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satoruhour · 1 year

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the racer toji smut won’t leave me alone so here is my additional brainrot bc my sister in christ we must suffer together <3

what about fem!reader who’s bf is a total ass bc he dragged her to the races but ignores her for the whole night bc he’s too busy showing off to the other guys and makes fun of her for not knowing shit about cars. she went to support him but he’s being so shitty and she goes to sulk alone near some quiet part.

a little boy comes to join her and he introduces himself as megumi, he hates crowds and loud noises so he sits with reader for a while, until his daddy comes along and his daddy is hot. toji introduces himself, asking what a pretty girl is doing alone in these parts and offers to show her his car but out from nowhere comes slimy bf who just embarrases himself trying to kiss toji’s ass and reader is like i need to break up with him

but ofc toji puts him in his place and tells him his gf is way out his league, and a real man would never leave his girl alone the entire night. it shuts him up fr and toji, megumi and reader leave to go check out some cars bc it’s nice to actually have someone tell you all about the cars instead of being made fun of for not knowing

the rest is obvs history bc megumi loves hanging out with reader and toji can’t keep his eyes off her. and vice versa hehe

a/n: jelly ur mind >>>>> also how did i write a whole FIC about this omfg im sick. i claim i dont like toji then write like this 💀💀 + can u tell how much i love making fun of incompetent men by the way i talk about reader’s shitty boyfriend cause youd be right. i hate men. ✶ / 2.2k

the stuffy parking lot had been a routine place for you at this point, taking the familiar route past shibuya 109 and into miyamasu-zaka avenue. you’re not entirely pumped to be in the car beside your boyfriend right now, who’s talking loudly and obnoxiously into his phone, but that isn’t what is irking you right now. you’re more worried when you reach there, sure to come face to face with his equally obnoxious friends who just can’t shut up about their cars.

it would be fine if they were being cocky and could back up their modifications and NOS with proper results from racing, but they were all losers, both figuratively and literally. you sigh for the umpteenth time when daisuke asks if you cancelled the dinner with your friends because he was going to celebrate his ‘sure’ win and you stifle the urge to laugh. sometimes you wonder why you’re still here.

“we’re here babe, c’mon, get out. i’ll go park the car and come back to get you,” as daisuke tells you this, he’s patting your thigh like you’re a dog, smiling his stupid smile and your brows knit together.

“can’t you just drive to wherever you’re parking?”

“ahh… no can do, baby — my parking’s somehow better when you’re not stressin’ me out in the passenger seat.” what were you doing dating a man who couldn’t even park? you groan into your hands, picking up your bag and exiting the vehicle, making sure to slam the door extra hard even if you’ll be getting a lecture later about harming his ‘baby’.

he’s perfectly fine watching your tantrum and doesn’t say anything except for continuing to smile, driving off without a care as he looks for a parking spot. thankfully you could save your face a little, since you were still early to the meet, a minimal amount of people lingering around the abandoned parking lot in their miniskirts and tights and tramp stamps — a look you definitely would’ve loved to try out if not for your boyfriend telling you you can’t show off your legs.

it’s like he has some personal vendetta against you, but really you think it’s just because he saved you from an unfavourable situation before and while at the time you expressed mutual feelings for him, he just might be holding you hostage with that favour he did for you, unconsciously feeling terrible if you were to leave him.

a few minutes pass, and then ten, and you’re waiting for a full fifteen minutes against a wall, all the while the classic crowd of tokyo is trickling into the car park, cars driving in slowly and you’re dreading every time someone enters, sure that you’re being judged for being daisuke’s significant other. and when the waiting time finally hits twenty, you’re taking matters into your own hands and turning the corner where he drove.

just to see him conversing with his loser friends who were already somehow there, showing off their own cars which they spent money on for nothing and laughing up a storm. you lug your body over, because while you were still somehow okay with daisuke, you couldn’t stand his friends.

“babe! ah, my bad, should’ve texted you that the boys were already here and that i was with ’em,” his affection was limited to just a hand on your waist, not wanting to look like a softie in front of them, “we were just talking about our updated NOS, or ‘nitrous oxide system’ for my cute baby who couldn’t remember it the first time.”

all you can do is burn in embarrassment as they laughed, ridiculing you for the mistake you made ages ago about the terminology of street racing that sometimes you couldn’t exactly grasp. you did your best each time, sometimes googling things about racing that you wouldn’t know otherwise, but because it was still pretty illegal in japan, it was difficult to find the specific terms they used. but with how much your boyfriend teaches you (as condescending as it was), you probably could’ve written an essay.

and it wasn’t a one-time thing either, from smacking your hand off the stick shift to pestering you about closing the car door more gently, you’re soon to reach your limit.

“yeah, i know what a NOS is, bitch.” you mumble under your breath, turning away from him as he continued joking with his boys before one of them shouted out someone else’s name, hiroshi, you heard and they all pile over each other like excited dogs, seeing his new and improved Mitsubishi Eclipse, a bright, striking green and your boyfriend follows them easily.

throughout the different races of the evening and the excitement, you’re left chasing after your boyfriend who can’t help but sidle up to different racers and their cars, and the dreaded situation you hoped wouldn’t arise, did. daisuke loved asking you questions with confusing numbers and letters, and then laughed in your face when you picked the wrong option.

so when he asked you whether a L72 or a 327 small-block was better for his sorry excuse of a Camaro from 1981, you answered that you knew they had used 327s for Yenko Camaros, but without the knowledge they had discontinued it since it wasn’t optimal performance for the car. “yeah, no, darlin’, they already stopped it and switched to big-blocks after ’69… i thought i taught you this!”

with lips pressed tightly together, you find that you hardly want to be here any longer, body turning hot with shame and tears prickling at your eyes. you don’t chase after daisuke when he walks off and nudges hiroshi about your limited knowledge about cars, hands clenching and unclenching into fists before you’re tugged gently on your jacket sleeve.

in front of you is a young boy, playing with his fingers shyly with a head full of messy black hair and strong features that scrunch up into an anxious expression and you’re squatting and wondering what business a young boy like him had in scenes like this before he’s explaining how he hates the loud music and noises of metal against metal and the sound of tires.

you frown, understanding him immediately as you ask if you can hold his hand to which he nods, “what’s your name, sweetheart?”

“fushiguro… megumi,” he mumbles, flinching when there’s an erupt of cheers from the concluding race.

“oh, honey, let’s go,” you squeeze his hand in solidarity, “let’s sit far away from the action, okay? you like music?”

megumi sniffles a little and nods again, calming down the further he is from all the cars, sitting down on the curb in an area where there’s fewer racers, it being a deadend for the route. soon, you’re fishing out your earphones to insert into his ears, playing a few favourites of yours at a softer volume to drown out the noise of the cars. you’re content to find someone as clueless as you in this whole thing, even if the other was a child, and you almost want to chastise his parents for leaving him so vulnerable in a place like this when said parent is looking left and right, jogging while looking for his son.

“that’s my dad…” megumi mumbles with hope in his voice as the man starts to call out for him, expression morphed into worry from the moment he looked down from his car to find megumi gone. the boy’s hands you back your earphones with a slight smile and a ‘thank you’ before running off, and you’re lunging forward just to make sure he’s safe, running a little behind him while he navigates his father’s voice. it seems like he doesn’t have much care for the loud noises when his dad is finally in view because he speeds immediately into his arms before a tall man comes into view, and you’re blessed with seeing this hot-ass dad in a baggy long-sleeved top.

“hey… thank you for lookin’ out for the kid. i’m fushiguro toji,” toji nods towards you in acknowledgement, looking past your face after appreciating it before glancing down to your figure. “what’s a pretty girl like you doing in a place like this?”

megumi who was propped up against his shoulder opts to cling to his father’s neck, hiding from the rest of the world while you walk slowly alongside the man, fingers thumbing the strap of your bag to keep your grounded. you were quick to explain that you were here because of your boyfriend, and you swear a glint of disappointment flashed in his eyes, but you don’t give it much thought because soon the man himself is running up to you with a renewed sense of confidence.

it was probably because toji was here; and sure, you knew about fushiguro toji and how much your boyfriend loved him, but you didn’t know how popular he could get, drawing countless pairs of eyes to your interaction.

“hi! hi, fushiguro toji right?” and you’re already ready for the clownery to start when he opens his mouth, “i’m wakashita daisuke, big fan! any chance you’ll get back into racing?” daisuke is spouting so much shit you can’t even bear to look up but there’s one sentence that has got toji riled up, using just one hand to threaten your boyfriend who looks scared out of his mind. “you’d look so good with a Ford Mustang too, why don’t you sell off that old Corvette you’ve got—”

and soon toji is clutching onto the collar of his shirt, easily pulling him off the ground as the people surrounding you laugh and whoop. seems like you weren’t the only one who hated him.

“that Corvette means something to me, not like that piece of junk you call your Camaro. and at least i treat my car better than how you treat your girlfriend,” he spits the word like it’s venom, “who you can’t even respect as a person.”

daisuke is plopped onto the floor, but toji easily backs him up with a finger to his chest, “laughing like an idiot when she doesn’t know about engines and then saying you taught her — that would reflect your efforts as a teacher, wouldn’t it?” the man smirks when your boyfriend stutters out his answer, the crowd oooh-ing like it’s a free show.

“and then you leave her stranded for the whole night to hang with your boys, in a place where she’s uncomfortable and vulnerable. but you couldn’t give a shit, can’t you? you’re too busy sucking your friends’ cocks to notice.” there’s howls of laughter now (you can’t help but let out a giggle too) with how ruthless toji is being, all the while having a kid on his shoulder, but you imagine megumi is used to these types of altercations by now.

toji leans down to spit in his face, “you disrespect a woman in my eyes, you’re a joke to me.”

he just rolls your eyes, heading off from your stupid boyfriend and toji fully expects you to follow, beckoning you to go with him when you stay rooted. “c’mon, don’t mind him. he didn’t deserve you.” toji mutters, pressing a kiss to megumi’s temple as he leads you away from the scene silently, and you leap at the opportunity to thank him immediately.

“to be fair… i did all the research for my boyfriend,” toji interrupts with ex-, and you laugh, “yeah, ex-. but i’m not entirely opposed to learning about cars. they seem kinda cool.”

“is this your way of telling me you want me to teach you?” what’s a little flirting with a guy, anyway? even the other said it himself, daisuke didn’t deserve you. you nod with a sheepish smile, petting megumi’s head when he rouses from his dad’s shoulder, heart warming at how the young boy shoots you a gleaming smile.

toji shrugs with a little chuckle, “sure.” he’s keen on showing you his Chevrolet Corvette at the other end of the parking lot first, telling you about the specifications and the modifications he made for it to be suitable for drifting. he explains how his Corvette had to be converted to a rear-wheel-drive car, or a RWD to support the heavy stress on the back wheels to make a successful drift turn.

toji tells you the differences between a clutch kick and a shift lock and how to sustain a drift on a sharp turn, excited at finally finding someone who didn’t have a clue about racing. he even offers to show you, but you’re a little too intimidated by being in the passenger seat with him, especially when it’s going at high speeds.

“maybe another day,” you offer and toji picks up on your insinuation, trying to stifle at grin that maybe this attraction wasn’t one-sided. he liked the way you talked to megumi, he liked the way you intently listened about his love for cars, and he couldn’t wait to get you in his car with a hand to your thigh.

“i’ll hold you to your offer, darlin’.” the name sounded so much better coming from his mouth, an attractive smile lining his face before he offered his free arm for you to hang on, gasping silently when you felt how toned his arm was. oh, the late night thoughts you already knew you were gonna have…

“i’ll tell you about the other cars here, let’s go.”

thirsts and drabble requests are open!

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girls-scenarios · 4 years

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A Little Curiousity

Idol: Heejin (Loona)

Prompt: Guys! Can u do smth like a AU with Heejin where the reader and Heejin are POKEMON TRAINERS!!(im rly hyped about the new pokemon games!!!) Where her pokemon got lost in the woods and the reader helps her find her pokemon and decide to continue their path to the Pokemon League together!

Writer: Admin Kiwi

A/N: I just finished playing Pokémon Shield on my Switch and I’m still super excited about it since it was so fun, so I thought I’d try my hand at this prompt! Please forgive me if my writing isn’t the greatest, it’s been a while since I’ve written anything. Anyway, I hope you all enjoy!

Heejin wouldn’t normally consider herself a slow or inattentive person. After all, being a trainer had heightened her senses and made her pay more attention to her surroundings. But she had been in the middle of setting up her tent when it happened, too distracted with her full hands to react fast enough. She hadn’t even noticed Star, her Raboot, curiously approaching the tree as she focused on getting her tent up before the approaching clouds could open their floodgates.

She hadn’t noticed until the sky lit up with lightening, the ground shook with the force of the thunder, and he let out a loud squeak just as something hit the grass. At the squeak, she had turned just in time to see him dash off into the woods after a very large, very startled Skwovet, leaving her and the rest of her team to stare after him.

“Star! Stop!” She’d called after him, but it was too late. By the time she had jumped to her feet, he was gone and the skies opened, pouring a heavy rain down onto the campsite. She had only taken a moment to corral her team into the tent and tell them to stay before she ran after him, but he was already long gone.

Now she was soaked through and gasping for air, her new boots covered in thick mud as she stopped to catch her breath under a huge oak.

“Stupid Skwovet, how did it just jump out of nowhere like that?” Heejin huffed and stomped her foot as she looked around, squinting through the rain. “Star! Come here!” A distant roar answered her call and she shivered, clutching the Pokeball at her side that contained her Mubray Champion, the only companion she’d thought to bring with her in her haste. God, this was so stupid. She was going to catch a cold wandering around out here. Thankfully she’d left her backpack with her clothes at the tent so she could change when she got back.

She went to take a step forward, then froze. Her tent. Where was it again? A bit frantic, she looked around, but all the trees just looked the same, especially under the heavy rain. Gulping, she glanced back at her footprints. Would she be able to follow them back?

Half of her wanted to run back the way she’d come, but she knew that she couldn’t leave Star out there alone. Groaning, she wiped at her face with the back of her hand, swearing to herself that she was going to get a leash the next time they were in town. There was no way she was going to let this happen again. She was miserable as she started forward again, cursing everything. Stupid rain, stupid Skwovet, stupid curious Raboots, stupid woods-.

“Hey, are you okay?” The voice that came from deeper inside the woods made her jump and stop in her tracks again, her head swiveling around to try and find where it came from. “I heard you out here in the rain so I came to see if everything was alright. You’re totally soaked!”

She found herself looking to her right and watching as you stepped out of the darkness, an umbrella over your head and your eyes wide and concerned. For a moment, she was apprehensive, until she noticed that the belt around your waist was full of Pokeballs and you had a Pumpkeboo trailing after you, peeking at her from over your shoulder. Somehow, you seemed a bit familiar as well, but she couldn’t tell why. Not through the rain and the darkness that lingered in the woods at all hours of the day.

A quick glance down at herself had her feeling embarrassed and she let out a soft laugh, pushing her wet hair away from her face. “Well, I don’t know. My Raboot ran off into the woods while I was setting up camp and now I can’t find him in the downpour.”

Your frown was sympathetic as you stepped forward, close enough to cover her with your umbrella. Now that she wasn’t moving, she realized how cold she was, making her shiver again. Your frown only deepened. “You aren’t going to be able to find anything in this downpour. Why don’t you come over to my camp? It’s right back through these trees here. I’ll give you some of our curry and you can warm up by the fire while we try to figure out how to find that Raboot of yours.”

For a moment, she hesitated, before realizing that you were right. She could barely see anything and Star wasn’t going to come out from wherever he was hiding until the rain ended. “You’re right. Thank you,” she said, a grateful smile stretching over her lips as she wrapped her arms around herself, trying to conserve as much body heat as possible. “I owe you one. My name is Heejin, by the way.”

You smiled in return as you started to guide her back the way you came. “I’m (Y/N), and don’t mention it. It’s the least I can do for a fellow trainer. You’re trying to get your gym badges, aren’t you?”

With a raise of her eyebrows, she asked you how you knew, drawing a laugh from your lips.

“I’m a trainer too and I’ve seen you at the past few gyms. You always challenge right before me, so I’ve seen you fight a few times. You’re really good!”

“Oh, thank you.” Her face burnt a bit at the praise, but she was thankful for the warmth so she didn’t turn away. Instead, she studied your face, before her eyebrows raised in recognition. “That’s why you looked a bit familiar to me! I’ve definitely seen you at the gyms before. Although I guess I’ve never seen you fight,” she said sheepishly, making you laugh again.

“That’s okay, like I said, I’ve been after you, so I wasn’t expecting you to stick around and watch every round. Not while there’s still so many of us challengers. It’s nice to officially meet you though.”

“Same to you, although I wish we’d met under slightly less.... Wet conditions.”

“True. Oh, we’re here!” The trees disappeared suddenly, giving way to a small clearing just big enough for a campsite, where your other Pokémon ran over to great you. You had your tent set up and your curry cooking, and she felt her stomach grumble. It had been a long day, and even though she’d given her team berries to tide them over until dinner earlier, she hadn’t eaten in a while.

“Come over here and warm up,” you told her, guiding her under your makeshift shelter by the fire before closing your umbrella and going about filling up a plate. With a happy sigh, she leaned closer to the fire and smiled at your Vulpix as it wandered closer, sharing its warmth. As she let Champion the Mudbray out to run around with your team, you approached her with the plate. “Here, have some of this.”

The curry was spicy, and she let out a hum as she swallowed her first bite. “That’s delicious!”

“Thank you,” you said, a smile stretching over your face as you sat down and let the Vulpix climb into your lap and snuggle close. “I’m glad you like it. Most of my experience is in cooking for Pokémon, so I’m always a little worried that it might not be edible for humans.”

It was her turn to laugh before she took another bite, already feeling warmer. Before she knew it, she had already finished the plate and she felt warm inside and out, most likely thanks to the extra heat Vulpix had added to the fire. The rain had let up as well, and there was a bit of sun peeking through the clouds as the downpour turned into a tiny drizzle.

“I can’t thank you enough,” she said earnestly, “I feel a bit guilty for taking up your time,” but you waved a hand, dismissing her guilt.

“Don’t worry about it, Heejin. I’m glad I was able to help.” You looked out at the woods. “Now that you aren’t going to freeze to death and it’s no longer raining, we should start looking for your Raboot.”

Her stomach dropped and she sighed, placing her plate down and standing up. “I feel terrible for leaving him out there in the rain.”

“It’s not your fault, you couldn’t find him,” you soothed, putting Vulpix down and standing up as well. “I’m sure he was able to find shelter in plenty of time. Pokémon are animals, after all. They’re good at surviving the elements.”

“That’s true. But I still want to find him as quickly as possible.”

“Then let me help.” You whistled, getting the attention of the Pokémon. “Come on guys, let’s go find Heejin’s Raboot!” Turning back to her, you raised your eyebrows. “Does he have a name?”

“Yes, his name is Star. You don’t have to do this, you know. I don’t want to be a bother.”

“But I want to.”

Something in her heart fluttered at your words and she felt her cheeks flushing. “Oh. Well then, thank you again (Y/N). His name is Star. Hopefully he’ll come out now that’s it’s not raining as much anymore.”

The ground was still muddy, but the trickle of sunlight made it easier to say and, without the drumming of the rain, it was easier to hear all the different sounds of the forest. With Champion trotting behind her and you by her side, Heejin made her way back into the woods, calling for Star. She had to admit that having you by her side made her feel a lot better: the various sounds from other wild Pokémon didn’t scare her as much anymore. No matter what was out there, surely the two of you would be able to take it. It gave her more bravery to search, and search she did, looking anywhere she thought Star might hide.

“Star, come here! It’s not raining anymore, you can come out now!” Crouching down, she peered into another den, only to quickly back away at the sight of a sleeping Bunnelby and sigh. “Where is he? Maybe he went back to camp?” She stood and dusted off her still-damp pants, about to suggest that the two of you try to find your way back to her camp before you let out a gasp.

“Heejin, I think I found him!” At your call, she spun around to see you peering up into a short berry tree, your eyes wide. “Hey little guy, how did you get up there?”

Heejin broke into a run, clearing the short distance in no time with her heartbeat spiking in her chest. Sure enough, when she looked up she saw Star shivering and clutching at the branch he sat on, his little ears wet from the rain and his eyes quivering. “Star! Oh my god, you scared me!”

The little Raboot sniffed and glanced away, trying to look cool, but she could see him shaking. With a relieved smile, she reached up to pull him down and clutched him close to her chest. “Don’t ever do that again! I know you’re getting bigger, but what if you had run into a big wild Pokémon? Poor baby, you’re soaked through.” She quickly unzipped her coat to wrap it around him before zipping it back up, and he snuggled closer to her chest, obviously exhausted. With an affectionate, yet long-suffering sigh, she pet his little head. “I’ll cook your favorite curry when we get back, okay? It’ll warm you right back up.”

When she looked up, you were looking at her with a similar affection twinkling in your eyes, your hands in your pockets.

“Thank you so much again for finding him,” she said, shaking her head. “I should have known he’d be up in a tree looking for food.”

“How did he even get up there?” You looked back up at the branch he’d been sitting on, looking a bit incredulous. “I’ve never heard of Raboots climbing trees, that’s for sure. I just happened to look up and see a flash of red and white.”

She laughed, still softly petting his head. “He’s too adventurous for his own good. Add that to his endless energy, his speed and constant growing, and his huge appetite, and you get a Raboot with no problem getting into trees. He doesn’t climb as much as he runs and jumps.”

“Oh, that makes more sense.” Your smile returned and she felt her heart flip as your eyes met hers, the spark of affection still lingering. “I’m glad you found him. I can’t imagine how scary it is to loose a Pokémon.”

“I acted annoyed, but I was really scared,” she admitted. “I don’t know what I’d do without this little guy. He was my first Pokémon ever.”

“I can tell how close you guys are. It’s cute.” You grinned and her cheeks warmed again as she watched the sun slip in through the leaves to light up your face. It was like the universe was asking her to fall for you or something.

“I-I... Thank you?” She let out a nervous giggle, then perked up at the familiar sound of her Liepard’s call. It was somewhere close by, which meant that her camp wasn’t far away! “Champion, can you lead the way back?” He gave her a little nod of his head before she turned to smile brightly at you. “My camp is close by, why don’t I give you some potions as a thank you?”

“Oh, you don’t have to!” Your eyes widened as you waved your hands. “I just wanted to help, I didn’t want anything in return!”

“Still, I want to do something to return your kindness. I’m really glad I ran into you out here.”

Your face immediately softened at her words and you fell into step beside her, a small smile on your lips. “You know, I always wanted to approach you at the gyms, but I was too nervous.”

“Really?” Her mouth dropped open. “Why?”

“You seemed to be so good, so confident, so, um, pretty,” you blushed as you spoke, looking down at your shoes. “I was intimidated by you, honestly. But now I see that I should have approached you sooner.”

“I can’t see myself be intimidating,” she said, still shocked, before her lips turned up into a hopeful smile. “Want to make our way to the next gym together? It would be nice to have some company on the journey, and I want to get to know you better.”

You visibly perked up at her suggestion, just as Champion broke through the woods into her camp, returning to the happy calls of her team. The sun was bright as the two of you stepped into the clearing, and your eyes sparkled in the light as you beamed at her, making her heart skip more than just one beat.

“I’d love that!” You exclaimed, and her smile stretched to match yours, all of the fear, and cold from earlier being replaced by an excitement that lit a fire in her chest, different from the competitive determination she’d felt at the beginning of her journey.

“Great! This is going to be so much fun, I just know it.”

As she placed a sleeping Star into her tent and covered him with a blanket, listening to you coo at her other Pokémon, she couldn’t feel the annoyance she’d felt earlier, forgetting her promises to scold him when she found him. Instead, she pressed a gentle kiss to his forehead before sitting back to admire you, full of anticipation for the future.

“I never thought I’d say this, Star,” she said in a whisper as she stood up to head back out to you, head already spinning with plans of what she wanted to do with you. “But I’m so glad that you’re the curious type. I’ll cook you something nice to thank you for this when you wake up. I have a feeling that this is going to be big!”

#femifics #loona #heejin #loona scenarios #heejin scenarios #girl group scenarios #kpop scenario #girl groups #kpop girl groups

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shriekbackmusic · 6 years

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Virtual Sleevenotes, Credits and Lyrics for ‘Barry Andrews: Lost Pop Songs 78-80’

TRACK LIST 1 Rossmore Road 2 Win a Night Out (with a well-known paranoiac) 3 Freak 4 Me and My Mate Can Sing 5 Mousetrap 6 Bring On The Alligators 7 Sargasso Bar 8 Feeding Time 9 Muscle & Movement 10 Opposite Way in the Rush Hour 11 Taking Over ICI 12 Vampyr Skinhead 13 Big Soft Safe Family

MUSICIANS 1-3 clarinet: Frank Abrams, trombone: Ian Bateman, guitar: Rob Hendry, Robert Fripp, Bruce Mcrae, bass: Dave Marx, drums: Richard Wernham, engineer: John Strudwick, backing vocals: Bruce Mcrae, Patti Palladin, Clara Harris, Steve New, Marion Fudger. Recorded at Rockstar Studios, Fitzrovia, Mixed at Regent’s Park Studios, St Johns Wood. 4-7 guitars and bass: Dave Marx, drums: Rob Wilford, engineer: Hugh Padgham, Producer: Martin Rushent. Recorded at Townhouse Studio 2, Goldhawk Road. 8-10 guitar: Jon Ellis, bass: Dave Marx, drums: Richard Wernham, engineer: John Strudwick, recorded at Pathway Studios, Islington 11-13 bass: Marion Fudger, guitar: Rob Hendry, drums: Richard Wernham, engineer: Eric Radcliffe, recorded at Blackwing Studios, Borough.

The songs on this album have been lying about for a looong time, as you see. The reasons for this are twofold: 1- it’s juvenelia, really - undeveloped, derivative. Trying stuff on for size. An artist not in complete control of his medium, if you like. So I was not in a hurry to expose it, I guess, for its flaws are obvious. 2 it’s precious, unrepeatable, unvarnished. Truly an account of Process as someone’s aesthetic develops. It’s fascinating to me, of course (‘each man loves the smell of his own farts’) and, I have to assume, as an article of faith, that it may be to others. So, as a one-time-for-all-time thing, I was hesitant to release it. Anyway, here they…are, these songs which are inextricably bound both to a critical time in my life and the interstitial flavour of the historical moment: the end of the 70’s in good old (post-war, now post-60’s) UK. The dingy, dark, money-strapped days of Callaghan and Heath on the cusp of the New (fake) Gold Thatcherite Dawn.

London still grubby, edgy and un-Developed in a lot of places (squats still available - for instance) and Punk, which had roared for a couple of years - having redefined pop culture, via getting Pissed and Destroying - was about to stagger off into the wings, fresh out of ideas.

the Roxy Club, Covent Garden in 77 (it’s a shop selling Speedos now. Out with the Bin Bags in with the New Shiny Pants!)

The Clash and Pistols albums of 77 had permeated, by 79, everywhere they were likely to go (surprisingly far) but their offspring - the ninety-to-the-dozen, political, permanently furious form of *Punk was on the wane. ‘New Wave’ as a catch-all term for anything that was neither hardcore (with a little ‘h’) Punk nor Old School Rock was becoming the mot du jour. Another strange little sub-genre was Power Pop (which my old firm XTC could be described as, although to be fair, we were doing it well before the term was coined). Blondie, The Rich Kids, the Rezillos: all were attempts to make ideologically (yes!) acceptable the idea of melody and upbeat themes in a landscape where (Iove this term) *Ramalamadolequeue was rapidly wearing out its welcome.

(the Rich Kids - ft. Steve New, the baby deer. They’re not signing on are they? They’re Rich.)

Personally, these tunes cover, as historians say, ‘the long 78-80’. Roughly from the end of my time with XTC to the beginning of Restaurant for Dogs which was (sort-of) the R&D for Shriekback, although definitely with its own sovereignty and aesthetic.

Rossmore Road source: 1/4″ tape This came to light in a box of old tapes (Lordy I wish I had more tapes). It’s the first mix John Strudwick and I did for the single but I wasn’t happy and, rather sportingly, Virgin let us remix it. This version, though, not only has the ‘son trouveé - ‘asking for directions’ elements at the beginning and end (hilariously furious posh guy who - you can hear - I have managed to wind up even in the few seconds it takes to ask where Rossmore Road was. How? I really was an annoying, chippy bastard in those days - you can see why I felt paranoid (see below).

I was playing with Robert Fripp’s League of Gentlemen at the time and Robert kindly offered to come down and bestow his guitar benediction upon my humble pop tune (skills which were to be deployed, rather more usefully, on Bowie’s ‘Scary Monsters’ later that year - which Robert had taken a break from rehearsals with us to do (‘I have redefined the parameters of modern guitar playing’, he self-deprecatingly declared, on his return).

We got off to a bad start and never got beyond it: we plugged Fripp in and played the tune - John the engineer had assumed, totally reasonably, that this was a ‘get familiar’ go-through before we started recording.

As producer I should have been clearer - very much so, as it turned out because Fripp threw a total hissy fit when told we hadn’t recorded his 1st take. He gave us a rant about Heroes etc - how all his most genius work had been 1st or second takes. I apologised. He made a somewhat passive/aggressive show of graciousness in spite of this clear affront and the atmosphere was kinda tense after that. Someone else who hated me. Just great.

And anyway, what we would have got (and, on the 2nd take, did get) was - Fripp fans forgive me - 70’s prog-hero solo guitar noodling (very good guitar noodling, but still) - which loftily ignored the song’s structure so entirely that you had to choose between either just showcasing Robert or actually crafting the song. On the remix we ended up using one note (at the top). I honestly couldn’t find anything else that properly fitted. On the present mix, however, if you listen carefully, you can hear Fripp doing his flash, busy thing - it’s mixed as loud as I dared but you can hear it doesn’t really work and, if it hadn’t been him playing it, it wouldn’t have been there.

An inappropriate and inelegant use of resources, as he might have said. Interesting to hear though, perhaps, in a vestigial tail/snake legs sort of a way.

conceptual stuff about RRd.

ROSSMORE ROAD (NW1) The 159 runs along it Round the corner from Baker Street There's a dolls house shop on the corner Of Lisson Grove and

Rossmore Road Rossmore Road

Turn left at the DHSS in Lisson Grove You find yourself in Rossmore Road And there's a number of public buildings And a safety barrier down the middle of the road

In Rossmore Road In Rossmore Road In Rossmore Road

White and yellow lines and street signs And public phones and traffic cones And belisia beacons on the central reservation All humming now, all humming now, all humming now

To the north The Grand Canal Round the corner Regent's Park Next stop on the tube Marylebone Road And you can see Balcombe Street from Rossmore Road

The 159 runs along it Round the corner from Baker Street There's a dolls house shop on the corner Of Lisson Grove and

Rossmore Road Rossmore Road Rossmore Road Rossmore Road

In Rossmore Road White and yellow lines and street signs North of the river South of the circular Under the road Above the railway

All humming now, all humming now, all humming now All humming now, all humming now, all humming now All humming now, all humming now, all humming now All humming now, all humming now, all humming now All humming now, all humming now, all humming now All humming now...

Win a Night Out (with a well-known paranoiac) sound source: 1/4″ tape

Very pleased with this, I am still. Sui generis as they come. Blur before Blur said somebody. OK I’ll take it. I was (I think) actually thinking about Patti Smith’s Piss Factory - and Land and Wave, those half-poem, half-song tunes of hers. This, though, suffused with the provincial UK, late 70’s consciousness you get when you perhaps smoke too much grim hash and take too much speed. Interesting sexual punishment element to it also. Because it’s two dates: one rustic and one urban, then an extreme post coital reverse followed by a horrific denouement (Nazi Vivisection! The worst kind) which shows that, as they say: ’just cos you’re paranoid doesn’t mean they’re not out to get you’.

This is, obviously, autobiographical (apart from the vivisection). This arsy, scruffy little bloke, oppressed by the forces of reaction and class, who seems to attract humiliation and brutality wherever he goes, even though his intentions are just to have fun and get laid. It’s a little poem about fear and self doubt which, around ’79 there seemed to be lots of. So I made a record. More expensive than a therapist but it has a trombone player..

WIN A NIGHT OUT (WITH A WELL-KNOWN PARANOIAC)

We could rendezvous in a country pub I know in the heart of rural England where the landlord sports moustaches just like Jimmy Edwards and the crisps and pickled onions on the bar are numberless as the stars at night We're just about to order scampi in an Elizabethan basket when two neckless men in blazers and cravats approach our table and say - "sorry - this bar is exclusively for the use of Nobel prize winners, latter day saints, people who have seen God and selected relatives of our dear Queen, and furthermore, you worm, there is mud upon your plimsolls". I reply that I am a member of most elitist cliques you care to name and the blood which courses (at an ever increasing speed as it happens) through my veins belonged once to the Cuban royal family, but, they don't listen and they just pour my drink down the sink and say "this is not what we mean. In this life, one is either U or non-U and if I were you I'd make myself bloody scarce.” I even try to show them my credit cards but unmoved they say "OK sonny, it's time you were taught a lesson and there's only one thing that your sort understand"

Win a night out with a well known paranoiac Win a night out with a famous paranoid Win a night out with a well known paranoiac Win a night out with a famous paranoid

At an Iberian eatery in the west end, we could gaze at each other across saucers of yoghurt and bits of crusty foreign bread - and then - I could order a carraffe of Asti - we could have so much fun. We could discuss things like communism and chart positions with the lack of inhibitions that separate the truly liberated from the herd - but - I should mention that I talk quite loud as a casualty of inexpensive foreign wine and neither am I unaware of the restive noises from the party sitting close by. But as I'm in the middle of my funny story about the Arab and the underwater toilet, I can't stop now 'cause I'm in too deep, as I'm coming to the part where I say (in my best joke telling voice), "so the Arab says to the attendant, right...

‘Of course as we know five thousand pounds of pressure can suck out almost anything,’ and it all goes quiet and a little girl is saying: "Daddy, what a horrible man" and Daddy replies, "don't worry darling 'cause I've just made a phone call to your crypto-fascist Uncle Roger and he'll be here quite soon, and make quite sure he doesn't upset any little girls... little girls any more"

Win a night out with a famous paranoiac Win a night out with a well known paranoid Win a night out with a well known paranoiac Win a night out with a famous paranoid

Lying in your crumpled bed on Sunday morning, you said your Mum and Dad had gone away to a conference in Bath and I believed you like a fool. Now you get up, go to the window and you turn a pot plant round. I study your naked bottom with a twinge of lust but I'm not twigging that something's going down. There is a sound of the heavy boots upon the stairs and the door crashes open and in comes your Dad with some faithful retainers and some ex-Army mates from the Conservative Club. And I figure they must have been waiting all night because your Dad is clutching two reels of infra-red film and he's looking dangerously pale as he shows me the microphone under the bed, and I'm just about getting the message: all is not too groovy

As you stand there in your dressing gown laughing at me, then in comes your Mum in her nylon house coat with her hair hanging loose like a suburban Harpy and she advances towards me with an army surplus bush knife, clearly bent on wreaking havoc down below the navel and she's just about to get stuck in when I wake up... and yeah, it was all a dream

I'm really in a hospital bed. There is a smell of formaldehyde in the air, and a couple of doctors with swastikas on their arm are doing something to the brain of a sheep and in the corner is a huge zinc bath containing some sort of reptile and the nurse is saying "be a brave boy and drink it all up". And I realise I can't feel me legs and the shape in the bed isn't my shape at all and I wanna cry out but I can only bleat

Win a night out with a well known paranoiac Win a night out with a famous paranoid Win a night out with a well known paranoiac Win a night out with a famous paranoid

FREAK source: cassette So Funk was the thing - but let’s take it and fuck it up with our English voices and anti-slick playing. Let’s actually take the funk/fun out of it. Disco hatred was the tip, kinda. I recall saying in an interview that it was like scratching up a big lairy american limousine with the nasty, rusty keys of your squat (there’s also an unreleased Restaurant for Dogs version we recorded for Warners with Nick Launay which takes this approach to its theoretical limit: it’s pretty hard to listen to). We are, in fact, so alienated from the subject matter that I sing ‘just come on down to the fifth floor’ instead of ’54’ - the iconic New York club, me not having heard of it (though - quirky historical note - Shriekback did actually play there in the place’s last week - on the Sacred City tour).

Dave’s ‘confused Dutch person’ on the end is a nice random element. Like he’s wandered in off another session.

4 Songs from Town & Country EP (Virgin 79) Me and My Mate, Mousetrap, Bring on the Alligators, Sargasso Bar sound source: vinyl Ah T&C - I sort-of despise thee. No-one was taking care of my career development - especially not me - after XTC so I got stuck in a posh recording studio with the Strangler’s producer way before I should have been. This you can hear from the ‘apprentice piece’ nature of this EP. All influences fully on show and sellotaped together. A ‘band’ which, you can tell, has only so much in common and which was kinda thrown together. An adolescent ferocity in the delivery not masking very well a slew of insecurities. ‘Calm Down’ I want to tell this snarling young herbert, ‘nobody thinks you’re cool anyway. It’s fine: do an album about a fish, why dontcha?’ As it is, we get a variety pack of New Wave/Post Punk styles and lyrical tropes: Me & My Mate (the Clash obvs: stage democracy, anti-rockist groupy exploitation, DIY fanzine-esque self-expression for the working classes, Patti Smith reference). Mousetrap A classically-trained-but-recently-listened-to-Elvis Costello/Joe Jackson Bitter Relationship song. I like the spoken word bit that deconstructs a Well Made Play in 4 lines though (for those who don’t know, The Mousetrap is the longest running show in the West End - since ‘52!). The ‘Darlings’ repeated hookline was a reference to my lovely Aunty Rene who worked many years in the box office of various West End theatres (the Adelphi and the Prince of Wales I think - and since you ask) and had adopted a fabulously camp way of speaking through long exposure to gay theatrical men. Her poodle Chico was ‘my little Treasure Island’ and everyone else was ‘Darling’.

Aunty Rene (2nd left) with her theatrical crew and actress Anna Neagle at the Coalhole on the Strand 1968)

MOUSETRAP Been playing Shaftesbury Avenue For a thousand years or maybe two - darlings Done plenty bum gigs in my time But everything's alright now

In the mousetrap In the mousetrap

We fall in love most every night We're quite ridiculously tight - darlings And yeah I feel some kind of freak Getting killed six times a week

In the mousetrap In the mousetrap

It's nearly half past three Gotta do a matinee I don't understand this game Why everything's the same

But as the show go on and on And on and on And on and on and on and on and on And on

I know the punters mustn't see How mundane it seems to me - darlings But sometimes I wish I could screw Someone else in Shaftsbury Avenue

In the mousetrap In the mousetrap

Curtain up - exposition Development of character Plot - unravelling slow Sustaining interest, gathering momentum

Till they unmask the killer Then a twist right at the end And it's all over till tomorrow night

In the mousetrap In the mousetrap

Sargasso Bar definitely the best of this bunch. Although the Small Town Observational style is a little irritating (alright, Bazzer, you’re a Poet of the Everyday and you are so very alienated) it is here for the first time that a certain mock heroic, magical-realist aspect started to appear in my writing. ‘they raise their glasses in 2/4 time and they study the latecomers as they slither in beneath the door’. XTC did a version of this which failed to get onto GO2. Not too much different I think but I recall Andy Partridge’s objection to the line: ‘we’re surrounded by the Eels of Death’. He felt it was the sort of hippy, trippy kinda image which XTC Stood Against. I felt it was - well - mock heroic and magical realist. This conversation went nowhere, obviously, but it was instrumental in making my decision to leave the band. These people just didn’t get my shit…

SARGASSO BAR Couple in the corner Now she's crying on his shoulder Well they're a couple of Modern Lovers Sort of Kevin and Isolde She's embarrassed by his footwear He's embarrassed by her hair But he doesn't really care He says it's murder staying emotionally aware He's another Lost Soul But he's only come here to die And get high

In the sargasso bar, the sargasso bar, the sargasso bar In the sargasso bar, the sargasso bar, the sargasso bar

Big John in the wooly Football training in the evening Well he got married married married Now he only thinks of leaving And he's surrounded by the blubber Watch the terylene stretching As he makes a point about his car When you're on miles to the gallon You know where you are And he's here every night, he's such a regular guy He gets high

In the sargasso bar, the sargasso bar, the sargasso bar In the sargasso bar, the sargasso bar, the sargasso bar

We came in from the rain Now we're surrounded by the Eels of Death Everyone nervous and everybody couldn't care less We raise our glasses in 2/4 time We study the latecomers as they slither in beneath the door About this time of the night There's more and more and more and more Well, give them ten minutes then they all go home to die Cos they're so high

In the sargasso bar, the sargasso bar, the sargasso bar

Bring on the Alligators yeah, dunno about this one really. Clearly I’m really working the magic realist tip again but to what end? It’s clearly meant to be funny, what with the Polish ‘1234’ in the middle and the ‘cocktail bar’ quiet section at the end and all but it’s all trying a bit hard for my liking. The awfully Lahndun working class accent I have on all these tunes is also a bit abrasive. My estuarine whine is of course part of me but it is underlining, unecessarily and stridently I feel, the ‘prolier than thou’ ethic which I had bought into wholesale during Punk. Let it go, dude…

2 LOTS OF DEMOS source: cassette Well, now we were getting somewhere.. Listening back now, 40-odd years on it really does seem to me that the year (ish) between the EP and this first set of demos represented a huge leap in my - er - self development. The life in XTC - still living with Ma & Pa or on the road within the Mothership of the band - record company, management, everything being done for you (at the expense, as it turned out, of knowing what was actually going on..hem hem). It’s cosiness and material sufficiency came at a price I could no longer put up with. Time to go, clearly.

I remember leaving the last outpost of that world - the nice flat above the Townhouse, paid for by Virgin while we were recording the EP but now, since recording had just finished, off limits. So…I could go back to Swindon - or step out into the scary metropolis, where all the safety nets have been packed away, and see what can be made to happen. Me and a girlfriend (who had signed up when I was a (sort-of) pop star - she was in for a taste of the real musician’s girlfriend’s lot now alright) went over to my old schoolmate’s flat in the East End (he was at college in London) - it was pouring down of rain as we walked across Tower Bridge. No money for a cab - the XTC wages had long been cut off.

Youth seeks a Rite of Passage, does it not? This seemed to be mine. I felt noble and scared and reckless and Hungry for Experience. So, these tunes were written after a year of London, of squatting, signing on, meeting loads of new people, getting sick, getting well, hanging round the ink well - no, actually, after a particularly avid speed binge and a dreadful mini-tour with the T&C band I developed serious chickenpox (more virulent in adulthood, it turns out). I was the Elephant Man for a while. The body was having its unignorable say about all this new input. But the tunes were definitely better. More individual. Not trying so hard and, sometimes, there was a Showing Forth of something really quite juicy and new (and I don’t just mean the pustules, har har).

Feeding Time I submitted this to Shriekback’s publisher when he asked if we had anything that might do for the Eurovision Contest. He never quite looked at me the same way again, I thought (nil points pour moi).

I had been working at London Zoo (west gate and Reptile House: taking money on the door) that year and eating in various Camden/Kilburn greasy spoons. These two experiences were to produce this little gem. A Meditation on Eating. I think it needed doing.

Points of interest: Dave Marx’s great bassline which is really the hook and the armature. Jon Ellis’s glistening ‘egg’ chord. The ‘Taking Your Order’ on the fade (Prawn Cocktail! The 70′s are strong in this one...) I had earlier recorded this with some ‘opera’ singers (from the BBC West of England Chorus - including Mrs Evenett (contralto) my old French teacher) singing the ‘Feeding Time’s’ in fine bel canto stylee. Which I may release at some point.

FEEDING TIME Putting things into my body at Feeding Time White wine and little damaged bodies from the bottom of the sea inside me still feel hungry when I reach the end and I won’t feel good when it’s Feeding Time again. I watch him from the corner at Feeding Time sometimes he is hideous to watch as he shovels his chops inside him and his belly is beginning to distend and I know he’ll feel great when it’s Feeding Time again

but in the meantime Eat - don’t stop Eat - don’t stop Eat - don’t stop

Biting Viscera and gristle at Feeding Time listen to the lobsters whistle crack their legs open suck out what you find inside The spaghetti as it glistens at Feeding Time like spirogyra on your wet lips munching masticated chips in your mouth with lots of wine Eggs! Eggs! Soft and warm romantically slipping down inside and I wish it could always be Feeding Time and I wish it could always be Feeding Time (let’s see what’s on menu.. I’ll get an onion bhaji.. …prawn cocktail …three more pappadums…)

Opposite Way In The Rush Hour You know, it’s a bit cheesy and self serving but I still dig this. Our hero is heading off to some gig (some horrible, low paid, nightclub-type gig - let’s say in Edgbaston. Or Stoke). He’s hitching his way up there to meet the band at the soundcheck and it’s just getting dark. He looks at all the Regular Folk coming home from work: old geezers on pushbikes, factory workers - UK manufacturing has still a few years in it at this point - young girls (that might have been mating/marriage material in his former life) wait at bus stops and the cosy tea (the evening meal not the drink - important class-related point) on the tables, visible through the shortly to be curtained windows and our man gets all Springsteeny-sentimental about his self-ordained High and Lonely Destiny. Noble chords, I think, and very clever drumming by Rich Wernham (he was bloody good, I must say - as Nick Lowe said - ‘you can get away with murder if you’ve got a good drummer’). The absence of traditional last chorus repeats, instead dissolving into a babble of voices was indicative of some creative, envelope-pushing Thort, I would say. The boy’s finding his feet..

OPPOSITE WAY IN THE RUSH HOUR Going the opposite way in the rush hour watching the cars going past in the night. Factory gates let out the day shift - they escape on their bikes. Daughters go home on the bus, see you’re not one of us. The sensation is sweet and it’s sour. Going the opposite way, opposite way, in the rush hour.

Closer to being a part of the big system: so near and far from all that you seek. Closer to where the big heart beats you into submission then rocks you to sleep. Curtains still open The news on the telly they’re making their tea and I want all they’ve got but somehow.. keep on going this way: opposite way in the rush hour.

Street lamps come on now, those front rooms look so warm now. Old men with empty lunch bags pedal homewards and the girls wait at bus stops as the weekend unfolds. Once it would have felt so right heading into the hot sticky heat of the night

…it’s not a question of honour or a question at all Just the way that we choose to live now Going our opposite way… opposite way… opposite way…

Muscle and Movement Painfully sincere (and unintentionally camp) credo from the Squat years. Fucking grim, mate. It was cold, self-flagellating and unecessarily unpleasant. Here is the mantra behind that lifestyle experiment ‘pain is knowledge and knowledge is wealth.’ Jeez, give this guy a cuddle...

MUSCLE & MOVEMENT Fed up of sitting around with my legs crossed Pretending and smiling and saying ‘yeah, cheers then’ avoiding the whites of their eyes. (and another thing) And another thing- don’t try and tell me you’re gonna get something together when everything’s going your way then the limit’s the sky. You can’t always hide on the side watching people who do things bigger than you. You can’t have a permanent stop to the things that displease you or give you unease. ‘Cos all that matters is Muscle and Movement flesh out all your fantasies with Muscle and Movement (ain’t no such thing as security, just Muscle and Movement Muscle and Movement

as you relax at the end of the day there’s another tomorrow staring at you as it stands at the top of the stairs time is a swine it just keeps coming at you battering you to the floor as you try and stand up yelling you’ve had enough save it for somebody free - don’t talk to me I got no symapthy pour out some more of that wine everything’ll be fine just stay drunk all the time but remember that Muscle and Movement is all that makes you what you are Muscle and Movement standing still don’t get you too far it’s Muscle and Movement Muscle and Movement

it’s hard but it’s true that there’s nothing to cling to nothing to belong to and nowhere is more important than where you are now and there is no rest for the wicked, no rest for the wicked or peace for the innocent or the don’t knows (this lines indecipherable) cos there ain’t nobody got the things they need (same) cos the things that you lack are what you never get back cs the only secret weapon is Muscle and Movement

Muscle and Movement nothing happens by itself Muscle and Movement pain is knowledge and knowledge is wealth

Vampyr Skinhead & Taking Over ICI Well, it’s here that I claim total responsibility for the Two-Tone/Ska Revival that was to occur later that year. No, honest - no-one else was doing this stuff at the time (or they were but no-one had heard of them yet). These two tunes were, moreover, direct descendants of my song ‘Super Tuff’ from the XTC album (btw, that title came from the strapline of a Bruce Lee movie ‘Bruce Lee - Super Tough - but also Tender,’ so I was also anticipating Tarantino and all that kitsch martial arts movie stuff from the 90’s - could I be any more prescient?) Actually, exciting self delusion aside, I claim only to have had my finger on an historical pulse which had been throbbing away since the 70’s and which obviously many others had also been party to. As I say somewhere else ‘it’s ok to have a great idea but you have to get off your chuff if you’re going to start a cultural movement’. I wasn’t dedicated enough, clearly, but I was quietly and briefly, a canary in that particular coalmine.

The idea of reggae as this parallel exotic, possibly dangerous sub-track to Pop/Rock had been around for quite a while and kept bubbling up out of the Zeitgeisty swamp to varying amounts of mainstream attention. Bob Marley (pretty much just him) had Broken Through to become the reggae artist that unitiated white people liked and played at parties to show Cool. U Roy, Big Youth, Scratch et al remained the province of hip white people (as we liked to think of ourselves). But, under the audacious banner of ‘Fuck Art, Let’s Dance’ the Ska revival, the Two Tone label, Madness etc were to mine the accelerated beats, fruity grooves and edgy vibes of Jamaica (along the lines of Desmond Dekker and Toots and the Maytals) to international chart success. Of which more in a minute..

Since Punk there had been this strange symbiosis (which is easy to forget, it’s so non-intuitive) of reggae with Punk which had continued, unabated since the days of the Roxy Club. This, eventually, had permeated the wider scene. So, when XTC would play, in 78, gigs in Birmingham or Leeds, the disco would always be alternating, say, the Drones, Chelsea or the Pistols with Althia and Donna, Steel Pulse or Culture. It was a tacit admission, I would say, that the Punk formula was a limited one and, while its brutal austerity had been bracing (and a welcome antididote to Old Fart music), people still needed melody and sensuality and Actual Dancing.

But, there had been, in my late schooldays (early to late 70’s) an earlier, more schismatic appearance of Reggae (in its proto form of Ska) which I had observed firsthand in my Comprehensive provincial schooldays with all its codes and brutalities (kinda charming and nostalgic now; fairly scary and intense at the time). There was a 2 tribes battle going on at my school and in the UK generally: the Skinheads and the Greboes/Hairies (vestigial, usually non-ideological Hippies, really, sometimes with a component of Biker). It was a pretty one-sided battle: the Skins were an embodiment of working class, unsmiling rage and violence (’Aggro’ and ‘Bovver’ were their coinages (graffitti in my town read: ‘S.T.A.B (= Swindon Town Aggro Boys) Kick to Kill’). It was a culture of fighting and machismo which picked on pretty much anyone (it became a white racist movement eventually of course: ‘Paki Bashing’ being one defining activity but, as is documented in ‘This Is England’ TV series, the Skins didn’t start out that way: look at all that ska and blubeat. Also, in Swindon in the 70’s there wasn’t much opportunity to get the ol’ racism going - there wasn’t a single black or Asian kid in my year at school; only one or two in the entire school - so the Hairies/Greebs would have to do as a Victim Class, I guess.

The mostly docile, pacifist, great-coat/tie-die-wearing, patchouli-smelling, Topographic Oceans-carrying quasi-hippy was always good for a bit of a kicking (though I suspect, the lack of physical challenge made them a bit uninspiring - football hooliganism probably gave the Skins more of a work-out). At any rate, the hirsute, messy look and, (NB!) the usually university-bound, middle class nature of the Hairies was a walking provocation to the neatly groomed, fashion-conscious, mostly working class (went to work instead of Sixth Form: fuck school and Uni, let’s make some short-term money - therefore doomed for life to the factory or site) Skinheads.

This schism was enacted in the music, as it often is: the long-winded, effete, sexually inert tropes of Prog, the self-indulgent, solo-wanking, adolescent-boy mirror-gazing of hard rock versus the clipped, disciplined, concise sexy beats of Ska and pop reggae (showcased particularly in the ‘Tighten Up’ series of compilations). It really was chalk and cheese.

There was, btw, a whole genre of dirty ska songs, epitomised by Prince Buster’s Big Five single (‘funky spunky man in Big Five, screaming steaming night in Big Five…there will be water all over the bed…water all over her head..’ (!)

One night after a Manfred Mann’s Earthband show at Swindon College (deep Hairy territory, obviously) when the crowd were reluctant to go home, the promoter stuck a Ska tune on the PA which cleared the room like tear gas. Hard to imagine now. Like I say, Tribal. So, when I started writing songs (Pop Songs! For Bands!) I felt I had struck a fruitful vein in observing the horrified yet strangely fascinated viewpoint of the oppressed Other (Hairy/Greeb/insert Ethnic Group) as he is subdued and brutalised by his natural predator, the Skinhead.

Form following subject matter, this would, of course, be couched in a mutated form of reggae which, though, as a fledgling Hairy (with already insufficient hair, aIas!) I was forbidden to like - I must say it did exert a fascination. It was so alien. Alien is interesting. Thus, in Vampyr Skinhead we have, again, a randomly predatory hardnut - this time he’s going door to door terrorising people (‘no compunction as he hammers down your door - or elects to clamber in the window - he is swift and he is sure..’). The image really did come to me in a dream: this ferocious little fucker doing his rounds of the estate, like a Clockwork Orange version of the Man from the Pru. Definitely a Viz magazine character there, I reckon... The sound of a Ska beat still had, for me, the menace it did when the Skins at school danced their clipped, butch, slightly-ridiculous-but-I-fucking-dare-you-to-laugh, scary little dance to it.

Non Cultural Studies note: the riff is played on a WASP synth - I guess the 1st affordable synthesiser. Fairly horrible but it had one good sound so hey... No actual keyboard - a flat plate which was murder to play and ‘explains’ the really obvious cock-up on the intro which we didn’t have time to repair. It wasn’t mine btw (the WASP not the cock up).

VAMPYR SKINHEAD Vampyr Skinhead knock at your door Don’t sell brushes or Brittanica no more He no check for pushing leaflets through the door or collecting money for the football he lives outside the law. He’s just out on the street with his boots on his feet and I would give a lot to know what he’s got Vampyr Skinhead.. Vampyr Skinhead Vampyr Skinhead strikes again Vampyr Skinhead feel no pain gonna do it again and again and again

Vampyr Skinhead come down your way and he’s not from anywhere silly in the USA. Not religion that he’s peddling door to door he’s not looking for the meter (he wouldn’t know what it’s for). He’s just out on the street with his boots on his feet and your little sister’s crying but he’s not. Vampyr Skinhead Vampyr Skinhead Vampyr Skinhead

Somebody’s gonna get uptight, gonna get hot and they’re gonna make mincemeat of him someday... Somebody like Peter Cushing gonna wreck the curtains while he’s sleeping then they’ll be nothing left but a pair of Marten’s and a pile of dust…

Vampyr Skinhead come down your street he’s a monster and he’s got sharp litle teeth. No compunction as he hammers down your door Or elects to clamber in the window - he is swift and he is sure. Out and I would give a lot to know what he’s got Vampyr Skinhead…. Vampyr Skinhead…. Vampyr Skinhead……

V.S.’s Nemesis...

Taking Over ICI was an attempt at a pure pop reggae tune - with a socialist/punky spin. Lovely playing by Rob (gtr) and Marion Fudger (ex wife of Dave Fudger, charming chap who used to write for Sounds and now worked for Virgin Publishing - he got me the gig with Iggy Pop). Rich Wernham (also of the Motors). Cracking organ solo dontcha think? I had chops in those days - before Quantise fucked me up.

TAKING OVER ICI Alone I just didn’t dare make my move to trash organised laissez-faire but since you nibbled my ear Cadbury-Schweppes and Lever Brothers quiver in fear. All the multiples are whining. All the big nobs are resigning. Since I found out you loved me, I’m taking over ICI Taking over ICI Alone I couldn’t handle myself let alone the redistribution of wealth. But, since I found out you care, I could trash the System single-handed I swear. Can’t handle all their wheeler-dealing - prefer to hear rich people squealing… Since I found out you loved me, I’m taking over ICI Taking over ICI… Taking over ICI..

Big Soft Safe Family Rather as ‘Paranoiac’ was: a one-off, never to be repeated thing. Deeply and nakedly autobiographical. Musically quite original, I venture. Shmershy chords the like of which I hadn’t used before and a confidently slow groove. Vignettes of my respectable working class, late 60′s, Mike Leigh previous life suffused with the cheap cynicism of a young sprat who didn’t realise how lucky he was. They’re all gone now.. and - spoiler - I actually never had an aunt from Torquay (but she rhymed).

BIG SOFT SAFE FAMILY The relatives are all on their fifth cup of tea. Their rapid eye movements are something to see - all lying to each other and smiling alternately. Your mum and your dad and your aunt from Torquay they are none of the same as they once used to be but they’re all of them, gloriously in the Big Soft Safe Family

We all of us have a particular smell I know their’s and they know mine habitually well. They worry about me and I worry about them I’m surprised you can’t tell. We use the same toilet and eat the same food and we savage each other when we’re not feeling so good but blood is thicker than water and ultimately we’re a Big Soft Safe Family

We’re slowly aquiring the things that we need they’re very pleased with our progress indeed. They were saying we looked very happy and of course we agreed. Respect due to father and love due to mum and the daughter is lovely and so is the son. Illusions die obstinately in the Big Soft Safe Family

#shriekbackmusic #Shriekback.com #xtc band #punk rock #roxy club #skinheads #two-tone #70s

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