Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) Steven Spielberg (“The Fabelmans”) Todd Field (“TÁR”) Ruben Östlund (“Triangle of Sadness”)

Best Actress Cate Blanchett (“TÁR”) Ana de Armas (“Blonde”) Andrea Riseborough (“To Leslie”) Michelle Williams (“The Fabelmans”) Michelle Yeoh (“Everything Everywhere All at Once”)

Best Actor Austin Butler (“Elvis”) Colin Farrell (“The Banshees of Inisherin”) Brendan Fraser (“The Whale”) Paul Mescal (“Aftersun”) Bill Nighy (“Living”)

Best Supporting Actress Angela Bassett (“Black Panther: Wakanda Forever”) Hong Chau (“The Whale”) Kerry Condon (“The Banshees of Inisherin”) Stephanie Hsu (“Everything Everywhere All at Once”) Jamie Lee Curtis (“Everything Everywhere All at Once”)

Best Supporting Actor Brendan Gleeson (“The Banshees of Inisherin”) Brian Tyree Henry (“Causeway”) Judd Hirsch (“The Fabelmans”) Barry Keoghan (“The Banshees of Inisherin”) Ke Huy Quan (“Everything Everywhere All at Once”)

Best International Feature Film “All Quiet on the Western Front” (Edward Berger, Germany) “Argentina, 1985” (Santiago Mitre, Argentina) “Close” (Lukas Dhont, Belgium) “EO” (Poland) “The Quiet Girl” (Ireland)

Best Adapted Screenplay Edward Berger, Ian Stokell, and Lesley Paterson (“All Quiet on the Western Front”) Rian Johnson (“Glass Onion: A Knives Out Mystery”) Kazuo Ishiguro (“Living”) Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer (“Top Gun: Maverick”) Sarah Polley (“Women Talking”)

Best Original Screenplay Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) Todd Field (“TÁR”) Tony Kushner and Steven Spielberg (“The Fabelmans”) Martin McDonagh (“The Banshees of Inisherin”) Ruben Östlund (“Triangle of Sadness”)

Best Animated Feature “Guillermo del Toro’s Pinocchio” (ShadowMachine/Netflix) “Marcel the Shell with Shoes On” (A24) “Turning Red” (Pixar/Disney) “Puss in Boots: The Last Wish” (DreamWorks/Universal) “The Sea Beast” (Netflix)

Best Cinematography James Friend (“All Quiet on the Western Front”) Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”) Mandy Walker (“Elvis”) Roger Deakins (“Empire of Light”) Florian Hoffmeister (“Tár”)

Best Visual Effects “Avatar: The Way of Water” (20th Century/Disney) “All Quiet on the Western Front” (Netflix) “The Batman” (Warner Bros.) “Black Panther: Wakanda Forever” (Disney/Marvel) “Top Gun: Maverick” (Paramount)

Best Editing “Elvis” (Warner Bros.) “Everything Everywhere All at Once” (A24) “Top Gun: Maverick” (Paramount) “TÁR” (Focus Features) “The Banshees of Inisherin” (Searchlight Pictures)

Best Production Design “Avatar: The Way of Water” (20th Century Studios/Disney) “All Quiet on the Western Front” (Netflix) “Babylon” (Paramount) “Elvis” (Warner Bros.) “The Fabelmans” (Universal)

Best Makeup and Hairstyling “Elvis” (Warner Bros.) “The Batman” (Warner Bros.) “Black Panther: Wakanda Forever” (Marvel/Disney) “All Quiet on the Western Front” (Netflix) “The Whale” (A24)

Best Costume Design “Elvis” (Warner Bros.) “Black Panther: Wakanda Forever” (Marvel/Disney) “Everything Everywhere All at Once” (A24) “Babylon” (Paramount) “Mrs. Harris Goes to Paris” (Focus Features)

Best Sound “Top Gun: Maverick” (Paramount) “Elvis” (Warner Bros.) “Avatar: The Way of Water” (20th Century/Disney) “All Quiet on the Western Front” (Netflix) “The Batman” (Warner Bros.)

Best Original Song “Hold My Hand” — Lady Gaga (“Top Gun: Maverick”) “Lift Me Up”— Rihanna (“Black Panther: Wakanda Forever”) “Naatu Naatu”— Kaala Bhairava, M.M. Keeravani, and Rahul Sipligunj (“RRR”) “Applause”— Diane Warren (“Tell It Like a Woman”) “This Is a Life”— David Byrne, Ryan Lott, and Mitski (“Everything Everywhere All at Once”)

Best Original Score Justin Hurwitz (“Babylon”) John Williams (“The Fabelmans”) Volker Bertelmann (“All Quiet on the Western Front”) Carter Burwell (“The Banshees of Inisherin”) Son Lux (“Everything Everywhere All at Once”)

Best Documentary Feature “All That Breathes” “All the Beauty and the Bloodshed” “Fire of Love” “A House Made of Splinters” “Navalny”

Best Documentary Short Subject “The Elephant Whisperers” “Haulout” “How Do You Measure a Year?” “The Martha Mitchell Effect” “Stranger at the Gate”

Best Live Action Short “An Irish Goodbye” “Ivalu” “Le Pupille” “Night Ride” “The Red Suitcase”

Best Animated Short “The Flying Sailor” “The Boy, the Mole, the Fox and the Horse” “Ice Merchants” “My Year of Dicks” “An Ostrich Told Me the World Is Fake and I Think I Believe It”

[mentaltimetraveller]

Andrea Fraser, Um Monumento às Fantasias Descartadas (A Monument to Discarded Fantasies), 2003. Mixed media

[1dontwannagoback]

[teenagesnuffproducer]

Andrea Fraser ‘Little Frank and His Carp’ (2001)

[gregdotorg]

R.H. Quaytman, Orchard Spreadsheet, 2009, ed. 10

From 2005-2008, a group of twelve artists, curators and critics ran Orchard as an experimental gallery and event space on the Lower East Side of Manhattan. Frieze has published an oral history of Orchard, which as [now MOCA] curator Bennett Simpson rightly notes, "the just-past is always kind of embarrassing." But amazing.

[magsam]

BRENDAN FRASER GQ | ph. Andreas Laszlo Konrath

[fashionbooksmilano]

Fashion Fictions

Edited by Stephanie Rebick

Contributions by: Himikalas Pamela Baker; Julian Bleecker; Lucie Chan and Zoë Chan; Clinton Cuddington; Hélène Day Fraser and Keith Doyle; Amber-Dawn Bear Robe; Siobhan McCracken Nixon; Stephanie Rebick; Andrea Valentine-Lewis; and others

Vancouver Art Gallery, 2023, 184 pages, 200 ill.,24x32cm, ISBN 97811988860176

euro 38,00

email if you want to buy booksinprogressmilano@yahoo.it

Fashion Fictions surveys experimental design practices that exist at the intersection of fashion and other modes of cultural production. International in scope, the exhibition explores the increasing influence of research-based, materially driven practices on the global fashion scene, while acknowledging the proliferation of creative practices that challenge the aesthetic, material and technological conventions of fashion. The title of the exhibition is drawn from artist and technologist Julian Bleecker’s influential essay “Design Fiction” (2009) in which he extends the term first coined by critic and theorist Bruce Sterling to argue that the most innovative, transformative work is produced in the spaces between fact and fiction, the present and the near future, and the scientific and the fantastical. All of the designers in Fashion Fictions occupy these liminal spaces, using fashion as a means to unite seemingly disparate sentiments and to propose new possibilities for aesthetics, bodily forms and, more ambitiously, how we exist in the world. Drawing on various cultural traditions, science fiction, technology, and an interest in the natural world and sustainability, designers invent fashion objects that act as visual manifestations of new realities and celebrations of hybrid identities. Rather than presenting retrofuturist visions that recycle the space age imagery of the 1960s and 70s, these designers are proposing new trajectories and new possibilities for the near future. The exhibition is comprised of three thematic sections: Material Futures, which includes work that features technological and scientific innovations in materials research; Aesthetic Prophesies, which highlights designers’ fusion of cultural traditions with speculative creations; and Responsible Visions, which investigates how designers are incorporating adaptive reuse and upcycling into their explorations.

03/04/24