see the thing about Astarion to me is I don't actually think he has a clue who he actually is beneath all of the everything he's got going on. he's got impulses, he's got drive, a will to live, he's got desires and amusements and cravings, but an actual selfhood?? no. there's a blue error screen where the person of him should be, the person -- whoever that was, I'm personally of the mind he likely wasn't good then either, but we'll see where the story takes us -- before Cazador. the man in front of us today is this mishmash of interior delight at freedom and sunlight but also capable of true unapologetic cruelty and willingness to be ugly in a multitude of ways. so he follows the impulse. he follows what intrigues and amuses, and nothing will take that freedom from him again. and he reflects back onto others the violence that was done unto him. a lack of power kept him down? now he wants to accumulate power, so it can never be turned on him again. but he also misses the sun while he's underground. he's mean and desperate and ruthless and it's interesting because he's unapologetic about it, he's unflinching about it. he's vindictive and mean and desperately floundering around throwing stuff at a wall to see what sticks in terms of personhood because who is he now. 200 years of horrific servitude and now he's just out and about and he's in the mud.
and he can be horrible. and yet when you take the routes of prying open the faaairly shallow veneer he has of smug and snark and snappiness, he'll give you pieces of the raw and the desperate -- "I want to know what the world sees when it looks at me. what you see." is a line you only get if you're earnest with him. any other path in the dialogue will have him continue the shallow persona you've come to know. and in all of that I think nothing is "this is real, this is an act," set in stone because I just don't think he even knows, I don't think he has a CLUE what's his and what's the protective measures and what's the real delight and what's the cruel mockery of his surroundings and what he's willing to give vs what he needs to hide vs what he lets slip out on accident. the inconsistencies in his own ideas and what he says and what he does. I think most everything about him is in a weird place of deeply uncertain. is it a lie? is it a glimmer of truth? for me, I like to interpret him in this weird menagerie of half-truths and shallow lies and omissions, because we've only known him a short while and maybe also he doesn't even know the answer yet. who is he? fuck if HE knows. anyways. smash.
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I craaaaaveeeee cute Stolitz AUs. Like, meet-cute, pining, first kisses, all of the good stuff. I read a coffee shop AU today that had me giggling and squealing and I just need more. Coffee shop AUs, flower shop, soulmates, medieval, university, mermen, pirates... Anything goes! Send me recs if you have any! Self recs are very very welcome. My only requirement is a happy ending 🥺
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I’m kind of baffled about the state of dawntrail discussions having two parties in regards to Living Memory, one being “shutting it down is amoral” and the other being “it’s moral and not at all like what Emet-Selch wanted to do with us”. It’s like a lot of people refuse to engage with the narrative from any other perspective other than their own when the game essentially hits you over the head with the message.
Yes, the existence of Living Memory is unsutainable and amoral and, frankly, pointless – you can make the very valid argument that the people there were just AI chatbots trained on the memories of a given individual, leeching off of the souls of others, their existence demanding the genocide of the entire universe in the end. I agree, in our eyes, Living Memory is an affront to life, sure!
Nobody seems to talk about that this is the exact same perspective Emet-Selch had about us, or when mentioned, people say that it isn’t the same. It is? He very explicitly tells us that the people living on the shards today are pale imitations to what he considered to be life, and thus shutting it down and trying to undo his mistake IS the solution (he is very much like Solas from DA in this regard), because in his eyes there’s nothing to lose but everything to gain. Emet-Selch saw us in the same light we see the people of Living Memory, and the game is painfully unsubtle in drawing this parallel. Even with the differences (we are not recreated memories but actual souls being reborn from the aetherial sea, etc-etc), the game WANTS you to make this connection between Emet and what we do. It is quite literally the point!
Yes, Living Memory has to be shut down because its biggest drawback is that it’s unsustainable and would continue to destroy what we deem to be lives. It is also arguably an affront to what we consider life and its natural end (directly opposing the message of Endwalker). The Endless aren’t even too hung up about this shutdown, bar Sphene. Shutting down Living Memory is necessary.
But you can’t say it was morally good and unquestionable if you can’t give Emet’s views the same grace. In the end, both his plans (and the Ascians at large, frankly) and Living Memory had to be stopped because that means survival for us, but to divorce the two narratives to maintain the WoL and co.’s moral superiority is disingenuous and does the story a disservice.
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Wang LingJiao used the chance to scramble out. She took out a cylinder of fire-light from her lapels and shook it a few times. A light shot out of the cylinder. Along with a sharp whistle, it rushed out of the wooden window and exploded in the sky outside. Then, she fumbled out a second one, a third one. Hair tangled, she mumbled, “Come… Come… Come here… Everyone, come here!”
Through the pain, Wei WuXian pushed Jiang Cheng, “Stop her from sending any more signals!”
Jiang Cheng let go of Wei WuXian and lunged in the direction of Wang LingJiao. Yet, at the same time, Wen ZhuLiu was closing in on Madam Yu. He looked as if he was about to knock her down. Jiang Cheng hurried, “Mom!”
He immediately gave up on Wang LingJiao and threw himself over. Wen ZhuLiu didn’t even turn his head as he struck, “Not even close!”
Jiang Cheng’s shoulder suffered the attack. Blood immediately burst from his mouth. Wang LingJiao had already let out all of the signal fire-lights. Sharp whistles and bright sparks filled the entire grey-blue sky.
- Chapter 58, EXR
It's quite interesting how, in this moment, Jiang Cheng does exactly what he's always criticised Wei Wuxian of doing: endangering the Yunmeng Jiang sect by 'playing the hero'. That's not what either of them are doing, of course – it isn't a motivation for Jiang Cheng here, it's not a motivation for Wei Wuxian anytime else, and the motivations they have definitely make sense – but it's exactly the sort of behaviour Jiang Cheng would criticise Wei Wuxian for, with those exact words.
Yet, no character ever criticises him for this – Wei Wuxian doesn't, even when it was his (necessary) advice that was disregarded; Madam Yu doesn't, even when her sect suffered as a consequence. Even when it very likely played a role in Lotus Pier's downfall (at least in getting a lot of Wen sect cultivators to get there very fast), it's never brought up by any character ever again... whereas Wei Wuxian's action of saving Lan Wangji, Jin Zixuan and Mianmian in the Xuanwu cave constantly is, even when the Wen sect was pretty certainly going to attack Lotus Pier anyway*. That's not to say Jiang Cheng should be blamed for the fall of Lotus Pier, either – that's on the Wen sect, and regardless of both of their actions, the attack was probably going to be a success. And can we blame someone for making a panicked decision protect his mother? – but one's action is definitely more direct than the other, and it's not the one that's constantly blamed.
The aim, though, isn't to compare the actions so much as the attitudes of the people involved, and this is another little detail that shows the imbalance in Wei Wuxian and Jiang Cheng's dynamic. Again, Wei Wuxian doesn't say anything about this afterwards, and doesn't seem to blame him, even when it's his words that were disregarded, and when the Jiang sect and Lotus Pier were undoubtedly very important to him as well. Which is good! That's a good thing and definitely the healthier option for both of them! If the roles were flipped, and Wei Wuxian saved a(n admittedly non-Yu Ziyuan) person, disregarding Jiang Cheng's orders while leading to more danger falling on Lotus Pier? Jiang Cheng would never stop blaming him or bringing it up. Even after the many years that passed between then and Wei Wuxian's resurrection, he still blames Wei Wuxian for the fall of Lotus Pier due to his actions in the Xuanwu cave** – once again, a much less direct scenario.
--
*Very strategic location (trade hub etc), they attacked the Cloud Recesses already, Jiang Cheng's internal narration literally admits this:
In his heart, Jiang Cheng knew clearly that back in the cave of the Xuanwu of Slaughter at Dusk-Creek Mountain, even if Wei WuXian hadn’t saved Lan WangJi, the Wen Sect would have found some reason to come over sooner or later. But he had always felt that, if the whole thing with Wei WuXian didn’t happen, maybe it wouldn’t have been so soon, maybe there would’ve been some way to turn things around
- Chapter 59, EXR
Yet there was some time between the end of the Wen indoctrination and the Fall of Lotus Pier, and we never even saw attempts at security adjustments!
**As we see in the Ancestral Hall:
Jiang Cheng mocked, “Look how forgetful you are. What does unwelcome people mean? Then let me remind you. It was because you played the hero and saved Second Young Master Lan, who’s standing beside you right now, that the entire Lotus Pier and my parents went down with you."
- Chapter 87, EXR
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Why are we as a fandom not talking more about this scene ??
Clive is literally asking the professor to come back and stop him. Like this isn't him pretending to be Future Luke : he looks genuinely upset/displeased even after the professor promises to come back. He only goes back to smiling after the professor says, and I quote "I wouldn't dream of leaving things here in that state" before talking about stopping his future self. Clive wants confirmation that Layton is actually going to confront the bad guys, that he won't just solve the mystery but fix it too.
And this is literally so important. Clive's speech at the end, about getting saved. This is concrete proof that he had truly meant it from the start, because he's asking for Layton to stop him and thus save everyone here. Which, hey- he didn't just hope and wait to get saved, he tried to save himself too.
Yep, that's right. The game talks about how dangerous it was for Clive to bring Layton underground : it doesn't talk about how even more dangerous it was to let him leave. He could have brought back cops (he did). He could have gathered precious knowledge out there (he did). He could have never come back (and yet he did !!). Clive letting Layton leave is the biggest threat to his plan, and yet HE DID. And you know what else he did ? Make Layton promise to stop him. You can't make a clearer call for help, you just can't.
"Oh but it doesn't make his crimes more forgivable, now does it-" of course not. This isn't about Clive's redemption, it's about Clive trying to avoid needing a redemption : his efforts are vain the moment he started using the fortress. But. There were efforts.
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small update I guess
This AI bullshit is getting to me a lot.
In case anyone doesn't know there's a new toggle setting where you have to opt out of Tumblr giving AI companies your data. I don't even know how well that will even work, I feel like they're just going to give the data/images over anyway.
You need to go to settings, blog settings and then scroll all the way down till it says "Prevent third-party sharing" and toggle it to opt out.
I'm getting quite sick of all this tbh and I also only just fucking realised that Tumblr doesn't actually delete the posts you make if it has re-blogs? So if it has a re-blog your deleted post will stay on that other blog?? This upsets me a lot actually, I just had no idea. I take a fair bit of comfort in being able to delete my own stuff.
I really don't know how to feel anymore. I get so much comfort from the tags on the re-blogs and I don't want to stop people from sharing my art and enjoying it. But not owning my own things is just .... confusing and tiresome at this point.
as of right now I have no idea what I'm going to do with my account here. I want to stop posting but I don't know if I can as I love sharing my stupid drawings. It's hard to tell when I'm very upset so we'll just have to see.
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yknow, no, i'm not done thinking/posting/being deeply angry about the whole "bbuuuhhh Astarion is gay and was made playersexual as a game mechanic bbbuuuhhhhhhh" garbage some people still spout.
like this type of sentiment is always annoying and wrong, but it's specifically this character for whom it's especially annoying to me, just because on top of all the regular host of issues, it also deeply contradicts what I believe is the central theme of his whole goddamn story.
(excuse the rant please.)
Like, my skin already crawls at that term, "playersexual". I hate it, and find its use either vaguely ignorant at best, or blatantly pan/biphobic at worst. but even just besides that....
This character is a man whose narrative intentionally shows his presentation of himself, and of his masculinity, as being contradictory with convention. This character is one whose entire arc is about discovering who he is beyond the boxes he was assigned: a spawn, a monster, a seducer, a tool, a predator, a plaything, a victim, a sexual object... these are all identities that were forced onto him. And if he's given space to discover them, turns out, none of them are things that he actually wants to be. if you give him space, and affection (romantic or otherwise), and acceptance, and help him attain closure and catharsis, he expresses desire to be... an adventurer, a lover, a friend, a protector, so many things, but all of them in his own way. That's the point of his story, control vs. autonomy.
How.... myopic does one have to be to see that story, to play that story, to play an active, participatory role in that subversion, that search for the self beneath the masks, and declare that actually, they made him this other box for him to fit into, so... it's fine, i guess, to ignore what he says?????? it's fine if they pick and choose among his expressed traits which ones to use and which to disregard, because they decided (based on frankly homophobic and rather misogynistic stereotypes) that he cannot be different from their perception, despite him literally saying otherwise????????
Astarion's entire figure is a succession of trope-subversions. I could write essays about all the ways in which, in the romanced spawn game, the narrative sets up tropes (primarily in act 1), only to then purposefully knock them down and contradict them as the game progresses.
Like..... He was to take revenge by taking power for himself (like he thought he wanted, like Cazador did to Vellioth): ended up taking his revenge and rejecting the power that could have come with it, and despite that having a price, being content and grateful for it (and realizing that the alternative would have had an even greater price he would have paid unknowingly). He starts out using sex and sexuality as a weapon, and a tool of manipulation, like he did for many decades: ends up expressing discomfort with being seen as a sex object, resuming his sex life by saying "I love you" before his partner would have, and proposing sex with them as a beautiful metaphor for his own rebirth.
His whole story starts out with him thinking he requires protection from the player and that the only way to get that is through using his body and looks as a bargaining chip: later he discovers in himself a desire to be the protector himself, which he talks about more than once, and expresses varying degrees of discomfort at the thoughts of both using his body to gain something, and needing a protector.
There's the "this is what I'm good for" type of attitude towards sex morphing into "I am so much more than a thing to be used". There's the whole thing about how important his looks were to both him and his "usefulness" back then, despite him not being able to even fucking see them, (which also kind of includes that silly lovely gremlin-face he sometimes makes), but those are just the ones off the top of my head.
The story, and the romance plot, is about... it's about him regaining ownership of himself, it's about autonomy, his whole recurring "what do you want" line is about respecting his choices and letting him find his way to them, it's about letting him show you who he is, believing him, and loving the man behind the facade.
how absolutely fucking short-sighted does one have to be to then take that incredibly reductive stereotype of "femme-leaning man with theatrical mannerisms who cares about his looks; must be exclusively homosexual and any attraction he shows to women is just a mechanic/fanservice/flattery" (which, that's so fucking insulting to gay men, and bi/pan men, an any man who might express masculinity in a less than conventional way, and to the women who may love them [eta: and of course nonbinary people, and the people to whom masculinity means something wholly different]), and assign it to this character on their own accord, despite him literally telling the player otherwise? despite him verbally expressing attraction to multiple women, and contradicting that stereotypical interpretation wholly and out of pocket??????
like, hello??????? did we play the same game????????? did we play the same fucking game??????????
like don't think for one second that it isn't the pan/biphobia that annoys me more, it absolutely is, but this character is such a particularly egregious example, it's almost fucking poetic.
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My eyeballs hurt from staring at the computer screen, and I've had to rework several pieces of Hickory's dialogue 'cause although I grew up in the prairies I did not grow up around anyone with a proper country accent.
Here's another snippet because I am ridiculously excited for when this is finished and I can release it into the world.
We're over 10k so far, babes ✨
Edit: I just realized this is an early draft and I fixed a couple things here already. Whoops
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