#cd vs lp

[audio-luddite]

CD magic and snake oil

Every audio media has it's snake oil or magic powder to improve things.

I played a CD of Jazz by a Canadian Jazz Trio lead by Holly Cole. My wife does not care for it so... When I pulled it from it's jewel case it had a cute rubber gasket thing around it.

Back in the day there were many similar things. The rubber gasket thing was to suppress vibration. There were also rings of sorbothane that had adhesive backs to do the same thing. The theory was that the plastic disc spinning as fast as it did would vibrate and wobble making the laser focus tricky and needing the error correction digital parts to get the data off hence a reduction in sound quality. Not totally unreasonable.

Of course since it was on my CD I must have bought it. This was two or three CD players ago I think. This stuff did not come from the factory like that. I recall the sticky one had a centering tool to make sure it was PERFECTLY balanced. Yah sure! The gasket thing was like an elastic band with a channel cross section that grabbed the edge of the disc. Probably a bit more precise. Did it help? It didn't hurt I guess.

Fancy CD players had dynamic balancing and extreme vibration isolation. That is what made them so expensive. Chips are chips and all the digital stuff is chips. The laser focusing device is gloriously analog with a lens that is moved by a coil fed a signal. Maybe later versions used piezo actuators, but that does not matter. Lasers are pretty boring things now unless you are a cat.

Rubber bits were not the only thing they tried. There was the notorious green marker. That was applied to the outer circumference of the CD to block light that may interfere with the laser. Red Laser green marker. I am sure the inventor went to the local school or office supply store and cleared them out of green markers, had labels printed and made a fast fortune.

I have had CDs fail for various reasons and when that happens they chirp like birds as the error correction goes out.

After my wife complained I put on a Josh Bell CD. Violins are pretty tricky to record and reproduce. This Sounds pretty fine as I am sure care was taken to keep it clear. CDs can sound quite nice. Hey did you know that Josh Bell breathes when he plays. Maybe if he inhaled with an open mouth it would not be so prominent. Audiophile detail can be annoying sometimes. This disc has no gaskets or rim treatments so there.

I have not bought a CD for a while. I probably will not add any gaskets if I get a new one. If it has music I want it is possible.

By comparison there is little I have done with my vinyl. (CDs are polycarbonate)

My LP treatment is limited to cleaning it with my old disc-washer brush and new "groove-washer" fluid. I clean it lightly every time I play them. Even in the nice archival MOFI slip sleeves they can get dust on them. (Even Cat Hair! Shudder!!). At least this is a no-smoking home.

Some LP fiends play thier records wet. I mean actually wet with fluids of strange types passed over by moon crystals. The idea is not totally crazy, lubrication can be good I guess. Still I do not do that.

I do play my records with a weight on the centre. I have a cork mat under the factory slip mat which I know makes a difference. It really suppresses vibration and makes the beast quieter.

Aside from those things I do fiddle with different phono cartridges from time to time. I mean why have so many and not play with them. I am sure it is disappointing to some that they sound pretty similar to one another.

On duty today Yamaha S300 CD player ARC SP14 preamp (Russian tube) and the infamous Franken-Amp with my invisible speakers.

[avsies123]

INTRO !!

HI!🐛🐛 my name is Ava-Kate OR Alina!! :) ⚠️ IM 14 !! I use any and all pronouns forever...... i'm genderqueer and aroacespec🍒i'm an infp and taurus !! hit more to read..moreeee...

Interests!!

-I'm hyperfixated on Scream 1996 🌙

-My special interests are RATS and ALEX G !!

-i like drawing, writing, anything musically involved, LP/CD/DVD+ collecting, gardening, baking, adventuring, decorating and being awesome 🧩

-i listen to A LOT of music. Here's a music alphabet ^3^ 🎶 Alex G🩵, Blink-182, Car Seat Headrest, Deadharrie, Elliott Smith, Frank Ocean, Green Day, Hole, Indigo De Souza, julie, Kitty Craft, Lalleshwari, Lush, Mount Eerie, Nirvana, Orchid Mantis, Pavement, Radiohead, Someone Still Loves You Boris Yeltsin, Tyler (,) The Creator, Vs Self, Wyatt Smith 🎹

-psychology, animals, philosophy, nature, photography, video games, horror 🌀

-RY!! (@loseractivities) he's my bff, AND HE ALSO LET ME USE HIS INTRO AS A TEMPLATE!!😎 i love you bro📼

Other

HELLO! Thank yew for reading☺️oh shucks you☺️oh you

-i play robloxxx.. @avsies123 is my user if u wanna be friends hehe..🍃

-discord n pinterest are @sandyhorse !!🪲

- i'm chill cool and. alright cut the chit chat FRIEND ME I WANT FRIENDS I WANT TO TALK ABOUT SCREAAAAMUH!!😣😛

DNI?! 😠

-incels 😛

-anti-palestine / pro-israel 😛

-who are we kidding guys. If you have the itching urge to call me a slur while reading this we're not gonna get along 😛

GOODBYE !!👊 fist bump

[louisupdates]

369LT: LOUIS TOMLINSON LIVE CLUES

The Greatest: Live From London

Face The Music: Live From Nashville

Bigger Than Me: Live From Vancouver

Holding Onto Heartache: Live From Barcelona

We Made It: Live From Manila

Chicago: Live From Chicago

Fearless: Live From Rio De Janeiro

Common People: Live From Sheffield

All This Time: Live From Munich

She Is Beauty We Are World Class: Live From Munich

Walls: Live From Buenos Aires

Written All Over Your Face: Live From Budapest

Out Of My System: Live From Brisbane

Saturdays: Live From Paris

Silver Tongues: Live From Krakow

Spotify canvases

Louis Tomlinson.

LIVE. On Apple Music.

LIVE. On Spotify.

Full tracklist for CDs and LPs (Dork)

Fan videos vs Spotify canvas compilation: MASTERPOST

EUPHORIAZINE ⭐️⭐️⭐️⭐️⭐️ review and Saskia Postema’s tweet

[dustedmagazine]

Milford Graves, Arthur Doyle, Hugh Glover — Children of the Forest (Black Editions)

Children of the Forest by Milford Graves, Arthur Doyle, Hugh Glover

Drummer Milford Graves rarely recorded during his lifetime, and, until recently, most of his releases were long out of print. Corbett vs. Dempsey began to rectify that with key reissues of Bäbi, his trio with reed players Arthur Doyle and Hugh Glover, and The Complete Yale Concert 1966, his duos with Don Pullen. TUM records stepped in with Wadada Leo Smith’s Sacred Ceremonies, a 3 CD set including an incendiary duo with Graves along with a trio with Graves and bassist Bill Laswell. Since his death in February, 2021 Black Editions Archive has stepped up the game, digging in to Graves’ vaults, first with an issue of a trio set by Peter Brötzmann, Milford Graves, William Parker, and now, with Children of the Forest, a set of recordings captured in Graves’ Queens workshop with Doyle and Glover in the months leading up to the Bäbi session. The two-LP set documents a January 1976 duo session with Graves along with Glover on tenor saxophone, a brief drum solo from February of that year and a March trio session with Graves, Glover on klaxon, percussion and vaccine (a Haitian one-note trumpet) and Doyle on tenor saxophone and flute. The torrid rawness of these recordings looks toward the torrential barrage of Bäbi but brings out a more ritualistic edge to the playing.

Graves had spent his early years studying African drumming, tablas and playing timbales in Latin jazz bands and that sense of time, extended from African and Caribbean ceremonial music and ritual imbue these sessions. Hugh Glover talks about this and the time he spent with Graves, whom he refers to as Prof, in the extensive interview included with the LP set conducted by Jake Meginsky. “We were listening to the music of the peoples of the interior forest of the Congo… First, the Prof’s mood sets up a tribal-like atmosphere. It’s Congo-like — possession states. The rhythms, I think they immediately stimulated the need to dance… The next thing one must know and be aware of is that Milford Graves, he is not a time-keeping drummer like most jazz drummers. Prof represents the epitome of traditional hand drumming. I’m talking about ceremonial music and ritualistic sounds most familiar with divination.” 

Hugh Glover only recorded a few times so the January duo session with him and Graves is a particular find. The first of the four improvisations starts out with the percussionist’s churning thunder, leading to the entry of the tenor player’s hoarse, braying cries. The two had known each other for a decade at that point and Glover had been part of a European tour of Graves’ quartet along with Joe Rigby and Arthur Williams. That symbiosis is immediately evident. There’s a fluid sense of polyphony and elastic polyrhythms at play as the two bound along with ebullient intensity. The music is charged with open, spontaneous interchange and while the intensity level is high, they never overpower each other. Graves’ percussion work is revelatory here, spilling across his kit with a limber, propulsive dynamism. One can hear the legacy of African and Latin American rhythms exploded out with the drummer’s lithe control of tuned skin and slashing cymbals, with masterful control of dynamics and timbre. The inclusion of a short, 2-minute recording from the session reveals their careful attention to detail as the two sound-check the room and their balance and then charge into a compact give-and-take. Their concluding 7-minute improvisation is a particular highlight as they ebb and flow with synchronous fervor. 

The inclusion of a three-minute drum solo, recorded in February, is a brilliant addition to the set, particularly since Graves didn’t release any solo recordings until his two discs on Tzadik that came out in the late 1990s. On this 1976 recording, Graves distills his unified, multi-limbed attack into a roiling tempest of energy. Each thundering salvo, each cymbal crash, each resounding wallop of the bass drum is meted out with focus and intention. Glover remarks that listening to the solo recording he was struck by “the melody, and the melody of the tones that he gets, the way he rocks from one melody pitch to another. It has always been a mystery to me how Cuban drummers in Bata were able to modulate the rhythm and the meter. Well, it takes more than one player to do it Cuban style. Prof shows you can do it as one player.” 

The three March improvisations with Graves, Glover, and Arthur Doyle provide a notable link in the trajectory toward the session recorded a few weeks later that would be released as Bäbi. Glover reminisces about the March session here, noting “When we played, though, Doyle and I, we weren’t thinking of BÄBI [a name Graves used for his conceptual approach to improvisation]. We were thinking of… well I know I was thing of, and I’m pretty sure he was thinking, how do we keep up with Prof!” While that may have been going through their minds, that uncertainty never reveals itself in their playing. Graves begins the 12-minute improvisation that opens the set with tuned cascades of rim shots and toms and the two quickly join in, with Doyle’s raspy tenor crying out against the shifting percussion. The modulating rhythms and meters of Graves’ solo are the foundation of the buzzing whorls that develop in three-way, spontaneous orchestration which never flags for a moment. The shorter second piece kicks off with an extended section of chattering drums, making way for the two partners to interject barking, ecstatic exclamations that mount with intensity as Graves hurtles in with clanging cowbell. The final piece is the most abstracted, with Doyle’s high-pitched flute skirling against the chafed yawp of Glover’s klaxon and Graves’ coursing flow. Here, improvisation and ritual are melded together with pelting focus. 

Glover concludes his interview reminiscing  that “It was like Prof was saying, there is no ensemble, there is no musical configuration that I can’t play with as long as I’m allowed to play what I want to play. In other words, his confidence factor was like, I know I have the essence of where any group wants to go. If they allow me to do my thing, I’ll take them there.” The sessions released on Children of the Forest are a fitting testament to that belief and provide a welcome addition to the documentation of the lineage of Graves’ musical legacy. Here's to hoping that Black Editions continues to mine the Prof’s archives. 

Michael Rosenstein

[monky]

I saw a similar poll before but I don’t think the options made a ton of sense and I’m curious

If you pick the other option you can specify which you use or whether you primarily stream vs download

[angelloverde]

"Mo Soul" Player Playlist 15 December

Terry Callier - Speak Your Peace

Ohm Guru - Jazz Brake

The Liberators - Monkeyface

Lack of Afro - One for the Trouble

Ours Samplus - Blue Bird

Trio Eletrico - Wandance Paris

Myron & E - Back N Forth

Shawn Lee - Jigsaw

Cro vs. Gorillaz vs. Bobby Heb - Sunny, Happy (DJ Y alias JY)

The Bamboos - I Don't Wanna Stop

The Brand New Heavies - Dream Come True

Bluey - Got to Let My Feelings Show

Geraldine Hunt - Can't Fake The Feeling

Leroi Conroy - Remember When

Ernie Hines - Our Generation

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[dealgemeneverwarring]

De Algemene Verwarring #106 - 5 February 2024

Episode one hundred and six of De Algemene Verwarring was broadcast on Monday, February 5, 2024, and you can listen to it by clicking on the link below that will take you directly to the Mixcloud page:

Yeah yeah I'm late to the party once again, so I'll be short. Pictured below is Zyklome A, Belgian punk legends. Read all about them on the Ultra Eczema bandcamp page or homepage, Ultra Eczema, run by Dennis Tyfus, was so good to76 page book filled with tons of archive material reissue all the recorded material by the band on a double album, and as a fabulous extra you also get a 76 page book filled with tons of archive material. I mean, why would you even doubt to buy this?

Other music in this episode comes from the mighty Goodbye Boozy label with three singles by The Traditional Fools, Mainframe and Ghoulies, girlie punk from Chin-Chin and Ribbon Stage, postpunk by Blue Orchids, Die Atlantikschwimmer, Trummerfrauen, and Section 25, and I'm also playing a great early Simple Minds track. There's also a small Wio special (two songs!) and we end things with a track from the beautiful new Roy Montgomery album. And beneath the photo you can find the playlist for the show. Enjoy!

Playlist

Zyklome A: De Bommen Vallen (2LP “Uitgesproken (1980-1985)” on Ultra Eczema, 2023, originally released on the LP "Made in Belgium" in 1984 on Punk Etc.)

Bart & The Brats: Livin’ In The Future (7” “Living In The Future” on Take The City Records, 2021)

The Traditional Fools: Please (7” The Primate Five vs The Traditional Fools” on Goodbye Boozy Records, repress 2021, originally released in 2007)

Mainframe: RIP (7” “Employee/RIP” on Goodbye Boozy Records, 2021)

Ghoulies: ET Gnome (7” “Reprogram” on Goodbye Boozy Records, 2021)

Chin-Chin: Cry In Vain (LP “Cry In Vain” on Sealed Records, 2023, originally released on a 12” “Stop! Your Crying” on Farmer Records, 1986)

Ribbon Stage: No Alternative (LP “Hit With The Most” on K Records, 2022)

Powerplant: Evidence (7” “A Spine/Evidence” on Static Shock Records, 2020)

Blue Orchids: The House That Faded Out (7” “Work” on Rough Trade, 1981)

Die Atlantikschwimmer: Immerzu (LP “Tape” on Static Age Records, 2020, originally released on a cassette in 1983 by Cassette Fix)

Trümmerfrauen: Glasaugen (LP “Trümmerfrauen” on Danger Records, 2017, originally released on a 7” in 1982 on Zensor Records)

Section Vingt Cinq: Je Veux Ton Amour (7” “Je Veux Ton Amour” on Factory Benelux, 1981)

Simple Minds: Thirty Frames A Second (LP “Empires And Dance” on Virgin Records, 1982)

Tussle: Night Of The Hunter (CD “Cream Cuts” on Smalltown Supersound, 2008)

Wio: Avignon-Migennes (LP “I Can See Where I Am Now” on Kraak Records & Slowball Records, 1997)

Teledroom: The Bible Of Aesthetics (Summarized) (CD “Two Twos” on Glasvocht Records, 2003)

Roy Montgomery: Faded From You (LP “Broken Heart Surgery (An Agony In Six Fits)” on Discreet Music, 2024)

[awgeezitsthetoiletnator]

October Finds, Pt. 1: Music, Books, Comics, Graphic Novels

As we are getting closer to the holiday season, I thought it might be nice to share links to cartoon merchandise I've seen floating around. I use a lot of the websites listed for gift-giving inspiration or to fill up any wishlists that friends and family ask me for. I've tried to keep most things on this list under $50, and most items are on clearance or discounted heavily.

Please support your local record shops, book stores, and comics stores! It's likely they can ship in some of the items on this list for you instead of you ordering them online. I'm putting this list together for those who may not have access to those resources, or who might be looking for a very specific thing that is out of stock in retail spaces.

You can find Pt. 2 of the list here, where I share links to plushies, clothing, accessories, dinnerware, prints and more.

NOTE: I am not affiliated with any of the stores linked under the read more. I'm just someone who watches a lot of TV and reads a lot of books and likes to celebrate that by buying merch every now and then.

MUSIC

Hey Arnold The Music Vol 1 By Jim Lang (only a few left)

Over The Garden Wall - Original Soundtrack

Over The Garden Wall – Original Soundtrack LP

Over The Garden Wall - Original Soundtrack Cassette

Over The Garden Wall - Original Soundtrack CD 

Gravity Falls Vinyl Soundtrack 

UNDERTALE - Determination CD Double Album

BOOKS 

Ryan North Chooseable-Path Adventures

Romeo and/or Juliet (A Chooseable-Path Adventure)

To Be or Not To Be: A Chooseable-Path Adventure

Art Books

The Art of The Mitchells vs. The Machines

The Art of Teenage Mutant Ninja Turtles: Mutant Mayhem (signed pre-order)

The Art of Captain Underpants the First Epic Movie

The Little Prince: The Art of the Movie

Legends & Lattes 

Wayward Son Audiobook (Simon Snow Trilogy, Bk. 2) 

COMICS + GRAPHIC NOVELS

Steven Universe

Welcome to Beach City (Steven Universe)

Field Researching (Steven Universe, Vol. 3)

Just Right (Steven Universe, Volume 4)

Find a Way (Steven Universe, Volume 5)

Ultimate Dough-Down (Steven Universe)

Camp Pining Play (Steven Universe)

Harmony (Steven Universe)

The Amazing World of Gumball

Tunnel Kingdom (The Amazing World of Gumball)

Midsummer Nightmare (The Amazing World of Gumball)

The Storm (The Amazing World of Gumball)

Adventure Time

Adventure Time Comics (Volume 4)

Adventure Time Comics (Volume 6)

Adventure Time Comics (Volume 15)   

Ice King (Adventure Time, Volume 1)

Sugary Shorts (Adventure Time, Volume 4)

Sugary Shorts (Adventure Time, Volume 5)

Beginning of the End (Adventure Time, Volume 10)   

Princess and Princess (Adventure Time, Volume 11) 

Thunder Road (Adventure Time, Volume 12)  

Marceline the Pirate Queen (Adventure Time, Volume 13) 

Jake (Adventure Time) 

Marceline (Adventure Time)

Regular Show

Regular Show (Volume 6)

Regular Show (Volume 9)

Regular Show (Volume 10)

Parks and Wreck (Regular Show)

The Meatening (Regular Show, Volume 5)

Comic Conned (Regular Show, Volume 6)

Rocko’s Modern Life

Rocko's Modern Life (Volume 1)

Rocko's Modern Life (Volume 2)

Rocko's Modern Afterlife (Rocko's Modern Life) 

Bravest Warriors

Bravest Warriors (Volume 1) 

Bravest Warriors (Volume 3)

Bravest Warriors (Volume 4)

Bravest Warriors (Volume 6)

Bravest Warriors (Volume 7)

Bravest Warriors (Volume 8)

Lumberjanes

Friendship To The Max (Lumberjanes, Volume 2) 

A Terrible Plan (Lumberjanes, Volume 3) 

Out of Time (Lumberjanes, Volume 4)

Band Together (Lumberjanes, Volume 5)

Sink or Swim (Lumberjanes, Volume 6) 

A Bird's-Eye View (Lumberjanes, Volume 7)

Stone Cold (Lumberjanes, Volume 8)

On a Roll (Lumberjanes, Volume 9)   

Parents' Day (Lumberjanes, Volume 10) 

Time After Crime (Lumberjanes, Volume 11) 

Jackalope Springs Eternal (Lumberjanes, Volume 12) 

Indoor Recess (Lumberjanes, Volume 13) 

X Marks the Spot (Lumberjanes, Volume 14) 

Birthday Smarty (Lumberjanes, Volume 15) 

Mind Over Mettle (Lumberjanes, Volume 16) 

Smitten in the Stars (Lumberjanes, Volume 17) 

Horticultural Horizons (Lumberjanes, Volume 18) 

A Summer to Remember (Lumberjanes, Volume 19)

End of Summer (Lumberjanes, Volume 20) 

Bonus Tracks (Lumberjanes) 

Campfire Songs (Lumberjanes) 

Graphic Novels

The Infernal Compass (Lumberjanes) 

The Shape of Friendship (Lumberjanes) 

True Colors (Lumberjanes)

Lumberjanes Graphic Novel Gift Set (The Infernal Compass/The Shape of Friendship/True Colors) 

Hardcover Editions

Lumberjanes To The Max Edition (Volume 1) 

Lumberjanes To the Max Edition (Volume 4) 

Lumberjanes To The Max Edition (Volume 5) 

Lumberjanes To the Max Edition (Volume 6)  

Auxiliary Books

Coloring Book (Lumberjanes) 

Encyclopedia Lumberjanica: An Illustrated Guide to the World of Lumberjanes 

BAGS (Or a Story Thereof)

By Pat McHale, creator of Over The Garden Wall

The Adventure Zone

Here There Be Gerblins (Book 1)

Murder on the Rockport Limited! (Book 2)

Paperback

Hardcover

The Crystal Kingdom (Book 4)

Paperback

Hardcover

The Eleventh Hour (Book 5)

Paperback

Hardcover

[sorrowfulsoul]

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A Aa Ab Ac Ad Ae Af Ag Ah Ai Aj Ak Al Am An Ao Ap Aq Ar As At Au Av Aw Ax Ay Az

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E Ea Eb Ec Ed Ee Ef Eg Eh Ei Ej Ek El Em En Eo Ep Eq Er Es Et Eu Ev Ew Ex Ey Ez

F Fa Fb Fc Fd Fe Ff Fg Fh Fi Fj Fk Fl Fm Fn Fo Fp Fq Fr Fs Ft Fu Fv Fw Fx Fy Fz

G Ga Gb Gc Gd Ge Gf Gg Gh Gi Gj Gk Gl Gm Gn Go Gp Gq Gr Gs Gt Gu Gv Gw Gx Gy Gz

H Ha Hb Hc Hd He Hf Hg Hh Hi Hj Hk Hl Hm Hn Ho Hp Hq Hr Hs Ht Hu Hv Hw Hx Hy Hz

I Ia Ib Ic Id Ie If Ig Ih Ii Ij Ik Il Im In Io Ip Iq Ir Is It Iu Iv Iw Ix Iy Iz

J Ja Jb Jc Jd Je Jf Jg Jh Ji Jj Jk Jl Jm Jn Jo Jp Jq Jr Js Jt Ju Jv Jw Jx Jy Jz

K Ka Kb Kc Kd Ke Kf Kg Kh Ki Kj Kk Kl Km Kn Ko Kp Kq Kr Ks Kt Ku Kv Kw Kx Ky Kz

L La Lb Lc Ld Le Lf Lg Lh Li Lj Lk Ll Lm Ln Lo Lp Lq Lr Ls Lt Lu Lv Lw Lx Ly Lz

M Ma Mb Mc Md Me Mf Mg Mh Mi Mj Mk Ml Mm Mn Mo Mp Mq Mr Ms Mt Mu Mv Mw Mx My Mz

N Na Nb Nc Nd Ne Nf Ng Nh Ni Nj Nk Nl Nm Nn No Np Nq Nr Ns Nt Nu Nv Nw Nx Ny Nz

O Oa Ob Oc Od Oe Of Og Oh Oi Oj Ok Ol Om On Oo Op Oq Or Os Ot Ou Ov Ow Ox Oy Oz

P Pa Pb Pc Pd Pe Pf Pg Ph Pi Pj Pk Pl Pm Pn Po Pp Pq Pr Ps Pt Pu Pv Pw Px Py Pz

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R Ra Rb Rc Rd Re Rf Rg Rh Ri Rj Rk Rl Rm Rn Ro Rp Rq Rr Rs Rt Ru Rv Rw Rx Ry Rz

S Sa Sb Sc Sd Se Sf Sg Sh Si Sj Sk Sl Sm Sn So Sp Sq Sr Ss St Su Sv Sw Sx Sy Sz

T Ta Tb Tc Td Te Tf Tg Th Ti Tj Tk Tl Tm Tn To Tp Tq Tr Ts Tt Tu Tv Tw Tx Ty Tz

U Ua Ub Uc Ud Ue Uf Ug Uh Ui Uj Uk Ul Um Un Uo Up Uq Ur Us Ut Uu Uv Uw Ux Uy Uz

V Va Vb Vc Vd Ve Vf Vg Vh Vi Vj Vk Vl Vm Vn Vo Vp Vq Vr Vs Vt Vu Vv Vw Vx Vy Vz

W Wa Wb Wc Wd We Wf Wg Wh Wi Wj Wk Wl Wm Wn Wo Wp Wq Wr Ws Wt Wu Wv Ww Wx Wy Wz

X Xa Xb Xc Xd Xe Xf Xg Xh Xi Xj Xk Xl Xm Xn Xo Xp Xq Xr Xs Xt Xu Xv Xw Xx Xy Xz

Y Ya Yb Yc Yd Ye Yf Yg Yh Yi Yj Yk Yl Ym Yn Yo Yp Yq Yr Ys Yt Yu Yv Yw Yx Yy Yz

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؅ ؐ ؑ ؒ ؓ ؔ ؕ ؖ ؗ ؘ ؙ ؚ

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𝅺 𝅻 𝅼 𝅽 𝅾 𝅿 𝆅 𝆊 𝆋 𝆪 𝆫 𝆬 𝆭 ॑ ॒ ︡







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 ️ ︎ ︍ ︌ ︋ ︊ ︉ ︈ ︇ ︆ ︅ ︄ ︃ ︂ ︁ ︀

󠀁 󠀠 󠀡 󠀢 󠀣 󠀤 󠀥 󠀦 󠀧 󠀨 󠀩 󠀪 󠀫 󠀬 󠀭 󠀮 󠀯 󠀰 󠀱 󠀲 󠀳 󠀴 󠀵 󠀶 󠀷 󠀸 󠀹 󠀺 󠀻 󠀼 󠀽 󠀾 󠀿 󠁀 󠁁 󠁃 󠁄 󠁅 󠁆 󠁇 󠁈 󠁉 󠁊 󠁋 󠁌 󠁍 󠁎 󠁏 󠁟 󠁞 󠁝 󠁜 󠁛 󠁚 󠁘 󠁗 󠁖 󠁕 󠁔 󠁓 󠁒 󠁑 󠁐

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[julio-viernes]

Los Kinks tuvieron movida en 1970 con la inclusión de las palabras “Coca Cola” en su legendaria “Lola”. Sabido es que en su versión single las tuvieron que sustituir por las socorridas “Cherry Cola” porque la BBC no permitía que se citaran marcas en las canciones que emitía. La ”versión cocacola” se grabó antes y se editó en el LP “Lola Vs. The Powerman and the Moneygoround”. Esa no fue la razón por la cual The Who no incluyeron tres años antes en “The Who Sell Out” un jingle comercial del famoso refresco. Completo a los cuatro grandes de la British Invasion con el breve y repetitivo “Coke After Coke“, que no figuró en el LP original pero sí en dos tomas diferentes en posteriores reediciones expandidas de elepé en CD. Lleva por toda letra: “Coke after Coke after Coke after Coca-Cola”. El vídeo es un montaje posterior, no un anuncio de la época.

[uniquetyphoonmiracle]

A ver si versiona LAURA GULDEMOND de BURNING BITCHES ..LOVE BITES pero del cd HYSTERIA de DEF LEPPARD no del cd DEFENDERS OF THE FAITH de JUDAS PRIEST

Por cierto cd LOVE BITES es 2do LP de BUZZCOCKS que incluye su exito SIEMPRE CAYENDO EN EL AMOR CON QUIEN NO DEBERIAS y cuyo 1er éxito fue ORGASM ADDICT y a los que vi como teloneros de nIrVANa cuando presentaron en IN UTERO con HEART SHAPED BOX cuyo video es sobre que quitan de una CRUZ a un viejo con gorro de PAPA NOEL y lo intentan RESUCITAR en un HOSPITAL y que se iba a titular CAJA EN FORMA DE ATAUD porque se la regalo Courtney "LOVE" del grupo "HOLE" ..por cierto..el cantante de BUZZCOCKS murió el día de la Constitución de 2018 que fui a la Iglesia del CRISTO del PARDO, al palacio de Franco en el PARDO, al restaurant MEXICANO "SI, SEÑOR" junto al BERNABEU viendo mi último partido entre REAL MADRID vs MELILLA en COPA DEL REY fotografiando a CRISTO González en video_marcador convocado por 1era vez tras debutar en partido de IDA con SOLARI de ENTRENADOR y haciéndolo en LA LIGA en HELIOPOLIS=CIUDAD DEL SOL..o Estadio del BETIS en SEVILLA].

Por cierto ..se la escuche cantar a DEF LEPPARD en el ROCK FESTIVAL 2019 de BARCELONA donde llegue cuando tocaba TESTAMENT tras ver el día anterior en el CRUILLA FESTIVAL a KYLIE MINOGUE presentar cd GOLDEN tras ver a DORIAN presentar cd JUSTICIA UNIVERSAL como hice día anterior en Festival RIO BABEL [=canción del cd BOCANADA de CERATI como VERBO CARNE y PERDONAR ES DIVINO] en el CAMPO de las NAZIONES [MADRID]

Y no olvidar que CRISTO del REAL MADRID fue TRASPASADO y presentado en el HUESCA junto a IVAN LOPEZ alias IVI del LEVANTE fotografiando el BUS del HUESCA [la noche de la pelea del Siglo 2_5_15 entre MAY_WEATHER vs PACQUAIO] frente al Hotel ABBA en avda AME_RICA [MADRID] tras fotografiar camiseta de DUDA del MALAGA en Bar CAÑAS [=jugador del BETIS traspasado del ESTADIO DE HELIO_POLIS al LIBERTY del SWAMSEA tras jugar contra ellos cuando fotografie su BUS frente al hotel WEST_BURY=OCCIDENTE ENTERRAR ..en LONDRES=6_8_11 y donde jugaba entonces SALVADOR SEVILLA LOPEZ el único con pelo CANOSO de LA LIGA y miki ROQUE que moriría al año siguiente de Cancer tras nacer en TREMP donde se mató el representante de futbolistas JAVI PEREZ amigo del capitán de EX FC BARCELONA CARLES PUYOL cuyo padre se mató en una RETRO_EXCAVADORA y ambos se fotografiaron con KYLIE MINOGUE 12_3_11 en BARCELONA cuando beso a VELENCOSO arrastrandose por el ESCENARIO el día posterior a TSUNAMI DE JAPON y de su 33 cumple muriendo su madre de cancer con 46 años..y debutando como actor en la apocaliptica FIN y en SEÑOR DAME PACIENCIA..y en TREMP nació también el diseñador ANGEL CUSTODIO alias CUSTO BARCELONA]..entonces en el HUESCA jugaba un hijo de ESNAIDER [actualmente juega en FIN_LANDIA]..tras morir otro la Navidad de 2012 otro de ellos

A lo mejor prefiere versionar la de JUDAS PRIEST del cd DEFENDERS OF THE FAITH por eso de que BURNING WITCHES está girando con el grupo de su guitarrista KK's PRIEST..por cierto..todo esto es ROCK N ROLL BUMERANG que diría MIGUEL RIOS [1er rockero español junto a malogrado Bruno LOMAS] por el cd que contiene SANTA LUCIA y que sigue activo con 80 años apesar de que dice en su biografía que en su JUVENTUD FOLLAR NO ES QUE FUERA UN PECADO sino que era UN MILAGRO jaja

[audio-luddite]

Right and Wrong.

Mr Guttenberg the "audiophiliac" keeps spinning videos. It's his job. Sometimes more than a grain of salt is needed to listen to this stuff. Every new and different product seems to be better. He has a new best.

This is the "best planar magnetic" speaker and it is from France. It is not inexpensive.

He does go on about the basic superiority of dipoles that fill the room with sound. His current reference speakers are cone dipoles. Recall I believe this is a major flaw in the concept as all those extra sound waves careen around the room. They are not in the original signal, they confuse things. Yet he praised the imagery and clarity of these things. How are all those extra bits not confusing? Its the old brain thing of prioritizing the initial signal you hear and consigning the other things to something else.

Is it not better to put out just the signal on the recording into the room?

Two things I want to emphasize about his opinions.

First is that these are "push pull" magnetics with magnets on the front and back so they are more linear. Errr, not so much, but more magnets make a more uniform field strength. They do not mean these are linear as the diaphragm is under tension so excursions are fought by the membrane tension. But sorta yes they are more linear, but not actually linear.

Second is his experience of always shifting and moving them as each recording he played sounded different. Phase cancellation dude. One of the true evils of of dipoles. Each position gives a different frequency response. That is not a good feature even though he enjoyed it.

Arguably these are very much like Magneplanars if they decided to go really upscale. Maggies are made from MDF which is a crappy material that has one good behaviour. It damps vibration. It is cheap made from glue and wood waste. The French product has steel front and back faces with MDF in between. That means they are heavy and have more inertial mass to resist motion from the vibrating air. It can push harder. Newton says the air will push back. These will work better than maggies.

Big Planar speakers have one really good parameter. They move a lot of air. They have good acoustic impedance matching to the room. That makes the sound more immediate and "alive" which is the effect of simple efficient transfer of energy from the speaker to the air.

Horn loaded speakers do the same thing, just with the added distortion from being a horn.

Each has its problems.

So here is another flavour of the week. Tastes good, but it is not audio nirvana.

In other news I listened to my "Kind of Blue" LP.

I first did some searches for info about the label Jazz Wax. I have another of those I like. Talk about a rabbit hole. Internet forum wisdom is that my copy may be a legal pirated version. A privateer version? One forum decried the label Jazz Wax as stealing masters that had expired copyrights. Some bastards in Europe are cutting LPs from CD copies say these paragons of justice.

Interesting and maybe true, certain no. Copyrights do expire on published works. But I think the property rights of the physical media product do not expire like that. Miles Davis' work is Public Domain if he has been dead long enough and his estate did not renew it. But the ownership of the masters I think remains with the company who produced or purchased it. That is why Universal has all those underground vaults with master tapes and digital files squirreled away. No point if someone could just copy an old CD. Whatever, I am not a lawyer.

It was interesting the intensity and vehemence of the discussion. Really calm down people. Kind of Blue is a work of performing art. If I want an LP and it is legally for sale in a store in my city why complain.

As far as quality it is pretty good. New York Columbia recordings from 1959 can be fine. And Jazz does not get processed to sound good on AM Radio. This one is half speed direct metal mastered. One forum guy screamed that DMM sucked and had no Bass. Not my experience. Be that as it may it is a musical Icon work. Some consider it to be the most important Jazz album ever. I do not want to go looking for ancient and rare LPs in bins. Fresh heavy vinyl is better.

There are some interesting effects in the recording. I have to listen again to track them down. The original was three track tape. I am pretty sure there are overdubs in there. Whatever it is good music.

That is the point right?

[impress-vinyl]

Vinyl vs. Digital: Which gives best sound quality

In the realm of music appreciation, few topics stir as much passionate debate as the comparison between vinyl records and digital audio formats. Vinyl enthusiasts argue for the warmth and authenticity of analog sound, while digital proponents tout the convenience and clarity of modern technology. Both sides have valid points, but the question remains: which truly offers the best sound quality?

The Resurgence of Vinyl

In recent years, vinyl has experienced a remarkable resurgence in popularity. Audiophiles and casual listeners alike have been drawn to the tactile experience of handling vinyl records, as well as the nostalgic allure of analog sound. Advocates of vinyl often praise its warm, rich tones, attributing these qualities to the unique characteristics of the format.

The Analog Advantage

One of the primary arguments in favor of vinyl is its analog nature. Unlike digital audio, which is comprised of discrete, quantized samples, vinyl records store sound as continuous waveforms etched into grooves. Proponents of vinyl argue that this analog process results in a more natural and dynamic listening experience, with nuances and imperfections that add to the music's charm.

The Vinyl Ritual

Beyond sound quality, vinyl aficionados often extol the ritualistic aspects of playing records. From carefully selecting an album to delicately placing the needle on the groove, the process of playing vinyl is seen as a deliberate and immersive experience. This tactile engagement with the music is thought to deepen the listener's connection to the art form.

The Digital Age

On the other hand, digital audio formats have become ubiquitous in the modern era. CDs, MP3s, and streaming services offer unparalleled convenience and accessibility, allowing listeners to enjoy vast libraries of music with the click of a button. Digital audio also boasts advantages in terms of portability and durability, with no risk of scratches or warping.

The Clarity of Digital

One of the key arguments in favor of digital audio is its clarity and precision. Unlike vinyl, which is susceptible to surface noise and degradation over time, digital recordings can faithfully reproduce the original sound without degradation. Proponents of digital argue that this fidelity allows for a more accurate representation of the artist's intent, free from the distortions inherent in analog playback.

The Role of Technology

Advancements in digital audio technology have further blurred the lines between analog and digital sound. High-resolution formats like FLAC and DSD offer audio quality that rivals, and in some cases exceeds, that of vinyl. Additionally, digital audio players and streaming services now offer features like lossless compression and high-quality DACs (Digital-to-Analog Converters), further enhancing the listening experience.

The Subjectivity of Sound

Ultimately, the debate between vinyl and digital audio comes down to personal preference. While some listeners may prefer the warmth and nostalgia of vinyl, others may prioritize the convenience and clarity of digital formats. Moreover, factors such as equipment quality, mastering techniques, and room acoustics can all influence the perceived sound quality, making it difficult to declare a definitive winner.

Conclusion: Finding Harmony

In the end, the question of which format offers the best sound quality may be less important than the enjoyment derived from the music itself. Whether spinning a vintage LP or streaming the latest album on a smartphone, what truly matters is the emotional connection forged between the listener and the music. As technology continues to evolve, perhaps the best approach is to embrace the diversity of formats and appreciate each for its unique contributions to the world of audio reproduction. After all, in the symphony of sound, there's room for both vinyl and digital to coexist harmoniously. Source: vinyl v/s digital which sounds better

[hmgn3]

24-March 散財記録

02(sat) ・"Remembering Every Night" Original Soundtrack (2024, CD) ・Aksak Maboul / Charles F. Bleistift EP (2020, used 7inch) ・Stumbleine / Spiderwebbed (2012, used LP) ・Cat Stevens / The Songs From The Original Movie: Harold and Maude (2007, used LP) ・Barbara Morgenstern / The Grass Is Always Greener (2006, used LP) ・Ilkae / Bring Extra Dragons (2004, used LP) ・士魂 si-con 003 (2000, used 12inch) ・Tales From The Hood (The Soundtrack) (1995, used LP) ・The Melody Four / Love Plays Such Funny Games (1983, used 10inch) 03(sun) ・NNAMDÏ / Please Have a Seat (2022, used LP) ・Okay Kaya / SAP (2022, used LP) ・Bernice / Eau De Bonjourno (2021, used LP) ・Uma / The Moth and the Dove / Bel·li (2021, used 12inch) ・Neil Cowley Trio / Touch and Flee (2014, used LP) ・RASA / Optic Realities (2003, used 12inch) ・Homelife / Flying Wonders (2002, used 2LP) ・Putting the Morr Back in Morrissey (2000, used LP) ・Rhys Chatham, Jonathan Kane & DJ Elated System / Septile (1998, used 12inch) ・Rhys Chatham & Martin Wheeler / Neon (1997, used 12inch) 04(mon) ・BMX Bandits / Kylie's Got a Crush on Us (1993, used 12inch) ・Codona / Codona 2 (1981, used LP) 05(tue) ・Jepeto Solutions / Jepeto Solutions (2017, used 7inch) 08(fri) ・The Melody Four / The Melody Four? Si Señor! (1985, used 10inch) ・Fraunhofer Saitenmusik / Gegen Den Rhythmus Der Zeit (1985, used LP) 11(mon) ・Youth Stand Up / Youth Stand United (2020, used LP) ・Fausto / A Preto E Branco (1989, used LP) ・Karel Vlach Mit Seinem Orchester / Vom Land Der Polkas (1971, used LP) ・Milt Jackson and the Hip String Quartet / Milt Jackson and the Hip String Quartet (1968, used LP) 13(wed) ・Manonmars / In Colour (2020, used LP) 14(thu) ・Yasu-Pacino / SPY VS SPY REMIX (2016, used 7inch) 16(sat) ・Amina Figarova / Road to the Sun (2019, used 2LP) ・Repeat Pattern / rp (2013, used 12inch) ・Lee Buddah / Primat Midi (2000, used LP) ・Femi Kuti / Shoki Remixed (2000, used 12inch) 17(sun) ・Alpha / Pepper (1998, used LP) 19(tue) ・L. Jacobs / Enthusiasm (2021, used LP) ・Riki Hidaka / Poetracks (2014, used LP) ・Mice Parade / What It Means to Be Left-Handed (2010, used LP) 22(fri) ・三沢洋紀 / MISAWAHIROKI2 (2022, used LP) ・VAGABOND cinema pops arkestra / Promotional Only (from outer space) (1997, used 10inch) ・Carole King / Fantasy (1973, used LP) 24(sun) ・tenniscoats / Music Exists disc 2 (2015, used LP) ・Ron Everett / The Glitter of the City (1977, used LP) 26(tue) ・Tony! Toni! Toné! / Thinking of You (1997, used 12inch) ・Teca & Ricardo / Cadê O Povo (1976, used LP) ・Gerry Mulligan / Night Lights (1963, used LP) ・Corky Hale / Gene Norman Presents Corky Hale (1956, used LP) 27(wed) ・PS5 / Unconscious Collective (2021, used LP) ・cLOUDDEAD / Dead Dogs Two (2004, used 12inch) ・Hermann & Kleine / Kickboard Girl E.P. (2000, used 12inch) ・Paquito D'Rivera / Why Not! (1984, used LP) 30(sat) ・Satan Club / Satan Club (2022, used LP) ・Cid Rim / Material (2017, used LP) ・Richard Devine / Lipswitch (2000, used 2LP) ・Tirez Tirez / Story of the Year (1983, used LP) ・Sambôa / Sambôa (1983, used LP) ・Infinite Sound / Contemporary African-Amerikan Music (1975, used LP)

[dustedmagazine]

Alexander Von Schlippenbach — Globe Unity (Corbett Vs. Dempsey)

The Globe Unity Orchestra notched more than a few accolades. It was the first European free jazz big band, and in retrospect, the first improv supergroup. During a history that spanned over 20 years of fairly steady work and a more recent pattern of convening every ten years, it has carried a standard for concerted international effort to improve the world through the transmission of sonic energy. They didn’t call it Globe Unity for nothing; its ranks were a model of multi-national cooperation, and it traveled far from its birthplace in Germany, thrilling and outraging audiences in locales as distant as Chicago and New Delhi.

Composer, pianist and lead Alexander von Shlippenbach didn’t necessarily have all of that in mind when he put the first GUO together. He didn’t even call it that; “Globe Unity” was just the name of the first piece it played. In the mid-1960s, he was part of a circle of musicians who had already been contributing for some time to the loosening and intensifying of jazz’s strictures in Europe. But he was not one who chose to forsake all he had learned in the process. Born in 1938, his post-war education included tutelage in classical composition, as well as a personal affinity for modern jazz. The two side-long pieces on this LP represented attempts to incorporate the sounds of free music into extent jazz and classical orchestral forms. 

When this music was first performed at the 1966 Berlin Jazz Festival, Schlippenbach combined the top German free jazz combos — the Gunter Hampel Quartet, Manfred Schoof Quintet, and Peter Brötzmann Trio. The next month, he recorded “Globe Unity” and “Sun” in Cologne. The personnel list is a heavy who’s who, and some folks might zero in on the names of the two drummers, Jaki (then spelled Jackie) Liebezeit and Mani Neumeier. In times to come, each would shape the rhythmic content of freak-forward German rock music, in Can and Guru Guru respectively. But that’s not what they played here. In concert with Schlippenbach, who played tubular bells, gongs, and both the interior and keys of his piano, and vibraphonist Karl Berger, they provided a multi-hued manifestation of otherness and density. The two bassists added as much seething presence as pulse. Sometimes dramatic, other times exotic (which was not viewed then with the skepticism that it sometimes is now), and only very occasionally swinging, the rhythm section transcended its duties within the big band idiom to contribute immensely to the music’s orchestral qualities. 

The horns, however, are what made this music massive. You don’t need the back cover action shot of players in the studio, confronted by overflowing music stands, to know that their united projection was charted out. The time when the orchestra would take on instant composition at an ensemble-wide scale was still a ways off. But by incorporating the broader tonal and timbral resources of the contemporary avant-garde into organized blocks of sound, they achieved a complex and looming sound which was matched at the time only by Sun Ra’s Arkestra. When individual voices cut through, either as breakaway soloists or connecting joints in the multi-segmented compositions, they functioned both as foci for the energy and agents of structural cohesion. 56 years on, it’s still thrilling. 

Globe Unity has gone in and out of the print since its first release by SABA in 1967, and this its return to the physical realm is welcome. This edition, licensed by the historically astute Corbett Vs. Dempsey imprint, is confined to limited CD and LP editions that recreate the original LP’s gatefold sleeve. It’s gorgeous, but one has to point out that anyone who is likely to buy a CD is also unlikely to be able to read Schlippenbach’s much-reduced liner notes unless they supplement their normal corrective eyewear with a magnifying glass. Old eyes would benefit from either a fold-out insert or an online resource. But music like this is for hearing more than reading, and this reissue sounds gloriously present and alive.

Bill Meyer

[ivanreydereyes]

Que VERGUENZA ayer FC Barcelona perdió en su ESTADIO 2 vs 4 contra el GIRONA que es líder de la LIGA x lo que recuerdo que desde GIRONA fui en agosto 2022 a ANDO+zORRA en SCOOTER donde me compre un reloj_inteligente CHINO o HUAWEI y luego fui a TOSA DE MAR donde nació ANDRES VELENCOSO y que bien conoce la ZORRA de KYLIE MINOGUE cuyo LP debut [Q se compró mi padre en LONDRES cuando yo estaba en B_RIGHT_ON en 8_88 con escuela de idiomas EF=FE al revés.. comprándo un SKATE "SANTA CRUZ" y mi 1er disco INTRODUCING THE HARDLINE ACCORDING TERENCE TRENT D'ARBY que incluye RAIN y que renacio COMO budista SANANDA MAITREYA]..lo fotografie el Sábado junto a LA LEYENDA DEL TIEMPO de CAMARON DE LA ISLA muerto de cancer con 41 años dando su último concierto en el Colegio SAN JUAN EVANGELISTA [=redactor del apocalipsis] de Madrid..así como su nuevo LP "TEN_SION" junto al LP MUJER de MARTA SANCHEZ un gran ejemplo de lo PUTA QUE ES UNA MUJER y en ESPECIAL UNA CANTANTE cuya hermana MELLIZA "PAZ" murió de cancer con 38 años

Tampoco se me olvida que KYLIE MINOGUE fue sustituida en BABY LITTLE NOTHING del debut cd GENERACION TERRORISTA [portada Un tipo con Crucifijo y contraportada la bandera ARDIENDO de la U.E. basada en la CORONA de 12 estrellas de la VIRGEN DEL APOCALIPSIS] de Manic Street Preachers por la actriz PORNO [hacia sus películas siendo MENOR] TRACII LORDS aunque la llegó a cantar en directo con ellos y fotografiandose con SHIRLEY MANSON del grupo GARBAGE [=BASURA] autores de STUPID GIRL y Only HAPPY WHEN IT RAINS..colaborando luego con su cantante en SOME KIND OF BLISS del cd IMPOSSIBLE PRINCESS [single publicado el día del funeral de LADY DI] con video rodado en ESPAÑA [se ve pintada contra ETA diciendo que MUERA y que VIVA LA LIBERTAD] mientras MANIC STREET PREACHERS publicaba THIS MY TRUTH TELL ME YOURS [posterior a HOLY BIBLE en el q desaparecio su guitarra cuando iban a EEUU] con singles IF YOU TOLERATE THIS, YOUR CHILDREN WILL BE NEXT [en cuyo video futurista acuatico sangriento..la gente no tiene ojos,orejas ni boca saliendo un periódico donde AZAÑA saluda como presidente de la II REPUBLICA tras abdicar ALFONSO XIII de motu propio] y TSUNAMI

Creo que al final voy a poner a TODOS ESTOS MONSTRUOS O IDOLOS DE ORO en un PAREDON..me parecen tan ATRACADORES como KYLIE MINOGUE en su video rodado en ESPAÑA