#billie dove

[citizenscreen]

Billie Dove enjoying three Scottish Terriers in 1931.

[maudeboggins]

exit flapper, enter siren, featuring clara bow (who is growing out her bobbed hair), catherine dale owen, dolores del rio, alice white, olive borden, billie dove (1929)

[fitesorko]

Billie Dove

[jeanharlowshair]

Picture-Play Magazine, July 1927.

[newyorkthegoldenage]

Publicity- and celebrity-loving Jimmy Walker is happy to have his picture taken by silent film star Billie Dove, at City Hall, January 12, 1932.

Photo: Associated Press

[redhairclara]

Billie Dove photographed by Alfred Cheney Johnston, c. early 1920s

[fibula-rasa]

Lost, but Not Forgotten: The Madness of Youth (1923)

Direction: Jerome Storm

Scenario: Joseph Franklin Poland

Original Story: George F. Worts

Camera: Joseph August

Studio: First National Fox (production) & (distribution)

Performers: John Gilbert, Billie Dove, Wilton Taylor, George K. Arthur, Ruth Boyd, Julanne Johnston, Donald Hatswell, Luke Lucas, Dorothy Manners (potentially miscredited as Louise/The Dancer)

Premiere: 8 April 1923

Status: presumed entirely lost

Length: 4,719 feet, or roughly 51 minutes.

Synopsis (synthesized from magazine summaries of the plot)

A sophisticated, young gentleman, Jaca Javalie (Gilbert), is travelling on a cross-country train to California. As Javalie traverses the smoking car, it’s apparent he’s being tailed by a detective. However, somewhere between the smoker and the pullman, the detective loses the trail—as if Javalie had disappeared into thin air. 

Later, out from the ditch beside the railroad, Javalie emerges—dressed now in tatters, a bindle stick slung over his shoulder. Javalie makes his way on foot to the California mansion of the Banning family. 

Within the estate, the patriarch, Theodore P. Banning (Taylor), has built a private vault to secure his millions after being burned by bank failures in the past. 

Banning’s children, Ted (Arthur) and Nanette, a.k.a. Nan (Dove), are now young adults and, though he loves them, he knows they’ve been spoiled rotten. Ted is selfish and unfeeling. He had brought home from France a wife, Jeanne (Boyd), but has since made her life miserable. Nan spends every night out gallivanting with the caddish mooch, Pete Reynolds (Hatswell), currently staying at the Banning’s as a guest.

Banning found comfort only in spiritualism—often communing from beyond the grave with his wife.

Javalie makes his entrance in the middle of another family quarrel. He presents himself to Banning, Sr. as a man with mystical powers, which he learned in India. He claims that has come to the Banning home after visions of their familial strife, sure that he can bring them peace. Banning agrees to let Javalie stay a while. Something about Javalie’s manner has a quick effect on the younger Bannings, who begin acting with a bit more reverence and grace. At dinner, Javalie lays his mysticism spiel on a receptive audience, save for the guest, Reynolds. 

George K. Arthur, John Gilbert, Billie Dove, Ruth Boyd, and Wilton Taylor in The Madness of Youth from Motion Picture Classic, June 1923

Later, the Bannings throw a lavish masquerade ball with the theme “winter frolic.” At the ball, Nan gets Javalie alone and says she doubts his supernatural gifts. He assures her he isn’t trying to fool her, and she takes that as flirting. The gentleman thief Javalie is softening. 

Next, Jeanne approaches Javalie and pleads with him to save her husband from the temptation of a dancer hired for the ball, who has a reputation as a vampire.

Ruth Boyd, George K. Arthur, John Gilbert, and Julanne Johnston in The Madness of Youth from Motion Picture Classic, June 1923

Javalie and Nan take a walk through the garden and she teasingly goads him into an embrace. Pleased with her machinations, Nan flutters away. 

Now left alone in the garden, Javalie is greeted by the dancer. Under her mask is a familiar face, Louise (Johnston), Javalie’s ex-girlfriend. Louise threatens to expose him to the Bannings. Javalie reveals that he’s been planning to rob the Banning vault for three years. Louise agrees to publicly play-act that Javalie has saved her soul in exchange for a cut of the loot and Javalie’s hand in marriage. Javalie preaches to the crowd of attendees and, on cue, Louise repents. Jeanne and Ted reconcile.

After the party, Javalie finds Banning alone in his library. Javalie hypnotizes Banning and gets him to reveal the location of and combination for the vault. The two men were not alone however: Reynolds had been eavesdropping. Reynolds confronts Javalie and extorts him.

John Gilbert and Wilton Taylor in The Madness of Youth from Motion Picture Classic, June 1923

The next day, inspired by Javalie’s preaching, Ted and Jeanne decide to start again on their own. Banning happily offers to build them a home. Javalie is shaken by a note from Louise saying that his preaching worked better than expected and she did, in fact, feel reformed and was off to make amends with her family.

Disturbed by Louise’s actions, Javalie defiantly steels himself and heads to the vault, combination in hand. However, when Javalie reaches the vault door, he’s overwhelmed and faints. When he comes to, Javalie is surrounded by the Bannings. Ted plans to call the police. Nan holds Javalie close and begs for mercy through tears, claiming that Javalie must have had a change of heart just as they all had. Jeanne backs her up. Seeing Nan and Javalie together, Banning says he understands and the police are not called.

John Gilbert, Billie Dove, and Wilton Taylor in The Madness of Youth from Motion Picture Classic, June 1923

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Points of Interest:

John Gilbert appeared in an astounding 90 silent films in his career from bit roles to starring roles and he even dabbled in writing and directing. While Gilbert had already worked on over 60 films by the time Madness of Youth came around, he was newly minted as a star just two years prior when he signed with Fox Film Corp. Gilbert would truly break out as a star when he signed with Metro-Goldwyn-Mayer in 1924. Of those 90 silent films, 58 are considered lost films, which means that only 35% of Gilbert’s film work is known to survive today.

Madness of Youth is one of many films believed to be lost after the 1937 Fox vault fire. In the summer of 1937 at the Fox vault in Little Ferry, NJ a fire broke out that destroyed a majority of films produced by Fox before 1932 as well as films from other studios, most notably Educational Pictures. The fire also killed a child in a neighboring building. All in one night, thousands of films were lost, leaving a gaping hole in our film heritage.

from Motion Picture News, 7 April 1923 and Exhibitors Trade Review, 28 April 1923

☕ Buy me a coffee! ☕

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Transcribed Sources & Annotations over on the WMM Blog!

[friendlessghoul]

Buster Keaton visiting the movie set of Cock of the Air with Billie Dove and Chester Morris that Howard Hughes produced. - 1932

[marypickfords]

Blondie of the Follies (Edmund Goulding, 1932)

[citizenscreen]

Billie Dove (May 14, 1903 – December 31, 1997)

[maudeboggins]

Billie Dove in The Black Pirate (1926)

[postcard-from-the-past]

Actress Billie Dove on a German vintage postcard

[jeanharlowshair]

Screenland Magazine, June 1929.

[fitesorko]

 Billie Dove    Marion Davies

[portfollies]

[silentdivasblog]

Billie Dove ❤️