Tumgik
#because they can't envision this Thing they like NOT revolving around themselves
wiitzend · 5 months
Text
this is gonna sound mean but people who make everything about their diagnosis/sexuality/mental illness/race etc., and shoehorn this one fact about themselves into every single conversation no matter how unrelated are insufferable. it's especially annoying when they do this in fandom spaces. they think that 'x character' or 'x show' HAS to be directly related to this one label about themselves despite their never being any actual canon evidence to support this (because they can't just accept the fact that not every character or piece of media has to be a carbon copy of themselves in order to be good or relatable), and then get angry when people don't agree. if you don't agree w/ them suddenly you have random weirdos crawling out of the woodwork calling you a bigot and unfortunately people like this are everywhere. it's so insane to me.
6 notes · View notes
anistarrose · 4 months
Text
I want to talk about the way aromantic experiences can be represented in very meaningful and validating ways without characters being written as intentionally aro, and also I want to talk about aro-spec Magnus Burnsides headcanons. Luckily, I can do both those things in one post!
During the events of the podcast, Magnus is disinterested in and often straight-up uncomfortable with romance, because of the fate that befell his last relationship, with Julia. I've seen a reading (that I don't think is objectively wrong, though I do not personally share it) that interprets this trait of his as some kind of "sacrifice" he's making on Julia's behalf, being a choice to stay out of other relationships to carry on her memory better. It's a reading that seems pretty reasonable at first glance, but not especially aromantic.
(Because if anything, it almost seems at risk of turning into something like "there is no sacrifice more tragic than not having a romantic partner," right? Or worse, "this is a trauma response that needs to be healed for Magnus to have a happy ending, because being able to enjoy romance is vital to his happiness and self-fulfillment." Both of which are... varying levels of uncomfortable, to me as an aro person. Like, I'm not in the business of telling people how to interpret fictional characters, but I personally can't engage with these without a bad feeling in my stomach.)
However! Back to the various potential readings of Magnus's character! It's worth noting that so much of Magnus's arc revolves around unpacking his trauma, from the destruction of Raven's Roost and Julia's death — and that healing process doesn't change how he feels about romance! The Eleventh Hour is the turning point when he starts to seriously re-evaluate what the trauma and loss made him want, versus what Julia would want for him, and what would let him live in the moment instead of in the past... yet in the Heart Attack segment of Wonderland? Magnus still expresses disinterest in dating.
In Arms Outstretched, then Story and Song, he further internalizes and chooses to let himself be saved and ask for help, instead of punishing himself with martyrdom — and no romantic relationships come up in the epilogue! When he passes away after a long, happy life, it's Carey, — his best friend! — who holds his hand while they wait for the end!
Magnus's reasons for not wanting another relationship are obviously complex — not just a conclusion about himself that he came to lightly, regardless of whether he's on the aromantic spectrum, not on it at all, or deliberately not choosing a label. What makes his arc so unique and special to me, in contrast with almost every other story about traumatized characters finding a happy ending, is that his happy ending isn't contingent on romance! Whenever he says that he's that not into dating, no one doubts him or tries to undermine him (other than Lydia, who's literally trying to feed on his suffering) — and to me, an aro listener...
Well, the way the narrative takes Magnus's wants and lack thereof seriously is just so refreshing.
Ninety percent of characters in fiction who repeatedly stress that they don't want romance or marriage are only shown doing so to set up for the narrative later proving them wrong. It's to contrast with that later point in the story where they "find the right person," or "understand when they're older." Or "stop being so cold," or "stop acting like they're too fucked-up and 'damaged'." Or "overcome their trauma."
It has an air of "wow, isn't this character so ridiculous, for thinking they won't change their mind later?" Or occasionally, "isn't it so tragic, that they can't envision themselves being loved?"
For protagonist-y characters, for heroic characters like Magnus — for any type of character in which "happily ever after" is considered a plausible, fair-game, genre-acceptable outcome — we see the genre conventions also dictate that "settling down in a romance" and the "happy ending" are intertwined. I've seen TAZ posts from back in the era of The Suffering Game/The Stolen Century airing, expressing sentiments like "Magnus not finding someone to love again would be so tragic and mean-spirited, I hate grim and edgy endings like that." While I can appreciate people trying to subvert tropes like "you can only have one 'true love' in all your life," the incredibly non-subversive and ultra-amatonormative belief that "romance is a prerequisite for a happy ending, or even healing arc" is such a deeply unfortunate one to tag on.
I am aromantic. I don't want a romantic relationship. And I find joy in that! I refuse to accept that I need to be "fixed" or "healed" to live a long, happy life, because I'm not broken! What brings me the most joy beyond just living as an aro is seeing stories actually acknowledge that people can find this happiness without romance — like how Magnus's story does! Like how casually and matter-of-factly it subverts expectations — how Magnus says he doesn't want another relationship, and no one comes along to prove him wrong! He doesn't "find the right person" because at this particular phase of his life, and of how he wants to live, there isn't one in a romantic context!
He heals from his trauma enough to find all kinds of joy — doing things he loves, surrounded by people he loves — and not because of, or in service of pursuing, a romantic relationship!
I almost never see fantasy stories where one of the heroes gets to have an arc like that. An arc where they get to live out an ending that I would want. A happy ending that would be happy for me! For people like me!
Magnus Burnsides gives me so much Aromantic Hope. That this is a kind of happy ending that I am not the only one to idealize, and that I could attain, no matter what horrors are being thrown at me in the present. Magnus dies peacefully, after years of assuming that he wouldn't, and he does so surrounded by his dearest friends and family. Who are all so proud of the life that he lived. Magnus was true to himself, to what he felt would bring him healing and fulfillment — instead of what cliché and expectation dictated to him — and he was completely at peace in the end. Ready to rush in one final time.
I immensely doubt that Travis intended for Magnus's story to be an aromantic story in those words, if at all. But Magnus's story resonates so, so much with so many common aromantic experiences. And that means so much to me. I'm so grateful for that. In this day and age, in this world, I needed that.
I needed to have a good long cry about Magnus Burnsides. Aromantic icon, intentional or not.
...
...Of course, because this is tumblr, I want to make a clarification. This isn't some kind of claim like "shipping Magnus with people other than Julia is problematic." It is, however, a thesis statement that "no such ship becoming canon makes Magnus's arc so much more unique." It's an explanation giving full context to how I'm biased, not objective, but willing to argue that it makes his arc so much more meaningful, too.
And most of all, it's a desire to shine a light on a side of Magnus's character and growth that I think goes underdiscussed. Especially underdiscussed through an aro-spec lens. And speaking of which:
Sure, I said I don't think Magnus was intended as an aro-spec character, or that he can only be interpreted as such — but if you made it this far, you know I think this ruff boi's just chock full of aro-spec subtext! So just for fun — and because the world is always deserving of more aro-spec headcanons — let's end this post playing with some different readings of him as aro-spec!
Gray-Aro or Demiromantic Magnus who rarely falls for people to begin with. Why would it be some tragic heroic sacrifice to remain "chaste" and wait for Julia, when not being into romance is just Magnus's default state of being? He's so confused about why people think he's making some tragic sacrifice! So confused, guys! I even wrote a fic about the gray-aro HC a few months ago (link)!
Gray-Aro or Demi Magnus who thought he was just aromantic, no attraction whatsoever, for over a century — until he met Julia, and fell for her (perhaps very, very slowly). But that doesn't change those years gaining perspective as a platonically, familialy loving aro who values those bonds immensely, and always wanted them to remain a prominent part of his life.
Losing Julia devastates him, of course it does — but especially once he remembers the Stolen Century, he knows he has a long-term support system no matter what, and it won't revolve around chasing that unlikely possibility of feeling romantic love again. Why would it? Why would he need to chase something so fickle just to heal?
Aromantic Magnus who feels no romantic attraction, but in the era of Raven's Roost, doesn't not want a romantic relationship. Except, he doesn't after all. Except wait, he kinda does, it's just complicated. Maybe something queerplatonic? Well, he really likes the idea of a wedding, and that's not necessarily mutually exclusive with a QPR, but there's no guarantee his partner would feel that way too, and...
There's just these expectations that go with dating or marriage, of partners expecting him to love them in such a specific way that he knows he can't... and then he meets Julia, who's a romance-seeking aromantic too, with heavily overlapping feelings. Bonding over their similarities leads to dating, and eventually marrying, over a deep platonic love that may or may not still involve cuddles or kisses, or a desire to start a family. They don't panic too much over the labels — they're just so delighted to be with someone on the same wavelength!
When Julia dies, so much goes through Magnus's head. After a while, he can't help but start thinking again about how rare it is for people to want the same things out of a relationship that he does. Or to consider the way he feels for them to be enough. But as time passes, Magnus comes to terms with it more and more. He's happy to wait for Julia again. After all, he's longing, but not lonely. Mourning, but not incomplete.
Aromantic Magnus who is aromantic specifically because of his trauma, but no less aromantic for it. He just can't bear the thought of getting into a relationship again. Ironically, there's a point in time where he thought of himself as a romantic — back while he and Julia were courting each other — that now feels simultaneously so close and so distant. Magnus who has so much to grieve, and grieves this romantic side of him too — at first. Who thinks that there's only two options, for a folk hero in a story like his — settling down to live happily ever after, or dying in battle. And if there's nothing more upsetting, more uncomfortable, than getting married again — then living happily ever after has got to be off the table, right?
Magnus who slowly realizes that doesn't have to be the case. That no, barring seeing Julia again, he certainly doesn't have reason to believe that even time will change this new, alienating part of him — but maybe, it's not so alien after all. Maybe he knows people who won't even question it. Maybe he doesn't have to change it or overcome it to be happy again.
Why is romance some singular thing he has to chase, in order to settle down peacefully again? Why can't he do it with his friends? With his dogs?
And last, Questioning Magnus who might be aro, who might not be aro, and is maybe most likely to be something in between. But it's hard to tell; he's honestly not sure if he'll ever crack it, and.. ultimately, he's okay with that. Because all that matters to him is knowing he doesn't need a relationship to be complete, to take full advantage of his well-earned happy ending — and he's got a great grasp on that one, surrounded by people who never make him doubt it.
Aromantic Magnus Burnsides. Aro-Spec Magnus Burnsides. My aromantically beloved. Thanks, bud, for all the hope when I needed it.
82 notes · View notes
killian-whump · 5 years
Note
/that/ group is again shading Colin's co-star because she dared to post a pic with him. I don't get it, why do they keep following him if all they're going to do is hate everything that doesn't revolve around their ship? Why can't they be like that cool CSer you replied to who apologized and moved on? I try not to let it get to me but it's hard :/
Ugh. Well. The thing is, they’re not READY to move on yet, because they have an unhealthy obsession that is most likely helping them cope with real life issues that they’re either avoiding or unable to deal with in a healthy way, so this is what they choose to do to make themselves feel better about themselves, or their lives, or maybe just the lack of love in their lives.
As a result, they’re abnormally fixated on CS, and take every “slight” against the ship (real or (as is usually the case) imagined) as a personal slight against themselves. Most of these individuals are young women, who likely envision themselves as Jen/Emma, and are likely using CS/Colifer to fill a hole in their own lives - hence why their ire is almost always focused on Colin and how he’s “wronging” them Jen/Emma/CS simply by moving on with his career and forging new on- and off-screen relationships with new costars in new projects.
Unfortunately, they’re not going to BE ready and able to move on until they either deal with their psychological and emotional issues and life deficits... or find a new thing to obsess over. There’s also the possibility that they will mature enough to at least realize what they’re doing and the wrongness of their actions, and perhaps decide to try to channel their need for distraction and their natural obsessive tendencies into more positive and worthwhile pursuits, like SUPPORTING the work and efforts of an actor they like, instead of dogging one particular actor (and everyone he works with) that they feel “betrays” them by simply continuing to exist and work in his career of choice.
So... Short answer: They be crazy. We gotta hope the crazy burns itself out or moves on sooner than later. In the meantime: mute, mute, mute and BLOCK. There’s really only a handful of them, even including all of their sock-puppet accounts. Just ignore them. Nobody takes them seriously; I promise.
15 notes · View notes