#credit to esther my friend esther for linking me the irrationalfic manifesto

[chronotopes]

whats your merlin thesis bestie

HIIIII okay i was gonna answer this first thing in the morning but then i drank coffee and had a "cleaning the house" fever come over me so now here i am

there's major ways to fix merlin, but both of them depend on the same basic premise, which is a) merlin is a bitchass liberal, b) uther and gaius are terrible father figures shaping arthur and merlin respectively into versions of themselves, c) fuck the dragon all my homies hate the dragon, d) morgana did nothing wrong*

*morgana probably did things wrong but as a product of very real things that shaped her, including gaius and merlin willingly keeping her in the dark as to her own magic, and an ongoing double standard within the show where merlin is allowed to murder every single magic user that makes an attempt on arthur and uther's life, but the moment anyone is like "so what if we just offed uther, you know, the guy who committed genocide" merlin does a whole BUT KILLING PEOPLE IS WRONG!!! kind of thing and then goes on to do his fifteenth murder of the season

so the 'averting tragedy' way to fix merlin is to make these institutions (sons becoming their fathers, morgana devolving into Scary Woman Villainy, the enforced status quo of 'you have to not tell arthur about your magic, ever') not NONEXISTENT but CHALLENGEABLE, make it a show about young adults who are manipulated by adults more powerful than themselves, who are raised to believe in Tradition and Decorum and Waiting For Destiny but who are ultimately able to care for each other and (in merlin and morgana's case) the oppressed group they are literally a part of more than they care for this upbringing, and choose to fight for that rather than the demands of uther, gaius, and that motherfucking dragon. that's a show i'd sincerely enjoy watching!

the 'entrenching tragedy' way to fix merlin, on the other hand, is to keep all of these elements – the tragedy of every goddamn stupid choice merlin makes on that show – and make it intentional. i don't want to really air out my "everything i like is the same" disease, but make merlin a fullblown terezi pyrope archetype, someone who is practically a child who, by means of necessity and of what he's rewarded for doing, grows to embrace the warped justice of upholding an institution that hurts him and everyone he loves. empathize with morgana on a writing-level the way katie mcgrath was clearly very capable of doing - don't make her Less Violent, but make her violence a Comprehensible Choice, not just a “she’s evil and sexy now!!!” message to the audience. basically, consciously and at every point of the story, write merlin as a fullblown irrational protagonist, and when arthur gets merked and the golden age doesn't happen, make it a show about the failures of fantasy-metaphor-liberalism and about sons becoming their fathers in horrible ways, and about the fucking tragedy of merlin killing morgana when they should have been allies from the start. that's a show i'd enjoy watching too, one that leaves you as hollow and angry as merlin-the-show had, but in a way that comes from skilled writing rather than largely-not-very-good writing that sometimes does something heartbreakingly meaningful long enough for you to keep watching.