#but the surreal experience of watching cas on live tv say ''i love you dean i cared about the world because i cared about you'' | Explore Tumblr Posts and Blogs

mittensmorgul · 5 years

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Plastic fantastic

I've put off doing this long enough, and spent the intervening days reading everyone else's interpretations, so there's gonna be a lot in here, but also a lot that I've probably not focused on too heavily because other folks have already said the things better than I could've. So this is just a recap of the things I personally feel are most significant and thematically cool going forward. It's... a lot... :'D

15.04 was infused with an element of surreality. Which I ended up referring to throughout this post as “plastic.” Hence the title. But this got super long, so here have a cut. :’D

Right from the THEN segment, we're reminded of Cas. Rowena's sacrifice, Cas's own suffering at Chuck's hands, and how this has affected Sam and Dean-- Sam miserable for having done what they had to do (right?) in sacrificing Rowena, and Dean PISSED but feeling like this was the only way to free them from what he sees as Chuck being a "fanboy" of them. It shifts directly into BECKY, who was described previously as a "fangirl" and involved in a supremely unhealthy relationship with both Chuck AND Sam (even if it was completely one-sided and creepy with Sam). And then shifts to Chuck being told-off by Amara in 15.02, in essentially a recap of all the best insults and condemnations she could fling at him... because he deserved it honestly, I mean HE LOCKED HER AWAY FROM THE DAWN OF CREATION TO SUFFER ALONE WHILE HE DID HIS THING TO MAKE HIMSELF FEEL BIG.

Okay, sorry, I just really hate that guy and his hypocrisy sometimes (read: all the time).

Right. Where were we. At the beginning.

Gunfight in the bunker, with the Danger Lights activated. I've been waiting for this scene since we got BTS photos of Jensen all battered and ragged with the beard. This... isn't real. It's not SPN universe real anyway. Since the SPPT promo came out, I have been eager to see this episode just for this scene. I guessed it was a vision Sam was having/receiving because of the Equalizer Wound, the beginning of his glimpses into "Chuck's writing process." Is this an AU that Chuck actively created? Is it just the sort of thing Chuck daydreams about? Or in the style of Supernatural episodes past, is this some sort of window into the ending Chuck wants/intends to write for them, which obviously would be something they absolutely could not let stand?

Like Dean’s nightmare he awoke from in 10.09 where he saw himself slaughtering a room full of people at the beginning of the episode, which became reality by the end of the episode? Is Chuck’s horrific ending that Becky hated what we actually saw play out in Sam’s nightmare? The show has invited us to consider that as at least a possibility. Or, to at least assume Chuck’s horrifying ending was at least that awful.

There's so much in this scene that doesn't match up with what any of us might imagine Sam would even consider a nightmare of his own mind's creation, you know? And yet it's SAM who is plagued by these incongruous nightmares that don't even really connect up with things that are relevant to the things currently on his mind, you know? After recent events, one would think the things that would plague Sam's nightmares would be the loss of Jack, or his role in Rowena's apparent death and his guilt/depression over it, or even the fight against the ghostpocalypse and the people who lost their lives as a result of that. Instead, he's having "nightmares" about having gone full Boy King of Hell demon blood addict, which hasn't been a pressing personal fear of his for more than a decade. He's even talked specifically about how he's made his peace with that entire time in his life, such as his talk with Magda in 12.04. NOT coincidentally also written by Davy Perez.

That's because... this is NOT Sam's "nightmare." Why would Sam "dream" about Dean's regular gun having the power to spark out demons? Why would he "dream" about BENNY being a human (and alive!) ally of Dean's that Sam had sent his own army of demons to destroy? Why would Sam dream that his demonic-self would hunt down and kill his loved ones (Bobby! Jody! and nobody else mentioned! as if this was some weird time-travelling situation combined with Benny's human presence!), and then in the end hunt down and murder Dean in cold blood? This wasn't Sam-As-Lucifer (though I believe we will be seeing that particular nightmare in next week's episode), but SAM. HIMSELF. Turned into the demon he always feared he was "destined" to become before they learned how to tear up the story and make their own choices about their destiny.

The problem now is that they actually believe that Chuck has gone, and they're on their own now. Sam believes that this must be his own nightmare, and therefore he's just stuck with it, as his own mind and memories and fears come back to torment him. He's lost his power to fight against it, like Dean's lost his power to fight against his current experience. It's as if the only power Chuck retains over them is in the fact that they BELIEVE he's gone, you know? Magic's power is in the belief of the caster, Rowena has recently reminded us with her own life. And I think that's exactly what's leaving Sam and Dean so completely vulnerable to manipulation by Chuck, in ways they've never before been vulnerable to it. Because they've both staked their entire futures on the fact that they so firmly believe they're free of Chuck's story.

Sam is just... so confused by this nightmare, he can't even make sense of it at all. And the sleep deprivation isn't probably helping.

I think we've all covered the Meat Man conversation already, as well as all the Dean vs Food stuff, so I'll only add that commentary in here if I think of something I haven't already said on the subject.

Dean calls out Sam's assertion that he's fine, directly telling him "No, you're not," and expressing his understanding of what he's going through.

And here come the cheerleaders. And doesn't this (as I believe many of us have already said over the last two weeks) just smack of Sam's "fake case" Gadreel had him trapped researching inside his own mind in 9,10? Crowley had to convince Sam that what he was trapped inside wasn't real, that he was possessed by an angel who was forcing him to experience these things. And obviously the God Wound isn't direct possession, and I don't doubt that this is a real case, but how much of this case might have been "arranged" by Chuck, or how much of Sam's perception right now may be clouded or colored because of the effects of that Wound?

Not only that, but Dean is also a participant in this entire odd case, and he doesn't even HAVE a wound connecting him directly to Chuck, you know? But his judgment seems to be equally clouded by something, as well... I'm gonna call it Intense Denial. Dean is basing his entire life right now on the presumption that Chuck has stopped interfering in their lives, when I think the exact opposite is true. I think Chuck is now focused on them more directly and more intensely than he ever has been before, and their obliviousness to that fact is only strengthening his hold on them, and amplifying his power over them.

But back to the current point in the episode:

Sam interviews the vice principal of the school, and the girl who was killed was in the drama club, debate team, cheerleading, campus ministry, you name it. That's... an awful lot of potential friends, so Sam asks about BEST friends, and we're directed to Veronica "and the girls." Veronica is singled out, which makes her speech to the empty room later even more interesting...

This episode relies on a lot of the elements of the case they're investigating to seem rather... plastic. And Veronica stood out as one of these elements. She could've just been "one of the girls," but she was identified specifically here, and it's like that designation itself somehow altered reality just a little bit. Heck I think I'm gonna need to put this line of thought on hold until we get to the speech scene. Remind me to come back to this.. >.>

The Whitmans interrupt (oh those crazy parents from 1.08, at it in a completely different role), seemingly uncaring of the dead girl and demanding their son's future not be ruined by postponing the lacrosse game. (OH THE IRONY) Sam rightly calls them out on framing it as "the end of the world" if he doesn't get into his first choice college. These parents have already been established to be Those Kinds of Parents who will do anything for precious little Billy to get whatever he wants in the world. They'd probaly strangle kittens on live TV if it would guarantee their son's future, you know? We haven't even seen the full extent of what they were willing to do for their son, and they already feel like cartoonish villain types.

I need to take another aside here to talk about the boy’s name. BILLY. Which, considering how we left things in 14.20, we’ve all been wondering about what Billie is up to in the Empty, right? This boy that will, by the end of this episode, become a literal stand-in for Jack on a cosmic scale? Is called Billy. Just... consider that.

I can already hear Becky critiquing Chuck's Monster of the Week here... and in turn parts of the fandom cynically saying that this is the complaint on MotW episodes forever-- that they're boring or unimportant or skippable because the monsters are predictable and boring, and just... NO. YOU HAVE OFFICIALLY MISSED THE POINT.

I think the general assumption is that the case we watch Sam and Dean solve is being directly affected by Chuck's simple act of typing it out. In exactly the same way we believed Metatron influenced the events of s9 by the simple act of typing it out. Could he control the thoughts of the people he wrote about? Not exactly. Could he manipulate the situation via the power of the angel tablet-- the direct word of God-- to influence the scenario and events in improbable ways? Yes, I absolutely think he can. And I'll continue discussing this as we go along.

But we return to Dean leaning against the car eating pretzels. I've already written about his constant eating and drinking in this episode, but PRETZELS?! That's a new one for Dean. It's usually jerky, or chips, or candy, or... all sorts of other things. Where did he even get the pretzels from?

He'd apparently been at the morgue examining the body, and found a vampire tooth. So this case that seemed NOTHING like a vampire case based on how the body was found, suddenly there's irrefutable evidence that it's a vampire instead. Almost as if the facts of the case have shifted somehow, rather improbably and inexplicably. Just as inexplicably as Dean finding the beaver mascot riding a scooter "awesome."

The second girl to be abducted calls out Veronica as being "so fake" in her grief over Susie's death. And yet, improbably, after a long cheer practice, she's the only one alone in the school parking lot late at night. Where's the rest of the cheer team? The coach? Anyone? How was she there all alone? Yet she was, because the case needed her to be.

It's plastic.

Like the little square of crime scene tape left unattended in the woods. Weird, right? That after the scene was cleared and the original investigators left, it was still left there around an empty patch of dirt. And Sam and Dean... are just... standing there at the edge of the woods, boxed in by yellow crime scene tape and orange cones while they have their conversation about the fact the police have no idea what could've done this, and Sam laments the fact that it's THEIR job. THEY deal with the truth and carry the weight, while everyone else gets to go back to their blissfully unaware lives.

Dean busts out the flask while the two of them stand there in their own personal crime scene box, like their lives are the crime here. They ARE the victims of a cosmic crime. And the corpse of what their lives could've been, of what Sam had always thought he'd want of his own life, to live in a little town like this and just be NORMAL, is what they'll find on the autopsy here. And Sam is just beginning to realize he can't identify with those sorts of people at all.

And then we jump right from Sam lamenting the lost white picket fence to Becky's house-- where the front railing is white pickets, where she's built a real life for herself. Yet even something about it seems... off... just a little bit. That older kid seems way older than 7, which I assume would be the oldest any of her kids could be based on when we last saw her in canon, before she began to recover from her obsession and begin building a true happy life for herself. Heck maybe I'm talking myself into a problem that doesn't exist, and he's supposed to be just a really big 6-year-old, but okay. Or maybe he's adopted, or the kid of her husband from a previous relationship. GAH This is so not relevant to anything, why can't I let it go... >.>

Regardless, she clearly loves her family, and is invested in her life with them. Her husband is a man who truly appreciates and loves her in return. I'm really happy for her. Her husband at one point says, "Where would I be without you," and she jokingly replies "Covered in puke." And it's the same sort of cute exchange we saw between Sam and Jess in the pilot, where he asked, "What would I do without you?" and she jokingly replied, "Crash and burn." And considering that Sam himself will mention Jessica at the end of the episode, it seems worth pointing out the thematic similarity they're trying to set up here.

I wonder how much Becky has told her husband about the reality of the Supernatural books she's built her business and hobbies around, or her own part in the events of the books? More than Sam ever told Jess about the reality of his life? At this point, I'm gonna be glad her husband didn't end up pinned to the ceiling on fire.

Becky waves goodbye to her family as they leave for a day of fun, and Chuck waves back at her. He's inserted himself into her life again, and it's freaking creepy.

Chuck says he "wanted" to see her, and corrects himself to "needed." And here we have the laying out of the classic “NEED VS WANT” conundrum we’ve been yelling about for literal years. Funny that Chuck has it all wrong himself, you know? Becky makes herself clear that she neither wants nor needs him. He's not welcome there at all, and yet he presses on, past her assertion that his problems aren't her problem. I've already written a little bit about what Chuck apparently wanted from Becky, and what he actually got from her, so I'll try not to repeat myself, but to say that Becky was far kinder to him than he deserved.

So we learn about the second cheerleader's kidnapping, Dean makes an uncharacteristically flippant comment in front of the Vice Principal (somebody has a fetish), and kinda... blinks in shock at himself before professionally affirming they'll look into it and turning and walking away. Like he can't quite believe he actually said that. Which is weird, right? Because this is the sort of thing Dean has made flippant and kinda gross comments on in the past, right? But even when he's made comments about which cheerleaders are legal (4.13), or suggestive comments about even college students, he's rarely done so this blatantly directly TO the school principal, you know? This was... odd... like everything is just slightly out of sync.

I'm fascinated by the tiny models of Supernatural things that Chuck is prodding at in Becky's house. The first thing we see is Lil Levi's gas station. The only time we have EVER seen this gas station was in 10.03, when Hannah and Cas stopped there for gas, and yet Becky has the Impala parked by the pump, and what looks like a yellow classic car of some sort on the other side, hidden by the pumps so it's impossible to really see it there.

(I swear I will replace these Mittens Quality Screencaps™ as soon as HotN properly caps the episode... apologies for the photos of my tv in the meantime)

It was Cas's pimpmobile we've actually seen at this location in canon. And this was the gas station where Cas was losing his grace, desperately trying to get to Dean in time to save him, and Hannah kept getting them lost. He calls her out over her feelings-- dangerous temptations-- clouding her judgment and getting in the way. They're attacked by Adina, and Crowley arrives just in time to save them both from her, stealing her grace and force-feeding it to Cas, enabling him to power up again and save Dean. Aah, callbacks! And I mean, it might just be a visual callback to the fact that Jensen also directed that episode (and that gas station was named after his nephew), but it's still a reference that brings an awful lot of baggage with it, regardless of what prompted its appearance in miniature in Becky's house. Not to mention, this reference happened LONG after Chuck had supposedly stopped writing about the Winchesters' lives. And yet... Becky seems to know this reference, which had nothing to do with Sam and Dean and everything to do with Cas.

The second model we see looks incredibly like (or at least should all be having us THINKING of) the Carver crypt from the first three episodes of s15. And that's... super creepy, right? What is this building? Why did Becky have a model of it at all? This happened DAYS ago in canon.

And the third is Singer Salvage yard, with the Impala parked out front. How long has it been since we've seen it? In an episode that opened on Sam's "nightmare" that involved him strung out on demon blood having just killed Bobby and Jody in Sioux Falls? Interesting that Chuck expressed fascination with that particular model in this episode, isn't it?

He asks if Becky is still obsessed with his work, and she corrects him. She's obsessed with HER work. She'd essentially dismissed Chuck as the creator of Supernatural, and relegated him to the role of Recorder Of Events, as a prophet. It wasn't actually HIS story. But what she's made of it, what she's made her life's work, IS HER OWN CREATION, based on the same reality she believed that Chuck had been nothing more than a conduit for. And OUCH for a guy like Chuck to not even get credit for any of it now, because of the lie he'd told to insert himself into his own creation. It's incredible to me. He wants nothing more than recognition as the creator, as the writer, and Becky's far more interested in her OWN stories about the same characters. She saw herself as more than Chuck’s equal as a writer, she saw herself as his superior. He just recorded, she CREATES. She dismissed everything Chuck was most interested in, and writes the characters all having achieved a measure of peace and happiness, the same as she has. And Chuck... hates it. :'D

Remember, this is the guy who invented monsters before he invented anything else. Leviathans were his first creation, even before the archangels. But they had a nasty habit of eating everything else he tried to create, so he grudgingly locked them in Purgatory, and moved on to the next thing. And he's had a lot of similar failures over the years... like the original hellhound that Lucifer stole away (and that Sam killed in 12.15). Seems like this has always been the story Chuck wanted to tell, because he's always only ever had his original drama with Amara as a source for his creation. He's... obsessed... with his version of events, no matter how many times he's confronted with reality, he weasels out of personal responsibility for everything. Like he does in this scene with Becky, letting her believe he's just a poor dude who wants to keep writing and lost his writing mojo because his prophet powers dried up.

This is probably the first Becky's heard Chuck had a sister, who Chuck only explains rejected him because she "sucks." And... Chuck... you're leaving out the horrific things you've done to her as an explanation of why she refused to help you. He's still hiding behind the “super cute” Chuck Facade. And nothing he says is an out and out lie, but it's entirely a manipulation, a complete reframing of the cosmic scale of what's happened into something he expects Becky to be able to offer him sympathy over. And she's just not having it. And again, good for her.

Chuck admitting that he's lost and hates himself at least engages Becky enough to try something to get him moving forward (again, still thinking he's just a guy who's lost everything). And tells him if writing makes him happy, then he should write.

Meanwhile Dean's incongruously eating a hot dog (WHERE IS HE GETTING ALL THIS FOOD?!) and interviewing a beaver. Sam questions why, and Dean's not only gotten information about the case (mascots have access to cheerleaders), but information about the kid inside the suit (he's a smart kid, got a full ride to IU). Dean's been unusually productive while chewing that hot dog, apparently. But he’s basically a caricature of himself during this case, like he’s trying to wear a suit he hasn’t worn in 15 years, and is finding it really ill-fitting. (it’s probably all the snacks he’s eating, honestly)

Veronica hands Billy a black wristband printed SUSIEFOREVER, which... is probably how Billy's feeling at the moment (hello, she was his girlfriend and he accidentally killed her... this is gonna haunt him forever). Veronica (who we've already been told by the latest girl to disappear is "so fake" in her grief over Susie's death) seems to be coming on to Billy, or at least making her interest in him known. And we DON'T know how all of this will resolve yet, but there's an awful lot going on in this scene. Did Veronica actually kill Susie? Is she the vampire and is that the reason for this OTT "so fake" grief on her part? Did Billy's "anything for my kid" mother who interrupts the scene actually kill her and Billy know something about it? Why is everyone acting so... weird?

Because we're back to the plasticity of this entire case again. What's actually killing cheerleaders? What's really going on here? If this entire case is Chuck's machination, because he wrote it down, and therefore subtly affected the situation, is that why everything seems just slightly off? Slightly malleable, as if Chuck is only working out the details of the case as he's writing it all down?

Billy leaves with his mom, and Veronica is left in a dimly lit gym filled with empty chairs and programs for the memorial service. She's practicing her speech to this huge empty room, speaking into a microphone. And as she talks, she edits her speech.

We've seen Chuck do this. in 4.18, he had Dean push the doorbell with determination, and then went back and edited it to read "with forceful determination." Just before the doorbell rang, and it was a forcefully determined Dean doing the ringing... So Veronica's self-edit here seems almost like a Chuck self-edit.

Remember how I mentioned way back toward the beginning of this mess how Sam asked the VP for a clarification on who Susie's "BEST" friends were, and Veronica was singled out among a group of her close friends? And now Veronica stands alone not only as the sole person in the room here talking to empty chairs, but as the one with apparent motive to kill Susie, who's been accused of expressing a lot of over-the-top melodramatic "so fake" grief. And... she edits her relationship with Susie on the fly:

Veronica: We are here to celebrate the life of my friend Susie. No. *clears throat* *takes a breath* We are here to celebrate the life of my best friend Susie. My best friend Susie who I miss like... *sigh* like she was a part of me. And in many ways she's still a part of me. She'll always be a part of all of us. Susie Martin was as rare as a ghost orchid and as unique as a snowflake. So beautiful inside and out. But as Robert Frost tells us, nothing gold can stay. And that's what Susie was. Pure gold.

And during this entire speech, to the empty room, the music in the background is ominous, looming, tense. The musical cue is telling us to doubt her performance here, with the high strings picking up the tension just as she comes to a close and Dean shows up with his slow clap. I mean, it was a pretty OTT speech, delivered with an intensity that literally does feel rehearsed. Stilted. Plastic. Everything in the case so far has pointed the arrow at her being the monster. The framing of the narrative would support it if it had been true, but the background of the entire case feels exactly as Becky has described it. What if THIS was the original ending to the case that Becky had voiced her complaints about, as if THIS is the story that Chuck would've written.

But that's such weaksauce. MotW episodes are nothing if not thematically consistent. Vampires are about revenge cases, and this case is a very specifically pointed bit of revenge, of Chuck against the Winchesters. They ruined the last story he tried to tell, and the fact this started out looking like something OTHER than a vampire case (possibly a ghoul, based on the parallel to 9.10, and a dismembered body), and then seemingly remolded itself INTO a vampire case halfway through... it feels like that first fang Dean found at the morgue was Chuck sinking his teeth into their lives.

And Veronica, no matter how the case had painted her to this point, was completely innocent. A bit plastic, because she's a victim of this reality bend as much as Sam and Dean are, because the real monster of this case is Chuck-- only Sam and Dean don't have any idea yet.

Dean calls her on her fake emotions, and they directly accuse her of killing her friend. And get the proof that she was innocent because she HAS BRACES, which she's apparently self-conscious about, but it proved she wasn't a vampire. *SIGH*

Plastic.

So Sam and Dean look for video evidence from surveillance cam footage, which the police had apparently already looked at and found nothing, but now they find a car driving past immediately after the second girl's abduction. Did the police not see it? Or is this another bit of plastic?

Meanwhile back at Billy's house, his parents refuse to even hear him say Susie's name, and suspicion immediately shifts to their entire family. Billy's father washes blood off his hands, and nobody seems to find this strange. Are they all monsters? Did one of them slip up? What the heckeroo is actually going on here? Whatever it is, it feels like they're all complicit, and Billy seems to be having reservations. Except they've also got the latest victim tied up and blindfolded in their storage room. So... they're definitely guilty of something. But we're only halfway through the episode at this point, so there's clearly more to the story.

Chuck tells Becky he can't see what Sam and Dean are doing anymore, as he conveniently scratches at his left shoulder where his wound connecting him to Sam is. Which is wild, right? Because what little we know about the Equalizer gun was that it fired INTENT. And that it affects the person shot and the shooter identically. So what was Sam's intent when he shot Chuck? Dean had just told Chuck to "Go to Hell," but Sam didn't say anything out loud when he shot Chuck. Was his intent "stop fucking with our lives" or more vaguely grief-filled "go to hell" or something more? Because whatever intention Sam shot at Chuck seems to have directly caused both Chuck's loss of power AND his inability to see directly into their lives now. And after having watched the Sam and Dean show for their entire lives, Chuck is PISSED about not being able to see what they're up to.

And I wonder, incidentally, if this will be the same factor that's causing problems for the Winchesters, too... that Sam may have inadvertently severed whatever protective force had made their lives as hunters as... implausibly unproblematic as they've always been, you know? I think we'll be seeing that develop more in the next episode, but we saw hints of it happening in this episode too (like with Dean's comment about the killer having a cheerleader fetish). But regardless, I think this is why Sam is suffering these grief-fueled nightmares, his inability to breathe, and his general current mental state. He’s suffering from the same intent he’d fired at Chuck. Only it hit Chuck with a case of writer’s block, while it hit Sam with something he’s been unable to truly define or explain. Yet.

Becky tells Chuck to write about the Winchesters if he loves their story so much, because that's what SHE does. Her stories don't have to be based in reality for her to enjoy them, but Chuck's only metaphorically a writer. He doesn't just want to make up tales, he wants to literally create reality. During Becky's entire pep talk, Chuck's holding a little figurine of Sam pointing a gun, and ain't that just on the nose? She plucks Sam out of Chuck’s hands and puts him back on the mantle (and I admit to at first thinking it was the Cas doll from 5.06, because Dean did the same thing with Cas, putting him up on the mantle like that), but Chuck still expresses doubt in his ability to actually write.

And here's where the most incongruous stuff in the entire episode begins happening-- the family dynamics of a killer family. It's still unclear who the monster is among them, but like Dean, we are leaning toward the father. The thing is, none of it's actually plausible. That's the beauty of this entire case. It's plastic.

How did this single kid out of this entire town get turned by a vampire, and his parents just... completely accepted what happened immediately without question? How did they KNOW what to do for their son in this circumstance? They went out and killed animals for their blood for him. Where did they learn to do this for him? And then how could they so casually just... kidnap a whole human being just to feed their son? Why not go back to feeding him animal blood like he'd done before? They didn't see anything wrong with any of this, either. DID THESE PEOPLE NOT HAVE QUESTIONS?!

And what of the vampire that made him? Did that vampire just... turn him and run? Did he give the kid a pamphlet explaining vampire life to him or something? It's just utterly baffling that this whole family just... incorporated this development into their lives as if it was all an entirely normal thing to accept about their kid. The dad KIDNAPPED A WHOLE ENTIRE HUMAN BEING for him on his own initiative, the mom was ready to shoot Sam and Dean for interfering in their plans. LIKE HOW IS ANY OF THIS NORMAL?!

And perhaps most bizarre of all, Sam and Dean didn't see anything wrong with it in reflection later that night. But I'll get to that when we get there. Heck this note-writing thing is really hard when I already know everything that's gonna happen. I have enough trouble staying on point without the benefit of foresight. :'D

So these parents are insistent that they're doing all of this, sacrificing all of this, just for him. And when he tells them he doesn't want them to, they just beg him to tell them what he wants from them. And he's just so frustrated because they aren't listening to him. Like they don't even care about him despite professing they're doing all of this so he can be happy. And he's just... profoundly not happy.

So the father, when Sam and Dean show up, still thinks they're going to ARREST him. Which is a weird thing for a suspected vampire to believe, and he's horrified when Dean pulls out a machete instead of handcuffs. This is a totally shocking development for him, and yet he STILL holds it together enough to bargain for his wife and son's lives. And the wife is profoundly confused by this, and our suspicions shift to her. But that's still... not quite right. She's prepared to literally shoot what she believes to be two FBI agents to save her son, again, as if all of this was entirely normal. As if this is what normal people are willing to do for their monster children.

I've already written a bunch about Becky's critique of Chuck's writing, and how poorly Chuck takes her notes. Chuck... is really out of touch with fanfic culture. Becky's reading this story as if it was fic, not reality. She kudos'ed and commented, and expected Chuck to just accept that and move on, because that's how fic culture works. But he demanded a beta read level critique, and Becky gave it. And he shouldn't have asked for it if he didn't actually want it.

And here comes the revenge that justifies the Vampire Plot. Chuck... is the vampire. he's the monster that doomed Billy for no reason. Who drove the parents to such extreme lengths to protect their child. Because that's how CHUCK saw what TFW had done to protect Jack. He saw it as just that outrageous and unfounded, even though it was in no way the same. We just witnessed Chuck's critique of TFW's actions in 14.20, and it was scathing, mocking, and vindictive.

Plastic.

But I also suspect that Becky wasn't reading ~this case~ exactly, because she complained that Sam and Dean were tied up (they were never once tied up in this episode), and she complained about the villain monologue being stale (Dean does most of the monologuing here, and it's Sam who figures out what's actually going on). Just one more bit of plastic.

But Chuck somehow managed (even if he couldn't see it) to put Jack's 14.20 realizations about himself into Billy's mouth. As if Chuck's story had already been written, and through some power of its own it was brought into reality via these previously innocent people. The story itself is more powerful than the author.

Like Jack, Billy has been trying to accept responsibility for his actions. He couldn't control himself, he didn't know it would happen, but he's dangerous and needs to be stopped. And Billy's speech isn't a "villain monologue," but a painful confession of everything he'd done. So what story was Becky reading?

Sam angrily judges the parents' actions, and Dean expresses his shock that the father would've just let him cut off his head to save his son. And is taken aback at the comment that he must not have kids, if he doesn't think he wouldn't have done the same for his own child.

And Dean's like... well, no I wouldn't have done the same for my own child. It's a super messed up situation that I'd really been trying not to think too hard about, thanks. It's been less than a week and here you go bringing up the worst day of our lives, so thanks for that... but they carry on. The mother says they just wanted him to have a normal life, and that's something Jack never would've had regardless because of what he was. But he had *a* life, with the Winchesters. If Jack had been a vampire, they wouldn't have gone out hunting and kidnapping teenage girls for him to eat, you know? But they were willing to raid heaven and shout down God for Jack. But context matters. And this hastily assembled vampire family ready to play revenge/victim for Chuck's story lacked all context. They were plastic.

It's Billy who ends up dictating how his parents are to handle everything, calm as can be. And his parents finally listen to him. And he sacrifices himself to the Winchesters. And they just... go along with it, take him out to the woods, and Dean kills the boy kneeling at his feet, accepting his fate as he's clearly crying, while Sam watches on. It's what Chuck had wanted in 14.20, and Dean had refused to give him. And now this entire situation has been Dean, manipulated into providing that demanded sacrifice, one way or another. And the most interesting bit of it? Chuck... couldn't even see it playing out. He missed the whole show that played out in Chuck Puppet Theater despite the fact. Like whatever he actually wrote was irrelevant, because his intent is somehow still connecting through to the Winchesters in pantomime.

And Sam and Dean's reactions to all of this are also just weirdly plastic.

I've already written about Chuck and Becky enough I think, but Chuck's moved on from "Writers lie," to "I can do anything, I'm a writer." With some of the worst villain monologue we've ever gotten, with "There, see, it's making you feel something! That's good, right?" While Becky is outraged and heartbroken over Chuck's ending. The only thing I need to say about whatever Chuck's planned ending is, is that if the series ends the way CHUCK wants it to, it'll go down as the biggest intentional betrayal of a fandom in the history of television. The show has stated to us in this episode that Chuck is the final boss big bad, and that he cannot be allowed to win. He can't have the final word in this story.

In *our* world, the current writers have officially called out a good number of sins of their past and exposed them via Chuck. They wrote the Leviathans being a personal favorite of Chuck's despite being pretty universally hated by fandom... well... they're looking for redemption for themselves in s15. THEY can't allow the story to end horribly. They've staked their current writing cred on it, as well as the entire history of 15 years of building TFW into the heroes. Sure, they've joked that not all fans will be happy with the ending, but in serious comments they've also promised a "real" ending and not some advanced level deus ex machina that wipes everything clean, either. That's a lot to deliver, and Chuck's suggested ending of the Winchesters horrifically dead doesn't deliver any of it.

So... back to the denouement of the episode. To the Impala! The least plastic thing in the entire episode. But it's pretty plastic.

Sam suggests that what Henry did for his son, was something they would've done for Jack, given the chance. And no, he's not talking about kidnapping teenage girls to feed him, he's talking about offering himself as a sacrifice in his son's place. Because Dean literally did do that. He was willing to sacrifice himself to kill Jack before he could kill again. It's what Chuck had presented as the ONLY way to stop Jack from destroying the world, with the examples of Jack having accidentally killed Mary, and then the whole of society crumbling because Jack told everyone to stop lying. But Sam? He wasn't willing to sacrifice both of them. And then he learned the truth from Chuck, about the manipulations that forced them all to this point, how Chuck probably did have the power to make everything right, restore Jack's soul, everything... but he didn't want to because it was more entertaining for him to watch them act out his plots instead. He WANTED that drama, that horrible sacrifice. He ENJOYED it.

But given the choice, I think Sam and Dean both would've traded places with Jack. We actually *saw* Cas literally exchange himself for Jack in 14.08. But Chuck wasn't satisfied with that trade. He wanted more from them, and they decided they were done playing on his stage.

There's a bit of incongruity in the speech Dean gives Sam about his current state, as well. He's usually so much better at reading Sam, yet he's comparing Sam's current mental state to his own back in the crypt, after Chuck. And just... no? This is not it at all? When he told Sam he's felt like cashing in, *we* think of 13.05, where he literally DID think of cashing in, you know? That feels far more similar to how Sam's feeling right now than to Dean's ANGER and "we need a plan!" bossiness from the crypt after Chuck. It's jarring as a comparison, because IT'S THE WRONG THING ENTIRELY.

But it's wrong, because it's the glaring omission of Cas that's already been lampshaded in the episode. That Dean's current blind spot here is shining a violently bright light on what SHOULD be said. Just like the end of 13.05 when we all yelled "HELLO, DEAN" at the television when Cas didn't say the line to him. We've been talking FOR YEARS about how this show uses narrative negative space like this, how it expects us to shout HEY WHAT ABOUT CAS?! at the screen, or to see that even this driving scene in the dark, in the car, is a perfect inverse mirror of that scene in 13.05, where Sam had spent that entire episode feeding his favorite junk food that he criticized Dean for in this episode, Dean and dragging him out on a case in the hopes of making him feel like himself again and... that's what Dean's telling Sam he wanted to work this case for now, to show Sam exactly what Sam had tried (and failed spectacularly) to show Dean in 13.05.

Dean even quotes some of Cas's last words to him before he left, that he should "move on."

But they needed to walk around the giant Cas-shaped hole in the narrative. And they needed to do it this incongruously. And that's exactly why it works.

And it's why Sam CAN'T move on. He doesn't feel free. I've already written a bit about this, and how it's directly tied to Sam's wound, and what it's probably doing to him. And what IS it doing to him? Chuck wobbles his head side to side, and the Sam and Dean bobbleheads on the desk beside him follow suit.

#spn 15.04 #spn s15 spoilers #i have no idea how long this is but it's so many long #the scheherazade of supernatural #this is The Author actively preventing shahryar from listening to the final story #we are all shahryar

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