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#but s4?? nothing
marthajefferson · 8 months
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BLACKADDER + iconic quotes
1983 - 1989, BBC, created and written by: Richard Curtis, Ben Elton & Rowan Atkinson, with: Rowan Atkinson, Hugh Laurie, Miranda Richardson, Stephen Fry, Tony Robinson and Tim McInnerny.
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bangtanthoughts · 3 months
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and if mike gets vecna'd and there's this sequence of every time he and will held hands but we couldn't see it properly on screen.
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what the fuck is this,
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what the fuck is THIS,
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what the FUCK is THIS,
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and what THE FUCK is THIS.
like i need something like this to survive cause it's just so suspicious and it needs to be solved in s5 or i'll die
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klaus + forced back to life The Umbrella Academy: 1x07 | 3x10 | 4x02 | 4x03
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oksanaastankova · 6 months
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Two years ago Jodie Comer and Sandra Oh gave us the best onscreen kiss of all time. - April 10, 2022.
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realbeefman · 1 month
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imagine creating a show that consistently shows a group of very damaged people who struggle to fit in with “normal” society, the consistent message of which is that life is worth EVERYTHING, that pushing forward in the face of unspeakable horrors and against seemingly impossible fates is worth it BECAUSE life and love and peace are priceless. and then ending that show by saying “the problem was actually that these weirdo fuckups Exist. and actually they cosmically deserve to be murdered and never should have been allowed to experience joy and happiness and peace or to move forward because they are fundamentally Bad.” imagine.
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theoldkyokodied · 2 years
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Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')
#tomgreg#succession#dont even talk to me i started watching this show when i had nothing to do at work and now i watch it with averiel my good friend averiel#and we are going to watch s4 together and i feel physically ill from bein so excited#so ya thats what ive been up to... anyway. i love these idiots they desever nothing but the worst (affectionate)#im also a tomshiv lover btw. im the one who yells 'THIS IS HOW TOMSHIV CAN STILL WIN' while they are actively losing on screen#thats the kind of person i am#dont look at me (lying on the floor)#okay i was not going to say stuff in the tags and let the art speak for itself but i NEED to point out details in the wine Painting..#i put a lot of work into that one. thinly veiled metaphors and symbolism yknow..#greg is gripping the stem of the wine glass with his full fist. tom and greg are dressed in the same outfit (sock garters included)#greg look appalled but he is not doing anything about the spill. tom is fondly pouring greg more and more wine. he is doing him a favor#i colored the red wine the same way i would color blood :) oh and tom is not really touching greg#only holding the chair in place. greg is making himself look smaller than he is like usual#oh and @ the person who said that it's the inverse of the tom and nate scene i love the way you think. i did not think of that before#but god. yeah. i actually thought about the scene change from when roman uhh.. christens his office in s1. the one with the coffee machine#i always go insane at that cut. this is not exactly the same since it's more.. about emotions but yknow.. it can be.. the same...
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ballerinarina · 30 days
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𐙚 girls, seriously, please remember that diego learned punjabi for lila. don't ever low your male standards.
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theandrosaur · 1 year
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He just wants to live his cottage wife dream, Wukong. When will you listen to him.
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flowercrowngods · 1 year
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this wouldn't leave me alone, so have my thoughts on a steve-centric "who did this to you?" steddie concept inspired by @imfinereallyy (i hope this is okay, even though it's uhhh nothing like what you mentioned)
When Eddie gets to the boathouse, he immediately notices that something is off. The door is cracked open but he can’t hear anyone talking or moving stuff around. No one ever comes here — it’s been his hideout spot since the ripe age of thirteen when he’d had hist first real fight with Wayne. 
No one comes here. But now the door is cracked open and Eddie stares at it for a good minute as though that would make it come to life and tell him who’s inside so he won’t have to look and deal with whoever decided to steal his spot. He’s really not in the mood to start any shit today, or to be called all sorts of names — most of which aren’t even half as true as people fear. 
His first instinct is to leave, find somewhere else to hide from this miserable world today, when he hears it. The sound of sniffling, followed by wet, heavy breaths. 
Oh. It sounds like someone’s crying. In his spot.
Maybe it’s some girl who got her heart broken, some dude who lost the last bit of faith in his family, or some kid who— 
Ah, fuck it, he’ll just come back later. Not his problem. Definitely not his problem. And it’s definitely not guilt or worry that gnaw at him as he turns on his heel to leave. 
But then there’s a groan. A pained groan. Someone’s in pain, and crying in his spot, and Eddie really shouldn’t make that his problem. He shouldn't. Nopbody cares when he's crying and in pain either! But fuck if he won’t be thinking about it for the rest of his life if he turns his back on whoever it is. Maybe they need help. 
They most certainly sound like they do.
With a heavy sigh, Eddie is already at the door before he can think about it too much. 
“Hello?” he asks the darkness, and immediately the sniffling stops. 
Silence falls, but only for a moment before whoever it is has to draw shaky, wheezing breaths that make Eddie swear under his breath. 
“Listen, I know you’re here.” He’s taking slow, deliberate steps, his eyes roaming he mess of boats, tools and tarp he knows so well.  “And I’m not trying to start anything. Tell me to go away and I will. But I have a first aid kit in my car and, uh, you sound like maybe you need it.” 
There’s no response, but the wheezing breaths turn into whimpers with every second that whoever it is tries very hard not to make any noise, and Eddie’s heart starts to race in his chest. He can feel worry and panic starting to rise. And overshadowing it is an overwhelming sense of dread.
What the fuck is happening? 
He tries to be careful but his mind is racing and his limbs are starting to feel like lead. His wary steps become heavy and clumsy, and then he accidentally boots something that makes a terrible, horrible noise, breaking the eerie silence. Eddie cringes and is about to apologise, when finally there is movement in his peripheral vision. 
And then he sees him. There, hidden in the shadows between a boat and the far wall, his face breaten and bloodied, his eye swelling around a nasty bruise. Wait, do bruises bleed? Should they look black like that? Is it a cut? Something worse?
Even after years of constant bullying and goading in middle school and high school, he has never actually seen someone look like this. With their face completely smashed in. It makes him freeze for a horrible, horrible moment before he saps out of it.
“Fuck,” Eddie breathes, hurrying over as fast as he can, stumbling over tools and tarp as he does. Something falls to the floor with a loud clunk and it makes the boy flinch again. Eddie curses. “Sorry, shit, sorry!” 
He makes it to the boat rather quickly, crouching down in front of the boy a few feet away so as not to spook him, not to crowd him. And then his heart only plummets further, because he knows this one. 
Steve Harrington. The boy who’s come to school with many a black eye over the past two years — but never this bad. The boy who’s been looking like the world might be about to end each time he rounded a corner in school; ever since things started happening around Hawkins. Since the Holland girl died and the Byers boy disappeared. 
It fascinated Eddie, the way Steve fell from grace. The way he turned quiet, and showed up with healing bruises. There are stories woven around it, because teenagers like to gossip and word spreads fast, and Eddie always listened with rapt attention as Harrington turned into a bit of a myth. A legend. A ghost story.
But fascination is not what he feels right now, seeing Steve like this.
His eyes are unfocused and Eddie knows about the danger of head injuries. He knows about the consequences of blood loss, he knows that Steve will be warm to the touch even though he’s shivering already, and… Fuck!
“Shit, Steve,” he rasps, not daring to speak louder lest he spooks the boy. Of all the reasons he’s had to be afraid of talking to Steve Harrington, this one might be the cruellest. "I..."
He takes in his wounds, his bruised and scraped knuckles where his hands are wrapped around the knees he’s pulled to his chest, and his split lip that he keeps biting. 
Eddie swallows before he asks, “Who did this to you?” 
But Steve just shakes his head clumsily. Sniffles again, and then his breath comes in wet heaves, and Eddie worries for a moment that he’s going to throw up now. 
He doesn’t. 
Steve’s just staring. Eddie isn’t even entirely sure he can see him, or maybe he did and then forgot, or maybe he’s fading. Eddie should do something, he should get help, he should— 
“Steve,” he says, and dares to touch him when he doesn’t react. 
A light touch to the knee shouldn’t make anyone flinch like that, but Steve’s whole body jumps, and then the shivers and the wheezing get worse. It almost sounds like a whimper, and Eddie curses again. Feels like crying now, scared and helpless as he is.
“Fuck, I’m sorry. I’m sorry, okay, I— Jesus, okay.” He swallows hard, trying to think, willing for the panic to subside and a plan to form. “You’re okay. I... I’m gonna, I’m gonna grab the first aid kit. I have it in my car. It’s not, it’s not far. And a blanket. So you'll be warm again. I’ll be right back, okay? Don’t move, don’t…" He gestures wildly, caught between reaching out and pulling away. "Don’t move.” 
Eddie takes a wavering breath and moves to stand on numb, tingly legs, nearly missing Steve’s, “Can’t.” It’s barely more than a whisper, hardly even a wheeze. It’s like he’s just breathing out words because everything else is too much effort. 
Right. Right. This is messed up and Eddie’s panicking, but Steve will be okay. Because things like that don’t happen, not here, not today, and not to Steve Harrington. 
Except this is Hawkins. Where Will Byers disappeared and Barb Holland died and many people are missing and weird shit just ends up happening everywhere even though they’re all just kids. They’re just kids. And Steve’s not even conscious enough to realise that right now. 
Eddie all but runs outside, sprinting to his van with a speed that would make the coach swallow his stupid whistle if gym class only mattered right now. It doesn't. Nothing matters, because Steve is... He's hurt. And there's no one else around to help.
Grabbing the first aid kit, a bottle of water and a thick blanket he always keeps spread out in the back of his van, he makes it back to the boathouse in no time. 
He wasn’t even gone for three minutes, but still he sighs in relief when Steve is still awake. He even looks up. Blinks. Frowns in what can only be confusion and makes Eddie's heart fall.
“Munson?” 
Fuck, that’s not a good sign. That’s messed up, it’s fucked up, it’s— Focus, Eddie! 
“The one and only,” he says, voice shaky and his smile not fooling anyone. He wraps the blanket around Steve, whose eyes are unfocused again, though he tries so hard to blink it away. 
Brave boy, stupid boy. Head trauma isn’t blinked away. Though Eddie is inclined to let him try. Maybe he’ll find a way. 
“Here.” He hands the bottle over to Steve, who grabs it with clumsy hands. He can hold it, but he can’t get it open — again, not a good sign. 
Eddie opens it for him, then turns to his first aid kit. It seemed like a great idea five minutes ago, but he’s petrified now. It’s too dark in here and he can’t really see the wounds, he doesn’t know what to use, what’s in there, he doesn’t, he can’t, he— 
The bottle, empty now, is handed back to him, bumping into his hand, tearing him away from his spiralling thoughts. 
“Thanks,” Harrington breathes, and there’s a small smile visible in the darkness. Eddie just nods and takes it with hands that are still shaking.
“I wanna help you,” he says, like it isn’t obvious. “But I don’t know how. You gotta tell me where it hurts, Steve.” 
A beat. “Everywhere.” 
Eddie sags, falling back to sit opposite Steve, frantically rubbing at his face. “Shit.” 
“Yeah.” Steve chuckles, but it sounds so wet with tears and pain, Eddie never wants to hear it again. “Thought I could do it.” 
He’s talking. That’s a good thing, right? He can’t pass out as long as he’s talking. That’s how that works, isn’t it? So, Eddie asks, “Do what?” 
“Doctors told me,” Steve sighs, his voice slow and slurring. “Told me to... to stay out of fights. Stay out of them. Said I had to make sure my head won’t—“ 
He makes a motion with his fist, and Eddie thinks he’s simulating a punch, disoriented as it is. It makes his heart fall. Is that what happened? Someone beat Steve to a pulp? Again? Just like that?
Eddie is so stuck on that thought, trying to piece together the puzzle, that he almost misses Steve’s mumbled speech. 
“Y’know, th— Said I’ll go blind. Or deaf. Or just… die.” He says it to matter-of-factly that Eddie’s heart stops for a second.
What the fuck happened to Steve Harrington? Not just today, no. What happened to him?
What happend to make him look up at Eddie Munson, out of all people, with glistening eyes so endlessly scared, and say, “I don’t wanna die, Munson. I never… I didn’t. With the monsters or the torture. I can't—” A wheeze, a keen, a whimper, and Harringtin pulls at his hair, uncaring that he's making things worse.
Meanwhile, Eddie is stuck on his words. Because what. 
“Can’t, can't die now ‘cause Tommy thinks he’s so… He’s… He’s just sad, man. Griev'n' and confused. But Billy’s gone, an'— And now I’ll…”
Steve looks at him now, his eyes shining with tears and something that Eddie’s written poems about and created characters around. This expression, like the world will end. And inspiring as it is, it fucking breaks his heart now. 
“They said my brain is hurt, Eddie.”
Eddie swallows the hurt and the fear and the complete overwhelm he's feeling. Steve is telling him things that Eddie doesn't know how to handle.
“You won’t die, Steve,” he says in as gentle a voice as he can muster right now, because that's the only thing he knows.
And he won’t, right? People don’t just die. Not from taking a punch, not when they just graduated high school, not when they’re Steve Harrington. Right? 
“Yeah?” 
“Yeah.” 
“Okay,” Steve breathes. “That’s good.” 
Eddie wants to hug him in that moment. He never knew that this was possible, wanting to hug Steve Harrington, wanting to wrap the blanket around him even tighter and keep him safe and convince him that he won’t die. 
And then the rest of what he said catches up with Eddie and leaves anger in its wake. 
“Hagan did that to you?” 
Steve nods. “Started going off about Billy.”
Eddie’s blood freezes at that name. "Hargrove?” 
Another nod, though Steve doesn’t look too happy about moving his head, and he groans quietly. “They were friends. Tommy is angry. Grieving. Con— Confused. He was just saying shit, like it’s my fault. And it is. Kinda. But Tommy’s, he, he’s... Just saying shit. And then he punched me. A lot. And he didn’t stop. And now… is now.” 
“Yeah,” Eddie breathes dumbly, carefully bandaging the glaring wound at his temple, needing to start somewhere. “Now is now.” His blood is still frozen as he tries very hard not to listen to Steve. Nothing that Harrington says has any right to matter anything to him; they live in two different worlds. If Harrington confesses to murder while severely concussed under Eddie’s watch, then there are no witnesses to drag either of them through the mud for it. Eddie is just gonna forget about it. Or try, anyway. “But you’re… Shit , Steve, you’re really hurt.” 
Steve blinks. Pauses. And Eddie thinks he’s lost him. But then, “Yeah. I’m always hurt.” 
And that, in this little voice, is like a gut punch. Because Eddie knows something about always hurt. “What?” 
“What?” 
There is ice in his veins as he asks, “Who’s hurting you, Steve?” 
Steve looks at him, opening his mouth once, twice, like he’s about to say something and Eddie holds his breath. But then Steve’s eyes droop and he shrinks in on himself a bit more. 
“Jus’ everyone, sometimes. God you don’t… You don’t even know.” 
Know what, Harrington? Eddie can barely breathe anymore.
“’M tired, Eddie,” Steve mumbles, closing his eyes. “Don’t wanna hurt anymore.” 
“Hey, hey, no!” Eddie reaches out, catching Steve’s head and preventing it from colliding with the floor as he’s slumping and falling over. 
And just like that, the panic is back, frantic but determined this time. He’s going to get help; there’s nothing he can do with his lousy first aid kit, not when Steve keeps going in and out of consciousness like that. Not when he can barely see anything or clean the wounds properly.
He’s going to get Steve to a hospital and allow them both to forget this ever happened. Because Steve Harrington and Eddie Munson don’t breathe the same air or share traumatic stories in a boathouse like this. 
He’ll get out of Steve’s hair the second the hospital doors close behind him, and get out of whatever trouble someone like Harrington could be in. Eddie doesn’t even want to know. He doesn't want to be part of his ghost story.
But as he’s scooping him up and helping him out of the damned boathouse, clumsily preventing him from stumbling over his own feet or tools or tarp or planks or whatever fucking shit is littering the floor of this godforsaken place, he can hear Steve speaking quietly. 
"Where‘re we going?"
And even though a second ago he was determined to take Steve to a hospital, there is only one place on Eddie's mind right now. Only one place he knows where he won't be scared anymore.
"Somewhere safe," he says, tightening his hold on the boy even though his hands are shaking now, too. He looks over his shoulders the moment they're out of the boathouse, stupidly worried that whoever did this to Steve – Hagan, apparently – would still be around, would follow them and do the same shit to Eddie.
"Safe?"
"Safe."
"Okay," Steve sighs, like he believes him. Like he trusts him. Hell, they've never even spoken before, but something inside Eddie breaks at the little sigh, at the way Steve goes slack in his arms. And even more at the little, "Thanks."
If Eddie's eyes are filled with tears and the hands around the wheel are clenched so tight to hide the way they're shaking, then Steve is not conscious enough to comment on it.
(addendum 7 december) onwards to part 2
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98chao · 2 years
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great hearing you got there mr six eared macaque
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eternalnat · 1 month
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I rarely make tumblr posts, but I am so infuriated by this situation I need to say something about it.
Five Hargreeves, who spent 45 years alone in a post-apocalyptic world, and every single moment of his life since was spent trying to get back to his family. The Five who ran himself dry for 2 weeks straight trying to stop the end of the world, and reunite his family. The Five who slaughtered an entire board of directors just to ensure him family's safety. Who turned back time himself, while bleeding out on the floor, just to save his siblings. You're telling me, that the Five whose entire motivation for living was once saving his family, is the same Five, who in s4 has entirely given up, and in the Subway is the one trying to convince Lila to stop looking after 6 and a half years? The Five who never once stopped trying to return to his family in all 45 years of surviving alone, decides to settle down in a greenhouse and live out a cottagecore life?
Furthermore, the same Five who told Lila that Diego loved her, who reassured his brother that his wife wasn't cheating on him and loved him dearly, the same Five who got on with Lila only due to the fact that they both cared for and loved Diego, the person they had in common, is the same Five who stole his brother's wife, whom he had three children with, just because the writers were excited that Aidan Gallagher was finally legal?
Five who hated authority, who despised when people gave him commands, who wanted nothing more than to retire in s3, is now working for the CIA and willingly calling his boss, 'sir'?
Five who used to be so paranoid and suspicious of everyone and everything, who used to solve problems alone and came to epiphanies that saved the world, who didn't even trust a past version of himself, also didn't realise that his boss of many years had an umbrella tattooed on his wrist?
Everything that once stood out about his character is now gone, as if the writers themselves entirely forgot about his existence until the last moment, and added him in as an afterthought, without thinking of the effect he would have on the story.
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carnation-phoenix · 3 months
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Five having a mental breakdown or something of the equivalent is basically an overdue assignment at this point in the show
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cssammyyarts · 2 months
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“eew hughie fell for the shapeshifters lies !!” like you wouldn’t too 💀💀💀 like, maybe they’d act a lil off but would you Really think “Oh no my partners a shapeshifter” JUST because they act weird for a moment? your first thought would be to ask “hey u ok ur acting odd..,, :(“ and guess what the shapeshifter (the one hughie encountered) would fix their fuckin act based on wha YOU thought was off. Dude. The shapeshifter can read minds every time Hughie thought Shapeshifter Annie was acting weird they probably just corrected themself.
Bum ass hoe.
he was also recently sexually assaulted too btw?? so like he could’ve just not noticed, too preoccupied in just getting comfort and being treated nicely by who he thought was his gf. God FORBID… 💀💀 victmin blamey ass behaviour.
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based-and-rinpilled · 1 month
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Taking away a woman of color’s agency so she can be a white boy’s wife? Pairing up an actor who you’ve known since he was 13 with a woman who was in her ~30s when they met?? Completely forgetting the guy’s series-long motivation to keep his family alive and safe, and both of their characters for the sake of some stupid ship??? KILLING 3 BIRDS WITH ONE STONE BITCHES
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quietwingsinthesky · 7 months
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you ever think about how much rose tyler loved jack because i do. she loved him so much. she saved and unmade him in the same breath, she loved him so much. whoever jack harkness was, folded into the thing he became after rose breathed life back into his lungs, abominable and glorious, so much that the doctor can barely look at him. rose loved him so much that she fixed him in time, but not in hers. she destroyed every dalek for love of the doctor, but she brought jack back from death and held him there for love of him.
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I am seeing some of the WORST takes about tdp season 4. Sweet, sweet tumblr users. This season was a lot of set up, not everything was supposed to be explained or resolved, or even "should" have been. Season 4 had to do the heavy leg work of re-establishing characters and arcs and the plot moving foreword. It just needs a little time to be able to act on everything it's now established. It did a good job building off of arc 1, and now we are fully indoctrinated into arc 2!
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