#anyways horror movies when you have high empathy is so funny because you’re like sure she murdered countless people

[lesbianfakir]

See my thing with vengeful spirit/entity revenge horror is I just… don’t get why they can’t be friends?? I always feel really bad for the monsters like wow I’m sorry you had a horrific life and death that really sucks. And I get that they’re angry and want revenge but it’s always on innocent people. Why is it never enough to find someone who empathizes with their pain and tries to help them/lay them to rest? WHY DO WE HAVE TO MURDER THE NICE PEOPLE???

Anyways I would die in a horror movie because I would be like I’m gonna befriend the creepy haunted murder doll and this will horrifically backfire on me

[surveys-at-your-service]

Survey #348

“nothing will be free  /  nothing will be done  /  black out the sun”

Do you have any famous relatives? My third or so cousin is the author of Not Without My Daughter, but she's not like a smash hit or anything that most people know. I really do recommend the book, though. It's a long read, but a beautiful, true story. Do you care about celebrity gossip? Nah. Have you ever failed a science course in high school? No; I was very good at science. What’s your favorite breakfast food? Cinnamon rolls. Does your house have a basement? No. No house I've ever lived in has had one. Do you like Hot Topic? Well duh. Do you think imagination is valuable? VERY! Just imagine how many incredible things wouldn't exist without it. What was your reaction to your first time falling in love? Unspeakably happy, and I felt like I was building a future with someone. I felt like I had purpose, which I should mention to anyone reading is a mindset to NEVER adopt. No one gives you purpose; you're born with it. How much weight can you lift at once? Ha, not a lot. When you have your own house someday, what color Christmas tree do you want and how will you decorate it? I want a black one with faux snow on the branches, then maybe red ornaments. Kinda look like blood dripping off. Sounds metal. Name three YouTube channels you’ve been loving lately. Lately, John Wolfe, The Dark Den, and Aim To Head Mix. Have you ever bought a designer purse? No. Do you wear jewelry often? No. What color was your senior prom dress? Black. Are you colorblind? No. Name the people you know who are colorblind. Jason's older brother is colorblind to two colors, but idr which. Would you ever consider a career in writing? I'd love to. What was your first favorite color? Red. What do you think about horror movies? I love them. If you love them, what’s your favorite? I really enjoy The Crazies and both The Blair Witch Project movies. Oh, and of course Silent Hill. Got any cool Christmas presents picked out for family or friends yet? I don't have the money to get anyone presents... and while I sometimes get ideas about something I could make someone, then it wouldn't be fair to the rest of my family if I don't make them something, too. What’s your favorite word and why? I really like the sound of "serendipity," as well as its meaning. It's just a pretty, nice word. Do you like to do craft projects? If so, what’s the coolest thing you made? Not really... I think the coolest thing I made was when I put the clay heart I made in Art into a shadowbox, and a poem I wrote was in the background. It was a gift for Jason. I remember working really hard on the whole process and being really happy with it. I don't want to know what he's done with it since. What’s one occupation you think gets paid too much and doesn’t deserve to? I don't know. What’s something you are currently saving money for to buy? Everyone knows about Venus' terrarium by now... Do you smoke/vape? If so, what brand do you smoke/what device do you use? No. Ever done drugs? No. Tell me one of your worst habits. Catastrophizing. I take a tiny seed of something potentially bad, and in seconds it's a damn redwood tree. And I do mean "in seconds." What’s a weird quirk you have that no one else you know does? I don't know, I don't have any particularly unique ones, I think. If you game, what type of headset do you use? I just use earbuds. Do you think you would be a good therapist? You know, it's funny, I've actually pictured myself as one a few times, given my level of understanding and empathy for people, as well as how deeply I want to see others succeed and spread the word that recovery from things like depression is very possible. I've never truly entertained the thought, though, given I'm quite sure I legally couldn't be given my suicidal past and mental illnesses. There is also NO way I could listen to so many people's suffering and manage to stay healthy myself, so, no therapist position for me, thanks. Have you ever been to a Chinatown? No. Do you prefer chunky or creamy peanut butter? Creamy, 100%. Do you stop to pick up heads-up pennies? No. Do your pets have collars? Describe them: Roman has an adorable navy one with a bowtie. Do you have any friends that speak any languages you don’t understand? Old friends, sure. What is something you want to begin learning? I want to improve my ability to perform what in therapy is called "opposite action," where you do the opposite of what your depression (or other conditions) make you want to do. It always helps me feel good, like when I draw even when I don't initially feel like it, but it's rough to really force yourself to do it. What is a food you find comforting when you are sad? Ice cream is my comfort food. What is a quote you find comfort in? There are really a lot, but none come to mind immediately, gah. What is one Tumblr blog you really appreciate? I actually haven't been on my main Tumblr in months, but oh my god there is a Markiplier blog called "lady-raziel" and she is FUCKING HYSTERICAL. The meme quality is A+. What is a comfort movie/show for you? When I actually liked watching movies, I enjoyed watching Silent Hill when I was down. That whole franchise just makes me so happy. What is a recent creative project that you are proud of? That I'm PROUD of, idk. I'm not that happy with the last drawing I made, and I haven't done any serious writing lately that I find noteworthy. What is a video game that you find comforting? Shadow of the Colossus is probably #1. I find it so relaxing while equally epic as fuck. The soundtrack is to die for, and after playing it a billion times, it's pretty easy for me to kinda breeze through and just enjoy myself. Do you know how to bake bread? If so, what is something you’ve baked recently? No. Would you rather live in the mountains, city, beach, or the forest? THE MOUNTAINS!!! Particularly in the woods IN the mountains! Are you closer to your mother’s or father’s side of the family? Mom's. I don't even remember anyone from Dad's. Have you ever been in a “perfect relationship”? I thought so. Have you ever lost a fingernail or toenail? No. Were you a Disney or Nickelodeon kid? I preferred Disney. Have you ever been inside a jail/prison? No, and I don't plan on it. Have you ever dated a guy with a beard, mustache, or goatee? Jason had a goatee usually. He'd go clean-shaven sometimes. Did you ever name your stuffed animals? I named every single one I got as a kid. Now I don't, really, unless they're really special. What’s the name of the person who cuts your hair? I'd rather not share, given her name is very unique. Do you like cheeseburgers? Yes, they're one of my favorite foods. Do you have a Flickr? Yes, but I don't use it anymore. Did you ever want to be a fashion designer? No. Do you drink milk? Yeah, I love milk. Where was your FB display pic taken? My room. Have you ever burnt your tongue like REALLY bad? If so, what on? Yeah; white rice. My dumb ass didn't realize it had JUST come off the stove. My tongue hurt literally for weeks. Have you ever gotten your legs waxed? No. Do you own any CLOTHES from Victoria’s Secret? Er, are undergarments not clothes? But I know what you mean. No. What are your grandfathers’ names? William and... I can't remember Dad's dad's name. Have you ever seen a snake in real life? Well yeah. Are you against seances? I don't know if I believe in them being effective, but either way, they seem like a bad idea. Even risking luring a negative energy/spirit to you is something I'd stay away from. Do you own any superhero shirts? No, just Harley Quinn ones, some with the Joker on them, too. I need to toss 'em though because I am like, violently against romanticizing their abusive relationship. I used to just like them as a story character couple, but I got to a place where it just seemed... wrong to "glorify" it by wearing merch and stuff. What band has the best guitar solos? Metallica, durrrr. Who is the biggest jerk you’ve ever met? Can you believe that would be my former best friend? Have you ever swerved off the road to avoid hitting an animal? I've never had an animal in my path. Have you ever grown your own herbs? No. Do you like kissing in public? If you're my serious s/o, I could care less, so long as it's a simple peck. I'm not making out in front of people. Do you think someone has feelings for you? I don't know. Do you want to be in a relationship this year? I don't know. I'm lonely and love feels amazing, but I need to get my life on track before I can be a good partner to someone and not just dead weight. Has anyone told you they don’t want to ever lose you? Huh, funny, he's the one that walked away. How long can you just kiss until your hands start to wander? Uhhh that would depend on how serious we are, where we are, and just what mood I'm in. What’s the sweetest thing anyone’s ever done for you? ugh What’s the sweetest thing you’ve ever done for someone? also ugh What’s your dirtiest secret? TMI AHEAD. Probably receiving oral while bare-ass naked on the chaise in the living room while we were home alone. Or having sex in my sister’s bed. Oops. Would you ever get lyrics tattooed on yourself? Yeah. I already do, anyway, and I plan on getting another. Can you photoshop images well? I'm decent at it. Where did you last drive to? Mom and I went to go get our Covid vaccines today. What’s the first verse of the last song you listened to? "I don't know what we're supposed to be, but I know we lost it along the way to something better, something so much more than pleasure that we seek, so blind inside to fill these holes left by these lies that we tell to ourselves as we manufacture our own hell." What do you hear right now? The aforementioned song: "BLACKOUT" by 3TEETH. What was the last thing you laughed about? This is so fucking immature lmao but when we were driving earlier, we passed a gas station that had a sign that was advertising Coke, but due to space limitations, it abbreviated to "2 liter Cok" and I cackled like a child. Mom laughed harder than I did. Do you know any gay people personally? Ye. What was the last thing that startled you? I think it was a car hoonking at somebody the other day. What was the last thing to make you even remotely sad? Today's been a kind of rough PTSD day thanks to Facebook. My old high school friend had her beautiful daughter, a childhood friend just got married the other day, another friend is due to have her baby in just a couple weeks... It's just weird but even more painful to know it was the life I once fantasized about with a guy that just dropped me and made a break for it. I hate admitting that there's this deep, deep bitterness in me about it, like he took my life away from me, even though that's of course very unfair to say. I don't want to talk about this anymore, so moving on with my day.

[keepyourpantsongohan]

Ayesha Liveblogs Naruto Shippuden S20 (Pt. 3)

I wonder if going after Karin’s Tsukuyomi bulb was happenstance or whether Tobirama went “I smell an Uzumaki” and had at it

“Just be quiet for a bit” How dare you speak to your father this way Sasuke, Kakashi does nothing but love you

“EVERYONE WILL OWN A DOG. GO GET A DOG, HOKAGE’S DECREE!“ you’ve got my vote, Kiba

Mirai as a baby is an absolute unit and I love it

Shikamaru, getting down on one knee in front of Temari: Will you not marry me?

You know what. All these dreams are extremely realistic. I buy it. A teenage boy would totally dream about kicking his friends’ asses for fun even if he had the opportunity to do anything in the world. 10/10 believability 

Sai dreams about being told he has a nice smile and being twirled around by Naruto my boooooy 😭😭😭😭😭😭

“[My Sasori transformer] will be the guardian deity of the Sand” Kankuro pls

Omg Temari’s dream is so cute she wants her little brothers to need her

God the fact Gaara’s dream is about having a happy childhood PICK UP THE PHONE RASA I JUST NEED TO TALK

“Madara, don’t you dare talk about the Uchiha. The only one who has that right, is my big brother.” But he did... murder them, Sasuke. That is a thing that happened. My dear. My dude. He done did it.  

Having read Itachi Shinden none of this should be shocking but FUGAKU REALLY YOUR SON IS FOUR WHY ARE YOU LIKE THIS

“Listen Itachi, never forget this sight” well he sure won’t now that you’ve given him CHILD PTSD FUGAKU

“We finally have peace, and we must do our best to maintain it” Hmmm.... must you, Fugaku? Is that a thing you must do?

“What is life, anyway?” Damn my existential dread didn’t kick in at least until I was in school, Itachi

Sasuke was such a weird-looking newborn I love him

I wonder how the English dub will deal with the mild implications of inc/est between Itachi and Izumi

Please Mikoto your son is like 6 why are you having him babysit

God I am so used to every version of Itachi having the voice of a grownass man that hearing a child-like voice even when he is 6 is almost off-putting lmao

Full offence Obito but why do you have to be such a little bitch

“Oh good, I knew that you’d be alright” HE’S 6 FUGAKU

Why is Naruto just sitting in a basket on top of his father’s grave??? Who let you do this? Hiruzen what is wrong with you??

“I’m glad that you didn’t die” an accurate representation of Itachi’s social skills at all ages

DFhsdjfhkdsjhfk I love that Itachi has accidentally become these kids’ leader 

AHHHHH I guess that’s Hana next to Itachi I wanna see the cat ninja and dog ninja fight 

“If the fighting can be stopped, I’d like to stop it” Shisui <3 

Itachi’s sweet tooth is so goddamn cute ahhhh what a little nerd

Hhgfkhjfhl SASUKE’S PAW ENCYCLOPEDIA THE PREQUEL THIS IS WHAT I NEVER KNEW I NEEDED

“I mean, [ladies] are clueless” “How dare you insult my woman” Turns out the alcohol this cat was drinking was Respect Women Juice

God I love Minazuki-sensei he’s such a mess

“No they blew away in the wind” guess Itachi hasn’t picked up his snitching tendencies yet lmao

Baby Sasuke has acquired a younger voice too I guess. It is real late in the game to be establishing these lmao

Obito. I’m. Stop???? Please. Is this how Kakashi felt during the war

God I love Shisui the tiny ninja detective they really have left off some of the cooler aspects of being a shinobi in all the wild and flashy jutsu like during the Land of Waves arc when Kakashi kept noticing relatively mundane clues

“Shisui picked up on how I felt right from the beginning” welcome to empathy Itachi

“I’ll hand this intel over to Lord Hokage, and he will deliver a just and fair judgment” I like this ANBU vs. ROOT dichotomy but bold of you to assume Hiruzen won’t ultimately let Danzo do whatever he wants lol

Damn what the shit how does Shisui know who the foundation already isn’t he like 12 

The animation of this arc is nice but also so weird they really did make Itachi and Shisui’s eyes like half of their face

These wholeass adults getting between by two prepubescents lmao 

“A teleportation jutsu has no mass” wait WHAT I have so many questions Shisui what does that MEAN 

“I want to you to think of me as your older brother” HELL YEAH HE DOES

Ffgdfkghkjh what an abrupt voice change between age 8 and 11 Itachi

How many times have they animated these same goddamn Itachi scenes 

Holy shit it’s like they tried to tell the story of the Itachi Shinden novels and then got bored halfway through gfkhgfkhgkjh

“I’m exhaAAAUsted from my mission” Itachi pls why say it like that

“You have the Mangekyo as well?” Fugaku had a friend???? Unrealistic. Blocked

THEY KIDNAPPED NARUTO??? I DON’T REMEMBER THIS IN ITACHI SHINDEN

Genjutsu but I don’t remember that either ?!?!?! Doesn’t Fugaku spend all of Itachi Shinden being emotionally distant and sending Itachi mixed moral messages

Who is the Fugaku hater on this storyboard staff lmao I’m crying

I have a lot of thoughts about this art direction honestly why is everything in the shadows why are the character models so weird why is Itachi suddenly outside in the lightning for his murder discussion meeting instead of inside the council room if you had to shout over lightning people could hear you 

“I challenge you to the high jump” “You’re no match for me” Sasuke you’re the most obnoxious seven-year-old in the world I love it

“There’s something that I’d like you to help me with” a very casual opener when you’re proposing the murder of your entire clan but okay

They really leaned into the horror movie aesthetic huh fair enough 

I have some objections to register about Izumi’s death like both options are weird but at least in Itachi Shinden she wasn’t humiliated by Obito begging for Itachi to save her she had a degree of awareness and it was an impactful if strange scene

FUCK THE TOBI VOICE I KNEW IT WAS COMING BUT I’M WHEEZING

Cute new ED but also the idea of Tobirama giving anyone a fistbump amuses me immensely 

“Who would’ve thought that that scuzzy bearded jerk would’ve been able to use a taijutsu like that” RUDE but also ‘scuzzy’ jhfjghkjhfgj

Omg that’s so funny they literally gave the former owner of Zabuza’s blade the same voice

This doesn’t make any fucking sense how could Juzo have the executioner’s blade when Zabuza would be like 21 when Itachi was 13 oh my god 

“The Hidden Mist doesn’t keep any prisoners” unsurprising but interesting

Is this meant to imply that Juzo is killed and then Zabuza immediately finds the sword and starts a coup because that’s hilarious

Wait how does them fighting the Mizukage make any sense isn’t Yagura under Obito’s control lmao who wrote this

Did Itachi just.... accidentally cripple the Mizukage omg [Zabuza screams in the distance]

Hahahaha I know it’s supposed to be evil but it’s really funny that Kakuzu killed his partner for being too slow

“I wouldn’t know how to cater to your moods” kjfhgkdhfgjh Kakuzu just got wrecked by a thirteen-year-old LMAO 

“I’m not sure what to do with you... whether to kill you right now or find a way to use you” KILL OROCHIMARU, ITACHI, IT’S GONNA SAVE YOU A LOT OF TROUBLE 

Why the hell would Kabuto be hanging out near the Akatsuki anyway isn’t he in a long term infiltration of the Leaf Village lmao or can Orochimaru summon him like a snake

On what basis does Pain decide these partnerships did Kisame and Sasori take a babysitting course or smth

The cutaway without the “This... is art” scene is almost funnier because it implies Itachi just had to flash his eyes at Deidara and Deidara was like, “HELLO AKATSUKI I AM HERE”

“I wouldn’t mind giving you a taste of my art” [insert ninja sex joke about Deidara’s mouth hands here]

Deidara really should not be old enough to be here by this point in the narrative but this entire arc has been wacky timeline wise

Man it must be fucked up to fight a puppet version of your own corpse

“What I really wanted... was to get a hold of Itachi’s body” you are the definition of stranger danger Orochimaru

From what I remember the video games had Kakuzu and Orochimaru approaching Hidan and not Konan and Itachi but I’m game for any Orochimaru erasure lmao

 I’m pretty sure all of that blood was Hidan’s?? World-building whomst

“He licked Kakuzu’s blood” did he though?? Show me his wound Itachi

OMG they’re really heavy-handed with Leaf!Itachi as if we did not just watch a bunch of episodes of Itachi caring about his village like honestly look at this:

Kisame: So even you have feelings for your birthplace, is that it?

Itachi: No. Not at all. [Sasuke, I hope that you’re safe.] 

(Me too Itachi 😭😭😭😭😭😭😭)

“It’s been a long time... Saaasuke” could you say his name a little less weirdly please Itachi

You really can’t get mad at Kakashi for teaching Sasuke chidori Itachi like maybe if you would murder less people Kakashi would feel a little less overprotective

God was the only point of animating and voicing these scenes again so that Itachi could mentally apologize every twelve seconds? You know what fair enough, anxiety and depression be like that sometimes

“You still have people who’ll protect you” Oh plot twist Itachi was actually writing a “Nice” list instead of a “Naughty” list and Kakashi, Jiraiya and Naruto are all on it

Oh yeah I kind of forgot that this was all supposed to be like a 5 minute span for Sasuke’s flashback of Itachi’s entire life lmao

You know.... it’s real unclear to me how Obito wakes up from his trance lmao he may not be in a cocoon but he’s certainly exposed to the light

“Be careful. We’re surrounded on all sides by four of his shadows” “Yeah I know that” Yeah, Naruto knows it, but Sasuke’s warning where the Shadow Madaras are entirely for Kakashi and Sakura’s benefit BC HE WORRIES MY BABY BOYYYY

“This chakra is even way stronger than Ten-Tails” I really heard “Tenten” there and I was like, wait what did I miss with Tenten kfhkjhgkjhg

OH GOOD ANOTHER UCHIHA FLESH MOUNTAIN JUST WHAT WE NEEDED

“They’re turned into White Zetsu” I hate this nonsensical bit of world-building it made more sense and felt less weird when they were Hashirama clones like what the fuck

Oh I can’t believe this is making me feel almost bad for Madara did Zetsu really edit the Uchiha Stone Tablet’s Tsukuyomi section to say “Peace Plans” ain’t that how like the CIA entraps people 

“Hashirama... where did I go wrong” We’d need a lot more time than you have to unpack that Madara

“Countless nights passed” I mean. Was it countless nights. Because I think it was. A couple hours. This war arc spans like two days. I have spent more human hours on this arc than they’ve spent ninja hours in this war

“I can’t believe such a person existed” neither can I Sasuke it’s almost like she was invented specifically for this arc

For real Obito no offence but like why aren’t you dead it just doesn’t make much sense khkjfdhkjhgkjh

Hmmm not 2 be that gal but Kaguya’s voice is v pleasant on the ears 

“Sorry to be so rough with you, Obito” Kakashi. You loving, kind, dumb bitch. He stabbed you THREE TIMES in the past two days you really owe him like -1000 apologies

“This is also one of those times where your body just moves on its own” SASUKE CALLED OUT FOR LOVING HIS COMRADES

“I’ve got to get to Naruto” I love your dedication Minato but I feel as though the loss of both of your arms makes helping more difficult

Kakashi is not NEARLY as surprised about this levitation thing as he should be. I think as this point he’s just like. ‘This might as well happen’

All other things aside Kaguya’s really fun to look at damn

Okay okay okay not to look for too much logic in this ninja show but don’t both Naruto and Sasuke have Six Paths chakra why can only Naruto float is a metaphor for Sasuke’s fall from grace

“I am Kaguya’s child” I can only imagine a Game of Thrones-eque shadow flying out the hooha situation

“Just before the seal took hold, she gave birth to me, in order that she could be restored” I can only assume Kaguya fucked Bitterness and Regret and you know.... fair enough

I gotta tell you Zetsu being the primary narrator of this arc is jarring

Tenji seems kinda nice it’s a shame something terrible will probably happen to him

Say what you will about SP’s animation inconsistencies they can animate some beautiful-ass skies

“Is there anything that you desire” Get u a man like Tenji

Fellas is it gay to sit under the stars with your handmaiden who adores you in comfortable silence

“Even now you’re not scared. That just makes me like you more” take a shot every time a man is Like That (bah dum tss) 

“Do Not Touch Me,” wow Kaguya mood

I will clarify I said that BEFORE she exploded the men gkhkjfhgkhh

Tenji, that Aino lady is your subordinate are you really gonna leave her with the creepy That man u are not the man I thought you were

“Just tell him, and I’m sure that Lord Tenji will forgive you” to be fair Aino you could’ve elaborated u were just like ‘yup she killed them’ and left it at that

WOW I RESCIND ALL COMPLIMENTS TO TENJI CALM DOWN DUDE

When life gives u lemons use people as fertilizer for ur infinite lemon tree I guess

Are you telling me 1) Gamamaru has existed since the DAWN OF CHAKRA and 2) He knew all about this Tsukuyomi shit just like. Kept it on the DL. WHAT KINDA WORLD-BUILDING

Okay but for real did the Otsutsuki clan stem like.... all the clans, because there’s the Kaguya clan (through Hamura I guess?), and the Hyuga clan definitely through Hamura, and then the Senju, Uchiha, and Uzumaki through Hagoromo like just how many people did your kids sleep with and for that matter how long ago was this

“A real talking toad! Think people would like it if we caught it and took it home?” Why are Hagoromo and Hamura the cutest things in the world this is the sibling content we deserve

“You’re just a snake oil salesman, and not a very good one” oh I think I love Hamura oh no I would love a character who gets stuck on the moon 

Take a shot every time a woman exists to die and make a man sad 

“She fell in love with the ruler of this land and in time she became pregnant with the two of you” notice that at no point does Gamamaru say they got married can u believe Kaguya invented premarital sex

You know none of this goes against mine and Sloane’s Kagumo theory

“How can you see so far into a toad’s heart that clearly” Gamamaru and Hagoromo’s interactions are killing me

How much time has passed for Hamura’s hair to grow that long

Hamura @ Kaguya: BROTHERS BEFORE MOTHERS

HOW MUCH TIME HAS PASSED FOR HAGOROMO TO DEVELOP THIS BROW RIDGE SAGE LAND TAKES A TOLL 

Tenji doesn’t even appear in this flashback about love and betrayal it’s just Kaguya being bitter bc her gal Aino died they were in lesbians together

Every so often I’m reminded that Kishimoto has a twin brother and I wonder what he thinks about making the twins fight

“You enabled me to awaken the mangekyo sharingan and rinnegan” how do u even have words for those things. Didn’t they just happen right this moment

Wow this is all very Little Shop of Horrors, Momma feeds the tree with people juice and in turn it wants to protect her from harm

“I split the Ten Tails into nine souls” SOULS? HAGOROMO CAN... JUST MAKE SOULS. COULD HE POINT AT GAMAMARU AND SAY “YOU ARE TWO FROGS NOW” AND THAT’D JUST BE TRUE?

“We won’t be that far apart,” said Hagoromo, just as his brother was about to teleport to the moon

Side note: Maybe ur crops were failing bc without the moon the tides are all out of whack and you know, the moon was apparently just invented right now

“Time passed, and so did Hagoromo” I love this particular literary device

“Time after time I’d approach the reincarnates of Indra and Ashura” okay so we’re supposed to be down for not only regular reincarnation in Naruto but Indra and Ashura ONLY BEING BORN TO THE SENJU AND UCHIHA CLANS REPEATEDLY WHAT WHO WROTE THIS

Does this mean that people Naruto and Sasuke every 50 years????You’d think the Land of Fire would just. Get used to it

“Just with that alone, a thousands years passed” well at least we have some idea of how much time it’s been since Kaguya era lmao 

Ur telling me that this horseshit happened bc Tobirama doesn’t know to leave dead bodies well enough alone

SHHHHH I PREFER THE ZETSU BEING WEIRD HASHIRAMA CLONES

This montage of Zetsu taking credit for everything Madara and Obito did is not appreciated lmao take some responsibility for your actions!!!!

I’m gonna keep harping on this for the rest of the war honestly like where is the ACCOUNTABILITY

“So your teen rebellion continues” LMAO UR NOT WRONG

“I know that this could be our last hurrah, but we gotta give it our best shot” not much of a plan Naruto sweetheart but fair

Tag urself I’m Kakashi’s look of despair at his hormonal students

“And Sasuke? Sorry that my sexy jutsu didn’t work” I was not prepared for the sincerity with which that line was delivered

The Sad Old Man™ energy radiating off Obito is... Immense 

“We’re all ready to die” R U THINKING OF RIN BC SHE WAS READY TO DIE OR BC UR READY TO SEE HER EITHER WAY IT’S SAD KAKASHI

“I want to thank you for helping me out. And for helping Sasuke” “No, there’s no need to thank me” this is the first time Obito has been right about something since the age of 13

“I’m not going to waste time on speeches,” said Obito, in the middle of a dramatic speech 

Minato..... how did you chop the branch.... with no hands to pick up a kunai???????? What kind of yoga contortion was involved

What I imagine the subtext of this scene to be:

Hagoromo: New old son!!!! I am dad now

Hashirama, whose dad was Butsuma: [choking back tears] Okay

Tobirama: I also hate our father

They’re all taking to this “demi-god pops out of the bottom half of dead ex-comrade” thing pretty well but to be fair they’ve had a complicated day

[chmcdo]

The 15 Best Horror Movies of 2017

The best horror movies of 2017 writhe in grief and mourning: Evil is mundane, they say—sure—but what does that actually mean about moving on with one’s life? In two of these films, the grief-stricken struggle to communicate with those they’ve lost, realizing the process of doing so is difficult, an incredibly tedious series of motions (much like one’s everyday life) in which we’re never really sure they’re succeeding, or just feeding their own serious neuroses, plunging them deeper into depression. One film is a musical reveling in the harshness of young love, in the terrifying lengths to which someone, women especially, are expected to go to be loved. One is the highest grossing horror film of all time, and another is a genre-transcending treatise on America’s treacherous post-Obama racial landscape, both changing the industry for low-budget genre films immeasurably. Even M. Night Shyamalan’s pulpy thriller ends on a surprisingly bleak note. In 2017, we’re just trying to find some way out of all of our most pessimistic impulses. We’re just trying to not wake up every day and assume the worst.

In other words, it was a fertile year for horror, America’s most vital form of filmmaking, especially for non-white, non-male voices laying waste to the genre’s most tired tropes. A number of titles almost made our list, worth mentioning: The Blackcoat’s Daughter, a film awe-struck with despair for humanity and a mind-bogglingly great performance from Kiernan Shipka; The Girl with All the Gifts; We Are the Flesh; Alien: Covenant, proving that the older Ridley Scott gets the grosser he’s willing to be; Happy Death Day; one of many good Stephen King adaptations this year (see below), Gerald’s Game; and The Killing of a Sacred Deer, which isn’t a horror movie but kind of works like one, and anyway it’s fine because you’ll see it on other lists elsewhere.

Here are the 15 best horror movies of 2017:

15. A Cure for Wellness Director: Gore Verbinski It’s a bit of a tragedy that Gore Verbinski’s delightfully bizarre, absurdly violent and grotesque A Cure For Wellness went largely unnoticed. Hollywood’s versatile trickster, Verbinski and screenwriter Justin Haythe go for broke cramming various sub-genres and mood-drenched tropes into an overstuffed, batshit-crazy horror epic, a loving nod to old Universal monster movies, among many, with the mad scientist conducting experiments that “defy god and nature” in a picturesque old castle perched atop a village that somehow skipped the 20th Century, Bojan Bazelli’s gorgeous cinematography taking full advantage of the Euro-gothic aesthetic. It’s a no-fucks-given gonzo experiment, laced with the riskiness of Giallo and the surrealist imagery of a Lynchian nightmare, disparate tones wrapped dreamily around an angry, blunt satire about the self-destructive, soul-sucking nature of greed and ambition. —Oktay Ege Kozak

14. XX Directors: Roxanne Benjamin, Annie Clark, Karyn Kusama, Jovanka Vuckovic, Sofia Carrillo It’s important that the scariest segment in XX, Magnet Releasing’s women-helmed horror anthology film, is also its most elementary: Young people trek out into the wilderness for fun and recreation, young people incur the wrath of hostile forces, young people get dead, easy as you please. You’ve seen this movie before, whether in the form of a slasher, a creature feature, or an animal attack flick. You’re seeing it again in XX in part because the formula works, and in part because the segment in question, titled “Don’t Fall,” must be elementary to facilitate its sibling chapters, which tend to be anything but. XX stands apart from other horror films because it invites its audience to feel a range of emotions aside from just fright. You might, for example, feel heartache during Jovanka Vuckovic’s “The Box,” or the uncertainty of dread in Karyn Kusama’s “Her Only Living Son,” or nauseous puzzlement with Sofia Carrillo’s macabre, stop-motion wraparound piece, meant to function as a palate cleanser between courses (an effectively unnerving work, thanks to its impressive technical achievements). Most of all, you might have to bite your tongue to keep from laughing uncontrollably during the film’s best short, “The Birthday Party,” written and directed by Annie Clark, better known by some as St. Vincent, in her filmmaking debut. XX is a horror movie spoken with the voices of women, a necessary notice that women are revolutionizing the genre as much as men. —Andy Crump

13. Split Director: M. Night Shyamalan Split is the film adaptation of M. Night Shyamalan’s misunderstanding of 30-year-old, since-discredited psychology textbooks on Dissociative Identity Disorder, but if we deign to treat it with scientific scrutiny, we’ll be here all night. Suffice it to say, don’t go looking at anything in this film as psychologically valid in any way. But do go see Split, because it’s probably M. Night Shyamalan’s best film since Signs. Or maybe since Unbreakable, for that matter. And if there’s one way that Splitreinvigorates Shyamalan’s stock most, it’s as a visual artist and writer-director of tension and thrilling action. The film looks spectacular, full of Hitchcockian homages that remind one of Vertigo and Psycho, to name only a few. It’s a far scarier, more suspenseful film in its high moments than Shyamalan’s last film, The Visit, ever attempted to be, and it may even be funnier as well, although these moments of levity are sown sparingly for maximum impact. Mike Gioulakis deserves major props for cinematography, but the other thing that will stick in my mind is the unexpectedly great sound design, full of rumbling, groaning metallic tones. After so many films that relied on the kind of overwrought twist ending that made The Sixth Sense so buzzy in 1999, it seems like Shyamalan has finally gotten over the hump to make the kinds of stories he makes best: atmospheric, suspenseful potboilers. Here’s hoping that this newfound streak of humility is here to stay. —Jim Vorel

12. Thelma Director: Joachim Trier Thelma (Eili Harboe) is a meek and quiet young woman moving away from her strict Christian parents (Henrik Rafaelsen, Ellen Dorit Petersen) for the first time in her life. To study Biology at a Norwegian university. She’s devoted to her faith and doesn’t indulge in alcohol, drugs or other earthly desires. But all of that changes when she sits next to Anja (Kaya Wilkins), a warm-hearted and empathetic schoolmate, during a study session. The two don’t even know each other yet, but Thelma’s close proximity to a girl she feels an intense attraction toward is enough to trigger a violent seizure, which may or may not be the result of her intense rejection of her feelings, spurned by her religious upbringing. With subtle yet passionate performances by its two leads, the film would have worked fine as a straight drama about Thelma’s journey towards (hopefully) acknowledging her nature. What makes Thelma so special is in the way Trier and co-writer Eskil Vogt wrap this already palpable drama around a fairly downplayed supernatural horror premise with surgical precision. —Oktay Ege Kozak

11. It Director: Andy Muschietti 2017 was the year of blockbuster horror, if ever such a thing has been quantifiable before. Get Out, Annabelle: Creation and even would-be direct-to-video gems such as 47 Meters Down turned sizable profits, but they were just priming the box office pump for It, which shattered nearly every horror movie record imaginable. Perhaps it was the uninspiring summer blockbuster season to thank for an audience starved for something, but just as much credit must go to director Andy Muschietti and, especially, to Pennywise star Bill Skarsgård for taking Stephen King’s famously cumbersome, overstuffed novel and transforming it into something stylish, scary and undeniably entertaining. The collection of perfectly cast kids in the Loser’s Club all have the look of young actors and actresses we’ll be seeing in film for decades to come, but it’s Skarsgård’s hypnotic face, lazy eyes and incessant drool that makes It so difficult to look away from (or forget, for that matter). The inevitable Part 2 will have its hands full in giving a similarly crackling translation to the less popular adult portion of King’s story, but the camaraderie Muschietti gets in his cast and the visual flair of this first It should give us ample reasons to be optimistic. Regardless, it’s impossible to dismiss the pop cultural impact that It will continue to have for a new generation discovering its well-loved characters. —Jim Vorel

10. The Lure Director: Agnieszka Smoczynska In Filmmaker Magazine, director Agnieszka Smoczynska called The Lure a “coming-of-age story” born of her past as the child of a nightclub owner: “I grew up breathing this atmosphere.” What she means to say, I’m guessing, is that The Lure is an even more restlessly plotted Boyhood if the Texan movie rebooted The Little Mermaid as a murderous synth-rock opera. (OK, maybe it’s nothing like Boyhood.) Smoczynska’s film resurrects prototypical fairy tale romance and fantasy without any of the false notes associated with Hollywood’s “gritty” reboot culture. Poland, the 1980s and the development of its leading young women provide a multi-genre milieu in which the film’s cannibalistic mermaids can sing their sultry, often violently funny siren songs to their dark hearts’re content. While Ariel the mermaid Disney princess finds empathy with young girls who watch her struggle with feelings of longing and entrapment, The Lure’s flesh-hungry, viscous, scaly fish-people are a gross, haptic and ultimately effective metaphor for the maturation of this same audience. In the water, the pair are innocent to the ways of humans (adults), but on land develop slimes and odors unfamiliar to themselves and odd (yet strangely attractive) to their new companions. Reckoning with bodily change, especially when shoved into the sex industry like many immigrants to Poland during the collapse of that country’s communist regime in the late ’80s, the film combines the politics of the time with the sexual politics of a girl becoming a woman (of having her body politicized). And though The Luremay bite off more human neck than it can chew, especially during its music-less plot wanderings, it’s just so wonderfully consistent in its oddball vision you won’t be able to help but be drawn in by its mesmerizing thrall. —Jacob Oller

9. The Transfiguration Director: Michael O’Shea Michael O’Shea’s The Transfiguration refreshingly refuses to disguise its influences and reference points, instead putting them all out there in the forefront for its audience’s edification, name-dropping a mouthful of noteworthy vampire films and sticking their very titles right smack dab in the midst of its mise en scène. They can’t be missed: Nosferatu is a big one, and so’s The Lost Boys, but none informs O’Shea’s film as much as Let the Right One In, the unique 2009 Swedish genre masterpiece. Like Tomas Alfredson’s bloodsucking coming-of-age tale, The Transfiguration casts a young’n, Milo (Eric Ruffin), as its protagonist, contrasting the horrible particulars of a vampire’s feeding habits against the surface innocence of his appearance. Unlike Let the Right One In, The Transfiguration may not be a vampire movie at all, but a movie about a lonesome kid with an unhealthy fixation on gothic legends. You may choose to view Milo as O’Shea’s modernized update of the iconic monster or a child brimming with inner evil; the film keeps its ends open, its truths veiled and only makes its sociopolitical allegories plain in its final, haunting images.

8. Creep 2 Director: Patrick Brice Creep was not a movie begging for a sequel. About one of cinema’s more unique serial killers—a man who seemingly needs to form close personal bonds with his quarry before dispatching them as testaments to his “art”—the 2014 original was self-sufficient enough. But Creep 2 is that rare follow-up wherein the goal seems to be not “let’s do it again,” but “let’s go deeper”—and by deeper, we mean much deeper, as this film plumbs the psyche of the central psychopath (who now goes by) Aaron (Mark Duplass) in ways both wholly unexpected and shockingly sincere, as we witness (and somehow sympathize with) a killer who has lost his passion for murder, and thus his zest for life. In truth, the film almost forgoes the idea of being a “horror movie,” remaining one only because we know of the atrocities Aaron has committed in the past, meanwhile becoming much more of an interpersonal drama about two people exploring the boundaries of trust and vulnerability. Desiree Akhavan is stunning as Sara, the film’s only other principal lead, creating a character who is able to connect in a humanistic way with Aaron unlike anything a fan of the first film might think possible. Two performers bare it all, both literally and figuratively: Creep 2 is one of the most surprising, emotionally resonant horror films in recent memory. —Jim Vorel

7. Prevenge Director: Alice Lowe Maybe getting close enough to gut a person when you’re seven months pregnant is a cinch—no one likely expects an expecting mother to cut their throat—but all the positive encouragement Ruth’s (Alice Lowe) unborn daughter gives her helps, too. The kid spends the film spurring her mother to slaughter seemingly innocent people from in utero, an invisible voice of incipient malevolence sporting a high-pitched giggle that’ll make your skin crawl. “Pregnant lady goes on a slashing spree at the behest of her gestating child” sounds like a perfectly daffy twist on one of the horror genre’s most enduring contemporary niches on paper. In practice it’s not quite so daffy, more somber than it is silly, but the bleak tone suits what writer, director, and star Lowe wants to achieve with her filmmaking debut. Another storyteller might have designed Prevenge as a more comically-slanted effort, but Lowe has sculpted it to smash taboos and social norms. Because Prevengehates human beings with a disturbing passion—even human beings who aren’t selfish, awful, creepy or worse—in it, child-rearing is a form of real-life body horror that’s as smartly crafted and grimly funny as it is terrifying. —Andy Crump / Full Review

6. mother! Director:   Darren Aronofsky   Try as you might to rationalize Darren Aronofsky’s mother!, mother! does not accept rationalization. There’s little reasonable ways to construct a single cohesive interpretation of what the movie tries to tell us. There is no evidence of Aronosfky’s intention beyond what we’ve intuited from watching his films since the ’90s. The most ironclad comment you can make about mother! is that it’s basically a matryoshka doll layered with batshit insanity. Unpack the first, and you’re met immediately by the next tier of crazy, and then the next, and so on, until you’ve unpacked the whole thing and seen it for what it is: A spiritual rumination on the divine ego, a plea for environmental stewardship, an indictment of entitled invasiveness, an apocalyptic vision of America in 2017, a demonstration of man’s tendency to leech everything from the women they love until they’re nothing but a carbonized husk, a very triggering reenactment of the worst house party you’ve ever thrown. mother! is a kitchen sink movie in the most literal sense: There’s an actual kitchen sink here, Aronofsky’s idea of a joke, perhaps, or just a necessarily transparent warning. mother! is about everything. Maybe the end result is that it’s also about nothing. But it’s really about whatever you can yank out of it, it’s elasticity the most terrifying thing about it. —Andy Crump

5. Personal Shopper Director: Olivier Assayas The pieces don’t all fit in Personal Shopper, but that’s much of the fun of writer-director Olivier Assayas’s enigmatic tale of Maureen (Kristen Stewart, a wonderfully unfathomable presence), who may be in contact with her dead twin brother. Or maybe she’s being stalked by an unseen assailant. Or maybe it’s both. To attempt to explain the direction Personal Shopper takes is merely to regurgitate plot points that don’t sound like they belong in the same film. But Assayas is working on a deeper, more metaphorical level, abandoning strict narrative cause-and-effect logic to give us fragments of Maureen’s life refracted through conflicting experiences. Nothing happens in this film as a direct result of what came before, which explains why a sudden appearance of suggestive, potentially dangerous text messages could be interpreted as a literal threat, or as some strange cosmic manifestation of other, subtler anxieties. Personal Shopperencourages a sense of play, moving from moody ghost story to tense thriller to (out of the blue) erotic character study. But that genre-hopping (not to mention the movie’s willfully inscrutable design) is Assayas’s way of bringing a lighthearted approach to serious questions about grieving and disillusionment. The juxtaposition isn’t jarring or glib—if anything, Personal Shopper is all the more entrancing because it won’t sit still, never letting us be comfortable in its shifting narrative. —Tim Grierson

4. A Dark Song Director: Liam Gavin In Liam Gavin’s black magic genre oddity, Sophia (Catherine Walker), a grief-stricken mother, and the schlubby, no-nonsense occultist (Steve Oram) she hires devote themselves to a long, meticulous, painstaking ritual in order to (they hope) communicate with her dead son. Gavin lays out the ritual specifically and physically—over the course of months of isolation, Sophia undergoes tests of endurance and humiliation, never quite sure if she’s participating in an elaborate hoax or if she can take her spiritual guide seriously when he promises her he’s succeeded in the past. Paced to near perfection, A Dark Song is ostensibly a horror film but operates as a dread-laden procedural, mounting tension while translating the process of bereavement as patient, excruciating manual labor. In the end, something definitely happens, but its implications are so steeped in the blurry lines between Christianity and the occult that I still wonder what kind of alternate realms of existence Gavin is getting at. But A Dark Song thrives in that uncertainty, feeding off of monotony. Sophia may hear phantasmagorical noise coming from beneath the floorboards, but then substantial spans of time pass without anything else happening, and we begin to question, as she does, whether it was something she did wrong (maybe, when tasked with not moving from inside a small chalk circle for days at a time, she screwed up that portion of the ritual by allowing her urine to dribble outside of the boundary) or whether her grief has blinded her to an expensive con. Regardless, that “not knowing” is the scary stuff of everyday life, and by portraying Sophia’s profound emotional journey as a humdrum trial of physical mettle, Gavin reveals just how much pointless, even terrifying work it can be anymore to not only live the most ordinary of days, but to make it to the next. —Dom Sinacola

3. Raw Director: Julia Ducournou If you’re the proud owner of a twisted sense of humor, you might sell your friends on Julia Ducournau’s Raw as a coming-of-age movie in a bid to trick them into seeing it. Yes, the film’s protagonist, naive incoming college student Justine (Garance Marillier), comes of age over the course of its running time: She parties, she breaks out of her shell and she learns about who she really is on the verge of adulthood. But most kids who discover themselves in the movies don’t realize that they’ve spent their lives unwittingly suppressing an innate, nigh-insatiable need to consume raw meat. Allow Ducournau her cheekiness: More than a wink and nod to the picture’s visceral particulars, her film’s title is an open concession to the harrowing quality of Justine’s grim blossoming. Nasty as the film gets, and it does indeed get nasty, the harshest sensations Ducournau articulates here tend to be the ones we can’t detect by merely looking. Fear of feminine sexuality, family legacies, popularity politics and the uncertainty of self govern Raw’s horrors as much as exposed and bloody flesh. It’s a gorefest that offers no apologies and plenty more to chew on than its effects. —Andy Crump

2. It Comes at Night Director: Trey Edward Shults It Comes at Night is ostensibly a horror movie, moreso than Shults’s debut, Krisha, but even Krisha was more of a horror movie than most measured family dramas typically are. Perhaps knowing this, Shults calls It Comes at Night an atypical horror movie, but—it’s already obvious after only two of these—Shults makes horror movies to the extent that everything in them is laced with dread, and every situation suffocated with inevitability. For his sophomore film, adorned with a much larger budget than Krisha and cast with some real indie star power compared to his previous cast (of family members doing him a solid), Shults imagines a near future as could be expected from a somber flick like this. A “sickness” has ravaged the world and survival is all that matters for those still left. In order to keep their shit together enough to keep living, the small group of people in Shults’s film have to accept the same things the audience does: That important characters will die, tragedy will happen and the horror of life is about the pointlessness of resisting the tide of either. So it makes sense that It Comes at Night is such an open wound of a watch, pained with regret and loss and the mundane ache of simply existing: It’s trauma as tone poem, bittersweet down to its bones, a triumph of empathetic, soul-shaking movie-making. —Dom Sinacola

1. Get Out Director:   Jordan Peele   Peele’s a natural behind the camera, but Get Out benefits most from its deceptively trim premise, a simplicity which belies rich thematic depth. Chris (Daniel Kaluuya) and Rose (Allison Williams) go to spend a weekend with her folks in their lavish upstate New York mansion, where they’re throwing the annual Armitage bash with all their friends in attendance. Chris immediately feels out of place; events escalate from there, taking the narrative in a ghastly direction that ultimately ties back to the unsettling sensation of being the “other” in a room full of people who aren’t like you—and never let you forget it. Put indelicately, Get Out is about being black and surrounded by whites who squeeze your biceps without asking, who fetishize you to your face, who analyze your blackness as if it’s a fashion trend. At best Chris’s ordeal is bizarre and dizzying, the kind of thing he might bitterly chuckle about in retrospect. At worst it’s a setup for such macabre developments as are found in the domain of horror. That’s the finest of lines Peele and Get Out walk without stumbling. —Andy Crump