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#ca. 1719
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▪︎Bacchus.
Date: ca. 1718-1719
Artist: Giovanni Antonio Pellegrini (Venice; 1675-1741)
Medium: Oil on canvas 
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metmuseum · 1 year
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Panthers of Bacchus Eating Grapes. ca. 1719–20. Credit line: Gift of J. Pierpont Morgan, 1906 https://www.metmuseum.org/art/collection/search/436349
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arthistoryanimalia · 11 months
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It’s Clara! (probably) 🦏
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Jean-Baptiste Baillon, clockmaker (French, d. ca. 1770)
Attributed to Jean-Joseph de Saint-Germain,
bronze maker (French, 1719-1791)
Mantel Clock, after 1749
Virginia Museum of Fine Arts display
“This mantel clock exemplifies the exuberant Rococo style of the mid-18th century that delighted in the apparent novelty and exoticism of Asian cultures as they were perceived in the popular European imagination.
Ménagerie clocks featuring models of unfamiliar beasts from Africa and Asia became highly fashionable collectibles in the 1740s. Though the rhinoceros was known in Europe as early as the 16th century, it was not until a live Indian rhinoceros named Clara was brought to the Netherlands in 1741 that the animal became a widely recognized marvel. Clara was exhibited throughout Europe for nineteen years, delighting average citizens and courtiers alike. In 1749, she arrived in Paris, where she inspired drawings by many artists and studies by scientists. The model for this clock was likely based on one of these renderings.”
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pwlanier · 8 months
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Teapot, Johann Jakob Irminger (designer), Meissen porcelain factory (manufacturer), ca. 1714-1719.
Courtesy Alain Truong
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gogmstuff · 2 years
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Looking back - 1730s (from top to bottom) -
1732 Eva Friederike Charlotte, Gräfin von Einsiedel by Louis de Silvestre (location ?). From tumblr.com/blog/view/karoline-von-manderscheid/155597786641; removed most obvious spots w P'shop 1149X1400 @72 407kj.
ca. 1736 (based on date of marriage) Augusta, Princess of Saxe-Gotha, later Princess of Wales (1719-1772) by German school (location ?). From tumblr.com/sims4rococo76; removed spots & flaws w Pshop 1680X2000 @72 1.1Mj.
1738 Concert in the Salon by Nicolas Lancret (location ?). From tumblr.com/shewhoworshipscarlin 2048X1645 @72 754kj.
1738 Marquise de Pleumartin, née Anne Le Laÿ de Villemaré by Jean-Marc Nattier (location ?). From tumblr.com/blog/view/sims4rococo76/693477910157443072 1280X1621 @72 576kj.
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formeryelpers · 2 months
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Pho Ga 88, 1719 Decoto Rd, Union City, CA 94587
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This is a small, newish Vietnamese pho ga/chicken restaurant. The only protein they serve is chicken (though I’m not sure what they put in their won tons). They use fresh, never frozen chicken and grandma’s recipes. The menu only has a few options, chicken noodles with different types of noodles, chopped or boneless chicken, chicken & rice, won tons, egg rolls, Vietnamese drinks, and desserts.
Pho ga ($13.50): thin, flat pho rice noodles (cooked well, not mushy or clumped together) in a light broth, chopped chicken (skin on) pieces, scallions, a housemade ginger & scallion sauce served on the side. Everything was really good. I liked their sauce, the broth (pretty flavorful, not salty), and tender chicken. The chicken is very bony/thin. There isn’t much meat (poor skinny chickens). Also, the way they chop the chicken leaves bone fragments, so eat the chicken with care.  The chicken had a bright yellow skin, brighter than the kind you usually see.
Soymilk: sweetened, made to order possibly, thicker, very nice
Wings & rice ($13.99): The wings seem to come from a different chicken than the one served in the pho ga. The wings are larger and meatier. They seemed a bit tough. My father said it was like eating turkey wings. The wings were served with a big mound of steamed white rice topped with a fried egg, one fried egg roll, lettuce, cucumber, and pickled daikon and carrot. It also came with a bowl of clear chicken broth and two sauces (scallion & ginger, sweet chili).
The pho arrived right away. The wings took much longer.  
Online ordering is available or you can call and place your order.
The space is older but they made it homey with bright yellow walls and funny signs about chickens. Service was friendly. They close early (at 8 PM).
4 out of 5 stars
By Lolia S.
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vulturesouls · 11 months
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Trade card of John White, Goldsmith, ca. 1719 - 1724
It reads "John White. Goldsmith. At ye Sign of ye Golden Cup, in Arundell-Street, in ye Strand. Maketh, & Selleth, all sorts of Gold, & Silver Plate."
British Museum
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fowardfashionfindz · 1 year
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Check out this listing I just added to my Poshmark closet: 20.75 Cts Excellent Carnelian Agate Cabochon. Ca-37.
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imoim36news · 2 years
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Ông Vũ Đình Thực - member Ban vận hành cụm di tích lịch sử Đình, Thường, Miếu Cầu Muối hạt giải bày về độ quý hiếm lịch sử dân tộc và văn hóa truyền thống của cụm di tích lịch sử. (video: Hà Thanh)Được ca ngợi là vấn đề tới linh tính phổ biến và rất linh thiêng "cầu gì được nấy", từng cơ hội đầu Xuân năm mới mẻ, cụm di tích lịch sử Đình – Thường – Miếu Cầu Muối hạt thú vị đông cù lao người dân kể từ mọi nơi về hành hương thơm, bái lễ.Trong năm này, theo nhận định và đánh giá của Ban vận hành di tích lịch sử, lượng khách hàng tới phía trên đông vội 2 – 3 lần những năm vừa qua, dự tính khoảng chừng 1 triệu lượt người vào cơ hội đầu Xuân.Cụm di tích lịch sử Đình - Thường - Miếu Cầu Muối hạt được xây đắp kể từ thời Hậu Lê, năm 1719 tức năm Kỷ Hợi niên hiệu Vĩnh Thịnh. Cụm di tích lịch sử bao gồm 1 đình, 2 đền rồng và 1 miếu. Theo đấy, đình thờ Thành hoàng Tăng cao Đánh Quý Đại Vương vãi (Dương Tự động Minh), người sở hữu công góp vua Lý phòng giặc Tống. Sát đó, miếu thờ Phật, vẫn 2 ngôi đền rồng bao gồm đền rồng Công Đồng thờ Mẫu Liễu Hạnh, đền rồng thượng thờ Mẫu Thượng Nghìn. Miếu Cầu Muối hạt là một trong những vào tứ điểm trực thuộc cụm di tích lịch sử Đình, Thường, Miếu Cầu Muối hạt thú vị nhiều lượt quý khách tới chiêm bái vào cơ hội đầu Xuân năm mới mẻ. (Hình ảnh: Hà Thanh)Trải qua tuổi thọ, điểm phía trên trở nên điểm sinh hoạt văn hóa truyền thống, tín ngưỡng linh tính của những người dân địa phương và du... website viết bài : danviet.vn #Cụm #tích #Đình #Thường #Miếu #Cầu #Muối hạt #hút #khách hàng #cơ hội #đầu #Xuân
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castellsipalaus · 2 years
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Eilean Donnain
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El castell d’Eilean Donnain s’alça a l’illa del mateix nom, que significa ila de Donnán, un sant celta que patí martiri l’any 617. Es troba a la confluència dels llacs (Loch, en gaèlic) Duich, Long i Alsh, a les Terres Altes d’Escócia,.
El castell actual és una recreació de principis del segle XX, tot i que n’hi havia un des del segle XIII, propietat del clan Mackenzie of Kintail, enfrontats als senyors de Ross. Aquests, al segle XIV, van cedir les terres dels seus enemics a membres del clan Rhuaidrí, fins arribar a l’execució de Kenneth Mackenzie, tercer senyor de Kintail, el 1346.
Els Mackenzie van recuperar les seves terres amb el retorn a Escòcia del rei David II, el 1362, i el clan MacRae, aliat seu des del segle anterior, va anar adquirint un estret parentiu amb ells.
Al segle XV les Terres Altes (Highlands) d’Escòcia, o terra dels gaels, segons el seu nom en gaèlic escocès (A’Ghàidhealtachd) es van anar convertint en un territori dominat per les bandositats i la violència entre els seus senyors. Els Mackenzie es van enfrontar als MacDonald, anomenats Lords of the Isles per tenir sota el seu control les illes Hèbrides i d’altres territoris de la costa oest del país.
Els Mackenzie no van ser aliens a noves disputes, en aquest cas familiars, i va ser freqüent que algun oncle intentés prendre Eilean Donnain a algun nebot seu, per la qual cosa va patir més d’un setge.
Al segle XVI, Eilean Donnain va ser un objectiu cobejat pel seu valor estratègic, i els seu murs van acollir o rebutjar els MacRae, els MacDonald, els MacLeod, els Matheson o els Murchison.
Al segle XVIII, amb la Unió d’Anglaterra i Escòcia, els Mackenzie ja eren senyors de Seaforth i es van unir a la primera revolta jacobita, el 1715. El 1719, els escocesos van trobar en Espanya un aliat per intentar recuperar la independència, per la qual cosa Eilean Donnain va acollir una guarnició de 300 soldats espanyols, alguns dels quals van sobreviure a un bombardeig naval.
El castell va ser destruït per evitar que tornés a ser utilitzat en un altre aixecament anti-anglès. Per aquest motiu, entre 1912 i 1932 va ser reconstruït sota els auspicis d’un descendent del clan MacRae.
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greyscentral · 2 years
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Topnotch metal products
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Topnotch metal products install#
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Topnotch metal products professional#
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metmuseum · 6 months
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Beaker. ca. 1719. Credit line: The Sylmaris Collection, Gift of George Coe Graves, 1928 https://www.metmuseum.org/art/collection/search/422
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gogmstuff · 1 year
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More early post-Louis XIV fashion -
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ca. 1717 Seated woman holding a fan by Antoine Watteau (Metropolitan Museum of Aty - New York City, New York, USA). From their Web site 2400X3882.
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ca. 1718 Dorothy Walpole, Viscountess Townshend by Charles Jervas (Dulwich Picture Gallery - London, UK). From the-athenaeum.org; enlarged by half 1161X1416.
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Probably Dorothy, Viscountess Townshend, by Charles Jervas (National Portrait Gallery - London, UK). From Wikimedia 2400X3161.
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ca. 1719 Maria Clementina Sobieska by ? (National Portrait Gallery - London, UK). From Wikimedia; fixed spots & some cracks w Pshop 2076X2623.
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1719 Anna Catharina Herport by Johann Rudolf Huber (private collection). From Wikimedia; fixed spots w Pshop 1693X2067.
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▪︎Apollo.
Artist: Giovanni Antonio Pellegrini (Venice; 1675-1741)
Date: ca. 1718-1719
Medium: Oil on canvas
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Panthers of Bacchus Eating Grapes, Alexandre François Desportes, ca. 1719–20, European Paintings
Gift of J. Pierpont Morgan, 1906 Size: 13 5/8 x 6 3/4 in. (34.6 x 17.1 cm) Medium: Oil on paper, laid down on card (paste-paper)
https://www.metmuseum.org/art/collection/search/436349
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Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup, ca. 1771, Metropolitan Museum of Art: European Sculpture and Decorative Arts
Gift of J. Pierpont Morgan, 1906 Size: Overall (door): 89 3/4 × 45 1/4 in. (228 × 114.9 cm); Overall (crown): 27 1/2 × 53 3/8 in. (69.9 × 135.6 cm) Medium: Wood, carved, painted white and gilded
https://www.metmuseum.org/art/collection/search/189724
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