theyre trying to dehydrate our beautiful bears and make them have a six pack.... i feel sick.
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Commercial Art in 30 Minutes — Order Online and Get It Right Away
Commercial Art in 30 Minutes — Order Online and Get It Right Away
Quick Commercial Artist Works for $29 (Get 4 creative thumbnail versions to choose from, up to 16 revisions, and one high resolution artwork). Receive Your Digital Art in Less Than a Half-Hour Guaranteed or It’s Free
ARTS DISTRICT
Request an amazing, affordable drawing, painting, illustration, realistic photo style etc. This artwork is perfect for creating a poster or canvas for framing, album…
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Commercial Art in 30 Minutes — Order Online and Get It Right Away
Commercial Art in 30 Minutes — Order Online and Get It Right Away
Quick Commercial Artist Works for $29 (Get 4 creative thumbnail versions to choose from, up to 16 revisions, and one high resolution artwork). Receive Your Digital Art in Less Than a Half-Hour Guaranteed or It’s Free
ARTS DISTRICT
Request an amazing, affordable drawing, painting, illustration, realistic photo style etc. This artwork is perfect for creating a poster or canvas for framing, album…
View On WordPress
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-slamming bolt upright in a cold sweat- what do you mean verbal contracts cleo. what do you MEAN verbal contracts cleo. artists if you're doing commercial work you're A) charging much higher rates and B) making them SIGN A CONTRACT, right? right? you understand why that's VITAL, right? why having a written contract is VITAL for commercial work? you understand? you make them sign a written contract? please if you go looking in proper artist/graphic design circles i'm sure you can find a basic form that's legal in your locality and doesn't require you talk to a lawyer but if you're doing commercial work you're MAKING THEM SIGN A CONTRACT RIGHT--
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Hi, I’m Gleafer, Nice to meetcher!
I like long walks on the beach, some occasional howling at the moon and making people GUFFAW at my illustrations.
I post here, there and everywhere. Along with a Patreon where I allow things to get a tad…spicy in my art collections.
Smash the follow button if you like and enjoy the view I provide of angst, humor, nonsense and absurdity.
I plan on PUHLENTY of new comics, OC art and fandom love in 2024. So stay tuned!
ciao, my saucy pigeons!
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Welcome Home | Wally's Crayon Set
got inspired from the commercials from the latest update and thought I do a fake one for fun
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“Haw haw! what are you going to do- run five miles away and shoot me?” “No… how did he know?”
I think they’re terminally silly 😅
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Kumamoto Yoshie, ''Toyo Musical Instruments Co., Ltd.', ''The Complete Commercial Artist'', Vol. 20, 1930
Source
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actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"
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When you don't know what other character to use as your poster boy: a chronicle (L->R)
LenokaArt | Zargreeves | yeovvr | jennyh_illust | nuavanxi on Twitter 🌿
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