#castle s4 commentary cut

[justellie-b]

Castle Parallels - The Fight Scenes in 3x24 and 4x23 Part 2

(If you haven’t watched part 1, it’s here)

In S3, Castle tells Kate how he cares and loves her through subtext. In S4, Castle directly tells Kate “Because I love you!”

In S3 Castle: “I’m your partner.” / In S4 Castle: “I’m MORE than a partner.”

In S3 Castle: “I know I don’t want to see you throw your life away!” / In S4 Castle: “you’re right, Kate. It’s your life. You can throw it away if you want.”

In S3 Kate: “… it’s my life! Not your personal jungle gym!” / In S4 Kate: “you cut a deal for my life like I was some kind of a child!” - both her dialogues have references to being treated like a kid.

In S3 Kate: “… we are over.” / In S4 Castle: “this is uhhh.. over.”

Both these scenes are so heartbreaking and emotional on their own, but then with these parallels, it just makes these scenes more amazing! I wish we had a commentary for these two episodes now so we can know whether these parallels were intentional or not!

[coinofstone]

5x03 The Death Song of Uther Pendragon

Arthur went out to collect firewood while Merlin watched over the dying lady 🥺

They saved a woman from being burned at the stake for sorcery and she repays them with a super powerful magic artifact

"He's always like this at the anniversary of his coronation."

"I thought it was a cause for celebration?"

"It is, but it's also the anniversary of Uther's death."

I would like to refer everyone back to my 4x03 post where I point out that Uther was stabbed on Arthur's birthday, which is also the anniversary of his mother's death. Uther would've died a day or two later. So within the span of let's say, half a week, Arthur's got his birthday, his mother's death anniversary, his father's death anniversary, and his coronation. He needs a hug. It's gotta be the hardest week of the year for him, every year. Speaking from personal experience, I know I wouldn't be anywhere near as upright as Arthur is, for all his thousand yard staring.

It's a very nice sarcophagus but what is going on with Uther's left leg?

No srsly wut is this

Is it reeeeally swollen? Did he break his ankle in the fight or perhaps when he fell?

Ok I'll stop being mean

The ONE time Merlin knocks

You think this was a sex thing? I think it might've been a sex thing.

Spirit!Uther, while traumatizing in his own right, still isn't as frightening as actual King Uther could be.

Oooof I have Things To Say™️ about this. The reason Arthur chooses to use the horn, to use magic, is because, "there isn't a day that goes by when I don't think of the thing I wish I'd said to him." But when he gets to speak to Uther, he doesn't actually get to say very much at all, because Uther immediately begins criticizing everything he's done as king. Arthur doesn't get what he sought at all, instead of an opportunity to tell his father any of the things he wished to say, he gets spoken to, harshly criticized. It's a major blow. And he says as much, when the single man tear spills over and he says "this can't be the last time I ever see you" - yes the line is foreshadowing Uther's haunting of Camelot but it's also signaling that Arthur's been traumatized; he went from having had his father mortally wounded in saving Arthur's own life, to having seen his father 3+ years into Arthur's rule as King of Camelot, and point blank being told Uther is disappointed in him. Not proud of him - actively un-proud. We don't really know what exactly Arthur wanted, if he'd hoped his father would've seen all the good his way of ruling had done and praised him, but I think it's pretty safe to assume that was on the wish list.

Be careful what you wish for indeed.

I AMUSE MYSELF. (I spent two hours figuring out how to create this please appreciate me)

Merlin's angry face when Arthur tells goin what Uther said is literally all of us.

I feel terrible for this but when Percival is leaving Gaius' chambers and he stops to look at the wall-torch, I immediately flash backed to Alice Troughton on commentary in S4 saying "Percival's a bit of a wuss isn't he?"

This is also awful but this episode kind of makes me miss the castle-centric contained episodes of S1

Never any guards around when you're being attacked by the ghost of your husband's dead dad, typical.

I understand Merlin bringing Guinevere to Gaius but putting her in Merlin's bed??????

The way Bradley and Colin both convincingly jumped when they turned around and found Gaius had snuck up right behind them kills me every time.

"Poetry". What he means to say there is, 'why didn't you just tell him we were fucking, since that would actually sound less gay'

So. Merlin took the ghost visibility potion but he can't see Utter knocking over barrels and shelves and things to trap in that store room.

Also why is there a pigeon in a windowless store room? Now I'm wondering why there aren't more birds randomly flying into the citadel, cuz they do have quite a lot of open windows... you'd think that might happen now and again.

Mmmmmmmm

Hmmmmmmm

Ooooof I love a bamf husband coming through to deal with a shit-for-brains abusive father... ghost.

^^actual canon scene

Was Tony shot entirely on green for this? That unearthly blue glow even in close ups where he doesn't look like he's on a green scene makes me wonder.

The 'horseplay' scene at the end was so full of sexual tension and d/s undertones that I literally do not want to say anything lest tumblr flag this post for content.

Commentary is Angel and Rupert. The two regulars who were in the least number of scenes in this ep. Since this post is already crazy long I'll keep this brief.

Aaaaand it's the first time either of them have seen this episode 😂 wow.

They've made 'horn' jokes and Rupert's gone full on tongue in cheek dad jokes.

They are also cracking jokes on Colin being all jacked up for S5 compared to previously when he was so skinny hehe... personally I ain't mad at him 😂

Fifteen minutes into the episode and Leon makes his first appearance

The little bottles and decor things in Gaius' chambers are part of a static set so they pretty much just sit there... Angel says that some of the contents have started to go moldy and they found maggots in one of them 🤢

They're talking about Gwen's new hair and while Angel is being really diplomatic, I get the impression she's as annoyed as I am by it. It literally doesn't match her own hair at all. But she also said some people saw her without the piece on and just said 'omg you cut your hair' so I guess 🤷‍♀️

The scene where Gwen is knocked out by a vase smashing her head - Angel says she was hit with the heavier bottom piece of it, which hurt more than she was expecting, and she wound up with a bump on her head from it.

Not a word about Colin picking up Angel 😢

They're talking about childhood pets and a beverage called lilt? Anyway Angel is really clever and Rupert's corny af but he's funny and I love them both.

Oh this is interesting: Rupert says he and the director talked about having Leon walking through the corridor hand in hand with the cook when he stumbles upon Merlin and Arthur's 'poetry lesson', but they weren't allowed to do that bc it would've been just a little bit too much, or a little too tongue in cheek. Which I'm taking to mean, would've accentuated the subtext of 'poetry' too much.

Angel and Rupert didn't know how they got Uther all glowy either, though Angel said it was probably lighting

Rupert says the line where Utter got caught off, what he was gonna say was "Merlin has ... been to the gym!" 😂😂😂😂😂

They really are great together doing these things

Rupert's story was the horse he had been riding all season had a foal, and nobody even knew she'd been pregnant. They just came out one morning and saw she'd given birth, and he got a call to inform him. That's kind of sweet. I wonder if he sent them some apples or something.

[steve0discusses]

Yugioh S4 Ep6: Gozaburo Kaiba Just Casually Started WWIII And Only This One Guy Cares

Welcome to November, where we celebrate writing a 50,000 word book as if I don’t do that every single time I write about an episode of Yugioh. Hello, this is my season. It’s wordy season. I’m so freakin good at doing this. I can’t say most of what I’ve made is any good, but I CAN say at least I’m prolific. Do enough content to fill that bitter pit and walk right over it, that’s been my motto for the past 5 years.

Anyway, I had an awful flu this past week. (Everyone I live with had it so every bathroom was like ground zero) It was SO bad. I still can’t eat spicy food over a week later (Which is so hard for me because usually I can keep up with my Indian friends, that’s my spicy level--max spicy, please--but since this illness, my white taste genes went into overdrive and I tried putting pepperoncini slices in my sandwich and it set my mouth on fire. Pepperoncini. It’s v embarrassing.)

I did attempt to write this post. Unfortunately I never made it past this cap because I got VERY distracted by the emblem on Alister’s face, and how it isn’t proportionally adjusted to match the angle of his face, and it was like three paragraphs of just wanting to talk about it. And then at some point I got very distracted talking about how many empty glasses I was given at my place setting at this baby shower I went to during the flu epidemic, and it mattered a whole lot to me at the time, but I think, overall, was mostly just some sort of nonsense. The things I’ve spared you. 

(bro has just informed me that the 4 gold-lipped crystal goblets I was given at this baby shower was actually very distressing and a very big deal and that I should absolutely talk to at least someone about it, but maybe he’s just saying that to make me feel better, but I have no idea. I am too sick for sarcasm at this time but my god why was I given so many glasses????)

I straight up have no memory of if I’ve made this joke before. Maybe.

(read more under the cut)

Since it feels like 8 years since the last time I could just eat chicken without feeling like I consumed an entire Thanksgiving meal, a little recap:

-Alister pretended he was Pegasus to lure Kaiba and then, off screen, murdered everyone in Pegasus’ castle

-Pegasus got murdered by I’m pretty sure Mai (which is like...OK then...)

-Yugi and Co went on vacation by driving directly through San Francisco and peeking out the window and saying “yeah that’s enough for me”

-No adults, not even Roland, bothered to come with their kids this time, so the only adult of the entire crew--Pegasus--is dead

-Rex and Weevil are luggage

-The Eye of Sauron showed up and it was the end of the world but Yugi threw a dragon at it so I guess everything is OK now

-Monsters are real but they are hard to animate so we’ll just pretend like they’re causing havoc everywhere although most of the planet seems basically unaffected by this.

-The Grim Reaper is a friendly monster that hangs out in a Japanese park and that feels fairly on brand.

And I think that was all that was happening so far.

In a weird twist of fate, Mokuba is the only one in this room that isn’t trapped which sort of...if you’re the only one NOT kidnapped wouldn’t that also be a type of being kidnapped?

And we finally get to figure out why Alister wants to Murder Kaiba so bad and, spoiler, it reaches.

???

I’m gonna get more to the obvious problems with Alister’s devotion to murdering all the Kaibas in a bit but yes, Alister is in fact going to try and Kill Kaiba on this kid’s show because of Kaiba’s Dad, who is such a horrible and abusive person that Kaiba essentially drove the bastard out of Japan and straight to the bottom of the ocean.

Just kinda feels like Alister has been living under a rock...which, I guess he has been. He has been living in some weird Atlantis structure so I guess he never got the memo that Gozaburo Kaiba is hella dead.

So that’s what they’re up to. How’s Sausalito?

Um.

Huh.

So the North Bay is a really classic scenery. It’s rolling hills. It’s NAPA. It’s like...definitely not Arizona. California has a couple of mesas but they’re no where near here and the Monument Valley style Mesas really only exist in Monument Valley.

And I know it’s because the background artist for Yugioh is all horny for horny rock structures but like...this couldn’t be farther from the Bay Area in the way that it is drawn and it is such a shock after all the work they did last episode to research that Bay Area lore. Once they crossed the Golden Gate they were like “well no one will care about this part” which is true not only of Yugioh but also of real life Californian politics.

Anyway, I have been making a map, but unfortunately my original file will not suffice. time to fix it.

There we go. Now they’re in the right place. Just smack dab in Monument Valley, Arizona, smack dab in the middle of the Navajo Nation and so hypothetically, not even in the United States anymore.

While in the car, Yugi has just been anxious as hell the entire time, and just going “y’all I have a bad feeling I’m uncomfortable I have a bad feeling” while Joey and Tea just patiently stared at him flipping out in the corner. So...kinda like a normal trip with someone who has high anxiety/possessed by a ghost. I  kinda feel like this is every girls trip to Disneyland for me. There’s always one Yugi who’s like “no one said anything about CROWDS.” and you kinda just gotta let them do their thing. Just let them get it out of their system and hide in the bathroom when they need to hide in the bathroom and don’t fight it, they’ll be fine. Just hold their spot in line when they desperately look for a secret place to medicinally vape because there’s too many freakin children at Disneyland.

And it is HILARIOUS that Yugi is able to have this type of premonition but cannot figure out that they have somehow missed San Fransisco and have wandered into a DESERT.

Back in Pegasus’ California (an island that legitimately looks more like California than actual Yugioh California) Alister has decided to go completely off the rails and it happens so fast and without any warning.

the line is actually “This doll used to be my brother’s” which is a very different meaning but both are likely from weird ass Alister and this weird ass show, so I’ll leave the cap like this (although yes, this is what I thought Alister was saying for kind of a while until I recorded it for this blog and was like “oh shoot I heard the line wrong when I had the flu huh.”)

Man, RIP Noah, he would have been excellent this episode.

Honestly seems like just yesterday when Seto and Noah were pitted against eachother by a cyberdemon Dad-head floating in the sky, Mokuba was possessed for some reason and being used as a human shield, Tristan was a robot monkey, and Yugi was just shrugging at Kaiba from across the field like “Kaiba if you don’t play good you die--oh my gods, he died. Well that was bound to happen...again.” Man.

Alister should be their best friend, this is nonsense.

So lets do the math to 7 years before 2002.

I searched Wikipedia for wars during 1995 (they do have a list of 90′s wars) and looked for any that involved heavy use of tanks and their artillery fire (on big swatches of cities like this), inner city western architecture, temperate landscapes, and western clothing that match Alister and Mikey (AKA WWII vibes) and found out:

Nothing fits that description

UNLESS Alister and Mikey are time travelers from a WWII bombing in Europe. This is Yugioh. That could happen. Probably not, but youknow...it’s not too late for Yugioh to bring in time travel.

I mean if you don’t want to get super political in your cartoon just invent a world war I guess? We’ve already clarified that Gozaburo was Big Boss, so at this point I can easily see him inventing wars just to sell ships.

(I could probably add thousands of more deaths at this point but I have no idea where they are, if they’re on a tiny island or an entire country so I’ll just...leave the count alone but just now it’s implied that a hell ton of people died during this episode)

People going off about how Sesame Street is so amazing for talking about issues like you’re Dad going to prison while Yugioh was straight up talking about the intricacy of the War Economy. Yugioh being all “don’t forget kids, your good capitalist economy survives off of the undeserved bloodshed of civilians in other countries! Eat the poor!” and it’s like hot damn this heavy commentary came out of freakin no where.

Anyways, this is stuff most kid’s shows will delicately skip over but nah, Yugioh is going to go here, and they are going to steamroll directly through it with massive tanks.

So, lets kill this kid’s entire family and talk about the terrors of the World War of 1995 and all the war orphans who get recruited to become soldiers at the ripe old age of 9. Alister was 9 when he was recruited to be a child card soldier.

This kid’s show.

Alister is...basically Raiden, right? Like as long as we’re talking about Metal Gear, this kid is just one step away from cyborg implants and weird colored blood?

Better wear bright red when you visit the war crime scene, surprised Gozaburo didn’t invite like an entire photo -op crew to incriminate him even further.

Now we did look up “where the hell is Alister from Yugioh from?” (there is no answer) and we did find out a little factoid. In the Japanese version of the show, Gozaburo had bought the land and was just forcibly evicting Alister and his family from their home with tanks.

Which is wild.

He just straight up evicted an entire metropolitan city????

Like the dub did a way better job than the sub at this one, I’ll give them that.

It’s just so weird that Gozoboro just didn’t like...raise the rent like a normal bad landlord. Instead he was like “rather than gentrify my land and save me a ton of money, I’ll just destroy everything I just bought and murder everyone here” which is like...

...Seto did the world so many favors when he kicked out his Dad, right? Like Damn. I don't understand why Alister isn’t freakin worshiping Seto right now when his whole deal is “I must kill Gozaburo” and Seto’s like “yo I already did that. Twice. I didn’t even have to literally kill him either, I just embarrassed him so bad that he killed himself. His stupid tank company sells joke games now. I literally turned the man into a joke.”

Then again, Alister is on the green magic and like I think it alters your brain chemistry somewhat.

(How ripped did Alister get in this episode, by the way? The kid is like 16 years old or something so how did this happen? ...The perpetual horny line running straight through Yugioh, man. Look at it run. That 16 year old is drawn like he’s 28 and really into Crossfit and his crop top gets smaller and smaller like every scene.)

So like this is a very gray issue that I cannot believe they brought up in a kid’s show (like can you imagine if Scrooge McDuck had to face facts that his company murdered tons of people???), but also this is Seto Kaiba. Seto grew up in the system, so like he doesn’t need to be lectured to about dirty money because he was on the losing end of that not too long ago. Seto is himself basically a upscale war orphan since he was adopted by Gozaburo to continue the machine like a freakin maniac (a Solidus Snake, if you will) so of all the people on this show I don’t get why Seto would care about this. This is just how Seto views the entire world as either losing or winning and no reason to feel bad about it because he’s been both.

Also...Seto stopped the machine. Kind of. He was unaware that cards were the same thing as weapons, but at least he stopped the sale of huge child-stealing tanks.

So they play the game for a little while and Seto does kind of poorly as usual, and just when I thought this episode couldn’t get any weirder...

And just like that, Seto peaces out. Like he does almost every single time he has ever played a card game solo except for that one time he was playing Joey Wheeler. (Which was also one of the few times Seto ever won.)

Like I just want to remind you that this segment is in the same episode as WWIII and the tonal whiplash is pretty remarkable.

That’s right, we’re back in the Unnamed Monster World, which is not the Shadow Realm, and which I thought you could only access if you were dreaming and able to search through the puzzle maze.

Apparently this can just happen at any time and all that stuff with the guiding Kuriboh and Yugi and Pharaoh trying to find this place was just...them wasting time.

Again he ditches the legendary sword so freakin fast because who needs a sword when you have a dragon? Only this anime.

And that’s how Seto, who was absolutely going to lose this game, somehow just barely came to a draw.

So just to recap, Seto has yet to win a card game that he didn’t get prophetic help for via a hallucination or Yugi telling him what to do. Unless you count Joey and grandpa.

Then, the one last adult I forgot about, the driver of Yugi’s car, decides that it’s about time that he also died and left this show as adult free as possible.

THE HELL ARE THEY?

Also...maybe it’s the angle but the writing on that gas station looks a lot like kanji.

Yo, what if this is the backgrounds for a different show and they’re just sharing? I mean I doubt it because Yugioh had a good enough budget but...what if? What if that’s why they’re in Arizona?

Anyway, next time we’ll find out if this guy just drops dead or has been a Yugioh monster this whole time, and I think maybe both?

And if you just got here, this is a link to read all my Yugioh recaps in chrono order

[riisinaakka-draws]

Under the cut there are some thoughts on the process and ideas behind the drawing JOURNEY INTO THE DARK if you are interested :)

I thought it would be too big of a burden to mention all of this within the art post. This is also for my own archiving purposes (so I won’t forget what was involved! :D) and it’s always nice to see how things start and develop...

Long post ahead! (contains spoilers for the show)

COMMENTARY:

I continued this work bit by bit over a period of several months (I started this just when s4 started airing) and only finished it recently. A few hours then and then (whenever I felt like it or had time for this), but I can’t really say how much time it took all together. Occasionally there were weeks/months that I just forgot about it and was more focused on other things...

Most of the thoughts here are fleeting ideas during the process (how a thing X lead to thing Y) and some personal fun and not something I actually spend too much time on dwelling or planning (or researching lol). I have probably forgotten some already and some happened by accident and some I am just incabable of putting into understandable words.

None of these are any actual instructions (or limits) of “this is how it’s to be seen”. Art doesn’t have to be or even shouldn’t be explained in some cases, but I just wanted to document the process and open up the symbolism since there were a lot of (random) things involved.

It’s also fun to look back on things and how they evolved and what their connection to other things were.

You are free to have your own interpretations of course and I hope this additional post doesn’t ruin any of those :)

The initial idea and motifs:

Flint decends the steps from light to darkness and Miranda is standing behind him as an accomplice/orderer. Stepping stones get bloodier by every step and gold coins are glimmering on the path (Urca de Lima’s gold). Sword is drawn out for war and slaughter. Black water as in the opening credits + general darkness to represent the abyss. Reflection shows James when he was happy (him returning to Hamiltons) and how much he has changed compared to that (McGraw vs Flint). Sort of stage / antique/ greek tragedy(?) setting with marble columns, red curtains (like a myth, a monology or a story or something).

A white feather shining in the dark to show there’s always hope and another way out. I already explained this in another post, but here it is again:

Short answer: Silver (although some of you may not like it) Long answer: the feather is for “hope and an alternative for war” (the dove of peace..haha). Also remember the trap Flint laid in season 1? The feather and the logbook in his drawer -> leads to Silver’s capture later.

The feather is also a reference to the swan of Tuonela (in Finnish mythology the river of Tuonela separates the world of the living and the dead (compare Styx in Greek mythology I guess). Flint decents to the world of death (also represented here by the pale and dead-looking organic shapes of the opening sequence’s sculpture… thing).

Anyway, the feather is mainly about Silver: both how they end up meeting in the beginning (the trap, and then some new hope along the way and eventually some light in Flint’s miserable life) and what (who) also ends up being “the end of Captain Flint” (a tiny nod to the swan guarding the border between the living and the dead).

Visually I wanted something to shine in the darkness to remind there’s always hope and another way out. At one point it had an additional thin string leading to Thomas’ hand. You know, a connection to the memory (and to the reason of Flint’s revenge and war path and so on) but the idea didn’t work so well and felt too distracting so I left it (the string) out. And then the finale happened (!!!) and the reflection became also the future.. :D

a way out of the darkness… :)

There was also a post going around a long time ago about the empty space (the absence of Thomas) next to James and Miranda in some scenes, so I incorporated that in here, too. Unfortunately I cannot remember who did the post, so I cannot link it right now :| It was something about how some of the New World scenes were framed in a way that it looked like there was something missing (aka the third person of the trio).

Here’s the early drafts again so you don’t have to scroll back:

I didn’t like the first composition that much and continued it into another direction with similar elements and the main ideas.

The stepping stones changed to wooden planks: angrier zigzag lines (rage) and also the idea of “walk the plank” (except that you don’t know when and where the nightmare ends...)

I ditched the gold coin idea. The overal setting became more spacious and gloomier to emphasize the vastness of abyss and the smallness of people. The stage / arch became the staircase seen in Flint’s dreams.

The whole thing is sailing on a similar sculptural thing seen in the opening sequence which for some reason made me think about the floating theatre in the Moomins (when the Moomin valley is flooded in one dangerous midsummer. LMAO):

(*coughs* lots of water, a stage and some drama after a disaster...so..)

(At one point I was also thinking about Howl’s moving castle and how that too is a monstrous looking vessel travelling between worlds (well, opening doors) but how the moving castle itself is also composed of various other things... and how in the drawing Flint would be stepping out of the ride for a moment to do some dark deeds in one of these ‘worlds’ etc.)

Black Sails opening sequence - is there a term for that cool monstrosity?

Some other inspiration and references:

Akseli Gallen-Kallela’s “Lemminkäisen äiti” (Lemminkäinen’s Mother, 1897).

(notice the swan, the black water, blood-covered stones, ‘the mother’ and the red-bearded ‘son’ waiting/asking for a spark for new life after the mother has combed his broken parts out of the river and assembled them back into the shape of a man)

I must admit that I didn’t bother to think any deeper parallels with Lemminkäinen and Flint (or the Mother and Miranda) beside this (more about it later though) and mainly had my thoughts just on this painting and its visuals because it is so well known (and liked) in Finland.

Moving on.

Screencaps from season 2 (source here):

I chose the latter stairs for the reflection (although modified) only because they were in London and there is an arch above them (to mirror the window in the drawing)

Some steps futher when the needed elements are more clear:

At some point I tried things with a lot more light and coldness (below, left pic) to channel some of the the dream sequence in s3 but in the end I chose the darker atmosphere, faces in shadows and I also wanted to preserve the red colour somehow (right pic):

The reflection sketch (at some point), although most of it cannot be seen in the finished work and thus didn’t need too much details. Young lieutenant James McGraw returning to London from his voyage:

Also, (and I am so sorry about this, but it was “fitting” and I decided to keep it..) in the reflection (when flipped and put in its position) the plank (their unfortunate blood-covered war-path and future) accidentally hides Miranda’s face and decapitates her so to speak and she won’t be there anymore ;_;

Thomas, on the other hand, is in the reflection to meet James -  both in the past and again in the future - but not in ‘the present’ where Miranda is.

Miranda in Flint’s visions (s3 ep3):

When I first met you, you were so Unformed.

And then I spoke and bade you cast aside your shame, and Captain Flint was born into the world. The part of you that always existed yet never were you willing to allow into the light of day.

I was mistress to you when you needed love. I was wife to you when you needed understanding. But first and before all I was mother. I have known you like no other. So I love you like no other. I will guide you through it, but at its end is where you must leave me. At its end is where you will find the peace that eludes you, and at its end lies the answer you refuse to see.

And then in s3ep5: You can't see it yet, can you? You are not alone.

The end part of it is seen in the fandom as a reference to Silver (and his partnership) and how Flint’s mind is telling himself to see it too. And I agree on that. I don’t think James had any hopes for Thomas being alive (especially in s3). As I mentioned earlier I originally did the reflection to show him (Thomas) only as a memory. Then the finale happened and the reflection got its double meaning :)

And here again Miranda as the mother (there has been better discussions about this topic and speech in the fandom so I won’t go more into that now). In the inspiration painting that I showed earlier the mother had assembled his son back together (for rebirth / reanimation) <--- Miranda being part of the creation (birth) of ‘Captain Flint’.

Aaaaand here’s the feather again and Silver’s words (and sort of motto):

“Take it from me, there's always a way.” (season 1)

“Nothing is inevitable here. I'm showing you a way in which we can survive this.″ (season 3)

Some further fixed details and adjustments. In the end the wall almost disappeared and to me it made this feel a bit like “floating alone without a shelter on your back or a place to return once you leave its premise”... I fixed the perspective of the planks (took me surprisingly long to notice what was wrong) and got the bloody red back on the planks (and not leaking too much on the water).

I wanted the water to be quiet, pitch black and endless and the reflection to seem like a dream. I probably should’ve done everything a bit more detailed or sharper, but in the end it didn’t feel so necessary (and it would have been way too much work, haha).

The final drawing:

The planning and initial idea was done after seeing s3 and just when s4 was beginning so there weren’t any thoughts linked to s4 while making this (other than the surprise connection with Thomas). Most of this I did paint after s4 though, but only to finish what I had already started.  

One more thing. I also made “the doors of the warship” -drawing after planning the JOURNEY INTO THE DARK (although I posted the doors pic first, since it was finished earlier).

It has a similar lighting and the theme of James and Miranda facing together ‘the civilization’ although this time they are stepping towards the light again (in hopes of closure and the promise of new life... which doesn’t go well as we already know ;_;).

James and Miranda about to leave the warship and meet Lord Peter Ashe in Charles Town:

So, here we sort of have a beginning and an end for their journey in the dark (together)  - believing that there are just the two of them left from the original trio.

Aaaaaand, that’s about it. Sorry about some repetition and messiness.

As I said in the beginning of this post, you are free to have your own interpretations (and I hope this post didn’t ruin any of them). These were just the things and thoughts that went into this work (or were stumbled upon along the way...), but you don’t have to take them to your heart.

Thank you so much for checking out this post and I hope it was worthy of your time! ( ˘ ³˘)♥  

[castle-dominion]

going to watch rise 4x1 audio commentary I think. director/exec producer rob bowman, actors jon huertas, seamus dever, tamala jones

while eating supper & you play him well Yeah as much info as short as u can!

TJ: This was a hard day bc everybody was joking around & I had to cry & be serious! She went to go touch her chin but had blood on her

SD: It was hard because usually you're listening to the other actor but here we were both just yelling into our phones walking down the hallway as fast as we can & I'm like "I keep saying your lines bro" TJ: what was really hard was being strapped to that gurney, trying to get lines out, bursting through doors

Good! They got a med tech in there helping choreograph

They didn't show the shove I gave him back tho

Susan sullivan is a great actress. Marta, the butcher of south london. She cuts for emotion, doesn't care what your story board said.

Yeah I was actually thinking about how they wree just... in the hallway. I didn't care tho I just assumed I was being silly.

& [the rifle] is pointing at castle See that's a good director.

your WHAT NOW? I know you called him mystery man, the other name, no not shadow man either, that name: deep throat. Pardon me??

WAIT WHAT SHADOW MAN WAS THE DOCTOR WALKING BEHIND CASTLE WHEN CASTLE CHECKS HIS HAIR????? Seemingly an ally

TJ while RB is talking about ILYs & GSWs: could that man be any hotter?

RB: i had to promise stana that I would make her look like a cadaver

RB: did she hear it did she not? Me: Oh who knows? She probably DID hear it, but she claimed to remember everything & there is NO WAY she remembers everything. TJ: Oh she heard it she just chose not to answer

I didn't even notice that the man had two phones, funnily enough it was a flip phone & a touchscreen

"we were scared it was going to be an 80s movie"

TJ, interrupting the convo: OH MY GOD SD: stop looking at my ass TJ: SEAMUS, YOUR BUTT SD: don't look at my ass there TJ: I AM LOOKING AT YOUR BUTT SD: Idk why it was lit so well! TJ: THEY WERE JUST PERKED UP, THEY WERE LIKE SITTING UP HIGH, like boing-oing-oing-oing-oing SD: why did Bill light my ass so-- RB: Children may be watching this *laughter, "sorry," & convo goes back to looking like an 80s movie* my mom when we paused to laugh: (speaking at TJ) "They were just Up There, right at eye level!" *holds her hands up to show how "perked up" his booty was* mister seamus dever if you're reading this (if you are then: why? that's weird) I would like to apologize for the actions of myself & my mom & my (hot+gay) older bro (I'll give u his # /j)

SD: Penny. Jonas. Jerald. PJJ as we--.. as I call her. I didn't even as. RB: affetionately

Well bc she's a woman in a male dominated place. Like big bro's mash character. I had a teacher once, I'd say "yes ma'am" all the time but she said it made her feel old. She told me to call her superstar or smth so I started saying "you got it superstar" & it was nice. She even wrote it on my IPP/PLP/SP once. Then FNAF came out & everyone thought I was quoting freddy but I had been saying it for years before freddy.

Paranoid ryan <3 he wasn't paranoid he was just noid

JH/JE: I shoot [gates] winks every once in a while that's my plan SD/KR: I think you're hitting on her

SD: I like how my character has knowledg eof people magazine RB: seam-lessly ; )

wow ok I just had to make a card, STOP making a card, sign a card that someone miscommunicated with my abt, break down & put away my calligraphy pen, listen to my older brother rant about the new DHMIS (which I'm excited abt too) & then listen to "the one thing they can never replace" by john mulaney. Wow

I was right! When I saw the superhero episode I knew it was her! SD: When my wife saw it she was like "Who is that? Why was she so featured?" & I went 'just keep watching, watch next week.'

NO, there was that one time when they made a bet on a murder & caskett was working on one murder & rysposito was working on the other, ofc eventually they became the same case but other than that

THE WHAT? PAPARAZZI UNDERWEAR? WAIT WHAT

they're just watching now, not commenting

SD: I want to hear her, "hey beckett can you get me a cup of coffee?" 'I WAS SHOT IN THE CHEST'

Oh yeah the nanny episode but no they did not sit on the swingset I love hearing them talk about framing & set & decisions

We're in the middle of a third act & we're like "hey so what's the murder about"

oh I didn't notice they remodeled the captain's office! hm! I'm glad they mentioned & explained that. traditional vs masculine, power, all that good stuff. JH: nice grouping

TJ: Gates has a wedding band on. Is she married? RB: Yes to the guy who killed beckett RB: no, idk TJ: but is she with a guy or a girl? Nah she's sadly def with a man. Everyone: but it's new york, it's new york state, *implying that they can still give her a wife* wait holy crap this is before 2015. ny was 2011 tho apparently.

HOLY CRAP that whistle scared me, my older bro has a whistle that means my little brother & a whistle that means me, like in the sound of music, & whenever I hear it I always look. One time a friend at culinary school just whistled, then my head shot up & I was staring at him & he was kind of scared like "what? why are you looking at me" & I had to explain that my brother's whistle language that was like calling my name. Then he would occasionally do it on purpose just to see me jump in shock "big bro isn't here is he?" & there was actually one time we were both heading in to school late, around 6.45am & he whistled from the other hallway & we were able to say hi.

"some parts of this story are dramatized for impact" "JON LEFT WITHOUT TELLING ANYBODY"

Bubble wrap...?

Yeah. I couldn't even see the amps sorry.

You're a drummer rob? They totally should have had him cameo as the frummer in the band or smth

SD: we're playing that jon (JE) is the only one that can talk to her & I (kr) kind of freeze up. Also u apparently can't lie. espt trained not to give up information RB: PJJ came up to me & asked where she was & I said "You're learning very quickly that they all lie" & she's figuring out what to tolerate & what to punish bc they still solve murders. "& we're trying to figure out how we feel about her"

Beckett's place is a permanent set now!

"I give you enough close-ups, you don't need to say that" SD: when other directors tell me 'take your time think through your lines' I say "When you tell me that I get a visual image of rob bowman looking at a watch" (I think /j) just see rob in editing looking over marta's shoulder (sd speaking as marta) "who directed this, rob?"

What is e4? big speeches? wait is that 3xk number two? Ooh I hope they do commentary on that one wait no it is #4, they would not comment on it, crud.

RB as castle: "I'm just a writer who got bored, now I'm getting scary phone calls from scary people"

TJ: Molly has grown <3 uwu RB: Yeah I remember back when she was sweet TJ, sounding like she'd slap him: She's still sweet! RB: not what I meant SD: She's a cagey adult JH: She's a cagey teenager SD: She's a cagey teenager JH: She's a cagey teenager who thinks she's an adult TJ: She schooled me in some of my scenes!

TJ, interrupting the emotional "let becks solve the case" moment they're discussing: Ok girlie moment, Look at that place! Who wouldn't want that? *nice bed, nice furniture, nice wall,* RB: *continues talking about castle teeing beckett up* SD+JH laugh: nobody followed up to your girly moment 'cause you're the only girl here right now you know that might be fun, have all the gals comment. SK MQ SS TJ, prolific women BTS too

RB: Castle can't lift the mattress & carry the scene at the same time JH+SD: No he just couldn't lift the mattress, it was a heavy mattress

rock star skinny jeans apparently my aunt had a friend who would get dressed in the bathtub & let her pants dry to her skin bc they were that tight

JH: Good thing she's there rn bc esposito would have shot that guy by now TJ: right between the eyes JH: hell yeah (ew, cops are not lawyers nor judges, they don't have that power)

SD: Speaking of shotguns do you know what jon got be for christmas? Um what? I have farming family we have guns, I have metis family we go hunting, but us in the city? We don't. Do regular actors living in the big city have guns? just? have guns? get each other guns for xmas? I thought it was really cool for a sec until I realized that he really had no need for a gun. None of my business tho! Guns are fascinating! I mean, if you want to fight someone, do it the honourable way with fists & feet but this is none of my business. I mean he has to protect his home from the impending apocalypse ig.

for now <3

TJ is SO right.

JH: He's got a touch screen too? SD: He's rich of course he's got a touchscreen

Michael Dorn JH: Fanboy moment, I was wrapped & I just hung out for 45 minutes just bc I wanted to meet him

everyone else: thanks for watching SD: *whistling the outro music*

[coinofstone]

3x12 The Coming of Arthur pt 1

The title is such low hanging fruit I feel bad cracking a joke about it.

It's a quest episode! I love a quest episode. Srsly feel free to send me any and all Merthur quest fics. I can't get enough 😂

This is the episode responsible for the lovely Leon fanon headcanon that he's immortal. Always handy in an Arthur Returns fic.

Uther: you must go on this mission alone

Arthur: *brings Merlin*

I do love Merlin being being a smart alec and nagging Arthur while packing. Excellent banter.

Arthur said

Arthur threatening a young boy like this is such an ugly and uncharacteristic action it makes me angry.

Merlin tending to Arthur while he's sick and injured 🥺

Also I'm sorry but Merlin shows fuckin Gilli his magic but he's hiding it from fuckin Gwaine while Arthur is suffering? Silly.

Cenred's massive army makes me wonder if it's a result of his tolerance of magic or lower standards than the knights of Camelot, or some combination of both.

Poor Leon, though. He's just got back from near death in that forest and Uther sends him right fuckin back in 😂

Looks like they snuck in to Camelot via the dragon's cave. I doubt that was the intention but I still approve 😂

Knowing he's on a suicide mission, Arthur gives Merlin an out, knowing he'll never take it, knowing he doesn't even want him to: he still presents him with the choice.

How come literally everyone else gets a crown that fits them but Arthur walks around looking like he's wearing hand-me-downs?

Morgana might be evil but she looks damn good on a throne.

3x13 The Coming of Arthur pt 2

There's a post going around Twitter about ppl who nitpick at TV shows... this comment falls into exactly that category 100% but I'm sorry, I cannot just ignore the fact that Morgana's got these massive banners and an entire army's worth of uniforms, I mean look:

Every guard with the sigil on his uniform and half a dozen banners in the council chambers alone. That's to say nothing of the ones outside. I mean look at the sheer fuckin size of these things:

Look how tiny the ppl are next to em! They've gotta be at least 15 feet long, at least. Where did they come from? Were they all magicked into existence? Who designed that sigil? What does it represent? Is it Gorlois' banner? I HAVE QUESTIONS.

Leon isn't someone I've ever been particularly attracted to, personally, but his defiant shout of "Long Live the King" in the face of Morgana's threats, is sexy as hell.

Depressed Arthur is such a mood.

So. Gwen. Originally in 3x12 when Morgana essentially invited Gwen into the fold (insofar as a Queen's servant can be), it seems to be a set up, because Morgana has been treating Gwen like shit for ages, why would she suddenly want her friend back? Especially since Morgana knows something is going on between Gwen and Arthur - there's no way she believes that they were actually under the spell of some random sorcerer, that just doesn't make any sense. So you kind of assume - or at least I did - that Morgana is keeping Gwen close knowing that she'll be useful as bait or a hostage, just essentially as a person of value to Arthur. She's known Gwen for too long to actually believe she'd cross Arthur, there's just no way someone as machiavellian as Morgana doesn't see Gwen's 'loyalty' as a simple survival tactic. All of this is to say, when Morgana and Morgause eavesdrop on Gwen's conversation with Sir Leon, Morgana is just like, 'welp, she's betrayed me. Guess I'll kill her in the morning.' as though she was actually expecting Gwen to do anything else?!?! Like, why? It would've made so much more sense to just cut that line entirely and go straight to something like

Morgana: it's as we suspected, she's betrayed me

Morgause: yes, now she can lead us straight to Arthur

And it would've made so much more sense than the weird sort of purgatory they've implied where Morgana changed her mind about Gwen very suddenly the night before she took the throne. It's not a super important detail in the overarching story but it's another example of how carelessly their story has been handled.

Me rn:

I do love that they made Freya the Lady of the Lake, and that she kept her promise by telling Merlin how to defeat the army of the dead.

How Merlin really sees Kilgharrah:

Gwen really is the smartest of all of them.

I do love that Merlin's first undead kill with excalibur is entirely an accident lol

The subtext between Morgana and Morgause is really gross. I haven't said anything before because I generally don't approve of ship shaming but the not so subtle subtext gives me the heebies.

This is such a great shot

Everything about it, his woman at his left and his man at his right, his romantic rival opposite him on his wife's side, as directly opposite her as possible at a round table with an uneven number of placements. It's a really beautiful shot, fitting for an equally beautiful scene. It's a very moving scene, the music really adds the exact emotion you'd expect for this moment we all recognize... and I feel like the knights' oaths are very well matched. The snarky part of me wanted to make a 'call me maybe' joke about Percival, but he's so sincere I just can't do it. The moment of levity added by Merlin's banter with Arthur is really, really well paced. Honestly I think it's probably the next perfect, iconic scene since Gwen and Arthur's first kiss. Hats off to this crew.

(Don't worry dear reader, I'm sure I'll get back to complaining shortly)

Santiago is so dreamy. I'd share his bedroll any day.

I like that despite all the talk of equality and doing the thing Uther wouldn't approve of, Gwen still worries about the company seeing her and Arthur kiss. Like, he's planning an insurrection with a bunch of commoners and two dudes who've been officially banished from Camelot, but she's internalized the classism and the rules of royalty so deeply that even amongst friends she instinctively keeps their relationship hidden. I'm not sure how intentional that was but it's brilliant.

The fight big fight scene with Merlin just barely missing the cup while the knights are cornered, and Gaius showing up like the brilliant deus ex machina that he is, honestly makes the previous budget-slashed episodes more bearable. Because this really is great, even knowing it's great at the expense of those others.

Morgana's screeching is eerily similar to Aithusa's.

I wonder if they knew they were getting renewed for a fourth season when they wrote this. Because you know, it really could've worked as a series finale as well. An open-ended series finale, but a series finale all the same.

As a Queens kid, I cannot explain to you the joy it gives me to watch Arthur and Merlin just chillin on the steps to the castle as tho it were a stoop, which I suppose, in a sense... it kind of is. Ahhh youthful days.

Commentary is Jeremy Webb and Julian Murphy.

And this kids, is why we're watching with commentary! They've just explained that Morgana's sigil is supposed to symbolize the Rowan tree that's supposed to be at the heart of the Isle of the Blessed. That suggests she designed it herself, so there's at least one of my earlier questions answered.

They talk a lot about how Emila Fox was very pregnant when they were filming her in this season, and they shot entirely around it - and I can't help but feel anger toward Joss Whedon and his 'handling' of Charisma Carpenter's pregnancy during S4 of Angel.

One of them called the round table scene 'curiously moving' and I think that is really fitting. They'd had this in mind for about two years, which is probably why it's so extraordinary. That's a great gestation period for a scene as iconic as this.

One final tidbit: the sword in the stone was filmed in France, and made it back to Wales intact. I guess nobody wanted to take it out. That's kind of an interesting thought, like a little set superstition or something. It's kind of cute.

The DVD extras/special features will get a separate post if I feel I have comments worth sharing.