#as3

[legends-of-drag]

Bonus:

“Just call me the Queen of Clubs.”

Aja

Drag Race USA (S9) | All Stars (S3, S10)

[dontyoutrytocalmmedown]

alexandrasavior: and that's a wrap Unforgivable out next Friday

[lacebird]

ALEXANDRA SAVIOR Performing The Mothership for the first time (April 9, 2025)

[mariuch]

Oh, Alexy, you’re so sexy - we say more, more, more & MORE!

Rex Manning, step aside - we’re talking to @RexDanger Man!

Alexander Skarsgård - we want you back on social media! Take back your maiden name! Tease us no more, mon amour! Start posting little love notes & fish pictures for us again.

Let’s make this year’s anniversary of the closing of the @rexdanger account a shout out to Alex for a new season of midsommer mayhem & mischief!

Bring back @rexdanger and make 16 June our official RexDangerMan Day every year!

Thanks to @askarsjustsoswedish for our premium quality RexDangerMan Day banner & gifs. Without her work this post would certainly not be as fun!

Anyone who can get this post to a Skarsgod should ask them to forward this grass roots movement to Alex! We love him, we want him (especially back on social media), we need him, we thirst for him!

@differentcatcat @maxwell-demon @m-f1 @trueblood825 @villageidiotlove @characteristicallyaskars @paradise-sverige @skarsgardsnark @fembroder

[heavenstrvck]

@miidnighters asked for 17) sender and receiver cook together (billie & alex)

alex is by no means a great cook. in fact, before she moved to the city to teach, she had spent her college years living off take-out and whatever she could grab as she studied in the library. but if there was one thing she loved, it was learning. so when billie had suggested to teach her to cook proper mexican food, not that american garbage - she had jumped on the opportunity.

grinning as they worked side by side in her kitchen, she bumped her hip against her girlfriend's gently, as she continued to chop the tomatoes. "okay, another one. give me another word and i'll try to find which one it is." she chuckled, as she tried to memorise what billie was teaching her, spanish words for each ingredient they were preparing. she focused on the task, softly murmuring the words she had already learned to make sure she'd remember them before she glanced back at billie expectantly. "come on!"

[magnetictapedatastorage]

[altairz]

i rewatched walkthrough first 5 chapters assassin's creed, and, i decided redraw Desmond

[yoursistheonlyocean]

Yesss!!!!!!!!!!!!!!!!

I'm screaming!!!!

Beneath The Lilypad is such a beautiful and adorable name for an album 😍

[andresbravo2003]

Back to AS2 (A CP Fan Comic)

Cast: Andres (Me) Dot The Design/Disguise Gal

[heavenstrvck]

once everything fades back to reality, alex sighs softly as billie's fingers leave her, easily moving to lay against the brunette, the pleasure still tingling through her thighs - god, she'd be sore this afternoon, no doubt.

her girlfriend's right, she notices, as her labored breathing is slowly coming down to normal, her heart following along quietly. it's all perfect, and sweet and comfortable. and then billie mentions filling her up again, this time with her cock, and the spark starts right back up into her lower stomach, despite her body's previous warnings about how much more she can take.

she chuckles softly, fingers caressing along billie's chest gently as she looks up at her. "sometimes i wonder which one of us is more insatiable, babe. i would have said me, but you keep surprising me." her lips are curled into a full blown grin now as she just watches the brunette. yet, her eyes drift down to where billie is very clearly ready to go again and she bites her lip, the hunger awakened. "how do you want me? we've done slow -" she calls back to the brunette's previous tortured position. "and soft. i think i need a change of pace." she adds, a devious glint in her eyes as they flit back to billie.

Billie's hand tightens in Alex's as the other hits her peak again, working her through the pleasure with those same long, deep strokes of her fingers that Alex was enjoying.

Once the other comes down a little, Billie pulls her fingers out gently and encourages her to fold over and lay against her chest.

"Just come and catch your breath for a moment, baby." She murmurs with a grin. "And then I'll fill you up with my cock. You did so good, hmm?" Billie is, of course, glossing over the fact that they only made it to three rather than four - but that had been an unachievable goal in the first place.

[legends-of-drag]

Bonus:

“I'm the MVP heading up to bat.”

Trixie Mattel

Drag Race USA (S7) | All Stars (S3)

[dontyoutrytocalmmedown]

How Alexandra Savior fought for her own return: “I’m just going to do exactly what feels right

by Lucy Harbron

For her fans, the long-awaited return of songwriting talent Alexandra Savior after five years was incredibly exciting news. For the artist herself, though, “Honestly, it’s been a little anticlimactic.” But isn’t that how it always goes? When you want something so bad and have been working towards it for so long, it’s always strange when it actually happens.

In the moments after a dream is realised, there is always an odd, almost empty feeling where you sit back and think, ‘Oh, that’s that then.’ Especially if that dream has been building and building quietly in private, the moment you reveal it to the public as something so tender and hard-earned, there is always bound to be some weirdness.

Savior has been stewing in that weirdness for a long time now. The last time the world heard from Savior, from the outside, it probably looked like an artist riding high. Released through Columbia and helped by Alex Turner, with whom Savior also wrote for his The Last Shadow Puppets project, her 2017 debut Belladonna of Sadness instantly shot her to notoriety. To her fans, 2020’s The Archer probably looked like a continuation of that success, gaining major critical acclaim. But, by that point, Savior had been dropped by her major label, and when it comes to financing what she wanted to do next, a small indie label can never be much help.

When we talk about the injustice of money in the music industry, this is exactly what we mean. Savior, with her talent, renown, and hundreds and thousands of monthly Spotify streams, should be earning a livable wage and enough to continue pushing forward with her career. But, as we know, that is not the case. Pair that with Covid-19, which greatly impacted Savior and her health, and what you have is a grinding halt that no one, neither Savior nor her fans, expected. The rest of her tour was cancelled; she seemed to disappear.

Yet still, what seemed like radio silence from the outside was a busy creative period for the artist. The album that she’s sitting on and is now finally beginning to offer to the world has been in existence for almost all of that gap. The weirdness came in the waiting around and in the new way that Savior had to adapt to making music. With both of her other albums, the process was typical—she wrote, then she went into the studio and worked consistently until it was done. But with the circumstances surrounding this third project, that couldn’t happen.(Credits: Far Out / Angela Ricciardi)

“It drove me crazy at first, for sure,” she said, describing the painstakingly slow process. “I was writing for a year, and then we went into the studio in 2021,” with that already bringing up its own delays due to the band needing masks, clearing Covid-19 tests and careful health protection. However, there was one issue, more than most, that caused an incredibly stop-start way of working.

“I recorded it in fragments because I didn’t have a label,” she said. “It’s expensive to have a band and go into the recording studios. So we would go in for like four days, and then six months would go by. And then we would go in for four days, and then eight months would go by.”

When she told me this, my immediate response was—how on Earth do you keep a hold on your vision and what it is you’re trying to do when the world keeps stopping you like that? But for Savior, that was a strangely beneficial element, forcing her to realise what she needed to focus on. “I had made some mistakes in the past where I would not follow my instinct, and then that is always what leads me to feel, maybe some, I don’t want to say regret, but, you know, I think that is what leads to inconsistencies,” she explained. This time around, having to already endure a tricky creative context, a lesson was learnt: “The consistency is me. For this record, I was just like, I’m just going to do exactly what feels right.”

But again, the world threw Savior another curve ball. Despite her masses of fans who were awaiting her return to music, this rotten industry failed her, as it does so many. She knew she needed two more songs for the album—two singles that she could pitch to labels and try to get herself some backing. But, funds had run out. “I had absolutely no money. I was on food stamps and like was, you know, not able to pay rent, and it was a really difficult time, so we couldn’t pay for musicians. So Drew Erickson, who produced the record, he played everything.”

You’d never guess, but ‘Unforgivable’ is one of those songs, standing as testament to Savior’s talent and having the benefit of incredible collaborators and the strength that comes when an artist is determined to make it work no matter what. The fact that ‘Unforgiveable’ is so polished and gorgeous while made on an invisible budget is all the proof you need that artists will move mountains to realise their art, even though they shouldn’t have to.

Through the struggle of it, a silver lining came. It would be easy to now present RCA, Savior’s new label who signed her off the back of ‘Unforgivable’ and the rest of her record, as a knight in shining armour as they are finally backing her to put out their long-time-coming release. But really, the only hero here is Savior, who battled her way through waves of a pandemic, health issues, money issues, industry failures and more to make a return. And while she might feel it as “anticlimactic” right now, what it really is is a triumph of artistic spirit and a true victory.

[lobie-the-cartoonist]

i think the AS3 artstyle is a bit overhated. they had an odd transitional period and there's totally some weird-looking drawings, but like, a lot of em are really cute and doubly expressive.

[astromechapunk]

Obsidian's Skyrim

Avowed coming Fall 2024 PC, Xbox Series X|S, and Gamepass

[penguinpartypalooza]

I've got some fallin' to do