#criticism post

[iteratorsex]

I firmly believe the bigmoths were created to be fandom bait. They're unfittingly average in terms of design as a RW creature, and the fact theyre even confirmed domesticated adds onto it further. This is a design that was made to be put in cute rw furry art

Compare it to Rain Deer, who are also meant to be alien and majestic, yet are so lumpy and have dangly bits that could be wool, plant, or flesh. Who knows

Meanwhile, the moths are just normal ass irl moths but with 4 legs instead of 6 and feathery wings. They just stripped down a real existing moth!

I wish the design was more unsettling or alien, or just different from its inspirational source in a compelling way. These moths feel so... mammilian too. Like the people who believe that the felt poodle moth was a real animal and only like the moths that look that way

It's lacking the same aesthetic as all the other creatures

[adhdisgay]

Friendly reminder to listen VERY VERY CRITICALLY if someone tries to convince you not to register for federal disaster assistance following a declared disaster. Helene is still moving north and I see the usual rants picking up steam already.

That person trying to win social commentary points online is not your friend. That person can’t give you funds for house repair or to restock on food and meds. And if they say they can - that is a scammer and not someone you can trust.

Scammers and developers trying to take advantage after a disaster intentionally spread rumors/misinformation to convince survivors not to apply for federal disaster assistance. Many well meaning people pick this misinformation up and spread it further without understanding how the assistance process works. It’s happened more and more over the years and it will happen with Helene.

If you do not apply for assistance, you lose the chance to receive federal funds. APPLY APPLY APPLY. This doesn’t guarantee you will meet eligibility requirements, but you definitely can’t meet them if you don’t apply. The application process isn’t perfect but it continues to be updated - and was updated in 2024!! - to try and make it easier for survivors. If you have damages or lost power for an extended time, APPLY.

You can check on FEMA.gov or with local news to see when disaster recovery centers will open, how long the application period will last, and what information you’ll need when applying.

[patopq]

mother

[shorthaltsjester]

Critical Role: 10 Years of Storytelling

Campaign 1, Episode 115, "The Chapter Closes." // Taliesin Jaffe, in "As D&D booms, 'Critical Role' makes its own kind of nerd celebrity" by Sarah Parvini // Campaign 3, Episode 31, "Breaking Point" // On Loving by Forugh Farrokhzad, tr. Sholeh Wolpé // The Legend of Vox Machina at NYCC 2022 // 8-bit Stories // Campaign 1 Wrap-Up // “Without You Without Them” by boygenius // Campaign 2, Episode 141, "Fond Farewells." // Campaign 3: Behind the Set // Letters to Milena by Franz Kafka // Campaign 1, Episode 115, "The Chapter Closes." // Explanation of the final Vex’ahlia playlist by Laura Bailey // Liam's Quest: Full Circle // Backwards by Warsan Shire // Exandria Unlimited: Kymal, Part 2 // Explanation of Fearne’s second playlist by Ashley Johnson // Lighthousekeeping by Jeanette Winterson // San Diego Comic-Con 2023, Critical Role: Fireside Chat & Cast Q&A // Exandria Unlimited Cooldown: Divergence Episode 4 // Campaign 3, Episode 23, "To the Skies." // Explanation of the final Percy playlist by Taliesin Jaffe // "For Good" by Stephen Schwartz // Campaign 3, Episode 91, "True Heroism." // Exandria Unlimited: Calamity, Episode 4, "Fire and Ruin." // Campaign 3, Episode 121, "A New Age Begins."

[shesnake]

full offence but I do NOT watch movies so I can "turn my brain off" I take this shit so seriously

[astrid-beck]

This is my unethical polycule. The nonmonogamy is consensual and negotiated we're just evil in other ways.

[mike-wachowski]

like im sorry what do you mean natalie pulled her friends, her people, from starvation and winter into a flourishing community. what do you mean she taught gen to hunt and helped akilah raise animals and built them a garden. what do you mean she led her teammates out of fire and into a beautiful home and tried to help them put their hurt and pain behind them. and then they got rescued and none of that fucking mattered anymore. they got rescued and she lost her purpose. only it wasn't just her purpose as the hunter, it was her purpose as their leader, as their guide, as the one who brought them back from the brink. what the fuck.

[thatwavephenomenon]

me: i sure hope the crows are not gonna be solely depicted in veilguard as a brave force who 'fight for all' when they are at their core a criminal organization who is known to buy children to indoctrinate them and turn them into assassins, by putting them in overcrowded warehouses and making them fight for scrapes in order not to starve, to later torture those who reach adulthood to finish their initiations and kill them anyways if they dare to try getting out

bioware: i cooka da pizza

[threewishgoldfish]

essek-posting

[heywriters]

Once again, you can be an English major. a seasoned journalist. an established author. a famed literary critic...and you will still scratch your head over the junk that makes it big. Public opinion has no worth. Just write what you want.

"But I don't want to share something that isn't perfect" why not? everyone else does.

[iteratorsex]

Arguments for Watcher's lack of food being a good thing are silly to me

In vanilla, there's a TON of food available in the "beginner" regions, enough for you to settle and try and get comfortable and make errors. There's enough food for you to be able to gain and lose karma

But eventually, you'll run out of food, and the game basically tells you to start moving and go somewhere else, encouraging you to go and explore to find a new shelter and new food spots by easing you into it

Yet in places like Sky Islands, The Exterior, or Farm Arrays, food seems to get a little scarcer, but isn't completely absent. There's enough to shelter for a few cycles, but not enough to just stay there forever typically

Half of the Watcher regions just barely have any accessible food. You can go and travel through like 3 random warps, just to end up in a region that doesn't give you any food to shelter with, and you promptly starve or die to cycle timer. Yes this is mostly AR and OTR.

It's being hard for the SAKE of being hard, by simply not giving you any food at all. That's different from Vanilla, where you get enough to shelter at least once, and then need to move somewhere else to wait for the source to recover again. Or where you need to travel a bit from the shelter in order to find a trove of food- like in Shaded or Farm Arrays

Really, the point of vanilla is that it was enough to shelter, but not enough to stay! And it sucks that Watcher just kinda doesn't stick by this and refuses to give you food for miles and miles up until you can maybe find 1 batfly. There's a reason why they added more types of food in later versions of Rain World on launch

[chelbunn]

A moment of choice, sometime in Aeor [2022]

[insomnova]

why cant characters be little freaks. why cant they be a lil weird. must all characters be nice and well adjusted? must they all have healthy emotional regulation and a firm handle on their mental health? can they not be a lil fucked up? a lil off putting? is it a crime for a character to be, dare i say it, annoying?

[grayintogreen]

The Mighty Nein really are the “tonight we cancel the apocalypse” party, because that is the attitude of the patently insane and patently hypercompetent in ways that are too insane to be real and yet WORK. VM have Big Justice League energy. They’re saving the world by the book. They’re very much the epitome of their classes. This is not a knock. They are good at what they do, but their flair is extremely straightforward. Percy is gonna shoot fifty times a round. Keyleth is gonna archdruid her little heart out. Grog’s gonna smash. Scanlan is gonna sing a little song. That’s them! We like that for them! But it is very straightforward clock in/clock out heroism. They have day jobs now.

I’m not gonna be unfair to BH right now because I think they haven’t really figured out their niche yet and are constantly stuck in the mindset of not actually being heroes and being, and I say this out of love for their stupid little faces, selfish little turds. We might get a better idea later on when we come back to them as high level adventurers after how they shake out here, but so far they’re somewhere in the middle. A little Suicide Squad-y.

The M9 on the other hand are not clock in/clock out heroes. They’re barely heroes. They get told something could be a threat and they deal with it and they won’t just kill you, they will EMBARRASS you. They will act like you’re nothing and bet on fight outcomes mid-combat, call you names, hit you with lollipops and dicks, turn you into a fruit bat, whatever they have to. They’ll ruin your action economy, stun you, whatever. Not only did they come to stop you, you’ll be shamed so hard that your Lich won’t even want to rise again to seek vengeance because you know they’ll do it again. They’re canceling the apocalypse not because the one doing it is dead, but because they’re so demoralized there’s no gong forward. When the Mighty Nein come for your plans, your plans DO NOT survive because they’ve had dicks drawn all over them.

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[chamerionwrites]

Honestly this gets at my chiefest complaint/frustration/discomfort with fandom as a whole. Which is: in their rush to defend the artistic merit of fanworks I think a ton of people have really valorized transformation and remixing and reinterpretation in and of themselves, when imo those are all quite neutral actions. When done well, they can expand and build upon and subvert meaning in really powerful and thought-provoking (and fun!) ways. When done poorly, they are just as likely to flatten and oversimplify and decontextualize and completely erase meaning. The simple act of changing something does not imbue the choice to do so with creative validity. It is entirely possible for a cover song to be bad (or just boring!). To exactly the same degree that it is possible to transform a pretty shallow and straightforward work into something deeper and more nuanced and subversive, is possible to transform a work into a vastly shallower and less interesting shadow of itself. As with nearly everything in art, it's all about the execution!

But the second you voice this position (which should honestly be a pretty uncontroversial one imo), you get people shrieking at you about being gatekeep-y and pretentious and betraying the sacred fandom etiquette of Don't-Like-Don't-Read.

And like...listen. I was not raised in a barn. I am 150% capable of quietly back-buttoning out of a fanfic I think is bad or boring - which is exactly what I do when I encounter them - and I am obviously not advocating for stupid ships wars or any kind of harassment or leaving hatemail in people's AO3 inboxes. (Which some people will also accuse you of the second you say anything less than lavishly positive about fandom, in true piss-on-the-poor fashion.) Literally all I am saying is that you can't have your cake and eat it too - that if fandom and fanworks (in the broadest sense) have artistic merit then fandom and fanworks (in the broadest sense) are fair game for artistic critique. Which means, in practice, that I can go on my own blog and make a post exactly like this one - critiquing broad trends, or stating that some interpretations are bad actually, or pointing out that subverting or talking back to or reading against the grain of canon is very different from simply ignoring it, or saying "fandom's culture of collage/remix/fuck-canon-I-do-what-I-want can lend itself to to really creative and interesting art but also to a lot of really bland homogenized cut-n-paste art, not to mention some pretty troubling decontextualization." And that if you feel this rains on your personal parade, you are then free to DLDR by back-buttoning out of my blog and/or blocking me so you never have to see my hot takes again, rather than clamoring in my notes about how I should let people enjoy things.