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#conway loved roy and roy loved him back but only figured that out when it was too late
stil-lindigo · 1 year
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the sunset.
a comic about two outlaws who loved each other, despite everything.
creative notes:
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all my other comics
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f4liveblogarchives · 4 years
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Fantastic Four Vol 1 #184 & 185
Thur Aug 22 2019 [12:35 AM] Wack'd: We still haven't resolved why kidnappers kidnapped Agatha who kidnapped Franklin so we're probably back to that in [12:35 AM] Wack'd: FANTASTIC FOUR VOL 1 #184 [12:35 AM] Bocaj: I hope someone kidnaps the kidnapper's kidnapper [12:35 AM] maxwellelvis: I'd like to at least see the covers for these, but I guess we're too far in now. [12:36 AM] Wack'd: You can just...go to Marvel Wiki and punch in issue numbers? [12:36 AM] Wack'd: There's a reason I don't post covers often [12:36 AM] maxwellelvis: yeah [12:36 AM] Wack'd: So Reed has had...a very long day [12:37 AM] Wack'd: And for once in his life lets his family take care of him and get him into bed [12:37 AM] Wack'd: Mostly because he was literally passing out, but still [12:37 AM] maxwellelvis: And probably because he no longer has the physical ability to resist their efforts to get him to take a break [12:37 AM] Wack'd: Also true [12:40 AM] Wack'd: So Ben calls to check in with Alicia ( 🎵 checking in with Alicia / Alicia what's uuuuup 🎶) [12:40 AM] Wack'd: And Alicia, on Sue's orders, doesn't mention what's happened to Franklin to stop him from doing something reckless and stupid [12:41 AM] Wack'd: All the ruckus knocked AUNTIE offline (hey! someone remembered!) and Thundra and Greer are like "actually, fuck this" and leave Ben to clean up the damaaaaay wait a second [12:41 AM] Wack'd: WE FORGOT ABOUT THE HEAT-GENERATING ROBOT [12:41 AM] Wack'd: Gotta circle back to that at some point, probably [12:41 AM] Wack'd: But not right now [12:42 AM] Wack'd: hrrrrrrg
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[12:43 AM] Wack'd: Johnny is also leaving, having decided he's not going to harrass Frankie [12:43 AM] Wack'd: Instead, he's gonna get hit by a laser, I guess
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[12:44 AM] maxwellelvis: Also, Johnny's dialogue here? CRIMSON BANNER RIGHT THERE [12:44 AM] Wack'd: I have no idea what that means [12:44 AM] maxwellelvis: Red flag [12:45 AM] Wack'd: Oh yeah [12:45 AM] Wack'd: I mean [12:45 AM] maxwellelvis: I mean more so than usual, y'see. [12:45 AM] Wack'd: He's deciding not to harass her until she confesses her deepest traumas and decides to date him again? [12:45 AM] Wack'd: Seems like kind of the opposite [12:45 AM] Wack'd: A green...something [12:46 AM] Bocaj: green street sign [12:46 AM] maxwellelvis: The way he's been acting since finding out she's got a phobia of fire has been... [12:46 AM] maxwellelvis: very much not how you treat that sort of thing, even for the 70's [12:47 AM] Wack'd: hahahahahahahahaahahah this is so fucking stupid i love it
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[12:49 AM] Wack'd: So Reed, Sue, and Ben head off to rescue Franklin and Agatha, with Ben shooting off a flare to see if Johnny will notice anything's up [12:49 AM] Wack'd: (He won't) [12:50 AM] Wack'd: And shortly thereafter the Fantasticar is shot by another one of those lasers, which transport them to an even bigger, spookier haunted house than Whisper Hill [12:50 AM] Wack'd: "It's darker than Doctor Doom's soul in here," quips Reed [12:50 AM] Bocaj: Weirdly poetic for him [12:51 AM] Wack'd: They find Johnny, completely out of it, hanging from a banister by his shirt [12:52 AM] Wack'd: And then there is this asshole
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[12:52 AM] Wack'd: The Eliminator is here to dispose of any evidence that Agatha Harkness ever lived [12:52 AM] Wack'd: And that includes living evidence [12:52 AM] Wack'd: Fight fight fight [12:53 AM] maxwellelvis: TECHNOMAGES! See! Maria was right! They ARE real! [12:54 AM] Wack'd: Sue is like "okay, fuck this, I'm gonna force field this doofus" [12:54 AM] Wack'd: And then she is atomized [12:54 AM] Wack'd: Len Wein sure likes to set Sue up to do something cool and then have her unceremoniously disposed of [12:55 AM] Wack'd: OH OKAY NEVER MIND [12:55 AM] Wack'd: She only pretended to be atomized so that the Eliminator wouldn't suspect anything if a hit didn't land [12:55 AM] Wack'd: Using invisibility [12:56 AM] Bocaj: As I would say "I can't believe Sue Storm is dead forever and now the book will be about <x inane thing> from now on" [12:56 AM] Wack'd: And then she saves Reed and Ben from getting got, and uses the force fields to block their life signs so Eliminator thinks they're dead [12:56 AM] Bocaj: I guess force fields can do that [12:56 AM] Wack'd: Yep [12:56 AM] Wack'd: Johnny then follows his sister's lead and pretends to blow himself up on a suicide run [12:57 AM] Wack'd: The Eliminator, having eliminated the last of the witnesses to Agatha's existence, congratulates himself on a job well done and starts to self-destruct [12:57 AM] Wack'd: And then the Four all pop to their feet and tell him they're fine. Just to mock him in his dying moments [12:57 AM] Wack'd: And then he explodes [12:57 AM] Bocaj: ... wow [12:58 AM] Bocaj: thats [12:58 AM] Bocaj: wow [12:58 AM] Wack'd: Weirdly cruel actually [12:58 AM] maxwellelvis: That's like something the Seventh Doctor would do [12:58 AM] Wack'd: But he did just try to murder them and may or may not have murdered their prepubescent child and family friend [12:58 AM] Wack'd: So he earned it, honestly [12:59 AM] Wack'd: Anyway [12:59 AM] Wack'd: With that done with they're more determined than ever to find out if Franklin and Agatha are still alive [12:59 AM] Wack'd: (I mean spoilers, they are, but they don't know that) [01:00 AM] Bocaj: Like I said, Agatha is sometimes a ghost and it doesn't mean anything. Vitality is just something that does or doesn't happen [01:00 AM] Wack'd: Maybe she's a lich and she cloned her own body so she could wear it like a suit sometimes [01:00 AM] Wack'd: Who's to say [01:01 AM] Bocaj: Who's to say indeed
Thur Aug 22 2019 [01:02 AM] Wack'd: I dig the hell out of this Gaspar guy's lettering
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[01:02 AM] Wack'd: Man I wish hand-lettering was still a thing in comics [01:02 AM] Wack'd: I miss it [01:02 AM] Wack'd: Like there's not necessarily any merit to doing it for dialogue bubbles but for stuff like this it's invaluable [01:03 AM] maxwellelvis: It feels like he just got back from seeing Dr. Strangelove or something for the writer and illustrator credits. [01:03 AM] Wack'd: I got more of a Batman TAS vibe personally [01:03 AM] maxwellelvis: That too [01:03 AM] Wack'd: With the low center of gravity on the Es [01:03 AM] Wack'd: And the big round Os [01:04 AM] maxwellelvis: I just had Strangelove on my mind is all [01:04 AM] Wack'd: It's good lettering [01:04 AM] Wack'd: Anyway, last issue, I forgot to mention because it was on a two-page spread that was rendered [01:04 AM] Wack'd: Really small for some reason [01:04 AM] Wack'd: But they found a metallic egg in the woods outside the big gothic mansion [01:04 AM] Wack'd: And have now determined it's probably where Eliminator came from [01:05 AM] Wack'd: So Reed's doing his workaholic best to figure out something about it to save Franklin and Agatha [01:06 AM] Wack'd: Reed manages to pinpoint the metal to somewhere in the Colorado Rockies [01:07 AM] Wack'd: Also, waaaaaay back in #39 the team lost their powers so Reed's hauled his old extendo-arms from out of the basement to cover for his lack of stretching [01:07 AM] Wack'd: This requires him to wear his 60s uniform for some reason
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[01:07 AM] maxwellelvis: They were probably built into the suit. [01:08 AM] Wack'd: And then Sue and Johnny also get into their 60s uniforms because Len Wein seems determined to rehash literally every ounce of the Kirby years for moral support [01:08 AM] maxwellelvis: *literally every ounce of the Kirby years Roy Thomas hasn't already [01:08 AM] Wack'd: Generally when Thomas or even Conway brought back stuff from the past it was to put a new spin on it. Wein seems to just do it because he likes it [01:10 AM] Wack'd: JOHNNY HAS MADE MODIFICATIONS TO THE POGO PLANE [01:10 AM] Wack'd: THIS CAN ONLY GO WELL [01:10 AM] Wack'd: Remember the last time Johnny was allowed to so much as touch this thing he and Medusa got stranded in the Himilayas [01:11 AM] Wack'd: So they land in the Rockys [01:11 AM] Wack'd: And Johnny has built--I shit you not--a hot-rod-in-a-box [01:12 AM] Bocaj: huh [01:12 AM] maxwellelvis: Like, like you throw it on the ground and BOMB! there's a hot rod? [01:13 AM] Wack'd: Some assembly required but the implication is that Johnny has done this in like five minutes
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[01:13 AM] Wack'd: And so the Four go exploring in the whopping one tiny town they found in the Rockies in hopes this is anything [01:14 AM] Wack'd: Reed has Ben do his old Ninja Turtle shtick because Len Wein is nostalgic so no one notices them [01:15 AM] Wack'd: Everything about this man screams "trustworthy"
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[01:15 AM] Bocaj: That’s impressive facial hair [01:15 AM] Wack'd: Not just a twirly mustache but a beard you can also twirl in two directions [01:15 AM] Wack'd: Also his name is SCRATCH [01:16 AM] Wack'd: You know, like THE DEVIL??? [01:16 AM] Wack'd: The Four find nothing odd about this at all [01:16 AM] KarkatTheDalek: Truly, I have never known a more trustworthy name [01:16 AM] maxwellelvis: "Nick Scratch" [01:16 AM] maxwellelvis: That's not even TRYING [01:17 AM] Wack'd: The Four wander around this tiny town aimlessly for a bit and then give up [01:18 AM] Wack'd: But Agatha sees this from her window and realizes she has to do something, even if it means alerting her captors [01:18 AM] Wack'd: So she raises A GAINT WALL OF FLAMES around--oh right, also this town is named NEW SALEM [01:18 AM] Wack'd: You dinguses [01:18 AM] Bocaj: oh [01:18 AM] Bocaj: New Salem comes back up again for the Scarlet Witch Vision maxi series [01:19 AM] Bocaj: The one where Vision dry humps a mystical pregnancy into Wanda [01:19 AM] Wack'd: Was it ever really time for deception at all? Signs point to "no"
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[01:20 AM] Wack'd: "YOU!", Sue yells, like this was a surprise or something
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[01:21 AM] Wack'd: Anyway this asshole summons a bunch of gargoyles to fight the Four [01:21 AM] Wack'd: Fight fight fight [01:21 AM] Bocaj: I’m sick of fighting silly fights! [01:21 AM] Bocaj: heeheehee [01:21 AM] Wack'd: "No one had yet considered that I could hit people hard with things"
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[01:22 AM] Bocaj: A force field with momentum is a blunt object and trauma [01:22 AM] Wack'd: Anyway they best all the gargoyles so Nick Scratch unleashes his most terrifying plan yet [01:23 AM] Wack'd: "Why're you hitting yourself, why're you hitting yourself, why're you hitting yourself"
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[01:23 AM] Wack'd: Also this is a thing that happens
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[01:25 AM] maxwellelvis: I wonder if, when these two were kids, and Franklin Storm had to tell young Sue to stop hitting her brother, if he ever imagined that ^ would happen? [01:26 AM] Wack'd: I think if his powers of foresight were that good he wouldn't have gone to prison and then died tragically [01:26 AM] Wack'd: Anyway, they're defeated, darkest hour, yada yada yada let's get on with it
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daresplaining · 5 years
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Hello! I've seen you guys mention Mr Fear a few times and his power and dynamic with Matt sounds fascinating. Could you elaborate on it when you get a mo? From what I know I'd love to see a version of him in S4
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    Ooh, yes, of course! There have been several versions of Mr. Fear, and they’ve all been nasty. (And yes, it would have been nice to get one of them in the show. I was really rooting for that.) I mostly know Mr. Fear in the context of Daredevil, which is where he/they originated, so that’s what I’ll be focusing on here, though I know at least one of them has appeared elsewhere as well. I appreciate the various Mr. Fears not just because they are terrifying antagonists, but also because of the sheer variety with which the basic premise– artificially inducing fear– has been depicted over the years. This has kept the identity fresh, and has helped them become more than just cheap knock-offs of DC’s Scarecrow.
    If you just want reading recommendations, below are all of the issues I will be covering in this post. They encompass the full range of Mr. Fear’s history in Daredevil, from 60s wackiness to 2000s noir, and I think they’re all worth reading if you’re looking for the full Mr. Fear experience.
Daredevil volume 1 #6
Daredevil volume 1 #54-55
Daredevil volume 1 #90-91
Marvel Team-Up volume 1 #92 (not digitized)
Daredevil volume 1 #222
Daredevil volume 1 #314-315 (not digitized)
Fear Itself: The Home Front #5, “A Moment with… Mr. Fear”
Daredevil volume 1 #363-367 and 371-375 
Daredevil volume 2 #95-106
    If you want plot summaries and character commentary, read on: 
      The first Mr. Fear was introduced way back in Daredevil #6, as the leader of the Fellowship of Fear (a trio that also consisted of the Ox and the Eel). This first version had the fantastically supervillain-y name of Zolton Drago, and an appropriately wacky origin story: He is a humble sculptor, dismayed by the failure of his wax museum, who makes an astonishing discovery while mixing up chemical concoctions intended to bring his wax statues to life. 
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Drago: “I did discover something after all! Something I never expected! I’ve found a way to fill any foe with indescribable fear!!”
Caption: “For long weeks, the strange, haunted man worked, refining his discovery, learning all he could about the chemicals involved…”
Drago: “Perfect! Now I know that I can make all the “Fear Gas” I need! With such a discovery, I could become the most successful criminal who ever lived! […] I’ve modified an ordinary pistol to fire my new “Fear Pellets”! And now, for psychological purposes, I’ll create a costume… the perfect disguise for one who shall henceforth be known as… Mr. Fear!!”
Daredevil vol. 1 #6 by Stan Lee, Wally Wood, and Sam Rosen
    There’s a certain goofiness in most Silver Age villains– Daredevil’s, in particular– but I find Wally Wood’s depiction of Mr. Fear’s skull-and-cape look to be genuinely creepy, and his Fear Gas is no joke. When hit with it during his first encounter with the Fellowship of Fear, Matt is rendered helpless with terror, and barely escapes with his life. 
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Matt: “Fumes! He fired a gas pellet at me! But, it isn’t tear gas! Nor is it poisonous! What can it be?”
Caption: “Suddenly, the sightless adventurer turns making a frantic effort to flee!”
Matt: “Both of them… about to attack me! No! Stay back! An air current! …Directly above me! That means an opening! It’s my one chance! If I can swing over in time! […] I just made it!”
    Matt manages to defeat Mr. Fear at the end of the issue by, uh… positioning himself in front of a fan (seriously). But this is only the beginning.
    Mr. Fear returns in Roy Thomas’s run, in Daredevil #54-55. This story starts with Matt faking his death to escape the consequences of a supervillain named Starr Saxon discovering his secret identity. His plan is to continue on as Daredevil and invent a new civilian persona for himself. But no sooner has he put this plan into action than Mr. Fear– who has recently been freed from prison– baits him on live television. Mr. Fear claims he can prove, without using his Fear Pellets, that Daredevil is a coward. And… he does!
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Mr. Fear: “I neglected to mention my new power– to fill you with frenzied fear– with a mere gesture!”
Matt: “Tell me another one, friend! Now to– No– NO! That tingling I feel– that sudden sinking sensation! Drago was right! Suddenly, I feel– deathly afraid! Getting dizzy– just realizing how high we are–! And now– I’m falling! Nnooo!”
Daredevil vol. 1 #54 by Roy Thomas and Gene Colan
    There are several stories during this period that focus on Daredevil’s reputation being tarnished, and this is one of them. The adoring public, who was watching the fight, now think Daredevil is a wuss, and Matt fears they might be right. It’s all a bit humorously melodramatic, but what matters is that Mr. Fear seems to have become an even more serious threat, since Matt is struck by that same fear the next time he goes out as DD, when Mr. Fear isn’t even around. In the end, after a quick call (courtesy of Foggy) to the prison where Drago was being held, Matt discovers the truth: Zolton Drago is dead and the new Mr. Fear is actually Starr Saxon himself, who stole Drago’s costume and equipment after murdering him. Matt confronts him with this revelation, after which Saxon accidentally falls to his death. 
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Matt: “Funny how Saxon died lunging for my billy club– the very weapon he’d been using to make me turn coward when we fought! Once Foggy called the warden, it was as simple as ABC! When Saxon briefly possessed Matt’s cane he rigged the club with these specially-timed Fear-Gas pellets… which his flying disk triggered during our first battle! It was his warped revenge on me… for ‘killing’ Matt Murdock to escape his blackmail threats! And, with that erudite explanation, I rest my case! DD, it’s been a looonng day!”
Daredevil vol. 1 #55 by Roy Thomas and Gene Colan
    (Just for the record, Matt should have known it was Saxon from the beginning, because he would have recognized his voice/scent.)
    Logic suggests this would be the end of Mr. Fear… but no! Matt and Natasha  encounter him in San Francisco, in Daredevil #90-91…
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Caption: “His arm jerks out– fingers brush– and then, the Widow tumbles away, her ebon-suited body twisting– her hands flailing, legs spinning–”
Matt: “TASHA! She froze up– couldn’t make the extra effort needed to complete the swing! Something about her heartbeat– rushing, panicky! She’s terrified! I’ve got to chance it– push away from the flagpole, try to grab her before it’s– too late!”
Daredevil vol. 1 #90 by Gerry Conway and Gene Colan
    If the previous story was mostly melodrama, this one is viscerally frightening. Our heroes are struck, without warning, with bouts of overwhelming terror– a dangerous affliction for people who lead such risk-filled lives. With Mr. Fear seemingly long dead and no obvious source for these attacks, Matt and Natasha are helpless to prevent them. 
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Caption: “This is how it begins: as suddenly as a rifle shot, a surge of inexplicable fear courses through Matt’s arced body– and with that fear, all thoughts of contacting a friend on the staff of the Daily Chronicle seem to dissolve into darkness– abruptly buried under a grim sensation of choking– A sensation that builds as he spins helplessly at the end of his billy club wire! Trying desperately to regain control, Matt finds himself unable to think– and becomes increasingly aware of the terror clutching at his heart– a fright unlike any he’s ever felt before– a fear without cause– a horror without reason!”
Daredevil vol. 1 #90 by Gerry Conway and Gene Colan
    Natasha is convinced the attacks are tied to a mission from her past, engineered by one of her former espionage allies. But in a surprise twist, the real culprit is a man named Larry Cranston– one of Matt’s fellow law school alumni, and one of his new law partners since moving to San Francisco. It turns out that Star Saxon was not the only person to benefit from the original Mr. Fear’s death, and with his jet pack, Cranston has been attacking Matt and Natasha from a distance.  
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Cranston: “I heard a sound from the room across the hall– voices arguing. A door was open– I looked in, and saw a man called Starr Saxon shoot another man– Zolton Drago, the original Mr. Fear. Drago lived long enough to tell me where he’d hidden his costume and equipment– he thought it would buy his life– Unfortunately, it wasn’t mine to give. He died as I held him.”
Matt: “But why did you do all this, Larry? And how did you know–”
Cranston: “When Matt Murdock moved to San Francisco with Madame Natasha– and Daredevil with the Black Widow– it wasn’t hard. And– I’ve always despised you, Murdock. In school, it was always– Murdock this, Murdock that– and I tell you, I’d had ENOUGH!”
Daredevil vol. 1 #91 by Gerry Conway and Gene Colan
    Cranston isn’t the only person to notice the coincidence of Matt and DD both moving to California with Natasha– it’s actually amazing more people don’t figure out his secret identity because of this– but it is significant that he knows, since his motivations are so personal. His irrationally intense hatred of Matt, and their shared history, makes him a particularly eerie figure among the ranks of DD’s villains, and it will come back in his most horrifying appearance, in Ed Brubaker’s run (which I’ll be covering later). While he appears to fall to his death at the end of this issue (that sort of thing happened a lot in early Daredevil…), he isn’t gone yet. 
    Marvel Team-Up #92 introduces the next guy to inherit the Mr. Fear identity– Alan Fagan, Larry Cranston’s nephew. Like his predecessors, he attempts to find new, more insidious uses for the Fear Gas…
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Alan: “Ha! I can’t wait to see the faces of those buffoons who said Alan Fagan would never amount to anything… They dared to laugh at me… because I kept getting thrown out of schools… wasted my father’s fortune… Well, I don’t need his money now– or their fancy schools! I’ve got something better than that now! They won’t laugh at me anymore– because I’ll make them deadly afraid of me… and I owe it all to you, Uncle Larry! You despised me– but your money and your Mr. Fear costume still fell into my hands after you died! I have the imagination to use the identity in ways neither you nor the original Mr. Fear ever dreamed of! My genius requires a large-scale reign of terror– and this radioactive isotope I stole tonight will bring it about!”
Marvel Team-Up vol. 1 #92 by Steven Grant, Carmine Infantino, and Carl Gafford
    (Larry is around Matt’s age. Don’t ask me why his nephew looks so old.)
    Alan is a little too cartoony in this issue to seem like a serious threat, but he is still dangerous. 
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Peter: “H-how… did you d-do this to m-me?”
Alan: “My Fear Potion, insect– injected through this ring when I hit you! I usually administer it as a gas, in dilute form– but a man of your power required a full-strength dose! You are mine, Spider-Man, body and soul– and we are going to conduct a little experiment! I am curious as to just how many injections of pure Fear Potion you can receive… before you die– of fear!”
    Fortunately, Spider-Man and Hawkeye are able to take him out and send him to prison, but even that is not the end… 
    Daredevil volume 1#222, one of my favorite issues in Denny O’Neil’s run, opens with this chilling scene, during Glorianna O’Breen’s return flight from Ireland to the U.S.: 
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Caption: “This is Aer Lingus flight number 2241, originating at Dublin and bound for Kennedy. It will never arrive.”
Hijacker: “Stewardess– tell the pilot to put this crate down at the Tinkerville airport.”
Glori: “A man… with a wee plastic gun– the kind that the detectors don’t detect. A man of violence… bloodshed… the things I’ve seen so much of at home. Is there no escapin’ them, then? No!”
Caption: “Sudden, shattering the near-silence of the cabin– the shot sends a bullet into an unexpected target…”
Hijacker: “Aiiieeeee!”
Glori: “Funny odor… gas… Noooooo”
Pilot: “[…] You guys smell something?”
Daredevil vol. 1 #222 by Denny O’Neil, David Mazzucchelli, and Ken Feduniewicz
    Matt, Foggy, and Becky receive news that Glori’s plane has crashed in a New Jersey swamp, and Matt and Foggy rush to the scene, fearing the worst. 
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Cop: “…Sorry I can’t tell you more, Mr. Murdock. But your friend Ms. O’Breen isn’t here.”
Matt: “Are you absolutely sure, Officer?”
Cop: “’Fraid so, sir. There were only fifty passengers on the plane– and we’ve accounted for everyone except Ms. O’Breen and two others– a Dr. Sadd and a local man named Julius Mudd. What I figure happened is, they were… well, their bodies were thrown clear. We’ll find ‘em when the rain stops.”
Matt (Caption): “Bodies… death– Another woman dead? Like Elektra? Like Heather? Another of my women dead?”
    Refusing to believe that Glori was killed in the crash, Matt changes into his DD suit and sets out into the swamp to find her. Partway into his hunt, he runs into Natasha, who is searching for one of the other missing passengers– Dr. Ephesus Sadd, who acquired and subsequently improved a sample of the Fear Gas for use in chemical warfare. One of the great strengths of this story is the fact that the antagonist remains off-panel for significant chunks of the issue. Matt himself is not under attack, and so we, just like him, are left fearing for Glori’s safety as he and Natasha race to her rescue.
    Meanwhile, Glori and Dr. Sadd are living through a nightmare. They have been kidnapped by the hijacker and his associates. It turns out that he was hired to assassinate Sadd and now– having seen his worth, but unaware of why he’s so valuable– he’s decided to hold him ransom instead. As the hijacker attempts to give Glori to his brother as a wife, Sadd decides to use his secret cargo to escape. 
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Dr. Sadd: “Before the ceremony begins, I would like to deliver a… a sermon! Yes, a sermon. Always at weddings there is sermonizing. My topic will be fear. It is a subject dear to me– a subject I have studied… a subject I cherish like a child. I have seen fear drive men to splendid achievements and crush them like insects… It is the force which lifted mankind from the primeval ooze and which keeps us from being as angels–”
Hijacker: “Git on with the wedding.”
Dr. Sadd: “Yes, the wedding. I have brought a gift–!”
Glori: “No! Don’t do it!”
    When Matt and Natasha arrive, they encounter a horrific scene: Glori and her kidnappers, driven into a violent frenzy by fear. 
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Matt: “–Glorianna! Glori… are you all right?”
Glori: “No… no… no no NONONONO”
Matt: “[…] I was expecting to find people whimpering in terror… which is what the original Mr. Fear’s gas caused.”
Natasha: “Obviously, Dr. Sadd changed the formula. Glorianna and the others are reacting like cornered rats.”
    The creepy conclusion of the issue is two-fold: It reveals a second version of the Fear Gas– one that drives people to lash out in fear, rather than being subdued by it. And it ends with Dr. Sadd dying of fear, despite the revelation that his canister of Fear Gas was empty– thus showing just how powerful terror, as a mere concept, can be. This is an issue in which Mr. Fear isn’t even present but is nevertheless still profoundly dangerous, and that sums up why he is such a good antagonist. Way back in Daredevil #6, Stan Lee commented that Mr. Fear shared certain similarities with the Purple Man, who had just been introduced two issues before, but these later stories are where those similarities really start to appear. Mr. Fear and the Purple Man are effective villains for similar reasons: they are both immensely powerful, manipulate basic facets of human nature, and can strike from a distance (or without even being directly involved at all!) with unpredictable and deadly consequences. 
    If this wasn’t creepy enough, Chichester goes full-on macabre with his Mr. Fear-centered story in Daredevil volume 1 #314-315 (not digitized yet– come on, Marvel!), in which he introduces another variation on Mr. Fear. This version is Alan Fagan’s daughter, Ariel, who uses the code name Shock, and who is both tragic and terrifying. While I’m generally not a fan of Scott McDaniel’s art style, it works to great effect here to depict the twisted gruesomeness of Shock’s physical appearance. 
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Matt: “All I have to go by is the sudden shift in the crude patterns my radar blocks out for me– only a hint as to the radical transformation that has seemingly occurred. Perceptions become clouded in the sudden wave of warm gases that wrap around me, raising the hairs on the backs of my arms. I’m still trying to make sense out of the sensations, trying to form a mental picture of what I’m dealing with, when the gases turn suddenly cold– and unease becomes an uncontrollable rage. Intellect knows better, but emotion overrides. Guttural sounds crawl up out of both our throats as we throw ourselves together– a railing grapple empty of technique and filled with a purpose no higher than to tear each other apart. In my head, I know we’re stories above the hard city streets. In my heart, I just want her dead before we hit.”
Daredevil vol. 1 #314 by D.G. Chichester, Scott McDaniel, and Christie Scheele
    I think I’ve said it before, but I can’t say it enough– I love Chichester’s writing. What a way to end an issue!
    Shock is yet another reinvention of the concept of Mr. Fear; her powers come from her body itself. She arranges for her father to be attacked in prison. His attackers cut the skin off his face(!), which Shock then uses to brew a concoction that when ingested, causes her to undergo a grotesque physical transformation and gives her the ability to literally exhale Fear Gas. (The idea is that her father’s skin absorbed traces of the gas, which could then be distilled). She uses these powers to cause mass hysteria by making people hallucinate things that anger and disgust them. Those in her sway turn primal and bloodthirsty. Matt’s battles with her turn into attempts to keep crowds of random civilians from killing each other. 
    Shock is also more sympathetic than any of the other Fear-styled characters. We learn that her father was neglectful, and she has been left alone to care for her ill mother. Her decision to take over her father’s identity comes from a desire to both overshadow his legacy, and to make money to pay for her mother’s treatments. 
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Shock: “That’s better. That’s steady… Oh, I worry so, Mommy! I’ve always worried! […] Keep going, that’s it, you’re doing fine…”
Daredevil vol. 1 #315 by D.G. Chichester, Scott McDaniel, and Christie Scheele
    Matt subdues Shock by taking her by surprise, and tries to ensure that both she and her mother receive the help they need. He hopes this is the end of his Mr. Fear problem at last, but he is wrong. Sadly, Shock doesn’t appear again (I really like her), but her father recovers from his face-stripping and much later resumes the Mr. Fear identity– notably, just in time to provide this funny interlude during Marvel’s “Fear Itself” event: 
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Alan: “This is just terribly, terribly wrong. I mean, really– I’m Mr. Fear… but it’s not me making everybody queasy. Used to be I’d be the one dragging everybody’s deepest fears out of their closets, for all the world to see. Now the bar’s been raised– or is it lowered? Whatever. With everybody running around in a state of anxiety, nobody gives a damn about a guy named Mr. Fear. Yesterday, some loser stops me in front of Penn Station, gets in my face… yells, ‘Hey– Doctor Doom!’ Doctor Doom, for god’s sake. I mean, really– can you believe this?”
Fear Itself: The Home Front #5, “A Moment with… Mr. Fear” by Howard Chaykin and Edgar Delgado
    In an overarching plot that starts toward the end of  Karl Kesel’s run and extends all the way through Joe Kelly’s, Larry Cranston returns, miraculously alive and working as a law professor at Columbia University. (If anyone has started to get their Mr. Fears mixed up, Cranston is the one who attended law school with Matt and knows his secret identity.) He is more dangerous than ever, and works from the shadows to avoid detection. Armed with an extra potent version of the Fear Gas, Cranston enslaves people to do his bidding, sending his agents into Matt’s life to create chaos by infecting others with the gas. These victims are helpless to fight back, and Cranston seems to be able to engineer how they react. When convenient, they lash out with violence, becoming dangerous to everyone around them– while others are rendered obedient and docile by fear. 
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Matt: “Vinnie’s heartbeat is erratic, and his sweat carries a trace of ammonia… His body is rejecting something through the skin… the remnants of Fear Gas… Have to get through to him somehow…”
Matt: “…Vinnie, I’m here to help you. Vinnie… your wife and daughter miss you.”
Vinnie: “M-my wife? I– I don’t have a family. I can’t have a family… I don’t deserve one… *Gasp* Oh god. A-all I have… m-means nothing… nothing but the truth… yes… yes… I’ll be good…”
Matt: “(His voice… so distant… almost as if he’s not speaking to me… His pulse just sped up… shallow breathing… Could he be hallucinating?) They miss you, Vinnie. They want you to come home.”
Vinnie: “[…] Fear controls everything. Knows everything. Hears everything. Fear is God. I serve him… forever…”
Daredevil vol. 1 #366 by Joe Kelly, Gene Colan, and Christie Scheele
    As Matt continues, barely, to fight back, Cranston increases his efforts to tear him down, concluding with sending a serial killer cop into his life and then framing Karen Page for his (the cop’s) murder. Karen is put on trial, and Cranston gleefully sabotages the proceedings from behind the scenes. Besieged on both sides of his life by someone who seems like an all-powerful force, Matt nearly gives in to despair.   
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Cranston: “How hang the scales of justice, Counselor? The blind lady treats her consort well, I pray.”
Matt: “(Kill him. No. Make him talk.) Why? Why Karen? Why us?”
Cranston: “Come now, Murdock… what good is a nom de guerre if I don’t back it up from time to time… I want you to lose your faith in everything. Your woman. Yourself. The system of justice you so carelessly flaunt when it suits you… because once you strip a man of his faith… all that’s left is fear. That… and an ex-junkie whore girlfriend in jail. Oh, I’m sorry… did that last part slip out?”
Daredevil vol. 1 #375 by Joe Kelly, Chris Claremont, Ariel Olivetti, Christie Scheele, et al.
    Even when Matt finally manages to track down evidence against Cranston that he can use to prove his guilt and Karen’s innocence, he still nearly loses, because Cranston has a member of the jury under his sway. This juror nearly succeeds in releasing Fear Gas to impact the verdict, when he is stopped by– of all people– the Kingpin. 
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Matt: “What do you want, Fisk?”
Fisk: “Tut tut… such venom… towards a friend helping a friend. A present. The ghoul used hypnosis so you couldn’t smell the gas. Clever… but he should have chosen a juror with a stronger heart. He’ll live, don’t worry. Just with a pacemaker.”
Matt: “You– why? Why?”
Fisk: “Simple. Someone was playing in my sandbox… and no one gets to break you but me. Congratulations, Counselor. You won your woman’s freedom. With a little help from a friend. I trust you will remember the favor… when I return.”
Daredevil vol. 1 #375 by Joe Kelly, Chris Claremont, Ariel Olivetti, Christie Scheele, et al.
    (D’aww…)
    It’s a shaky victory, but it lasts all the way until the end of volume 2– when Ed Brubaker gives us the most upsetting Mr. Fear story to date in #95-106. 
    The setup for this story is similar to that of its predecessor: Matt’s life starts falling into chaos for reasons that aren’t initially clear. His law partner, Becky Blake, is urged by an old friend to help Melvin Potter (the Gladiator), who is accused of killing people while in prison. Matt and Foggy agree to help, since they have a long-standing relationship with Melvin and suspect foul play. But then, Melvin is sprung from prison and goes on a rampage, before nearly killing Milla Donovan (Matt’s wife) and then trying to commit suicide. This coincides with an increase in violent crimes throughout Hell’s Kitchen. Becky’s friend kills himself under mysterious circumstances. Matt knows someone has engineered all of this, but has no idea who.
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Cranston: “Hello, Matt… I thought it was time I said hi. You can hear me… right?”
Matt: “What? Who is this?”
Cranston: “Heh, little joke. I know you can hear me, Matt. But I can’t hear you. And don’t bother trying to recognize my voice… even your ears couldn’t get past this voice-scrambler.”
Daredevil vol. 2 #97 by Ed Brubaker, Michael Lark, Stefano Gaudiano, and Matt Hollingsworth
    Before too long, he learns the truth– Larry Cranston is back, and is more powerful than ever. With an array of underlings from all walks of life at his command and a new arsenal of fear-inducing chemicals (including a new drug he is distributing on the streets), he appears capable of just about anything. He singlehandedly throws Matt’s life, and Hell’s Kitchen’s criminal underworld, into chaos. 
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Cranston: “It was so simple, I can’t believe I didn’t discover it myself… the myriad ways in which fear affects the human brain. But it took Professor Dante Govich only minutes to realize the full potential of the drugs from my arsenal. His experiments– once he came under my persuasion– once he looked at me with fear and awe– made all this possible. Dante understood the links between fear and love… the synaptic paths from desire to paranoia to insanity. Under my thumb, he created new drugs beyond anything I could have dreamed of.”
Daredevil vol. 2 #102 by Ed Brubaker, Michael Lark, Stefano Gaudiano, and Matt Hollingsworth
    The whole time Matt remains one step behind, and has barely figured out who his enemy is before he gets doused with one of the new versions of the Fear Gas. As a celebration of the hundredth issue of the volume, #100 features a visually stunning and thematically disturbing sequence of Matt tearing his way through the city streets, hallucinating enemies all around while still helpless to attacks from Mr. Fear’s minions. 
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Matt: “Your lies… mean nothing! You hear me, Fisk?! You hear me?!”
Cop: “… Heh heh… heh… Why do you keep… henh… calling me… Fisk? …Please… just stop hitting me…”
Matt: “Oh, God… No.”
Daredevil vol. 2 #100 by Ed Brubaker, Marko Djurdjevic, Michael Lark, Matt Hollingsworth, et al.
    But Cranston’s most disturbing attack is inflicted upon Milla, Matt’s wife. Without Matt’s knowledge, she is dosed with a concoction that amps up her emotions and makes her violent when angry. Her new condition is the final blow to Matt’s mental state, as she risks jail time for accidentally killing someone. Cranston baits Matt by engineering her release, then– the moment Matt starts to experience some hope– has one of his minions sabotage her into committing another violent act, which gets her locked away for good. 
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Matt: “Milla, what have you done? What have they done to you? Milla, I can hear your heartbeat… your breathing… It’s me, baby… calm down… It’s Matt… I’m here.”
Milla: “But… I don’t understand… I don’t… I don’t know… I don’t know what happened…”
Matt: “I know. I know you don’t. It’s not your fault.”
Matt (caption): “I hold her tight, but she’s already gone. I can hear the sirens approaching from three blocks away. An ambulance and three police cruisers. They’ll be here soon… to take her away again.”
Daredevil vol. 2 #104 by Ed Brubaker, Michael Lark, Stefano Gaudiano, Matt Hollingsworth, et al.
    Brubaker’s run is the darkest, most brutal Daredevil run to date, and this story plays a major part in that. As his failures pile up, Matt grows more and more desperate, more and more willing to cross lines he might not have crossed before. After beating and torturing Cranston’s whereabouts from one of his pawns, Matt hunts him down, ready to wrest the Fear Gas antidote from him any way he can… at which point Cranston deals the final blow to Matt’s psyche. 
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Cranston: “There is no cure, Matt. That’s why I had to kill Dante Govich… He was my chemist… Can’t believe that didn’t occur to you, Mr. Valedictorian. So go ahead, hit me some more. It means nothing… Everything you do means nothing.”
Matt: “No…”
Cranston: “’Cause I beat you weeks ago… you just didn’t know it.”
Daredevil vol. 2  #105 by Ed Brubaker, Michael Lark, Stefano Gaudiano, Matt Hollingsworth, et al.
    This story is heartbreaking on every level. Matt goes through all of that, and achieves nothing. He loses. Cranston gets the last laugh. It’s also not a major supervillain victory. It’s not like Cranston was trying to take over the world, or anything. His motivations are personal and frivolous, and that somehow makes it worse. He just tears Matt’s life to pieces because he wants to, because he can, and because Matt is powerless to stop him, and then gets a little chuckle about it afterward. Of course, the real victim of this story is Milla, who is still, to this day, locked up in a psychiatric hospital– a heartbreaking (and, frankly, criminal) fate for such a fantastic character. This is also the last Matt has seen of Larry Cranston. He hasn’t had chance to retaliate, and in my opinion, this victory alone would cement Mr. Fear as one of the most dangerous Daredevil antagonists. The fact that the various Mr. Fears have been at the center of 55 years-worth of genuinely disturbing stories just further backs this up. 
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bountyofbeads · 5 years
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Stone-Cold Loser https://nyti.ms/2S85c83
Roger Stone, who was arrested in a dawn raid at his home in Fort Lauderdale, has long been fond of the Somerset Maugham line that Florida is a "sunny place for shady people."
"Just as Nixon went down in history as a disgrace to the office of the president, so now will Stone go down as an accomplice to enemies of the republic," writes Eric Caine from Modesto in a comment on @MaureenDowd's column, "Stone-Cold Loser."
"Stone-Cold Loser"
By Maureen Dowd | New York Times Opinion | Published Jan. 26, 2019 |
Posted January 27, 2019 |
WASHINGTON — Roger Stone has always lived in a dog-eat-dog world.
So it was apt that he was charged with skulduggery in part for threatening to kidnap a therapy dog, a fluffy, sweet-faced Coton de Tuléar, belonging to Randy Credico, a New York radio host.
Robert Mueller believes that Credico, a pal of Julian Assange, served as an intermediary with WikiLeaks for Stone. Mueller’s indictment charges that Stone called Credico “a rat” and “a stoolie” because he believed that the radio host was not going to back up what the special counsel says is Stone’s false story about contacts with WikiLeaks, which disseminated Russia’s hacked emails from the D.N.C. and Hillary Clinton’s campaign chairman.
Stone emailed Credico that he would “take that dog away from you,” the indictment says, later adding: “I am so ready. Let’s get it on. Prepare to die (expletive).”
As the owner of two Yorkies, Stone clearly knows how scary it is when a beloved dog is in harm’s way. When he emerged from court on Friday, he immediately complained that F.B.I. agents had “terrorized” his dogs when they came to arrest him at dawn at his home in Fort Lauderdale.
The last thing Stone posted on Instagram before his arrest was a video of a terrier, with a high-pitched voice-over, protesting, “Roger Stone did nothing wrong.”
Always bespoke and natty, living by the mantra that it’s better to be infamous than never famous, Stone looked strangely unadorned as he came out of court to meet the press in a navy polo shirt and bluejeans.
As the master of darkness who had been captured in darkness stepped into the bright light of Fort Lauderdale, he was his usual flamboyant, unapologetically meretricious self. He proclaimed his innocence, flashed the Nixon victory sign and reiterated the old saw from his mentor, Roy Cohn, that any attention is good attention.
But it fell flat. Being Roger Stone had finally caught up with him.
He has always said Florida suited him because “it was a sunny place for shady people,” borrowing a Somerset Maugham line. But now the cat’s cradle of lies and dirty tricks had tripped up the putative dognapper. And it went down on the very same day that Paul Manafort — his former associate in a seamy lobbying firm with rancid dictators as clients, and then later his pal in the seamy campaign of Donald Trump — was also in federal court on charges related to the Mueller probe. Manafort’s hair is now almost completely white.
One of Stone’s rules — along with soaking his martini olives in vermouth and never wearing a double-breasted suit with a button-down collar — is “Deny, deny, deny.” But his arrest for lying, obstructing and witness tampering raised the inevitable question about his on-and-off friend in the White House, the man who is the last jigsaw-puzzle piece in the investigation of Trumpworld’s alleged coordination with Russia: Is being Donald Trump finally about to catch up with Donald Trump?
Stone, who famously has Nixon’s face tattooed on his back, is the agent provocateur who is the through line from Nixon, and his impeachment, to Trump, and his possible impeachment.
As Manafort said in the 2017 documentary “Get Me Roger Stone,” Trump and Stone “see the world in a very similar way.” And that way is theatrical and cynical. Do whatever you have to do to get what you want; playing by the rules is for suckers.
In 1999, when I went on a trip to Miami to watch Trump test the presidential waters, Stone orchestrated Trump’s Castro-bashing speech to Cuban-Americans. The bodybuilding, swinging strategist, christened “the state-of-the-art sleazeball” by The New Republic in the 80s, said he was “a jockey looking for a horse.”
Stone, who was mixed up in Watergate at the tender age of 19, “made the transition from the Stone Age of dirty tricks to today,” as David Axelrod puts it.
He watched Nixon rally the silent majority with a law-and-order message and racial dog whistling. He helped Ronald Reagan create Reagan Democrats.
For decades, believing “past is prologue,” Stone urged Trump to be the successor to those pols, revving up angry, white working-class voters who felt belittled or scared of “the other.” It would be so easy to divide and stoke resentment, as Stone and Trump proved when they inflamed the birther controversy against Barack Obama.
“Hate is a stronger motivator than love,” Stone told the documentarians. “Human nature has never changed.”
The tribal tensions in America made Stone’s favorite tricks easier than ever; he didn’t have to operate in the shadows. He wore a T-shirt with Bill Clinton and the word “Rape” at 2016 campaign rallies. As Stone boasted in the documentary, his “slash-and-burn” tactics “are now in vogue.”
Trump has had periods of estrangement with Stone. In 2008, in an interview with The New Yorker, he called the strategist “a stone-cold loser,” a state Trump himself has been relegated to this past week, courtesy of Nancy Pelosi.
Stone will not go gently. When he is asked about the tattoo of Nixon, he says he got it to remind himself, “A man is not finished when he is defeated; he is only finished when he quits.”
At the moment, though, dogged by Mueller, Stone and Manafort are the dog’s breakfast. The pair has given practicing the dark arts a bad name.
"There's one piece of history about Roger Stone that never gets enough press, Ms. Dowd. That is, Roger Stone was involved in the "recount" in Florida and swinging it to George W. Bush. Specifically, he was behind a political group attacking three Democratic state Supreme Court justices threatening Bush's possible victory: https://www.washingtonpost.com/archive/politics/2003/07/11/fla-may-fine-gop-figure-for-2000-recount-actions/af72ec6a-082e-4292-913c-f8ed14c2fc62/?utm_term=.9e4d3fc6c5f3 These sleazy political operatives, from Lee Atwater to Karl Rove to Paul Manafort to Roger Stone on the Right have been getting away with this disgusting behavior for decades. Trump is a direct result of this cancer. Lock them all up." V of LA
"The ghost of Nixon past still haunts us. Just when you thought it was safe to trust our democracy, we get the Nixon salute and see his face on Stone’s back, just not quite low enough, in my opinion. The president was bad enough, but now it looks as though he’s merely the apex of a vast pyramid scheme so vile and full of duplicity that only Betsy DeVos could fully appreciate it. But it’s clear that the president didn’t accomplish his takeover on his own. He was socially promoted to a position higher than he could have ever reached without dirty tricks, lies and conspiracies galore. If today’s events aren’t disgusting enough, we’re even picking up echoes of Roy Cohen. There’s even a faint whiff of Joseph McCarthy that you can just make out while watching the nightly news. It recalls a time when powerful people weaponized fear and ignorance, and nearly turned us into animals at each others throats. We can only hope that people who voted for the president were among those fearful of going broke during the government shutdown. You can talk to people all day about why an unread, crotch-groping narcissistic moron is not a good candidate for president of the United States, but until they feel it in their guts, and their wallets, they’ll never fully understand. Do we have your attention now? Have you taken note of the sleazy, lying manipulators who manufactured this presidency with your help? Mueller might undo some of the damage, but it's up us not to let it happen again." gemli of Boston
"Imagine assembling a clown show of Trump, Junior, Jared, Manafort, Bannon, Stone, Flynn, KA Conway and some sideshow characters like Carter Page and Papadopoulus. Deliver some memorable campaign promises for America's future like "Lock her up" and "Build the Wall", while encouraging mobs to beat up reporters. Toss in a few surprise tapes about assaulting young women. Then openly conspire with Russian intelligence to interfere in the US election while being watched by the FBI, CIA and 6 European country intelligence services. And make plain as day efforts to relieve sanctions on Russia, support the pro-Russian cause in Ukraine, make over 100 contacts with Russian government officials during the campaign and transition and attempt to set up a secret communication channel through the Russian Embassy that US intelligence cannot monitor. Even after all of this, the chaos and the soaring deficits of the first two years of the Trump Administration, around 40% of Americans still think he is doing a great job. Based on personal experience working in all 50 states, I don't believe that part of the population is going to change much. But we need to take back the government on behalf of future generations and do it soon." Look Ahead of Washington
"Like Trump, Roger Stone is a man with no redeeming qualities and no morals at all. Cohen and Manafort as well. They admire and emulate the tough guys of organized crime without actually BEING those tough guys. But the Russians working for former KGB agent Putin are those tough guys, and that's who the phonies chose to do business with. Stone is blustering but he's counting on a Trump pardon, not realizing 3 things: 1) Trump WILL throw him under the bus. A pardon is unlikely. 2) A Trump pardon means he cannot use the 5th Amendment to keep from testifying--meaning he must tell the truth or face contempt or perjury charges. 3) He will still be liable to state charges, and the new NY AG would love get him in her cross-hairs. Stone is finished and doesn't even know it!"Dad of 2 /NJ
"Roger Stone is a truly mean-spirited figure. No wonder he, like Trump, his soul mate if you will, were proteges of Roy Cohn. One thing is certain, nobody is going to feel sorry for Stone, Manafort or any of Donald Trump's merry band of mean, vindictive misfits. Once our national nightmare is over, it will take a long time to heal, if we ever can. Because Stone and Trump poked the racist beast of a certain segment of the nation, unleashing virulent emotions, conservative-fed conspiracy theories, and disdain for truth, fact checking, and critical thinking. The president, a man who doesn't read, aligned himself with a man who did but used his reading to polish his dark arts, and tries to make ignorance seem cool. As a result, they got an entire political party to totally overhaul its thinking on foreign policy goals, belief in climate science (indeed, belief in any science) and even, I venture to say, the biggie: immigration. Trump, egged on by Stone, has done more damage to our politics, rule of law, and views of government than any foreign invader could have. Stone, more than Trump, grasped an essential truth: the worst damage a country can undergo is from within."Christine McM of Boston
"If Stone and The Donald have used "revving up angry white working-class voters" as a tactic to win elections, one wonders whether they are themselves authentic racists or whether they believe in nothing but power for its own sake. Are they "merely" impersonating bigots or are they true believers? Either way they represent a pestilence that needs to be driven out of the body politic, and yet if they're being disingenuous with respect to their own feelings about white supremacy (a disease that normally infects only the feeble-minded) one wonders how they manage to live with themselves. Can one ever attain enough wealth and power to compensate for the loss of one's soul? Perhaps it's a moot point but I somehow can't get past it."
Stu Freeman of Brooklyn
"No Stone left unturned, no creatures hiding under rocks. Spring IS coming, the flowers will bloom, the stench will dissipate, the gloom will dissolve. Thank you, Mr. Mueller." Stu Freeman of Brooklyn
Phyllis Dalmatian of Kansas
"Stone is Johnny two-face: he threatens to harm a security dog then uses his own two dogs' reaction to his early-morning arrest as proof of the FBI's perceived heavy-handed tactics. He trumpets his dedication to "the truth" while lying (all his life) and throughout the Mueller investigation--threatening former criminal associates if they cooperate with--i.e. tell the truth to--the feds. He professes patriotism while working in league with his country's greatest adversary to undermine an American presidential election. It is no wonder anyone this duplicitous should be an acolyte of Richard Nixon and a life-long driving force in the Republican Party. That's the way the GOP grows its alleged leaders--by rewarding them for wrecking American values without demonstrating any consciousness of guilt. "CMary of Chicago
"Concerning stones method of arrest, he merely found out how it is to be treated by law enforcement in many zip codes in this county, no sympathy whatsoever."No Party of FLA
"Why is it so many Americans believe whatever they are told? People like Trump and Stone commit crimes and lie in plain sight and many of our countrymen lap it up like duck soup. Was it growing up in the era of Disney and Spielberg that has made so much of the public susceptible to political special effects? "Of course President Obama is a Muslim, my TV said so." You can't fool all of the people, but you certainly will have no trouble fooling half of them. These remain dangerous times."Socrates of NJ
" Looking back....as you do in this piece....there is really only one question “Was your desperate focus on stopping Hilary from being elected worth it?”
David Martin of Paris
"Meanwhile, Trump can't stop telling us about women in vans with duct tape on their mouths. Perhaps his past is catching up with him involuntarily." Jerry Summer of NC
Another day, another Trump associate is arrested... What was that you were saying about HRC's emails again, Ms Dowd? Nick Adam of Mississippi
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thetotalfootball · 7 years
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Heroes and Villains
Author: Andrew Conway
I think it is a fair thesis to hold that there has not been a properly good premier league team since Ronaldo left United. To clarify, that would be a defining team that dominated and were clearly the best team in a fully functioning league of competitive and truly quality teams.
I’ve been thinking about it because Arsene Wenger’s excuse for the draw against West Ham at Upton Park in 2016 was that he didn’t expect Carroll to play and they were a bit naïve about the crossing and physicality of West Ham. While those are valid excuses to some, they are ridiculous when you consider that’s it hardly League 1 teams playing. It shouldn’t  matter whether a tall but technically limited player was playing – figure a way to counter it. This ridiculousness was further heightened by how revealing Andy Carroll was in his post-match interview. Bilic had told Carroll a few weeks ago to prepare for the game against Arsenal – he and his teammates studied Arsenal’s weaknesses, noting how poorly Arsenal have dealt with crosses, that it was practiced in training all week long before expertly executing it during the match.
Now in isolation, that has little to do with my initial statement on there not being a proper premier league team since that last great united side 6 or 7 years ago – pre Michael Owen. I thought of that old phrase, you either die a hero or live long enough to become a villain. Wenger is quickly becoming that villain, has been to non-Arsenal fans for some years and now he’s losing the grass roots as is clear from the reaction to this season from fans. Ferguson, a very similar character to Wenger (in terms of autocratic power) left a hero, but he must have known that the tide was turning, so much so that there must have been some form of shock when he won the league with that final Ferguson team. That same team, littered with aging veterans of past Premier League and European triumphs (though without RVP), utterly blew the league the previous season to a rather disgraceful Man City team. Quite possibly the worst team to win the league in the modern era and probably the only Championship winning side to concede the title weeks before lifting the ground. Coincidently enough they also remain the most expensively assembled league winning side.
In United’s last great team (c. 2007 – 2009), Ferguson (including whatever combination of coaches and football experts he had on staff) had decided to adopt a floating/rotating attack with Ronaldo at its centre – taking a free role where he could play on the left wing cutting in or right through the middle as Tevez, Rooney and whoever else was there would interchange with him in a fluid counter attacking system. A system built on a highly impressive back 4, experienced goalie and, if I’m being honest, a mediocre though highly effective midfield full of workhorses. There was still incision – old Scholes or older Giggs playing central midfield, good but limited peak Carrick – partnered with Darren Fletcher, battery powered Park and whoever else they had coming in the rotation (occasionally the majestic O’Shea and Brown). That team will be remembered quite fondly by history, likely better than most of Ferguson’s all conquering late-90’s teams. That will be down to their tactics.
A lot can be said about the former Chelsea manager Jose Mourinho, good and bad. I do firmly believe though that he changed the way tactics are viewed in the premier league. Even in his first season in 2004/5, a casual look back at the television coverage shows you the limited way tactics were looked at back then. Analysts were trying to understand Mourinho’s early selections and fit them into the 4-4-2 system, ingrained for the length of my life as “the way” to play football – (remembering the graphic of Damien Duff’s 11 positioned as a centre forward on the pre-match team sheet was a favourite of mine). Following a bedding in period, people began to realise that Mourinho had adjusted the classic 4-4-2 to, at first, a rather attacking 4-3-3 before settling into his preferred English system of 4-5-1, focusing on defensive solidity, dominated midfield and choking the life out of the game to force mistakes and eventually goals. He was massively successful for two seasons and who’s to say that maybe Mourinho’s acute self-destructive tendencies would ever have materialised if he had kept winning titles with his rigid 4-5-1 structure? What changed for Mourinho – was it Abramovic’s need for exciting, attacking football? Did this undermine Mourinho’s inherent pragmatism and led them to conceding their title in 2007? No, it was the emergence of Cristiano Ronaldo.
A hugely expensive Portuguese teenager, Ronaldo, in his first seasons at least, showed promise, but always seemed a bit “flash” for the premier league – trying things others wouldn’t but usually producing no end product.  Yet, in 2006, Ronaldo emerged, having significantly beefed up his physical presence and thoroughly blooded himself in the Premier League through a couple of United’s (in Ferguson’s time at least) most mediocre seasons – staying in touch with the league leaders but eventually falling off and knocked out early of European competition. Changes had to be made. Roy Keane’s MUTV outburst enabled it. To Keane’s dismay, he was the one to be sacrificed and I believe that this move proved crucial to United’s eventual dominance for the rest of the decade. Since Keane joined the club, there had been dominant old-school personalities at the club – Cantona, Schmeichel, Bruce, Ince, Parker, Hughes, Pallister, Stam, Djemba Djemba, Yorke, Sheringham,  – with Keane’s acrimonious departure in 2005, he was the last of that old no-nonsense generation. His personality had dictated how United played, how they had presented themselves on the field. Without him there, there would be a leadership vacuum in the team, but there would also be an opportunity.
The tactical innovations of Mourinho’s Chelsea had forced their rivals to adapt. Mourinho’s 4-5-1 employed a trio of central midfielders (rather than the traditional duo) upon which to build the team’s attacks and more importantly, add extra defensively solidarity to dominate the midfield battle. No longer could teams be cavalier with two box-to-box central midfielders – those big, all action athletic players were easily outmatched by the three central midfielders. This moved the creative centre of a team away from the all action midfielders of the likes of Keane and Viera and towards a different kind of player – a more svelte type of player, a Carrick, a Fabregas, a Bullard.
This newfound tactical flexibility gave opportunistic teams a perfect chance to enact further tactical tweaks, one of these opportunists was in charge of Manchester United. Early on in the move to three central midfielders, Ferguson maintained his decades old commitment to wingers, rotating Scholes, Fletcher, Giggs, Ronaldo and occasionally Rooney to wide positions. However, with the loss of a second striker to come assist the wingers in their normal short work, the wingers were suddenly expected to do so much more work in attacking situations, more running, more pressing, more positional flexibility and more end product. This shift effectively ended Giggs career as a flying winger (despite certain late bursts of form) and curtailed Fletcher’s attacking role in United’s team. Ronaldo though, thrived, effectively doubling his goal and assists in that first year and powered United back into Premier League contention.
A real turning point I remember came in 2006/07, a match which elevated United from promising challengers to champions, a crowd trouble marred Champions League tie with Roma. Julio Spalletti, that bald tactical genius in charge of one of the most experimental and influential teams of recent times had the Romans playing a 4-6 formation. A clear attempt to completely dominate position in midfield and break forward with the linchpin being the enigmatic Totti in that “false nine” role. In the first leg, the strategy worked well for Roma, winning 2-1. In the second leg, Ferguson threw caution to the wind, choosing to step away from his normally cautious European team selection and fully employing the team that had become the most feared in the premier league. A fluid attack of Smith, Rooney and Ronaldo, switching positions and wings, contributing goals, creating space for midfielders and fullbacks to expose destroyed the progressive Romans 7-1 at Old Trafford. It utilised the shift to 3 in midfield not to dominate midfield but instead to enable the attacking winners to worry less about defending and more about exploiting the space between Roma’s overpowering midfield and defence. United continued with this tactic of fluid attack, without the focus on a clearly defined centre forward but instead focusing on space for the remainder of the tournament, eventually losing to an AC Milan in which Kaka ran wild. United proceeded to utilise these tactics for the proceeding 2 seasons, winning two further league titles, winning a Champions League and reaching another Champions League final (with John O’Shea in defence) until Ronaldo finally departed for Madrid.
We have had 6 different league champions (and likely a seventh this year), many with great players, sometimes playing exceptional football, but I do not believe that we have not had a proper good premier league Champion since. No team has shifted the focus, changed the way the teams play and therefore the way teams react and truly dominated the league. While I am absolutely loving this season, the romance of Leicester or even Spurs’ seasons and the hilarity of all of big sides being completely banjaxed right as you think they have their stuff together. I have concerns – the drama is great, the experience is great, but is the quality there?  I don’t think so.
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aion-rsa · 7 years
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The DC Challenge: Did You Solve It Before DC Comics’ Creators?
This week marks the debut of the “Kamandi Challenge,” which is both the first new series starring the original Kamandi since his first series ended nearly forty years ago and the first new “Challenge” comic book DC Comics has put out since the original “DC Challenge” in 1985-86. But what, exactly, is a “Challenge” comic book and what was “DC Challenge” about?
RELATED: “Kamandi Challenge” 24 Creators At Random for “Last Boy On Earth” Stories
“DC Challenge” was an idea that a few comic book writers came up with at the 1983 San Diego Comic Con. The concept of the book was that each issue would be written and drawn by a different writer and artist. They could do anything they wanted and use any character they felt like (outside of characters whose title they were currently writing) but they had to end their issue on a cliffhanger, along with a title for the next issue. The next creative team had to pick up from that cliffhanger and continue the story (using the issue title somehow), ending their issue on a cliffhanger and so on and so forth until the whole thing was wrapped up in the final issue.
The very first issue was by Mark Evanier, Gene Colan and Bob Smith (Evanier was the guy who first came up with the project, so it made sense that he would kick things off). It starred Batman, Superman, Wonder Woman and Adam Strange. It introduced the idea of some sort of alien invasion of Earth, along with strange beings who looked like famous dead celebrities like Humphrey Bogart and Groucho Marx. Also, seemingly dead people were getting possessed by what appeared to be demons somehow tied in to the phases of the moon. Wonder Woman got involved with some scientists.
Aquaman has also gone missing. Towards the end of the issue, Superman was knocked out by someone mysterious while on the moon. Batman was alerted to some mystery that took him to the Gotham City power plant, where he met a turban-wearing alien.
The most difficult mystery later writers had solving involved the following numbers, written on a wall and discovered by Batman…
See if you can even guess as to what that one is about. The first cliffhanger saw Gotham City about to blow up…
Len Wein, Chuck Patton and Mike DeCarlo solved the cliffhanger by having Batman quickly cut the power lines to that area of Gotham City so that Bruce Wayne’s VCR (which was a Betamax, by the way) lost power, so the nuclear device was never triggered.
As you might expect, plots were pretty willy nilly brought up and resolved. One of the major things each writer did was to use the ability they had to use any DC character (that they were not already writing) to pull out some really obscure characters from the DC Comics archives. In #2, Wein and Patton had B’wana Beast and Congorilla join in on the fun!
This was more or less B’wana Beast’s first appearance since was first featured in a couple of issues of “Showcase” (unlike other heroes introduced in “Showcase” like Flash and Green Lantern, the B’wana Beast did not have much luck as a hero).
Things really weren’t being followed particularly well, but we have to spotlight how Doug Moench resolved a mini-cliffhanger from the second issue. In #2, Aquaman was found but he was in the Sahara desert without any water! So in #3, Moench and artists Carmine Infantino and Bob Smith had Aquaman avoid dying of thirst by grabbing a buzzard and literally drinking its blood!!
Paul Levitz escalated things in the fourth issue (by Gil Kane and Klaus Janson), by having the aliens actively invade the Earth. Levitz also doubled down on obscure characters by having Deadman possess Detective Chimp as part of the story!!
You could tell that they were having a blast with the story when they could really just do whatever they want, including the aforementioned Deadman/Detective Chimp interaction. Levitz also introduced a plot where Superman’s identity was about to be revealed in a Daily Planet headline, but no one seemed to be interested in following up on that idea.
RELATED: The Kamandi Challenge #1 (PREVIEW)
The problem with each writer just having a fun time on their own was that not a whole lot of time was spent trying to make the whole thing read as if it were an actual continuing narrative. Plots were introduced, plots were dropped. Joker was in outer space and playing a seemingly important role. Jimmy Olsen and Adam Strange went to a world conquered by Nazis. People kept doing their own thing and not really following up on the main plot. It was not until #8 that any writer even gave Evanier’s number puzzle a chance, with Gerry Conway having Batman figure out that those numbers were part of a formula to blow up the Earth (with each number being in megahertz to denote “Vibrational frequences” – hey, he was trying, at least! The other writers didn’t even give it a try!).
However, it was not until Roy Thomas took a turn in #9 that things finally got back on track a bit, as Thomas did a wonderful job in #9 (art by Don Heck) of having the Guardians and Metron discuss things, which served as exposition to sort of tie the various plots of the previous 8 issues together…
Issue #11, though, co-written by Marv Wolfman and Cary Bates, though, was a game-changer, as they finally cracked Evanier’s code! Check it out (art by Keith Giffen and Dave Hunt)…
Can you figure it out yet? If not, don’t worry, it’s super duper obscure. We made sure to include one specific page from issue #1, a page that clearly every other writer skipped over in their story, because the total Batman came up with? If you flip it over…
Yes, Dr. Eli Ellis, the guy who had only made a single brief appearance all the way back in #1, was a key part of the whole puzzle! How hilarious is that? Everyone skipped over this guy until the very end of the series. By the way, Wolfman and Bates also brought in a big bad guy behind everything, someone Giffen loved to draw…
(Isn’t it a shame that Jack Kirby wasn’t involved in this project at all? He was working for DC a bit at the time).
Issue #12 quickly resolved the Superman identity plot by Superman printing up a bunch of newspapers with other people revealed as Superman…
(Luckily, due to his brilliant glasses disguise, Clark Kent looked as different from Superman as Sally Field).
Ellis, as it turned out, was possessed by a demon follower of Darkseid and Ellis was in charge of a nuclear device so large that it would destroy the whole world. Luckily, with the heroes tipped off to Ellis’ role in all of this, they went to his lab and found the bomb and saved the world.
Oh, and the celebrity lookalikes? They were, well, simply that – people who looked like celebrities. Like you see hired for parties and events.
The whole thing ended up as a bit of a crazy mess (especially amusing was that this was all while DC was changing its continuity with “Crisis on Infinite Earths”), but it was also one hell of a fun ride while it lasted. If the “Kamandi Challenge” is half as fun as the original “DC Challenge,” we will have a very fun year of comics ahead of us!
NOTE: The full creative teams for the original “DC Challenge” were as follows:
#1 – Mark Evanier, Gene Colan and Bob Smith
#2 – Len Wein, Chuck Patton and Mike DeCarlo
#3 – >Doug Moench, Carmine Infantino and Bob Smith
#4 – Paul Levitz, Gil Kane and Klaus Janson
#5 – Mike W. Barr, Dave Gibbons and Mark Farmer
#6 – Elliot S! Maggin, Dan Jurgens and Larry Mahlstedt
#7 – Paul Kupperberg, Joe Staton and Steve Mitchell
#8 – Rick Hoberg, Dick Giordano, and Arne Starr
#9 – Roy Thomas and Don Heck
#10 – Dan Mishkin, Curt Swan and Terry Austin
#11 – Cary Bates, Marv Wolfman, Keith Giffen and Dave Hunt
#12 – Mark Evanier, Dan Mishkin, Roy Thomas, Gerry Conway, Len Wein, Marv Wolfman, Dan Spiegle, Denys Cowan, Luke McDonnell, Stan Woch, Steve Lightle, Ross Andru, Tom Mandrake, Rodin Rodriguez, Rick Magyar, Jan Duuresama, Gary Martin and Frank McLaughlin
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