#bout to delete my whole fucking fic lmao

[kg-clark-inthedark]

If y’all catch me using water as a metaphor any more in my writing please just put me down out back

[clumsyclifford]

bella I would love a directors cut on literally any of the rilex you’ve written, but specifically it’s always her, and you, and me, or for these days you’ve been stuck in my brain 💙

OHHHHHH those are some CHOICESSSSSS lucy. fuck yeah. let’s get into it. ill link them both here but we’ll take em one at a time

it’s always her, and me, you

these days you’ve been stuck in my brain

here’s a cut for convenience cos i KNOW i’m gonna go long here.

okay! let’s start with the rilisex fic.

it’s always her, and me, and you

so like it says in the ao3 notes, this fic came from realizing just how frequently rian and alex kiss each other like, all the time? just? casually? for funsies? this was another one of those situations like i mentioned where the hook aka first line (“Rian's no expert, but he doesn't think normal friends kiss this much.”) just appeared in my head and i was like heyyy that’s a GOOD first line. i have to build from that line. that’s the hook, that’s the summary, that’s the core. 

something i discovered upon searching through the editing history of the doc: i had originally sort of intended to go a direction with this where in some other circumstance, rian would see alex giving jack a super casual friendly kiss and he’d get all sad/jealous and be like sure why SHOULDNT alex kiss jack after all its just a thing he does with his FRIENDS. but the fic ended up going a different way and honestly? im glad. i like this way better.

the role of singin in the rain in this fic actually has a HILARIOUS backstory because the night i originally wrote that conversation in the tour bus kitchen, i went into the club and said the following

and then. the next day. rian streamed with ricky, and i asked if he’d ever seen singin in the rain, and he ANSWERED ME and said he hadn’t. so first of all i had already written the scene and i then had to rewrite it to make it so rian wouldn’t have seen it but also!!! i literally asked rian fucking dawson if he’d seen a movie for the sole reason of using that information for fanfiction!!!! and he provided me with the information i needed!!!! whole thing is just fucking hysterical to me. ANYWAY.

ANYWAY, the other reason why sitr has such a big role in the fic is because megs and i watched the movie together while i was in the middle of working on the fic, so it was extremely fresh in my mind. in fact i can probably show you this: i had this comment left for myself when i was kind of trying to figure out if i could make a real metaphor of sorts with the sitr ot3 and the Big Three of this fic. some of this ended up in rian’s wild musings in the hotel scene but i did conclude that it wouldn’t really have worked and that was definitely true but anyway. fuck it, director’s cut, here’s the kind of shit i leave for myself to refer to

so that’s part of the reason why it became such a puzzle piece of this fic, but real talk, it’s also just because i love singin in the rain it’s one of my favorite movies lmao

briefly gonna also touch on lisa and why she’s in this fic because i realize that rian/alex/lisa is an interesting approach to rilex! first of all, i love lisa. i love alex and lisa. and it occurred to me that there was really no reason to split lisex up just to make rilex happen. plus there’s this tweet that really just pushed me over the edge of being like yeah, rilisex is extremely plausible. so that’s that on that.

as for the scene in the hotel room while they’re watching sitr, there is a small piece of that scene - from when alex starts kissing rian’s shoulders etc to “it would defy the laws of nature not to” - that i actually wrote before anything else in that scene. that small piece got stretched out and edited quite a bit from how it started but it did function as a sort of foundation around which i built the rest of the scene, because that small section sort of ~came to me~ absolutely out of nowhere, and i really liked the Vibe it had and i wanted to include it. i THINK that was the only piece of this fic that i wrote Out Of Order - for the most part this was written chronologically.

ALSO!!! omg this is exciting, this fic actually has a deleted scene!!!!!! i hate cutting scenes but i also hate having scenes that are less than 1k and this one didn’t really contribute much to the fic. i can probably share it here right? sure why not ! hopefully you can read this. it originally took place after the scene where alex and rian call lisa for the first time. the question of “what gets left into interview videos and what gets cut” is also just interesting to me as a (fic) concept in general so...eyes emoji, but here’s my mini-exploration that i cut from the original fic. enjoy lol it’s silly <3

oh! also one more thing!! the very final scene was included for two reasons. the first reason being that when i write getting-together fics, i really prefer to add on a scene After they Get Together because i love to write domestic established relationship stuff and i think that’s a satisfying reward for a reader who’s just slogged through all the mutual pining and bullshit to get the characters together. but the OTHER reason is that i got an anon (here it is!) and i read that ask and was immediately like well shit. now i have to fucking include this. for the anon and for myself. so you can thank that anon for that last scene. (also i wanted to include merrikat especially since i had to cut their little moment in the interview scene above.)

so....................whew. i think i’ve bled that fic dry. holy shit that’s a lot of Stuff. OKAY! let’s move on.

~

these days you’ve been stuck in my brain

so!!! THIS fic was the breakthrough after (what felt like) a long bout of writer’s block. long for me was maybe two weeks, but i am the kind of person who is always writing, and two weeks was a long time to go with little to no inspiration/motivation to write anything. i had also been in a weird narrative headspace because i’d been binge-watching disney shows (jessie > austin and ally > girl meets world) and i don’t know how well i can explain this but the way those shows are written is a lot snappier and cares way less for realistic and consistent character development or plots or relationships, and so i was stuck between caring a lot about including those things in my fics but also being unable to conceptualize them in writing because my brain was in Disney Writing Mode. does that make sense? this is rhetorical so let’s go with yes. so anyway. i was in a slump

actually what i ended up doing was basically googling something like “au prompts tumblr” or something and just scrolling through posts. i saw something about soulmate telepathy and i actually tried to write something totally different before i wrote this one, but the first attempt was a different concept and then the direction i took it was like......it wasn’t quite right and i realized that i was kind of writing dark disney style? there is really no way for me to explain what i mean by that because it seems really obvious to me but that’s just because i’m inside my own head so just take my word. 

anyway. attempt #1 of soulmate telepathy rilex went poorly, and this fic was attempt #2. i kinda took the soulmate telepathy thing and changed it as i saw fit and i also went back to skim helen’s telepathy fic because obviously she’s the pro and then i tried not to steal her ideas. and as i was writing it i kinda realized i was doing the whole quirky funny best friend character with jack and also doing the whole “somehow this not-very-dramatic situation with teenagers is treated as The Most Dramatic Thing Ever and that’s totally normal and nobody finds it strange” disney trope with rian and alex being soulmates and i was like (deep sigh) i have to accept that no matter how much i try to fight this, this fic is going to be tainted with disney. and that’s life

on top of that i will add that the real-life rilex were extremely inspiring during the two-day period during which i wrote this fic, because that was when the once in a lifetime video came out and in the brief pre-video livestream rilex were Beyond Married and that definitely helped in the writing of fic rilex!

hmmmm what can i tell you about this fic itself.................honestly, i don’t think there’s much to tell! rian is a band kid because in real life rian was a band kid and he’s staff manager at rita’s just like he was in real life. there is truthfully not a lot to unpack here that i can think of!

oh here’s something i guess: rian and alex go on a date in this fic! that is because watching So Much Disney made me realize that i often forget the fact that people just. go on dates. sometimes. look i clearly do not have an active romantic life but i also really liked the idea of alex and rian going on a date despite not knowing if they’d be soulmates or not and liking each other organically just by getting to know each other, rather than being victim to the whole soulmate thing. like i wanted them to build a connection so that they would want to be soulmates. and then the audience would want that for them too. stakes!! very important.

i can tell you i had a mild crisis over the title of the fic because i am not a fan of the word brain and i didnt wanna use that sticky lyric for the title when it had a word i hated but it was objectively a much better title option than the other one i had, which was “sticky just like the song in my head” but i obviously decided on the former and it has not upset me nearly as much as i expected it to so that was the right decision imo

so! i think that’s all on that! sorry (?) that it got so long although then again i don’t know what’s to be expected in a director’s cut for two long fics but thank you for asking me about these, i love them both so very much rilex is so supremely underrated but so very important

[tespuco]

PotC Liveblog: Curse of the Black Pearl

CotBP is one of my ‘forever films’ for sure - every time I rewatch it I not only feel the same sense of wonder and delight as the first time but invariably discover new things to love and squee over as well. 

I would love to learn more about Elizabeth as a child: this lonely, solemn girl who feels something perverse in her thrill at pirate stories and gallows humor, yet who gravely takes on the duty of looking after young William Turner because she wants to be good, too. (@dollsome-does-tumblr‘s Elizabeth-centric, post-CotBP fic Shrouded Heart explores this ambivalence in her self-concept with heart-wrenching emotional realism)

Wow, Will was doomed from the start, wasn’t he? I would be too if I were a 12-year old piece of half-drowned human driftwood waking up to a miniature guardian angel who softly murmurs, “I’m watching over you” before I drift back into unconsciousness

Framing Elizabeth’s memory of seeing the Black Pearl and meeting Will as a dream, one that impels her to put on the medallion, suggests fate or some other supernatural influence at work - a nifty way for writers to sidestep accusations of Contrived Coincidences and call it Destiny instead!

Keira Knightley is so beautiful hELP

Awww, Will is so proud of his handiwork! It’s interesting because the film puts a fair amount of emphasis on it early on, his skill and pride in not just wielding swords but forging them - only to tell us later that he’s really a pirate by blood and at heart. I like it when fics like fried_flamingo & salr323′s At World’s End: Redux lean into Will’s identity as a blacksmith and extrapolate from it an affinity for land/earth/balance/creation as opposed to the sea’s wild potential for destruction. (He lost his father to the sea and to piracy; he never learned to love either.)

My god everyone’s layered in buttoned-up and corseted finery in the fucking TROPICS no wonder Elizabeth passed out (ngl despite the ‘Caribbean’ in the title and visiting the Disney ride in New Orleans Square, I remember stupidly assuming Port Royal was part of England, not Jamaica; at 9 yrs old my geography was shit and I had yet to learn what imperialism was ok)

“A ship with black sails that’s crewed by the damned and captained by a man so evil that hell itself spat him back out.”  shiver me timbers now that’s how you tell a ghost story

“If he were telling the truth, he wouldn’t have told us” has the same antimonious energy as Winnie-the-Pooh going, “Well, it’s a good thing I noticed it. Otherwise, I wouldn’t have seen it”

This is definitely tmi but in retrospect the rescue scene played a formative part in my (bi)sexual awakening: for a long time my go-to pubescent fantasies involved near-drownings followed by hypersexualized resuscitation attempts and frantic uncomfortable sex on wet rocks in damp subterranean caves

Omg I just realized Elizabeth’s scene with Jack on the docks mirrors the one she had on deck Will in the flashback: a (wo)man overboard recovered, rescuer hovering over a supine body and fingering the pirate medallion around his/her neck, love at first sight

“One good deed is not enough to redeem a man of a lifetime of wickedness.” “Though it seems enough to condemn him.” Basically “no good deed goes unpunished” but with style

16 years later and the swordfight between Jack and Will holds up as an iconic example of swashbuckling fight choreo. I also love how the exchange establishes the Jack/Will dynamic: the former as a kind of ironic mentor (“Excellent form. But how’s your footwork?”), the latter as an unwilling pupil who nevertheless mostly plays along

“I practice with them three hours a day.” “You need to find yourself a girl, mate.” Raunchy Shakespearean-grade comedy at its finest (along with  “This sweet, proliferous bouquet that is Tortuga…What do you think?” “It’ll linger.”)

“This shot is not meant for you.” I love the hints we get of Jack’s darker side: he keeps his bitterness close and his grudges closer; for 10 years he saved that bullet for one man, refusing to expend it in any number of life-threatening situations in the interim; he drawls, “Worry about your own fortunes, gentlemen. The deepest circle of Hell is reserved for betrayers and mutineers,” like a witch uttering a curse. A dishonest man, methinks, would not feel the stab of betrayal so deeply.

The running joke of Will not getting recognized for his skills and earnest efforts is what makes Norrington’s parting words to him at the end so satisfying: “This is a beautiful sword. I would expect the man who made it to show the same care and devotion in every aspect of his life.” (NORRINGTON KNEW IT WAS HIM ALONG BUT WAS TOO JEALOUS TO EVER PRAISE HIM TO HIS FACE that petty little shit lmao)

I remember looking up the definition of ‘acquiesce’ after watching CotBP as a kid, so Barbossa had a direct hand in expanding my 9-year old vocabulary.

Competent, hyper-focused!Jack at the wheel with an unholy gleam in his eye as he gets drenched in a torrential downpour is my kind of Byronic hero

I prefer Jack Sparrow’s backstory to remain a loose collection of rumors and half-truths jumbled together even in his own memory, but I DO want to know how Jack and Gibbs met, how the former earned the latter’s (mostly) steadfast loyalty. I want to eavesdrop on all the inebriated conversational musings they’ve shared over a bottle of rum, whether topside on the decks of a ship not the Pearl or shouted above/muttered below the ruckus of a Tortuga tavern.

I’d also read/watch a prequel about the mutiny. “He plays things closer to the vest now. And a hard-learned lesson it was.” WHO HURT YOU JACK

Well obviously Barbossa did, but I still have so many questions! How did a younger, more trusting Jack earn the ire of his first mate and crew, to the point where they’d stage a mutiny? Then again, to hear Gibbs tell it, Barbossa simply appealed to Jack’s sense of fairness; perhaps in their unadulterated greed they saw Jack’s honest streak as a vulnerability to exploit? Or was it something in Jack’s manner of captaincy that fomented discontent? Idk, I can’t tell based on the way the crew jeers at “Gents, you all remember Captain Jack Sparrow?” whether their antipathy smacks more of derision or vitriol.

“Mr. Gibbs? …Jack? Jack Sparrow?” Elizabeth must be SO confused by these blasts from her distant and more recent past: who knows when Gibbs left Norrington’s employ, but the last time she saw Jack he had her in chains and at gunpoint, and now apparently he’s conspiring with Will??

I’ve always been kind of baffled by the cabin scene between Elizabeth and Will. What is she apologizing for? Taking the medallion and not telling him? Or for telling him and making him realize his father was a pirate?

Also her tearful, “Because I was afraid that you were a pirate. That would have been awful” is the biggest, bald-faced lie if I’ve ever heard one. She took an interest in him BECAUSE she thought he was a pirate (although I do think young Elizabeth had been afraid FOR him, after Gibbs’ pantomime of the hangman’s noose)

“daft like Jack” should be my Jack/Elizabeth/Will OT3 tag

Ah, back when PotC incorporated visual gags to spice up their action sequences instead of building the equivalent of a Rube-Goldberg machine around a single, unfunny gag. Compare: Gibbs’ canteen making its unlikely way from the Interceptor to the Pearl and back as an accompaniment to the battle and Jack’s breakout from his cell VS the overextended Tortuga sequence in DMC where Jack weaves in and out of a brawl to no apparent purpose except to try on different hats and then exit the tavern.

“Though it does seem a shame to lose something so fine, don’t it? …So I’ll be having that dress back before you go.” Barbossa is despicable and Geoffrey Rush delivers his lines with such RELISH

I will squee over the island scene & its deleted segments at length in a separate post so for now I’ll just say: Elizabeth is obviously a huge Jack Sparrow stan and she’s doing a piss-poor job of hiding it

Listen it’s easy to overlook Norrington’s sense of duty and decency in the face of the stick up his butt and his bouts of extreme pettiness. But the fact is that Jack’s attempt to manipulate and appeal to his ambition fails. Because the Commodore is no Barbossa - he’s a fine man who serves others, not only himself; who cares whether a woman’s acceptance of his proposal is less than sincere; who wouldn’t have risked his men ambushing the Pearl’s crew had he known about the curse (last two courtesy of the deleted scenes on the Dauntless).

Now that I’m paying closer attention I’m just blown away by the careful consideration in Jack’s plans. He’s playing both sides to further his own goal of enacting revenge at minimal risk to himself, but he looks after the unwitting parties he involves in the process, too: while the Royal Navy occupies the undead pirates from the safety of their long range cannons, Jack can intervene to save Will, use him to break the curse, and kill Barbossa. All the good guys win! (He couldn’t have foreseen the Trojan Horse or the en masse submarine attack; nor Norrington’s pettiness in defying Jack’s instructions to man cannons that would’ve blown the undead into smithereens.)

Exhibit B: “Now, to be quite honest with you, there’s still a slight risk for those aboard the Dauntless, which includes the future Mrs. Commodore.” Disregard his insouciant delivery here, and you get Jack telling the whole, unvarnished truth!!! “What do you have to lose?” he asks Norrington, who brushes him off: “Nothing I’d lament being rid of.” It’s JACK who reminds him that for all their precautions, the ambush might put Elizabeth in danger. Jack knows about the curse, and after being marooned on an island with her, he knows Elizabeth will do whatever’s necessary to save Will. So he finds a way to ensure not only that she won’t interfere, but that she’ll be kept safe from harm!! I’ll never be over it

And Murtogg’s “You think he wasn’t telling the truth?” line is such a great callback to their early sketch as Rosencrantz and Guildenstern on the docks of Port Royal. These dimwits happen to know Jack does tell the truth, expecting no one to believe him. His own exhortations on the subject notwithstanding, Jack’s real trickery lies in rarely telling the whole truth, letting people make their own assumptions, and giving them enough rope by which to hang themselves.

Governor Swann is such a darling, the ultimate doting father. It’s easy to assume he doesn’t get Elizabeth at all, but he’s no idiot. He rightly suspects she only agreed to marry Norrington to save Will, and while he’s not above nudging her in that direction (“I believe you made a very good decision today. Couldn’t be more proud of you.”), he’s also not about to let his only daughter bargain away her happiness for the sake of his OTP. (And his face of exasperated affection at Jack’s hanging, when he realizes she only pretended to faint as a diversion! Notice the lack of surprise in his expression: that’s the face of a father who is all too used to her Pulling This Kind of Shit)

Jack keeps popping up like a bad penny and both Norrington and Barbossa are so appalled every time lol

The sequence where Will breaks the curse and Jack shoots Barbossa and Elizabeth jerks like she’s the one who was shot is just - *chef’s kiss* the CHOREOGRAPHY! the CAMERAWORK! the EDITING! 

“I feel…cold.” *a single apple rolls out of Barbossa’s dead hands* Can you believe a summer blockbuster movie invented poetic justice tell your English professors

“If all I have achieved here is that the hangman will earn two pairs of boots instead of one, so be it.” Ugh Will is sooo not my type but he’s so DASHING and GOOD no wonder Elizabeth covets him. What a hero

“My place is between you and Jack.” Ohhh you know what I would love to track the main characters’ alignment arcs throughout the series. Here Will’s situating himself as the Chaotic Good between Jack’s Chaotic Neutral and Norrington’s Lawful Good. But I would argue he’s still pretty Lawful and, even under Jack’s tutelage, only resorts to Chaos in extremis; meanwhile Jack flits between Chaotic Good and Chaotic Neutral; Elizabeth’s arc is similar except it’s unidirectional; and without the Law at his back Norrington spirals into Neutral Evil. 

It’s the Sparrabeth shipper in me but the last line of the movie is Jack singing a song that Elizabeth taught him. (*Cutler Beckett voice* “We’ve had dealings in the past. And we’ve each left our mark on the other.”) For a fic about what Jack leaves her, may I redirect you to Shrouded Heart by dollsome, linked above - and this brain dump comes full circle!