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peternelthorpe · 2 years

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The Basics Of Business Card Design

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The Basics Of Business Card Design

Whether you’re on a Sales Call, Company Networking Event or even a Party, the practice of swapping business cards is the most common way to make an introduction. Why is it then that so many of us arrive at meetings and trade shows without our Business Cards?

Islamic calligraphy is a visible expression of the highest art of all for the muslim. It is the art of the spiritual world. Calligraphy literally means writing beautifully and ornamentally. Islamic calligraphy is the art of writing, and by extension, of bookmaking. This art has most often employed the Arabic script, throughout many languages. Since Arabic calligraphy was the primary means for the preservation of the Quran, Calligraphy is especially revered among Islamic arts. The work of the famous muslim calligraphers were collected and greatly appreciated throughout Islamic history. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main methods of artistic expression in Islamic cultures. Contemporary muslim calligraphers are also producing the Islamic calligraphy of high artistic quality.

Calligraphic scripts

The Kufic script is the first of those calligraphic scripts to gain popularit.

It was angular, made of square and short horizontal strokes, long verticals, and bold, compact circles.

For three centuries, this script had been mainly used to copy the Quran.

The cursive Naskh script was more often used for casual writing.

This script had rounder letters and thin lines.

It would come to be preferred to Kufic for copying the Quran as techniques for writing in this style were refined.

Almost all printed material in Arabic is in Naskh.

The Thuluth would take on the ornamental role formerly associated with the Kufic script in the 13th century.

Thuluth is usually written in ample curves as it has a strong cursive aspect.

The Persians took to using Arabic script for their own language, Persian after their conversion to Islam.

The Taliq and Nastaliq styles were contributed to Arabic calligraphy by the Persians.

Nastaliq style is extremely cursive, with exaggeratedly long horizontal strokes.

The Diwani script is a cursive style of Arabic calligraphy.

It was developed during the reign of the early Ottoman Turks (16th and early 17th centuries).

This outstanding Diwani script was both decorative and communicative.

Finally, Riqa is the most commonly used script for everyday use.

It is simple and easy to write.

Its movements are small.

In China, a calligraphic form called Sini has been developed.

This form has evident influences from Chinese calligraphy.

Hajji Noor Deen Mi Guangjiang is a famous modern calligrapher in this tradition.

Calligrams

The most Islamic of arts in the Muslim world, has also its figurative sides. The muslim calligraphers have produced wonderful anthropomorphic figures by interweaving written words, made from an “Allah” , a “Muhammad” , a “Bismillah” , etc., or using micrography. These include , (Ali, the Ideal Human of mystics, a praying man, a face), (Duldul, horse of Ali, horse (Alis Duldul), fish, stork or other bird (the quranic Hudhud) and unanimated representations (a sword (Dhu al-Fiqar) and a mosque. Calligrams are related to Muslim mysticism and popular with many leading calligraphers in Turkey, Persia and India from the 17th century onward.

Pakistani Islamic Calligraphy

Pakistan has produced Islamic calligraphist of international recognition. Sadeqain is on of these international fame Islamic calligraphist. He was an untraditional and self-made, self-taught painter and calligrapher. He did a lot of work on Quranic calligraphy. Many other contemporary Pakistani calligraphists like Gul Gee have created great contemporary Islamic calligraphy. These days, Islamic calligraphies of Tufail and Uzma Tufail are getting very much popular both in Pakistan and all over the world.

Islamic Calligrahpy as an Islamic Gift

The Muslims love to adore their homes, offices and places of their work with the Islamic calligraphy. The Islamic calligraphies especially the verses from the Holy Quran and the verses from the sayings of the Holy Prophet are considered to be very sacred to muslims. Islamic calligraphy indeed make the perfect gift for a muslim for any special occasion. A muslim can send an Islamic gift of Islamic calligraphy to congratulate his relative or friend on his new home or new office or on his birthday or wedding ceremony or on Eid Festival.

It is great news for the muslims living all over the world to get the Islamic paintings and Islamic calligraphy of their own choice. Please visit our website at www.paintingsgifts4u.com and click the section of the Islamic paintings. You can get Islamic Calligraphy of your choice just by selecting the Item number of the Islamic Painting or by sending the Holy verse of your choice. We also supply Islamic paintings and Islamic Calligraphy from Pakistan on wholesale basis at very best prices. We are supplying cheap Islamic paintings and cheap Islamic calligraphies with high quality.

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linafoldergluer · 2 years

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Folder Gluer Manufacturer Celebrate the National Holiday

China 2022 national day ,Also the 73rd anniversary of the founding of the People's Republic of China.

During the National Day holiday, Chinese people celebrate the birthday of the motherland in different ways. Poetry recitation, literary and art performance, from transfer to transfer the sincere blessing of the motherland mother; Racing and cycling, camping and training, a variety of outdoor sports to strengthen the body; With the companion of books, reading recharge, in calligraphy calligraphy fragrance of family feelings. This holiday, there are many people to give up the good time to reunite with their families, stick to their jobs, they use a special way to celebrate the motherland, with practical action to meet the Party's 20 major victories held.

YADU folder gluer Machinery Co., Ltd. also insists on going to work during the National Day holiday to deliver folder gluer to customers. This is the performance of professionalism and commitment. It is also the foundation of YADU folder gluer Machinery Co., LTD., a professional box gluing machine manufacturer of box gluing machines/ box folding gluing machine /box folder gluer, which is based on the market.

Yadu folder gluer Machinery has been committed to the pursuit of accuracy and the improvement of after-sales service quality of box pasting machine box gluing machines/ box folding gluing machine /box folder gluer.

Through market research and box gluing machine packaging scheme research, Yadu folder gluer Machinery Co., Ltd. has improved and optimized the function and accuracy of box pasting machine box gluing machines/ box folding gluing machine /box folder gluer to make the box pasting machine more practical, durable and useful. Also in Southeast Asia, Europe, Africa, the Middle East in many regions and countries to make our users more and more satisfied.we pay attention to machine after sales service

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paintingarta · 5 years

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12 Important Facts That You Should Know About Chinese Calligraphy Art For Sale | Chinese Calligraphy Art For Sale

12 Important Facts That You Should Know About Chinese Calligraphy Art For Sale | Chinese Calligraphy Art For Sale – Friend Winston Leonard Spencer-Churchill (30 November 1874 – twenty four January 1965) was the British politician, army official, and writer. He has been Prime Minister of the particular United Kingdom from 1940 to 1945, when he led Britain to victory inside the Second World Battle, and again from 1951 to 1955. Churchill symbolized five constituencies during his career as a Associate of Parliament (MP). Ideologically a fiscal liberal and imperialist, for many of his career he was a member regarding the Conservative Party, which often he led from 1940 to 1955, but coming from 1904 to 1924 was a member of the particular Liberal Party.

Of mixed English and American parentage, Churchill was born inside Oxfordshire to some wealthy, noble family. He joined typically the British Army in 1895, and saw action inside British India, the Anglo-Sudan War, and the Second Boer War, gaining fame since a war correspondent in addition to writing books about his / her campaigns. Elected an MEGAPIXEL in 1900, initially since a Conservative, he defected to the Liberals within 1904. In H. They would. Asquith’s Liberal government, Churchill served as President associated with the Board of Industry, Home Secretary, and First Lord of the Admiralty, championing prison reform and workers’ social security. During typically the First World War, he or she oversaw the Gallipoli Campaign; after it proved the disaster, he resigned coming from government and served inside the Royal Scots Fusiliers around the Western Front. In 1917, he returned to government under David Lloyd George as Minister of Munitions, then as Secretary of State for War plus Air, and finally with regard to the Colonies, overseeing typically the Anglo-Irish Treaty and Britain’s Middle East policy. Following two years out of Legislative house, he served as Chancellor of the Exchequer in Stanley Baldwin’s Conservative authorities, returning the pound pristine in 1925 to the gold standard at their pre-war parity, a proceed widely viewed as creating inflationary pressure and depressing the particular UK economy.

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cma-japanese-art · 3 years

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Bamboo in Fine Weather after Rain, Ike Taiga, mid-1700s, Cleveland Museum of Art: Japanese Art

As this two-fold byøbu demonstrates, Taiga ranks among the most creative painters of the Edo period. By sheer industry and with unfettered talent, in three and one-half decades he produced an oeuvre exceeding one thousand compositions, in various formats. While he was unencumbered by a traditional education in the classical literature and philosophy of Chinese civilization, he nevertheless gravitated toward standard themes. He was familiar with native painting themes and techniques, but his circle--fellow artists, writers, and intellectuals--all favored the cultural realm of the artist-scholar grounded in Chinese studies. Skilled with brush and ink, and a consummate professional, Taiga had begun supporting himself and his widowed mother while he was still a teenager. Their livelihood depended on the sale of his pictures and calligraphy executed in a variety of stylistic modes. But since most of his customers during his mature years considered themselves learned and sophisticated in their aesthetic choices, Taiga's production conformed basically to the eighteenth-century taste in Kyoto for so-called literati-style paintings and subjects. This byøbu suggests the powerful aspects of Taiga's art: visual disjunctions, wildly disproportionate assemblages of natural and man-made forms close to one another, and a surprising tonal "coolness." Indeed, the natural prospect here is fundamentally at odds with so-called Western reality, but it has a peculiar kinship with a contemporary Western aesthetic that savors discon-nected imagery and formal tensions. Taiga's view of landscape here is highly eccentric, featuring summary land masses that look so fragmented they seem to be in a state following collapse. Yet nestled to the side of the mountain peak in a grove of gigantic bamboo appears a cluster of thatched huts painted in light dabbles of ink, almost in a kind of pointillist manner. The bamboo and surrounding boulders are sturdy, formidable presences concocted out of an extraordinary subtle hue of ink. This passage must be one of the most haunting visions in all of eighteenth-century painting, especially as it remains so intrinsically unassuming. The foreground plateau framed by enormous dark bamboo stalks provides the principal declarative state-ment, engaging and no doubt confounding viewers with their placement and scale. A three-planked footbridge proceeding across a stream and out of view looks like a child's toy next to the bamboo, but it does not strike a discordant note. In fact, while bowing to recognizable historical precedents in literati painting, this fabulous, lighthearted concoction goes about re-inventing the idea of landscape painting element by element, as if parsing the origins of visual language. Size: Image: 163.2 x 182.6 cm (64 1/4 x 71 7/8 in.) Medium: two-fold screen; ink on paper

https://clevelandart.org/art/1958.337

#museumarchive #japaneseart #clevelandartmuseum #cmaopenaccess

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nutty1005 · 4 years

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Xiao Zhan: It’s Your Turn

Translator’s Note: This article comes from VogueMe Magazine 2020 Feb Issue.

Currently, the trend in the entertainment business is to get famous overnight, the statistics dictate everything – a drama, a variety show, a song… all of which could give birth to a super idol, fame, commercial value and opportunities that come along with it. In 2019, the drama “The Untamed”, adapted from an internet novel, became this window of opportunity. This is the story of a young man who received the opportunity. And like other idols created by their era, his fanbase grew immensely, radiating throughout the youth, his name etched in time. All of these simply points to this – it’s now Xiao Zhan’s turn.

The summer of 2015, Xiao Zhan had not yet realized that he was going to job switch from the design firm opened by his teacher. The teacher did not feel so as well – as Xiao Zhan left for the talent search variety show, he told him, “Go play, come back to work once you’ve been eliminated.”

The show was called “X-FIRE”, and positions itself as a large scaled youth talent development inspirational show. During broadcast, the description says “16 secretly trained youths painstakingly selected from a few thousand 16-24 year olds”. At that time, Xiao Zhan was 23 years old – nearing the upper age limit.

Xiao Zhan just wanted to “play around a bit”. He felt that he would be just touring for a round, and he would be back after a week. As the former class Cultural Committee Member in his university, Xiao Zhan loved singing, won quite a few inter-school cultural activities awards, but never trained in dance-singing. Xiao Zhan, who graduated in graphic design, learnt drawing since young, but never thought of becoming an artist, because “it is hard to survive as an artist, you still need to earn a living”. He was willing to lead a simple life and go to work everyday, with a direct and clear life plan – as a graphic designer, do his work well, then open his own firm.

The summer 4 years later, the name “Xiao Zhan” meant a lot of different things – a member of a pop group, the lead actor of one of the most popular drama, the owner of a Weibo account with more than 22million followers, or as what Chinese entertainment business puts it – a “top traffic”. The topics and imagery surrounding him includes – Xiao Zhan’s looks, Xiao Zhan’s design talent, Xiao Zhan’s professionalism, Xiao Zhan’s role as Wei Wuxian…

And like the other idols who broke out in this era, he has his own set of records – moderators of Bilibili (a video hosting site in China) nagged that his drama fans uploaded so much of his videos that they “almost see him 800 times a day”, Xiao Zhan was jokingly proclaimed as “The Man who caused the Bloodbath of Bilibili”; he became the cover person of a magazine, and the two mobile sales platform app broke down consecutively on the day of the sales; his popularity in 2020 only got higher – on 9 Jan, according to Tian Mao statistics (TN: Taobao eShopping Mall), the Portrait magazine, where he was the cover person, sold out 100,000 copies in 3 seconds, overall sales exceeding 13million Chinese yuan, a poster was spread all around the internet with the accompanying text “a fandom that brought paper media back from its grave” – this is the Xiao Zhan statistics.

But different from the breakout idols, Xiao Zhan did not encounter major controversies (TN: This was published early Feb), and his career did not seem to go through much fluctuations. He never thought that he would be at this point – “Sometimes you’re not ready, but life has already pushed you to ahead. What you can do is to quickly keep up with the pace.” He is now at the stage where any of his actions are “studied under a magnifying glass”, but he feels that his stress levels are not as high as his previous few years, “the past few years, I had the drive but nowhere to use that, now I know how to work hard.”

During the initial auditions, Xiao Zhan still continued to work as per normal, go onstage – sing – leave, which was quite fun. After the selection down to 32 persons, he did not think much of it, and left his work to go to Beijing to practice the dance for the variety show. After the selection down to 16 persons, he practiced everything – dancing, vocals and flexibility training.

He did not think much of what would happen later. The winter in Beijing was especially cold, after the show recording, it would be around 3am or 4am, and there would be fans waiting for him outside of the studio – Xiao Zhan felt quite sorry for them, “All are young girls, it’s so cold and so dark.” He felt surreal having fans. When the 16 of them went to Zhejiang TV “Running 2016” New Year Eve performance, he saw the stage and felt that it was especially big and he was especially happy, and kept making sure he remembered the moves so as not to make any mistakes. After the final battle, Xiao Zhan’s team lost, but he and a few of his teammates were rescued by fan votes.

In 2016, Xiao Zhan debuted as part of X-Nine. During the signing of the contract, Xiao Zhan finally realized that he was going to make a career switch. “When you look at it now, 23 year old is also still a child, but no one took me as a child then.” – Xiao Zhan was the oldest in the group, he made his own decision to sign the contract, he thought that if it did not work out, he could go back to work, there was no need for him to paint himself into a corner.

3½ years after his debut, Artist Xiao Zhan still had to explain to interviewers his obsession with going to work. That day, he had a pimple on the left side of his face, and the makeup artist was applying essences on his face. The makeup room was simply a curtained area in the basement of the Art Gallery, full of passing staff, the editor was discussing the shooting schedule with his manager, the stylist was here delivering clothes, and he sat there with his eyes closed, allowing others to apply whatever it is on his face.

Xiao Zhan’s eyes are long, and also wide, he is very fair and his side profile is graceful and beautiful. With his looks, one would imagine that his personality would be cooler, more introvert, with mild melancholy, like those prince-like male leads in romantic dramas. But his personality does not really match his looks – he is serious, disciplined, he does not talk much initially, but overall he is a relaxed person, and quite funny occasionally.

“A lot of art students do not want to go to work,” the interviewer said. Xiao Zhan learnt drawing since young, some of his happiest moments in his childhood would be to win drawing awards or to have his works praised by his teachers, other unimportant happy moments includes had a good lunch, went to an amusement park, or had a liking for a girl in high school.

“They never went through the society school of hard knocks,” Xiao Zhan said. He described himself as someone who went through “quite a fair bit of knocking”. Since young, his father thought him to be independent, taught him budgeting, and told him stories about Bill Gates’s children… “I wanted to say, god, you’re not Bill Gates.” Despite all these, Xiao Zhan stopped using his parents’ money ever since his university graduation.

Xiao Zhan not only learnt drawing, he also learnt violin, go and Chinese calligraphy… pushed him to study in “National Key” middle school, “National Key” high school (TN: National Key refers to the top range of schools in China). He was an obedient child, but as a standard art student, Xiao Zhan was better in humanity subjects, and his math was not good, hence all the while he had always been the mid-bottom of the pack, which worried his family of 3 quite a fair bit.

Studying graphic design in university, Xiao Zhan felt that his university life was quite comfortable – everyday before class he would adjust himself a bit, although in the end it seemed like it did not work well after all, but at least his results were decent. Xiao Zhan emphasized that he was “definitely not the school hottie”. He was a good student. After he had learnt what the teachers taught, he started a studio on the side. The design studio would take on poster and logo design work; the photography studio only have 3 persons, Xiao Zhan did the photo taking, the other 2 did lighting. Before graduation he went to intern in a design firm, hence it was easy for him to find a job. Within a year of working, his monthly salary was around 4,000 to 5,000 Chinese Yuan, which would quite alright for Chongqing at that point in time.

Being part of a boy group releasing albums, shooting web dramas. The way to do things right was quite different from his previous job – his characterization in the group is a warm guy, although Xiao Zhan did not like characterization, he seriously fulfilled his role, and he was obedient. When someone in the variety show suggested that he lose some weight, he replied “I’m quite thin already I still have to lose weight”. As a commoner, Xiao Zhan was 183cm and 150lbs, his mother would always say he was too thin, and he felt so himself as well. That person showed him the film, “the camera lens is a really scary thing, I literally looked like a ball”. It was not easy for Xiao Zhan to lose weight, so he did it brutally. He was so hungry that he dreamed that he was eating. Xiao Zhan is now 127lbs, but this was not his thinnest.

“How was it like after debut?” “Unoccupied.” (TN: Xiao Zhan used the Chinese phrase “picking at his feet” to describe the state of emptiness.) Xiao Zhan’s words were paced and gentle, most were caught unawares by the sudden switch to casual humor, he might not be laughing, after others laughed he would continue his conversation seriously.

After his debut, he felt that he was freer than the times when he was still an intern. But he did not allow himself to stay free, he took vocal and dancing lessons, making sure that he could do sing-dancing to the best of his abilities. But he was still a bit lost – when he was still a designer, his future was clear and straight, but after his debut he had no clue where his future led to.

“I could count the number of dramas I’ve acted in with my fingers,” Xiao Zhan said. After which, he started counting them – “Battle through the Heavens”, “The Wolf”, “Oh! My Emperor”, “The Untamed”, “Joy of Life”, “Jade Dynasty”, “The Oath of Love”… the earliest work “Super Star Academy” was not counted – It was shot with his boy group, he was still fat, and he had no clue what he was doing.

Acting was his own idea. When he started auditioning he had not even attended any performance classes, he saw the director, took a piece of paper that indicated the scene and lines, and just went for it. Xiao Zhan did not feel that it was awkward, it was something he wanted to do, so he would do so without any inhibitions, and grasp every opportunity to do so. Singing was something that he always liked, his first single after debut was a song voted by his fans. With the stage and his fans, with attention, he would always want to do it better. Acting was something totally foreign to him.

The first turning point was “The Wolf”. When auditioning, within 2 hours, Xiao Zhan had tried many roles – the bounty hunter who was threatening someone, the prince whose brother was about to be executed… Xiao Zhan won the role of the bounty hunter – the 4th character on the character roll, Ji Chong. During the pre-shoot training he was still acting in “Battle through the Heavens”, daytime he would be shooting, nighttime he would be having performance classes. He did not feel it was tough then, as long as he had time to sleep. “Work is something I am willing to do, I will only feel very motivated, tomorrow must be done better than today.” Xiao Zhan liked Wei Wuxian, felt that he was vivid. When acting, during the first month he would be second guessing himself everyday, is the portrayal accurate? Would the audience accept it? Xiao Zhan checked with the director everyday. After a month, he stopped asking, he felt that he was Wei Wuxian. Dramas adapted from web novels are rarely positively received, his hopes for Wei Wuxian was that “I hope people would not dislike the character because of my acting”.

The summer of 2019, the drama aired, and the real turning point arrived.

Billions of fans, frequent trending topics on Weibo, appearing on multiple magazine covers and even causing the sales platform app to crash…

He is one of the few artists in Weibo that sets his account as “only posts in the past 6 months are viewable”, but it did not affect his popularity. His interaction with his fans are witty, the statistics are more than enough to attract attention. Last year on the Chinese Valentine’s Day (TN: 7th of the 7th Lunar month), he posted a photo informing his fans that he had put on weight, his pants folded up, legs in the swimming pool. One of his fans replied, “Fine, good to know that your leg hairs are doing fine.” This reply was boosted to the top with 190,000 likes.

“After watching ‘The Untamed’ and ‘Joy of Life’ and then meeting you, I feel like you are very similar to your performance method, calm. You are like an AI, whatever you do you’re especially precise.” “You’re highly professional.” The interviewer concluded.

At the start of the conversation, Xiao Zhan just finished an exterior photo shoot, we were both seated, leaning forward and warming hands above the radiator. He said, “Artist is just a job, I don’t like artists to place themselves on a pedestal, just like today you are the reporter who is interviewing me, today I am someone being interviewed. Cooperation, is just so that we can complete our jobs, coming in for the photo shoot is my job today, every single staff is also executing this job, it’s just the role is different.” Because he went through the society “school of hard knocks”, he respected and understood the truth behind teamwork.

As someone who once had to face clients, he knew how it felt as someone at the receiving end of endless unreasonable requests, and therefore he did not want to be someone like that. His standards for work is consistent – high efficiency, good results, everyone is happy, no one has to serve another person. Also “once I am done I will knock off, after I knock off no one should come find me, let me be alone.”

“Everyone works to fulfill their needs, they have entertainment after they knock off, they have freedom and privacy. As a public figure, artist, the product is yourself, the works are also yourself. You have to output materials, contribute works, and then gain the opportunity to grow, for higher social status, value and better lifestyle. For some people, besides their career, they also included their dreams,” the interviewer said.

“The understanding is very thorough. You win some, you lose some, after becoming a public figure it meant that there are multiple pairs of eyes staring at you, anything you do would be judged. Whether it is positive or misguided. Truth and falsehoods, isn’t this circle just like this? Whether the rumors or the gossip is true or false, who knows?” Xiao Zhan said.

On 5 Jan 2020, Xiao Zhan was working in a sculpture garden in Shanghai Songjiang, shooting a series of photographs to be the cover of VogueMe. It was cold, the gallery’s doors were open, and the wind blew from the first floor to the basement. Everyone was wearing winter jackets.

In the morning, beside the metal sculpture on the first floor, Xiao Zhan and model Chen Yu faced the camera separately. As the shutters rolled, they did not exchange glances or touch each other. As the photographer requested the model to sit on the ground, Xiao Zhan said his only sentence to her, “Careful your head.” and used his hands to shield her head from the protruding portion of the sculpture.

That day’s Weibo opening advertisement was also Xiao Zhan. As per the photographer’s request, he tilted his head up slightly and gave a cold gaze, or side glancing a faraway place, but also at the same time, he was smiling sweetly on mobile phone screens, promoting a series of instant food products.

In the afternoon, the team went to the exterior, to a concrete sculpture beside the gallery entrance, where he and the model stood in front of, facing the camera. The arm was on the model’s shoulders, and the two of them looked at the camera – he was even thinner than the model. In yet another set, the staff erected a ladder to one of the rooftop grass patches on the gallery buildings. An ice cold rock slab was selected, which the assistant padded using a jacket, and tested the light levels. After which, it was Xiao Zhan’s turn. He was wearing a red jacket with blue shirt, wearing a baseball cap, lying on his side on the rock slab, supporting his head with his arm. In between shoots, the assisted would hand him a long wool top, with deep blue diamond checks, quite thin. The top was flipped over, he slipped his hands into the sleeves to protect the front of his body, his assistant handed over another water bottle that contained warm mineral water to warm his hands. Xiao Zhan basically did not speak, he placed the bottle on his neck to gain some warmth.

An artist’s job, the profession included losing weight, staying hungry, freezing and staying up overnight, wearing winter clothes in summer is the norm, not drinking water prior to any shoots to prevent water bloating on screen… people who do those well may become famous, if they look good or are lucky they may become even more famous. Now Xiao Zhan has an opportunity, and like his previous job, he chose to be down-to-earth and do it well.

In the evening, the green screens were setup in basement 2 of the gallery. 17:44, Xiao Zhan was in position, his manager reminded the stylist to take note of the clothes’ proportion – “The sweater is too long.” Hence, the sweater was folded up. After the camera assistant brought down the Apple machines, the cameraman adjusted his machines, and started shooting the video. Quite a few scenes were done in one take, in the middle there was a break, the manager and the camera crew were discussing camera positions. This was the 10th hour of the shoot, Xiao Zhan sat behind the table, laid his head on a prop gift box and waited quietly – we could not see if he was tired or not.

The shoot ended, and the sky was already dark. Xiao Zhan has not yet knocked off. The media had ended their work, the manager was darting around, arranging for Xiao Zhan to change out and get on his car, to rush to his rehearsal that night – they were already behind schedule. Both teams bid their farewell, Xiao Zhan warm and gentle, still unclear whether he was tired. After less than an hour’s journey, he would need to go onstage to sing, and thereafter, his work would be to complete the costume testing of 20 different sets of clothes.

The Initial Cold

The time set for the shoot was 9am, Xiao Zhan arrived at the rural set at 8.30am. His overnight flight arrived only the day before, meeting Xiao Zhan on the cold morning of a deep southern winter, his spirits looked great, his face having the same kindness as usual. The endless job schedules taught him how to conserve his energy – no casual conversation, not even to his staff; take every opportunity to eat or rest; absolutely no procrastination, ensure efficiency, do his best to accommodate and complete every job. He is a highly disciplined and professional artist.

In this shoot, the warm, gentle smiles have been replaced by cold, sharp glares, the metal and concrete sculptures gave him a few minutes of inner emotions and narrative, his scenes with the model was almost like he was acting in the set of “Last Year at Marienbad”. Xiao Zhan displayed emotions and charm very different from usual self – this is the power of an actor. The darker filters and monochrome imagery restored the caution that the youth of his age would have, it was the concealed feelings of a sunny boy. With such an idol, not only he can warm your hearts, there are still much to expect from him.

#xiao zhan #sean xiao #xiaozhan #肖战

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bm-asian-art · 3 years

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Two Scholars Beneath a Tree, Unmounted hanging scroll, Fu Baoshi, dated January, 1945, Brooklyn Museum: Asian Art

A large tree rises from the lower right corner, the wet washes indicating its branches and leaves filling the upper half of the picture. An old scholar rolls a scroll on a stone table beneath the tree at left; his brush pot, brush, and inkstone are on the table before him. At the right, further back, another scholar walks toward the left followed by a boy attendant carrying a white crane in his arms. Date, signature and sale upper left. Two other seals at lower right. Condition: minor buckling of backing. 2nd Catalogue Card: The exchange of Geese for Wang Hsi-Chi's calligraphy. The larger figure in the upper right, the subject of this painting is Wang Hsi-Chi (321-379) who was considered the sage of calligraphy in Chinese history. He was greatly fond of geese and one would please him by giving him a gift of a goose in trade for his calligraphy. His servant, the smaller figure at the right, is carrying a goose, trading with the figure on the lower left, who is wrapping the calligraphy he received from Wang Hsi-Chi. The face of the figure on the left shows his great satisfaction, if not greed for his exchange gift. Wang Hsi-Chi's face shows detachment and a noble expression. This is an unusual composition in that the trunk of the tree occupies the center part of the painting and divides the painting in two parts, indicating the artist's intention to denote the human characteristics of the figures. A brush pot, brush and ink stone are on the stone table beneath the tree. The first seal at the upper left reads: "Pao-shi." The seal at the lower right reads: "My mission is only to create the new." "E-yu," which is the Chinese cyclic year of 1945. The inscription at left reads: "The last day of the first month of 1945. The inscription at left reads: "The last day of the first month of 1945, Hsin-yu Fu Pao-shih painted this picture in Szechwan." Condition: Minor buckling of backing. Size: Exclusive of cloth borders: 53 7/8 x 15 3/4 in. (136.8 x 40 cm) Medium: Unmounted hanging scroll, ink and light color on paper

https://www.brooklynmuseum.org/opencollection/objects/104047

#brooklynmuseum #museumarchive #asianart #fubaoshi

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eunique · 4 years

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I need to yeet this idea into the Internet just so I don't forget but also what is Eunice without AT LEAST a fantasy Chinese OC wherever applicable?

And because no thoughts. Head empty. Only Liyue

文清艳 (Wén Qīngyàn) is a resident in Liyue Harbour. She is a fairly renowned artist and calligrapher who somehow knows an alarming amount of rumours and gossip from all over Liyue Harbour. Although she doesn't entirely fight, she is a spear user and her fighting style is very much like she's painting a picture. Her vision is dendro (because we need more dendro rep going fnsjxja)

How does she find herself knowing all the gossip about everyone and anyone in Liyue Harbour? Well, she never intended herself to know so much. She was just the type of person who people will simply spill the tea to. Even when Qingyan knows all the tea, she would never tell a single soul and treats the gossip as nothing more than insignificant information.

Qingyan has a very neutral standpoint in life. Sees everyone as indifferent and of equal status regardless of what others say. She simply wishes to hone her painting and calligraphy skills as well as live a peaceful life but because of her reputation as the holder of secrets, there isn't a day where at least 3-5 people show up on her doorstep asking for information about a rumour (to which she turns almost all of them away).

Aside from her reputation as the only person that bears all of Liyue's secrets and gossip, Qingyan's art and calligraphy are of great praise from many people (mostly the upper class). However, her works don't come cheap and paying a commission can be quite expensive depending on the size of the piece, and what she is required to paint or write. The costs cover for her livelihood, her studio maintenance and her resources (brushes, paints, paper, paying her assistants etc.) She mostly takes in smaller sized commissions which can range from a few hours of work to approximately a week and a half's worth of work. But the odd occasion she takes on a much grander scale commission, she tends to take around a month or even a little longer to finish.

As well as creating art herself, she also collects art from all over Teyvat. From local paintings from Liyue to Inazuma. If she sees artwork she likes, she is most definitely purchasing it on the spot. For local artists in Liyue Harbour, it's considered a blessing if Qingyan purchases a piece of artwork.

She has also sold her own original works of art to people as well but seeing her own original work on sale is a very rare sight. Makes it highly sought out by many people who wishes to own an original piece from her. Commissions is how she mostly earns her money with almost 80% of the commissions being calligraphy pieces) since they are cheaper than paintings)

The one thing that baffles locals of Liyue is the fact that Qingyan doesn't have any students of her own despite being one of the top teir artists. Other renowned artists have mostly criticised her for it but Qingyan really could not care less. At least on the surface level, that's what Qingyan says in response to the criticism of not taking in any students.

#genshin impact #genshin impact oc #I was gonna hold back on this until I had her design posted on my art blog but hhh couldn't resist #I would add the read more bit but idk how to do that on mobile fhwjcjakd

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eacbooks · 5 years

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Chinese Paintings and Calligraphies (I), Beijing Rongbao 81st Arts Auctions, Sunday 2 April 2017 Sale Catalogue

https://www.abebooks.fr/servlet/BookDetailsPL?bi=30536072022&searchurl=bi%3D0%26ds%3D30%26sortby%3D0%26vci%3D65071755&cm_sp=snippet-_-srp1-_-title8

#Chinese art #chinese painting #Chinese calligraphy #Chinese Contemporary Art #Rong Bao Zhai #Rongbaozhai #Beijing Rongbao auctions

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averyastaireismss-blog · 6 years

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meet avery astaire!

📚MELISSA BENOIST, DEMIGIRL No way! It’s AVERY ASTAIRE they’re an EIGHTEEN year old SENIOR. Dang, what a wonderful time in their lives to be so ENTHUSIASTIC and INSECURE. Whenever the freshman talk about her/they they usually think of LITERATURE CLUB, no wonder everyone knows her/they as the FANGIRL.

Welp, here’s my second baby! Avery’s super dorky, is HUGE on the #FandomLife, wants to become a famous author someday (especially in the epics and fantasy genres, like Tolkien and Homer and et cetera), and I just really love her. Hope you guys will, too! Here is her wanted connections, in case anyone is interested :D

Avery is half-French on her mother’s side and is learning French. She’s half-Irish on her dad’s side and is fluent in Gaelic.

With that being said, she has an Irish accent that she got from her dad, who grew up in Ireland before moving to the States in his twenties. She doesn’t have an French-Irish mix one because her mother moved to America when she was five to live with her American adoptive parents before she could develop it and grew up with a Midwestern accent.

Does that ^^^ make sense?? I hope it makes sense ajslfhgjfldgh

Along with writing, she also holds passions for singing, horseback riding, acting, dancing, and figure skating.

She’s bisexual. *crickets chirping* Yeah, that’s it.

She also considers herself to be a demigirl, using the pronouns she/they. She/her are her primary pronouns, but there are times in which she connects more with they/them.

Her favourite artists are Hozier, The Lumineers, Imagine Dragons, and Mumford and Sons. She just really loves the indie, folk, alt-pop music

BUT, also catch her blasting Disney/Dreamworks/Really-Any-Animated-Movie-Soundtracks, musicals, and movie soundtracks as well

Black Sails is also her favourite television show with Wynonna Earp in second and Criminal Minds in third.

The Hobbit, The Lord of the Rings trilogy, and The Silmarillion are her favourite books. The movies are pretty good, too.

Homer’s The Iliad and the Odyssey are also her favourite stories as well

Owns a vintage yellow bug named Delilah and it’s her baby

Just like Holly, she is a polyglot. fluent in English, Gaelic, Spanish, and Primitive Quendian, she is working on becoming fluent, at least intermediate, or conversational in French, Dothraki, Mandarin Chinese, Urdu, Icelandic, and Tagalog.

Yeaaaaaaaaaah... debating on having her in FLC as well, but I already have Hols in it... To be continued

Avery loves vintage things. She believes that they each has a story to tell and she has a collection of first edition books that is ever growing.

For her sixteenth birthday, she got an old typewriter that still works and it’s one of her her top five most treasured possessions.

She has such pretty handwriting like it is not fair. It’s cursive and flowy, I hate her

She can do calligraphy and I hate her for it. It’s so good and beautiful, the little shit

Okay, and she’s good at forgery but I am keeping her restrained from doing that a lot

In fact, one of her favourite talents of hers is that she can do this.

I FUCKING HATE THIS LITTLE SHIT!!!

Her favourite times of the day is sunrise and sunset. She loves watching the sky change colours, seeing the moon and stars disappear and then the sun appearing and vice versa. It’s so calming and beautiful to her.

Is somehow both an morning person and a night person. I don’t get it nor do I like it.

Being such a fucking nerd, she has a multifandom blog. It’s actually pretty popular and she’s beginning on working on making fan art and fan vids, but she prefers writing stories more.

Her main fanfiction stories that she writes are Criminal Minds, LOTR/The Hobbit, Rick Riordan’s works, Harry Potter (just the original books and movies; Fantastic Beasts and Where to Find Them are practically dead to her. The Cursed Child, she is neutral on), Star Wars, Black Sails, Disney, Wynonna Earp, Stranger Things, Game of Thrones, all different sorts of mythology, and a large variety of musicals, but she has sooooo many more. She also does headcanons and one shots for these, the fucking nerd.

Okay, but along with having her multifandom blog, she would also have a bookblr and write book reviews and reblog book edits and stuff on there like yes this is good

She goes by the alias Calliope online, who’s her favourite Greek mythology character

Ravenclaw, Thunderbird, otter patronus, and she would have a hornbeam wand with a dragon heartstring core.

She also has all of the harry potter character wands. And her Ravenclaw merchandise. She is especially fond of her Ravenclaw scarf, throw pillow, and mug.

Again, this motherfucking nerd.

Her favourite colour is yellow

Her favourite scent is old books, green and mint tea, lavender, and honey.

She likes both marvel and dc, fight her

Cuz what this nerd does??? She LARPs. She loves it so much and has been doing it for awhile now.

She always makes sure that she is prepared whenever inspiration for a new story strikes. Laptop? With her 100000000% of the time. Has two large notebooks with her at all times as well, along with a small notebook. She also has a tablet, in case one of those extremely rare cases of her not having her laptop or one of her three notebooks, with her, just in case. And then her phone as well, which is an iPhone7 and is perfect for jotting down ideas. It’s so big and the keyboard is big, she loves it.

Wants a corgi dog named Frodo in the future

She also works part time at Barnes and Noble as a sales associate/cashier

Thanks to her parents (her dad’s a famous writer and her mum’s an immigration lawyer), she is rich as fuck but she wants to actually earn her money. Can’t live off of her parents forever

For her seventeenth birthday, her parents took her and a group of friends to New Zealand to see the real life Hobbiton and all of the other locations for when LOTR/The Hobbit films were being filmed. It was a glorious trip.

#{ fandom life;; headcanons. }#mercierooc #mercierintro

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departure-s · 6 years

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Chinese Art: Changes over a Critical Era

Caytlin Meribela

December 2018

Since the turn of the twentieth century Chinese traditional art has undergone a series of trial and tribulations that have drastically changed the use, technique, content, and overall cultural view of art. These influences include western European art styles and their incorporation into China’s continually changing art education programs, adoption of communist ideology, particularly through absorption/modification of Socialist Realism as the main form of propaganda art that dominated China, and reformist attitudes that stripped away the traditional ways of artistic expression. This is an important topic of discussion in China specifically as we analyze the way these changes reflect the battle between modernity and tradition, and debatably allow for a complete loss of China’s ability to produce traditional art free of external and Maoist influences.

Chinese artists began to stray from the traditional methods while the rest of China struggled to do the same. A series of unfair treaties forcing China to open its doors to Western Imperial powers and interaction with Japan forced China’s sphere of influence to increase in such a way that “no period in history has challenged Chinese art as greatly”. It is the education of Chinese art students in Japan that allowed for China’s adoption of Western style art. China looks to Japan, a close and convenient spot for students, as a role model for modernization and stears towards realism. Here they were taught western art academically, but return home equipped with the means of producing it themselves as well as a fond interest for such art. Shanghai School of Painting administered the incorporation of western art in the curriculum as early as the first decade of the twentieth century. Here, mastering realist techniques such as the use of light and dark in shading and perspective allowed Chinese artists to freely create qualityworks based on thorough observation. There is also a change in the content of what is portrayed. We see an increase in the use of nudity and concern surrounding it. In 1913, Li Shutong was the first Chinese professor to use a nude model in the classroom, a topic that later came under scrutiny in Mao’s China.

Sharing Chairman Mao’s views and rising in power was an art bureaucracy.The CCP had a developed Department of Propaganda which oversaw the Ministry of Culture and its line of subordinates including the Chinese Artists association and the League of Left Wing Artists. These groups were tasked with the training of cultural curators, guiding of production, and censorship of less desirable artistic works. Anyone in power under these organizations has the means to control public consciousness and the education curriculum. Cai Yuanpei, as China’s first minister of education, promoted aesthetic education as a means of social modernization. He believed, during a time of widespread purging of imperial and feudalistic traditions, that aesthetic education should replace such superstition. His philosophy, reflected in the national curriculum was based upon the encouragement of western realism in practice and the development of an understanding of the science of aesthetics. Once implemented this really inaugurated the “systematic study of art in China as an academic discipline”. The growth in interest of art, pushed for the establishment of Liangjiang Higher Normal School and a slew of other universities located in large cities such as Beijing, Nanjing, and Shanghai, that would facilitate the training of new art teachers to meet demands.

The last two decades of nineteenth century Chinese art were brilliant and captivating in the traditional sense and artists had an established base for commercial art. Shanghai specifically was a flourishing port for the sale of both domestic and foreign art. “The founding of art associations thus provided a supportive environment for social networking among soujouring artists, the social elite, and collectors. The activities sponsored by these art societies further stimulated the commercialization of traditional Chinese painting and calligraphy”. Even following the Revolution of 1911, artists’ adoption of western art in a changing market allowed the Chinese art world to continue commercial art production.

Occuring during this flourishing market time for Chinese art, in 1929 was the First Chinese National Art Exhibition. This feature was broken into five categories: painting, woodblock prints, new years pictures, cartoons, sculptures. What is notable about this breakdown is the inclusion of western style art within the categories. They made no effort to distinguish the non-native forms in an exhibition that is inherently ‘Chinese’ and ‘National’. The overall adoption of western style art was voluntary and done so with enthusiasm by young Chinese artists.

During the 1930’s the art world was thriving. The open atmosphere in schools provided space for artists learning western art to experiment with dadaism, constructivism, surrealism, and adapt an oil painting style that is both realist and romantic [Xu Beihong]. However, by 1937 the conflict between China and Japan breaks out at the expense of art. Many art academies were forced to shut down or move as the Japanese pushed inward China searching for control of raw materials. Pieces produced during the war era were minimal and somber, signaling a push towards propaganda art.

With the growing power of the Chinese communist party and Maoist thought, which later becomes the only acceptable ideology, Mao’s talks at Yan’an on literature and culture shape the way Chinese society sees and produces art as well as the way the artists themselves are seen. After 1942 art changed from being a tool for modernization to a political platform. Mao outlines the “fronts of the pen” as being “powerful weapons for uniting and educating people and for attacking and destroying the enemy”. The hierarchy of art should, with the intent of serving the masses, start as the lower levels of society, with the peasants, whom Mao believed were the core of the revolution, and work its way to the top in terms of effective distribution. He emphasizes the party line by saying artists should learn from the peasants by participant observation and one of the famous slogans “Go among the masses!”. Insisting also that the ability to make art for the proletariat requires a deep understanding of Marxist-Leninist thought, and therefore all artists who wish to be successful must study the tenets of socialist communism and accept the leading CCP. Failure to adapt to the Communism resulted in denouncement and exclusion. A system of recertification and cadre investigation was enacted throughout the following year, in which artists were required to be educated in Marxist-Leninist-Mao Zedong thought to ensure a deep understanding of the party line and purpose of art. The cadre investigation was for anyone who publicly opposed the party or anyone who was accused of the party. This was particularly bad for those traditional artists., although select elders who mastered their technique were excused, most artists using feudalistic symbols were subject to intense scrutiny by the party. This is a further alienation of traditional art in Chinese society.

Furthermore, Mao does not call for abolition of old art and practices but instead, insists such art should be modified to fit the current political situation. Historical analization of these forms is also acceptable, despite the fact that such works that would be looked at are products of petty bourgeois. After these talks there was a general understanding that art was now for the purpose of propaganda and propaganda alone. There was no “art for art’s sake” any longer. “Free thinking and unfettered creativity were no longer to be tolerated” a sort of attitude that defeats the traditional purpose of art as a means of personal expression.

Ironically Mao’s appreciation for the common people and their art led to a resurgence in the old folk art of Nianhua. Nianhua is the traditional Chinese new year picture; a form of woodblock print art that was common during the lunar new year holiday, typically depicting old gods and symbols of superstition. The large brightly colored posts were easily comprehensible by uneducated citizens and so popular every single peasant household had one that was traditionally replaced each year, a perfect medium of conveying messages. By infusing communist ideology with peasant folk art the communist party could reach a larger audience in a way that is largely accepted by the people. The CCP seized control and mass production began with simple but vivid renditions of such pieces, now referred to as new nianhua. Although as industrial production overtook this medium and it strayed further from its folk origins the general public saw it as representing the culture of the rural population and was therefore an appealing mode of increasing peasant consciousness. In a few ways, say the replacing of traditional Spring Ox images with the tractors and the gods with model workers, the Chinese Communist Regime effectively used the new nianhua as a form of widespread brainwashing, taking the traditional sentiment and forcing a turn towards communism. Nonetheless the new nianhua movement was “a critical step in the development of Chinese socialist modernization”. The Party and Department of Propaganda als began issuing National awards to nianhua prints they deemed the most acceptable, setting a standing for the rest of artists to follow and work towards the great honor of being formally recognized by the state.

The adoption of Soviet socialist-communism didn’t stop there. With the early Soviet advisors and training of Chinese in the Soviet union, China adopted the artistic style of Socialist Realism. This is the most important adoption of Chinese artists in the, arguably, the whole of Chinese history. The term itself is credited to Stalin, and the form pushes to remove the elitist nature of art and make high art more accessible to the broad masses of people. Subject matter focused on peasants, workers, soldiers, and favored political figures. This style was strictly done in oil paint, which although was convenient to those students well-versed in western art, further alienated Chinese traditional art from modern society, as well as the elderly arts who practiced it.

Posters in general were a fast, cheap, and easy way to distribute propaganda, the “most flexible mass visual tool” the CCP had. Moving away from new nianhua, posters maintained bright colors dramatic lines, human figures, and simple direct slogans all characteristics primarily imported from Soviet popular art, that were highly popular during communist China. Cost of production was kept down by limiting color pallets to red white and black; this also provided dramatic sense of urgency of the topics depicted. Most popular were so called Big Character Posters in which there was little to no artistic representation but instead large characters reading simple but direct slogans. These posters exemplify the artistic importance of calligraphy in China and are the only traditional form that was never attacked under communist rule, as “in China power does not speak it writes”. Although the art was never attacked as critically as traditional ink painting the censorship of what could and could not be said is a continuing trend of limiting expression of the individual.

During the Great Leap Forward the communist party encouraged the mass of peasants, factory workers and soldiers to take up the brush and personally convey the struggle of the Chinese people. Producing propaganda was an act that conveyed enthusiasm for the and as the saying goes “it is better to be red than expert”, thus art was no longer an act reserved for highly trained creative minds, but one for the masses. With minimal guidance from professional artist but an abundance of enthusiasm for politics and national pride the work of these lowly life people was raised from purely beginners work to being recognized on a national level. The CCP effectively turned all members of society into propagandists, encouraged by Chairman Mao’s wife, Jiang Qing, a dominant figure in the Chinese cultural spheres. Jiang Qing also implemented the ideal “red, smooth, and glowing” standard for oil paintings and propaganda posters following the Sino-Soviet split in 1960.

The image of Mao was the primary focus for Jiang’s “red, smooth and glowing” ideal. The portrayal of chairman Mao is yet another peculiar transition in Chinese art. His physical body was also symbolic of his favorable position in China. Following his complaint in the early 1950’s, Chairman Mao was to always be depicted as tall as, if not taller than other leaders, particularly Stalin. This representation of the hierarchical status of achievement shows the Chinese treatment of space to be “representational rather than conceptual”. Also seen in the painting of Mao’s profile, nearly always showing his left side, which is non-coincidentally his political alignment. After spending the decades surrounding the turn of the century expelling feudalism and superstition from Chinese culture from 1966-1969 China experienced an overproduction of images of Mao Zedong that allowed for his deification. The early years of the PRC focused on Mao in paintings, being sure his image was centered and painted in good light. This resembled Western iconography and the depiction of God, who is located in the center and surrounded by the heavenly color of gold or yellow. Based on photographs the images were realistic but conceptualized for perfection; Mao standing boldly face glowing over a sea of Red flags, an admirable depiction to match an admirable political figure.

Survival under the People’s Republic was difficult enough for artists; the fear of being straying from Mao’s outlined purpose of art and literature and being labelled as being bourgeois kept most artists in line. However, in 1957 with the implementation of the Anti-Rightist Campaign the struggle of being an artist with an opinion becomes exponentially more difficult. A prime example of this would be Jiang Feng. Jiang Feng was widely well-known for his experience in revolutionary woodblock printing and distribution of propaganda prints; his most famous being a black and white print titles Kill the Resistors. Although his work was not the best in terms of expertise his enthusiasm earned him recognition, after all it is better to be red than expert. His devotion to the advancement of art and faith in the art bureaucracy led his to continue his studies of revolutionary block printing while in jail. As an active member in the art bureaucracy he led China through the new nianhua movement and watched the adaption of socialist realism; however, his failure to admit to wrongdoing earned him a new title: Number One Rightist in the Art World. There is complexity behind the accusations and their accuracy; however, his fall brought forth his acquaintances as witnesses to provide evidence against him. Those who failed to do so were targeted themselves. The irony in this movement lies in the months before its initiation with the opening of the Institute of Chinese Painting in Beijing which sought to “preserve China’s living heritage by providing financial and institutional support for older traditional artists”.

Now as Youhua, Chinese oil painting, has been fully assimilated to fit the Chinese, and the dust began to settle after the deep influences of the west, Soviet union, and Japan are removed from China, the use of art was secondarily shifted to “distort or reinvent history”. Encouraged by Mao’s call for “reconstruction of historical forms to better suit modernity” at the Yan’an forum there was a blatant altering of existing Chinese painting to better serve the Chinese communist party. This practice, particularly concerning the portrayal of political figures, was highly common in the Cultural Revolution. A prime example of this was Dong Xiwen’s Founding Ceremony painting, one of many paintings made for display in the Central Museum of Revolutionary History in Beijing. The painting depicts Mao and fellow comrades on October 1st 1949 in Tiananmen Square declaring the founding of the people's republic to a crowd. The painting is portraying perhaps the most important moment in Chinese communist history and thus the intense view of it seems reasonable. Accompanying Mao in the painting was Gao Gang, a member of the party who became a victim of the first wave of intense party purging, and after social condemnation Mao demanded his removal from the famous painting. Reluctantly Dong Xiwen did as he was asked, and a second time with the removal of Liu Shaoqi. But with the third request to paint over Lin Boqu Dong bravely refused. The communist regime, however, always gets its way, Dong was dismissed and the painting was copied and the figure removed as the party seemed fit. This is a blatant form of censorship that aimed to influence the way Chinese saw their own political environment. It wasn't until after the death of Mao and an era of reform including mass rehabilitation under Deng Xiaoping that the original was restored.

A common tension between intellectuals was the struggle between accepting modernity and maintaining tradition. Although it is important to understand the complexity of such topics and that in speaking of one's argument for a given side the lines may not be concrete and many intellectuals of the time could be considered to share moral ideology on both sides of the disagreement, generally speaking the debate of tradition and modernity was held between revolutionaries who advocated the modernization of China and academics who wished to conserve the traditions and history of the past. Cai Yuanpei is certainly a revolutionary who appreciated the westernization of art and saw how the western approach to art was scientific. He thought his was the most logical approach to and the basis of science could be applied to everything. This was truly revolutionary in Chinese art as tradition is based on the conveyance of emotion through fast, spontaneous brushwork. Traditional Chinese artists achieved spiritual likeness in these ways while western art is focused on form likeness.

Following the death of Mao, Deng Xiopeng’s rise to power signaled a shift to a reformist attitude and allowing artists and the general public to more openly reflect on the era of Mao and the brutality of the Cultural Revolution. This reflection led to the movement in Chinese art known as Scar art. This was a time for reflection and mourning of the loss of lives, humanity and tradition in China’s cultural realm. Although the adoption of western art styles and enthusiasm towards propaganda production was opted for by artists, it’s indoctrination was not voluntary and following its height artists became very aware of the traumas they willingly endured.

China’s adoption of western style painting, including the Soviet influences, threw the nation askew from its traditional heritage. The enthusiasm for modernization, although much necessary and reasonable, left Chinese techniques of brushwork and landscape painting to be overshadowed by emphasis on propaganda art and the artists to be brainwashed by the education and censoring programs of the CCP. The Cultural Revolution often referred to as the “ten lost years” was exactly that, a lapse in China’s progression as a nation and a stopping point for proud traditional artists. Adhering to and surviving Communist rule became more important than artistic heritage as China moved forward as a modernizing country.

Andrews, Julia F. Painters and Politics in the Peoples Republic of China, 1949-1979. Berkeley: University of California Press, 1995.

Andrews, Julia F. "Traditional Painting in New China: Guohua and the Anti-Rightist Campaign." The Journal of Asian Studies 49, no. 3 (1990): 555-77. doi:10.2307/2057771.

Desnoyers, Charles A. Patterns of Modern Chinese History. New York ; Oxford: Oxford University Press, 2017.

Flath, James Alexander. The Cult of Happiness: Nianhua, Art, and History in Rural North China. Seattle, WA: Univ. of Washington Press, 2004.

Fong, Wen C. "The Modern Chinese Art Debate." Artibus Asiae53, no. 1/2 (1993): 290. doi:10.2307/3250520.

Jiang, Jiehong. Burden or Legacy: From the Chinese Cultural Revolution to Contemporary Art. Hong Kong: Hong Kong University Press, 2007.

Needham, Joseph, and Ling Wang. Science and Civilisation in China. Cambridge: Cambridge University Press, 1995.

Pong, David. "Art: Policy since ‘49, Soviet Influence, Japanese Influence, History, Schools and Colleges, Oil Painting, Socialist Realism, Propaganda Art." Encyclopedia of Modern China. Detroit: Charles Scribners Sons/Gale, Cengage Learning, 2009.

Yen, Yuehping. "Calligraphy and Power in Contemporary Chinese Society." 2004. doi:10.4324/9780203590607.

Zedong, Mao. "On Literature and Art." Speech.

Zheng, Sheng Tian., Richard King, Ralph C. Croizier, and Scott Watson. Art in Turmoil: The Chinese Cultural Revolution, 1966-76 (Contemporary Chinese Studies). University of British Columbia Press, 2010.

#diary #works #mine #modern china #history #studyblr

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plutohou-blog · 6 years

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Personally, I had a lot of experiences around art, in this case, it brought me into the way to be a photographer. My parents are all engaged in clothing work, so I often watched how they work when they were young, how to design clothes for their mothers, how they work in the office, how to buy, sell, contact the garment factory, make prints, and sample clothes. Or cooperate with other brands and so on. These times and experiences have given me a vague impression and understanding of the clothing industry. I believe this has also had an impact on my future life. I really like this busy life with different people. It was also inspired by sales, design and fashion photography. When I was in high school, I was studying art school. Three years of basic training made me have enough painting skills. There are many interest classes in high school, such as art appreciation classes. This has helped me a lot. I not only learned about Chinese and foreign art history but also many artists I didn't know before, their works and their stories. This has inspired me in the future and cultivated a certain artistic accomplishment. In the calligraphy class, we learned traditional Chinese calligraphy. Chinese calligraphy is a mysterious interest. In high school, I went to a lot of extracurricular interest classes, and finally, I took a month of film and television class electives. In this month, we not only enjoyed a lot of film works, but also learned to draw a mirror, write a script, find an actor, and dub. Soundtrack and editing. This month was a particularly important month for me, which inspired my love for movies and photography. I understand that making movies is a very difficult process, from technology to equipment to teamwork to later division of labor and even to promotion. They are all fresh aspects that I have never designed. In the process of learning, I also thought about it. Photography and film can leave a deep impression on the new media, personal and even sales. Because photography is a minute and a second in our lives, I think this is a particularly useful learning. Since then, I have also bought a professional camera. I will take pictures and record what I want to express in my usual life and travel. I hope I can continue to do some fashion shoot, fine art shoot and also explore more and use in my future job. Recently, a Chinese photographer called Leslie Zhang influenced me a lot. His style is quite fine art and I love the filter he edits with. The models and the makeup is also something I want to do. Setting, background, model, hairstyle, makeup... all the things look elegant. And he combined Chinese opera or history which is cool for me. Also in some cases, his group will make some prop to shoot with. I just hope one day I can do that as well to use my skill of drawing.

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cma-japanese-art · 3 years

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Bamboo in Fine Weather after Rain, Ike Taiga, mid-1700s, Cleveland Museum of Art: Japanese Art

https://clevelandart.org/art/1958.337

#museumarchive #cmaopenaccess #clevelandartmuseum #japaneseart

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backfencemagazine · 4 years

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Celebrate Lunar New Year at Disney California Adventure

Ring in the Year of the Pig with Lunar New Year celebrations at Disney California Adventure park, now through February 17, 2019. With fun-filled activities, multicultural performances, beautiful décor, and delicious cuisine, Lunar New Year welcomes guests of all ages to commemorate traditions with beloved Disney characters, and welcome another year of good fortune.

We followed along with four Disney moms as they experienced Lunar New Year at Disney California Adventure with their families. Keep scrolling to see their favorite highlights, and all the fun that can be enjoyed at the Lunar New Year celebrations at Disney California Adventure.

“This was our first Lunar New Year experience at Disney California Adventure and it did not disappoint! Being part Chinese, it was wonderful to see so much of my heritage represented at the park. What was even more special was to be able to share in these festivities with my son. Seeing the fusion of Disney with all the familiar traditions, food, and fun that I’ve grown up with was truly something magical!” – Jennifer Poblete-Boonsom

Lucky Wishing Wall

Make a wish and dare to dream big during the Year of the Pig! Guests of all ages are welcomed to add their own special message of hope, health and happiness for the upcoming year.

“Our family loved the Lucky Wishing Wall. This was special to us since we truly believe in the power of dreams and wishes coming true, so getting to write down our hopes for the new Lunar Year (on Mickey wish paper, too!) was the sweetest moment.” – Jennifer Poblete-Boonsom

“Celebrating Lunar New Year with my family at The Disneyland Resort was such a magical experience! It was, of course, filled with all of the Disney magic that we’ve come to expect and love when visiting the parks, but I also appreciate that I was able to learn with my children about a holiday celebrated by cultures different than our own. The Lucky Wishing Wall, for example, is a beautiful Lunar New Year tradition where you are able to write down your wishes for the new year and then tie them to the wall amongst all of the others for luck. The kids were also able to color and construct their own paper lantern decorations to take home. As an multicultural family of Polish and African-American, cultural traditions are so important to us and we love being able to experience that while visiting the Disney parks.” – Erika Kurzawa

Mulan’s Lunar New Year Procession

This bold and bright parade is hosted by Mulan and her faithful dragon, Mushu. This year, as a special treat for the Year of the Pig, the Three Little Pigs.

“This show was absolutely mind-blowing and the girls were so excited and intrigued! Since it is the Year of the Pig, the Three Little Pigs performing with Mulan and Mushu were a fun surprise! The dance performances were mesmerizing and we definitely want to come back and watch it again! If you’re planning a trip to Disneyland Resort you need to check out this show which has multiple performances throughout the day until February 17th!” – Mai Nguyen-Miyoshi

Meet Disney Characters

Paradise Gardens is the place to meet and take photos with some of your favorite Disney friends, including Mickey, Minnie, Mulan, Mushu, and Pluto too! Bring the whole family to see these Disney characters in vibrant holiday attire. You can check daily appearance times by downloading the official Disneyland Mobile app!

“Of course the family had to take photos with Mulan! It was really cute watching Mulan interact with Zooey.” – Mai Nguyen-Miyoshi

Kid-Friendly Crafts and Activities

From crafting paper lanterns to face painting, there are so many fun ways to let creative spirits soar during Lunar New Year. Brush-stroke aficionados can take home custom-drawn Chinese calligraphy by local artisans, available on Monday and Tuesdays. And find complimentary face painting in front of The Little Mermaid ~ Ariel’s Undersea Adventure.

“Zooey and Amelie are half Vietnamese and half Japanese, so we celebrate Lunar New Year every year [by] visiting with our families and eating delicious food. This year, we decided to take Zooey, Amelie and Baba (Zooey & Amelie’s grandmother) to experience the Lunar New Year at Disney California Adventure! Baba hadn’t been to Disneyland since before Disney California Adventure was even built, so it was super exciting for all of us to go together. The first thing we did when we arrived to the Paradise Gardens Park was hit the arts and crafts table where the girls could make their own lanterns.” – Mai Nguyen-Miyoshi

“Face painting is complimentary at Lunar New Year, so my daughter, Zoe, [who] was born in the year of the dragon, had a dragon painted on her cheek. And since this is the year of the pig, which just happens to be my own birth year, I couldn’t resist joining the fun and having a pig painted on my face too.” – Erika Kurzawa

“The Lunar New Year celebration at Disney California Adventure is the PERFECT way to interact with Lunar New Year traditions as a family! From delicious food to arts and crafts and amazing musical artists, we loved exploring the Lunar New Year festival and learning more about this beautiful holiday.” – Carly Anderson

“One of the highlights of the day for us was definitely trying the different types of Asian cuisine. With the Sip and Savor Pass, it was so easy to go from booth to booth sampling the available food and beverage items. Even my picky eater managed to find a Mickey-shaped purple yam macaron that she absolutely loved.” – Erika Kurzawa

Embark on a culinary adventure with the Sip and Savor Pass, which consists of a commemorative credential and 6 coupons redeemable for food and beverage offerings (excluding alcohol) at select Lunar New Year Marketplace locations.

The Sip and Savor Pass is available for sale at Elias & Co., Kingswell Camera Shop, Festival Gifts (in Paradise Gardens Park), the Sip and Savor Cart and each Lunar New Year Marketplace. So get in touch with your inner foodie and sample these culinary creations now through February 17, 2019 during Lunar New Year at Disney California Adventure Park!

The post Celebrate Lunar New Year at Disney California Adventure appeared first on Disney Family.

Disney Family

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boardpusherskateboards · 4 years

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FEATURED DECK of the WEEK: D.VA ( X ) SARADA UCHIHA [ GAME – ON ! ] 2.0 by SLIM.STEADY

“The idea is a Cross Match Design D.Va from Overwatch and Sharingan from Naruto,” @slim-steady tells about this week’s BoardPusher.com Featured Deck. “I illustrated the graphic design using Photoshop CC. For the calligraphy (Kanj/Chinese alphabet) that specific typography is made by an artist called Kisaragi Chiyo [with whom] I collaborated.” You can follow Slim.Steady on Instagram @slim.steady and also find more of his skateboard graphics for sale at BoardPusher.com/shop/slimsteady.

Get your own art on a skateboard at BoardPusher.com.

#skateboarding #skateboard art #custom skateboard #custom skateboards #skate deck art

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eacbooks · 4 years

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Modern Chinese Paintings and Calligraphies (II), Shanghai Mission 2013 The First Art Auctions, Sunday October 20 2013 Sale Catalogue

https://www.abebooks.com/servlet/BookDetailsPL?bi=30741452985&searchurl=sortby%3D0%26vci%3D65071755&cm_sp=snippet-_-srp1-_-title3

#Shanghai Mission International Art Auction #Mission auction #Modern Chinese Paintings and Calligraphies #Shanghai Mission 2013 The First Art Auctions

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wallpaperpainter · 4 years

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24 Features Of Chinese Art That Make Everyone Love It | Chinese Art

When the Swiss administrator Uli Sigg aboriginal catholic to China in 1979, he hesitated to adeptness out to artists because he feared that authoritative acquaintance adeptness get them into agitation with the authorities. But in the added than 40 years aback then, he has accumulated conceivably the world’s best important accumulating of Chinese abreast art in abutting accord with China’s arch creatives. Ai Weiwei has said of Sigg: “However acclaimed I become, he [Sigg] is the creator.”

The aloft Swiss agent to China is still alive to advice advance the careers of arising aptitude today as the sponsor of the Sigg Prize, which gave its inaugural HK$500,000 ($64,000) accolade to the Hong Kong artisan Samson Young beforehand this month. An exhibition of the acceptable installation, as able-bodied as assignment by the bristles added shortlisted artists, is on appearance at the afresh reopened M Pavilion in Hong Kong (which had been shuttered for months during the city’s lockdown).

The appearance could booty on a acute acceptation afterward the admission aftermost anniversary of a new civic aegis law to abolish subversion, secession, and agitation in the semiautonomous city, which bounded arts workers acquire warned will account “incalculable” accident to Hong Kong’s cachet as an art hub. That cachet is decidedly important to Sigg, who in 2012 appear affairs to accord added than 1,000 works in his accumulating to M , the long-delayed architecture of beheld adeptness that is assuredly accepted to accessible in the West Kowloon Cultural District abutting year. So far, Sigg maintains that application the accumulating to Hong Kong was the appropriate move—it

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The post 24 Features Of Chinese Art That Make Everyone Love It | Chinese Art appeared first on Painter Legend.

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#art painting #chinese art deco rug #chinese art for kids #chinese art forms #chinese art history #ch

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