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#fanon interpretations of a thing/character
wiitzend · 5 months
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this is gonna sound mean but people who make everything about their diagnosis/sexuality/mental illness/race etc., and shoehorn this one fact about themselves into every single conversation no matter how unrelated are insufferable. it's especially annoying when they do this in fandom spaces. they think that 'x character' or 'x show' HAS to be directly related to this one label about themselves despite their never being any actual canon evidence to support this (because they can't just accept the fact that not every character or piece of media has to be a carbon copy of themselves in order to be good or relatable), and then get angry when people don't agree. if you don't agree w/ them suddenly you have random weirdos crawling out of the woodwork calling you a bigot and unfortunately people like this are everywhere. it's so insane to me.
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bereft-of-frogs · 5 months
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There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation
because WHAT are people talking about sometimes
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bloodofgrapes · 4 months
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I think more people should go back and either replay or rewatch (.... or forbid, play or watch them for the first time) aa1, even if it's literally only case 1
fanon phoenix is so completely disconnected from the actual character that at this point they basically share a wacky hairstyle and a name to me. In the actual games, Phoenix is almost always depicted as the "straight man", even in comparison to Edgeworth: he's somber, dry, sarcastic, and often very tired of shenanigans and bullshit. He's a very ordinary "everyman", and that's like 80% of his appeal to me, tbh. It's not to say that he can't be silly or nonserious, but we have a unique look at the inside of his head and all the things he COULD say, but most likely does not.
He goes on to become a literal world renowned defense attorney, and so many people want to boil him down to a silly stupid little rabbit of a guy when he's anything but
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burr-ell · 1 year
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I'll preface this by saying that I don't by any means begrudge anyone their own personal headcanons or interpretations, but I kinda have to get it off my chest that I'm personally not very comfortable with significant deviations from canon character design on CR, and I really tend to side-eye people who have declared their fanart to be "better".
And sure, some of that is because i'm a cranky old bastard. But some of that is that I also have an animation degree and have studied character design. Creators generally give artists a fair amount of input as to how they want their designs to connote the characters' personalities—not just in terms of clothing or hairstyle, but in the overall shape of the silhouettes and body structures. And in the case of CR in particular, that's coming from a place of much closer familiarity with the characters because the creator is actually going to be embodying them for a fairly long period of time, so when the fan response is heavy deviation from that, I think it can feed into some unhealthy fanon perceptions and projections.
Like, for example, it's not so much that I think fanartists are "disrespecting the creators" or whatever when they keep giving Imogen a sweet little round face and big hips/breasts and cute circular glasses, but I've also studied shape language in art. You're communicating something when you design her this way; if a character's silhouette has a lot of circles, visually that connotes being friendly, sweet, and cute. The person who first suggested drawing her with glasses explicitly said they thought it would look cute—and no shade to them! They can like whatever they want!
But canonically, Imogen is a woman in her 20s who's been dealing with unanswered questions, abandonment, loneliness, and sheer exhaustion from trying to hold back and control powers that she never asked for—and who simultaneously uses those powers even when it isn't necessary if she thinks it'll help her achieve a goal or prove a point. She isn't unfriendly, and she wants to do the right thing, but she's also someone who's consciously chosen to keep to herself for most of her life, and yet simultaneously she's quite adept at persuading and deceiving people. I think we're meant to pick up that sense of world-weariness and cynicism from her angular facial features and thin frame. That's...kind of just how character design works.
I think the trend of disregarding the official art and giving her softer features has had an impact on the perception of Imogen as a character. I see a lot of views of her that really remove a lot of her agency, treating her like she's only ever been a victim of circumstance who's never put a foot wrong. Some fans got pushback for pointing out that it really wasn't cool for Imogen to openly contemplate whether or not the Ruby Vanguard might be right in front of three people who were killed by Otohan, insisting that imogen was just dealing with a lot right then. And yes, she was, but that doesn't mean that the way she was dealing with it doesn't say something about her as a character. I don't know if I'd call it coddling, necessarily (even though perhaps there are some very coddling takes I just haven't seen), but there seems to be some resistance, in some circles, to the idea that Imogen isn't a put-upon martyr. And in those same circles, round friendly-looking glasses-wearing Imogen abounds, to the point of editing the official art itself to "fix it".
Truth be told I'd be willing to bet that the rounder cuter Imogen actually came about because of the initial impression of her, given how much fanon at the start of c3 revolved around poor baby Imogen with her scary nightmares needing the wiser, worldlier Laudna to comfort her and kiss it better, but those visuals also proliferated rather quickly and well beyond past the point where that fanon was feasible anymore, and I think both aspects of that fanon ended up informing each other. It's not lost on me that the rounder and cuter-looking Imogen performs the literal function of sanding down her harder edges.
And like I said, I'm not here to be needlessly negative toward what other people want to do. If you want to draw the characters differently to their official art, I don't think either the cast or the artist are especially offended by it. But I personally dislike it, in part because I think some of these trends are a way for fans to claim a certain amount of ownership over the characters, whether they intend it or not. And the ultimate outcome of that is that when creators inevitably assert their ownership over a deeply personal story in a way that fans don't like, the backlash is much stronger than it reasonably should be, which is something I think the CR fandom has seen often enough not to continue doing as often as it does.
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ambrosiagourmet · 5 months
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Take this with a grain of salt but I don’t think Izutsumi necessarily MUST be be viewed as canonically aroace. I do not have a problem with that reading at all, to be clear, but I’ve been mulling this over for a while and with how much self-loathing and neglect informs her character it just doesn’t seem to entirely fair in insist on taking the “I don’t have a type” line at face value.
She’s a traumatized 17-year-old girl who thinks she’s unlovable and has never had the freedom to chose what to do with her life. Of course she doesn’t have a type and longs for a mom to love her unconditionally.
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the-great-papyru · 18 days
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i’m so glad to see people starting to diverge from “sans is too lazy to care about papyrus’ death.” happy i’m not the only person sho’s had it start to get on their nerves.
a lot of characters’ characterizations went way too far from original canon and it’s great that (after nine years) we’re starting to hit a happy medium. i’m guilty of both sides of mischaracterization myself. a lot of the time it’s just seeing things in black in white, qnd forgetting about a little thing called nuance.
sans isn’t quick to tears, but he’s not emotionless either.
papyrus isn’t stupid, but he’s not that deep.
toriel isn’t the perfect mother, but she’s not a bad one either.
asgore isn’t a horrible person, but he’s still made horrible mistakes.
alphys has made mistakes, but she can still be forgiven.
(undyne’s character is usually depicted rather accurately.)
chara isn’t the devil incarnate, but they were still manipulative.
flowey isn’t an emotionless maniac, but he’s no innocent kid.
frisk is a child.
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oldmannapping · 2 months
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Realised I have a type when it comes to fictional male characters, and it’s that they would absolutely wear this shirt.
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I am a simple soul.
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apotelesmaa · 2 years
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Norma is objectively one of the funniest psychonauts characters though. she immediately assumes this 10 year old is the mole taking down the psychonauts from the inside and decides the best way to gather information is to stalk his dad. Ruins ford and raz’s plan to defeat maligula by being a snitch. Helped save the day by fixing the problem she caused. Is now in hell because she was wrong and all the other kids make her fortnite dance and shout go snitch girl go. Her sister got all the cool genes and now she’s stuck being an insufferable nerd. Probably says “well actually” at least ten times a day. Beefing with a 10 year old. Let’s give it up for pathetic & annoying female characters (fond).
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forecast0ctopus · 10 months
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i dont know how to phrase this but your art, particularly your merlin art, is so in character?? like they way you draw them is accurate but the poses/situations you draw always feels like something that would actually happen. it's very cool!
THANKS i really appreciate that!! im glad it comes across that way lmao i really do try to make things in character.....even though i definitely like to exaggerate things a little haha
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lord-squiggletits · 1 month
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A tangent from the tags of my previous Pharma post (and I just thought about this so bear w/ me if it's hastily reasoned) is that the Autobots being generally sanctimonious is actually sort of a reason why I find a lot of IDW Optimus interpretations to miss the mark, specifically the accusations of calling him stuff like self-righteous, caring more about principles than people, etc. And I know that sounds really ironic, but out of every Autobot (and almost every character period), Optimus is one of the few people who has a very forgiving/humanistic perspective on life or at least has a political approach of "if we don't stop fucking fighting we're going to be at war forever and eventually just kill ourselves."
He very explicitly wanted a diplomatic end to the war and not a military victory/conquest. He extended multiple offers to Megatron personally to work together and end the war (Autocracy trilogy, which was pre/early war, and Chaos Theory, which was late/end war, so from this we can assume Optimus' stance was consistent the whole time). When ppl hated him so bad they rioted he removed himself from the planet rather than argue or fight to justify why his actions were the best he could do. Sandstorm starts murdering Decepticons and Optimus solves the murders and then throws Sandstorm in prison bc sparing one of his Autobots the consequences of his actions is less important to Optimus than keeping the peace and making sure anyone who threatens to ignite wartime hostilities is punished for it. There are multiple characters throughout the series that other people give up on as too far gone or too cowardly/evil/damaged to be worth helping where Optimus alone is the person who says "I think they can get better/they did bad things but they're still people" such as the Dynobots, Blurr, Prowl (despite how OP's patience with him hung by a thread by the end of it), Shockwave, and, yknow, fucking Megatron of all people.
And on top of that Optimus' internal thoughts most of the time revolve around feelings of guilt, responsibility, anger, hopelessness/barely hanging on to his ideals, and so on. Bro regularly has thoughts about how the entire Autobot-Decepticon war was his fault and is depressed to the point the thought of dying/martyring himself makes him feel relieved. So like. Idk guys I don't think those are the personality traits/actions of a self-righteous person who thinks he's correct about everything and everyone who opposes him or fails his moral standards is just evil or whatever.
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dontcryminecraft · 10 months
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wilbur's last words
i was rewatching the november 16 clip, and as phil picks up wilbur's things, right after killing him, wilbur speaks up again to tell him that dream had lied about the lack of a traitor and that technoblade had 8 withers in his inventory. phil panics, joins the other vc, and shares this information, and the clip ends. I want to completely rewatch the vod(s), but before i do that-
wilbur's last words. so, i'm taking his last words in this moment to be that message. and like, that imagery. phil, cradling his son's body as he breathes his last breath, and wilbur decides to happily tell phil that more destruction is to come. technoblade has more to offer. 8 withers worth of destruction, hidden away and only wilbur knew about it. The destruction of his nation, which phil had just failed to stop, isn't over.
he doesn't call himself a traitor, however. he tells the AUDIENCE earlier in the stream that he's the traitor. when quackity asks who the traitor is, wilbur looks at the camera and raises his hand. he's quiet, however, so nobody in the vc and "in canon" actually knows. he's admitting to the audience, breaking the fourth wall, to let us know the ending. But when talking to phil, he doesn't. Phil, who had just canonized that they're father and son. He still can't, when faced with a real person he's talking to, admit that he's betraying his nation. it's HIS NATION, after all. He's not betraying anything. THEY betrayed HIM. THEY cast him out. THEY changed. WILBUR is just making sure that it dies in his image, with no further damage done to HIS SYMPHONY.
he's like schrödinger's traitor or some shit. In his mind, he is both a traitor, where he embraces his role as a villain who is going against everyone, and the betrayed, where his nation cast him out and spit on him and changed. He is whatever justifies his actions at the moment, desperate to fit into the role he carved for himself and refusing to step out of it no matter how many people beg.
it's a very interesting way to interpret him, to me
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someoldfires · 8 months
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seasons 1-2 of wwdits are very funny and charming and good to rewatch but it is so disorienting when you realise how much they changed about the characters (for the better imo!) in later seasons. like. nandor says he was married to 37 women. nadja and laszlo are like, hiding their nonmonogamy from each other and being jealous? nadja has a cellphone? that she knows how to use?? guillermo can contact her on her cellphone???? mad. i choose to view later seasons not as retconning but as evidence of a major gas leak in the house that made them all more stupid gay and slutty over time
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lemongogo · 1 year
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cant describe how nice it feels 2 see canon!vash again after bejng surrounded by fanon for days. its like waking uo from a nightmare . trimax vash my fresh glass of water
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possumteeths · 5 months
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ok we all know like diehard astarion girlies are exhausting and plentiful but like one fandom opinion that literally makes me block ppl is saying that he’s like secretly really hurt or offended by the prospect of poly or shared partners or casual sex like …… k
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The above is a screenshot of one of tropes from Shadoo's section in the SPM TV Tropes page that caught my interest.
“Never mentioned to be killed...” Hm. If I go by my headcanon of how Dimentio fits into the story of the Pixl Uprising (i.e he's both the Magician's son and the surviving apprentice who defeated the Pixl Queen), then that would give another parallel of how Dimentio was once a hero who had a Pixl that could see the truth who stopped an antagonist who had the Dark Prognosticus who several thousand years later switched sides. And by another parallel, I mean it works perfectly alongside this.
The reason Shadoo exists (if they are the Pixl Queen) is because he couldn't go through with killing his sister; he cared for her too much and now here she is stuck at the bottom of the Flopside Pit of 100 Trials and wanting to exact revenge on the Ancients for sealing her away. Based on how Shadoo has a robotic text box and says that they were created by the Ancients, it can be presumed she forgot she was ever human. She forgot who she was.
Fast forward to the events of SPM and Dimentio's intended kill-shot for Count Bleck gets intercepted by Nastasia and knocks her unconscious in addition to injuring her. Either he had the power of that shot just enough to kill Bleck and no further and that's why Nastasia survived, because why waste precious energy? All he has to do is finish Count Bleck off who is already at death’s door thanks to the heroes.
Or Nastasia was just very fortunate to survive a full-powered blast. My money's on something like the former because Dimentio has well more than enough power to absolutely guarantee no one would survive an attack like that. (the average person who isn't a hero or built for combat— which Nastasia very much isn't— anyway.)
Then there's him saving O'Chunks and Mimi from what would have been certain death by teleporting them to Dimension D. We know they didn't end up in the same place as Peach and Bowser because neither they nor O'Chunks and Mimi make any mention of such. Pair that with the fact that the Void can't be seen from Dimension D and thus heavily implying that anyone inside it would survive the Void that would destroy everything else, and you're left with the only explanation of Dimentio having saved them. I do believe that Dimentio screwed up by not only "catching feelings" and he genuinely did care for the other minions deep down as much as he tries to deny that; and I have mentioned in a prior post about him putting all of the people who could have possibly done something about the Super Dimentio fusion in the same place.
If he hadn't cared as much as he did for them and just left them to their fates, he would have won. I feel that the reason why the floor came out under Bowser and O'Chunks is because of Dimentio— because why make a trap like that that is intended to kill any who don't make it out in time and then have it to where after a certain amount of time, it would give any of the heroes still inside who may somehow still be alive an escape and make a comeback? It makes no sense. And it's because of that, that Peach was able to survive by landing on top of Bowser.
Had he only teleported Bowser out and left O'Chunks, and teleported Peach while leaving Mimi, the minions wouldn't have been able to band together with Count Bleck and Tippi to recharge the Pure Hearts and destroy his invincibility. It was his inability to go through with killing them or just letting them die because he actually cared about them— cared too much— that caused his own undoing.
History literally repeats itself if one subscribes to believing Dimentio is both the Magician's son and the last surviving apprentice.
First Shadoo who may or may not be the Pixl Queen, was spared by her brother who couldn't bear to go through with killing her therefore causing future consequences for if she ever gets free. Then the minions— including Nastasia and Count Bleck who for the latter, Dimentio in his ever present wisdom decided to spare killing for later— with their love for each other that was allowed to continue existing all because he spared them for the time being, recharged the Pure Hearts and caused immediate consequences for himself and was the catalyst for his defeat.
In the first instance, he was on the “heroic” side. For the last he was on the “villainous” side.
#super paper mario#spm#spm theory#dimentio#shadoo#pixl queen#this is ofc just a theory since dimentio is an enigma but i see parallels and go 👀#and also ofc things like nastasia surviving dimentio's kill-shot is just my interpretation of how she did so#and then there's the (fairly popular?) fanon that dimentio teleported mimi and o'chunks to dimension d rather than them flip in on their ow#but we know that they couldn't have done so on their own— at least not o'chunks who is consistently shown to be incapable of flipping#and flipping seems to /only/ work on the person themself and can't be used on selected targets (if that makes sense). dimentio is special#bc he's the only character who is shown to always /teleport/‚ not flip. and we are explicitly shown a scene of him clearly using his#teleportation on peach (he uses his teleportation on mr. l and the other heroes when he explodes them but it's disguised by said#explosions due to how distinct it is and considering how for many years a vast majority of the spm fandom believes he /actually/ killed the#when jaydes herself literally says otherwise‚ those examples of him teleporting people other than himself doesn't count) anyway. point is:#even if mimi could flip in on her own‚ o'chunks wouldn't have been able to get in. probably. bc tippi /does/ show the ability to flip#both herself and the heroes to flipside on several occasions‚ but this ability isn't displayed by /anyone else/ throughout the game so#it's not farfetched to believe that /only/ tippi can flip other people in addition to herself#so i still firmly believe dimentio was responsible for mimi and o'chunks getting into dimension d at the end (plus it's /his/ dimension‚ i#think he has full control over whether someone can or can't enter it)#i did not mean to put an entire essay in the tags oh no
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thesoftboiledegg · 9 months
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Imo, a lot of people use the term "fanon" when they mean "interpretation." Two people can watch the same series and come away with opposite viewpoints. Both people can point to evidence in the show that supports their views. Why is one interpretation "canon" and the other "fanon"?
I only use the term "fanon" when fans completely made it up, like a headcanon or unverified theory. Other than that, it's just a different perspective.
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